The Purple Heights by Marie Conway Oemler (page 4)

so completely in the person of the estimable Mrs. MacGregor.

Mr. Champneys demanded a lady middle-aged but not too middle-aged, not overly handsome, but not overly otherwise; an excellent disciplinarian, of a good family, and with impeccable references.

For the rest, Mrs. MacGregor was a tall, spare, high-nosed lady, with a thin-lipped mouth full of large, sound teeth of a yellowish tinge, and high cheek-bones with a permanent splash of red on them. Her eyes were frosty, and her light hair was frizzled in front, and worn high on her narrow head. She dressed in plain black silk of good quality, wore her watch at her waist, and on her wrist a large, old-fashioned bracelet in which was set a glass-covered, lozenge-shaped receptable holding what looked like a wisp of bristles, but which was a bit of the late Captain MacGregor’s hair.

Mr. Champneys had wanted a lady who was a church member. He had a vague idea that if a lady happened to be a church member you were somehow or other protected against her. Mrs. MacGregor was orthodox enough to satisfy the most rigid religionist. Mr. Champneys gathered that she believed in God the father, God the son, and God the Holy Ghost, three in One, and that One a dependable gentleman beautifully British, who dutifully protected the king, fraternally respected the Archbishop of Canterbury and the Prime Minister, and was heartily in favor of the British Constitution. Naturally, being a devout woman, she agreed with Deity.

An American family domiciled for a while in England had secured her services as companion to an elderly aunt of theirs, fetching her along with them, on their return to America. The aunt had been a family torment until the advent of Mrs. MacGregor, but in the hands of that disciplinarian she had become a mild-mannered old body. On her demise the grateful family settled a small annuity upon her whom they couldn’t help recognizing as their benefactor. Finding Americans so grateful, Mrs. MacGregor decided to remain among them and with her recommendations secure another position of trust in some wealthy family. This, then, was the teacher selected by Mr. Jason Vandervelde, who thought her just what Mr. Champneys wanted and his ward probably needed.

Mrs. MacGregor never really liked anybody, but she could respect certain persons highly; she respected Mr. Chadwick Champneys at sight. His name, his appearance, the fact that Jason Vandervelde was acting for him, convinced her that he was “quite the right sort”–for an American. She was as gracious to him as nature permitted her to be to anybody. And the salary was very good indeed.

It was only when Nancy put in her appearance that Mrs. MacGregor’s satisfaction withered around the edges. The red on her high cheeks deepened, and she fixed upon her new pupil a cold, appraising stare. She made no slightest attempt to ingratiate herself; that wasn’t her way; what she demanded, she often said, was Respect. The impossible young person who was staring back at her with hostile curiosity wasn’t overcome with Respect. The two did not love each other.

Strict disciplinarian though she might be where others were concerned, Mrs. MacGregor treated herself with lenient consideration. She was selfish with a fine, Christian zeal that moved Nancy to admiring wonder. Nancy’s own selfishness had been superimposed upon her by untoward circumstances. This woman’s selfishness was a part of her nature, carefully cultivated. She believed her body to be the temple of the Holy Ghost, and she made herself exceedingly comfortable in the building, quite as if the Holy Ghost were an obliging absentee landlord. Nancy observed, too, that although the servants did not like her, they obeyed her without question. She got without noise what she wanted.

But she really could teach. Almost from the first lesson, Nancy began to learn, the pure hatred she felt for her instructress adding rather than detracting from her progress. Had the woman been broader, of a finer nature, she might have failed here; but being what she was, immovable, hard as nails, narrow and prejudiced, sticking relentlessly to the obviously essential, she goaded and stung the girl into habits of study.

Her reaction to Mrs. MacGregor really pushed her forward. She knew that the woman could never overcome a secret sense of amaze that such a person as herself should be a member of Chadwick Champneys’s family–the man was a _gentleman_, you see. And she called Nancy “Anne.” Her lifted eyebrows at Nancy’s English, her shocked, patient, parrot-like, “Not ‘seen him when he done it,’ _please_. You _saw_ him when he _did_ it!–No, ‘I come in the house’ isn’t correct. Try to remember that _well-bred_ persons use the past tense of the verb; thus: ‘I _came_ into the house.’–What _do_ I hear, Anne? You ‘_taken’_ it? No! You TOOK it!” And she would look at Nancy like a scandalized martyr, ready to die for the noble cause of English grammar! Rather than endure that look, rather than face those uplifted eyebrows, Nancy, gritting her teeth, set herself seriously to the task of making over her method of speech.

It was Mrs. MacGregor who, discovering the girl’s unstinted allowance of candy, cut off the supply. She didn’t care much for candies herself, but she did like fruit, and fruit was substituted for the forbidden sweets. She had the healthy, wholesome English habit of walking, and unless the weather was impossible she forced her unwilling charge to take long tramps with her, generally immediately after breakfast. They would set out, Nancy dressed in a plain blue serge, her pretty, high-heeled pumps discarded for flat-heeled walking-shoes, Mrs. MacGregor flat-footed also, tall, bony, in a singular bonnet, but nevertheless retaining an inherent stateliness which won respect. Sometimes they tramped up Riverside Drive, their objective being Grant’s tomb. Mrs. MacGregor respected Grant; and the stands of dusty flags brought certain old British shrines to her mind. On stated mornings they visited the Library, while Mrs. MacGregor selected the books Nancy was to read, books that Nancy looked at askance. They had their mornings for the museums, too. Mrs. MacGregor knew nothing of art, except that, as she said to Nancy, well-bred persons simply _had_ to know something about it. After their walk came lessons, grueling, dry-as-dust, nose-to-the-grindstone lessons, during which Nancy’s speech was vivisected. At two o’clock they lunched, and Nancy had further critical instructions. The dishes she had once been allowed to order were changed, greatly to her annoyance; Mrs. MacGregor liked such honest stuff as mutton chops and potatoes, just as she insisted upon oatmeal for breakfast. Porridge, she called it. In the afternoon they motored; Mrs. MacGregor, who detested speed, became the bane of the hard-faced chauffeur’s life.

They dined at seven, and for an hour thereafter Mrs. MacGregor either read aloud from some book intended to edify the young person, or forced Nancy to do so. She was possibly the only person alive who delighted in Hannah More. She said, modestly, that at an early age she had been taught to revere this paragon, and whatever happy knowledge of the virtues proper to the female state she possessed, she owed in a large measure to that model writer. Nancy conceived for Hannah More a hatred equaled in intensity only by that cherished for Mrs. MacGregor herself.

Mrs. MacGregor’s notions of dress and her own were asunder, even as the poles. But here again that rigid duenna did her invaluable service, for if she didn’t look handsome in the clothes selected for her, she didn’t, as that lady said frankly, look vulgar in them. No longer would you be liable to mistake her for somebody’s second-rate housemaid on her day out. The simple diet and the inexorable regularity of her hours also told in her favor, although she herself wasn’t as yet aware of the change taking place. Already you could tell that hers was a supple and shapely young body, with promise of a magnificent maturity; you glimpsed behind the fading freckles a skin like a water-lily for creamy whiteness; and that red hair of hers, worn without frizzings, began to take on a glossy, coppery luster.

That spring they moved into the new house. It was so different from the average newly-rich American home that it moved even Mrs. MacGregor to praise. Nancy thought it rather bare. It hadn’t color enough, and there were but few pictures. Yet the old rosewood and mahogany furniture pleased her. She remembered that golden-oak, red-plush parlor at Baxter’s with a sort of wonder. Why! she had thought that parlor handsome! And now she was beginning to understand how hideous it had been.

She saw little of Mr. Champneys, who seemed to be plunged to the eyes in business. Occasionally he appeared, looked at her searchingly, said a few words to her and Mrs. MacGregor, and vanished for another indefinite period. Mr. Jason Vandervelde was almost a daily visitor when Mr. Champneys happened to be in the city. At times Mr. Champneys went away, presumably to look after business interests, and Nancy thought that at such times the lawyer accompanied him. She had no friends of her own age, and Mrs. MacGregor wasn’t, to say the least, companionable. And the books she was compelled to read bored her to distraction. She took it for granted they must be frightfully good, they were so frightfully dull! The deadliest, dullest of all seemed to be reserved for Sunday. She didn’t mind going to church; in church you could watch other people, even though Mrs. MacGregor sat rigidly erect by your side, and expected you to be able to find your place in a Book of Common Prayer entirely unfamiliar to you. While she sat rapt during what you thought an unnecessarily long sermon, you could look about you slyly, and take note of the people within your immediate radius.

Nancy liked to observe the younger people. Sometimes a bitter envy would almost choke her when she regarded some girl who was both pretty and prettily dressed, and, apparently, care-free and happy. She watched the younger men stealthily. Some of them pleased her; she would have liked to be admired by at least one of them, and she felt jealous of the fortunate young women singled out for their attentions. Think of being pretty, and having beautiful clothes, and swell fellows like that in love with you! That any one of these fine young men should cast a glance in her own direction never entered her mind. No. Loveliness and the affection and gaiety of youth were for others; for her–Peter Champneys. At that she fetched a deep sigh. She always went home from church silent and subdued. Mrs. MacGregor thought this a proper attitude of mind for the Sabbath.

The girl was vaguely disturbed and uneasy without knowing why. The newness and glamour of the possession of creature comforts, the absence of want, was wearing thin in spots. She was conscious of a lack. She was beginning to think and to question, and as there was no one in whom she might confide, she turned inward. Naturally, she couldn’t answer her own questions, and all her thoughts were as yet chaotic and confused. She wanted–well, what did she want, anyhow? She repeated to herself, “I want something different!” That something different should not include a dreary round of Mrs. MacGregor, a cold inspection by Mr. Chadwick Champneys; nor the thought of Peter Champneys. It _would_ include laughter and–and people who were neither teachers nor guardians, but who were gay, and young, and kind. She began to be conscious of her own isolation. She had always been isolated. Once poverty had done it; and now money was doing it. Those girls she saw at church–she’d bet they went to parties, had loads of friends, had a good time, were loved; plenty of people wanted their love. For herself, as far back as she could look, she had never had a friend. Who cared for her love? Sometimes she watched the new maid, a distractingly pretty little Irish girl, black-haired, blue-eyed, rosy-faced. The girl tried to be demure, to restrain the laughter that was always near the surface; but her eyes danced, her cheek dimpled, she had what one might call a smiling voice. And the handsome young policeman on the corner was acutely aware of her. Nancy remembered one afternoon when she and Mrs. MacGregor happened to be coming in at the same time with Molly. It was Molly’s afternoon off and she was dressed trimly, and with taste. Under her little close-fitting hat her hair was like black satin, her face like a rose. The young policeman managed to pass the house at that moment, and lifted his cap to her; Nancy saw the look in the young man’s eyes. She followed Mrs. MacGregor into the house, rebelliously. Nobody had ever looked at _her_ like that. Nobody was ever going to look at her like that. She remembered Peter Champneys’s eyes when they had first met hers. A dull flush stained her face, and bitterness overwhelmed her.

Mr. Champneys was busy; Mrs. MacGregor was satisfied–she had a position of authority; her creature comforts were exquisitely attended to; her salary was ample. The man saw his plans being carried forward, if not brilliantly at least creditably; the woman saw that her tasks were fulfilled. It never occurred to either that the girl might or should ask for more than she received, or that she might find her days dull. But Nancy was discovering that the body is more than raiment, and that one does not live by bread alone.

CHAPTER XIII

THE BRIGHT SHADOW

The Champneys chauffeur, greatly to Mrs. MacGregor’s terror and disapproval, seemed to live for speed alone; in consequence, one afternoon Mrs. MacGregor and Nancy very narrowly escaped dying for it. Whereupon Mr. Champneys summarily dismissed the chauffeur and engaged in his place young Glenn Mitchell, accidentally brought to his notice. Mr. Champneys congratulated himself upon the discovery of Glenn Mitchell. To begin with, he was a South Carolinian, one of those well-born, penniless, ambitious young Southerners who come to New York to make their fortune. One of his forebears had married a Champneys. That was in ante bellum days, but South Carolina has a long memory, and this far-off tie immediately established the young fellow upon a footing of family relationship and of cousinly friendliness. He was a personable youth of twenty, who had worked his way through high school and meant presently to go through the College of Physicians and Surgeons,–his grandfather had been a distinguished physician, Mr. Champneys remembered. The boy proposed to use his skill in handling a motor-car as a means toward that end.

Mr. Chadwick Champneys would gladly have paid Glenn’s college expenses out of his own pocket, but the young man, delicately sounded, politely but sturdily declined. The next best thing the kindly old Carolinian could do, then, was to make the boy a member of his own household. Hoichi had orders to prepare a room for Mr. Mitchell, and Mrs. MacGregor was advised that he would take his meals with the family. She was at first inclined to be scandalized: to bring your chauffeur to your own table was Americanism with a vengeance! But when she met the young man, she was mollified. This chauffeur was a gentleman, and in Mrs. MacGregor’s estimation a gentleman may do many things without losing caste. She remembered that the perfectly decent younger son of a certain poverty-stricken nobleman had driven a car. This young Mitchell was exceptionally good-looking in a nice, boyish, fresh-faced way, and she saw in his manner a youthful reflection of the courtliness which distinguished Mr. Chadwick Champneys. He had a great deal of that indefinable something we call charm, and before she knew it Mrs. MacGregor was won over to him, and looked upon his presence as a distinct addition to the Champneys menage.

When he had been introduced to Nancy, she was mentioned as “My niece, Mrs. Champneys.” Mrs. MacGregor called her “Anne.” Mr. Champneys spoke to her as “Nancy,” and Glenn thought he must have been mistaken as to that “Mrs.” There was no sign of a husband anywhere; neither was there any indication of widowhood. Nobody mentioned Peter–Mr. Champneys because he was more interested in talking about Glenn’s business than his own, on the occasions when he had time to talk about anything; Mrs. MacGregor, because she had never seen Peter, knew nothing at all about him, except that there was a nephew somewhere in the background of things, and wasn’t in the least interested in anything but her own immediate affairs; besides, it never would have occurred to her to talk about her employer’s affairs, even if she had known anything about them. An employer who was a gentleman, and very wealthy, belonged to the Established Order, and Mrs. MacGregor had the thorough-going British respect for Established Order. Nancy, for her part, wished to forget that Peter existed. She never by any chance mentioned him, or even thought of him if she could help it. So when young Glenn Mitchell, after the pleasant South Carolina fashion, addressed her as “Miss Nancy” it seemed perfectly all right to everybody.

Nancy was a little over eighteen then. She had grown taller, but she retained the pleasant angularity of extreme youth. Because she didn’t know how to arrange her hair, Mrs. MacGregor sternly forbidding frizzing and curling, and insisting upon a “modest simplicity becoming to a young girl” she wore her red mane in a huge plait. She had been so teased and badgered about her red hair, had hated it so heartily, been so ashamed of it, that she didn’t realize how magnificent it was now, after two years of care and cleanliness. It wasn’t auburn; it wasn’t Titian; it was a bright, rich, glittering, unbuyable, undeniable red, and Nancy wore her plait as a boy wears a chip on his shoulder. Young Glenn Mitchell was seized with a wild desire to catch hold of that braid that was like a cable of gleaming copper, and wind it around his wrists. For the first time, he thought, he was seeing the true splendor and beauty of red hair; and the girl had the wonderfully white skin that accompanies it. He suspected that she must have been pretty badly freckled when she was a child, for the freckles were still fairly visible, though one saw that they would presently vanish altogether. The curve of her throat and chin, the “salt-cellars” at the base of the neck, left nothing to be desired. Altogether there was that about this girl that caught and held his boyish attention. It wasn’t that she was pretty,–he had at first thought her plain. It was rather that here lay a tantalizing promise of unfoldment by and by, a sheathed hint of something rare and perilous.

He didn’t quite know what to make of Mr. Champneys’s niece. She was abnormally silent, unbelievably unobtrusive, singularly still. Watching her, he found himself wishing she would smile, at least occasionally: he longed to see what her mouth would look like if it should curve into laughter. She had exquisite teeth, and her eyes, when one was allowed to get a glimpse of them, were of a curious, agaty, gray green, with one or two little spots or flecks in the iris. Hers was an impassive, emotionless face; yet she gave a distinct impression of feeling, emotion, passion held in check; it was as if her feelings had been frozen. But suppose a spring thaw should set in–what then? Would there be just a calm brook flowing underneath placid willows, or a tempestuous torrent sweeping all before it? He wondered!

She sat opposite him at table three times a day, and never addressed a word to him, or to Mrs. MacGregor, who carried on whatever conversation there might be. Mrs. MacGregor liked to give details of entertainments “at home,” at which she herself had been present, or of events in which A Member of My Family had participated. “I said to the dear Bishop,”–“His Lordship remarked to My Cousin.” Sometimes during these recitals the thin, fine edge of a smile touched Nancy’s lips. It was gone so quickly one wasn’t quite sure it had been there at all; yet its brief passage gave her a strange expression of mockery and of weariness. She offered no opinions of her own about anything; she made no slightest attempt to keep the conversation alive; you could talk, or you could remain silent–it was all one to her. Yet dumb and indifferent though she appeared to be, you felt her presence as something very vital, listening, and immensely honest and natural.

He wished she would speak to him, say something more than a mere “Yes” or “No.” Girls had always been more than willing to talk to Glenn Mitchell–very much prettier and more fascinating girls than this silent, stubborn, red-headed Anne Champneys. He began to feel piqued, as well as puzzled.

And then, one day, he happened to glance up suddenly and in that instant encountered a full, straight, intense look from her–a look that weighed, and wondered, and searched, and was piercingly, almost unbearably eager and wistful. He felt himself engulfed, as it were, in the bottomless depths of that long, clear gaze, that went over him like the surge of great waters, and drenched his consciousness to the core. Brand-new Eve might have looked thus at brand-new Adam, sinlessly, virginally, yet with an avid and fearful questioning and curiosity. For the second his heart shook and reeled in his breast. Then the dark lashes fell and veiled the shining glance. Her face was once more indifferent and mask-like.

As a matter of fact, Nancy was avidly interested in Glenn, in whom for the first time she encountered youth. He came like a fresh breeze into an existence in which she stifled. From his first appearance in the house she had watched him stealthily, looking at him openly only when she thought herself unobserved. Conscious of her own defects, she was timid where this good-looking young man was concerned. It never occurred to her that she might interest him, but she did not wish him to think ill of her. She kept herself in the background as much as possible.

She had none of the joyousness natural to a girl of her age. She had no young companions. Was there some reason? Wasn’t she happy? He felt vaguely troubled for her. She aroused his sympathy, as well as his curiosity. He couldn’t forget that look he had surprised. It stayed in his memory, perilously. At night in his room, when he should have been studying, that astonishing glance came before him on his book, and cast a luminous spell upon him.

He surprised no more such glances. She still relegated to Mrs. MacGregor the full task of talking to him; a task that lady performed nobly. Just as she walked every morning with Mrs. MacGregor, she took her place in the car every afternoon, apparently obeying orders. Sometimes, twisting his head around, he could glimpse her profile turned toward the moving panorama of the crowded streets through which he was skilfully manoeuvering his way. But if she were interested in what she gazed at so fixedly, she made no comment. One never knew what she thought about anything.

One memorable evening she appeared at dinner in a yellow frock, instead of the usual serge or plain blue silk. It wasn’t an elaborate dress, but its prettily low neck allowed one to admire her full throat, with a string of amber beads around it. Her hair hung in two thick braids across her shoulders, and the straight lines of the yellow satin accentuated the youthfulness of her figure. Glenn’s heart behaved unmannerly.

She appeared not to see his quick, pleased glance, but turned instead to Mrs. MacGregor, who was regarding her critically. Mrs. MacGregor hadn’t been consulted about the yellow frock, and she viewed it with distinct disapproval. Glenn found himself solidly aligned against Mrs. MacGregor, and siding with the girl. He liked that yellow frock; somehow it suited her coloring, enabled one to see how unusual she really was. He wondered that he had thought her so plain, at first. She agitated him. He wished intensely that she would look at him; and just then she did, and for the first time saw admiration in a young man’s eyes, not for another girl, but for herself! She held his glance, doubtfully, timidly; but she couldn’t doubt the evidence of her senses. Glenn was pleased with her, he admired her! His ingenuous face beamed the fact, from frank eyes and smiling lips. There was somewhat more than admiration in his look, but Nancy was more than content with what appeared on the surface. Her eyes widened, a flush rose to her cheek, a naive and pleased smile transformed her dissatisfied young mouth. When he ventured to speak to her presently, she ventured to reply, shyly, but with new friendliness. Once, when Mrs. MacGregor said something sententious, and Glenn laughed, Nancy laughed with him.

That frank and boyish admiration restored to her, as it were, some rightful and precious heritage long withheld, an indispensable birthright the lack of which had beggared and stripped her. She had a sense of profound gratitude to this likable and handsome young man, a moved and touching interest in him. He made her feel glad to be alive; through him the world seemed of a sudden a kindlier place, full of charming surprises. And when she accompanied Mrs. MacGregor to church on the following Sunday, she looked with a secret sisterliness at the girls she had envied and disliked. It was as if she had been elected to their ranks, been made one of them; she wasn’t on the outside of things any more; somebody–a very desirable and handsome somebody–admired her, too. She didn’t analyze her feelings. Youth never thinks or analyzes, it feels and realizes; that is why it is divine, why it is lord of the earth. Her growing liking for him was so shy, so naive, so touchingly sincere, that Glenn was profoundly moved when he became aware of it. He had the old South Carolina chivalry; to him women were still invested with a halo, and one approached them with a manly reverence. He had liked girls, many girls; he would have told you, himself, that he never met a pretty girl without loving her some! But this was the first time Glenn had ever really fallen in love, and he fell headlong, with an impetuous ardor that all but swept him off his feet, and that was like strong wine to Nancy, whose drink heretofore had been lukewarm water.

He didn’t know whether or not she was Mr. Champney’s sole heir, and he didn’t care: what difference could that make? He was as well born as any Champneys, wasn’t he? And if he wasn’t blessed with much of this world’s goods just now, he took it for granted he was going to be, after a while. As for that, hadn’t Chadwick Champneys himself once been as poor as Job’s turkeys? And hadn’t Mr. Champneys acknowledged the relationship existing between them, slight and distant though it was? Who’d have the effrontery to look down on one of the Mitchells of Mitchellsville, South Carolina? He’d like to know! Glenn began to dream the rosy dreams of twenty.

It took Nancy somewhat longer to discover the amazing truth. She was more suspicious and at the same time very much more humble-minded than Glenn. But suspicion faded and failed before his honest passion. His agitation, his eagerness, his face that altered so swiftly, so glowingly, whenever she appeared, would have told the truth to one duller than Nancy. If Mrs. MacGregor could have suspected that anybody could fall in love with Anne Champneys, she must have seen the truth, too. But she didn’t. She was serenely blind to what was happening under her eyes.

Nancy never forgot the day she discovered that Glenn loved her. Mrs. MacGregor had one of her rare headaches. She was a woman who hated to upset the fixed routine of life, and as their afternoon outing was one of the established laws, she insisted that Nancy should go, though she herself must remain at home. Half fearful, half delighted, Nancy went. Glenn had looked at her, mutely entreating; in response to that entreaty she took the seat beside him. For some time neither spoke–Glenn because he was too wildly happy, Nancy because she hadn’t anything to say. She was curious; she waited for him to speak.

“I wonder,” gulped Glenn, presently, “if you know just how happy I am.”

Nancy said demurely that she didn’t know; but if he was happy she was glad: it must be very nice to be happy!

“Aren’t _you_ happy?” he ventured.

Nancy turned pink by way of answer. As a matter of fact, she was nearer being happy then than she had ever been. They fell into an intimate conversation–that is, Glenn talked, and the girl listened. He explained his hopes, ambitions, prospects. He talked eagerly and impetuously. He wished her to understand him, to know all about him,–what he was, what he hoped to be. A boy in love is like that.

In return for this confidence Nancy explained that she hated oatmeal, and Hannah More; some of these days she meant to buy every copy of Hannah More she could lay her hands on, and burn them. Of herself, her past, she said nothing.

“And so you’re going to be a doctor!” she turned the conversation back to him, as being much more interesting.

“Yes. Or rather, I’m going to be a great surgeon.” And then he asked, smilingly:

“And you–what do _you_ want to be?”

“I want to be happy,” said Nancy, half fiercely.

“There isn’t any reason why you shouldn’t be–a girl like you.”

Nancy looked a bit doubtful. But no, he wasn’t poking fun. And after a pause, he asked, as one putting himself to the test:

“Miss Anne–Nancy–do you think you could be happy–with _me_?”

“_You_?” breathed Nancy, all a-tremble. She thought she could be happier with Glenn than with anybody else. Why! there _wasn’t_ anybody else! That is, nobody that cared. She was afraid to say so. But her moved and changed face said it for her.

“Because, if you could be happy with me, why shouldn’t you be?” asked Glenn, brilliantly. But Nancy understood, and her heart crowded into her throat with delight, and terror, and a sort of agony. She felt that she loved and adored this boy to distraction. She would have adored anybody who loved and desired her, who found her fair. But she didn’t understand that; neither did Glenn.

“You care?” said the boy, leaning toward her. They were running slowly, along a road high above the river. “Nancy, you care?”

Care? Of course she cared! She considered him the most beautiful and desirable of mortals; she was so enraptured, so thrilled with the astounding fact that he cared for her, that she couldn’t speak, but looked at him with swimming eyes. He brought the car to a stop, slipped an arm around her shoulder, and drew her close. She knew that something momentous was going to happen to her, and looked at him, full of a sweet terror. “I love you!” said Glenn, and kissed her on the mouth.

His beard was the ghost of down on his cheek; her hair hung in a braid to her waist; their kiss was the kiss of youth,–tender, passionately pure. Everything but that morning face, pale with young emotion, looking at her with enamored eyes, vanished from her mind; everything else counted for nothing, went like chaff upon the wind. The one fact alone remained: _Glenn loved her_! Her senses were in a delicious tumult from the power and the glory of it: _Glenn loved her_! It was as if a skylark sang in her breast, as if she walked in a rosy and new-born world. Had Nancy been called upon to die for him then, she would have gone to her death shining-eyed, fleet-footed, joyous.

“I love you, I love you!” Glenn repeated it like a litany. “Nancy! Does it make you as happy because I love you as it makes me because you love me?”

“Oh, ten thousand times ten thousand times more!” she said fervently.

“I think it was your hair I fell in love with, first off,” he told her presently. “I have never seen a girl with such hair, and such a lot of it. I’m crazy about your hair, Nancy.”

“I think you must be,” she agreed whole-heartedly. She wasn’t vain, his girl!

They had no more plans than birds or flowers have. Plenty of time for sober planning by and by, when one grew accustomed to the sweet miracle of being beloved as much as one loved! Glenn simply took it for granted he was going to marry her. He had known her all of three months–a lifetime, really!–and she had allowed him to kiss her, had admitted she cared. He supposed they would have to wait until he had been through his training and won that coveted degree. Until then, they would keep their beautiful secret to themselves; they didn’t wish to share it with anybody, yet.

It was only when she was alone in her room that night that Nancy realized the true situation that confronted her. On the one side was Glenn, dear, wonderful Glenn, who loved her. On the other was Peter Champneys, who had married her as she had married him, for the Champneys money. Peter Champneys! who despised her, and whom she must consider a barrier between herself and whatever happiness life might offer her! She could understand how Glenn had made his mistake. Nobody had explained Peter to him. To tell him the truth now meant to lose him. She was like a person dying of thirst, yet forbidden to drink the cup of cold water extended to her.

Wasn’t it wiser to take what life offered, drain the cup, and let come what might? Why not snatch her chance of happiness, even though it should be brief? Suppose one waited? Deep in her heart was the hope that something would happen that would save her; youth always hopes something is going to happen that will save it. Wasn’t it possible Peter might fall in love with somebody, and divorce her? One saw how very possible indeed such a thing was! For the present, let Glenn love her. It was the most important and necessary thing in the world that Glenn should love her. What harm was she doing in letting Glenn love her? Particularly when Peter Champneys didn’t, never would, any more than she ever could or would love Peter Champneys.

Even Mrs. MacGregor noticed the change taking place in Anne Champneys. The girl had more color and animation, and at times she even ventured to express her own opinions, which were strikingly shrewd and fresh and original. Her eyes had grown sweeter and clearer, now that she no longer slitted them, and her mouth was learning to curve smilingly. Decidedly, Anne was vastly improved! And her manner had subtly changed, too; she was beginning to show an individuality that wasn’t without a nascent fascination.

Mrs. MacGregor plumed herself upon the improvement in her pupil, which she ascribed to her own civilizing and potent influence, for she was a God-fearing woman. She didn’t understand that the greatest Power in heaven and earth was at work with Nancy.

But although Glenn became daily more enamored of the girl, he wasn’t so satisfied with things as they were. He couldn’t say that Nancy really avoided him, of course. He drove her and Mrs. MacGregor, whom at times he wished in Jericho, out in the car every afternoon. He sat opposite her at table thrice daily. Sometimes in the evening he spent an hour or two with her and Mrs. MacGregor, before going to his own room to study. But it so happened that he never was able to see her alone any more; and Nancy certainly made no effort to bring about that desirable situation. This made him restive and at the same time increased his passion for her.

For her part, she was perfectly content just to look at him, to know that he was near. But Glenn was more impatient. He wanted the fragrance of her hair against his shoulder; he wanted the straight, strong young body in his arms; he wished to kiss her. And she held aloof. Although she no longer veiled her eyes from him, although he was quite sure she loved him, she was always tantalizingly out of his reach. She didn’t seem to understand the lover’s desire to be alone with the beloved, he thought. He grew moody. The weeks seemed years to his ardent and impetuous spirit. One night, happening to need a book he had noticed in the library, he went after it. And there, oh blessed vision, sat Nancy! She had been sleepless and restless, and had stolen out of her room for something to read that hadn’t been selected by Mrs. MacGregor. It was rather late, but finding the quiet library pleasanter to her mood than her own room, she curled up in a comfortable chair and began to read. The book was Hardy’s “Tess,” and its strong and somber passion and tragedy filled her with pity and terror. Something in her was roused by the story; she felt that she understood and suffered with that simple and passionate soul.

She looked up, startled, as Glenn entered the room. He came to her swiftly, his arms outstretched, his face alight.

“You!” he cried, radiant and elate. “You!”

Nancy rose, torn between the desire to retreat, and to fling herself into those waiting arms. Glenn left her no choice. He seized her, roughly and masterfully, and held her close, pressing her against his body. His lips fastened upon hers. Nancy closed her eyes and shivered. She felt small and helpless, a leaf before the wind, and she was afraid.

“Nancy!” he whispered. “Nancy! You’ve got to marry me. We’ll just have to risk it, degree or no degree! What’s the use of waiting all our lives, maybe, when we love each other? When will you marry me, Nancy?”

She knew then that she had to tell him the truth, and she trembled.

“Glenn, I–I–” she stammered. Her tongue seemed to cleave to the roof of her mouth.

“Soon? Say yes, Nancy! I’m crazy about you, don’t you know that? Why don’t you say when, Nancy?”

She felt desperate, as if some force were closing in upon her, relentlessly. She had to speak, and yet she couldn’t. She tried to escape from the arms that held her, but they clasped her all the closer. His eager lips closed on hers.

“Nancy! Ah, darling, why not let everything go and marry me at once?”

Ah, why not, indeed? As if Peter Champneys had reached across the sea to divide her and Glenn, a stern voice answered Glenn’s question.

“Because she has a husband already,” it said harshly. Chalky white, with blazing eyes, Chadwick Champneys confronted Peter’s wife in another man’s arms. “She is married to my nephew, Peter Champneys. Is it possible you do not know?”

Glenn’s arms dropped. Intuitively he moved away from her. His visage blanched, and he stared at her strangely.

“Nancy, is this thing true?”

Nancy nodded. She said in a lifeless voice: “Oh yes, it’s true. I was trying to tell you, but–” And then she broke into a cry: “Glenn, you don’t understand! Glenn, listen, please listen! I did love you, I do love you, Glenn! You–you don’t know–you don’t understand–“

The boy staggered. He was an honorable, clean-souled boy, heir to old heritages of pride, and faith, and chivalry. A dull, shamed red crept from cheek to brow, replacing his pallor. His gesture, as he turned away from her, made her feel as if she had been struck across the face. She winced. She saw herself judged and condemned.

“Mr. Champneys,” stammered Glenn, painfully, “surely you know I didn’t understand–don’t you? I–we–fell in love, sir. We’d meant to wait–that’s why I didn’t come to you at once–but I–that is, I was very much in love with her, and I was going to make a clean breast of it and ask you what we’d better do. And you’re not to think I’m–dishonorable–” he choked over the word.

Knowing the boy’s breed, Champneys laid a not unkindly hand on his shoulder.

“I see how it was,” he said. “And–I guess you’re punished enough, without any reproaches from me.”

Glenn turned to Nancy. “Why did you do it?” he cried. “I loved you, I trusted you. Nancy, why did you do such a thing–to _me_?”

She twisted her fingers. Well, this was the end. She was to be thrust out of the new brightness, back into the drab dreariness, the emptiness that was her fate. She lifted tragic eyes.

“I never expected you to love me. But when you did–I just _had_ to let you! Nobody else cared–ever. And I loved you for loving me–I couldn’t help it, Glenn; I couldn’t help it!” Her voice broke. She stood there, twisting her fingers.

An old, wise, kind woman, or an old priest who had seen and forgiven much, or men who knew and pitied youth, would have understood. Neither of the men to whom she spoke realized the significance of that childishly pitiful confession. Champneys felt that she had shamed his name, belittled the sacred Family which was his fetish; Glenn thought she had made a fool of him for her own amusement. Never again would he trust a woman, he told himself. And in his pain and shame, his smarting sense of having been duped, his hideous revulsion of feeling, he spoke out brutally. Nancy was left in no doubt as to the estimation in which he now held her. And she understood that it was his pride, even more than his love, that suffered.

She made no further attempt to explain or to exculpate herself; what was the use? She knew that had they changed places, had Glenn been in her shoes and she in his, her judgment had not been thus swift and merciless. Her larger love would have understood, and pitied, and forgiven. Pride! They talked of Pride, and they talked of Name. But she could only feel that the one love she had ever known, or perhaps ever was to know, was going from her, must go from her, unforgiving, as if she had done it some irreparable wrong. She looked from one wrathful, accusing face to the other, like a child that has been beaten. How could Glenn, who had seemed to love her so greatly, turn against her so instantly? Not even–Peter Champneys–had looked at her as Glenn was looking at her now! And of a sudden she felt cold, and old, and sad, and inexpressibly tired. So this was what men were like, then! They always blamed. And they never, never understood. She would not forget.

She checked the impulse to cry aloud to Glenn, to try once more to make him understand. Her eyes darkened, and two bright spots burnt in her cheeks. Without a further word or glance she walked out of the room and left the two standing close together. So stepped Anne Champneys into her womanhood.

She locked her door upon herself. Then she went over, after her fashion, and stared at herself in her mirror. The herself staring back at her startled her–the flushed cheeks, the mouth like coral, the eyes glowing like jewels under straight black brows. The ropes of red hair seemed alive, too; the whole figure radiated a personality that could be dynamic, once its powers should be fully aroused.

She viewed the woman in the glass impersonally, as if it had been a stranger’s face looking at her. That vivid creature couldn’t be Nancy Simms, not quite three years ago the Baxter slavey, the same Nancy that Peter Champneys had shrunk from with aversion, and that Glenn had repudiated to-night!

“Yes,–it’s me,” she murmured. “But I ain’t–I mean I am not really ugly any more. I’m–I don’t know just _what_ I am–or whether I ought to like or hate me–” But even while she shook her head, the face in the glass changed; the mouth drooped, the color faded, the light in the eyes went out. “But whatever I am, I’m not enough to make anybody keep on loving me.” Then, because she was just a girl, and a very bewildered, sad, and undisciplined girl, she put her red head down on her dressing-table and wept despairingly.

The next morning Mr. Champneys explained to the concerned and regretful Mrs. MacGregor that Mr. Mitchell had been called away suddenly, last night, and didn’t think he would be able to return. The ladies were to accept Mr. Mitchell’s regrets that he hadn’t been able to bid them good-by in person. Mr. Champneys bowed for Mr. Mitchell, in a very stately manner. He went on with his breakfast, while Nancy made a pretense of eating hers, hating life and wishing with youthful intensity that she was dead, and Glenn with her. His empty place mocked and tortured her. He had gone, and he didn’t, wouldn’t, couldn’t understand. She could never, never hope to make Glenn understand! She rather expected Mr. Champneys to sit in judgment upon her that morning, but a whole week passed before Hoichi brought the message that Mr. Champneys wished to see her in the library. Her uncle was standing by the window when she entered, and he turned and bowed to her politely. He was thinner, gaunter, more Don Quixotish than usual. If only he had been kind! But his face was set, and hers instinctively hardened to match it.

“Nancy,” he began directly, “I have not sent for you to load you with reproaches for your inexplicable conduct. But I must say this: deliberately to deceive and befool an honest gentleman, to trifle with his affections out of mere greedy vanity, is so base that I have no words strong enough to condemn it.”

“I didn’t mean to fool him. He fooled himself, and I let him do it,” said she, dully. He thought her listlessness indifference, and any bluntness in moral tone in a woman, scandalized him. He could understand a Mrs. MacGregor, who was without subtleties; or soft, loving, courageous women like Milly and his sister-in-law, Peter’s mother. But this girl he couldn’t fathom. He beat his hands together, helplessly.

“I–you–” he groaned. And then: “Oh, Peter, what have I done to you!”

“I can’t see you’ve done anything to him, except pay him to go away and learn how to make something out of himself,” returned Nancy, practically. It brought him up short. “Uncle Chadwick, please keep quiet for a few minutes: I want you to listen to me.” She met his eyes fully. “I didn’t do Glenn Mitchell any real harm: he’ll fall in love with somebody else pretty soon. I suppose it’s easy for Glenn to love people because it’s easier for people to love Glenn. And he’s done me this much good: I won’t be so ready to believe it’s easy for folks to love _me_, Uncle Chadwick. I guess I’m the sort they mostly–_don’t_. I’ll not forget.” She spoke without bitterness, even with dignity. “One thing more, please. If ever Peter Champneys finds out he loves somebody, and he’ll let me know, I’ll give him his freedom. Fortune or no fortune, I won’t hold him. I know now–a little–what loving somebody means,” she finished.

Her voice was so steady, her eyes so clear and direct, her manner so contained, that he was uncomfortably impressed. He felt put upon the defensive. As a matter of fact, in his first anger and surprise at what he still considered her shameless behavior, he had seriously considered the advisability of having Peter’s marriage annulled. As soon as he had become calmer, his pride and obstinacy rejected such a course. After all, no harm had been done. She was very young. And he hoped Glenn’s outspoken condemnation had taught her a needed and salutary lesson. Looking at her this morning, he realized that she had been punished. But that she should so calmly speak of divorcing Peter, of making way for some other woman, horrified him.

“You are talking immoral nonsense!” he said, angrily. “Let him go, indeed! Divorce your husband! What are we coming to? In my day marriage was binding. No respectable husband or wife ever dreamed of divorce!”

“But they were real husbands and wives, weren’t they?” asked Nancy.

“All husbands and wives are real husbands and wives!” he thundered.

She considered this–and him–carefully. “Then you don’t want Mr. Peter Champneys and me ever to be divorced? I thought maybe you might.”

“I forbid you even to _think_ such wickedness,” cried he, alarmed. “A girl of your age talking in such a manner! It’s scandalous, that’s what it is,–scandalous! Shows the dry-rot of our national moral sense, when the very children”–he glared at Nancy–“gabble about divorce!”

“Then I–I mean, things are just to go along, the same as they have been?” She looked at him pleadingly.

For a few minutes he drummed on the library table with his thin brown fingers. His bushy brows contracted. He asked unexpectedly:

“Would you like to go away for a while? To travel?”

“Where?”

“Where? Why, anywhere! There’s a whole world to travel in, isn’t there? Well, take Mrs. MacGregor and travel around in it, then.”

She shook her head.

“What’s the use? Anywhere I went I’d have to go with _me_, wouldn’t I? And I can’t seem to like the idea of traveling around with Mrs. MacGregor, either.”

“What _do_ you want, then?”

“I don’t know,” said she, in a low voice. And she added: “So I think I might just as well stay right on here at home, if it’s all the same to you.”

“Well, if it pleases you, of course–” he began doubtfully.

“If I do stay, you needn’t be afraid I’ll fall in love with anybody else you hire,” said she, with a faint flush. “I’m only a fool the same way once.” Her bomb-shell directness all but stunned him. He stammered, confusedly:

“Why–very well then, very well then! Quite so! I see exactly what you mean! I–ah–am very glad we understand each other.” But as the door closed behind her, he mumbled to himself:

“Now, that was a devil of an interview, wasn’t it! What’s come over the girl? And what’s the matter with _me_?” After a while he telephoned Mr. Jason Vandervelde.

Everything went on as usual in the orderly, luxurious house, for some ten quiet months or so. And then one memorable morning at the breakfast-table Mr. Champneys suddenly gasped and slid down in his chair. Nancy and Hoichi carried him into the library and placed him on a lounge. He opened his eyes once, and stared into hers with something of his old imperiousness. She took his hand, pitifully, and bent down to him.

“Yes, Uncle Chadwick?”

But he didn’t speak–to her. His eyes wandered past her. His lips trembled, into a whisper of “_Milly_!” With that he went out to the wife of his youth.

CHAPTER XIV

SWAN FEATHERS

While Mr. Chadwick Champneys was alive, Nancy had been able to feel that there was some one to whom she, in a way, belonged. Now that he was gone, she felt as if she had been detached from all human ties, for she couldn’t consider Peter as belonging. Peter wasn’t coming home, of course. He was content to leave his business interests in the safe hands of Mr. Jason Vandervelde, and the trust company that had the Champneys estate in charge. A last addition to Mr. Champneys’s will had made the lawyer the guardian of Mrs. Peter Champneys until she was twenty-five.

While he was putting certain of his late client’s personal affairs in order, Mr. Vandervelde necessarily came in contact with young Mrs. Peter. The oftener he met her, the more interested the shrewd and kindly man became in Anne Champneys. When he first saw her in the black she had donned for her uncle, the unusual quality of her personal appearance struck him with some astonishment.

“Why, she’s grown handsome!” he thought with surprise. “Or maybe she’s going to be handsome. Or maybe she’s not, either. Whatever she is, she certainly can catch the human eye!”

He remembered her as she had appeared on her wedding-day, and his respect for Chadwick Champneys’s far-sighted perspicacity grew: the old man certainly had had an unerring sense of values. The girl had a mind of her own, too. At times her judgment surprised him with its elemental clarity, its penetrating soundness. The power of thinking for herself hadn’t been educated out of her; she had not been stodged with other people’s–mostly dead people’s–thoughts, therefore she had room for her own. He reflected that a little wholesome neglect might be added to the modern curriculum with great advantage to the youthful mind.

Her isolation, the deadly monotony of her daily life, horrified him. He realized that she should have other companionship than Mrs. MacGregor’s, shrewdly suspecting that as a teacher that lady had passed the limit of usefulness some time since. Somehow, the impermeable perfection of Mrs. MacGregor exasperated Mr. Vandervelde almost to the point of throwing things at her. She made him understand why there is more joy in heaven over one sinner saved, than over ninety and nine just persons. He could understand just how welcome to a bored heaven that sinner must be! And think of that poor girl living with this human work of supererogation!

“Why, she might just as well be in heaven at once!” he thought, and shuddered. “I’ve got to do something about it.”

“Marcia,” he said to his wife, “I want you to help me out with Mrs. Peter Champneys. Call on her. Talk to her. Then tell me what to do for her. She’s changed–heaps–in three years. She’s–well, I think she’s an unusual person, Marcia.”

A few days later Mrs. Jason Vandervelde called on Mrs. Peter Champneys, and at sight of Nancy in her black frock experienced something of the emotion that had moved her husband. She felt inclined to rub her eyes. And then she wished to smile, remembering how unnecessarily sorry she and Jason had been for young Peter Champneys.

Marcia Vandervelde was an immensely clever and capable woman; perhaps that partly explained her husband’s great success. She looked at the girl before her, and realized her possibilities. Mrs. Peter was for the time being virtually a young widow, she had no relatives, and she was co-heir to the Champneys millions. Properly trained, she should have a brilliant social career ahead of her. And here she was shut up–in a really beautiful house, of course–with nobody but an insufferable frump of an unimportant Mrs. MacGregor! The situation stirred Mrs. Vandervelde’s imagination and appealed to her executive ability.

Mrs. Vandervelde liked the way she wore her hair, in thick red plaits wound around the head and pinned flat. It had a medieval effect, which suited her coloring. Her black dress was soft and lusterless. She wore no jewelry, not even a ring. There were shadows under her grave, gray-green eyes. Altogether, she looked individual, astonishingly young, and pathetically alone. Mrs. Vandervelde’s interest was aroused. Skilfully she tried to draw the girl out, and was relieved to discover that she wasn’t talkative; nor was she awkward. She sat with her hands on the arms of her chair, restfully; and while you spoke, you could see that she weighed what you were saying, and you.

“I am going to like this girl, I think,” Marcia Vandervelde told herself. And she looked at Nancy with the affectionate eyes of the creative artist who sees his material to his hand.

“Jason,” she said to her husband, some time later, “what would you think if I should tell you I wished to take Anne Champneys abroad with me?”

“I’d say it was the finest idea ever–if you meant it.”

“I do mean it. My dear man, with proper handling one might make something that approaches a classic out of that girl. There’s something elemental in her: she’s like a birch tree in spring, and like the earth it grows in, too, if you see what I mean. I want to try my hand on her. I hate to see her spoiled.”

“It’s mighty decent of you, Marcia!” said he, gratefully.

“Oh, you know how bored I get at times, Jason. I need something real to engage my energies. I fancy Anne Champneys will supply the needed stimulus. I shall love to watch her reactions: she’s not a fool, and I shall be amused. If she managed to do so well with nobody but poor old Mr. Champneys and that dreary MacGregor woman, think what she’ll be when _I_ get through with her!”

Vandervelde said respectfully: “You’re a brick, Marcia! If she patterns herself on you–“

“If she patterns herself on anybody but herself, I’ll wash my hands of her! It’s because I think she won’t that I’m willing to help her,” said his wife, crisply.

Some six weeks later the Champneys house had been closed indefinitely, the premises put in charge of the efficient Hoichi, and Mrs. MacGregor bonused and another excellent position secured for her, and Mrs. Peter Champneys was making her home with her guardian and his wife.

She might have moved into another world, so different was everything,–as different, say, as was the acrid countenance of Mrs. MacGregor from the fresh-skinned, clear-eyed, clever, handsome face of Marcia Vandervelde. Everything interested Nancy. Her senses were acutely alert. Just to watch Mrs. Vandervelde, so calm, so poised and efficient, gave her a sense of physical well-being. She had never really liked, or deeply admired, or trusted any other woman, and the real depths of her feeling for this one surprised her. Mrs. Vandervelde possessed the supreme gift of putting others at their ease; she had tact, and was at the same time sincere and kind. Nancy found herself at home in this fine house in which life moved largely and colorfully.

A maid had been secured for her, whom Mrs. Vandervelde pronounced a treasure. Then came skilful and polite persons who did things to her skin and hair, with astounding results. After that came the selection of her wardrobe, under Mrs. Vandervelde’s critical supervision. Although the frocks were black, with only a white evening gown or two for relief, Nancy felt as if she were clothed in a rosy and delightful dream. She had never even imagined such things as these black frocks were. When she saw herself in them she was silent, though the super-saleswomen exclaimed, and Mrs. Vandervelde smiled a gratified smile.

“I am going to keep her strictly in the background for the time being, Jason,” she explained to her husband. “As she’s already married, she can afford to wait a year–or even two. I mean her to be perfect. I mean her to be absolutely _sure_. She’s going to be a sensation. Jason, have you ever seen anything to equal her team-work? When I tell her what I want her to do, she looks at me for a moment–and then does it. One thing I must say for old Mr. Champneys and that MacGregor woman: they certainly knew how to lay a firm foundation!”

Nancy was perfectly willing to remain in the background. She was interested in people only as an on-looker. She responded instantly to Mrs. Vandervelde’s suggestions and instructions, and carried them out with an intelligent thoroughness that at times made her mentor gasp. It gave her a definite object to work for, and kept her from thinking too much about Glenn Mitchell. And she didn’t want to think about Glenn Mitchell. It hurt. She watched with a quiet wonder–quite as if it had been a stranger to whom all this was happening–the change being wrought in herself; the immense difference intelligent care, perfectly selected clothes, and the background of a beautiful house can make not only in one’s appearance but in one’s thoughts. Sometimes she would stare at the perfectly appointed dinner-table, with its softly shaded lights; she would look, reflectively, from Marcia Vandervelde’s smartly coiffured head to her husband’s fine, aristocratic face; the reflective glance would trail around the beautiful room, rest appreciatively upon the impressive butler, come back to the food set before her, and a fugitive smile would touch her lips and linger in her eyes. There were times when she felt that she herself was the only real thing among shadows; as if all these pleasant things must vanish, and only her lonesome self remain. She watched with a certain wistfulness the few people she knew. Marcia, now–so admired, so sure, with so many interests, so many friends, and with Jason Vandervelde’s quiet love always hers–did _she_ ever have that haunting sense of the impermanence of all possessions; of having, in the end, nothing but herself?

“What are you thinking, when you look at me like that?” Marcia asked her one evening, smilingly. She was as curious about Nancy as Nancy was about her.

“I was just–wondering.”

“About what?”

“I was wondering if you were ever lonely?” said Nancy, truthfully. “I mean, as if all this,”–they were in the drawing-room then, and she made a gesture that included everything in it,–“just _things_, you know, all the things you have–and–and the people you know–weren’t _real_. They go. And nothing stays but just _you_. _You_, all by yourself.” She leaned forward, her eyes big and earnest.

Marcia Vandervelde stared at her. After a moment she said, tentatively: “There are always things; things one has, things one does. There are always other people.”

“Yes, or there wouldn’t be you, either. But what I mean is, they go. And you stay, don’t you?” She paused, a pucker between her brows, “All by yourself,” she finished, in a low voice.

“Does that make you afraid?” asked Mrs. Vandervelde.

“Oh, no! Why should it? It just makes me–wonder.”

Mrs. Vandervelde said quietly: “I understand.” Nancy felt grateful to her.

A few days later Mrs. Vandervelde said to her casually: “An old friend of ours dines with us to-night, Anne,–Mr. Berkeley Hayden, one of the most charming men in the world. I think you will like him.”

Mrs. Vandervelde always said that Berkeley Hayden was the most critical man of her acquaintance, and that his taste was infallible. He had an unerring sense of proportion, and that miracle of judgment which is good taste. He was one of those fortunate people who, as the saying goes, are born with a gold spoon in the mouth. Unlike most inheritors of great wealth, he not only spent freely but added even more freely to the ancestral holdings. He was moneyed enough to do as he pleased without being considered eccentric; he could even afford to be esthetic, and to prefer Epicurus to St. Paul. He had a highly important collection of modern paintings, and an even more valuable one of Tanagra figurines, old Greek coins, and medieval church plate. He had, too, the reputation of being the most gun-shy and bullet-proof of social lions. At thirty he was a handsome, well-groomed, rather bored personage, with sleekly-brushed blond hair and a short mustache. He looked important, and one suspected that he must have been at some pains to keep his waist line so inconspicuous. For the rest, he was as really cultivated and pleasing a pagan as one may find, and so wittily ironical he might have been mistaken for a Frenchman.

Mrs. Vandervelde had planned that he should be the only guest. She knew this would please him, as well as suit her own purpose, which was that he should see young Mrs. Peter Champneys. She was curious to learn what impression Anne would create, and if Berkeley Hayden’s judgment would coincide with her own. She had informed him that Jason’s ward was stopping with them; would, in fact, go abroad with her shortly. Mr. Hayden was not interested. He thought a ward rather a bore for the Vanderveldes.

He was standing with his back to the mantel, facing the door, when Nancy entered the room. In the filmy black Mrs. Vandervelde had selected for her, tall and slim, she paused for the fraction of a second and lifted her cool, shining, inscrutable green eyes to his lazy blue ones. Mrs. Vandervelde had prevailed upon her to retain her own fashion of wearing her hair in plaits wound around her head, and the new maid had managed to soften the severity of the style and so heightened its effectiveness. A small string of black pearls was around her throat, and pendants of the same beautiful jewels hung from her ears. Berkeley Hayden started, and his eyes widened. Mrs. Vandervelde, who had been watching him intently, sighed imperceptibly.

“I wasn’t mistaken, then,” she thought, and smiled to herself.

She could have hugged Anne Champneys for her beautifully unconscious manner. Of course the girl didn’t understand she was being signally honored and favored by Hayden’s openly interested notice, but Marcia reflected amusedly that it wouldn’t have made much difference if Anne had known. He didn’t interest her, except casually and impersonally. She thought him a very good-looking man, in his way, but rather old: say all of thirty:–and Glenn Mitchell had been handsome, and romantic, and twenty. Young Mrs. Champneys, then, didn’t respond to Mr. Berkeley Hayden’s notice gratefully, pleasedly, flutteringly, as other young women–and many older ones–did. This one paid a more flattering attention to Mr. Jason Vandervelde than to him. But he had seen other women play that game; he wondered for a moment if this one were designing. But he was himself too clever not to understand that this was real indifference. Then he wondered if she might be–horrible thought!–stupid. He was forced to dismiss that suspicion, too. She wasn’t stupid. The truth didn’t occur to him–that he himself was spoiled. It provoked him, too, that he couldn’t make her talk.

Mrs. Vandervelde smiled to herself again. Berkeley was deliberately trying to make himself agreeable, something he did not often have to trouble himself to do. He was at his best only when he was really interested or amused, and he was at his best to-night. He aroused her admiration, drew the fire of her own wit and raillery, stung even quiet Jason into unwonted animation. Anne Champneys looked from one to the other, concealing the fact that at times their conversation was over her head. She didn’t always understand them. The sense of their unreality in relation to herself came upon her. She turned to watch this strange man who was saying things that puzzled her, and he met her eyes, as Glenn Mitchell had once met them. She wasn’t looking at him as she had looked at Glenn, but Berkeley Hayden’s sophisticated, well-trained, wary heart gave an unprecedented, unmannerly jump when those green eyes sought to fathom him.

Marcia spoke of their proposed stay abroad. She had gone to school in Florence, and she retained a passionate affection for the old city, and showed her delight at the prospect of revisiting it.

“This will be your first visit to Italy, Mrs. Champneys?” asked Hayden.

“Yes.”

“I envy you. But you mustn’t allow yourself to be weaned away from your own country. You must come back to New York.” He smiled into her eyes–Berkeley Hayden’s famous smile.

“Yes, I suppose I must,” said Nancy, without enthusiasm.

He felt puzzled. Was she unthinkably simple and natural, or was she immeasurably deep? Was her apparent utter unconsciousness of the effect she produced a superfine art? He couldn’t decide.

He usually knew exactly why any certain woman pleased him. He had usually demanded beauty; he had worshiped beauty all his life. But beauty must go hand in hand with intellectual qualities; he hated a fool. To-night he found himself puzzled. He couldn’t tell exactly why Anne Champneys pleased him. Studying her critically, he decided that she was not beautiful. He could not even call her pretty. Perhaps it was her unusualness. But wherein was she so unusual? He had met women with red hair and white skin and gray-green eyes before–women far, far more seductive than Jason’s ward. Yet not one of them all had so potently gripped his imagination.

Mrs. Vandervelde was a brilliant pianist, and after dinner Hayden begged her to play. Under cover of the music, he watched Mrs. Champneys. She was sitting almost opposite him, and he could observe her changing countenance. Nancy was beginning to love and understand good music. Men create music; women receive and carry it as they receive and carry life. It is quite as much a part of themselves.

Nancy’s eyes shadowed. She leaned back in her chair, and the man watched the curve of her white cheek and throat, and the thick braids of her red hair. She had forgotten his presence. He was saying to himself, with something of wonder, “No, she’s not beautiful: but, my God! how _real_ she is!” when, subtly drawn by the intensity of his gaze, she turned, looked at him with her clouded eyes, and smiled vaguely. Still smiling, she turned her head again and gave herself up to listening, unconscious that destiny had clapped her upon the shoulder.

The man sat quite still. It had come to him with, the suddenness of a lightning stroke, and his first feeling was one of stunned amazement, and an almost incredulous resentment. He had gone to and fro in the earth and walked up and down in it, comfortably immune, an amused and ironic looker-on. And now, at thirty, without rhyme or reason he had fallen in love with a red-haired young woman of whom he knew absolutely nothing, beyond the bare fact that she was Jason Vandervelde’s ward. A woman who didn’t conform to any standard he had ever set for himself, whose mind was a closed book to him, of whose very existence he had been ignorant until to-night. Old Dame Destiny must have sniggered when she thrust Mrs. Peter Champneys, nee Nancy Simms, into the exquisitely ordered life of Mr. Berkeley Hayden!

He presently discovered from Jason all that the trustee of the Champneys estate knew of Mrs. Peter, which really wasn’t very much, as the lawyer and his wife had never seen Nancy until the morning of her marriage. And he didn’t have much to say about her as she was then. Hayden gathered that it was a marriage of convenience, for family reasons–to keep the money in the family. He asked a few questions about Peter, whom Vandervelde thought a likely young fellow enough, but whom Hayden fancied must be a poor sort–probably a freak with a pseudo-artistic temperament. There couldn’t have been very much love lost between a husband and wife who had consented to so singular a separation. Hayden had a _very_ poor opinion of Mr. Peter Champneys! But he was fiercely glad it hadn’t been a love-match, glad that that other man’s claim upon Anne was at the best nominal, that theirs was a marriage in name only.

He saw her several times before her departure, and came no nearer to understanding her. The night before they sailed, he gave a dinner in his apartment, an old aunt of his, more enchanting at sixty than at sixteen, being the only other guest. That apartment with its brocaded walls and its marvelous furniture was a revelation to Nancy. It was like an opened door to her.

She looked at her host with a new interest. He appeared to greater advantage seen, as it were, against his proper and natural background. And that background had the glamour of things strange, exciting, and alluring, smacking somewhat of, say, an Arabian Night’s entertainment. Over the dining-room mantel hung a curious and colorful landscape, in which two brown girls, naked to the waist and from thence to the knees wrapped in straight, bright-colored stuff, raised their angular arms to pluck queer fruit from exotic trees.

He knew all that, she thought; he had seen that strange landscape and those brown women, and tasted the fruit they reached to pluck. Just as he knew those tiny terra-cotta figurines over there, and that pottery which must have been made out of ruby-dust. Just as he knew everything. All this had been in his world, always. A world full of things beautiful and strange. He had had everything that she had missed. It seemed to her that he incarnated in his proper and handsome person all the difference and the change that had come into her life.

And quite suddenly she saw Nancy Simms dusting the Baxter parlor, pausing to stand admiringly before a picture on a white-and-gold easel, that cherished picture of a house with mother-of-pearl puddles in front of it. A derisive and impish amusement flickered like summer lightning across her face, and with an inscrutable smile she mocked the mother-of-pearl puddles and her old admiration of them. She lifted her eyes to the painting over Berkeley Hayden’s mantel, and the smile deepened.

“Perhaps it is her smile,” thought he, watching her. “Yes, I am sure it must be her smile. I am rather glad Marcia is taking her abroad. I do not wish to make a fool of myself, and there’d be that danger if she remained.” Yet the idea of her absence gave him an unaccustomed pang.

He filled her quarters aboard ship with exquisite flowers. She was not yet used to graceful attentions, they had been for other women, not for her. She had no idea at all that she was of the slightest importance, if only because of the Champneys money; her comparative freedom was still too recent for her to have changed her estimate of herself. She thought it touchingly kind and thoughtful of this handsome, important man to have remembered just _her_, particularly when there wasn’t anybody else to do so, and she looked at him with a pleased and appreciative friendliness for which he felt absurdly grateful. While Marcia was busied with the other friends who had come to see her off, he stood beside Mrs. Champneys, who seemed to know no one but himself, and this established a measure of intimacy between them.

“It occurs to me,” said he, tentatively, “that it has been some time since I saw Florence. All of two or three years.”

They stood together by the railing, and she leaned forward the better to watch a leggy little girl with a brickdust-red pigtail in a group on the pier.

“Yes?” said she, absently. The leggy girl had just thrust out her tongue at an expostulating nurse. She seemed to be a highly unpleasant child; one of those children of whom aunts speak as “poor Mary” or whatever their name may be. Anne Champneys, watching her, put her hand up and touched her own hair, that gleamed under her close-fitting black hat. Her eyes darkened; she smiled, secretly, mysteriously, rememberingly.

In that instant Berkeley Hayden made his decision. There was no longer any doubt in his mind. When she turned away from the railing, he said pleasantly:

“You and Marcia have put me in the humor to see Florence again. If I come strolling in upon you some fine day, I hope you’ll be glad to see me, Mrs. Champneys?”

“Oh, yes!” said she, politely. And then Marcia and Vandervelde came up, and a few minutes later the two men went ashore. Hayden’s face was the last thing Nancy saw as the steamer moved slowly outward. There were hails, laughter, waving of hand-kerchiefs. He alone looked at _her_. And so he remained in her memory, standing a little apart from all others.

CHAPTER XV

“I, TOO, IN ARCADIA”

If Riverton was his mother’s house and England his grandmother’s, France was peculiarly his own. Peter Champneys felt that he had come home, and even the fact that he couldn’t speak understandable French didn’t spoil the illusion. Nobody laughed at his barbarous jargon; people were patient, polite, helpful. He thought the French the pleasantest people in the world, and this opinion he never changed. Later, when he learned to know them better, he concluded that they were very deliberately and very gallantly gay in order to conceal from themselves and from the world how mortally sad they were at heart. They eschewed those virtues which made one disagreeable, and they indulged only in such vices as really amused them, and in consequence they made being alive a fine art.

The Hemingways knew Paris as they knew London, and they smoothed his path. In their drawing-room Peter met that dazzling inner circle of Parisian society which includes talent and genius as well as rank, beauty, and wealth. Then, Mrs. Hemingway having first seen to it that he met those whom she wished him to meet, Peter was permitted to meet those whom he himself wished to meet. He was introduced to two deceptively mild-mannered young Englishmen, first cousins named Checkleigh, students in one of the great ateliers, who were by way of being painters; and to a shock-headed young man from California, a sculptor, named Stocks. The Englishmen were closely related to a large-toothed, very important Lady Somethingorother, high up in the diplomatic sphere, and the Californian possessed a truly formidable aunt. Hence the three young men appeared in fashionable circles at decent intervals. Later, Peter learned to know their redoubtable relatives as “Rabbits” and “The Grampus,” and he once saw a terrifyingly truthful portrait of “Rabbits” sketched on a skittish model’s bare back, and a movingly realistic little figure of “The Grampus” modeled by her dutiful nephew in a moment of diabolical inspiration. It was explained to him that God, for some inscrutable purpose of his own, generally pleases himself by bestowing only the most limited human intelligence upon the wealthy relatives of poor but gifted artists; but that if properly approached, and at not too frequent intervals, they may be induced to loosen their tight purse-strings. Wherefore one must somehow manage to keep on good terms with them. Witness, Stocks said, his forgiving–nay, kindly–attitude toward The Grampus; see how he went to her house and drank her loathly tea and ate her beastly little cakes, even though she regarded a promising sculptor as a sort of unpromising stone-cutter who couldn’t hold down a steady job, and had vehemently urged him to go in for building and contracting in Sacramento, California. “And yet that woman has got about all the money there is in our family!” finished Stocks, bitterly.

“Rabbits takes you aside and talks to you heart to heart,” said the younger Checkleigh, gloomily. The elder Checkleigh’s face took on a look of martyrdom.

“We have Immortal Souls,” said he, in a tone of anguish and affliction. “I ask you, as man to man: Is it our fault?”

It was these three Indians, then, who took Peter Champneys under their wing, helped him find the pleasantest rooms in the Quartier, helped him furnish them at about a third of what he would have paid if left to his own devices, and also helped him to shed his skin of a timid provincial by plunging him to the scalp in that bubbling cauldron in which seethes the creative brain of France. Serious and sad young men who were going to be poets; intense fellows who were going to rehabilitate the Drama, or write the Greatest Novel; illustrators, journalists, critics, painters, types in velvet coats, flowing ties, flowing locks, and astonishing hats, sculptors, makers of exquisite bits of craftsmanship, models, masters, singers of sorts, actors and actresses, sewing-girls, frightful old concierges; students from the four corners of the earth driven hither by the four winds of heaven, came and went in the devil-may-care wake of Stocks and the Checkleighs and disported themselves before the reflective and appreciative eyes of Peter Champneys. These gay Bohemians laughed at him for what Stocks called his spinterishness, but ended by loving him as only youth can love a comrade.

In six months he knew the Quartier to the core. He met men who were utter blackguards, whose selfish, cold-blooded brutality filled him with loathing; he met women with the soul of the cat. But the Quartier as a whole was sound-hearted; Peter himself was too sound-hearted not to know. He met Youth at work, his own kind of work. They were all going to do something great presently,–and presently many of them did. The very air he breathed stimulated him. Here were comrades, to whom, as to himself, art was the one supremely important thing in the universe. They, too, were climbers toward the purple heights.

Shy young men who work like mules are as thick as hops in any art center; but shy young men who are immensely talented, who have a genius for steady labor, and who at the same time have not only the inclination but the opportunity to be generous, are not numerous anywhere.

Peter Champneys never talked about himself, made no parade, was so simple in his tastes that he spent very little upon himself, and while he could say “No” to impudence, he had ever a quick, warm “Yes” for need. That he should be able to become an artist had been the top of his dream; that by a very little self-denial he could help others to remain artists, left him large-eyed at his own good fortune. He experienced the glowing happiness that only the generous can know.

On Sundays he went to see Emma Campbell, for whom he had found a little house on the summit of Montmartre, on the very top of the Butte. It had a hillside garden, with a dove-cote in it, and a little kiosk in which Emma liked to sit, with the cat Satan on her lap, and projeck at the strange world in which she found herself. She shared the house with a scene-painter and his wife, and as the scene-painter was an Englishman, Emma could talk to somebody and be understood. Emma’s idea of happiness was leisure to sew squares of patchwork together for quilts. She had brought her cut-out quilt scraps with her, and she sat in the kiosk and sewed little pieces of colored calico together, while the big cat scampered about the garden, or lay and blinked at her, and all Paris lay spread out far below, the spires of Notre Dame showing as through a mist.

On Sundays she cooked for Peter,–old homely Riverton dishes,–and waited on him while he ate. Because she couldn’t read, she looked forward to Peter’s reading what she reverently called “de Book.” Peter had been reading the Bible to old darkies all his life, and he accepted it as a matter of course that he should take the long climb, and give up a part of his Sundays, to save Emma Campbell from being disappointed now. Afterward, Emma spoke of his mother, and of old, familiar things they both remembered. Then he went back to the Quartier feeling as refreshed and rested as if he’d had a swim in the river “over home.”

At regular intervals he appeared at Mrs. Hemingway’s, and kept up his acquaintance with her friends. When she told him to accept an invitation, he resignedly obeyed, looking, the elder of the Checkleigh boys told him, as if he were doing it for God’s sake. He was beginning to speak French less villainously, and this made things easier for him. He could carry on a simple conversation, by going slowly; and he _almost_ understood about half of what strangers said to him. He interested one or two fine ladies greatly, and they were extremely gracious to him. Artists–that is, young and unknown artists in the Quartier–are more or less pleasant to read about in the pages of Muerger and others, but they are too often beggarly and quite impossible persons in real life. But this young American who lived in the Quartier was at the same time on a footing of intimacy in the exclusive home of those so charming Hemingways, who were, one knew, of the _grand monde_. Was it true that the American painter was very wealthy? Yes? Ah, _ciel_! That droll young man was then amusing himself by living in the Quartier? But what an original! His family approved? He was an _orphan_? With no relations save that old uncle whose heir he was? Ah, _mon Dieu_! That touched one’s heart! One must try to be very pleasant to that so lonely young man! And that so lonely young man was extended mead and balm in the shape of invitations to very smart affairs. To some of which he found, at the last minute, he couldn’t go, for the simple and cogent reason that Checkleigh or Stocks had appropriated his dress suit.

“It’s infernally unlucky, Rabbits having an affair on to-night. But you know how it is, Champ–she’d never forgive me if I didn’t show up. Big-wigs from home, and all that, and she feels it’s her duty to make me show ’em I haven’t become an Apache. And my togs are out at interest–one has to pay one’s rent _sometimes_, you understand,” explained Checkleigh, who was dressing before Peter’s mirror. “_You_ don’t have to care: _you_ aren’t compelled to keep in her good graces!”

“Oh, all right. I don’t mind. I only accepted to please Mrs. Hemingway.”

“Mrs. Hemingway is my very good friend. At the first opportunity I shall explain to her. She can readily understand that

“One may go without relatives, cousins, and aunts– But civilized man can_not_ go without pants.

I wish you hadn’t such deucedly long legs, Champ. Regular hop-poles!” grumbled Checkleigh, ungratefully.

“They are poor things, but mine own,” said Peter, mildly. “You will find a five-franc piece in the waistcoat pocket, Checkleigh, if you happen to want it. I keep it there for cab fare.”

“If I happen to want it!” shrieked Checkleigh. “Oh, bloated plutocrat, purse-proud millionaire, I always happen to want it!” He waved an eloquent hand to the circumambient air. “He has five-franc pieces in his waistcoat pocket–and no Rabbits in his family!” cried Checkleigh. “Now, have you a presentable pair of gloves, Croesus?–Oh, damn your legs, Champneys! Look at these beastly breeches of yours, will you? I’ve had to turn ’em up until you’d fancy I was wearing cuffs on the ankles, and still they’re too long!”

“You should have cut ’em off a bit–then you wouldn’t look as though you were poulticing your shins. And they’d fit me, too,” commented Stocks, who had sauntered in.

Checkleigh looked at Peter’s watch–his own was “out at interest” along with his dress suit–and shook his head dolefully.

“If you’d just suggested it sooner, I could have done it–now it’s too late.” he lamented. “Your progeny will probably resemble herons, Champneys, and serve ’em right!–Are those _new_ gloves? I _am_ a credit to Rabbits!” And he rushed off.

“What a friend we have in Champ-neys, All his gloves and pa-ants to wear!”

Stocks sang in a voice like the scraping of a mattock over flint; one saw that he had been piously raised. Then he hooked his arm in Peter’s and the two went forth to join the joyous hordes surging up the Boul’ Miche, and to dine in their favorite restaurant, where the waiters were one’s good friends, and Madame the proprietress addressed her Bohemians as “mes enfants.” Having dined, one joined one’s brother workers who waged the battle of Art with jaws and gestures. Bawling out the slang of the studios, they grimaced, sneered, shrugged, praised, demolished. Nothing was sacred to these young savages but the joy of the present. They had no past, and the future hadn’t arrived. They lived in the moment, worked, laughed, loved, and, when they could, dined. When one had a handful of silver, how gay the world was! How one wished to pat it on the back and invite it to come and be merry with one!

In the full stream of this turbulent tide, behold Peter Champneys; with a lock of his black hair falling across his forehead; his head cocked sidewise; and his big nose and clear golden eyes giving him the aspect of a benevolent hawk, like, say, Horus, Hawk of the Sun. Those golden eyes of his saw tolerantly as well as clearly. This quiet American worked like a fiend, yet had time to look on and laugh with you while you played. He was gravely gay at his best, but he didn’t neglect the good things of his youth. And he had a genius for playing impromptu Providence when you were down on your luck and about all in. Maybe you hadn’t dined for a couple of days, or maybe you were pretty nearly frozen in your room, as you had no fire; and you were wondering whether, after all, you weren’t a fool to starve and freeze for art’s sake, and whether, all things considered, life was worth living; and there’d be a gentle tap at your door, and Peter Champneys would stick his thin dark face in, smilingly. He’d tell you he’d been lonely all day, and would you, if you hadn’t done so already, kindly come and dine with him? He spoke French with a South Carolina accent, in those days, but an archangel’s voice could not then have sounded more dulcet in your ears than his. Presently, over your cigarettes, you found yourself telling him just how things were with you. Maybe you slept on a lounge in his studio that night, because it was warmer there. And next morning you could face life and work feeling that God’s in his heaven, all’s right with the world. That’s what Peter Champneys meant to many a hard-pressed youngster.

With his immense capacity for work, at the end of a year Peter Champneys had made great strides. But he was troubled. Like Millet, he couldn’t take the ordered direction. He felt that he was merely marking time, that he wasn’t on the right track. His robust and original talent demanded heartier food than was offered it. Reluctantly enough, Peter withdrew from the official studio to which he was attached, and went on his own. It was a momentous step.

One Sunday afternoon he said to Emma Campbell, seriously:

“You’ve never laid eyes on a goddess, Emma, have you? Or a nymph? Well, neither have I. And I can’t paint what I don’t know.” He walked up and down the little graveled garden path. And he burst out: “That is not life. It is not truth. I don’t want gods. I only see _men_! I don’t want goddesses. I want _women_!”

Emma Campbell said in a scandalized voice:

“Dat ain’t no kind o’ way to talk! Leastwise,” she compromised, “not on Sundays.”

Peter burst out laughing. Emma wore her usual Sunday cashmere, with a snowy apron and head-handkerchief. Satan lay upon the small table beside her, in the attitude of a sphinx, his black, velvety paws stretched in front of him, his inscrutable eyes watching the restless young man. Peter paused, and his eyes narrowed. Then he snapped his fingers, as he had done when he was a little boy back in Riverton and something had pleased him.

“I’ve got it!” he shouted. “Emma, you’re It!”

No one ever had a more patient model. She couldn’t exackly understan’ why Mist’ Peter should want to paint a ole nigger like her, but if Peter Champneys had wanted to bury her alive in the ground, with only her head sticking out, Emma would have known it had to be all right, somehow. So she sat for weary hours, while Peter made rough sketches, and tried out many theories, before he settled down to work in dead earnest.

And presently Emma saw herself as it were alive on a square of canvas, so alive that she was more than a bit afraid. She said it looked like her own ha’nt, and Emma wasn’t partial to ha’nts. There she sat in her plain black dress and her plain white apron and head-handkerchief, and her gold hoop ear-rings. On the table beside her were the vegetables she was to prepare. She had forgotten work for the time being. Emma projecked, one hand resting idly on the table, the other on the great black cat in her lap. She looked at you, with the wistfully animal look of a negro woman, who is loving, patient, kind, long-suffering, imbued with a terrible patience, and of a sound, sly, earthy humor; and who at the same time is childishly credulous, full of dark passions, and with the fires of savagery banked in her heart. There she sat, that sphinx that is Africa, who has seen the white races come, and who will probably see them go; you could almost sense the half-slumbrous brain of her throbbing under her head-handkerchief. She wasn’t a mere colored woman; she was a symbol and a challenge. And her eyes that had seen so much and wept so much were as inscrutable as fate, as sphinx-like as the cat’s who watched you from her knee. The whole picture breathed an amazingly bold and original power, and was so arrestingly vital that it gripped and held one. Down in one corner, painted with exquisite care and delicacy, was a Red Admiral.

The Quartier came, squinted through the fingers, and praised and dispraised, after its wont. The Symbolists sneered and told Peter to his teeth he was a Philistine; they said you can’t boot-lick Nature: you’ve got to bully her, demand her soul, _make_ her give you her Sign! Quieter men came and studied Emma Campbell and her cat, and clapped Peter on the back; the more exuberant Latins kissed him, noisy, hearty, hairy kisses on both cheeks. Undoubtedly, it would be accepted, they said!

It was, and hung conspicuously. There were always small groups before it, for it created something like the uproar that Manet’s “Olympia” had raised in its time. Peter learned from one critic that his technique was magnificent, his picture a masterpiece of psychology and of portraiture, and that if he kept on he’d soon be one of the Immortals. He learned from another that while he undoubtedly had technique, his posing was commonplace, his subject banal, his imagination hopelessly bourgeois; that he was a painter of the ugly and the ordinary, without inspiration or imagination; that the one pretty and delicate note in the whole canvas was the butterfly in the lower left-hand corner, and that _that_ was obviously reminiscent of Whistler, who on a time had used a butterfly signature! But on the whole the criticisms were highly favorable; it was admitted that a young painter of promise had arisen.

Peter Champneys went about his business, indifferent to praise or blame. _He_ knew he was a way-faring man whose business it was to follow his own road, a road he had to hack out for himself; and somewhere on the horizon were the purple heights.

The unbounded delight, the disinterested pride of the Hemingways, couldn’t have been greater had he been their son. Mrs. Hemingway gave a brilliant entertainment in his honor, and he was feted and made much of. Young ladies who danced divinely found his stork-like hopping pleasing, and his stammering French delightful. This charming Monsieur Champneys, you see, was not only invested with the glamour of art; he was the heir of an American millionaire! Ah, the dear young man!

The picture was sold to a Spanish nobleman, who said it reminded him of Velasquez’s “AEsop”; he was so delighted with the painter’s power that he commissioned Peter to portray his own long, pale, melancholy visage. Whereupon the two Checkleighs and Stocks called loudly for a proper celebration, and Peter honored their clamorous demand. It was a memorable affair, graced by the Quartier’s darlingest models, who had long since voted M’sieu Champnees a _bon garcon_. A Spanish student, in a velvet coat and with long black hair, insisted upon charcoaling mustachios and imperial upon his host’s countenance, in honor of his countryman who had distinguished himself as a patron of art. Later, a laughing girl whose blue-black hair was banded Madonna-wise around a head considerably otherwise, washed it off with a table napkin dipped in wine. She sat on his knee to perform the operation, scanned his clean face with satisfaction, and taking him by the ears as by handles, kissed him gaily. Then she went back to her own _cher ami_, who wasn’t in the least disturbed.

“It is like kissing thy maiden aunt, Jacques,” she told him. “Now, with thee–” They looked at each other eloquently, and Peter Champneys, whose eyes had followed the girl, smiled crookedly. An unaccountable gloom descended upon him. All these lusty young men shouting and laughing around him, all these handsome, ardent young women, snatched what joy from life they could; they lived their hour, knowing how brief that hour must be. They ate to-day, starved to-morrow; but they were rich because they loved, because they laughed, because theirs was the passionate unforced comradeship, the intoxicating joy of youth. Peter Champneys, whose good luck was being celebrated, looked at his penniless, hilarious comrades, and twisted a smile of desperate gaiety to his lips. He had never in his life felt more utterly alone.

The affair ended at six o’clock the next morning, in a last glad, mad romp up the Boul’ Miche. Peter and Stocks waved good-by to the last revelers, looking somewhat jaded in the fresh morning air. The two young men, both rather tired, walked slowly. Venders in clacking sabots pushed their carts ahead of them, shouting their wares. Crowds of working-people poured through the streets. At a little restaurant they knew, they had coffee and rolls. While they were drinking, a girl came in. Peter looked up and saw Denise.

His first thought was that she would have been lovely if she hadn’t been so thin. Then he saw how shabby she was, and how neat. Nothing could have been more charming than her chestnut hair, or her blue eyes that had a look of innocence, or her fair and transparent complexion, though one could have wished she were rosier. She did not look around with the quick, alert, bright glance of the Parisienne whom everything interests and amuses; she had the abstracted and sad air of a child who suffers, and whom suffering bewilders.

Stocks said, in a low voice, tinged with pity:

“_L’amie de Dangeau_.”

Peter received that announcement with a shock of surprise and distaste. Dangeau was such an utter brute! Handsome in his way, without conscience or pity, Dangeau would have eaten his mother’s heart to satisfy his own hunger, or wiped his feet upon his father’s beard. The gifted, intellectual, and rapacious savage seized whatever came near him that pleased his fancy or aroused his curiosity, extracted the pith, and tossed aside what no longer amused or served him. There was no generosity in him, only an insatiable and ferocious demand that life should give him more, always more! Peter, who both admired and detested him, was sorry for this gentle creature fallen into his remorseless claws. And he wondered, as decent men must, at the fatal fascination animals like Dangeau seem to possess for women.

He saw her occasionally after that, always alone. Plainly, things were not well with her. Her pale face grew paler and thinner; her dress shabbier. The look of bewilderment was now a look of pain. Her eyes were heavy, as if they wept too much. Peter watched her with a troubled heart. One day Henri, the garcon, murmured confidentially, as she left the cafe after a particularly slim meal:

“These thin little blondes, they do not last long. That one was like a rose when I first saw her. _Pauvre enfant_!” And he looked after her with a compassionate glance.

“She seems–different,” said Peter. “It is not well with her?”

“Alas, no! She is from the provinces, Monsieur, come to Paris to earn more. And so she wearied her _ami_. You know him, Monsieur; he is a restless man, quickly tiring–that sculptor! Also, he feared she would fall sick upon his hands–you see how frail she is, and he abhors all that is not robust.” And Henri made an expressive gesture. He added: “_She_ is of the sort that love, Monsieur; and, you understand, that is fatal!”

“And how does she manage now?” asked Peter.

Henri shrugged significantly. Peter drummed on the table and scowled. A little girl, from the provinces! One understood now how she had fallen into Dangeau’s hands, and how, inevitably, he had tired, and tossed her aside like a wilted flower. And now she was facing slow starvation–Oh, damn!

Peter slipped some change into Henri’s palm. “You are a man of sense, Henri. Also, I see that you have a good heart,” said he. “Now we must see what we can do for this poor little Mademoiselle, you and I. You will place before her the best the house affords–I leave that to you. And when she protests you will say to her: ‘Your venerable godfather has arranged for it, Mademoiselle. His orders are, that you come here, seat yourself, tap once with your forefinger upon the table,–and your orders will be obeyed.'”

“And if she questions further, Monsieur?”

“Explain that you obey orders, but do not know her godfather,” said Peter, gravely.

“Trust me, Monsieur!” cried the delighted Henri. And from that moment the kindly fellow adored Peter Champneys.

The little game began the next day. Denise gave her tiny order; Henri came back with a loaded tray, whose savory contents he placed before her. Out of the corner of his eye Peter could see the girl’s astonished face when Henri politely insisted that the meal was hers–that her venerable godfather had ordered it for her! She looked timidly and fearfully around; but nobody was paying the slightest attention to her, and after deftly arranging the dishes, Henri had whisked himself off. She waited for a few minutes; but Henri hadn’t come back. And then, because she was almost famished, she ate what had been given her. Peter felt his eyes blur.

Henri came back to her presently with wine. He dusted the bottle lovingly, and filled her glass with a flourish. She looked up with a tremulous smile:

“My godfather’s order, Henri?”

“Your venerable godfather’s order, Mademoiselle,” he replied sedately. When she had finished her dinner, he glibly, and with an expressionless countenance repeated Peter’s instructions: she was to come in, seat herself, tap with her forefinger, and give her orders, which would be instantly obeyed! No, he did not know her godfather. Nor did Monsieur le patron. No, he might not even take the sous she offered him: all, all, had been arranged, Mademoiselle!

She hesitated. Then she called for pen and paper, and scribbled in violet ink:

MONSIEUR MY GODFATHER,
I see that the good God still permits miracles. You are one. Accept, then, a poor girl’s thanks and prayers! Thy godchild,
DENISE.

She gave this to Henri, who received it respectfully. Then she went out, feeling very much better and brighter because of a sadly needed dinner. She was bewildered, and excited; but she wasn’t afraid. She accepted her miracle, which had come just in the nick of time, gratefully, with a childlike simplicity. But she used her blue eyes, and one day they met Peter Champneys’s, regarding her with a good and kind satisfaction; for indeed she looked much better and brighter, now that she was no longer half starved. Denise had encountered other eyes, men’s eyes; but none had ever met hers with just such a look as she saw in these clear and golden ones. A flash of intuition came to her. Only one person in the world could have eyes like that–it must be, it was, he! And she watched him with an absorbed and breathless interest.

In these small restaurants of the Quartier one sits so close to one’s neighbors, in a busy hour, that conversation isn’t difficult; it is, rather, inevitable.

“Monsieur,” said the young girl, bravely and yet timidly, on an occasion when they almost touched elbows, “Monsieur,–is it you who have a god-daughter?”

“Mademoiselle,” stammered Peter, who hadn’t expected the question. “I do not know your godfather!” And then he turned red to his ears.

Her face broke into a swift and flashing smile. She looked so like a happy child that Peter had to smile back at her, and presently they were chatting like old acquaintances. After that they always managed to dine together.

They found each other delightful. That gloomy sense of loneliness which had oppressed Peter vanished in the girl’s presence. As for Denise, no one had ever been so kind, so gentle, so generous to her as this wonderful Monsieur Champneys. She grew quite beautiful; her eyes were a child’s eyes, her face like one of those little sweet pinkish-white roses one sees in old-fashioned gardens.

She had no relations; neither had Peter. And so he took Denise into his life, just as he had once taken a lost kitten out of the dusk on the Riverton Road: there really was nothing else for him to do! He had for her something of the same whimsical and compassionate affection that had made him share his glass of milk with the little cat. She belonged to him; there was nobody else.

She was rather a silent creature, Denise. She had none of that Latin vivacity which wearies the listener, but her love for him showed itself in a thousand gracious ways, in innumerable small services, in loving looks. Just to touch him was a never-failing joy to her. She delighted to stroke his face, to trace with her small fingers the outline of his features. “That is the pattern on the inside of my heart,” she told him. She had a quick, light tread, pleasant to listen to, and her rare and lovely laughter was always a delicious surprise, as if one heard an unexpected chime of little bells.

Her housewifely ways, her pretty anxiety about spending money, amused him tenderly. When she could perform some small service for him, she hummed little hymns to the Virgin. Her ministrations extended to Stocks and the Checkleighs, whose shirts she mended so expertly that they didn’t have to borrow so many of Peter’s. She was so happy that Peter Champneys grew happy watching her. It hadn’t seemed possible to Denise that anybody like him could exist; yet here he was, and she belonged to him!

Nobody had ever loved Peter Champneys in quite the same way. She had so real and true a genius for loving that she exhaled affection as a flower exhales perfume. Loving was an instinct with Denise. She would steal to his side, slip her arm around his neck, kiss him on the eyes–“thy beautiful eyes, Pierre!”–and cuddle her cheek against his, with so exquisite a tenderness in touch and look that the young man’s kind heart melted in his breast. He couldn’t speak. He could only gather her close, pressing his black head against her soft young bosom.

Her cruel experience with Dangeau was not forgotten; but that had been capture by force, and she remembered it as a black background against which the bright colors of this present happiness showed with a heavenlier radiance. Peter himself didn’t guess how wholly his little comrade loved him, though he did realize her utter selflessness. She never asked him troublesome questions, never annoyed him with irritating jealousy, made no demands upon him. Was he not himself? Very well, then: did not that suffice? Denise didn’t think: she felt. She had the exquisite wisdom of the heart, and in her small hands the flower of Peter Champneys’s youth opened and blossomed. He was young, he was loved, he was busy. Oh, but it was a good world to be alive in! He whistled while he worked. And how he worked! To this period belong those angelic heads, chestnut-haired, wistfully smiling, with blue eyes that look deep into one’s heart. The airy butterfly that signs these canvases is not so much a symbol as a prescience.

When was it he first noticed that for all his love and care he wasn’t going to be able to keep Denise? How did he learn that the great last lover was wooing her away? She was not less happy. A deep and still joy radiated from her, her eyes had the clear and cloudless happiness of a child’s. But he observed that on their pleasant excursions into the country she tired quickly. Her little light feet didn’t run any more. She preferred to sit cuddled against his side, holding his hand in both hers, her head pressed against his shoulder. She didn’t talk, but then, he was used to her silence; that was one of her sweetest charms. Her cheek grew thinner, but the rose in it deepened. Then the pretty dresses he loved to lavish upon her began to hang loosely upon her little body.

It was a frightened young man who called in doctors and specialists. But, as Henri had once told him, they do not last long, these frail blondes. Also, she was of the sort that loves–and that, you understand, is fatal!

Stocks, who had made a great pet of Peter’s pretty sweetheart, blubbered when he learned the truth, and the younger Checkleigh, who delighted to sketch her, left off because his hand shook so, and he couldn’t see clearly. The Spanish student in the velvet coat, who