Sesame and Lilies by John Ruskin (page 2)

To her, for her the willow bend;
Nor shall she fail to see,
Even in the motions of the storm,
Grace that shall mould the maiden’s form By silent sympathy.’

‘And VITAL FEELINGS OF DELIGHT
Shall rear her form to stately height, – Her virgin bosom swell.
Such thoughts to Lucy I will give,
While she and I together live,
Here in this happy dell.'” {25}

“VITAL feelings of delight,” observe. There are deadly feelings of delight; but the natural ones are vital, necessary to very life.

And they must be feelings of delight, if they are to be vital. Do not think you can make a girl lovely, if you do not make her happy. There is not one restraint you put on a good girl’s nature–there is not one check you give to her instincts of affection or of effort– which will not be indelibly written on her features, with a hardness which is all the more painful because it takes away the brightness from the eyes of innocence, and the charm from the brow of virtue.

This for the means: now note the end.

Take from the same poet, in two lines, a perfect description of womanly beauty –

“A countenance in which did meet
Sweet records, promises as sweet.”

The perfect loveliness of a woman’s countenance can only consist in that majestic peace, which is founded in the memory of happy and useful years,–full of sweet records; and from the joining of this with that yet more majestic childishness, which is still full of change and promise;–opening always–modest at once, and bright, with hope of better things to be won, and to be bestowed. There is no old age where there is still that promise.

Thus, then, you have first to mould her physical frame, and then, as the strength she gains will permit you, to fill and temper her mind with all knowledge and thoughts which tend to confirm its natural instincts of justice, and refine its natural tact of love.

All such knowledge should be given her as may enable her to understand, and even to aid, the work of men: and yet it should be given, not as knowledge,–not as if it were, or could be, for her an object to know; but only to feel, and to judge. It is of no moment, as a matter of pride or perfectness in herself, whether she knows many languages or one; but it is of the utmost, that she should be able to show kindness to a stranger, and to understand the sweetness of a stranger’s tongue. It is of no moment to her own worth or dignity that she should be acquainted with this science or that; but it is of the highest that she should be trained in habits of accurate thought; that she should understand the meaning, the inevitableness, and the loveliness of natural laws; and follow at least some one path of scientific attainment, as far as to the threshold of that bitter Valley of Humiliation, into which only the wisest and bravest of men can descend, owning themselves for ever children, gathering pebbles on a boundless shore. It is of little consequence how many positions of cities she knows, or how many dates of events, or names of celebrated persons–it is not the object of education to turn the woman into a dictionary; but it is deeply necessary that she should be taught to enter with her whole personality into the history she reads; to picture the passages of it vitally in her own bright imagination; to apprehend, with her fine instincts, the pathetic circumstances and dramatic relations, which the historian too often only eclipses by his reasoning, and disconnects by his arrangement: it is for her to trace the hidden equities of divine reward, and catch sight, through the darkness, of the fateful threads of woven fire that connect error with retribution. But, chiefly of all, she is to be taught to extend the limits of her sympathy with respect to that history which is being for ever determined as the moments pass in which she draws her peaceful breath; and to the contemporary calamity, which, were it but rightly mourned by her, would recur no more hereafter. She is to exercise herself in imagining what would be the effects upon her mind and conduct, if she were daily brought into the presence of the suffering which is not the less real because shut from her sight. She is to be taught somewhat to understand the nothingness of the proportion which that little world in which she lives and loves, bears to the world in which God lives and loves;–and solemnly she is to be taught to strive that her thoughts of piety may not be feeble in proportion to the number they embrace, nor her prayer more languid than it is for the momentary relief from pain of her husband or her child, when it is uttered for the multitudes of those who have none to love them,–and is “for all who are desolate and oppressed.”

Thus far, I think, I have had your concurrence; perhaps you will not be with me in what I believe is most needful for me to say. There IS one dangerous science for women–one which they must indeed beware how they profanely touch–that of theology. Strange, and miserably strange, that while they are modest enough to doubt their powers, and pause at the threshold of sciences where every step is demonstrable and sure, they will plunge headlong, and without one thought of incompetency, into that science in which the greatest men have trembled, and the wisest erred. Strange, that they will complacently and pridefully bind up whatever vice or folly there is in them, whatever arrogance, petulance, or blind incomprehensiveness, into one bitter bundle of consecrated myrrh. Strange, in creatures born to be Love visible, that where they can know least, they will condemn, first, and think to recommend themselves to their Master, by crawling up the steps of His judgment-throne to divide it with Him. Strangest of all that they should think they were led by the Spirit of the Comforter into habits of mind which have become in them the unmixed elements of home discomfort; and that they dare to turn the Household Gods of Christianity into ugly idols of their own;–spiritual dolls, for them to dress according to their caprice; and from which their husbands must turn away in grieved contempt, lest they should be shrieked at for breaking them.

I believe, then, with this exception, that a girl’s education should be nearly, in its course and material of study, the same as a boy’s; but quite differently directed. A woman, in any rank of life, ought to know whatever her husband is likely to know, but to know it in a different way. His command of it should be foundational and progressive; hers, general and accomplished for daily and helpful use. Not but that it would often be wiser in men to learn things in a womanly sort of way, for present use, and to seek for the discipline and training of their mental powers in such branches of study as will be afterwards fittest for social service; but, speaking broadly, a man ought to know any language or science he learns, thoroughly–while a woman ought to know the same language, or science, only so far as may enable her to sympathise in her husband’s pleasures, and in those of his best friends.

Yet, observe, with exquisite accuracy as far as she reaches. There is a wide difference between elementary knowledge and superficial knowledge–between a firm beginning, and an infirm attempt at compassing. A woman may always help her husband by what she knows, however little; by what she half-knows, or mis-knows, she will only tease him.

And indeed, if there were to be any difference between a girl’s education and a boy’s, I should say that of the two the girl should be earlier led, as her intellect ripens faster, into deep and serious subjects: and that her range of literature should be, not more, but less frivolous; calculated to add the qualities of patience and seriousness to her natural poignancy of thought and quickness of wit; and also to keep her in a lofty and pure element of thought. I enter not now into any question of choice of books; only let us be sure that her books are not heaped up in her lap as they fall out of the package of the circulating library, wet with the last and lightest spray of the fountain of folly.

Or even of the fountain of wit; for with respect to the sore temptation of novel reading, it is not the badness of a novel that we should dread, so much as its over-wrought interest. The weakest romance is not so stupefying as the lower forms of religious exciting literature, and the worst romance is not so corrupting as false history, false philosophy, or false political essays. But the best romance becomes dangerous, if, by its excitement, it renders the ordinary course of life uninteresting, and increases the morbid thirst for useless acquaintance with scenes in which we shall never be called upon to act.

I speak therefore of good novels only; and our modern literature is particularly rich in types of such. Well read, indeed, these books have serious use, being nothing less than treatises on moral anatomy and chemistry; studies of human nature in the elements of it. But I attach little weight to this function: they are hardly ever read with earnestness enough to permit them to fulfil it. The utmost they usually do is to enlarge somewhat the charity of a kind reader, or the bitterness of a malicious one; for each will gather, from the novel, food for her own disposition. Those who are naturally proud and envious will learn from Thackeray to despise humanity; those who are naturally gentle, to pity it; those who are naturally shallow, to laugh at it. So, also, there might be a serviceable power in novels to bring before us, in vividness, a human truth which we had before dimly conceived; but the temptation to picturesqueness of statement is so great, that often the best writers of fiction cannot resist it; and our views are rendered so violent and one-sided, that their vitality is rather a harm than good.

Without, however, venturing here on any attempt at decision how much novel reading should be allowed, let me at least clearly assert this,–that whether novels, or poetry, or history be read, they should be chosen, not for their freedom from evil, but for their possession of good. The chance and scattered evil that may here and there haunt, or hide itself in, a powerful book, never does any harm to a noble girl; but the emptiness of an author oppresses her, and his amiable folly degrades her. And if she can have access to a good library of old and classical books, there need be no choosing at all. Keep the modern magazine and novel out of your girl’s way: turn her loose into the old library every wet day, and let her alone. She will find what is good for her; you cannot: for there is just this difference between the making of a girl’s character and a boy’s–you may chisel a boy into shape, as you would a rock, or hammer him into it, if he be of a better kind, as you would a piece of bronze. But you cannot hammer a girl into anything. She grows as a flower does,–she will wither without sun; she will decay in her sheath, as a narcissus will, if you do not give her air enough; she may fall, and defile her head in dust, if you leave her without help at some moments of her life; but you cannot fetter her; she must take her own fair form and way, if she take any, and in mind as in body, must have always

“Her household motions light and free And steps of virgin liberty.”

Let her loose in the library, I say, as you do a fawn in a field. It knows the bad weeds twenty times better than you; and the good ones too, and will eat some bitter and prickly ones, good for it, which you had not the slightest thought would have been so.

Then, in art, keep the finest models before her, and let her practice in all accomplishments be accurate and thorough, so as to enable her to understand more than she accomplishes. I say the finest models–that is to say, the truest, simplest, usefullest. Note those epithets: they will range through all the arts. Try them in music, where you might think them the least applicable. I say the truest, that in which the notes most closely and faithfully express the meaning of the words, or the character of intended emotion; again, the simplest, that in which the meaning and melody are attained with the fewest and most significant notes possible; and, finally, the usefullest, that music which makes the best words most beautiful, which enchants them in our memories each with its own glory of sound, and which applies them closest to the heart at the moment we need them.

And not only in the material and in the course, but yet more earnestly in the spirit of it, let a girl’s education be as serious as a boy’s. You bring up your girls as if they were meant for sideboard ornaments, and then complain of their frivolity. Give them the same advantages that you give their brothers–appeal to the same grand instincts of virtue in them; teach THEM, also, that courage and truth are the pillars of their being:- do you think that they would not answer that appeal, brave and true as they are even now, when you know that there is hardly a girls’ school in this Christian kingdom where the children’s courage or sincerity would be thought of half so much importance as their way of coming in at a door; and when the whole system of society, as respects the mode of establishing them in life, is one rotten plague of cowardice and imposture–cowardice, in not daring to let them live, or love, except as their neighbours choose; and imposture, in bringing, for the purposes of our own pride, the full glow of the world’s worst vanity upon a girl’s eyes, at the very period when the whole happiness of her future existence depends upon her remaining undazzled?

And give them, lastly, not only noble teachings, but noble teachers. You consider somewhat before you send your boy to school, what kind of a man the master is;–whatsoever kind of a man he is, you at least give him full authority over your son, and show some respect to him yourself;–if he comes to dine with you, you do not put him at a side table: you know also that, at college, your child’s immediate tutor will be under the direction of some still higher tutor,–for whom you have absolute reverence. You do not treat the Dean of Christ Church or the Master of Trinity as your inferiors.

But what teachers do you give your girls, and what reverence do you show to the teachers you have chosen? Is a girl likely to think her own conduct, or her own intellect, of much importance, when you trust the entire formation of her character, moral and intellectual, to a person whom you let your servants treat with less respect than they do your housekeeper (as if the soul of your child were a less charge than jams and groceries), and whom you yourself think you confer an honour upon by letting her sometimes sit in the drawing- room in the evening?

Thus, then, of literature as her help, and thus of art. There is one more help which she cannot do without–one which, alone, has sometimes done more than all other influences besides,–the help of wild and fair nature. Hear this of the education of Joan of Arc:-

“The education of this poor girl was mean, according to the present standard; was ineffably grand, according to a purer philosophic standard; and only not good for our age, because for us it would be unattainable.

” Next after her spiritual advantages, she owed most to the advantages of her situation. The fountain of Domremy was on the brink of a boundless forest; and it was haunted to that degree by fairies, that the parish priest (cure) was obliged to read mass there once a year, in order to keep them in decent bounds.

“But the forests of Domremy–those were the glories of the land; for in them abode mysterious powers and ancient secrets that towered into tragic strength. Abbeys there were, and abbey windows,–‘like Moorish temples of the Hindoos,’ that exercised even princely power both in Touraine and in the German Diets. These had their sweet bells that pierced the forests for many a league at matins or vespers, and each its own dreamy legend. Few enough, and scattered enough, were these abbeys, so as in no degree to disturb the deep solitude of the region; yet many enough to spread a network or awning of Christian sanctity over what else might have seemed a heathen wilderness.” {26}

Now, you cannot, indeed, have here in England, woods eighteen miles deep to the centre; but you can, perhaps, keep a fairy or two for your children yet, if you wish to keep them. But DO you wish it? Suppose you had each, at the back of your houses, a garden, large enough for your children to play in, with just as much lawn as would give them room to run,–no more–and that you could not change your abode; but that, if you chose, you could double your income, or quadruple it, by digging a coal shaft in the middle of the lawn, and turning the flower-beds into heaps of coke. Would you do it? I hope not. I can tell you, you would be wrong if you did, though it gave you income sixty-fold instead of four-fold.

Yet this is what you are doing with all England. The whole country is but a little garden, not more than enough for your children to run on the lawns of, if you would let them all run there. And this little garden you will turn into furnace ground, and fill with heaps of cinders, if you can; and those children of yours, not you, will suffer for it. For the fairies will not be all banished; there are fairies of the furnace as of the wood, and their first gifts seem to be “sharp arrows of the mighty;” but their last gifts are “coals of juniper.”

And yet I cannot–though there is no part of my subject that I feel more–press this upon you; for we made so little use of the power of nature while we had it that we shall hardly feel what we have lost. Just on the other side of the Mersey you have your Snowdon, and your Menai Straits, and that mighty granite rock beyond the moors of Anglesea, splendid in its heathery crest, and foot planted in the deep sea, once thought of as sacred–a divine promontory, looking westward; the Holy Head or Headland, still not without awe when its red light glares first through storm. These are the hills, and these the bays and blue inlets, which, among the Greeks, would have been always loved, always fateful in influence on the national mind. That Snowdon is your Parnassus; but where are its Muses? That Holyhead mountain is your Island of AEgina; but where is its Temple to Minerva?

Shall I read you what the Christian Minerva had achieved under the shadow of our Parnassus up to the year 1848?–Here is a little account of a Welsh school, from page 261 of the Report on Wales, published by the Committee of Council on Education. This is a school close to a town containing 5,000 persons:-

“I then called up a larger class, most of whom had recently come to the school. Three girls repeatedly declared they had never heard of Christ, and two that they had never heard of God. Two out of six thought Christ was on earth now” (they might have had a worse thought perhaps), “three knew nothing about the Crucifixion. Four out of seven did not know the names of the months nor the number of days in a year. They had no notion of addition beyond two and two, or three and three; their minds were perfect blanks.”

Oh, ye women of England! from the Princess of that Wales to the simplest of you, do not think your own children can be brought into their true fold of rest, while these are scattered on the hills, as sheep having no shepherd. And do not think your daughters can be trained to the truth of their own human beauty, while the pleasant places, which God made at once for their schoolroom and their playground, lie desolate and defiled. You cannot baptize them rightly in those inch-deep fonts of yours, unless you baptize them also in the sweet waters which the great Lawgiver strikes forth for ever from the rocks of your native land–waters which a Pagan would have worshipped in their purity, and you worship only with pollution. You cannot lead your children faithfully to those narrow axe-hewn church altars of yours, while the dark azure altars in heaven–the mountains that sustain your island throne,–mountains on which a Pagan would have seen the powers of heaven rest in every wreathed cloud–remain for you without inscription; altars built, not to, but by an Unknown God.

(III.) Thus far, then, of the nature, thus far of the teaching, of woman, and thus of her household office, and queenliness. We now come to our last, our widest question.–What is her queenly office with respect to the state?

Generally, we are under an impression that a man’s duties are public, and a woman’s private. But this is not altogether so. A man has a personal work or duty, relating to his own home, and a public work or duty, which is the expansion of the other, relating to the state. So a woman has a personal work or duty, relating to her own home, and a public work or duty, which is also the expansion of that.

Now the man’s work for his own home is, as has been said, to secure its maintenance, progress, and defence; the woman’s to secure its order, comfort, and loveliness.

Expand both these functions. The man’s duty as a member of a commonwealth, is to assist in the maintenance, in the advance, in the defence of the state. The woman’s duty, as a member of the commonwealth, is to assist in the ordering, in the comforting, and in the beautiful adornment of the state.

What the man is at his own gate, defending it, if need be, against insult and spoil, that also, not in a less, but in a more devoted measure, he is to be at the gate of his country, leaving his home, if need be, even to the spoiler, to do his more incumbent work there.

And, in like manner, what the woman is to be within her gates, as the centre of order, the balm of distress, and the mirror of beauty: that she is also to be without her gates, where order is more difficult, distress more imminent, loveliness more rare.

And as within the human heart there is always set an instinct for all its real duties,–an instinct which you cannot quench, but only warp and corrupt if you withdraw it from its true purpose:- as there is the intense instinct of love, which, rightly disciplined, maintains all the sanctities of life, and, misdirected, undermines them; and MUST do either the one or the other;–so there is in the human heart an inextinguishable instinct, the love of power, which, rightly directed, maintains all the majesty of law and life, and, misdirected, wrecks them.

Deep rooted in the innermost life of the heart of man, and of the heart of woman, God set it there, and God keeps it there.–Vainly, as falsely, you blame or rebuke the desire of power!–For Heaven’s sake, and for Man’s sake, desire it all you can. But WHAT power? That is all the question. Power to destroy? the lion’s limb, and the dragon’s breath? Not so. Power to heal, to redeem, to guide, and to guard. Power of the sceptre and shield; the power of the royal hand that heals in touching,–that binds the fiend, and looses the captive; the throne that is founded on the rock of Justice, and descended from only by steps of Mercy. Will you not covet such power as this, and seek such throne as this, and be no more housewives, but queens?

It is now long since the women of England arrogated, universally, a title which once belonged to nobility only; and, having once been in the habit of accepting the simple title of gentlewoman as correspondent to that of gentleman, insisted on the privilege of assuming the title of “Lady,” {27} which properly corresponds only to the title of “Lord.”

I do not blame them for this; but only for their narrow motive in this. I would have them desire and claim the title of Lady, provided they claim, not merely the title, but the office and duty signified by it. Lady means “bread-giver” or “loaf-giver,” and Lord means “maintainer of laws,” and both titles have reference, not to the law which is maintained in the house, nor to the bread which is given to the household; but to law maintained for the multitude, and to bread broken among the multitude. So that a Lord has legal claim only to his title in so far as he is the maintainer of the justice of the Lord of lords; and a Lady has legal claim to her title only so far as she communicates that help to the poor representatives of her Master, which women once, ministering to Him of their substance, were permitted to extend to that Master Himself; and when she is known, as He Himself once was, in breaking of bread.

And this beneficent and legal dominion, this power of the Dominus, or House-Lord, and of the Domina, or House-Lady, is great and venerable, not in the number of those through whom it has lineally descended, but in the number of those whom it grasps within its sway; it is always regarded with reverent worship wherever its dynasty is founded on its duty, and its ambition correlative with its beneficence. Your fancy is pleased with the thought of being noble ladies, with a train of vassals. Be it so; you cannot be too noble, and your train cannot be too great; but see to it that your train is of vassals whom you serve and feed, not merely of slaves who serve and feed you; and that the multitude which obeys you is of those whom you have comforted, not oppressed,–whom you have redeemed, not led into captivity.

And this, which is true of the lower or household dominion, is equally true of the queenly dominion; that highest dignity is open to you, if you will also accept that highest duty. Rex et Regina– Roi et Reine–“RIGHT-doers;” they differ but from the Lady and Lord, in that their power is supreme over the mind as over the person– that they not only feed and clothe, but direct and teach. And whether consciously or not, you must be, in many a heart, enthroned: there is no putting by that crown; queens you must always be: queens to your lovers; queens to your husbands and your sons; queens of higher mystery to the world beyond, which bows itself, and will for ever bow, before the myrtle crown and the stainless sceptre of womanhood. But, alas! you are too often idle and careless queens, grasping at majesty in the least things, while you abdicate it in the greatest; and leaving misrule and violence to work their will among men, in defiance of the power which, holding straight in gift from the Prince of all Peace, the wicked among you betray, and the good forget.

“Prince of Peace.” Note that name. When kings rule in that name, and nobles, and the judges of the earth, they also, in their narrow place, and mortal measure, receive the power of it. There are no other rulers than they; other rule than theirs is but MISrule; they who govern verily “Dei Gratia” are all princes, yes, or princesses of Peace. There is not a war in the world, no, nor an injustice, but you women are answerable for it; not in that you have provoked, but in that you have not hindered. Men, by their nature, are prone to fight; they will fight for any cause, or for none. It is for you to choose their cause for them, and to forbid them when there is no cause. There is no suffering, no injustice, no misery, in the earth, but the guilt of it lies with you. Men can bear the sight of it, but you should not be able to bear it. Men may tread it down without sympathy in their own struggle; but men are feeble in sympathy, and contracted in hope; it is you only who can feel the depths of pain, and conceive the way of its healing. Instead of trying to do this, you turn away from it; you shut yourselves within your park walls and garden gates; and you are content to know that there is beyond them a whole world in wilderness–a world of secrets which you dare not penetrate; and of suffering which you dare not conceive.

I tell you that this is to me quite the most amazing among the phenomena of humanity. I am surprised at no depths to which, when once warped from its honour, that humanity can be degraded. I do not wonder at the miser’s death, with his hands, as they relax, dropping gold. I do not wonder at the sensualist’s life, with the shroud wrapped about his feet. I do not wonder at the single-handed murder of a single victim, done by the assassin in the darkness of the railway, or reed shadow of the marsh. I do not even wonder at the myriad-handed murder of multitudes, done boastfully in the daylight, by the frenzy of nations, and the immeasurable, unimaginable guilt heaped up from hell to heaven, of their priests, and kings. But this is wonderful to me–oh, how wonderful!–to see the tender and delicate woman among you, with her child at her breast, and a power, if she would wield it, over it, and over its father, purer than the air of heaven, and stronger than the seas of earth–nay, a magnitude of blessing which her husband would not part with for all that earth itself, though it were made of one entire and perfect chrysolite:- to see her abdicate this majesty to play at precedence with her next-door neighbour! This is wonderful–oh, wonderful!–to see her, with every innocent feeling fresh within her, go out in the morning into her garden to play with the fringes of its guarded flowers, and lift their heads when they are drooping, with her happy smile upon her face, and no cloud upon her brow, because there is a little wall around her place of peace: and yet she knows, in her heart, if she would only look for its knowledge, that, outside of that little rose-covered wall, the wild grass, to the horizon, is torn up by the agony of men, and beat level by the drift of their life-blood.

Have you ever considered what a deep under meaning there lies, or at least may be read, if we choose, in our custom of strewing flowers before those whom we think most happy? Do you suppose it is merely to deceive them into the hope that happiness is always to fall thus in showers at their feet?–that wherever they pass they will tread on herbs of sweet scent, and that the rough ground will be made smooth for them by depths of roses? So surely as they believe that, they will have, instead, to walk on bitter herbs and thorns; and the only softness to their feet will be of snow. But it is not thus intended they should believe; there is a better meaning in that old custom. The path of a good woman is indeed strewn with flowers; but they rise behind her steps, not before them. “Her feet have touched the meadows, and left the daisies rosy.”

You think that only a lover’s fancy;–false and vain! How if it could be true? You think this also, perhaps, only a poet’s fancy –

“Even the light harebell raised its head Elastic from her airy tread.”

But it is little to say of a woman, that she only does not destroy where she passes. She should revive; the harebells should bloom, not stoop, as she passes. You think I am rushing into wild hyperbole! Pardon me, not a whit–I mean what I say in calm English, spoken in resolute truth. You have heard it said–(and I believe there is more than fancy even in that saying, but let it pass for a fanciful one)–that flowers only flourish rightly in the garden of some one who loves them. I know you would like that to be true; you would think it a pleasant magic if you could flush your flowers into brighter bloom by a kind look upon them: nay, more, if your look had the power, not only to cheer, but to guard;–if you could bid the black blight turn away, and the knotted caterpillar spare–if you could bid the dew fall upon them in the drought, and say to the south wind, in frost–“Come, thou south, and breathe upon my garden, that the spices of it may flow out.” This you would think a great thing? And do you think it not a greater thing, that all this, (and how much more than this!) you CAN do, for fairer flowers than these–flowers that could bless you for having blessed them, and will love you for having loved them; flowers that have thoughts like yours, and lives like yours; and which, once saved, you save for ever? Is this only a little power? Far among the moorlands and the rocks,–far in the darkness of the terrible streets,–these feeble florets are lying, with all their fresh leaves torn, and their stems broken: will you never go down to them, nor set them in order in their little fragrant beds, nor fence them in their trembling, from the fierce wind? Shall morning follow morning, for you, but not for them; and the dawn rise to watch, far away, those frantic Dances of Death; {28} but no dawn rise to breathe upon these living banks of wild violet, and woodbine, and rose; nor call to you, through your casement–call (not giving you the name of the English poet’s lady, but the name of Dante’s great Matilda, who, on the edge of happy Lethe, stood, wreathing flowers with flowers), saying:-

“Come into the garden, Maud,
For the black bat, night, has flown, And the woodbine spices are wafted abroad, And the musk of the roses blown”?

Will you not go down among them?–among those sweet living things, whose new courage, sprung from the earth with the deep colour of heaven upon it, is starting up in strength of goodly spire; and whose purity, washed from the dust, is opening, bud by bud, into the flower of promise;–and still they turn to you, and for you, “The Larkspur listens–I hear, I hear! And the Lily whispers–I wait.”

Did you notice that I missed two lines when I read you that first stanza; and think that I had forgotten them? Hear them now:-

“Come into the garden, Maud,
For the black bat, night, has flown, Come into the garden, Maud,
I am here at the gate, alone.”

Who is it, think you, who stands at the gate of this sweeter garden alone, waiting for you? Did you ever hear, not of a Maud, but a Madeleine, who went down to her garden in the dawn, and found One waiting at the gate, whom she supposed to be the gardener? Have you not sought Him often;–sought Him in vain, all through the night;– sought Him in vain at the gate of that old garden where the fiery sword is set? He is never there; but at the gate of THIS garden He is waiting always–waiting to take your hand–ready to go down to see the fruits of the valley, to see whether the vine has flourished, and the pomegranate budded. There you shall see with Him the little tendrils of the vines that His hand is guiding–there you shall see the pomegranate springing where His hand cast the sanguine seed;–more: you shall see the troops of the angel keepers that, with their wings, wave away the hungry birds from the path- sides where He has sown, and call to each other between the vineyard rows, “Take us the foxes, the little foxes, that spoil the vines, for our vines have tender grapes.” Oh–you queens–you queens! among the hills and happy greenwood of this land of yours, shall the foxes have holes, and the birds of the air have nests; and in your cities, shall the stones cry out against you, that they are the only pillows where the Son of Man can lay His head?

PREFACE TO THE LATER EDITIONS

Being now fifty-one years old, and little likely to change my mind hereafter on any important subject of thought (unless through weakness of age), I wish to publish a connected series of such parts of my works as now seem to me right, and likely to be of permanent use. In doing so I shall omit much, but not attempt to mend what I think worth reprinting. A young man necessarily writes otherwise than an old one, and it would be worse than wasted time to try to recast the juvenile language: nor is it to be thought that I am ashamed even of what I cancel; for great part of my earlier work was rapidly written for temporary purposes, and is now unnecessary, though true, even to truism. What I wrote about religion, was, on the contrary, painstaking, and, I think, forcible, as compared with most religious writing; especially in its frankness and fearlessness: but it was wholly mistaken: for I had been educated in the doctrines of a narrow sect, and had read history as obliquely as sectarians necessarily must.

Mingled among these either unnecessary or erroneous statements, I find, indeed, some that might be still of value; but these, in my earlier books, disfigured by affected language, partly through the desire to be thought a fine writer, and partly, as in the second volume of ‘Modern Painters,’ in the notion of returning as far as I could to what I thought the better style of old English literature, especially to that of my then favourite, in prose, Richard Hooker.

For these reasons,–though, as respects either art, policy, or morality, as distinct from religion, I not only still hold, but would even wish strongly to re-affirm the substance of what I said in my earliest books,–I shall reprint scarcely anything in this series out of the first and second volumes of ‘Modern Painters’; and shall omit much of the ‘Seven Lamps’ and ‘Stones of Venice’; but all my books written within the last fifteen years will be republished without change, as new editions of them are called for, with here and there perhaps an additional note, and having their text divided, for convenient reference, into paragraphs, consecutive through each volume. I shall also throw together the shorter fragments that bear on each other, and fill in with such unprinted lectures or studies as seem to me worth preserving, so as to keep the volumes, on an average, composed of about a hundred leaves each.

The first book of which a new edition is required chances to be ‘Sesame and Lilies,’ from which I now detach the whole preface, about the Alps, for use elsewhere; and to I which I add a lecture given in Ireland on a subject closely connected with that of the book itself. I am glad that it should be the first of the complete series, for many reasons; though in now looking over these two lectures, I am painfully struck by the waste of good work in them. They cost me much thought, and much strong emotion; but it was foolish to suppose that I could rouse my audiences in a little while to any sympathy with the temper into which I had brought myself by years of thinking over subjects full of pain; while, if I missed my purpose at the time, it was little to be hoped I could attain it afterwards; since phrases written for oral delivery become ineffective when quietly read. Yet I should only take away what good is in them if I tried to translate them into the language of books; nor, indeed, could I at all have done so at the time of their delivery, my thoughts then habitually and impatiently putting themselves into forms fit only for emphatic speech; and thus I am startled, in my review of them, to find that, though there is much, (forgive me the impertinence) which seems to me accurately and energetically said, there is scarcely anything put in a form to be generally convincing, or even easily intelligible: and I can well imagine a reader laying down the book without being at all moved by it, still less guided, to any definite course of action.

I think, however, if I now say briefly and clearly what I meant my hearers to understand, and what I wanted, and still would fain have, them to do, there may afterwards be found some better service in the passionately written text.

The first lecture says, or tries to say, that, life being very short, and the quiet hours of it few, we ought to waste none of them in reading valueless books; and that valuable books should, in a civilized country, be within the reach of every one, printed in excellent form, for a just price; but not in any vile, vulgar, or, by reason of smallness of type, physically injurious form, at a vile price. For we none of us need many books, and those which we need ought to be clearly printed, on the best paper, and strongly bound. And though we are, indeed, now, a wretched and poverty-struck nation, and hardly able to keep soul and body together, still, as no person in decent circumstances would put on his table confessedly bad wine, or bad meat, without being ashamed, so he need not have on his shelves ill-printed or loosely and wretchedly-stitched books; for though few can be rich, yet every man who honestly exerts himself may, I think, still provide, for himself and his family, good shoes, good gloves, strong harness for his cart or carriage horses, and stout leather binding for his books. And I would urge upon every young man, as the beginning of his due and wise provision for his household, to obtain as soon as he can, by the severest economy, a restricted, serviceable, and steadily–however slowly– increasing, series of books for use through life; making his little library, of all the furniture in his room, the most studied and decorative piece; every volume having its assigned place, like a little statue in its niche, and one of the earliest and strictest lessons to the children of the house being how to turn the pages of their own literary possessions lightly and deliberately, with no chance of tearing or dog’s ears.

That is my notion of the founding of Kings’ Treasuries; and the first lecture is intended to show somewhat the use and preciousness of their treasures: but the two following ones have wider scope, being written in the hope of awakening the youth of England, so far as my poor words might have any power with them, to take some thought of the purposes of the life into which they are entering, and the nature of the world they have to conquer.

These two lectures are fragmentary and ill-arranged, but not, I think, diffuse or much compressible. The entire gist and conclusion of them, however, is in the last six paragraphs of the third lecture, which I would beg the reader to look over not once nor twice, (rather than any other part of the book,) for they contain the best expression I have yet been able to put in words of what, so far as is within my power, I mean henceforward both to do myself, and to plead with all over whom I have any influence, to do also according to their means: the letters begun on the first day of this year, to the workmen of England, having the object of originating, if possible, this movement among them, in true alliance with whatever trustworthy element of help they can find in the higher classes. After these paragraphs, let me ask you to read, by the fiery light of recent events, the fable at p. 170 {1}, and then paragraphs 129-131 {2}; and observe, my statement respecting the famine at Orissa is not rhetorical, but certified by official documents as within the truth. Five hundred thousand persons, AT LEAST, died by starvation in our British dominions, wholly in consequence of carelessness and want of forethought. Keep that well in your memory; and note it as the best possible illustration of modern political economy in true practice, and of the relations it has accomplished between Supply and Demand. Then begin the second lecture, and all will read clear enough, I think, to the end; only, since that second lecture was written, questions have arisen respecting the education and claims of women which have greatly troubled simple minds and excited restless ones. I am sometimes asked my thoughts on this matter, and I suppose that some girl readers of the second lecture may at the end of it desire to be told summarily what I would have them do and desire in the present state of things. This, then, is what I would say to any girl who had confidence enough in me to believe what I told her, or to do what I asked her.

First, be quite sure of one thing, that, however much you may know, and whatever advantages you may possess, and however good you may be, you have not been singled out, by the God who made you, from all the other girls in the world, to be especially informed respecting His own nature and character. You have not been born in a luminous point upon the surface of the globe, where a perfect theology might be expounded to you from your youth up, and where everything you were taught would be true, and everything that was enforced upon you, right. Of all the insolent, all the foolish persuasions that by any chance could enter and hold your empty little heart, this is the proudest and foolishest,–that you have been so much the darling of the Heavens, and favourite of the Fates, as to be born in the very nick of time, and in the punctual place, when and where pure Divine truth had been sifted from the errors of the Nations; and that your papa had been providentially disposed to buy a house in the convenient neighbourhood of the steeple under which that Immaculate and final verity would be beautifully proclaimed. Do not think it, child; it is not so. This, on the contrary, is the fact,- -unpleasant you may think it; pleasant, it seems to ME,–that you, with all your pretty dresses, and dainty looks, and kindly thoughts, and saintly aspirations, are not one whit more thought of or loved by the great Maker and Master than any poor little red, black, or blue savage, running wild in the pestilent woods, or naked on the hot sands of the earth: and that, of the two, you probably know less about God than she does; the only difference being that she thinks little of Him that is right, and you much that is wrong.

That, then, is the first thing to make sure of;–that you are not yet perfectly well informed on the most abstruse of all possible subjects, and that if you care to behave with modesty or propriety, you had better be silent about it.

The second thing which you may make sure of is, that however good you may be, you have faults; that however dull you may be, you can find out what some of them are; and that however slight they may be, you had better make some–not too painful, but patient–effort to get quit of them. And so far as you have confidence in me at all, trust me for this, that how many soever you may find or fancy your faults to be, there are only two that are of real consequence,– Idleness and Cruelty. Perhaps you may be proud. Well, we can get much good out of pride, if only it be not religious. Perhaps you may be vain; it is highly probable; and very pleasant for the people who like to praise you. Perhaps you are a little envious: that is really very shocking; but then–so is everybody else. Perhaps, also, you are a little malicious, which I am truly concerned to hear, but should probably only the more, if I knew you, enjoy your conversation. But whatever else you may be, you must not be useless, and you must not be cruel. If there is any one point which, in six thousand years of thinking about right and wrong, wise and good men have agreed upon, or successively by experience discovered, it is that God dislikes idle and cruel people more than any others:- that His first order is, “Work while you have light;” and His second, “Be merciful while you have mercy.”

“Work while you have light,” especially while you have the light of morning. There are few things more wonderful to me than that old people never tell young ones how precious their youth is. They sometimes sentimentally regret their own earlier days; sometimes prudently forget them; often foolishly rebuke the young, often more foolishly indulge, often most foolishly thwart and restrain; but scarcely ever warn or watch them. Remember, then, that I, at least, have warned YOU, that the happiness of your life, and its power, and its part and rank in earth or in heaven, depend on the way you pass your days now. They are not to be sad days: far from that, the first duty of young people is to be delighted and delightful; but they are to be in the deepest sense solemn days. There is no solemnity so deep, to a rightly-thinking creature, as that of dawn. But not only in that beautiful sense, but in all their character and method, they are to be solemn days. Take your Latin dictionary, and look out “solennis,” and fix the sense of the word well in your mind, and remember that every day of your early life is ordaining irrevocably, for good or evil, the custom and practice of your soul; ordaining either sacred customs of dear and lovely recurrence, or trenching deeper and deeper the furrows for seed of sorrow. Now, therefore, see that no day passes in which you do not make yourself a somewhat better creature: and in order to do that, find out, first, what you are now. Do not think vaguely about it; take pen and paper, and write down as accurate a description of yourself as you can, with the date to it. If you dare not do so, find out why you dare not, and try to get strength of heart enough to look yourself fairly in the face in mind as well as body. I do not doubt but that the mind is a less pleasant thing to look at than the face, and for that very reason it needs more looking at; so always have two mirrors on your toilet table, and see that with proper care you dress body and mind before them daily. After the dressing is once over for the day, think no more about it: as your hair will blow about your ears, so your temper and thoughts will get ruffled with the day’s work, and may need, sometimes, twice dressing; but I don’t want you to carry about a mental pocket-comb; only to be smooth braided always in the morning.

Write down then, frankly, what you are, or, at least, what you think yourself, not dwelling upon those inevitable faults which I have just told you are of little consequence, and which the action of a right life will shake or smooth away; but that you may determine to the best of your intelligence what you are good for and can be made into. You will find that the mere resolve not to be useless, and the honest desire to help other people, will, in the quickest and delicatest ways, improve yourself. Thus, from the beginning, consider all your accomplishments as means of assistance to others; read attentively, in this volume, paragraphs 74, 75, 19, and 79, {3} and you will understand what I mean, with respect to languages and music. In music especially you will soon find what personal benefit there is in being serviceable: it is probable that, however limited your powers, you have voice and ear enough to sustain a note of moderate compass in a concerted piece;–that, then, is the first thing to make sure you can do. Get your voice disciplined and clear, and think only of accuracy; never of effect or expression: if you have any soul worth expressing, it will show itself in your singing; but most likely there are very few feelings in you, at present, needing any particular expression; and the one thing you have to do is to make a clear-voiced little instrument of yourself, which other people can entirely depend upon for the note wanted. So, in drawing, as soon as you can set down the right shape of anything, and thereby explain its character to another person, or make the look of it clear and interesting to a child, you will begin to enjoy the art vividly for its own sake, and all your habits of mind and powers of memory will gain precision: but if you only try to make showy drawings for praise, or pretty ones for amusement, your drawing will have little of real interest for you, and no educational power whatever.

Then, besides this more delicate work, resolve to do every day some that is useful in the vulgar sense. Learn first thoroughly the economy of the kitchen; the good and bad qualities of every common article of food, and the simplest and best modes of their preparation: when you have time, go and help in the cooking of poorer families, and show them how to make as much of everything as possible, and how to make little, nice; coaxing and tempting them into tidy and pretty ways, and pleading for well-folded table- cloths, however coarse, and for a flower or two out of the garden to strew on them. If you manage to get a clean table-cloth, bright plates on it, and a good dish in the middle, of your own cooking, you may ask leave to say a short grace; and let your religious ministries be confined to that much for the present.

Again, let a certain part of your day (as little as you choose, but not to be broken in upon) be set apart for making strong and pretty dresses for the poor. Learn the sound qualities of all useful stuffs, and make everything of the best you can get, whatever its price. I have many reasons for desiring you to do this,–too many to be told just now,–trust me, and be sure you get everything as good as can be: and if, in the villainous state of modern trade, you cannot get it good at any price, buy its raw material, and set some of the poor women about you to spin and weave, till you have got stuff that can be trusted: and then, every day, make some little piece of useful clothing, sewn with your own fingers as strongly as it can be stitched; and embroider it or otherwise beautify it moderately with fine needlework, such as a girl may be proud of having done. And accumulate these things by you until you hear of some honest persons in need of clothing, which may often too sorrowfully be; and, even though you should be deceived, and give them to the dishonest, and hear of their being at once taken to the pawnbroker’s, never mind that, for the pawnbroker must sell them to some one who has need of them. That is no business of yours; what concerns you is only that when you see a half-naked child, you should have good and fresh clothes to give it, if its parents will let it be taught to wear them. If they will not, consider how they came to be of such a mind, which it will be wholesome for you beyond most subjects of inquiry to ascertain. And after you have gone on doing this a little while, you will begin to understand the meaning of at least one chapter of your Bible, Proverbs xxxi., without need of any laboured comment, sermon, or meditation.

In these, then (and of course in all minor ways besides, that you can discover in your own household), you must be to the best of your strength usefully employed during the greater part of the day, so that you may be able at the end of it to say, as proudly as any peasant, that you have not eaten the bread of idleness.

Then, secondly, I said, you are not to be cruel. Perhaps you think there is no chance of your being so; and indeed I hope it is not likely that you should be deliberately unkind to any creature; but unless you are deliberately kind to every creature, you will often be cruel to many. Cruel, partly through want of imagination, (a far rarer and weaker faculty in women than men,) and yet more, at the present day, through the subtle encouragement of your selfishness by the religious doctrine that all which we now suppose to be evil will be brought to a good end; doctrine practically issuing, not in less earnest efforts that the immediate unpleasantness may be averted from ourselves, but in our remaining satisfied in the contemplation of its ultimate objects, when it is inflicted on others.

It is not likely that the more accurate methods of recent mental education will now long permit young people to grow up in the persuasion that, in any danger or distress, they may expect to be themselves saved by the Providence of God, while those around them are lost by His improvidence: but they may be yet long restrained from rightly kind action, and long accustomed to endure both their own pain occasionally, and the pain of others always, with an unwise patience, by misconception of the eternal and incurable nature of real evil. Observe, therefore, carefully in this matter; there are degrees of pain, as degrees of faultfulness, which are altogether conquerable, and which seem to be merely forms of wholesome trial or discipline. Your fingers tingle when you go out on a frosty morning, and are all the warmer afterwards; your limbs are weary with wholesome work, and lie down in the pleasanter rest; you are tried for a little while by having to wait for some promised good, and it is all the sweeter when it comes. But you cannot carry the trial past a certain point. Let the cold fasten on your hand in an extreme degree, and your fingers will moulder from their sockets. Fatigue yourself, but once, to utter exhaustion, and to the end of life you shall not recover the former vigour of your frame. Let heart-sickness pass beyond a certain bitter point, and the heart loses its life for ever.

Now, the very definition of evil is in this irremediableness. It means sorrow, or sin, which ends in death; and assuredly, as far as we know, or can conceive, there are many conditions both of pain and sin which cannot but so end. Of course we are ignorant and blind creatures, and we cannot know what seeds of good may be in present suffering, or present crime; but with what we cannot know we are not concerned. It is conceivable that murderers and liars may in some distant world be exalted into a higher humanity than they could have reached without homicide or falsehood; but the contingency is not one by which our actions should be guided. There is, indeed, a better hope that the beggar, who lies at our gates in misery, may, within gates of pearl, be comforted; but the Master, whose words are our only authority for thinking so, never Himself inflicted disease as a blessing, nor sent away the hungry unfed, or the wounded unhealed.

Believe me then, the only right principle of action here, is to consider good and evil as defined by our natural sense of both; and to strive to promote the one, and to conquer the other, with as hearty endeavour as if there were, indeed, no other world than this. Above all, get quit of the absurd idea that Heaven will interfere to correct great errors, while allowing its laws to take their course in punishing small ones. If you prepare a dish of food carelessly, you do not expect Providence to make it palatable; neither if, through years of folly, you misguide your own life, need you expect Divine interference to bring round everything at last for the best. I tell you, positively, the world is not so constituted: the consequences of great mistakes are just as sure as those of small ones, and the happiness of your whole life, and of all the lives over which you have power, depend as literally on your own common sense and discretion as the excellence and order of the feast of a day.

Think carefully and bravely over these things, and you will find them true: having found them so, think also carefully over your own position in life. I assume that you belong to the middle or upper classes, and that you would shrink from descending into a lower sphere. You may fancy you would not: nay, if you are very good, strong-hearted, and romantic, perhaps you really would not; but it is not wrong that you should. You have, then, I suppose, good food, pretty rooms to live in, pretty dresses to wear, power of obtaining every rational and wholesome pleasure; you are, moreover, probably gentle and grateful, and in the habit of every day thanking God for these things. But why do you thank Him? Is it because, in these matters, as well as in your religious knowledge, you think He has made a favourite of you? Is the essential meaning of your thanksgiving, “Lord, I thank Thee that I am not as other girls are, not in that I fast twice in the week while they feast, but in that I feast seven times a week while they fast,” and are you quite sure this is a pleasing form of thanksgiving to your Heavenly Father? Suppose you saw one of your own true earthly sisters, Lucy or Emily, cast out of your mortal father’s house, starving, helpless, heartbroken; and that every morning when you went into your father’s room, you said to him, “How good you are, father, to give me what you don’t give Lucy,” are you sure that, whatever anger your parent might have just cause for, against your sister, he would be pleased by that thanksgiving, or flattered by that praise? Nay, are you even sure that you ARE so much the favourite?–suppose that, all this while, he loves poor Lucy just as well as you, and is only trying you through her pain, and perhaps not angry with her in anywise, but deeply angry with you, and all the more for your thanksgivings? Would it not be well that you should think, and earnestly too, over this standing of yours; and all the more if you wish to believe that text, which clergymen so much dislike preaching on, “How hardly shall they that have riches enter into the Kingdom of God”? You do not believe it now, or you would be less complacent in your state; and you cannot believe it at all, until you know that the Kingdom of God means,–“not meat and drink, but justice, peace, and joy in the Holy Ghost,” nor until you know also that such joy is not by any means, necessarily, in going to church, or in singing hymns; but may be joy in a dance, or joy in a jest, or joy in anything you have deserved to possess, or that you are willing to give; but joy in nothing that separates you, as by any strange favour, from your fellow-creatures, that exalts you through their degradation–exempts you from their toil–or indulges you in time of their distress.

Think, then, and some day, I believe, you will feel also,–no morbid passion of pity such as would turn you into a black Sister of Charity, but the steady fire of perpetual kindness which will make you a bright one. I speak in no disparagement of them; I know well how good the Sisters of Charity are, and how much we owe to them; but all these professional pieties (except so far as distinction or association may be necessary for effectiveness of work) are in their spirit wrong, and in practice merely plaster the sores of disease that ought never to have been permitted to exist; encouraging at the same time the herd of less excellent women in frivolity, by leading them to think that they must either be good up to the black standard, or cannot be good for anything. Wear a costume, by all means, if you like; but let it be a cheerful and becoming one; and be in your heart a Sister of Charity always, without either veiled or voluble declaration of it.

As I pause, before ending my preface–thinking of one or two more points that are difficult to write of–I find a letter in ‘The Times,’ from a French lady, which says all I want so beautifully, that I will print it just as it stands:-

SIR,–It is often said that one example is worth many sermons. Shall I be judged presumptuous if I point out one, which seems to me so striking just now, that, however painful, I cannot help dwelling upon it?

It is the share, the sad and large share, that French society and its recent habits of luxury, of expenses, of dress, of indulgence in every kind of extravagant dissipation, has to lay to its own door in its actual crisis of ruin, misery, and humiliation. If our MENAGERES can be cited as an example to English housewives, so, alas! can other classes of our society be set up as an example–NOT to be followed.

Bitter must be the feelings of many a French woman whose days of luxury and expensive habits are at an end, and whose bills of bygone splendour lie with a heavy weight on her conscience, if not on her purse!

With us the evil has spread high and low. Everywhere have the examples given by the highest ladies in the land been followed but too successfully.

Every year did dress become more extravagant, entertainments more costly, expenses of every kind more considerable. Lower and lower became the tone of society, its good breeding, its delicacy. More and more were MONDE and DEMI-MONDE associated in newspaper accounts of fashionable doings, in scandalous gossip, on racecourses, in PREMIERES REPRESENTATIONS, in imitation of each other’s costumes, MOBILIERS and slang.

Living beyond one’s means became habitual–almost necessary–for every one to keep up with, if not to go beyond, every one else.

What the result of all this has been we now see in the wreck of our prosperity, in the downfall of all that seemed brightest and highest.

Deeply and fearfully impressed by what my own country has incurred and is suffering, I cannot help feeling sorrowful when I see in England signs of our besetting sins appearing also. Paint and chignons, slang and vaudevilles, knowing “Anonymas” by name, and reading doubtfully moral novels, are in themselves small offences, although not many years ago they would have appeared very heinous ones, yet they are quick and tempting conveyances on a very dangerous high-road.

I would that all Englishwomen knew how they are looked up to from abroad–what a high opinion, what honour and reverence we foreigners have for their principles, their truthfulness, the fresh and pure innocence of their daughters, the healthy youthfulness of their lovely children.

May I illustrate this by a short example which happened very near me? During the days of the EMEUTES of 1848, all the houses in Paris were being searched for firearms by the mob. The one I was living in contained none, as the master of the house repeatedly assured the furious and incredulous Republicans. They were going to lay violent hands on him when his wife, an English lady, hearing the loud discussion, came bravely forward and assured them that no arms were concealed. “Vous etes anglaise, nous vous croyons; les anglaises disent toujours la verite,” was the immediate answer, and the rioters quietly left.

Now, Sir, shall I be accused of unjustified criticism if, loving and admiring your country, as these lines will prove, certain new features strike me as painful discrepancies in English life?

Far be it from me to preach the contempt of all that can make life lovable and wholesomely pleasant. I love nothing better than to see a woman nice, neat, elegant, looking her best in the prettiest dress that her taste and purse can afford, or your bright, fresh young girls fearlessly and perfectly sitting their horses, or adorning their houses as pretty [sic; it is not quite grammar, but it is better than if it were;] as care, trouble, and refinement can make them.

It is the degree BEYOND that which to us has proved so fatal, and that I would our example could warn you from as a small repayment for your hospitality and friendliness to us in our days of trouble.

May Englishwomen accept this in a kindly spirit as a New-year’s wish from

A FRENCH LADY. Dec. 29.

That, then, is the substance of what I would fain say convincingly, if it might be, to my girl friends; at all events with certainty in my own mind that I was thus far a safe guide to them.

For other and older readers it is needful I should write a few words more, respecting what opportunity I have had to judge, or right I have to speak, of such things; for, indeed, too much of what I have said about women has been said in faith only. A wise and lovely English lady told me, when ‘Sesame and Lilies’ first appeared, that she was sure the ‘Sesame’ would be useful, but that in the ‘Lilies’ I had been writing of what I knew nothing about. Which was in a measure too true, and also that it is more partial than my writings are usually: for as Ellesmere spoke his speech on the– intervention, not, indeed, otherwise than he felt, but yet altogether for the sake of Gretchen, so I wrote the ‘Lilies’ to please one girl; and were it not for what I remember of her, and of few besides, should now perhaps recast some of the sentences in the ‘Lilies’ in a very different tone: for as years have gone by, it has chanced to me, untowardly in some respects, fortunately in others (because it enables me to read history more clearly), to see the utmost evil that is in women, while I have had but to believe the utmost good. The best women are indeed necessarily the most difficult to know; they are recognized chiefly in the happiness of their husbands and the nobleness of their children; they are only to be divined, not discerned, by the stranger; and, sometimes, seem almost helpless except in their homes; yet without the help of one of them, {4} to whom this book is dedicated, the day would probably have come before now, when I should have written and thought no more.

On the other hand, the fashion of the time renders whatever is forward, coarse, or senseless, in feminine nature, too palpable to all men:- the weak picturesqueness of my earlier writings brought me acquainted with much of their emptiest enthusiasm; and the chances of later life gave me opportunities of watching women in states of degradation and vindictiveness which opened to me the gloomiest secrets of Greek and Syrian tragedy. I have seen them betray their household charities to lust, their pledged love to devotion; I have seen mothers dutiful to their children, as Medea; and children dutiful to their parents, as the daughter of Herodias: but my trust is still unmoved in the preciousness of the natures that are so fatal in their error, and I leave the words of the ‘Lilies’ unchanged; believing, yet, that no man ever lived a right life who had not been chastened by a woman’s love, strengthened by her courage, and guided by her discretion.

What I might myself have been, so helped, I rarely indulge in the idleness of thinking; but what I am, since I take on me the function of a teacher, it is well that the reader should know, as far as I can tell him.

Not an unjust person; not an unkind one; not a false one; a lover of order, labour, and peace. That, it seems to me, is enough to give me right to say all I care to say on ethical subjects; more, I could only tell definitely through details of autobiography such as none but prosperous and (in the simple sense of the word) faultless lives could justify;–and mine has been neither. Yet, if any one, skilled in reading the torn manuscripts of the human soul, cares for more intimate knowledge of me, he may have it by knowing with what persons in past history I have most sympathy.

I will name three.

In all that is strongest and deepest in me,–that fits me for my work, and gives light or shadow to my being, I have sympathy with Guido Guinicelli.

In my constant natural temper, and thoughts of things and of people, with Marmontel.

In my enforced and accidental temper, and thoughts of things and of people, with Dean Swift.

Any one who can understand the natures of those three men, can understand mine; and having said so much, I am content to leave both life and work to be remembered or forgotten, as their uses may deserve.

DENMARK HILL,

1st January, 1871.

LECTURE III–THE MYSTERY OF LIFE AND ITS ARTS

Lecture delivered in the theatre of the Royal College of Science, Dublin, 1868.

When I accepted the privilege of addressing you to-day, I was not aware of a restriction with respect to the topics of discussion which may be brought before this Society {29}–a restriction which, though entirely wise and right under the circumstances contemplated in its introduction, would necessarily have disabled me, thinking as I think, from preparing any lecture for you on the subject of art in a form which might be permanently useful. Pardon me, therefore, in so far as I must transgress such limitation; for indeed my infringement will be of the letter–not of the spirit–of your commands. In whatever I may say touching the religion which has been the foundation of art, or the policy which has contributed to its power, if I offend one, I shall offend all; for I shall take no note of any separations in creeds, or antagonisms in parties: neither do I fear that ultimately I shall offend any, by proving–or at least stating as capable of positive proof–the connection of all that is best in the crafts and arts of man, with the simplicity of his faith, and the sincerity of his patriotism.

But I speak to you under another disadvantage, by which I am checked in frankness of utterance, not here only, but everywhere: namely, that I am never fully aware how far my audiences are disposed to give me credit for real knowledge of my subject, or how far they grant me attention only because I have been sometimes thought an ingenious or pleasant essayist upon it. For I have had what, in many respects, I boldly call the misfortune, to set my words sometimes prettily together; not without a foolish vanity in the poor knack that I had of doing so: until I was heavily punished for this pride, by finding that many people thought of the words only, and cared nothing for their meaning. Happily, therefore, the power of using such pleasant language–if indeed it ever were mine–is passing away from me; and whatever I am now able to say at all, I find myself forced to say with great plainness. For my thoughts have changed also, as my words have; and whereas in earlier life, what little influence I obtained was due perhaps chiefly to the enthusiasm with which I was able to dwell on the beauty of the physical clouds, and of their colours in the sky; so all the influence I now desire to retain must be due to the earnestness with which I am endeavouring to trace the form and beauty of another kind of cloud than those; the bright cloud of which it is written–“What is your life? It is even as a vapour that appeareth for a little time, and then vanisheth away.”

I suppose few people reach the middle or latter period of their age, without having, at some moment of change or disappointment, felt the truth of those bitter words; and been startled by the fading of the sunshine from the cloud of their life into the sudden agony of the knowledge that the fabric of it was as fragile as a dream, and the endurance of it as transient as the dew. But it is not always that, even at such times of melancholy surprise, we can enter into any true perception that this human life shares in the nature of it, not only the evanescence, but the mystery of the cloud; that its avenues are wreathed in darkness, and its forms and courses no less fantastic, than spectral and obscure; so that not only in the vanity which we cannot grasp, but in the shadow which we cannot pierce, it is true of this cloudy life of ours, that “man walketh in a vain shadow, and disquieteth himself in vain.”

And least of all, whatever may have been the eagerness of our passions, or the height of our pride, are we able to understand in its depth the third and most solemn character in which our life is like those clouds of heaven; that to it belongs not only their transcience, not only their mystery, but also their power; that in the cloud of the human soul there is a fire stronger than the lightning, and a grace more precious than the rain; and that though of the good and evil it shall one day be said alike, that the place that knew them knows them no more, there is an infinite separation between those whose brief presence had there been a blessing, like the mist of Eden that went up from the earth to water the garden, and those whose place knew them only as a drifting and changeful shade, of whom the heavenly sentence is, that they are “wells without water; clouds that are carried with a tempest, to whom the mist of darkness is reserved for ever.”

To those among us, however, who have lived long enough to form some just estimate of the rate of the changes which are, hour by hour in accelerating catastrophe, manifesting themselves in the laws, the arts, and the creeds of men, it seems to me, that now at least, if never at any former time, the thoughts of the true nature of our life, and of its powers and responsibilities, should present themselves with absolute sadness and sternness. And although I know that this feeling is much deepened in my own mind by disappointment, which, by chance, has attended the greater number of my cherished purposes, I do not for that reason distrust the feeling itself, though I am on my guard against an exaggerated degree of it: nay, I rather believe that in periods of new effort and violent change, disappointment is a wholesome medicine; and that in the secret of it, as in the twilight so beloved by Titian, we may see the colours of things with deeper truth than in the most dazzling sunshine. And because these truths about the works of men, which I want to bring to-day before you, are most of them sad ones, though at the same time helpful; and because also I believe that your kind Irish hearts will answer more gladly to the truthful expression of a personal feeling, than to the exposition of an abstract principle, I will permit myself so much unreserved speaking of my own causes of regret, as may enable you to make just allowance for what, according to your sympathies, you will call either the bitterness, or the insight, of a mind which has surrendered its best hopes, and been foiled in its favourite aims.

I spent the ten strongest years of my life, (from twenty to thirty,) in endeavouring to show the excellence of the work of the man whom I believed, and rightly believed, to be the greatest painter of the schools of England since Reynolds. I had then perfect faith in the power of every great truth of beauty to prevail ultimately, and take its right place in usefulness and honour; and I strove to bring the painter’s work into this due place, while the painter was yet alive. But he knew, better than I, the uselessness of talking about what people could not see for themselves. He always discouraged me scornfully, even when he thanked me–and he died before even the superficial effect of my work was visible. I went on, however, thinking I could at least be of use to the public, if not to him, in proving his power. My books got talked about a little. The prices of modern pictures, generally, rose, and I was beginning to take some pleasure in a sense of gradual victory, when, fortunately or unfortunately, an opportunity of perfect trial undeceived me at once, and for ever. The Trustees of the National Gallery commissioned me to arrange the Turner drawings there, and permitted me to prepare three hundred examples of his studies from nature, for exhibition at Kensington. At Kensington they were, and are, placed for exhibition; but they are not exhibited, for the room in which they hang is always empty.

Well–this showed me at once, that those ten years of my life had been, in their chief purpose, lost. For that, I did not so much care; I had, at least, learned my own business thoroughly, and should be able, as I fondly supposed, after such a lesson, now to use my knowledge with better effect. But what I did care for was the–to me frightful–discovery, that the most splendid genius in the arts might be permitted by Providence to labour and perish uselessly; that in the very fineness of it there might be something rendering it invisible to ordinary eyes; but that, with this strange excellence, faults might be mingled which would be as deadly as its virtues were vain; that the glory of it was perishable, as well as invisible, and the gift and grace of it might be to us as snow in summer and as rain in harvest.

That was the first mystery of life to me. But, while my best energy was given to the study of painting, I had put collateral effort, more prudent if less enthusiastic, into that of architecture; and in this I could not complain of meeting with no sympathy. Among several personal reasons which caused me to desire that I might give this, my closing lecture on the subject of art here, in Ireland, one of the chief was, that in reading it, I should stand near the beautiful building,–the engineer’s school of your college,–which was the first realization I had the joy to see, of the principles I had, until then, been endeavouring to teach! but which, alas, is now, to me, no more than the richly canopied monument of one of the most earnest souls that ever gave itself to the arts, and one of my truest and most loving friends, Benjamin Woodward. Nor was it here in Ireland only that I received the help of Irish sympathy and genius. When to another friend, Sir Thomas Deane, with Mr. Woodward, was entrusted the building of the museum at Oxford, the best details of the work were executed by sculptors who had been born and trained here; and the first window of the facade of the building, in which was inaugurated the study of natural science in England, in true fellowship with literature, was carved from my design by an Irish sculptor.

You may perhaps think that no man ought to speak of disappointment, to whom, even in one branch of labour, so much success was granted. Had Mr. Woodward now been beside me, I had not so spoken; but his gentle and passionate spirit was cut off from the fulfilment of its purposes, and the work we did together is now become vain. It may not be so in future; but the architecture we endeavoured to introduce is inconsistent alike with the reckless luxury, the deforming mechanism, and the squalid misery of modern cities; among the formative fashions of the day, aided, especially in England, by ecclesiastical sentiment, it indeed obtained notoriety; and sometimes behind an engine furnace, or a railroad bank, you may detect the pathetic discord of its momentary grace, and, with toil, decipher its floral carvings choked with soot. I felt answerable to the schools I loved, only for their injury. I perceived that this new portion of my strength had also been spent in vain; and from amidst streets of iron, and palaces of crystal, shrank back at last to the carving of the mountain and colour of the flower.

And still I could tell of failure, and failure repeated, as years went on; but I have trespassed enough on your patience to show you, in part, the causes of my discouragement. Now let me more deliberately tell you its results. You know there is a tendency in the minds of many men, when they are heavily disappointed in the main purposes of their life, to feel, and perhaps in warning, perhaps in mockery, to declare, that life itself is a vanity. Because it has disappointed them, they think its nature is of disappointment always, or at best, of pleasure that can be grasped by imagination only; that the cloud of it has no strength nor fire within; but is a painted cloud only, to be delighted in, yet despised. You know how beautifully Pope has expressed this particular phase of thought:-

“Meanwhile opinion gilds, with varying rays, These painted clouds that beautify our days; Each want of happiness by hope supplied, And each vacuity of sense, by pride.
Hope builds as fast as Knowledge can destroy; In Folly’s cup, still laughs the bubble joy. One pleasure past, another still we gain, And not a vanity is given in vain.”

But the effect of failure upon my own mind has been just the reverse of this. The more that my life disappointed me, the more solemn and wonderful it became to me. It seemed, contrarily to Pope’s saying, that the vanity of it WAS indeed given in vain; but that there was something behind the veil of it, which was not vanity. It became to me not a painted cloud, but a terrible and impenetrable one: not a mirage, which vanished as I drew near, but a pillar of darkness, to which I was forbidden to draw near. For I saw that both my own failure, and such success in petty things as in its poor triumph seemed to me worse than failure, came from the want of sufficiently earnest effort to understand the whole law and meaning of existence, and to bring it to noble and due end; as, on the other hand, I saw more and more clearly that all enduring success in the arts, or in any other occupation, had come from the ruling of lower purposes, not by a conviction of their nothingness, but by a solemn faith in the advancing power of human nature, or in the promise, however dimly apprehended, that the mortal part of it would one day be swallowed up in immortality; and that, indeed, the arts themselves never had reached any vital strength or honour, but in the effort to proclaim this immortality, and in the service either of great and just religion, or of some unselfish patriotism, and law of such national life as must be the foundation of religion.

Nothing that I have ever said is more true or necessary–nothing has been more misunderstood or misapplied–than my strong assertion that the arts can never be right themselves, unless their motive is right. It is misunderstood this way: weak painters, who have never learned their business, and cannot lay a true line, continually come to me, crying out–“Look at this picture of mine; it MUST be good, I had such a lovely motive. I have put my whole heart into it, and taken years to think over its treatment.” Well, the only answer for these people is–if one had the cruelty to make it–“Sir, you cannot think over ANYthing in any number of years,–you haven’t the head to do it; and though you had fine motives, strong enough to make you burn yourself in a slow fire, if only first you could paint a picture, you can’t paint one, nor half an inch of one; you haven’t the hand to do it.”

But, far more decisively we have to say to the men who DO know their business, or may know it if they choose–“Sir, you have this gift, and a mighty one; see that you serve your nation faithfully with it. It is a greater trust than ships and armies: you might cast THEM away, if you were their captain, with less treason to your people than in casting your own glorious power away, and serving the devil with it instead of men. Ships and armies you may replace if they are lost, but a great intellect, once abused, is a curse to the earth for ever.”

This, then, I meant by saying that the arts must have noble motive. This also I said respecting them, that they never had prospered, nor could prosper, but when they had such true purpose, and were devoted to the proclamation of divine truth or law. And yet I saw also that they had always failed in this proclamation–that poetry, and sculpture, and painting, though only great when they strove to teach us something about the gods, never had taught us anything trustworthy about the gods, but had always betrayed their trust in the crisis of it, and, with their powers at the full reach, became ministers to pride and to lust. And I felt also, with increasing amazement, the unconquerable apathy in ourselves and hearers, no less than in these the teachers; and that while the wisdom and rightness of every act and art of life could only be consistent with a right understanding of the ends of life, we were all plunged as in a languid dream–our hearts fat, and our eyes heavy, and our ears closed, lest the inspiration of hand or voice should reach us–lest we should see with our eyes, and understand with our hearts, and be healed.

This intense apathy in all of us is the first great mystery of life; it stands in the way of every perception, every virtue. There is no making ourselves feel enough astonishment at it. That the occupations or pastimes of life should have no motive, is understandable; but–That life itself should have no motive–that we neither care to find out what it may lead to, nor to guard against its being for ever taken away from us–here is a mystery indeed. For just suppose I were able to call at this moment to any one in this audience by name, and to tell him positively that I knew a large estate had been lately left to him on some curious conditions; but that though I knew it was large, I did not know how large, nor even where it was–whether in the East Indies or the West, or in England, or at the Antipodes. I only knew it was a vast estate, and that there was a chance of his losing it altogether if he did not soon find out on what terms it had been left to him. Suppose I were able to say this positively to any single man in this audience, and he knew that I did not speak without warrant, do you think that he would rest content with that vague knowledge, if it were anywise possible to obtain more? Would he not give every energy to find some trace of the facts, and never rest till he had ascertained where this place was, and what it was like? And suppose he were a young man, and all he could discover by his best endeavour was that the estate was never to be his at all, unless he persevered, during certain years of probation, in an orderly and industrious life; but that, according to the rightness of his conduct, the portion of the estate assigned to him would be greater or less, so that it literally depended on his behaviour from day to day whether he got ten thousand a year, or thirty thousand a year, or nothing whatever- -would you not think it strange if the youth never troubled himself to satisfy the conditions in any way, nor even to know what was required of him, but lived exactly as he chose, and never inquired whether his chances of the estate were increasing or passing away? Well, you know that this is actually and literally so with the greater number of the educated persons now living in Christian countries. Nearly every man and woman in any company such as this, outwardly professes to believe–and a large number unquestionably think they believe–much more than this; not only that a quite unlimited estate is in prospect for them if they please the Holder of it, but that the infinite contrary of such a possession–an estate of perpetual misery–is in store for them if they displease this great Land-Holder, this great Heaven-Holder. And yet there is not one in a thousand of these human souls that cares to think, for ten minutes of the day, where this estate is or how beautiful it is, or what kind of life they are to lead in it, or what kind of life they must lead to obtain it.

You fancy that you care to know this: so little do you care that, probably, at this moment many of you are displeased with me for talking of the matter! You came to hear about the Art of this world, not about the Life of the next, and you are provoked with me for talking of what you can hear any Sunday in church. But do not be afraid. I will tell you something before you go about pictures, and carvings, and pottery, and what else you would like better to hear of than the other world. Nay, perhaps you say, “We want you to talk of pictures and pottery, because we are sure that you know something of them, and you know nothing of the other world.” Well– I don’t. That is quite true. But the very strangeness and mystery of which I urge you to take notice, is in this–that I do not;–nor you either. Can you answer a single bold question unflinchingly about that other world?–Are you sure there is a heaven? Sure there is a hell? Sure that men are dropping before your faces through the pavements of these streets into eternal fire, or sure that they are not? Sure that at your own death you are going to be delivered from all sorrow, to be endowed with all virtue, to be gifted with all felicity, and raised into perpetual companionship with a King, compared to whom the kings of the earth are as grass-hoppers, and the nations as the dust of His feet? Are you sure of this? or, if not sure, do any of us so much as care to make it sure? and, if not, how can anything that we do be right–how can anything we think be wise? what honour can there be in the arts that amuse us, or what profit in the possessions that please?

Is not this a mystery of life?

But farther, you may, perhaps, think it a beneficent ordinance for the generality of men that they do not, with earnestness or anxiety, dwell on such questions of the future because the business of the day could not be done if this kind of thought were taken by all of us for the morrow. Be it so: but at least we might anticipate that the greatest and wisest of us, who were evidently the appointed teachers of the rest, would set themselves apart to seek out whatever could be surely known of the future destinies of their race; and to teach this in no rhetorical or ambiguous manner, but in the plainest and most severely earnest words.

Now, the highest representatives of men who have thus endeavoured, during the Christian era, to search out these deep things, and relate them, are Dante and Milton. There are none who for earnestness of thought, for mastery of word, can be classed with these. I am not at present, mind you, speaking of persons set apart in any priestly or pastoral office, to deliver creeds to us, or doctrines; but of men who try to discover and set forth, as far as by human intellect is possible, the facts of the other world. Divines may perhaps teach us how to arrive there, but only these two poets have in any powerful manner striven to discover, or in any definite words professed to tell, what we shall see and become there; or how those upper and nether worlds are, and have been, inhabited.

And what have they told us? Milton’s account of the most important event in his whole system of the universe, the fall of the angels, is evidently unbelievable to himself; and the more so, that it is wholly founded on, and in a great part spoiled and degraded from, Hesiod’s account of the decisive war of the younger gods with the Titans. The rest of his poem is a picturesque drama, in which every artifice of invention is visibly and consciously employed; not a single fact being, for an instant, conceived as tenable by any living faith. Dante’s conception is far more intense, and, by himself, for the time, not to be escaped from; it is indeed a vision, but a vision only, and that one of the wildest that ever entranced a soul–a dream in which every grotesque type or phantasy of heathen tradition is renewed, and adorned; and the destinies of the Christian Church, under their most sacred symbols, become literally subordinate to the praise, and are only to be understood by the aid, of one dear Florentine maiden.

I tell you truly that, as I strive more with this strange lethargy and trance in myself, and awake to the meaning and power of life, it seems daily more amazing to me that men such as these should dare to play with the most precious truths, (or the most deadly untruths,) by which the whole human race listening to them could be informed, or deceived;–all the world their audiences for ever, with pleased ear, and passionate heart;–and yet, to this submissive infinitude of souls, and evermore succeeding and succeeding multitude, hungry for bread of life, they do but play upon sweetly modulated pipes; with pompous nomenclature adorn the councils of hell; touch a troubadour’s guitar to the courses of the suns; and fill the openings of eternity, before which prophets have veiled their faces, and which angels desire to look into, with idle puppets of their scholastic imagination, and melancholy lights of frantic faith in their lost mortal love.

Is not this a mystery of life?

But more. We have to remember that these two great teachers were both of them warped in their temper, and thwarted in their search for truth. They were men of intellectual war, unable, through darkness of controversy, or stress of personal grief, to discern where their own ambition modified their utterances of the moral law; or their own agony mingled with their anger at its violation. But greater men than these have been–innocent-hearted–too great for contest. Men, like Homer and Shakespeare, of so unrecognised personality, that it disappears in future ages, and becomes ghostly, like the tradition of a lost heathen god. Men, therefore, to whose unoffended, uncondemning sight, the whole of human nature reveals itself in a pathetic weakness, with which they will not strive; or in mournful and transitory strength, which they dare not praise. And all Pagan and Christian Civilization thus becomes subject to them. It does not matter how little, or how much, any of us have read, either of Homer or Shakespeare; everything round us, in substance, or in thought, has been moulded by them. All Greek gentlemen were educated under Homer. All Roman gentlemen, by Greek literature. All Italian, and French, and English gentlemen, by Roman literature, and by its principles. Of the scope of Shakespeare, I will say only, that the intellectual measure of every man since born, in the domains of creative thought, may be assigned to him, according to the degree in which he has been taught by Shakespeare. Well, what do these two men, centres of mortal intelligence, deliver to us of conviction respecting what it most behoves that intelligence to grasp? What is their hope–their crown of rejoicing? what manner of exhortation have they for us, or of rebuke? what lies next their own hearts, and dictates their undying words? Have they any peace to promise to our unrest–any redemption to our misery?

Take Homer first, and think if there is any sadder image of human fate than the great Homeric story. The main features in the character of Achilles are its intense desire of justice, and its tenderness of affection. And in that bitter song of the Iliad, this man, though aided continually by the wisest of the gods, and burning with the desire of justice in his heart, becomes yet, through ill- governed passion, the most unjust of men: and, full of the deepest tenderness in his heart, becomes yet, through ill-governed passion, the most cruel of men. Intense alike in love and in friendship, he loses, first his mistress, and then his friend; for the sake of the one, he surrenders to death the armies of his own land; for the sake of the other, he surrenders all. Will a man lay down his life for his friend? Yea–even for his DEAD friend, this Achilles, though goddess-born, and goddess-taught, gives up his kingdom, his country, and his life–casts alike the innocent and guilty, with himself, into one gulf of slaughter, and dies at last by the hand of the basest of his adversaries.

Is not this a mystery of life?

But what, then, is the message to us of our own poet, and searcher of hearts, after fifteen hundred years of Christian faith have been numbered over the graves of men? Are his words more cheerful than the Heathen’s–is his hope more near–his trust more sure–his reading of fate more happy? Ah, no! He differs from the Heathen poet chiefly in this–that he recognizes, for deliverance, no gods nigh at hand; and that, by petty chance–by momentary folly–by broken message–by fool’s tyranny–or traitor’s snare, the strongest and most righteous are brought to their ruin, and perish without word of hope. He indeed, as part of his rendering of character, ascribes the power and modesty of habitual devotion to the gentle and the just. The death-bed of Katharine is bright with visions of angels; and the great soldier-king, standing by his few dead, acknowledges the presence of the Hand that can save alike by many or by few. But observe that from those who with deepest spirit, meditate, and with deepest passion, mourn, there are no such words as these; nor in their hearts are any such consolations. Instead of the perpetual sense of the helpful presence of the Deity, which, through all heathen tradition, is the source of heroic strength, in battle, in exile, and in the valley of the shadow of death, we find only in the great Christian poet, the consciousness of a moral law, through which “the gods are just, and of our pleasant vices make instruments to scourge us;” and of the resolved arbitration of the destinies, that conclude into precision of doom what we feebly and blindly began; and force us, when our indiscretion serves us, and our deepest plots do pall, to the confession, that “there’s a divinity that shapes our ends, rough hew them how we will.”

Is not this a mystery of life?

Be it so, then. About this human life that is to be, or that is, the wise religious men tell us nothing that we can trust; and the wise contemplative men, nothing that can give us peace. But there is yet a third class, to whom we may turn–the wise practical men. We have sat at the feet of the poets who sang of heaven, and they have told us their dreams. We have listened to the poets who sang of earth, and they have chanted to us dirges and words of despair. But there is one class of men more:- men, not capable of vision, nor sensitive to sorrow, but firm of purpose–practised in business; learned in all that can be, (by handling,) known. Men, whose hearts and hopes are wholly in this present world, from whom, therefore, we may surely learn, at least, how, at present, conveniently to live in it. What will THEY say to us, or show us by example? These kings– these councillors–these statesmen and builders of kingdoms–these capitalists and men of business, who weigh the earth, and the dust of it, in a balance. They know the world, surely; and what is the mystery of life to us, is none to them. They can surely show us how to live, while we live, and to gather out of the present world what is best.

I think I can best tell you their answer, by telling you a dream I had once. For though I am no poet, I have dreams sometimes:- I dreamed I was at a child’s Mayday party, in which every means of entertainment had been provided for them, by a wise and kind host. It was in a stately house, with beautiful gardens attached to it; and the children had been set free in the rooms and gardens, with no care whatever but how to pass their afternoon rejoicingly. They did not, indeed, know much about what was to happen next day; and some of them, I thought, were a little frightened, because there was a chance of their being sent to a new school where there were examinations; but they kept the thoughts of that out of their heads as well as they could, and resolved to enjoy themselves. The house, I said, was in a beautiful garden, and in the garden were all kinds of flowers; sweet, grassy banks for rest; and smooth lawns for play; and pleasant streams and woods; and rocky places for climbing. And the children were happy for a little while, but presently they separated themselves into parties; and then each party declared it would have a piece of the garden for its own, and that none of the others should have anything to do with that piece. Next, they quarrelled violently which pieces they would have; and at last the boys took up the thing, as boys should do, “practically,” and fought in the flower-beds till there was hardly a flower left standing; then they trampled down each other’s bits of the garden out of spite; and the girls cried till they could cry no more; and so they all lay down at last breathless in the ruin, and waited for the time when they were to be taken home in the evening. {30}

Meanwhile, the children in the house had been making themselves happy also in their manner. For them, there had been provided every kind of indoor pleasure: there was music for them to dance to; and the library was open, with all manner of amusing books; and there was a museum full of the most curious shells, and animals, and birds; and there was a workshop, with lathes and carpenter’s tools, for the ingenious boys; and there were pretty fantastic dresses, for the girls to dress in; and there were microscopes, and kaleidoscopes; and whatever toys a child could fancy; and a table, in the dining-room, loaded with everything nice to eat.

But, in the midst of all this, it struck two or three of the more “practical” children, that they would like some of the brass-headed nails that studded the chairs; and so they set to work to pull them out. Presently, the others, who were reading, or looking at shells, took a fancy to do the like; and, in a little while, all the children, nearly, were spraining their fingers, in pulling out brass-headed nails. With all that they could pull out, they were not satisfied; and then, everybody wanted some of somebody else’s. And at last, the really practical and sensible ones declared, that nothing was of any real consequence, that afternoon, except to get plenty of brass-headed nails; and that the books, and the cakes, and the microscopes were of no use at all in themselves, but only, if they could be exchanged for nail-heads. And at last they began to fight for nail-heads, as the others fought for the bits of garden. Only here and there, a despised one shrank away into a corner, and tried to get a little quiet with a book, in the midst of the noise; but all the practical ones thought of nothing else but counting nail-heads all the afternoon–even though they knew they would not be allowed to carry so much as one brass knob away with them. But no–it was–“Who has most nails? I have a hundred, and you have fifty; or, I have a thousand, and you have two. I must have as many as you before I leave the house, or I cannot possibly go home in peace.” At last, they made so much noise that I awoke, and thought to myself, “What a false dream that is, of CHILDREN!” The child is the father of the man; and wiser. Children never do such foolish things. Only men do.

But there is yet one last class of persons to be interrogated. The wise religious men we have asked in vain; the wise contemplative men, in vain; the wise worldly men, in vain. But there is another group yet. In the midst of this vanity of empty religion–of tragic contemplation–of wrathful and wretched ambition, and dispute for dust, there is yet one great group of persons, by whom all these disputers live–the persons who have determined, or have had it by a beneficent Providence determined for them, that they will do something useful; that whatever may be prepared for them hereafter, or happen to them here, they will, at least, deserve the food that God gives them by winning it honourably: and that, however fallen from the purity, or far from the peace, of Eden, they will carry out the duty of human dominion, though they have lost its felicity; and dress and keep the wilderness, though they no more can dress or keep the garden.

These,–hewers of wood, and drawers of water,–these, bent under burdens, or torn of scourges–these, that dig and weave–that plant and build; workers in wood, and in marble, and in iron–by whom all food, clothing, habitation, furniture, and means of delight are produced, for themselves, and for all men beside; men, whose deeds are good, though their words may be few; men, whose lives are serviceable, be they never so short, and worthy of honour, be they never so humble;–from these, surely, at least, we may receive some clear message of teaching; and pierce, for an instant, into the mystery of life, and of its arts.

Yes; from these, at last, we do receive a lesson. But I grieve to say, or rather–for that is the deeper truth of the matter–I rejoice to say–this message of theirs can only be received by joining them–not by thinking about them.

You sent for me to talk to you of art; and I have obeyed you in coming. But the main thing I have to tell you is,–that art must not be talked about. The fact that there is talk about it at all, signifies that it is ill done, or cannot be done. No true painter ever speaks, or ever has spoken, much of his art. The greatest speak nothing. Even Reynolds is no exception, for he wrote of all that he could not himself do, and was utterly silent respecting all that he himself did.

The moment a man can really do his work he becomes speechless about it. All words become idle to him–all theories.

Does a bird need to theorize about building its nest, or boast of it when built? All good work is essentially done that way–without hesitation, without difficulty, without boasting; and in the doers of the best, there is an inner and involuntary power which approximates literally to the instinct of an animal–nay, I am certain that in the most perfect human artists, reason does NOT supersede instinct, but is added to an instinct as much more divine than that of the lower animals as the human body is more beautiful than theirs; that a great singer sings not with less instinct than the nightingale, but with more–only more various, applicable, and governable; that a great architect does not build with less instinct than the beaver or the bee, but with more–with an innate cunning of proportion that embraces all beauty, and a divine ingenuity of skill that improvises all construction. But be that as it may–be the instinct less or more than that of inferior animals–like or unlike theirs, still the human art is dependent on that first, and then upon an amount of practice, of science,–and of imagination disciplined by thought, which the true possessor of it knows to be incommunicable, and the true critic of it, inexplicable, except through long process of laborious’ years. That journey of life’s conquest, in which hills over hills, and Alps on Alps arose, and sank,–do you think you can make another trace it painlessly, by talking? Why, you cannot even carry us up an Alp, by talking. You can guide us up it, step by step, no otherwise–even so, best silently. You girls, who have been among the hills, know how the bad guide chatters and gesticulates, and it is “Put your foot here;” and “Mind how you balance yourself there;” but the good guide walks on quietly, without a word, only with his eyes on you when need is, and his arm like an iron bar, if need be.

In that slow way, also, art can be taught–if you have faith in your guide, and will let his arm be to you as an iron bar when need is. But in what teacher of art have you such faith? Certainly not in me; for, as I told you at first, I know well enough it is only because you think I can talk, not because you think I know my business, that you let me speak to you at all. If I were to tell you anything that seemed to you strange you would not believe it, and yet it would only be in telling you strange things that I could be of use to you. I could be of great use to you–infinite use– with brief saying, if you would believe it; but you would not, just because the thing that would be of real use would displease you. You are all wild, for instance, with admiration of Gustave Dore. Well, suppose I were to tell you, in the strongest terms I could use, that Gustave Dore’s art was bad–bad, not in weakness,–not in failure,–but bad with dreadful power–the power of the Furies and the Harpies mingled, enraging, and polluting; that so long as you looked at it, no perception of pure or beautiful art was possible for you. Suppose I were to tell you that! What would be the use? Would you look at Gustave Dore less? Rather, more, I fancy. On the other hand, I could soon put you into good humour with me, if I chose. I know well enough what you like, and how to praise it to your better liking. I could talk to you about moonlight, and twilight, and spring flowers, and autumn leaves, and the Madonnas of Raphael–how motherly! and the Sibyls of Michael Angelo–how majestic! and the Saints of Angelico–how pious! and the Cherubs of Correggio–how delicious! Old as I am, I could play you a tune on the harp yet, that you would dance to. But neither you nor I should be a bit the better or wiser; or, if we were, our increased wisdom could be of no practical effect. For, indeed, the arts, as regards teachableness, differ from the sciences also in this, that their power is founded not merely on facts which can be communicated, but on dispositions which require to be created. Art is neither to be achieved by effort of thinking, nor explained by accuracy of speaking. It is the instinctive and necessary result of power, which can only be developed through the mind of successive generations, and which finally burst into life under social conditions as slow of growth as the faculties they regulate. Whole aeras of mighty history are summed, and the passions of dead myriads are concentrated, in the existence of a noble art, and if that noble art were among us, we should feel it and rejoice; not caring in the least to hear lectures on it; and since it is not among us, be assured we have to go back to the root of it, or, at least, to the place where the stock of it is yet alive, and the branches began to die.

And now, may I have your pardon for pointing out, partly with reference to matters which are at this time of greater moment than the arts–that if we undertook such recession to the vital germ of national arts that have decayed, we should find a more singular arrest of their power in Ireland than in any other European country? For in the eighth century Ireland possessed a school of art in her manuscripts and sculpture, which, in many of its qualities– apparently in all essential qualities of decorative invention–was quite without rival; seeming as if it might have advanced to the highest triumphs in architecture and in painting. But there was one fatal flaw in its nature, by which it was stayed, and stayed with a conspicuousness of pause to which there is no parallel: so that, long ago, in tracing the progress of European schools from infancy to strength, I chose for the students of Kensington, in a lecture since published, two characteristic examples of early art, of equal skill; but in the one case, skill which was progressive–in the other, skill which was at pause. In the one case, it was work receptive of correction–hungry for correction; and in the other, work which inherently rejected correction. I chose for them a corrigible Eve, and an incorrigible Angel, and I grieve to say that the incorrigible Angel was also an Irish Angel! {31}

And the fatal difference lay wholly in this. In both pieces of art there was an equal falling short of the needs of fact; but the Lombardic Eve knew she was in the wrong, and the Irish Angel thought himself all right. The eager Lombardic sculptor, though firmly insisting on his childish idea, yet showed in the irregular broken touches of the features, and the imperfect struggle for softer lines in the form, a perception of beauty and law that he could not render; there was the strain of effort, under conscious imperfection, in every line. But the Irish missal-painter had drawn his angel with no sense of failure, in happy complacency, and put red dots into the palm of each hand, and rounded the eyes into perfect circles, and, I regret to say, left the mouth out altogether, with perfect satisfaction to himself.

May I without offence ask you to consider whether this mode of arrest in ancient Irish art may not be indicative of points of character which even yet, in some measure, arrest your national power? I have seen much of Irish character, and have watched it closely, for I have also much loved it. And I think the form of failure to which it is most liable is this,–that being generous- hearted, and wholly intending always to do right, it does not attend to the external laws of right, but thinks it must necessarily do right because it means to do so, and therefore does wrong without finding it out; and then, when the consequences of its wrong come upon it, or upon others connected with it, it cannot conceive that the wrong is in anywise of its causing or of its doing, but flies into wrath, and a strange agony of desire for justice, as feeling itself wholly innocent, which leads it farther astray, until there is nothing that it is not capable of doing with a good conscience.