literature is the reverse of all this. It wishes to know and to tell the truth, confident that consolation and delight are there; it does not care to paint the marvellous and impossible for the vulgar many, or to sentimentalize and falsify the actual for the vulgar few. Men are more like than unlike one another: let us make them know one another better, that they may be all humbled and strengthened with a sense of their fraternity. Neither arts, nor letters, nor sciences, except as they somehow, clearly or obscurely, tend to make the race better and kinder, are to be regarded as serious interests; they are all lower than the rudest crafts that feed and house and clothe, for except they do this office they are idle; and they cannot do this except from and through the truth.
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Authorities
Browbeat wholesome common-sense into the self-distrust Canon Fairfax,’s opinions of literary criticism Comfort from the thought that most things cannot be helped Concerning popularity as a test of merit in a book Critical vanity and self-righteousness
Critics are in no sense the legislators of literature Dickens rescued Christmas from Puritan distrust Effectism
Fact that it is hash many times warmed over reassures them Forbear the excesses of analysis
Glance of the common eye, is and always was the best light Greatest classics are sometimes not at all great Holiday literature
Imitators of one another than of nature Jane Austen
Languages, while they live, are perpetually changing Let fiction cease to lie about life
Long-puerilized fancy will bear an endless repetition Made them talk as seldom man and never woman talked Michelangelo’s “light of the piazza,”
No greatness, no beauty, which does not come from truth Novels hurt because they are not true
Plain industry and plodding perseverance are despised Pseudo-realists
Public wish to be amused rather than edified Teach what they do not know
Tediously analytical
To break new ground
Unless we prefer a luxury of grief
Vulgarity: bad art to lug it in
What makes a better fashion change for a worse Whatever is established is sacred with those who do not think
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Absence of distinction
Advertising
Aim at nothing higher than the amusement of your readers Ambitious to be of ugly modern patterns
An artistic atmosphere does not create artists Anise-seed bag
Any man’s country could get on without him Any sort of work that is slighted becomes drudgery Artist has seasons, as trees, when he cannot blossom As soon as she has got a thing she wants, begins to hate it Begun to fight with want from their cradles Blasts of frigid wind swept the streets
Book that they are content to know at second hand Business to take advantage of his necessity Clemens is said to have said of bicycling Competition has deformed human nature
Conditions of hucksters imposed upon poets Could not, as the saying is, find a stone to throw at a dog Disbeliever in punishments of all sorts
Do not want to know about such squalid lives Early self-helpfulness of children is very remarkable Encounter of old friends after the lapse of years Even a day’s rest is more than most people can bear Eyes fixed steadfastly upon the future
Face that expresses care, even to the point of anxiety Fate of a book is in the hands of the women For most people choice is a curse
General worsening of things, familiar after middle life God of chance leads them into temptation and adversity Happy in the indifference which ignorance breeds in us Hard to think up anything new
Heart of youth aching for their stoical sorrows Heighten our suffering by anticipation
Here and there an impassioned maple confesses the autumn Historian, who is a kind of inferior realist Houses are of almost terrifying cleanliness I do not think any man ought to live by an art If he has not enjoyed writing no one will enjoy reading If one were poor, one ought to be deserving Impropriety if not indecency promises literary success Ladies make up the pomps which they (the men) forego Lascivious and immodest as possible
Leading part cats may play in society Leaven, but not for so large a lump
Literary spirit is the true world-citizen Literature beautiful only through the intelligence Literature has no objective value
Literature is Business as well as Art Look of challenge, of interrogation, almost of reproof Malevolent agitators
Man is strange to himself as long as he lives Mark Twain
Meet here to the purpose of a common ostentation Men read the newspapers, but our women read the books More zeal than knowledge in it
Most journalists would have been literary men if they could Neatness that brings despair
Never quite sure of life unless I find literature in it No man ought to live by any art
No rose blooms right along
Noble uselessness
Not lack of quality but quantity of the quality Openly depraved by shows of wealth
Our deeply incorporated civilization Our huckstering civilization
People have never had ideals, but only moods and fashions People might oftener trust themselves to Providence People of wealth and fashion always dissemble their joy Picturesqueness which we should prize if we saw it abroad Plagiarism carries inevitable detection with it Public whose taste is so crude that they cannot enjoy the best Pure accident and by its own contributory negligence Put aside all anxiety about style
Refused to see us as we see ourselves Results of art should be free to all
Reviewers
Reward is in the serial and not in the book–19th Century Rogues in every walk of life
Should be very sorry to do good, as people called it Should sin a little more on the side of candid severity So many millionaires and so many tramps
So touching that it brought the lump into my own throat Solution of the problem how and where to spend the summer Some of it’s good, and most of it isn’t
Some of us may be toys and playthings without reproach Summer folks have no idea how pleasant it is when they are gone Superiority one likes to feel towards the rich and great Take our pleasures ungraciously
The old and ugly are fastidious as to the looks of others Their consciences needed no bossing in the performance There is small love of pure literature
They are so many and I am so few
Those who decide their fate are always rebelling against it Those who work too much and those who rest too much Trouble with success is that it is apt to leave life behind Two branches of the novelist’s trade: Novelist and Historian Unfailing American kindness
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We cannot all be hard-working donkeys We who have neither youth nor beauty should always expect it Whatever choice you make, you are pretty sure to regret it Work not truly priced in money cannot be truly paid in money Work would be twice as good if it were done twice
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Absence of distinction
Absolute devotion to the day of her death, Absolutely, so positively, so almost aggressively truthful Abstract, the air-drawn, afflicted me like physical discomforts Act officiously, not officially
Addressed to their tenderness out of his tenderness Advertising
Aim at nothing higher than the amusement of your readers Always sumptuously providing out of his destitution Ambitious to be of ugly modern patterns
Amiable perception, and yet with a sort of remote absence Amuse him, even when they wronged him
Amusingly realized the situation to their friends An artistic atmosphere does not create artists Anglo-American genius for ugliness
Anise-seed bag
Any sort of work that is slighted becomes drudgery Any man’s country could get on without him Appeal, which he had come to recognize as invasive Appeared to have no grudge left
Artist has seasons, as trees, when he cannot blossom As soon as she has got a thing she wants, begins to hate it Backed their credulity with their credit Bayard Taylor: incomparable translation of Faust Became gratefully strange
Begun to fight with want from their cradles Best talkers are willing that you should talk if you like Blasts of frigid wind swept the streets
Book that they are content to know at second hand Business to take advantage of his necessity But now I remember that he gets twenty dollars a month” Candle burning on the table for the cigars Celia Thaxter
Charles F. Browne
Charles Reade
Christianity had done nothing to improve morals and conditions Church: “Oh yes, I go It ‘most kills me, but I go,” Clemens was sole, incomparable, the Lincoln of our literature Clemens is said to have said of bicycling Cold-slaw
Collective opacity
Competition has deformed human nature Conditions of hucksters imposed upon poets Confidence I have nearly always felt when wrong Could easily believe now that it was some one else who saw it Could make us feel that our faults were other people’s Could not, as the saying is, find a stone to throw at a dog Could only by chance be caught in earnest about anything Couldn’t fire your revolver without bringing down a two volumer Dawn upon him through a cloud of other half remembered faces Death of the joy that ought to come from work Death’s vague conjectures to the broken expectations of life Despair broke in laughter
Despised the avoidance of repetitions out of fear of tautology Did not feel the effect I would so willingly have experienced Dinner was at the old-fashioned Boston hour of two Disbeliever in punishments of all sorts
Discomfort which mistaken or blundering praise Do not want to know about such squalid lives Dollars were of so much farther flight than now Early self-helpfulness of children is very remarkable Edmund Quincy
Edward Everett Hale
Either to deny the substance of things unseen, or to affirm it Emerson
Encounter of old friends after the lapse of years Enjoying whatever was amusing in the disadvantage to himself Espoused the theory of Bacon’s authorship of Shakespeare Ethical sense, not the aesthetical sense Even a day’s rest is more than most people can bear Everlasting rock of human credulity and folly Expectation of those who will come no more Express the appreciation of another’s fit word Eyes fixed steadfastly upon the future
Face that expresses care, even to the point of anxiety Fate of a book is in the hands of the women Feigned the gratitude which I could see that he expected Fell either below our pride or rose above our purse Felt that this was my misfortune more than my fault Few men last over from one reform to another First dinner served in courses that I had sat down to Flowers with which we garland our despair in that pitiless hour For most people choice is a curse
Forbearance of a wise man content to bide his time Forebore to speak needlessly to him, or to shake his hand Found life was not all poetry
Francis Parkman
Gay laugh comes across the abysm of the years General worsening of things, familiar after middle life Generous lover of all that was excellent in literature George William Curtis
Giggle which Charles Lamb found the best thing in life Give him your best wine
God of chance leads them into temptation and adversity Got out of it all the fun there was in it Greeting of great impersonal cordiality
Grieving that there could be such ire in heavenly minds Happy in the indifference which ignorance breeds in us Hard of hearing on one side. But it isn’t deafness Hard to think up anything new
Harriet Beecher Stowe and the Autocrat clashed upon homeopathy Hate of hate, the scorn of scorn, The love of love He did not care much for fiction
He was not bored because he would not be He was not constructive; he was essentially observant He did not paw you with his hands to show his affection He was a youth to the end of his days
He had no time to make money
Heart of youth aching for their stoical sorrows Heighten our suffering by anticipation
Heine
Here and there an impassioned maple confesses the autumn Heroic lies
His plays were too bad for the stage, or else too good for it His coming almost killed her, but it was worth it His remembrance absolutely ceased with an event His enemies suffered from it almost as much as his friends His readers trusted and loved him
Historian, who is a kind of inferior realist Hollowness, the hopelessness, the unworthiness of life Honest men are few when it comes to themselves Houses are of almost terrifying cleanliness I do not think any man ought to live by an art I find this young man worthy
I believe neither in heroes nor in saints I did not know, and I hated to ask
If he was not there to your touch, it was no fault of his If he was half as bad, he would have been too bad to be If he has not enjoyed writing no one will enjoy reading If one were poor, one ought to be deserving Impropriety if not indecency promises literary success In the South there was nothing but a mistaken social ideal Incredible in their insipidity
Industrial slavery
Insatiable English fancy for the wild America no longer there Intellectual poseurs
It was mighty pretty, as Pepys would say It is well to hold one’s country to her promises Jane Austen
Julia Ward Howe
Ladies make up the pomps which they (the men) forego Lascivious and immodest as possible
Leading part cats may play in society Leaven, but not for so large a lump
Left him to do what the cat might
Lie, of course, and did to save others from grief or harm Liked being with you, not for what he got, but for what he gave Liked to find out good things and great things for himself Lincoln
Literary dislikes or contempts
Literary spirit is the true world-citizen Literature has no objective value
Literature is Business as well as Art Literature beautiful only through the intelligence Livy Clemens: nthe loveliest person I have ever seen Long breath was not his; he could not write a novel Longfellow
Look of challenge, of interrogation, almost of reproof Looked as if Destiny had sat upon it
Love and gratitude are only semi-articulate at the best Love of freedom and the hope of justice
Lowell
Made all men trust him when they doubted his opinions Malevolent agitators
Man who may any moment be out of work is industrially a slave Man is strange to himself as long as he lives Man who had so much of the boy in him
Mark Twain
Marriages are what the parties to them alone really know Meet here to the purpose of a common ostentation Mellow cordial of a voice that was like no other Memory will not be ruled
Men who took themselves so seriously as that need Men read the newspapers, but our women read the books Men’s lives ended where they began, in the keeping of women Met with kindness, if not honor
Might so far forget myself as to be a novelist Mind and soul were with those who do the hard work of the world Mock modesty of print forbids my repeating here More zeal than knowledge in it
Most desouthernized Southerner I ever knew Most serious, the most humane, the most conscientious of men Most journalists would have been literary men if they could Motley
Napoleonic height which spiritually overtops the Alps Nearly nothing as chaos could be
Neatness that brings despair
Never saw a dead man whom he did not envy Never quite sure of life unless I find literature in it Never paid in anything but hopes of paying Never saw a man more regardful of negroes No rose blooms right along
No man ever yet told the truth about himself No man ought to live by any art
No time to make money
No man more perfectly sensed and more entirely abhorred slavery Noble uselessness
Not much patience with the unmanly craving for sympathy Not a man who cared to transcend; he liked bounds Not quite himself till he had made you aware of his quality Not lack of quality but quantity of the quality Not much of a talker, and almost nothing of a story-teller Not possible for Clemens to write like anybody else Now death has come to join its vague conjectures NYC, a city where money counts for more and goes for less Odious hilarity, without meaning and without remission Offers mortifyingly mean, and others insultingly vague Old man’s tendency to revert to the past Old man’s disposition to speak of his infirmities One could be openly poor in Cambridge without open shame Only one concerned who was quite unconcerned Openly depraved by shows of wealth
Ought not to call coarse without calling one’s self prudish Our huckstering civilization
Our deeply incorporated civilization Pathos of revolt from the colorless rigidities People have never had ideals, but only moods and fashions People might oftener trust themselves to Providence People of wealth and fashion always dissemble their joy Person who wished to talk when he could listen Picturesqueness which we should prize if we saw it abroad Plagiarism carries inevitable detection with it Plain-speaking or Rude Speaking
Pointed the moral in all they did
Polite learning hesitated his praise Praised it enough to satisfy the author
Praised extravagantly, and in the wrong place Public whose taste is so crude that they cannot enjoy the best Pure accident and by its own contributory negligence Put your finger on the present moment and enjoy it Put aside all anxiety about style
Quarrel was with error, and not with the persons who were in it Quebec was a bit of the seventeenth century Reformers, who are so often tedious and ridiculous Refused to see us as we see ourselves
Remember the dinner-bell
Reparation due from every white to every black man Results of art should be free to all
Reviewers
Reward is in the serial and not in the book–19th Century Rogues in every walk of life
Secret of the man who is universally interesting Seen through the wrong end of the telescope Shackles of belief worn so long
Should sin a little more on the side of candid severity Should be very sorry to do good, as people called it Shy of his fellow-men, as the scholar seems always to be So refined, after the gigantic coarseness of California So many millionaires and so many tramps
So touching that it brought the lump into my own throat Solution of the problem how and where to spend the summer Some superstition, usually of a hygienic sort Some of us may be toys and playthings without reproach Some of it’s good, and most of it isn’t
Sometimes they sacrificed the song to the sermon Sought the things that he could agree with you upon Spare his years the fatigue of recalling your identity Standards were their own, and they were satisfied with them Stoddard
Study in a corner by the porch
Stupidly truthful
Summer folks have no idea how pleasant it is when they are gone Superiority one likes to feel towards the rich and great Take our pleasures ungraciously
The ornament of a house is the friends who frequent it The old and ugly are fastidious as to the looks of others The world is well lost whenever the world is wrong Their consciences needed no bossing in the performance There is small love of pure literature
They are so many and I am so few
Things common to all, however peculiar in each Thoreau
Those who work too much and those who rest too much Those who have sorrowed deepest will understand this best Those who decide their fate are always rebelling against it Times when a man’s city was a man’s country Tired themselves out in trying to catch up with him Trouble with success is that it is apt to leave life behind True to an ideal of life rather than to life itself Truthful
Turn of the talk toward the mystical Two branches of the novelist’s trade: Novelist and Historian Unfailing American kindness
Used to ingratitude from those he helped Vacuous vulgarity of its texts
Visited one of the great mills
Visitors of the more inquisitive sex Wald with the lurch and the sway of the deck in it Walter-Scotticized, pseudo-chivalry of the Southern ideal Warner’s Backlog Studies
Wasted face, and his gay eyes had the death-look We who have neither youth nor beauty should always expect it We have never ended before, and we do not see how we can end We cannot all be hard-working donkeys
Welcome me, and make the least of my shyness and strangeness Well, if you are to be lost, I want to be lost with you What he had done he owned to, good, bad, or indifferent Whatever choice you make, you are pretty sure to regret it When to be an agnostic was to be almost an outcast Whether every human motive was not selfish Whitman’s public use of his privately written praise Wit that tries its teeth upon everything Women’s rights
Wonder why we hate the past so–“It’s so damned humiliating!” Wonderful to me how it should remain so unintelligible Work would be twice as good if it were done twice Work not truly priced in money cannot be truly paid in money Work gives the impression of an uncommon continuity Wrote them first and last in the spirit of Dickens
NOVELS
THE RISE OF SILAS LAPHAM
by William Dean Howells
Prepared by John Hamm
I.
WHEN Bartley Hubbard went to interview Silas Lapham for the “Solid Men of Boston” series, which he undertook to finish up in The Events, after he replaced their original projector on that newspaper, Lapham received him in his private office by previous appointment.
“Walk right in!” he called out to the journalist, whom he caught sight of through the door of the counting-room.
He did not rise from the desk at which he was writing, but he gave Bartley his left hand for welcome, and he rolled his large head in the direction of a vacant chair. “Sit down! I’ll he with you in just half a minute.”
“Take your time,” said Bartley, with the ease he instantly felt. “I’m in no hurry.” He took a note-book from his pocket, laid it on his knee, and began to sharpen a pencil.
“There!” Lapham pounded with his great hairy fist on the envelope he had been addressing.
“William!” he called out, and he handed the letter to a boy who came to get it. “I want that to go right away. Well, sir,” he continued, wheeling round in his leather-cushioned swivel-chair, and facing Bartley, seated so near that their knees almost touched, “so you want my life, death, and Christian sufferings, do you, young man?”
“That’s what I’m after,” said Bartley. “Your money or your life.”
“I guess you wouldn’t want my life without the money,” said Lapham, as if he were willing to prolong these moments of preparation.
“Take ’em both,” Bartley suggested. “Don’t want your money without your life, if you come to that. But you’re just one million times more interesting to the public than if you hadn’t a dollar; and you know that as well as I do, Mr. Lapham. There ‘s no use beating about the bush.”
“No,” said Lapham, somewhat absently. He put out his huge foot and pushed the ground-glass door shut between his little den and the book-keepers, in their larger den outside.
“In personal appearance,” wrote Bartley in the sketch for which he now studied his subject, while he waited patiently for him to continue, “Silas Lapham is a fine type of the successful American. He has a square, bold chin, only partially concealed by the short reddish-grey beard, growing to the edges of his firmly closing lips. His nose is short and straight; his forehead good, but broad rather than high; his eyes blue, and with a light in them that is kindly or sharp according to his mood. He is of medium height, and fills an average arm-chair with a solid bulk, which on the day of our interview was unpretentiously clad in a business suit of blue serge. His head droops somewhat from a short neck, which does not trouble itself to rise far from a pair of massive shoulders.”
“I don’t know as I know just where you want me to begin,” said Lapham.
“Might begin with your birth; that’s where most of us begin,” replied Bartley.
A gleam of humorous appreciation shot into Lapham’s blue eyes.
“I didn’t know whether you wanted me to go quite so far back as that,” he said. “But there’s no disgrace in having been born, and I was born in the State of Vermont, pretty well up under the Canada line–so well up, in fact, that I came very near being an adoptive citizen; for I was bound to be an American of SOME sort, from the word Go! That was about–well, let me see!–pretty near sixty years ago: this is ’75, and that was ’20. Well, say I’m fifty-five years old; and I’ve LIVED ’em, too; not an hour of waste time about ME, anywheres! I was born on a farm, and—-“
“Worked in the fields summers and went to school winters: regulation thing?” Bartley cut in.
“Regulation thing,” said Lapham, accepting this irreverent version of his history somewhat dryly.
“Parents poor, of course,” suggested the journalist. “Any barefoot business? Early deprivations of any kind, that would encourage the youthful reader to go and do likewise? Orphan myself, you know,” said Bartley, with a smile of cynical good-comradery.
Lapham looked at him silently, and then said with quiet self-respect, “I guess if you see these things as a joke, my life won’t interest you.”
“Oh yes, it will,” returned Bartley, unabashed. “You’ll see; it’ll come out all right.” And in fact it did so, in the interview which Bartley printed.
“Mr. Lapham,” he wrote, “passed rapidly over the story of his early life, its poverty and its hardships, sweetened, however, by the recollections of a devoted mother, and a father who, if somewhat her inferior in education, was no less ambitious for the advancement of his children. They were quiet, unpretentious people, religious, after the fashion of that time, and of sterling morality, and they taught their children the simple virtues of the Old Testament and Poor Richard’s Almanac.”
Bartley could not deny himself this gibe; but he trusted to Lapham’s unliterary habit of mind for his security in making it, and most other people would consider it sincere reporter’s rhetoric.
“You know,” he explained to Lapham, “that we have to look at all these facts as material, and we get the habit of classifying them. Sometimes a leading question will draw out a whole line of facts that a man himself would never think of.” He went on to put several queries, and it was from Lapham’s answers that he generalised the history of his childhood. “Mr. Lapham, although he did not dwell on his boyish trials and struggles, spoke of them with deep feeling and an abiding sense of their reality.” This was what he added in the interview, and by the time he had got Lapham past the period where risen Americans are all pathetically alike in their narrow circumstances, their sufferings, and their aspirations, he had beguiled him into forgetfulness of the check he had received, and had him talking again in perfect enjoyment of his autobiography.
“Yes, sir,” said Lapham, in a strain which Bartley was careful not to interrupt again, “a man never sees all that his mother has been to him till it’s too late to let her know that he sees it. Why, my mother–” he stopped. “It gives me a lump in the throat,” he said apologetically, with an attempt at a laugh. Then he went on: “She was a little frail thing, not bigger than a good-sized intermediate school-girl; but she did the whole work of a family of boys, and boarded the hired men besides. She cooked, swept, washed, ironed, made and mended from daylight till dark–and from dark till daylight, I was going to say; for I don’t know how she got any time for sleep. But I suppose she did. She got time to go to church, and to teach us to read the Bible, and to misunderstand it in the old way. She was GOOD. But it ain’t her on her knees in church that comes back to me so much like the sight of an angel as her on her knees before me at night, washing my poor, dirty little feet, that I’d run bare in all day, and making me decent for bed. There were six of us boys; it seems to me we were all of a size; and she was just so careful with all of us. I can feel her hands on my feet yet!” Bartley looked at Lapham’s No. 10 boots, and softly whistled through his teeth. “We were patched all over; but we wa’n’t ragged. I don’t know how she got through it. She didn’t seem to think it was anything; and I guess it was no more than my father expected of her. HE worked like a horse in doors and out–up at daylight, feeding the stock, and groaning round all day with his rheumatism, but not stopping.”
Bartley hid a yawn over his note-book, and probably, if he could have spoken his mind, he would have suggested to Lapham that he was not there for the purpose of interviewing his ancestry. But Bartley had learned to practise a patience with his victims which he did not always feel, and to feign an interest in their digressions till he could bring them up with a round turn.
“I tell you,” said Lapham, jabbing the point of his penknife into the writing-pad on the desk before him, “when I hear women complaining nowadays that their lives are stunted and empty, I want to tell ’em about my MOTHER’S life. I could paint it out for ’em.”
Bartley saw his opportunity at the word paint, and cut in. “And you say, Mr. Lapham, that you discovered this mineral paint on the old farm yourself?”
Lapham acquiesced in the return to business. “I didn’t discover it,” he said scrupulously. “My father found it one day, in a hole made by a tree blowing down. There it was, lying loose in the pit, and sticking to the roots that had pulled up a big, cake of dirt with ’em. I don’t know what give him the idea that there was money in it, but he did think so from the start. I guess, if they’d had the word in those days, they’d considered him pretty much of a crank about it. He was trying as long as he lived to get that paint introduced; but he couldn’t make it go. The country was so poor they couldn’t paint their houses with anything; and father hadn’t any facilities. It got to be a kind of joke with us; and I guess that paint-mine did as much as any one thing to make us boys clear out as soon as we got old enough. All my brothers went West, and took up land; but I hung on to New England and I hung on to the old farm, not because the paint-mine was on it, but because the old house was–and the graves. Well,” said Lapham, as if unwilling to give himself too much credit, “there wouldn’t been any market for it, anyway. You can go through that part of the State and buy more farms than you can shake a stick at for less money than it cost to build the barns on ’em. Of course, it’s turned out a good thing. I keep the old house up in good shape, and we spend a month or so there every summer. M’ wife kind of likes it, and the girls. Pretty place; sightly all round it. I’ve got a force of men at work there the whole time, and I’ve got a man and his wife in the house. Had a family meeting there last year; the whole connection from out West. There!” Lapham rose from his seat and took down a large warped, unframed photograph from the top of his desk, passing his hand over it, and then blowing vigorously upon it, to clear it of the dust. “There we are, ALL of us.”
“I don’t need to look twice at YOU,” said Bartley, putting his finger on one of the heads.
“Well, that’s Bill,” said Lapham, with a gratified laugh. “He’s about as brainy as any of us, I guess. He’s one of their leading lawyers, out Dubuque way; been judge of the Common Pleas once or twice. That’s his son–just graduated at Yale–alongside of my youngest girl. Good-looking chap, ain’t he?”
“SHE’S a good-looking chap,” said Bartley, with prompt irreverence. He hastened to add, at the frown which gathered between Lapham’s eyes, “What a beautiful creature she is! What a lovely, refined, sensitive face! And she looks GOOD, too.”
“She is good,” said the father, relenting.
“And, after all, that’s about the best thing in a woman,” said the potential reprobate. “If my wife wasn’t good enough to keep both of us straight, I don’t know what would become of me.” “My other daughter,” said Lapham, indicating a girl with eyes that showed large, and a face of singular gravity. “Mis’ Lapham,” he continued, touching his wife’s effigy with his little finger. “My brother Willard and his family–farm at Kankakee. Hazard Lapham and his wife–Baptist preacher in Kansas. Jim and his three girls–milling business at Minneapolis. Ben and his family–practising medicine in Fort Wayne.”
The figures were clustered in an irregular group in front of an old farm-house, whose original ugliness had been smartened up with a coat of Lapham’s own paint, and heightened with an incongruous piazza. The photographer had not been able to conceal the fact that they were all decent, honest-looking, sensible people, with a very fair share of beauty among the young girls; some of these were extremely pretty, in fact. He had put them into awkward and constrained attitudes, of course; and they all looked as if they had the instrument of torture which photographers call a head-rest under their occiputs. Here and there an elderly lady’s face was a mere blur; and some of the younger children had twitched themselves into wavering shadows, and might have passed for spirit-photographs of their own little ghosts. It was the standard family-group photograph, in which most Americans have figured at some time or other; and Lapham exhibited a just satisfaction in it. “I presume,” he mused aloud, as he put it back on top of his desk, “that we sha’n’t soon get together again, all of us.”
“And you say,” suggested Bartley, “that you stayed right along on the old place, when the rest cleared out West?”
“No o-o-o,” said Lapham, with a long, loud drawl; “I cleared out West too, first off. Went to Texas. Texas was all the cry in those days. But I got enough of the Lone Star in about three months, and I come back with the idea that Vermont was good enough for me.”
“Fatted calf business?” queried Bartley, with his pencil poised above his note-book.
“I presume they were glad to see me,” said Lapham, with dignity. “Mother,” he added gently, “died that winter, and I stayed on with father. I buried him in the spring; and then I came down to a little place called Lumberville, and picked up what jobs I could get. I worked round at the saw-mills, and I was ostler a while at the hotel–I always DID like a good horse. Well, I WA’N’T exactly a college graduate, and I went to school odd times. I got to driving the stage after while, and by and by I BOUGHT the stage and run the business myself. Then I hired the tavern-stand, and–well to make a long story short, then I got married. Yes,” said Lapham, with pride, “I married the school-teacher. We did pretty well with the hotel, and my wife she was always at me to paint up. Well, I put it off, and PUT it off, as a man will, till one day I give in, and says I, ‘Well, let’s paint up. Why, Pert,’–m’wife’s name’s Persis,–‘I’ve got a whole paint-mine out on the farm. Let’s go out and look at it.’ So we drove out. I’d let the place for seventy-five dollars a year to a shif’less kind of a Kanuck that had come down that way; and I’d hated to see the house with him in it; but we drove out one Saturday afternoon, and we brought back about a bushel of the stuff in the buggy-seat, and I tried it crude, and I tried it burnt; and I liked it. M’wife she liked it too. There wa’n’t any painter by trade in the village, and I mixed it myself. Well, sir, that tavern’s got that coat of paint on it yet, and it hain’t ever had any other, and I don’t know’s it ever will. Well, you know, I felt as if it was a kind of harumscarum experiment, all the while; and I presume I shouldn’t have tried it but I kind of liked to do it because father’d always set so much store by his paint-mine. And when I’d got the first coat on,”–Lapham called it CUT,–“I presume I must have set as much as half an hour; looking at it and thinking how he would have enjoyed it. I’ve had my share of luck in this world, and I ain’t a-going to complain on my OWN account, but I’ve noticed that most things get along too late for most people. It made me feel bad, and it took all the pride out my success with the paint, thinking of father. Seemed to me I might ‘a taken more interest in it when he was by to see; but we’ve got to live and learn. Well, I called my wife out,–I’d tried it on the back of the house, you know,–and she left her dishes,–I can remember she came out with her sleeves rolled up and set down alongside of me on the trestle,– and says I, ‘What do you think, Persis?’ And says she, ‘Well, you hain’t got a paint-mine, Silas Lapham; you’ve got a GOLD-mine.’ She always was just so enthusiastic about things. Well, it was just after two or three boats had burnt up out West, and a lot of lives lost, and there was a great cry about non-inflammable paint, and I guess that was what was in her mind. ‘Well, I guess it ain’t any gold-mine, Persis,’ says I; ‘but I guess it IS a paint-mine. I’m going to have it analysed, and if it turns out what I think it is, I’m going to work it. And if father hadn’t had such a long name, I should call it the Nehemiah Lapham Mineral Paint. But, any rate, every barrel of it, and every keg, and every bottle, and every package, big or little, has got to have the initials and figures N.L.f. 1835, S.L.t. 1855, on it. Father found it in 1835, and I tried it in 1855.'”
“‘S.T.–1860–X.’ business,” said Bartley.
“Yes,” said Lapham, “but I hadn’t heard of Plantation Bitters then, and I hadn’t seen any of the fellow’s labels. I set to work and I got a man down from Boston; and I carried him out to the farm, and he analysed it–made a regular Job of it. Well, sir, we built a kiln, and we kept a lot of that paint-ore red-hot for forty-eight hours; kept the Kanuck and his family up, firing. The presence of iron in the ore showed with the magnet from the start; and when he came to test it, he found out that it contained about seventy-five per cent. of the peroxide of iron.”
Lapham pronounced the scientific phrases with a sort of reverent satisfaction, as if awed through his pride by a little lingering uncertainty as to what peroxide was. He accented it as if it were purr-ox-EYED; and Bartley had to get him to spell it.
“Well, and what then?” he asked, when he had made a note of the percentage.
“What then?” echoed Lapham. “Well, then, the fellow set down and told me, ‘You’ve got a paint here,’ says he, ‘that’s going to drive every other mineral paint out of the market. Why’ says he, ‘it’ll drive ’em right into the Back Bay!’ Of course, I didn’t know what the Back Bay was then, but I begun to open my eyes; thought I’d had ’em open before, but I guess I hadn’t. Says he, ‘That paint has got hydraulic cement in it, and it can stand fire and water and acids;’ he named over a lot of things. Says he, ‘It’ll mix easily with linseed oil, whether you want to use it boiled or raw; and it ain’t a-going to crack nor fade any; and it ain’t a-going to scale. When you’ve got your arrangements for burning it properly, you’re going to have a paint that will stand like the everlasting hills, in every climate under the sun.’ Then he went into a lot of particulars, and I begun to think he was drawing a long-bow, and meant to make his bill accordingly. So I kept pretty cool; but the fellow’s bill didn’t amount to anything hardly–said I might pay him after I got going; young chap, and pretty easy; but every word he said was gospel. Well, I ain’t a-going to brag up my paint; I don’t suppose you came here to hear me blow”
“Oh yes, I did,” said Bartley. “That’s what I want. Tell all there is to tell, and I can boil it down afterward. A man can’t make a greater mistake with a reporter than to hold back anything out of modesty. It may be the very thing we want to know. What we want is the whole truth; and more; we’ve got so much modesty of our own that we can temper almost any statement.
Lapham looked as if he did not quite like this tone, and he resumed a little more quietly. Oh, there isn’t really very much more to say about the paint itself. But you can use it for almost anything where a paint is wanted, inside or out. It’ll prevent decay, and it’ll stop it, after it’s begun, in tin or iron. You can paint the inside of a cistern or a bath-tub with it, and water won’t hurt it; and you can paint a steam-boiler with it, and heat won’t. You can cover a brick wall with it, or a railroad car, or the deck of a steamboat, and you can’t do a better thing for either.”
“Never tried it on the human conscience, I suppose,” suggested Bartley.
“No, sir,” replied Lapham gravely. “I guess you want to keep that as free from paint as you can, if you want much use of it. I never cared to try any of it on mine.” Lapham suddenly lifted his bulk up out of his swivel-chair, and led the way out into the wareroom beyond the office partitions, where rows and ranks of casks, barrels, and kegs stretched dimly back to the rear of the building, and diffused an honest, clean, wholesome smell of oil and paint. They were labelled and branded as containing each so many pounds of Lapham’s Mineral Paint, and each bore the mystic devices, N.L.f. 1835–S.L.t. 1855. “There!” said Lapham, kicking one of the largest casks with the toe of his boot, “that’s about our biggest package; and here,” he added, laying his hand affectionately on the head of a very small keg, as if it were the head of a child, which it resembled in size, “this is the smallest. We used to put the paint on the market dry, but now we grind every ounce of it in oil–very best quality of linseed oil–and warrant it. We find it gives more satisfaction. Now, come back to the office, and I’ll show you our fancy brands.”
It was very cool and pleasant in that dim wareroom, with the rafters showing overhead in a cloudy perspective, and darkening away into the perpetual twilight at the rear of the building; and Bartley had found an agreeable seat on the head of a half-barrel of the paint, which he was reluctant to leave. But he rose and followed the vigorous lead of Lapham back to the office, where the sun of a long summer afternoon was just beginning to glare in at the window. On shelves opposite Lapham’s desk were tin cans of various sizes, arranged in tapering cylinders, and showing, in a pattern diminishing toward the top, the same label borne by the casks and barrels in the wareroom. Lapham merely waved his hand toward these; but when Bartley, after a comprehensive glance at them, gave his whole attention to a row of clean, smooth jars, where different tints of the paint showed through flawless glass, Lapham smiled, and waited in pleased expectation.
“Hello!” said Bartley. “That’s pretty!”
“Yes,” assented Lapham, “it is rather nice. It’s our latest thing, and we find it takes with customers first-rate. Look here!” he said, taking down one of the jars, and pointing to the first line of the label.
Bartley read, “THE PERSIS BRAND,” and then he looked at Lapham and smiled.
“After HER, of course,” said Lapham. “Got it up and put the first of it on the market her last birthday. She was pleased.”
“I should think she might have been,” said Bartley, while he made a note of the appearance of the jars.
“I don’t know about your mentioning it in your interview,” said Lapham dubiously.
“That’s going into the interview, Mr. Lapham, if nothing else does. Got a wife myself, and I know just how you feel.” It was in the dawn of Bartley’s prosperity on the Boston Events, before his troubles with Marcia had seriously begun.
“Is that so?” said Lapham, recognising with a smile another of the vast majority of married Americans; a few underrate their wives, but the rest think them supernal in intelligence and capability. “Well,” he added, “we must see about that. Where’d you say you lived?”
“We don’t live; we board. Mrs. Nash, 13 Canary Place.”
“Well, we’ve all got to commence that way,” suggested Lapham consolingly.
“Yes; but we’ve about got to the end of our string. I expect to be under a roof of my own on Clover Street before long. I suppose,” said Bartley, returning to business, “that you didn’t let the grass grow under your feet much after you found out what was in your paint-mine?”
“No, sir,” answered Lapham, withdrawing his eyes from a long stare at Bartley, in which he had been seeing himself a young man again, in the first days of his married life. “I went right back to Lumberville and sold out everything, and put all I could rake and scrape together into paint. And Mis’ Lapham was with me every time. No hang back about HER. I tell you she was a WOMAN!”
Bartley laughed. “That’s the sort most of us marry.”
“No, we don’t,” said Lapham. “Most of us marry silly little girls grown up to LOOK like women.”
“Well, I guess that’s about so,” assented Bartley, as if upon second thought.
“If it hadn’t been for her,” resumed Lapham, “the paint wouldn’t have come to anything. I used to tell her it wa’n’t the seventy-five per cent. of purr-ox-eyed of iron in the ORE that made that paint go; it was the seventy-five per cent. of purr-ox-eyed of iron in HER.”
“Good!” cried Bartley. “I’ll tell Marcia that.”
“In less’n six months there wa’n’t a board-fence, nor a bridge-girder, nor a dead wall, nor a barn, nor a face of rock in that whole region that didn’t have ‘Lapham’s Mineral Paint–Specimen’ on it in the three colours we begun by making.” Bartley had taken his seat on the window-sill, and Lapham, standing before him, now put up his huge foot close to Bartley’s thigh; neither of them minded that.
“I’ve heard a good deal of talk about that S.T.–1860– X. man, and the stove-blacking man, and the kidney-cure man, because they advertised in that way; and I’ve read articles about it in the papers; but I don’t see where the joke comes in, exactly. So long as the people that own the barns and fences don’t object, I don’t see what the public has got to do with it. And I never saw anything so very sacred about a big rock, along a river or in a pasture, that it wouldn’t do to put mineral paint on it in three colours. I wish some of the people that talk about the landscape, and WRITE about it, had to bu’st one of them rocks OUT of the landscape with powder, or dig a hole to bury it in, as we used to have to do up on the farm; I guess they’d sing a little different tune about the profanation of scenery. There ain’t any man enjoys a sightly bit of nature–a smooth piece of interval with half a dozen good-sized wine-glass elms in it–more than I do. But I ain’t a-going to stand up for every big ugly rock I come across, as if we were all a set of dumn Druids. I say the landscape was made for man, and not man for the landscape.”
“Yes,” said Bartley carelessly; “it was made for the stove-polish man and the kidney-cure man.”
“It was made for any man that knows how to use it,” Lapham returned, insensible to Bartley’s irony. “Let ’em go and live with nature in the WINTER, up there along the Canada line, and I guess they’ll get enough of her for one while. Well–where was I?”
“Decorating the landscape,” said Bartley.
“Yes, sir; I started right there at Lumberville, and it give the place a start too. You won’t find it on the map now; and you won’t find it in the gazetteer. I give a pretty good lump of money to build a town-hall, about five years back, and the first meeting they held in it they voted to change the name,–Lumberville WA’N’T a name,–and it’s Lapham now.”
“Isn’t it somewhere up in that region that they get the old Brandon red?” asked Bartley.
“We’re about ninety miles from Brandon. The Brandon’s a good paint,” said Lapham conscientiously. “Like to show you round up at our place some odd time, if you get off.”
“Thanks. I should like it first-rate. WORKS there?”
“Yes; works there. Well, sir, just about the time I got started, the war broke out; and it knocked my paint higher than a kite. The thing dropped perfectly dead. I presume that if I’d had any sort of influence, I might have got it into Government hands, for gun-carriages and army wagons, and may be on board Government vessels. But I hadn’t, and we had to face the music. I was about broken-hearted, but m’wife she looked at it another way. ‘I guess it’s a providence,’ says she. ‘Silas, I guess you’ve got a country that’s worth fighting for. Any rate, you better go out and give it a chance.’ Well, sir, I went. I knew she meant business. It might kill her to have me go, but it would kill her sure if I stayed. She was one of that kind. I went. Her last words was, ‘I’ll look after the paint, Si.’ We hadn’t but just one little girl then,–boy’d died,–and Mis’ Lapham’s mother was livin’ with us; and I knew if times DID anyways come up again, m’wife’d know just what to do. So I went. I got through; and you can call me Colonel, if you want to. Feel there!” Lapham took Bartley’s thumb and forefinger and put them on a bunch in his leg, just above the knee. “Anything hard?”
“Ball?”
Lapham nodded. “Gettysburg. That’s my thermometer. If it wa’n’t for that, I shouldn’t know enough to come in when it rains.”
Bartley laughed at a joke which betrayed some evidences of wear. “And when you came back, you took hold of the paint and rushed it.”
“1 took hold of the paint and rushed it–all I could,” said Lapham, with less satisfaction than he had hitherto shown in his autobiography. “But I found that I had got back to another world. The day of small things was past, and I don’t suppose it will ever come again in this country. My wife was at me all the time to take a partner–somebody with capital; but I couldn’t seem to bear the idea. That paint was like my own blood to me. To have anybody else concerned in it was like–well, I don’t know what. I saw it was the thing to do; but I tried to fight it off, and I tried to joke it off. I used to say, ‘Why didn’t you take a partner yourself, Persis, while I was away?’ And she’d say, ‘Well, if you hadn’t come back, I should, Si.’ Always DID like a joke about as well as any woman I ever saw. Well, I had to come to it. I took a partner.” Lapham dropped the bold blue eyes with which he had been till now staring into Bartley’s face, and the reporter knew that here was a place for asterisks in his interview, if interviews were faithful. “He had money enough,” continued Lapham, with a suppressed sigh; “but he didn’t know anything about paint. We hung on together for a year or two. And then we quit.”
“And he had the experience,” suggested Bartley, with companionable ease.
“I had some of the experience too,” said Lapham, with a scowl; and Bartley divined, through the freemasonry of all who have sore places in their memories, that this was a point which he must not touch again.
“And since that, I suppose, you’ve played it alone.”
“I’ve played it alone.”
“You must ship some of this paint of yours to foreign countries, Colonel?” suggested Bartley, putting on a professional air.
“We ship it to all parts of the world. It goes to South America, lots of it. It goes to Australia, and it goes to India, and it goes to China, and it goes to the Cape of Good Hope. It’ll stand any climate. Of course, we don’t export these fancy brands much. They’re for home use. But we’re introducing them elsewhere. Here.” Lapham pulled open a drawer, and showed Bartley a lot of labels in different languages–Spanish, French, German, and Italian. “We expect to do a good business in all those countries. We’ve got our agencies in Cadiz now, and in Paris, and in Hamburg, and in Leghorn. It’s a thing that’s bound to make its way. Yes, sir. Wherever a man has got a ship, or a bridge, or a lock, or a house, or a car, or a fence, or a pig-pen anywhere in God’s universe to paint, that’s the paint for him, and he’s bound to find it out sooner or later. You pass a ton of that paint dry through a blast-furnace, and you’ll get a quarter of a ton of pig-iron. I believe in my paint. I believe it’s a blessing to the world. When folks come in, and kind of smell round, and ask me what I mix it with, I always say, ‘Well, in the first place, I mix it with FAITH, and after that I grind it up with the best quality of boiled linseed oil that money will buy.'”
Lapham took out his watch and looked at it, and Bartley perceived that his audience was drawing to a close. “‘F you ever want to run down and take a look at our works, pass you over the road,”–he called it RUD” and it sha’n’t cost you a cent.” “Well, may be I shall, sometime,” said Bartley. “Good afternoon, Colonel.”
“Good afternoon. Or–hold on! My horse down there yet, William?” he called to the young man in the counting-room who had taken his letter at the beginning of the interview. “Oh! All right!” he added, in response to something the young man said.
“Can’t I set you down somewhere, Mr. Hubbard? I’ve got my horse at the door, and I can drop you on my way home. I’m going to take Mis’ Lapham to look at a house I’m driving piles for, down on the New Land.”
“Don’t care if I do,” said Bartley.
Lapham put on a straw hat, gathered up some papers lying on his desk, pulled down its rolling cover, turned the key in it, and gave the papers to an extremely handsome young woman at one of the desks in the outer office. She was stylishly dressed, as Bartley saw, and her smooth, yellow hair was sculpturesquely waved over a low, white forehead. “Here,” said Lapham, with the same prompt gruff kindness that he had used in addressing the young man, “I want you should put these in shape, and give me a type-writer copy to-morrow.”
“What an uncommonly pretty girl!” said Bartley, as they descended the rough stairway and found their way out to the street, past the dangling rope of a block and tackle wandering up into the cavernous darkness overhead.
“She does her work,” said Lapham shortly.
Bartley mounted to the left side of the open buggy standing at the curb-stone, and Lapham, gathering up the hitching-weight, slid it under the buggy-seat and mounted beside him.
“No chance to speed a horse here, of course,” said Lapham, while the horse with a spirited gentleness picked her way, with a high, long action, over the pavement of the street. The streets were all narrow, and most of them crooked, in that quarter of the town; but at the end of one the spars of a vessel pencilled themselves delicately against the cool blue of the afternoon sky. The air was full of a smell pleasantly compounded of oakum, of leather, and of oil. It was not the busy season, and they met only two or three trucks heavily straggling toward the wharf with their long string teams; but the cobble-stones of the pavement were worn with the dint of ponderous wheels, and discoloured with iron-rust from them; here and there, in wandering streaks over its surface, was the grey stain of the salt water with which the street had been sprinkled.
After an interval of some minutes, which both men spent in looking round the dash-board from opposite sides to watch the stride of the horse, Bartley said, with a light sigh, “I had a colt once down in Maine that stepped just like that mare.”
“Well!” said Lapham, sympathetically recognising the bond that this fact created between them. “Well, now, I tell you what you do. You let me come for you ‘most any afternoon, now, and take you out over the Milldam, and speed this mare a little. I’d like to show you what this mare can do. Yes, I would.”
“All right,” answered Bartley; “I’ll let you know my first day off.”
“Good,” cried Lapham.
“Kentucky?” queried Bartley.
“No, sir. I don’t ride behind anything but Vermont; never did. Touch of Morgan, of course; but you can’t have much Morgan in a horse if you want speed. Hambletonian mostly. Where’d you say you wanted to get out?”
“I guess you may put me down at the Events Office, just round the corner here. I’ve got to write up this interview while it’s fresh.”
“All right,” said Lapham, impersonally assenting to Bartley’s use of him as material.
He had not much to complain of in Bartley’s treatment, unless it was the strain of extravagant compliment which it involved. But the flattery was mainly for the paint, whose virtues Lapham did not believe could be overstated, and himself and his history had been treated with as much respect as Bartley was capable of showing any one. He made a very picturesque thing of the discovery of the paint-mine. “Deep in the heart of the virgin forests of Vermont, far up toward the line of the Canadian snows, on a desolate mountain-side, where an autumnal storm had done its wild work, and the great trees, strewn hither and thither, bore witness to its violence, Nehemiah Lapham discovered, just forty years ago, the mineral which the alchemy of his son’s enterprise and energy has transmuted into solid ingots of the most precious of metals. The colossal fortune of Colonel Silas Lapham lay at the bottom of a hole which an uprooted tree had dug for him, and which for many years remained a paint-mine of no more appreciable value than a soap-mine.”
Here Bartley had not been able to forego another grin; but he compensated for it by the high reverence with which he spoke of Colonel Lapham’s
record during the war of the rebellion, and of the motives which impelled him to turn aside from an enterprise in which his whole heart was engaged, and take part in the struggle. “The Colonel bears embedded in the muscle of his right leg a little memento of the period in the shape of a minie-ball, which he jocularly referred to as his thermometer, and which relieves him from the necessity of reading ‘The Probabilities’ in his morning paper. This saves him just so much time; and for a man who, as he said, has not a moment of waste time on him anywhere, five minutes a day are something in the course of a year. Simple, clear, bold, and straightforward in mind and action, Colonel Silas Lapham, with a prompt comprehensiveness and a never-failing business sagacity, is, in the best sense of that much-abused term, one of nature’s noblemen, to the last inch of his five eleven and a half. His life affords an example of single-minded application and unwavering perseverance which our young business men would do well to emulate. There is nothing showy or meretricious about the man. He believes in mineral paint, and he puts his heart and soul into it. He makes it a religion; though we would not imply that it IS his religion. Colonel Lapham is a regular attendant at the Rev. Dr. Langworthy’s church. He subscribes liberally to the Associated Charities, and no good object or worthy public enterprise fails to receive his support. He is not now actively in politics, and his paint is not partisan; but it is an open secret that he is, and always has been, a staunch Republican. Without violating the sanctities of private life, we cannot speak fully of various details which came out in the free and unembarrassed interview which Colonel Lapham accorded our representative. But we may say that the success of which he is justly proud he is also proud to attribute in great measure to the sympathy and energy of his wife–one of those women who, in whatever walk of life, seem born to honour the name of American Woman, and to redeem it from the national reproach of Daisy Millerism. Of Colonel Lapham’s family, we will simply add that it consists of two young lady daughters.
“The subject of this very inadequate sketch is building a house on the water side of Beacon Street, after designs by one of our leading architectural firms, which, when complete, will be one of the finest ornaments of that exclusive avenue. It will, we believe, be ready for the occupancy of the family sometime in the spring.”
When Bartley had finished his article, which he did with a good deal of inward derision, he went home to Marcia, still smiling over the thought of Lapham, whose burly simplicity had peculiarly amused him. “He regularly turned himself inside out to me,” he said, as he sat describing his interview to Marcia.
“Then I know you could make something nice out of it,” said his wife; “and that will please Mr. Witherby.”
“Oh yes, I’ve done pretty well; but I couldn’t let myself loose on him the way I wanted to. Confound the limitations of decency, anyway! I should like to have told just what Colonel Lapham thought of landscape advertising in Colonel Lapham’s own words. I’ll tell you one thing, Marsh: he had a girl there at one of the desks that you wouldn’t let ME have within gunshot of MY office. Pretty? It ain’t any name for it!” Marcia’s eyes began to blaze, and Bartley broke out into a laugh, in which he arrested himself at sight of a formidable parcel in the corner of the room.
“Hello! What’s that?”
“Why, I don’t know what it is,” replied Marcia tremulously. “A man brought it just before you came in, and I didn’t like to open it.”
“Think it was some kind of infernal machine?” asked Bartley, getting down on his knees to examine the package. “MRS. B. Hubbard, heigh?” He cut the heavy hemp string with his penknife. “We must look into this thing. I should like to know who’s sending packages to Mrs. Hubbard in my absence.” He unfolded the; wrappings of paper, growing softer and finer inward, and presently pulled out a handsome square glass jar, through which a crimson mass showed richly. “The Persis Brand!” he yelled. “I knew it!”
“Oh, what is it, Bartley?” quavered Marcia. Then, courageously drawing a little nearer: “Is it some kind of jam?” she implored. “Jam? No!” roared Bartley. “It’s PAINT! It’s mineral paint–Lapham’s paint!”
“Paint?” echoed Marcia, as she stood over him while he stripped their wrappings from the jars which showed the dark blue, dark green, light brown, dark brown, and black, with the dark crimson, forming the gamut of colour of the Lapham paint. “Don’t TELL me it’s paint that I can use, Bartley!”
“Well, I shouldn’t advise you to use much of it–all at once,” replied her husband. “But it’s paint that you can use in moderation.”
Marcia cast her arms round his neck and kissed him. “O Bartley, I think I’m the happiest girl in the world! I was just wondering what I should do. There are places in that Clover Street house that need touching up so dreadfully. I shall be very careful. You needn’t be afraid I shall overdo. But, this just saves my life. Did you BUY it, Bartley? You know we couldn’t afford it, and you oughtn’t to have done it! And what does the Persis Brand mean?”
“Buy it?” cried Bartley. “No! The old fool’s sent it to you as a present. You’d better wait for the facts before you pitch into me for extravagance, Marcia. Persis is the name of his wife; and he named it after her because it’s his finest brand. You’ll see it in my interview. Put it on the market her last birthday for a surprise to her.”
“What old fool?” faltered Marcia.
“Why, Lapham–the mineral paint man.”
“Oh, what a good man!” sighed Marcia from the bottom of her soul. “Bartley! you WON’T make fun of him as you do of some of those people? WILL you?”
“Nothing that HE’LL ever find out,” said Bartley, getting up and brushing off the carpet-lint from his knees.
II.
AFTER dropping Bartley Hubbard at the Events building, Lapham drove on down Washington Street to Nankeen Square at the South End, where he had lived ever since the mistaken movement of society in that direction ceased. He had not built, but had bought very cheap of a terrified gentleman of good extraction who discovered too late that the South End was not the thing, and who in the eagerness of his flight to the Back Bay threw in his carpets and shades for almost nothing. Mrs. Lapham was even better satisfied with their bargain than the Colonel himself, and they had lived in Nankeen Square for twelve years. They had seen the saplings planted in the pretty oval round which the houses were built flourish up into sturdy young trees, and their two little girls in the same period had grown into young ladies; the Colonel’s tough frame had expanded into the bulk which Bartley’s interview indicated; and Mrs. Lapham, while keeping a more youthful outline, showed the sharp print of the crow’s-foot at the corners of her motherly eyes, and certain slight creases in her wholesome cheeks. The fact that they lived in an unfashionable neighbourhood was something that they had never been made to feel to their personal disadvantage, and they had hardly known it till the summer before this story opens, when Mrs. Lapham and her daughter Irene had met some other Bostonians far from Boston, who made it memorable. They were people whom chance had brought for the time under a singular obligation to the Lapham ladies, and they were gratefully recognisant of it. They had ventured–a mother and two daughters–as far as a rather wild little Canadian watering-place on the St. Lawrence, below Quebec, and had arrived some days before their son and brother was expected to join them. Two of their trunks had gone astray, and on the night of their arrival the mother was taken violently ill. Mrs. Lapham came to their help, with her skill as nurse, and with the abundance of her own and her daughter’s wardrobe, and a profuse, single-hearted kindness. When a doctor could be got at, he said that but for Mrs. Lapham’s timely care, the lady would hardly have lived. He was a very effusive little Frenchman, and fancied he was saying something very pleasant to everybody.
A certain intimacy inevitably followed, and when the son came he was even more grateful than the others. Mrs. Lapham could not quite understand why he should be as attentive to her as to Irene; but she compared him with other young men about the place, and thought him nicer than any of them. She had not the means of a wider comparison; for in Boston, with all her husband’s prosperity, they had not had a social life. Their first years there were given to careful getting on Lapham’s part, and careful saving on his wife’s. Suddenly the money began to come so abundantly that she need not save; and then they did not know what to do with it. A certain amount could be spent on horses, and Lapham spent it; his wife spent on rich and rather ugly clothes and a luxury of household appointments. Lapham had not yet reached the picture-buying stage of the rich man’s development, but they decorated their house with the costliest and most abominable frescoes; they went upon journeys, and lavished upon cars and hotels; they gave with both hands to their church and to all the charities it brought them acquainted with; but they did not know how to spend on society. Up to a certain period Mrs. Lapham had the ladies of her neighbourhood in to tea, as her mother had done in the country in her younger days. Lapham’s idea of hospitality was still to bring a heavy-buying customer home to pot-luck; neither of them imagined dinners.
Their two girls had gone to the public schools, where they had not got on as fast as some of the other girls; so that they were a year behind in graduating from the grammar-school, where Lapham thought that they had got education enough. His wife was of a different mind; she would have liked them to go to some private school for their finishing. But Irene did not care for study; she preferred house-keeping, and both the sisters were afraid of being snubbed by the other girls, who were of a different sort from the girls of the grammar-school; these were mostly from the parks and squares, like themselves. It ended in their going part of a year. But the elder had an odd taste of her own for reading, and she took some private lessons, and read books out of the circulating library; the whole family were amazed at the number she read, and rather proud of it.
They were not girls who embroidered or abandoned themselves to needle-work. Irene spent her abundant leisure in shopping for herself and her mother, of whom both daughters made a kind of idol, buying her caps and laces out of their pin-money, and getting her dresses far beyond her capacity to wear. Irene dressed herself very stylishly, and spent hours on her toilet every day. Her sister had a simpler taste, and, if she had done altogether as she liked, might even have slighted dress. They all three took long naps every day, and sat hours together minutely discussing what they saw out of the window. In her self-guided search for self-improvement, the elder sister went to many church lectures on a vast variety of secular subjects, and usually came home with a comic account of them, and that made more matter of talk for the whole family. She could make fun of nearly everything; Irene complained that she scared away the young men whom they got acquainted with at the dancing-school sociables. They were, perhaps, not the wisest young men.
The girls had learned to dance at Papanti’s; but they had not belonged to the private classes. They did not even know of them, and a great gulf divided them from those who did. Their father did not like company, except such as came informally in their way; and their mother had remained too rustic to know how to attract it in the sophisticated city fashion. None of them had grasped the idea of European travel; but they had gone about to mountain and sea-side resorts, the mother and the two girls, where they witnessed the spectacle which such resorts present throughout New England, of multitudes of girls, lovely, accomplished, exquisitely dressed, humbly glad of the presence of any sort of young man; but the Laphams had no skill or courage to make themselves noticed, far less courted by the solitary invalid, or clergyman, or artist. They lurked helplessly about in the hotel parlours, looking on and not knowing how to put themselves forward. Perhaps they did not care a great deal to do so. They had not a conceit of themselves, but a sort of content in their own ways that one may notice in certain families. The very strength of their mutual affection was a barrier to worldly knowledge; they dressed for one another; they equipped their house for their own satisfaction; they lived richly to themselves, not because they were selfish, but because they did not know how to do otherwise. The elder daughter did not care for society, apparently. The younger, who was but three years younger, was not yet quite old enough to be ambitious of it. With all her wonderful beauty, she had an innocence almost vegetable. When her beauty, which in its immaturity was crude and harsh, suddenly ripened, she bloomed and glowed with the unconsciousness of a flower; she not merely did not feel herself admired, but hardly knew herself discovered. If she dressed well, perhaps too well, it was because she had the instinct of dress; but till she met this young man who was so nice to her at Baie St. Paul, she had scarcely lived a detached, individual life, so wholly had she depended on her mother and her sister for her opinions, almost her sensations. She took account of everything he did and said, pondering it, and trying to make out exactly what he meant, to the inflection of a syllable, the slightest movement or gesture. In this way she began for the first time to form ideas which she had not derived from her family, and they were none the less her own because they were often mistaken.
Some of the things that he partly said, partly looked, she reported to her mother, and they talked them over, as they did everything relating to these new acquaintances, and wrought them into the novel point of view which they were acquiring. When Mrs. Lapham returned home, she submitted all the accumulated facts of the case, and all her own conjectures, to her husband, and canvassed them anew.
At first he was disposed to regard the whole affair as of small importance, and she had to insist a little beyond her own convictions in order to counteract his indifference.
“Well, I can tell you,” she said, “that if you think they were not the nicest people you ever saw, you’re mightily mistaken. They had about the best manners; and they had been everywhere, and knew everything. I declare it made me feel as if we had always lived in the backwoods. I don’t know but the mother and the daughters would have let you feel so a little, if they’d showed out all they thought; but they never did; and the son–well, I can’t express it, Silas! But that young man had about perfect ways.”
“Seem struck up on Irene?” asked the Colonel.
“How can I tell? He seemed just about as much struck up on me. Anyway, he paid me as much attention as he did her. Perhaps it’s more the way, now, to notice the mother than it used to be.”
Lapham ventured no conjecture, but asked, as he had asked already, who the people were.
Mrs. Lapham repeated their name. Lapham nodded his head. “Do you know them? What business is he in?”
“I guess he ain’t in anything,” said Lapham.
“They were very nice,” said Mrs. Lapham impartially.
“Well, they’d ought to be,” returned the Colonel. “Never done anything else.”
“They didn’t seem stuck up,” urged his wife.
“They’d no need to–with you. I could buy him and sell him, twice over.”
This answer satisfied Mrs. Lapham rather with the fact than with her husband. “Well, I guess I wouldn’t brag, Silas,” she said.
In the winter the ladies of this family, who returned to town very late, came to call on Mrs. Lapham. They were again very polite. But the mother let drop, in apology for their calling almost at nightfall, that the coachman had not known the way exactly.
“Nearly all our friends are on the New Land or on the Hill.”
There was a barb in this that rankled after the ladies had gone; and on comparing notes with her daughter, Mrs. Lapham found that a barb had been left to rankle in her mind also.
“They said they had never been in this part of the town before.”
Upon a strict search of her memory, Irene could not report that the fact had been stated with anything like insinuation, but it was that which gave it a more penetrating effect.
“Oh, well, of course,” said Lapham, to whom these facts were referred. “Those sort of people haven’t got much business up our way, and they don’t come. It’s a fair thing all round. We don’t trouble the Hill or the New Land much.”
“We know where they are,” suggested his wife thoughtfully.
“Yes,” assented the Colonel. “I know where they are. I’ve got a lot of land over on the Back Bay.”
“You have?” eagerly demanded his wife.
“Want me to build on it?” he asked in reply, with a quizzical smile.
“I guess we can get along here for a while.”
This was at night. In the morning Mrs. Lapham said–
“I suppose we ought to do the best we can for the children, in every way.”
“I supposed we always had,” replied her husband.
“Yes, we have, according to our light.”
“Have you got some new light?”
“I don’t know as it’s light. But if the girls are going to keep on living in Boston and marry here, I presume we ought to try to get them into society, some way; or ought to do something.”
“Well, who’s ever done more for their children than we have?” demanded Lapham, with a pang at the thought that he could possibly have been out-done. “Don’t they have everything they want? Don’t they dress just as you say? Don’t you go everywhere with ’em? Is there ever anything going on that’s worth while that they don’t see it or hear it? I don’t know what you mean. Why don’t you get them into society? There’s money enough!”
“There’s got to be something besides money, I guess,” said Mrs. Lapham, with a hopeless sigh. “I presume we didn’t go to work just the right way about their schooling. We ought to have got them into some school where they’d have got acquainted with city girls–girls who could help them along.
Nearly everybody at Miss Smillie’s was from some where else.”
“Well, it’s pretty late to think about that now,” grumbled Lapham.
“And we’ve always gone our own way, and not looked out for the future. We ought to have gone out more, and had people come to the house. Nobody comes.”
“Well, is that my fault? I guess nobody ever makes people welcomer.”
“We ought to have invited company more.”
“Why don’t you do it now? If it’s for the girls, I don’t care if you have the house full all the while.”
Mrs. Lapham was forced to a confession full of humiliation. “I don’t know who to ask.”
“Well, you can’t expect me to tell you.”
“No; we’re both country people, and we’ve kept our country ways, and we don’t, either of us, know what to do. You’ve had to work so hard, and your luck was so long coming, and then it came with such a rush, that we haven’t had any chance to learn what to do with it. It’s just the same with Irene’s looks; I didn’t expect she was ever going to have any, she WAS such a plain child, and, all at once, she’s blazed out this way. As long as it was Pen that didn’t seem to care for society, I didn’t give much mind to it. But I can see it’s going to be different with Irene. I don’t believe but what we’re in the wrong neighbourhood.”
“Well,” said the Colonel, “there ain’t a prettier lot on the Back Bay than mine. It’s on the water side of Beacon, and it’s twenty-eight feet wide and a hundred and fifty deep. Let’s build on it.”
Mrs. Lapham was silent a while. “No,” she said finally; “we’ve always got along well enough here, and I guess we better stay.”
At breakfast she said casually: “Girls, how would you like to have your father build on the New Land?”
The girls said they did not know. It was more convenient to the horse-cars where they were.
Mrs. Lapham stole a look of relief at her husband, and nothing more was said of the matter.
The mother of the family who had called upon Mrs. Lapham brought her husband’s cards, and when Mrs. Lapham returned the visit she was in some trouble about the proper form of acknowledging the civility. The Colonel had no card but a business card, which advertised the principal depot and the several agencies of the mineral paint; and Mrs. Lapham doubted, till she wished to goodness that she had never seen nor heard of those people, whether to ignore her husband in the transaction altogether, or to write his name on her own card. She decided finally upon this measure, and she had the relief of not finding the family at home. As far as she could judge, Irene seemed to suffer a little disappointment from the fact.
For several months there was no communication between the families. Then there came to Nankeen Square a lithographed circular from the people on the Hill, signed in ink by the mother, and affording Mrs. Lapham an opportunity to subscribe for a charity of undeniable merit and acceptability. She submitted it to her husband, who promptly drew a cheque for five hundred dollars.
She tore it in two. “I will take a cheque for a hundred, Silas,” she said.
“Why?” he asked, looking up guiltily at her.
“Because a hundred is enough; and I don’t want to show off before them.”
“Oh, I thought may be you did. Well, Pert,” he added, having satisfied human nature by the preliminary thrust, “I guess you’re about right. When do you want I should begin to build on Beacon Street?” He handed her the new cheque, where she stood over him, and then leaned back in his chair and looked up at her.
“I don’t want you should begin at all. What do you mean, Silas?” She rested against the side of his desk.
“Well, I don’t know as I mean anything. But shouldn’t you like to build? Everybody builds, at least once in a lifetime.”
“Where is your lot? They say it’s unhealthy, over there.”
Up to a certain point in their prosperity Mrs. Lapham had kept strict account of all her husband’s affairs; but as they expanded, and ceased to be of the retail nature with which women successfully grapple, the intimate knowledge of them made her nervous. There was a period in which she felt that they were being ruined, but the crash had not come; and, since his great success, she had abandoned herself to a blind confidence in her husband’s judgment, which she had hitherto felt needed her revision. He came and went, day by day, unquestioned. He bought and sold and got gain. She knew that he would tell her if ever things went wrong, and he knew that she would ask him whenever she was anxious.
“It ain’t unhealthy where I’ve bought,” said Lapham, rather enjoying her insinuation. “I looked after that when I was trading; and I guess it’s about as healthy on the Back Bay as it is here, anyway. I got that lot for you, Pert; I thought you’d want to build on the Back Bay some day.”
“Pshaw!” said Mrs. Lapham, deeply pleased inwardly, but not going to show it, as she would have said. “I guess you want to build there yourself.” She insensibly got a little nearer to her husband. They liked to talk to each other in that blunt way; it is the New England way of expressing perfect confidence and tenderness.
“Well, I guess I do,” said Lapham, not insisting upon the unselfish view of the matter. “I always did like the water side of Beacon. There ain’t a sightlier place in the world for a house. And some day there’s bound to be a drive-way all along behind them houses, between them and the water, and then a lot there is going to be worth the gold that will cover it–COIN. I’ve had offers for that lot, Pert, twice over what I give for it. Yes, I have. Don’t you want to ride over there some afternoon with me and see it?” “I’m satisfied where we be, Si,” said Mrs. Lapham, recurring to the parlance of her youth in her pathos at her husband’s kindness. She sighed anxiously, for she felt the trouble a woman knows in view of any great change. They had often talked of altering over the house in which they lived, but they had never come to it; and they had often talked of building, but it had always been a house in the country that they had thought of. “I wish you had sold that lot.”
“I hain’t,” said the colonel briefly.
“I don’t know as I feel much like changing our way of living.”
“Guess we could live there pretty much as we live here. There’s all kinds of people on Beacon Street; you mustn’t think they’re all big-bugs. I know one party that lives in a house he built to sell, and his wife don’t keep any girl. You can have just as much style there as you want, or just as little. I guess we live as well as most of ’em now, and set as good a table. And if you come to style, I don’t know as anybody has got more of a right to put it on than what we have.”
“Well, I don’t want to build on Beacon Street, Si,” said Mrs. Lapham gently.
“Just as you please, Persis. I ain’t in any hurry to leave.”
Mrs. Lapham stood flapping the cheque which she held in her right hand against the edge of her left.
The Colonel still sat looking up at her face, and watching the effect of the poison of ambition which he had artfully instilled into her mind.
She sighed again–a yielding sigh. “What are you going to do this afternoon?”
“I’m going to take a turn on the Brighton road,” said the Colonel.
“I don’t believe but what I should like to go along,” said his wife.
“All right. You hain’t ever rode behind that mare yet, Pert, and I want you should see me let her out once. They say the snow’s all packed down already, and the going is A 1.”
At four o’clock in the afternoon, with a cold, red winter sunset before them, the Colonel and his wife were driving slowly down Beacon Street in the light, high-seated cutter, where, as he said, they were a pretty tight fit. He was holding the mare in till the time came to speed her, and the mare was springily jolting over the snow, looking intelligently from side to side, and cocking this ear and that, while from her nostrils, her head tossing easily, she blew quick, irregular whiffs of steam.
“Gay, ain’t she?” proudly suggested the Colonel.
“She IS gay,” assented his wife.
They met swiftly dashing sleighs, and let them pass on either hand, down the beautiful avenue narrowing with an admirably even sky-line in the perspective. They were not in a hurry. The mare jounced easily along, and they talked of the different houses on either side of the way. They had a crude taste in architecture, and they admired the worst. There were women’s faces at many of the handsome windows, and once in a while a young man on the pavement caught his hat suddenly from his head, and bowed in response to some salutation from within.
“I don’t think our girls would look very bad behind one of those big panes,” said the Colonel.
“No,” said his wife dreamily.
“Where’s the YOUNG man? Did he come with them?”
“No; he was to spend the winter with a friend of his that has a ranch in Texas. I guess he’s got to do something.”
“Yes; gentlemaning as a profession has got to play out in a generation or two.”
Neither of them spoke of the lot, though Lapham knew perfectly well what his wife had come with him for, and she was aware that he knew it. The time came when he brought the mare down to a walk, and then slowed up almost to a stop, while they both turned their heads to the right and looked at the vacant lot, through which showed the frozen stretch of the Back Bay, a section of the Long Bridge, and the roofs and smoke-stacks of Charlestown.
“Yes, it’s sightly,” said Mrs. Lapham, lifting her hand from the reins, on which she had unconsciously laid it.
Lapham said nothing, but he let the mare out a little.
The sleighs and cutters were thickening round them. On the Milldam it became difficult to restrict the mare to the long, slow trot into which he let her break. The beautiful landscape widened to right and left of them, with the sunset redder and redder, over the low, irregular hills before them. They crossed the Milldam into Longwood; and here, from the crest of the first upland, stretched two endless lines, in which thousands of cutters went and came. Some of the drivers were already speeding their horses, and these shot to and fro on inner lines, between the slowly moving vehicles on either side of the road. Here and there a burly mounted policeman, bulging over the pommel of his M’Clellan saddle, jolted by, silently gesturing and directing the course, and keeping it all under the eye of the law. It was what Bartley Hubbard called “a carnival of fashion and gaiety on the Brighton road,” in his account of it. But most of the people in those elegant sleighs and cutters had so little the air of the great world that one knowing it at all must have wondered where they and their money came from; and the gaiety of the men, at least, was expressed, like that of Colonel Lapham, in a grim almost fierce, alertness; the women wore an air of courageous apprehension. At a certain point the Colonel said, “I’m going to let her out, Pert,” and he lifted and then dropped the reins lightly on the mare’s back.
She understood the signal, and, as an admirer said, “she laid down to her work.” Nothing in the immutable iron of Lapham’s face betrayed his sense of triumph as the mare left everything behind her on the road. Mrs. Lapham, if she felt fear, was too busy holding her flying wraps about her, and shielding her face from the scud of ice flung from the mare’s heels, to betray it; except for the rush of her feet, the mare was as silent as the people behind her; the muscles of her back and thighs worked more and more swiftly, like some mechanism responding to an alien force, and she shot to the end of the course, grazing a hundred encountered and rival sledges in her passage, but unmolested by the policemen, who probably saw that the mare and the Colonel knew what they were about, and, at any rate, were not the sort