MY DEAR SIR,–Miss Peabody has kindly sent me your manuscript piece on Goethe and Carlyle. I have read it with great pleasure and a feeling of gratitude, at the same time with a serious regret that it was not published. I have forgotten what reason you assigned for not printing it; I cannot think of any sufficient one. Is it too late now? Why not change its form a little and annex to it some account of Carlyle’s later pieces, to wit: “Diderot,” and “Sartor Resartus.” The last is complete, and he has sent it to me in a stitched pamphlet. Whilst I see its vices (relatively to the reading public) of style, I cannot but esteem it a noble philosophical poem, reflecting the ideas, institutions, men of this very hour. And it seems to me that it has so much wit and other secondary graces as must strike a class who would not care for its primary merit, that of being a sincere exhortation to seekers of truth. If you still retain your interest in his genius (as I see not how you can avoid, having understood it and cooperated with it so truly), you will be glad to know that he values his American readers very highly; that he does not defend this offensive style of his, but calls it questionable tentative; that he is trying other modes, and is about publishing a historical piece called “The Diamond Necklace,” as a part of a great work which he meditates on the subject of the French Revolution. He says it is part of his creed that history is poetry, could we tell it right. He adds, moreover, in a letter I have recently received from him, that it has been an odd dream that he might end in the western woods. Shall we not bid him come, and be Poet and Teacher of a most scattered flock wanting a shepherd? Or, as I sometimes think, would it not be a new and worse chagrin to become acquainted with the extreme deadness of our community to spiritual influences of the higher kind? Have you read Sampson Reed’s “Growth of the Mind”? I rejoice to be contemporary with that man, and cannot wholly despair of the society in which he lives; there must be some oxygen yet, and La Fayette is only just dead.
Your friend, R. WALDO EMERSON.
It occurs to me that ‘t is unfit to send any white paper so far as to your house, so you shall have a sentence from Carlyle’s letter.
[This may be found in Carlyle’s first letter, dated 12th August, 1834.] Dr. Le Baron Russell, an intimate friend of Emerson for the greater part of his life, gives me some particulars with reference to the publication of “Sartor Resartus,” which I will repeat in his own words:–
“It was just before the time of which I am speaking [that of Emerson’s marriage] that the ‘Sartor Resartus’ appeared in ‘Fraser.’ Emerson lent the numbers, or the collected sheets of ‘Fraser,’ to Miss Jackson, and we all had the reading of them. The excitement which the book caused among young persons interested in the literature of the day at that time you probably remember. I was quite carried away by it, and so anxious to own a copy, that I determined to publish an American edition. I consulted James Munroe & Co. on the subject. Munroe advised me to obtain a subscription to a sufficient number of copies to secure the cost of the publication. This, with the aid of some friends, particularly of my classmate, William Silsbee, I readily succeeded in doing. When this was accomplished, I wrote to Emerson, who up to this time had taken no part in the enterprise, asking him to write a preface. (This is the Preface which appears in the American edition, James Munroe & Co., 1836. It was omitted in the third American from the second London edition,[1] by the same publishers, 1840.) Before the first edition appeared, and after the subscription had been secured, Munroe & Co. offered to assume the whole responsibility of the publication, and to this I assented.
[Footnote 1: Revised and corrected by the author.]
“This American edition of 1836 was the first appearance of the ‘Sartor’ in either country, as a distinct edition. Some copies of the sheets from ‘Fraser,’ it appears, were stitched together and sent to a few persons, but Carlyle could find no English publisher willing to take the responsibility of printing the book. This shows, I think, how much more interest was taken in Carlyle’s writings in this country than in England.”
On the 14th of May, 1834, Emerson wrote to Carlyle the first letter of that correspondence which has since been given to the world under the careful editorship of Mr. Charles Norton. This correspondence lasted from the date mentioned to the 2d of April, 1872, when Carlyle wrote his last letter to Emerson. The two writers reveal themselves as being in strong sympathy with each other, in spite of a radical difference of temperament and entirely opposite views of life. The hatred of unreality was uppermost with Carlyle; the love of what is real and genuine with Emerson. Those old moralists, the weeping and the laughing philosophers, find their counterparts in every thinking community. Carlyle did not weep, but he scolded; Emerson did not laugh, but in his gravest moments there was a smile waiting for the cloud to pass from his forehead. The Duet they chanted was a Miserere with a Te Deum for its Antiphon; a _De_ _Profundis_ answered by a _Sursum Corda_. “The ground of my existence is black as death,” says Carlyle. “Come and live with me a year,” says Emerson, “and if you do not like New England well enough to stay, one of these years; (when the ‘History’ has passed its ten editions, and been translated into as many languages) I will come and dwell with you.”
Section 2. In September, 1835, Emerson was married to Miss Lydia Jackson, of Plymouth, Massachusetts. The wedding took place in the fine old mansion known as the Winslow House, Dr. Le Baron Russell and his sister standing up with the bridegroom and his bride. After their marriage, Mr. and Mrs. Emerson went to reside in the house in which he passed the rest of his life, and in which Mrs. Emerson and their daughter still reside. This is the “plain, square, wooden house,” with horse-chestnut trees in the front yard, and evergreens around it, which has been so often described and figured. It is without pretensions, but not without an air of quiet dignity. A full and well-illustrated account of it and its arrangements and surroundings is given in “Poets’ Homes,” by Arthur Gilman and others, published by D. Lothrop & Company in 1879.
On the 12th of September, 1835, Emerson delivered an “Historical Discourse, at Concord, on the Second Centennial Anniversary of the Incorporation of the Town.” There is no “mysticism,” no “transcendentalism” in this plain, straightforward Address. The facts are collected and related with the patience and sobriety which became the writer as one of the Dryasdusts of our very diligent, very useful, very matter-of-fact, and for the most part judiciously unimaginative Massachusetts Historical Society. It looks unlike anything else Emerson ever wrote, in being provided with abundant foot-notes and an appendix. One would almost as soon have expected to see Emerson equipped with a musket and a knapsack as to find a discourse of his clogged with annotations, and trailing a supplement after it. Oracles are brief and final in their utterances. Delphi and Cumae are not expected to explain what they say.
It is the habit of our New England towns to celebrate their own worthies and their own deeds on occasions like this, with more or less of rhetorical gratitude and self-felicitation. The discourses delivered on these occasions are commonly worth reading, for there was never a clearing made in the forest that did not let in the light on heroes and heroines. Concord is on the whole the most interesting of all the inland towns of New England. Emerson has told its story in as painstaking, faithful a way as if he had been by nature an annalist. But with this fidelity, we find also those bold generalizations and sharp picturesque touches which reveal the poetic philosopher.
“I have read with care,” he says, “the town records themselves. They exhibit a pleasing picture of a community almost exclusively agricultural, where no man has much time for words, in his search after things; of a community of great simplicity of manners, and of a manifest love of justice. I find our annals marked with a uniform good sense.–The tone of the record rises with the dignity of the event. These soiled and musty books are luminous and electric within. The old town clerks did not spell very correctly, but they contrive to make intelligible the will of a free and just community.” … “The matters there debated (in town meetings) are such as to invite very small consideration. The ill-spelled pages of the town records contain the result. I shall be excused for confessing that I have set a value upon any symptom of meanness and private pique which I have met with in these antique books, as proof that justice was done; that if the results of our history are approved as wise and good, it was yet a free strife; if the good counsel prevailed, the sneaking counsel did not fail to be suggested; freedom and virtue, if they triumphed, triumphed in a fair field. And so be it an everlasting testimony for them, and so much ground of assurance of man’s capacity for self-government.”
There was nothing in this Address which the plainest of Concord’s citizens could not read understandingly and with pleasure. In fact Mr. Emerson himself, besides being a poet and a philosopher, was also a plain Concord citizen. His son tells me that he was a faithful attendant upon town meetings, and, though he never spoke, was an interested and careful listener to the debates on town matters. That respect for “mother-wit” and for all the wholesome human qualities which reveals itself all through his writings was bred from this kind of intercourse with men of sense who had no pretensions to learning, and in whom, for that very reason, the native qualities came out with less disguise in their expression. He was surrounded by men who ran to extremes in their idiosyncrasies; Alcott in speculations, which often led him into the fourth dimension of mental space; Hawthorne, who brooded himself into a dream–peopled solitude; Thoreau, the nullifier of civilization, who insisted on nibbling his asparagus at the wrong end, to say nothing of idolaters and echoes. He kept his balance among them all. It would be hard to find a more candid and sober record of the result of self-government in a small community than is contained in this simple discourse, patient in detail, large in treatment, more effective than any unsupported generalities about the natural rights of man, which amount to very little unless men earn the right of asserting them by attending fairly to their natural duties. So admirably is the working of a town government, as it goes on in a well-disposed community, displayed in the history of Concord’s two hundred years of village life, that one of its wisest citizens had portions of the address printed for distribution, as an illustration of the American principle of self-government.
After settling in Concord, Emerson delivered courses of Lectures in Boston during several successive winters; in 1835, ten Lectures on English Literature; in 1836, twelve Lectures on the Philosophy of History; in 1837, ten Lectures on Human Culture. Some of these lectures may have appeared in print under their original titles; all of them probably contributed to the Essays and Discourses which we find in his published volumes.
On the 19th of April, 1836, a meeting was held to celebrate the completion of the monument raised in commemoration of the Concord Fight. For this occasion Emerson wrote the hymn made ever memorable by the lines:–
Here once the embattled farmers stood, And fired the shot heard round the world.
The last line of this hymn quickens the heartbeats of every American, and the whole hymn is admirable in thought and expression. Until the autumn of 1838, Emerson preached twice on Sundays to the church at East Lexington, which desired him to become its pastor. Mr. Cooke says that when a lady of the society was asked why they did not settle a friend of Emerson’s whom he had urged them to invite to their pulpit, she replied: “We are a very simple people, and can understand no one but Mr. Emerson.” He said of himself: “My pulpit is the Lyceum platform.” Knowing that he made his Sermons contribute to his Lectures, we need not mourn over their not being reported.
In March, 1837, Emerson delivered in Boston a Lecture on War, afterwards published in Miss Peabody’s “Aesthetic Papers.” He recognizes war as one of the temporary necessities of a developing civilization, to disappear with the advance of mankind:–
“At a certain stage of his progress the man fights, if he be of a sound body and mind. At a certain high stage he makes no offensive demonstration, but is alert to repel injury, and of an unconquerable heart. At a still higher stage he comes into the region of holiness; passion has passed away from him; his warlike nature is all converted into an active medicinal principle; he sacrifices himself, and accepts with alacrity wearisome tasks of denial and charity; but being attacked, he bears it, and turns the other cheek, as one engaged, throughout his being, no longer to the service of an individual, but to the common good of all men.”
In 1834 Emerson’s brother Edward died, as already mentioned, in the West India island where he had gone for his health. In his letter to Carlyle, of November 12th of the same year, Emerson says: “Your letter, which I received last week, made a bright light in a solitary and saddened place. I had quite recently received the news of the death of a brother in the island of Porto Rico, whose loss to me will be a lifelong sorrow.” It was of him that Emerson wrote the lines “In Memoriam,” in which he says,–
“There is no record left on earth
Save on tablets of the heart,
Of the rich, inherent worth,
Of the grace that on him shone
Of eloquent lips, of joyful wit;
He could not frame a word unfit,
An act unworthy to be done.”
Another bereavement was too soon to be recorded. On the 7th of October, 1835, he says in a letter to Carlyle:–
“I was very glad to hear of the brother you describe, for I have one too, and know what it is to have presence in two places. Charles Chauncy Emerson is a lawyer now settled in this town, and, as I believe, no better Lord Hamlet was ever. He is our Doctor on all questions of taste, manners, or action. And one of the pure pleasures I promise myself in the months to come is to make you two gentlemen know each other.”
Alas for human hopes and prospects! In less than a year from the date of that letter, on the 17th of September, 1836, he writes to Carlyle:–
“Your last letter, dated in April, found me a mourner, as did your first. I have lost out of this world my brother Charles, of whom I have spoken to you,–the friend and companion of many years, the inmate of my house, a man of a beautiful genius, born to speak well, and whose conversation for these last years has treated every grave question of humanity, and has been my daily bread. I have put so much dependence on his gifts, that we made but one man together; for I needed never to do what he could do by noble nature, much better than I. He was to have been married in this month, and at the time of his sickness and sudden death, I was adding apartments to my house for his permanent accommodation. I wish that you could have known him. At twenty-seven years the best life is only preparation. He built his foundation so large that it needed the full age of man to make evident the plan and proportions of his character. He postponed always a particular to a final and absolute success, so that his life was a silent appeal to the great and generous. But some time I shall see you and speak of him.”
Section 3. In the year 1836 there was published in Boston a little book of less than a hundred very small pages, entitled “Nature.” It bore no name on its title-page, but was at once attributed to its real author, Ralph Waldo Emerson.
The Emersonian adept will pardon me for burdening this beautiful Essay with a commentary which is worse than superfluous for him. For it has proved for many,–I will not say a _pons asinorum_,–but a very narrow bridge, which it made their heads swim to attempt crossing, and yet they must cross it, or one domain of Emerson’s intellect will not be reached.
It differed in some respects from anything he had hitherto written. It talked a strange sort of philosophy in the language of poetry. Beginning simply enough, it took more and more the character of a rhapsody, until, as if lifted off his feet by the deepened and stronger undercurrent of his thought, the writer dropped his personality and repeated the words which “a certain poet sang” to him.
This little book met with a very unemotional reception. Its style was peculiar,–almost as unlike that of his Essays as that of Carlyle’s “Sartor Resartus” was unlike the style of his “Life of Schiller.” It was vague, mystic, incomprehensible, to most of those who call themselves common-sense people. Some of its expressions lent themselves easily to travesty and ridicule. But the laugh could not be very loud or very long, since it took twelve years, as Mr. Higginson tells us, to sell five hundred copies. It was a good deal like Keats’s
“doubtful tale from fairy-land
Hard for the non-elect to understand.”
The same experience had been gone through by Wordsworth.
“Whatever is too original,” says De Quincey, “will be hated at the first. It must slowly mould a public for itself; and the resistance of the early thoughtless judgments must be overcome by a counter-resistance to itself, in a better audience slowly mustering against the first. Forty and seven years it is since William Wordsworth first appeared as an author. Twenty of these years he was the scoff of the world, and his poetry a by-word of scorn. Since then, and more than once, senates have rung with acclamations to the echo of his name.”
No writer is more deeply imbued with the spirit of Wordsworth than Emerson, as we cannot fail to see in turning the pages of “Nature,” his first thoroughly characteristic Essay. There is the same thought in the Preface to “The Excursion” that we find in the Introduction to “Nature.”
“The foregoing generations beheld God and nature face to face; we through their eyes. Why should not we also enjoy an original relation to the universe? Why should not we have a poetry and philosophy of insight and not of tradition, and a religion by revelation to us, and not the history of theirs?”
“Paradise and groves
Elysian, Fortunate Fields–like those of old Sought in the Atlantic Main, why should they be A history only of departed things,
Or a mere fiction of what never was?”
“Nature” is a reflective prose poem. It is divided into eight chapters, which might almost as well have been called cantos.
Never before had Mr. Emerson given free utterance to the passion with which the aspects of nature inspired him. He had recently for the first time been at once master of himself and in free communion with all the planetary influences above, beneath, around him. The air of the country intoxicated him. There are sentences in “Nature” which are as exalted as the language of one who is just coming to himself after having been etherized. Some of these expressions sounded to a considerable part of his early readers like the vagaries of delirium. Yet underlying these excited outbursts there was a general tone of serenity which reassured the anxious. The gust passed over, the ripples smoothed themselves, and the stars shone again in quiet reflection.
After a passionate outbreak, in which he sees all, is nothing, loses himself in nature, in Universal Being, becomes “part or particle of God,” he considers briefly, in the chapter entitled _Commodity_, the ministry of nature to the senses. A few picturesque glimpses in pleasing and poetical phrases, with a touch of archaism, and reminiscences of Hamlet and Jeremy Taylor, “the Shakspeare of divines,” as he has called him, are what we find in this chapter on Commodity, or natural conveniences.
But “a nobler want of man is served by Nature, namely, the love of _Beauty_” which is his next subject. There are some touches of description here, vivid, high-colored, not so much pictures as hints and impressions for pictures.
Many of the thoughts which run through all his prose and poetry may be found here. Analogy is seen everywhere in the works of Nature. “What is common to them all,–that perfectness and harmony, is beauty.”–“Nothing is quite beautiful alone: nothing but is beautiful in the whole.”–“No reason can be asked or given why the soul seeks beauty.” How easily these same ideas took on the robe of verse may be seen in the Poems, “Each and All,” and “The Rhodora.” A good deal of his philosophy comes out in these concluding sentences of the chapter:–
“Beauty in its largest and profoundest sense is one expression for the universe; God is the all-fair. Truth and goodness and beauty are but different faces of the same All. But beauty in Nature is not ultimate. It is the herald of inward and eternal beauty, and is not alone a solid and satisfactory good. It must therefore stand as a part and not as yet the highest expression of the final cause of Nature.”.
In the “Rhodora” the flower is made to answer that
“Beauty is its own excuse for being.”
In this Essay the beauty of the flower is not enough, but it must excuse itself for being, mainly as the symbol of something higher and deeper than itself.
He passes next to a consideration of _Language_. Words are signs of natural facts, particular material facts are symbols of particular spiritual facts, and Nature is the symbol of spirit. Without going very profoundly into the subject, he gives some hints as to the mode in which languages are formed,–whence words are derived, how they become transformed and worn out. But they come at first fresh from Nature.
“A man conversing in earnest, if he watch his intellectual processes, will find that always a material image, more or less luminous, arises in his mind, contemporaneous with every thought, which furnishes the vestment of the thought. Hence good writing and brilliant discourse are perpetual allegories.”
From this he argues that country life is a great advantage to a powerful mind, inasmuch as it furnishes a greater number of these material images. They cannot be summoned at will, but they present themselves when great exigencies call for them.
“The poet, the orator, bred in the woods, whose senses have been nourished by their fair and appeasing changes, year after year, without design and without heed,–shall not lose their lesson altogether, in the roar of cities or the broil of politics. Long hereafter, amidst agitations and terror in national councils,–in the hour of revolution,–these solemn images shall reappear in their morning lustre, as fit symbols and words of the thought which the passing events shall awaken. At the call of a noble sentiment, again the woods wave, the pines murmur, the river rolls and shines, and the cattle low upon the mountains, as he saw and heard them in his infancy. And with these forms the spells of persuasion, the keys of power, are put into his hands.”
It is doing no wrong to this very eloquent and beautiful passage to say that it reminds us of certain lines in one of the best known poems of Wordsworth:–
“These beauteous forms,
Through a long absence, have not been to me As is a landscape to a blind man’s eye; But oft, in lonely rooms, and mid the din Of towns and cities, I have owed to them In hours of weariness sensations sweet
Felt in the blood and felt along the heart.”
It is needless to quote the whole passage. The poetry of Wordsworth may have suggested the prose of Emerson, but the prose loses nothing by the comparison.
In _Discipline_, which is his next subject, he treats of the influence of Nature in educating the intellect, the moral sense, and the will. Man is enlarged and the universe lessened and brought within his grasp, because
“Time and space relations vanish as laws are known.”–“The moral law lies at the centre of Nature and radiates to the circumference.”–“All things with which we deal preach to us. What is a farm but a mute gospel?”–“From the child’s successive possession of his several senses up to the hour when he sayeth, ‘Thy will be done!’ he is learning the secret that he can reduce under his will, not only particular events, but great classes, nay, the whole series of events, and so conform all facts to his character.”
The unity in variety which meets us everywhere is again referred to. He alludes to the ministry of our friendships to our education. When a friend has done for our education in the way of filling our minds with sweet and solid wisdom “it is a sign to us that his office is closing, and he is commonly withdrawn from our sight in a short time.” This thought was probably suggested by the death of his brother Charles, which occurred a few months before “Nature” was published. He had already spoken in the first chapter of this little book as if from some recent experience of his own, doubtless the same bereavement. “To a man laboring under calamity, the heat of his own fire hath sadness in it. Then there is a kind of contempt of the landscape felt by him who has just lost by death a dear friend. The sky is less grand as it shuts down over less worth in the population.” This was the first effect of the loss; but after a time he recognizes a superintending power which orders events for us in wisdom which we could not see at first.
The chapter on _Idealism_ must be read by all who believe themselves capable of abstract thought, if they would not fall under the judgment of Turgot, which Emerson quotes: “He that has never doubted the existence of matter may be assured he has no aptitude for metaphysical inquiries.” The most essential statement is this:–
“It is a sufficient account of that Appearance we call the World, that God will teach a human mind, and so makes it the receiver of a certain number of congruent sensations, which we call sun and moon, man and woman, house and trade. In my utter impotence to test the authenticity of the report of my senses, to know whether the impressions they make on me correspond with outlying objects, what difference does it make, whether Orion is up there in Heaven, or some god paints the image in the firmament of the Soul?”
We need not follow the thought through the argument from illusions, like that when we look at the shore from a moving ship, and others which cheat the senses by false appearances.
The poet animates Nature with his own thoughts, perceives the affinities between Nature and the soul, with Beauty as his main end. The philosopher pursues Truth, but, “not less than the poet, postpones the apparent order and relation of things to the empire of thought.” Religion and ethics agree with all lower culture in degrading Nature and suggesting its dependence on Spirit. “The devotee flouts Nature.”–“Plotinus was ashamed of his body.”–“Michael Angelo said of external beauty, ‘it is the frail and weary weed, in which God dresses the soul, which He has called into time.'” Emerson would not undervalue Nature as looked at through the senses and “the unrenewed understanding.” “I have no hostility to Nature,” he says, “but a child’s love of it. I expand and live in the warm day like corn and melons.”–But, “seen in the light of thought, the world always is phenomenal; and virtue subordinates it to the mind. Idealism sees the world in God,”–as one vast picture, which God paints on the instant eternity, for the contemplation of the soul.
The unimaginative reader is likely to find himself off soundings in the next chapter, which has for its title _Spirit_.
Idealism only denies the existence of matter; it does not satisfy the demands of the spirit. “It leaves God out of me.”–Of these three questions, What is matter? Whence is it? Where to? The ideal theory answers the first only. The reply is that matter is a phenomenon, not a substance.
“But when we come to inquire Whence is matter? and Whereto? many truths arise to us out of the recesses of consciousness. We learn that the highest is present to the soul of man, that the dread universal essence, which is not wisdom, or love, or beauty, or power, but all in one, and each entirely, is that for which all things exist, and that by which they are; that spirit creates; that behind nature, throughout nature, spirit is present; that spirit is one and not compound; that spirit does not act upon us from without, that is, in space and time, but spiritually, or through ourselves.”–“As a plant upon the earth, so a man rests upon the bosom of God; he is nourished by unfailing fountains, and draws, at his need, inexhaustible power.”
Man may have access to the entire mind of the Creator, himself become a “creator in the finite.”
“As we degenerate, the contrast between us and our house is more evident. We are as much strangers in nature as we are aliens from God. We do not understand the notes of birds. The fox and the deer run away from us; the bear and the tiger rend us.”
All this has an Old Testament sound as of a lost Paradise. In the next chapter he dreams of Paradise regained.
This next and last chapter is entitled _Prospects_. He begins with a bold claim for the province of intuition as against induction, undervaluing the “half sight of science” as against the “untaught sallies of the spirit,” the surmises and vaticinations of the mind,–the “imperfect theories, and sentences which contain glimpses of truth.” In a word, he would have us leave the laboratory and its crucibles for the sibyl’s cave and its tripod. We can all–or most of us, certainly–recognize something of truth, much of imagination, and more of danger in speculations of this sort. They belong to visionaries and to poets. Emerson feels distinctly enough that he is getting into the realm of poetry. He quotes five beautiful verses from George Herbert’s “Poem on Man.” Presently he is himself taken off his feet into the air of song, and finishes his Essay with “some traditions of man and nature which a certain poet sang to me.”–“A man is a god in ruins.”–“Man is the dwarf of himself. Once he was permeated and dissolved by spirit. He filled nature with his overflowing currents. Out from him sprang the sun and moon; from man the sun, from woman the moon.”–But he no longer fills the mere shell he had made for himself; “he is shrunk to a drop.” Still something of elemental power remains to him. “It is instinct.” Such teachings he got from his “poet.” It is a kind of New England Genesis in place of the Old Testament one. We read in the Sermon on the Mount: “Be ye therefore perfect as your Father in Heaven is perfect.” The discourse which comes to us from the Trimount oracle commands us, “Build, therefore, your own world. As fast as you conform your life to the pure idea in your mind, that will unfold its great proportions.” The seer of Patmos foretells a heavenly Jerusalem, of which he says, “There shall in no wise enter into it anything which defileth.” The sage of Concord foresees a new heaven on earth. “A correspondent revolution in things will attend the influx of the spirit. So fast will disagreeable appearances, swine, spiders, snakes, pests, mad-houses, prisons, enemies, vanish; they are temporary and shall be no more seen.”
* * * * *
It may be remembered that Calvin, in his Commentary on the New Testament, stopped when he came to the book of the “Revelation.” He found it full of difficulties which he did not care to encounter. Yet, considered only as a poem, the vision of St. John is full of noble imagery and wonderful beauty. “Nature” is the Book of Revelation of our Saint Radulphus. It has its obscurities, its extravagances, but as a poem it is noble and inspiring. It was objected to on the score of its pantheistic character, as Wordsworth’s “Lines composed near Tintern Abbey” had been long before. But here and there it found devout readers who were captivated by its spiritual elevation and great poetical beauty, among them one who wrote of it in the “Democratic Review” in terms of enthusiastic admiration.
Mr. Bowen, the Professor of Natural Theology and Moral Philosophy in Harvard University, treated this singular semi-philosophical, semi-poetical little book in a long article in the “Christian Examiner,” headed “Transcendentalism,” and published in the January number for 1837. The acute and learned Professor meant to deal fairly with his subject. But if one has ever seen a sagacious pointer making the acquaintance of a box-tortoise, he will have an idea of the relations between the reviewer and the reviewed as they appear in this article. The professor turns the book over and over,–inspects it from plastron to carapace, so to speak, and looks for openings everywhere, sometimes successfully, sometimes in vain. He finds good writing and sound philosophy, passages of great force and beauty of expression, marred by obscurity, under assumptions and faults of style. He was not, any more than the rest of us, acclimated to the Emersonian atmosphere, and after some not unjust or unkind comments with which many readers will heartily agree, confesses his bewilderment, saying:–
“On reviewing what we have already said of this singular work, the criticism seems to be couched in contradictory terms; we can only allege in excuse the fact that the book is a contradiction in itself.”
Carlyle says in his letter of February 13, 1837:–
“Your little azure-colored ‘Nature’ gave me true satisfaction. I read it, and then lent it about to all my acquaintances that had a sense for such things; from whom a similar verdict always came back. You say it is the first chapter of something greater. I call it rather the Foundation and Ground-plan on which you may build whatsoever of great and true has been given you to build. It is the true Apocalypse, this when the ‘Open Secret’ becomes revealed to a man. I rejoice much in the glad serenity of soul with which you look out on this wondrous Dwelling-place of yours and mine,–with an ear for the _Ewigen Melodien_, which pipe in the winds round us, and utter themselves forth in all sounds and sights and things; _not_ to be written down by gamut-machinery; but which all right writing is a kind of attempt to write down.”
The first edition of “Nature” had prefixed to it the following words from Plotinus: “Nature is but an image or imitation of wisdom, the last thing of the soul; Nature being a thing which doth only do, but not know.” This is omitted in after editions, and in its place we read:–
“A subtle chain of countless rings
The next unto the farthest brings; The eye reads omens where it goes,
And speaks all languages the rose; And striving to be man, the worm
Mounts through all the spires of form.”
The copy of “Nature” from which I take these lines, his own, of course, like so many others which he prefixed to his different Essays, was printed in the year 1849, ten years before the publication of Darwin’s “Origin of Species,” twenty years and more before the publication of “The Descent of Man.” But the “Vestiges of Creation,” published in 1844, had already popularized the resuscitated theories of Lamarck. It seems as if Emerson had a warning from the poetic instinct which, when it does not precede the movement of the scientific intellect, is the first to catch the hint of its discoveries. There is nothing more audacious in the poet’s conception of the worm looking up towards humanity, than the naturalist’s theory that the progenitor of the human race was an acephalous mollusk. “I will not be sworn,” says Benedick, “but love may transform me to an oyster.” For “love” read science.
Unity in variety, “_il piu nell uno_” symbolism of Nature and its teachings, generation of phenomena,–appearances,–from spirit, to which they correspond and which they obey; evolution of the best and elimination of the worst as the law of being; all this and much more may be found in the poetic utterances of this slender Essay. It fell like an aerolite, unasked for, unaccounted for, unexpected, almost unwelcome,–a stumbling-block to be got out of the well-trodden highway of New England scholastic intelligence. But here and there it found a reader to whom it was, to borrow, with slight changes, its own quotation,–
“The golden key
Which opes the palace of eternity,”
inasmuch as it carried upon its face the highest certificate of truth, because it animated them to create a new world for themselves through the purification of their own souls.
Next to “Nature” in the series of his collected publications comes “The American Scholar. An Oration delivered before the Phi Beta Kappa Society at Cambridge, August 31, 1837.”
The Society known by these three letters, long a mystery to the uninitiated, but which, filled out and interpreted, signify that philosophy is the guide of life, is one of long standing, the annual meetings of which have called forth the best efforts of many distinguished scholars and thinkers. Rarely has any one of the annual addresses been listened to with such profound attention and interest. Mr. Lowell says of it, that its delivery “was an event without any former parallel in our literary annals, a scene to be always treasured in the memory for its picturesqueness and its inspiration. What crowded and breathless aisles, what windows clustering with eager heads, what enthusiasm of approval, what grim silence of foregone dissent!”
Mr. Cooke says truly of this oration, that nearly all his leading ideas found expression in it. This was to be expected in an address delivered before such an audience. Every real thinker’s world of thought has its centre in a few formulae, about which they revolve as the planets circle round the sun which cast them off. But those who lost themselves now and then in the pages of “Nature” will find their way clearly enough through those of “The American Scholar.” It is a plea for generous culture; for the development of all the faculties, many of which tend to become atrophied by the exclusive pursuit of single objects of thought. It begins with a note like a trumpet call.
“Thus far,” he says, “our holiday has been simply a friendly sign of the survival of the love of letters amongst a people too busy to give to letters any more. As such it is precious as the sign of an indestructible instinct. Perhaps the time is already come when it ought to be, and will be, something else; when the sluggard intellect of this continent will look from under its iron lids and fill the postponed expectations of the world with something better than the exertions of mechanical skill. Our day of dependence, our long apprenticeship to the learning of other lands, draws to a close. The millions that around us are rushing into life cannot always be fed on the sere remains of foreign harvests. Events, actions arise, that must be sung, that will sing themselves. Who can doubt that poetry will revive and lead in a new age, as the star in the constellation Harp, which now flames in our zenith, astronomers announce shall one day be the pole-star for a thousand years?”
Emerson finds his text in the old fable which tells that Man, as he was in the beginning, was divided into men, as the hand was divided into fingers, the better to answer the end of his being. The fable covers the doctrine that there is One Man; present to individuals only in a partial manner; and that we must take the whole of society to find the whole man. Unfortunately the unit has been too minutely subdivided, and many faculties are practically lost for want of use. “The state of society is one in which the members have suffered amputation from the trunk, and strut about so many walking monsters,–a good finger, a neck, a stomach, an elbow, but never a man…. Man is thus metamorphosed into a thing, into many things…. The priest becomes a form; the attorney a statute book; the mechanic a machine; the sailor a rope of the ship.”
This complaint is by no means a new one. Scaliger says, as quoted by omnivorous old Burton: “_Nequaquam, nos homines sumus sed partes hominis_.” The old illustration of this used to be found in pin-making. It took twenty different workmen to make a pin, beginning with drawing the wire and ending with sticking in the paper. Each expert, skilled in one small performance only, was reduced to a minute fraction of a fraction of humanity. If the complaint was legitimate in Scaliger’s time, it was better founded half a century ago when Mr. Emerson found cause for it. It has still more serious significance to-day, when in every profession, in every branch of human knowledge, special acquirements, special skill have greatly tended to limit the range of men’s thoughts and working faculties.
“In this distribution of functions the scholar is the delegated intellect. In the right state he is _Man thinking_. In the degenerate state, when the victim of society, he tends to become a mere thinker, or still worse, the parrot of other men’s thinking. In this view of him, as Man thinking, the theory of his office is continued. Him Nature solicits with all her placid, all her monitory pictures; him the past instructs; him the future invites.”
Emerson proceeds to describe and illustrate the influences of nature upon the mind, returning to the strain of thought with which his previous Essay has made us familiar. He next considers the influence of the past, and especially of books as the best type of that influence. “Books are the best of things well used; abused among the worst.” It is hard to distil what is already a quintessence without loss of what is just as good as the product of our labor. A sentence or two may serve to give an impression of the epigrammatic wisdom of his counsel.
“Each age must write its own books, or, rather, each generation for the next succeeding. The books of an older period will not fit this.”
When a book has gained a certain hold on the mind, it is liable to become an object of idolatrous regard.
“Instantly the book becomes noxious: the guide is a tyrant. The sluggish and perverted mind of the multitude, slow to open to the incursions of reason, having once so opened, having received this book, stands upon it and makes an outcry if it is disparaged. Colleges are built on it. Books are written on it by thinkers, not by Man thinking; by men of talent, that is, who start wrong, who set out from accepted dogmas, not from their own sight of principle. Meek young men grow up in libraries, believing it their duty to accept the views which Cicero, which Locke, which Bacon have given; forgetful that Cicero, Locke, and Bacon were only young men in libraries when they wrote these books.–One must he an inventor to read well. As the proverb says, ‘He that would bring home the wealth of the Indies must carry out the wealth of the Indies.’–When the mind is braced by labor and invention, the page of whatever book we read becomes luminous with manifold allusion. Every sentence is doubly significant, and the sense of our author is as broad as the world.”
It is not enough that the scholar should be a student of nature and of books. He must take a part in the affairs of the world about him.
“Action is with the scholar subordinate, but it is essential. Without it he is not yet man. Without it thought can never ripen into truth.–The true scholar grudges every opportunity of action past by, as a loss of power. It is the raw material out of which the intellect moulds her splendid products. A strange process, too, this by which experience is converted into thought as a mulberry leaf is converted into satin. The manufacture goes forward at all hours.”
Emerson does not use the words “unconscious cerebration,” but these last words describe the process in an unmistakable way. The beautiful paragraph in which he pictures the transformation, the transfiguration of experience, closes with a sentence so thoroughly characteristic, so Emersonially Emersonian, that I fear some readers who thought they were his disciples when they came to it went back and walked no more with him, at least through the pages of this discourse. The reader shall have the preceding sentence to prepare him for the one referred to.
“There is no fact, no event in our private history, which shall not, sooner or later, lose its adhesive, inert form, and astonish us by soaring from our body into the empyrean.
“Cradle and infancy, school and playground, the fear of boys, and dogs, and ferules, the love of little maids and berries, and many another fact that once filled the whole sky, are gone already; friend and relative, professions and party, town and country, nation and world must also soar and sing.”
Having spoken of the education of the scholar by nature, by books, by action, he speaks of the scholar’s duties. “They may all,” he says, “be comprised in self-trust.” We have to remember that the _self_ he means is the highest self, that consciousness which he looks upon as open to the influx of the divine essence from which it came, and towards which all its upward tendencies lead, always aspiring, never resting; as he sings in “The Sphinx “:–
“The heavens that now draw him
With sweetness untold,
Once found,–for new heavens
He spurneth the old.”
“First one, then another, we drain all cisterns, and waxing greater by all these supplies, we crave a better and more abundant food. The man has never lived that can feed us ever. The human mind cannot be enshrined in a person who shall set a barrier on any one side of this unbounded, unboundable empire. It is one central fire, which, flaming now out of the lips of Etna, lightens the Capes of Sicily, and now out of the throat of Vesuvius, illuminates the towers and vineyards of Naples. It is one light which beams out of a thousand stars. It is one soul which animates all men.”
And so he comes to the special application of the principles he has laid down to the American scholar of to-day. He does not spare his censure; he is full of noble trust and manly courage. Very refreshing it is to remember in this day of specialists, when the walking fraction of humanity he speaks of would hardly include a whole finger, but rather confine itself to the single joint of the finger, such words as these:–
“The scholar is that man who must take up into himself all the ability of the time, all the contributions of the past, all the hopes of the future. He must he a university of knowledges…. We have listened too long to the courtly muses of Europe. The spirit of the American freeman is already suspected to be timid, imitative, tame.–The scholar is decent, indolent, complaisant.–The mind of this country, taught to aim at low objects, eats upon itself. There is no work for any but the decorous and the complaisant.”
The young men of promise are discouraged and disgusted.
“What is the remedy? They did not yet see, and thousands of young men as hopeful now crowding to the barriers for the career do not yet see, that if the single man plant himself indomitably on his instincts, and there abide, the huge world will come round to him.”
Each man must be a unit,–must yield that peculiar fruit which he was created to bear.
“We will walk on our own feet; we will work with our own hands; we will speak our own minds.–A nation of men will for the first time exist, because each believes himself inspired by the Divine Soul which also inspires all men.”
This grand Oration was our intellectual Declaration of Independence. Nothing like it had been heard in the halls of Harvard since Samuel Adams supported the affirmative of the question, “Whether it be lawful to resist the chief magistrate, if the commonwealth cannot otherwise be preserved.” It was easy to find fault with an expression here and there. The dignity, not to say the formality of an Academic assembly was startled by the realism that looked for the infinite in “the meal in the firkin; the milk in the pan.” They could understand the deep thoughts suggested by “the meanest flower that blows,” but these domestic illustrations had a kind of nursery homeliness about them which the grave professors and sedate clergymen were unused to expect on so stately an occasion. But the young men went out from it as if a prophet had been proclaiming to them “Thus saith the Lord.” No listener ever forgot that Address, and among all the noble utterances of the speaker it may be questioned if one ever contained more truth in language more like that of immediate inspiration.
CHAPTER V.
1838-1843. AET. 35-40.
Section 1. Divinity School Address.–Correspondence.–Lectures on Human Life.–Letters to James Freeman Clarke.–Dartmouth College Address: Literary Ethics.–Waterville College Address: The Method of Nature.–Other Addresses: Man the Reformer.–Lecture on the Times.–The Conservative.–The Transcendentalist.–Boston “Transcendentalism.”–“The Dial.”–Brook Farm.
Section 2. First Series of Essays published.–Contents: History, Self-Reliance, Compensation, Spiritual Laws, Love, Friendship, Prudence, Heroism, The Oversoul, Circles, Intellect, Art.–Emerson’s Account of his Mode of Life in a Letter to Carlyle.–Death of Emerson’s Son.–Threnody.
Section 1. On Sunday evening, July 15, 1838, Emerson delivered an Address before the Senior Class in Divinity College, Cambridge, which caused a profound sensation in religious circles, and led to a controversy, in which Emerson had little more than the part of Patroclus when the Greeks and Trojans fought over his body. In its simplest and broadest statement this discourse was a plea for the individual consciousness as against all historical creeds, bibles, churches; for the soul as the supreme judge in spiritual matters.
He begins with a beautiful picture which must be transferred without the change of an expression:–
“In this refulgent Summer, it has been a luxury to draw the breath of life. The grass grows, the buds burst, the meadow is spotted with fire and gold in the tint of flowers. The air is full of birds, and sweet with the breath of the pine, the balm of Gilead, and the new hay. Night brings no gloom to the heart with its welcome shade. Through the transparent darkness the stars pour their almost spiritual rays. Man under them seems a young child, and his huge globe a toy. The cool night bathes the world as with a river, and prepares his eyes again for the crimson dawn.”
How softly the phrases of the gentle iconoclast steal upon the ear, and how they must have hushed the questioning audience into pleased attention! The “Song of Songs, which is Solomon’s,” could not have wooed the listener more sweetly. “Thy lips drop as the honeycomb: honey and milk are under thy tongue, and the smell of thy garments is like the smell of Lebanon.” And this was the prelude of a discourse which, when it came to be printed, fared at the hands of many a theologian, who did not think himself a bigot, as the roll which Baruch wrote with ink from the words of Jeremiah fared at the hands of Jehoiakim, the King of Judah. He listened while Jehudi read the opening passages. But “when Jehudi had read three or four leaves he cut it with the penknife, and cast it into the fire that was on the hearth, until all the roll was consumed in the fire that was on the hearth.” Such was probably the fate of many a copy of this famous discourse.
It is reverential, but it is also revolutionary. The file-leaders of Unitarianism drew back in dismay, and the ill names which had often been applied to them were now heard from their own lips as befitting this new heresy; if so mild a reproach as that of heresy belonged to this alarming manifesto. And yet, so changed is the whole aspect of the theological world since the time when that discourse was delivered that it is read as calmly to-day as a common “Election Sermon,” if such are ever read at all. A few extracts, abstracts, and comments may give the reader who has not the Address before him some idea of its contents and its tendencies.
The material universe, which he has just pictured in its summer beauty, deserves our admiration. But when the mind opens and reveals the laws which govern the world of phenomena, it shrinks into a mere fable and illustration of this mind. What am I? What is?–are questions always asked, never fully answered. We would study and admire forever.
But above intellectual curiosity, there is the sentiment of virtue. Man is born for the good, for the perfect, low as he now lies in evil and weakness. “The sentiment of virtue is a reverence and delight in the presence of certain divine laws.–These laws refuse to be adequately stated.–They elude our persevering thought; yet we read them hourly in each other’s faces, in each other’s actions, in our own remorse.–The intuition of the moral sentiment is an insight of the perfection of the laws of the soul. These laws execute themselves.–As we are, so we associate. The good, by affinity, seek the good; the vile, by affinity, the vile. Thus, of their own volition, souls proceed into heaven, into hell.”
These facts, Emerson says, have always suggested to man that the world is the product not of manifold power, but of one will, of one mind,–that one mind is everywhere active.–“All things proceed out of the same spirit, and all things conspire with it.” While a man seeks good ends, nature helps him; when he seeks other ends, his being shrinks, “he becomes less and less, a mote, a point, until absolute badness is absolute death.”–“When he says ‘I ought;’ when love warms him; when he chooses, warned from on high, the good and great deed; then deep melodies wander through his soul from Supreme Wisdom.”
“This sentiment lies at the foundation of society and successively creates all forms of worship.–This thought dwelled always deepest in the minds of men in the devout and contemplative East; not alone in Palestine, where it reached its purest expression, but in Egypt, in Persia, in India, in China. Europe has always owed to Oriental genius its divine impulses. What these holy bards said, all sane men found agreeable and true. And the unique impression of Jesus upon mankind, whose name is not so much written as ploughed into the history of this world, is proof of the subtle virtue of this infusion.”
But this truth cannot be received at second hand; it is an intuition. What another announces, I must find true in myself, or I must reject it. If the word of another is taken instead of this primary faith, the church, the state, art, letters, life, all suffer degradation,–“the doctrine of inspiration is lost; the base doctrine of the majority of voices usurps the place of the doctrine of the soul.”
The following extract will show the view that he takes of Christianity and its Founder, and sufficiently explain the antagonism called forth by the discourse:–
“Jesus Christ belonged to the true race of prophets. He saw with open eye the mystery of the soul. Drawn by its severe harmony, ravished with its beauty, he lived in it, and had his being there. Alone in all history he estimated the greatness of man. One man was true to what is in you and me. He saw that God incarnates himself in man, and evermore goes forth anew to take possession of his World. He said, in this jubilee of sublime emotion, ‘I am Divine. Through me God acts; through me, speaks. Would you see God, see me; or see thee, when thou also thinkest as I now think.’ But what a distortion did his doctrine and memory suffer in the same, in the next, and the following ages! There is no doctrine of the Reason which will bear to be taught by the Understanding. The understanding caught this high chant from the poet’s lips, and said, in the next age, ‘This was Jehovah come down out of heaven. I will kill you if you say he was a man.’ The idioms of his language and the figures of his rhetoric have usurped the place of his truth; and churches are not built on his principles, but on his tropes. Christianity became a Mythus, as the poetic teaching of Greece and of Egypt, before. He spoke of Miracles; for he felt that man’s life was a miracle, and all that man doth, and he knew that this miracle shines as the character ascends. But the word Miracle, as pronounced by Christian churches, gives a false impression; it is Monster. It is not one with the blowing clover and the falling rain.”
He proceeds to point out what he considers the great defects of historical Christianity. It has exaggerated the personal, the positive, the ritual. It has wronged mankind by monopolizing all virtues for the Christian name. It is only by his holy thoughts that Jesus serves us. “To aim to convert a man by miracles is a profanation of the soul.” The preachers do a wrong to Jesus by removing him from our human sympathies; they should not degrade his life and dialogues by insulation and peculiarity.
Another defect of the traditional and limited way of using the mind of Christ is that the Moral Nature–the Law of Laws–is not explored as the fountain of the established teaching in society. “Men have come to speak of the revelation as somewhat long ago given and done, as if God were dead.”–“The soul is not preached. The church seems to totter to its fall, almost all life extinct.–The stationariness of religion; the assumption that the age of inspiration is past; that the Bible is closed; the fear of degrading the character of Jesus by representing him as a man; indicate with sufficient clearness the falsehood of our theology. It is the office of a true teacher to show us that God is, not was; that he speaketh, not spake. The true Christianity–a faith like Christ’s in the infinitude of Man–is lost.”
When Emerson came to what his earlier ancestors would have called the “practical application,” some of his young hearers must have been startled at the style of his address.
“Yourself a new–born bard of the Holy Ghost, cast behind you all conformity, and acquaint men at first hand with Deity. Look to it first and only, that fashion, custom, authority, pleasure, and money are nothing to you,–are not bandages over your eyes, that you cannot see,–but live with the privilege of the immeasurable mind.”
Emerson recognizes two inestimable advantages as the gift of Christianity; first the Sabbath,–hardly a Christian institution,–and secondly the institution of preaching. He spoke not only eloquently, but with every evidence of deep sincerity and conviction. He had sacrificed an enviable position to that inner voice of duty which he now proclaimed as the sovereign law over all written or spoken words. But he was assailing the cherished beliefs of those before him, and of Christendom generally; not with hard or bitter words, not with sarcasm or levity, rather as one who felt himself charged with a message from the same divinity who had inspired the prophets and evangelists of old with whatever truth was in their messages. He might be wrong, but his words carried the evidence of his own serene, unshaken confidence that the spirit of all truth was with him. Some of his audience, at least, must have felt the contrast between his utterances and the formal discourses they had so long listened to, and said to themselves, “he speaks ‘as one having authority, and not as the Scribes.'”
Such teaching, however, could not be suffered to go unchallenged. Its doctrines were repudiated in the “Christian Examiner,” the leading organ of the Unitarian denomination. The Rev. Henry Ware, greatly esteemed and honored, whose colleague he had been, addressed a letter to him, in which he expressed the feeling that some of the statements of Emerson’s discourse would tend to overthrow the authority and influence of Christianity. To this note Emerson returned the following answer:–
“What you say about the discourse at Divinity College is just what I might expect from your truth and charity, combined with your known opinions. I am not a stick or a stone, as one said in the old time, and could not but feel pain in saying some things in that place and presence which I supposed would meet with dissent, I may say, of dear friends and benefactors of mine. Yet, as my conviction is perfect in the substantial truth of the doctrines of this discourse, and is not very new, you will see at once that it must appear very important that it be spoken; and I thought I could not pay the nobleness of my friends so mean a compliment as to suppress my opposition to their supposed views, out of fear of offence. I would rather say to them, these things look thus to me, to you otherwise. Let us say our uttermost word, and let the all-pervading truth, as it surely will, judge between us. Either of us would, I doubt not, be willingly apprised of his error. Meantime, I shall be admonished by this expression of your thought, to revise with greater care the ‘address,’ before it is printed (for the use of the class): and I heartily thank you for this expression of your tried toleration and love.”
Dr. Ware followed up his note with a sermon, preached on the 23d of September, in which he dwells especially on the necessity of adding the idea of personality to the abstractions of Emerson’s philosophy, and sent it to him with a letter, the kindness and true Christian spirit of which were only what were inseparable from all the thoughts and feelings of that most excellent and truly apostolic man.
To this letter Emerson sent the following reply:–
CONCORD, October 8, 1838.
“MY DEAR SIR,–I ought sooner to have acknowledged your kind letter of last week, and the sermon it accompanied. The letter was right manly and noble. The sermon, too, I have read with attention. If it assails any doctrine of mine,–perhaps I am not so quick to see it as writers generally,–certainly I did not feel any disposition to depart from my habitual contentment, that you should say your thought, whilst I say mine. I believe I must tell you what I think of my new position. It strikes me very oddly that good and wise men at Cambridge and Boston should think of raising me into an object of criticism. I have always been–from my very incapacity of methodical writing–a ‘chartered libertine,’ free to worship and free to rail,–lucky when I could make myself understood, but never esteemed near enough to the institutions and mind of society to deserve the notice of the masters of literature and religion. I have appreciated fully the advantages of my position, for I well know there is no scholar less willing or less able than myself to be a polemic. I could not give an account of myself, if challenged. I could not possibly give you one of the ‘arguments’ you cruelly hint at, on which any doctrine of mine stands; for I do not know what arguments are in reference to any expression of a thought. I delight in telling what I think; but if you ask me how I dare say so, or why it is so, I am the most helpless of mortal men. I do not even see that either of these questions admits of an answer. So that in the present droll posture of my affairs, when I see myself suddenly raised to the importance of a heretic, I am very uneasy when I advert to the supposed duties of such a personage, who is to make good his thesis against all comers. I certainly shall do no such thing. I shall read what you and other good men write, as I have always done, glad when you speak my thoughts, and skipping the page that has nothing for me. I shall go on just as before, seeing whatever I can, and telling what I see; and, I suppose, with the same fortune that has hitherto attended me,–the joy of finding that my abler and better brothers, who work with the sympathy of society, loving and beloved, do now and then unexpectedly confirm my conceptions, and find my nonsense is only their own thought in motley,–and so I am your affectionate servant,” etc.
The controversy which followed is a thing of the past; Emerson took no part in it, and we need not return to the discussion. He knew his office and has defined it in the clearest manner in the letter just given,–“Seeing whatever I can, and telling what I see.” But among his listeners and readers was a man of very different mental constitution, not more independent or fearless, but louder and more combative, whose voice soon became heard and whose strength soon began to be felt in the long battle between the traditional and immanent inspiration,–Theodore Parker. If Emerson was the moving spirit, he was the right arm in the conflict, which in one form or another has been waged up to the present day.
In the winter of 1838-39 Emerson delivered his usual winter course of Lectures. He names them in a letter to Carlyle as follows: “Ten Lectures: I. The Doctrine of the Soul; II. Home; III. The School; IV. Love; V. Genius; VI. The Protest; VII. Tragedy; VIII. Comedy; IX. Duty; X. Demonology. I designed to add two more, but my lungs played me false with unseasonable inflammation, so I discoursed no more on Human Life.” Two or three of these titles only are prefixed to his published Lectures or Essays; Love, in the first volume of Essays; Demonology in “Lectures and Biographical Sketches;” and “The Comic” in “Letters and Social Aims.”
* * * * *
I owe the privilege of making use of the two following letters to my kind and honored friend, James Freeman Clarke.
The first letter was accompanied by the Poem “The Humble-bee,” which was first published by Mr. Clarke in the “Western Messenger,” from the autograph copy, which begins “Fine humble-bee! fine humble-bee!” and has a number of other variations from the poem as printed in his collected works.
CONCORD, December 7, 1838.
MY DEAR SIR,–Here are the verses. They have pleased some of my friends, and so may please some of your readers, and you asked me in the spring if I hadn’t somewhat to contribute to your journal. I remember in your letter you mentioned the remark of some friend of yours that the verses, “Take, O take those lips away,” were not Shakspeare’s; I think they are. Beaumont, nor Fletcher, nor both together were ever, I think, visited by such a starry gleam as that stanza. I know it is in “Rollo,” but it is in “Measure for Measure” also; and I remember noticing that the Malones, and Stevens, and critical gentry were about evenly divided, these for Shakspeare, and those for Beaumont and Fletcher. But the internal evidence is all for one, none for the other. If he did not write it, they did not, and we shall have some fourth unknown singer. What care we _who_ sung this or that. It is we at last who sing. Your friend and servant, R.W. EMERSON.
TO JAMES FREEMAN CLARKE.
CONCORD, February 27, 1839.
MY DEAR SIR,–I am very sorry to have made you wait so long for an answer to your flattering request for two such little poems. You are quite welcome to the lines “To the Rhodora;” but I think they need the superscription [“Lines on being asked ‘Whence is the Flower?'”]. Of the other verses [“Good-by proud world,” etc] I send you a corrected copy, but I wonder so much at your wishing to print them that I think you must read them once again with your critical spectacles before they go further. They were written sixteen years ago, when I kept school in Boston, and lived in a corner of Roxbury called Canterbury. They have a slight misanthropy, a shade deeper than belongs to me; and as it seems nowadays I am a philosopher and am grown to have opinions, I think they must have an apologetic date, though I well know that poetry that needs a date is no poetry, and so you will wiselier suppress them. I heartily wish I had any verses which with a clear mind I could send you in lieu of these juvenilities. It is strange, seeing the delight we take in verses, that we can so seldom write them, and so are not ashamed to lay up old ones, say sixteen years, instead of improvising them as freely as the wind blows, whenever we and our brothers are attuned to music. I have heard of a citizen who made an annual joke. I believe I have in April or May an annual poetic _conatus_ rather than _afflatus_, experimenting to the length of thirty lines or so, if I may judge from the dates of the rhythmical scraps I detect among my MSS. I look upon this incontinence as merely the redundancy of a susceptibility to poetry which makes all the bards my daily treasures, and I can well run the risk of being ridiculous once a year for the benefit of happy reading all the other days. In regard to the Providence Discourse, I have no copy of it; and as far as I remember its contents, I have since used whatever is striking in it; but I will get the MS., if Margaret Fuller has it, and you shall have it if it will pass muster. I shall certainly avail myself of the good order you gave me for twelve copies of the “Carlyle Miscellanies,” so soon as they appear. He, T.C., writes in excellent spirits of his American friends and readers…. A new book, he writes, is growing in him, though not to begin until his spring lectures are over (which begin in May). Your sister Sarah was kind enough to carry me the other day to see some pencil sketches done by Stuart Newton when in the Insane Hospital. They seemed to me to betray the richest invention, so rich as almost to say, why draw any line since you can draw all? Genius has given you the freedom of the universe, why then come within any walls? And this seems to be the old moral which we draw from our fable, read it how or where you will, that we cannot make one good stroke until we can make every possible stroke; and when we can one, every one seems superfluous. I heartily thank you for the good wishes you send me to open the year, and I say them back again to you. Your field is a world, and all men are your spectators, and all men respect the true and great-hearted service you render. And yet it is not spectator nor spectacle that concerns either you or me. The whole world is sick of that very ail, of being seen, and of seemliness. It belongs to the brave now to trust themselves infinitely, and to sit and hearken alone. I am glad to see William Channing is one of your coadjutors. Mrs. Jameson’s new book, I should think, would bring a caravan of travellers, aesthetic, artistic, and what not, up your mighty stream, or along the lakes to Mackinaw. As I read I almost vowed an exploration, but I doubt if I ever get beyond the Hudson.
Your affectionate servant, R.W. EMERSON.
On the 24th of July, 1838, a little more than a week after the delivery of the Address before the Divinity School, Mr. Emerson delivered an Oration before the Literary Societies of Dartmouth College. If any rumor of the former discourse had reached Dartmouth, the audience must have been prepared for a much more startling performance than that to which they listened. The bold avowal which fluttered the dovecotes of Cambridge would have sounded like the crash of doom to the cautious old tenants of the Hanover aviary. If there were any drops of false or questionable doctrine in the silver shower of eloquence under which they had been sitting, the plumage of orthodoxy glistened with unctuous repellents, and a shake or two on coming out of church left the sturdy old dogmatists as dry as ever.
Those who remember the Dartmouth College of that day cannot help smiling at the thought of the contrast in the way of thinking between the speaker and the larger part, or at least the older part, of his audience. President Lord was well known as the scriptural defender of the institution of slavery. Not long before a controversy had arisen, provoked by the setting up of the Episcopal form of worship by one of the Professors, the most estimable and scholarly Dr. Daniel Oliver. Perhaps, however, the extreme difference between the fundamental conceptions of Mr. Emerson and the endemic orthodoxy of that place and time was too great for any hostile feeling to be awakened by the sweet-voiced and peaceful-mannered speaker. There is a kind of harmony between boldly contrasted beliefs like that between complementary colors. It is when two shades of the same color are brought side by side that comparison makes them odious to each other. Mr. Emerson could go anywhere and find willing listeners among those farthest in their belief from the views he held. Such was his simplicity of speech and manner, such his transparent sincerity, that it was next to impossible to quarrel with the gentle image-breaker.
The subject of Mr. Emerson’s Address is _Literary Ethics._ It is on the same lofty plane of sentiment and in the same exalted tone of eloquence as the Phi Beta Kappa Address. The word impassioned would seem misplaced, if applied to any of Mr. Emerson’s orations. But these discourses were both written and delivered in the freshness of his complete manhood. They were produced at a time when his mind had learned its powers and the work to which it was called, in the struggle which freed him from the constraint of stereotyped confessions of faith and all peremptory external authority. It is not strange, therefore, to find some of his paragraphs glowing with heat and sparkling with imaginative illustration.
“Neither years nor books,” he says, “have yet availed to extirpate a prejudice rooted in me, that a scholar is the favorite of Heaven and earth, the excellency of his country, the happiest of men.” And yet, he confesses that the scholars of this country have not fulfilled the reasonable expectation of mankind. “Men here, as elsewhere, are indisposed to innovation and prefer any antiquity, any usage, any livery productive of ease or profit, to the unproductive service of thought.” For all this he offers those correctives which in various forms underlie all his teachings. “The resources of the scholar are proportioned to his confidence in the attributes of the Intellect.” New lessons of spiritual independence, fresh examples and illustrations, are drawn from history and biography. There is a passage here so true to nature that it permits a half page of quotation and a line or two of comment:–
“An intimation of these broad rights is familiar in the sense of injury which men feel in the assumption of any man to limit their possible progress. We resent all criticism which denies us anything that lies In our line of advance. Say to the man of letters, that he cannot paint a Transfiguration, or build a steamboat, or be a grand-marshal, and he will not seem to himself depreciated. But deny to him any quality of literary or metaphysical power, and he is piqued. Concede to him genius, which is a sort of stoical _plenum_ annulling the comparative, and he is content; but concede him talents never so rare, denying him genius, and he is aggrieved.”
But it ought to be added that if the pleasure of denying the genius of their betters were denied to the mediocrities, their happiness would be forever blighted.
From the resources of the American Scholar Mr. Emerson passes to his tasks. Nature, as it seems to him, has never yet been truly studied. “Poetry has scarcely chanted its first song. The perpetual admonition of Nature to us is, ‘The world is new, untried. Do not believe the past. I give you the universe a virgin to-day.'” And in the same way he would have the scholar look at history, at philosophy. The world belongs to the student, but he must put himself into harmony with the constitution of things. “He must embrace solitude as a bride.” Not superstitiously, but after having found out, as a little experience will teach him, all that society can do for him with its foolish routine. I have spoken of the exalted strain into which Mr. Emerson sometimes rises in the midst of his general serenity. Here is an instance of it:–
“You will hear every day the maxims of a low prudence. You will hear that the first duty is to get land and money, place and name. ‘What is this truth you seek? What is this beauty?’ men will ask, with derision. If, nevertheless, God have called any of you to explore truth and beauty, be bold, be firm, be true. When you shall say, ‘As others do, so will I: I renounce, I am sorry for it, my early visions: I must eat the good of the land, and let learning and romantic expectations go, until a more convenient season;’–then dies the man in you; then once more perish the buds of art, and poetry, and science, as they have died already in a thousand thousand men.–Bend to the persuasion which is flowing to you from every object in nature, to be its tongue to the heart of man, and to show the besotted world how passing fair is wisdom. Why should you renounce your right to traverse the starlit deserts of truth, for the premature comforts of an acre, house, and barn? Truth also has its roof and house and board. Make yourself necessary to the world, and mankind will give you bread; and if not store of it, yet such as shall not take away your property in all men’s possessions, in all men’s affections, in art, in nature, and in hope.”
The next Address Emerson delivered was “The Method of Nature,” before the Society of the Adelphi, in Waterville College, Maine, August 11, 1841.
In writing to Carlyle on the 31st of July, he says: “As usual at this season of the year, I, incorrigible spouting Yankee, am writing an oration to deliver to the boys in one of our little country colleges nine days hence…. My whole philosophy–which is very real–teaches acquiescence and optimism. Only when I see how much work is to be done, what room for a poet–for any spiritualist–in this great, intelligent, sensual, and avaricious America, I lament my fumbling fingers and stammering tongue.” It may be remembered that Mr. Matthew Arnold quoted the expression about America, which sounded more harshly as pronounced in a public lecture than as read in a private letter.
The Oration shows the same vein of thought as the letter. Its title is “The Method of Nature.” He begins with congratulations on the enjoyments and promises of this literary Anniversary.
“The scholars are the priests of that thought which establishes the foundations of the castle.”–“We hear too much of the results of machinery, commerce, and the useful arts. We are a puny and a fickle folk. Avarice, hesitation, and following are our diseases. The rapid wealth which hundreds in the community acquire in trade, or by the incessant expansion of our population and arts, enchants the eyes of all the rest; this luck of one is the hope of thousands, and the bribe acts like the neighborhood of a gold mine to impoverish the farm, the school, the church, the house, and the very body and feature of man.”–“While the multitude of men degrade each other, and give currency to desponding doctrines, the scholar must be a bringer of hope, and must reinforce man against himself.”
I think we may detect more of the manner of Carlyle in this Address than in any of those which preceded it.
“Why then goest thou as some Boswell or literary worshipper to this saint or to that? That is the only lese-majesty. Here art thou with whom so long the universe travailed in labor; darest thou think meanly of thyself whom the stalwart Fate brought forth to unite his ragged sides, to shoot the gulf, to reconcile the irreconcilable?”
That there is an “intimate divinity” which is the source of all true wisdom, that the duty of man is to listen to its voice and to follow it, that “the sanity of man needs the poise of this immanent force,” that the rule is “Do what you know, and perception is converted into character,”–all this is strongly enforced and richly illustrated in this Oration. Just how easily it was followed by the audience, just how far they were satisfied with its large principles wrought into a few broad precepts, it would be easier at this time to ask than to learn. We notice not so much the novelty of the ideas to be found in this discourse on “The Method of Nature,” as the pictorial beauty of their expression. The deep reverence which underlies all Emerson’s speculations is well shown in this paragraph:–
“We ought to celebrate this hour by expressions of manly joy. Not thanks nor prayer seem quite the highest or truest name for our communication with the infinite,–but glad and conspiring reception,–reception that becomes giving in its turn as the receiver is only the All-Giver in part and in infancy.”–“It is God in us which checks the language of petition by grander thought. In the bottom of the heart it is said: ‘I am, and by me, O child! this fair body and world of thine stands and grows. I am, all things are mine; and all mine are thine.'”
We must not quarrel with his peculiar expressions. He says, in this same paragraph, “I cannot,–nor can any man,–speak precisely of things so sublime; but it seems to me the wit of man, his strength, his grace, his tendency, his art, is the grace and the presence of God. It is beyond explanation.”
“We can point nowhere to anything final but tendency; but tendency appears on all hands; planet, system, constellation, total nature is growing like a field of maize in July; is becoming something else; is in rapid metamorphosis. The embryo does not more strive to be man, than yonder burr of light we call a nebula tends to be a ring, a comet, a globe, and parent of new stars.” “In short, the spirit and peculiarity of that impression nature makes on us is this, that it does not exist to any one, or to any number of particular ends, but to numberless and endless benefit; that there is in it no private will, no rebel leaf or limb, but the whole is oppressed by one superincumbent tendency, obeys that redundancy or excess of life which in conscious beings we call ecstasy.”
Here is another of those almost lyrical passages which seem too long for the music of rhythm and the resonance of rhyme.
“The great Pan of old, who was clothed in a leopard skin to signify the beautiful variety of things, and the firmament, his coat of stars, was but the representative of thee, O rich and various Man! thou palace of sight and sound, carrying in thy senses the morning and the night and the unfathomable galaxy; in thy brain the geometry of the City of God; in thy heart the bower of love and the realms of right and wrong.”
His feeling about the soul, which has shown itself in many of the extracts already given, is summed up in the following sentence:–
“We cannot describe the natural history of the soul, but we know that it is divine. I cannot tell if these wonderful qualities which house to-day in this mental home shall ever reassemble in equal activity in a similar frame, or whether they have before had a natural history like that of this body you see before you; but this one thing I know, that these qualities did not now begin to exist, cannot be sick with my sickness, nor buried in any grave; but that they circulate through the Universe: before the world was, they were.”
It is hard to see the distinction between the omnipresent Deity recognized in our formal confessions of faith and the “pantheism” which is the object of dread to many of the faithful. But there are many expressions in this Address which must have sounded strangely and vaguely to his Christian audience. “Are there not moments in the history of heaven when the human race was not counted by individuals, but was only the Influenced; was God in distribution, God rushing into manifold benefit?” It might be feared that the practical philanthropists would feel that they lost by his counsels.
“The reform whose fame now fills the land with Temperance, Anti-Slavery, Non-Resistance, No Government, Equal Labor, fair and generous as each appears, are poor bitter things when prosecuted for themselves as an end.”–“I say to you plainly there is no end to which your practical faculty can aim so sacred or so large, that if pursued for itself, will not at last become carrion and an offence to the nostril. The imaginative faculty of the soul must be fed with objects immense and eternal. Your end should be one inapprehensible to the senses; then it will be a god, always approached,–never touched; always giving health.”
Nothing is plainer than that it was Emerson’s calling to supply impulses and not methods. He was not an organizer, but a power behind many organizers, inspiring them with lofty motive, giving breadth, to their views, always tending to become narrow through concentration on their special objects. The Oration we have been examining was delivered in the interval between the delivery of two Addresses, one called “Man the Reformer,” and another called “Lecture on the Times.” In the first he preaches the dignity and virtue of manual labor; that “a man should have a farm, or a mechanical craft for his culture.”–That he cannot give up labor without suffering some loss of power. “How can the man who has learned but one art procure all the conveniences of life honestly? Shall we say all we think?–Perhaps with his own hands.–Let us learn the meaning of economy.–Parched corn eaten to-day that I may have roast fowl to my dinner on Sunday is a baseness; but parched corn and a house with one apartment, that I may be free of all perturbation, that I may be serene and docile to what the mind shall speak, and quit and road-ready for the lowest mission of knowledge or good will, is frugality for gods and heroes.”
This was what Emerson wrote in January, 1841. This “house with one apartment” was what Thoreau built with his own hands in 1845. In April of the former year, he went to live with Mr. Emerson, but had been on intimate terms with him previously to that time. Whether it was from him that Thoreau got the hint of the Walden cabin and the parched corn, or whether this idea was working in Thoreau’s mind and was suggested to Emerson by him, is of no great consequence. Emerson, to whom he owed so much, may well have adopted some of those fancies which Thoreau entertained, and afterwards worked out in practice. He was at the philanthropic centre of a good many movements which he watched others carrying out, as a calm and kindly spectator, without losing his common sense for a moment. It would never have occurred to him to leave all the conveniences and comforts of life to go and dwell in a shanty, so as to prove to himself that he could live like a savage, or like his friends “Teague and his jade,” as he called the man and brother and sister, more commonly known nowadays as Pat, or Patrick, and his old woman.
“The Americans have many virtues,” he says in this Address, “but they have not Faith and Hope.” Faith and Hope, Enthusiasm and Love, are the burden of this Address. But he would regulate these qualities by “a great prospective prudence,” which shall mediate between the spiritual and the actual world.
In the “Lecture on the Times” he shows very clearly the effect which a nearer contact with the class of men and women who called themselves Reformers had upon him.
“The Reforms have their higher origin in an ideal justice, but they do not retain the purity of an idea. They are quickly organized in some low, inadequate form, and present no more poetic image to the mind than the evil tradition which they reprobated. They mix the fire of the moral sentiment with personal and party heats, with measureless exaggerations, and the blindness that prefers some darling measure to justice and truth. Those who are urging with most ardor what are called the greatest benefit of mankind are narrow, self-pleasing, conceited men, and affect us as the insane do. They bite us, and we run mad also. I think the work of the reformer as innocent as other work that is done around him; but when I have seen it near!–I do not like it better. It is done in the same way; it is done profanely, not piously; by management, by tactics and clamor.”
All this, and much more like it, would hardly have been listened to by the ardent advocates of the various reforms, if anybody but Mr. Emerson had said it. He undervalued no sincere action except to suggest a wiser and better one. He attacked no motive which had a good aim, except in view of some larger and loftier principle. The charm of his imagination and the music of his words took away all the sting from the thoughts that penetrated to the very marrow of the entranced listeners. Sometimes it was a splendid hyperbole that illuminated a statement which by the dim light of common speech would have offended or repelled those who sat before him. He knew the force of _felix audacia_ as well as any rhetorician could have taught him. He addresses the reformer with one of those daring images which defy the critics.
“As the farmer casts into the ground the finest ears of his grain, the time will come when we too shall hold nothing back, but shall eagerly convert more than we possess into means and powers, when we shall be willing to sow the sun and the moon for seeds.”
He said hard things to the reformer, especially to the Abolitionist, in his “Lecture on the Times.” It would have taken a long while to get rid of slavery if some of Emerson’s teachings in this lecture had been accepted as the true gospel of liberty. But how much its last sentence covers with its soothing tribute!
“All the newspapers, all the tongues of today will of course defame what is noble; but you who hold not of to-day, not of the times, but of the Everlasting, are to stand for it; and the highest compliment man ever receives from Heaven is the sending to him its disguised and discredited angels.”
The Lecture called “The Transcendentalist” will naturally be looked at with peculiar interest, inasmuch as this term has been very commonly applied to Emerson, and to many who were considered his disciples. It has a proper philosophical meaning, and it has also a local and accidental application to the individuals of a group which came together very much as any literary club might collect about a teacher. All this comes out clearly enough in the Lecture. In the first place, Emerson explains that the “_new views_,” as they are called, are the oldest of thoughts cast in a new mould.
“What is popularly called Transcendentalism among us is Idealism: Idealism as it appears in 1842. As thinkers, mankind have ever divided into two sects, Materialists and Idealists; the first class founding on experience, the second on consciousness; the first class beginning to think from the data of the senses, the second class perceive that the senses are not final, and say, the senses give us representations of things, but what are the things themselves, they cannot tell. The materialist insists on facts, on history, on the force of circumstances and the animal wants of man; the idealist on the power of Thought and of Will, on inspiration, on miracle, on individual culture.”
“The materialist takes his departure from the external world, and esteems a man as one product of that. The idealist takes his departure from his consciousness, and reckons the world an appearance.–His thought, that is the Universe.”
The association of scholars and thinkers to which the name of “Transcendentalists” was applied, and which made itself an organ in the periodical known as “The Dial,” has been written about by many who were in the movement, and others who looked on or got their knowledge of it at second hand. Emerson was closely associated with these “same Transcendentalists,” and a leading contributor to “The Dial,” which was their organ. The movement borrowed its inspiration more from him than from any other source, and the periodical owed more to him than to any other writer. So far as his own relation to the circle of illuminati and the dial which they shone upon was concerned, he himself is the best witness.
In his “Historic Notes of Life and Letters in New England,” he sketches in a rapid way the series of intellectual movements which led to the development of the “new views” above mentioned. “There are always two parties,” he says, “the party of the Past and the party of the Future; the Establishment and the Movement.”
About 1820, and in the twenty years which followed, an era of activity manifested itself in the churches, in politics, in philanthropy, in literature. In our own community the influence of Swedenborg and of the genius and character of Dr. Channing were among the more immediate early causes of the mental agitation. Emerson attributes a great importance to the scholarship, the rhetoric, the eloquence, of Edward Everett, who returned to Boston in 1820, after five years of study in Europe. Edward Everett is already to a great extent a tradition, somewhat as Rufus Choate is, a voice, a fading echo, as must be the memory of every great orator. These wondrous personalities have their truest and warmest life in a few old men’s memories. It is therefore with delight that one who remembers Everett in his robes of rhetorical splendor, who recalls his full-blown, high-colored, double-flowered periods, the rich, resonant, grave, far-reaching music of his speech, with just enough of nasal vibration to give the vocal sounding-board its proper value in the harmonies of utterance,–it is with delight that such a one reads the glowing words of Emerson whenever he refers to Edward Everett. It is enough if he himself caught inspiration from those eloquent lips; but many a listener has had his youthful enthusiasm fired by that great master of academic oratory.
Emerson follows out the train of influences which added themselves to the impulse given by Mr. Everett. German scholarship, the growth of science, the generalizations of Goethe, the idealism of Schelling, the influence of Wordsworth, of Coleridge, of Carlyle, and in our immediate community, the writings of Channing,–he left it to others to say of Emerson,–all had their part in this intellectual, or if we may call it so, spiritual revival. He describes with that exquisite sense of the ridiculous which was a part of his mental ballast, the first attempt at organizing an association of cultivated, thoughtful people. They came together, the cultivated, thoughtful people, at Dr. John Collins Warren’s,–Dr. Channing, the great Dr. Channing, among the rest, full of the great thoughts he wished to impart. The preliminaries went on smoothly enough with the usual small talk,–
“When a side-door opened, the whole company streamed in to an oyster supper, crowned by excellent wines [this must have been before Dr. Warren’s temperance epoch], and so ended the first attempt to establish aesthetic society in Boston.
“Some time afterwards Dr. Channing opened his mind to Mr. and Mrs. Ripley, and with some care they invited a limited party of ladies and gentlemen. I had the honor to be present.–Margaret Fuller, George Ripley, Dr. Convers Francis, Theodore Parker, Dr. Hedge, Mr. Brownson, James Freeman Clarke, William H. Channing, and many others gradually drew together, and from time to time spent an afternoon at each other’s houses in a serious conversation.”
With them was another, “a pure Idealist,–who read Plato as an equal, and inspired his companions only in proportion as they were intellectual.” He refers, of course to Mr. Alcott. Emerson goes on to say:–
“I think there prevailed at that time a general belief in Boston that there was some concert of _doctrinaires_ to establish certain opinions, and inaugurate some movement in literature, philosophy, and religion, of which design the supposed conspirators were quite innocent; for there was no concert, and only here and there two or three men and women who read and wrote, each alone, with unusual vivacity. Perhaps they only agreed in having fallen upon Coleridge and Wordsworth and Goethe, then on Carlyle, with pleasure and sympathy. Otherwise their education and reading were not marked, but had the American superficialness, and their studies were solitary. I suppose all of them were surprised at this rumor of a school or sect, and certainly at the name of Transcendentalism, given, nobody knows by whom, or when it was applied.”
Emerson’s picture of some of these friends of his is so peculiar as to suggest certain obvious and not too flattering comments.
“In like manner, if there is anything grand and daring in human thought or virtue; any reliance on the vast, the unknown; any presentiment, any extravagance of faith, the Spiritualist adopts it as most in nature. The Oriental mind has always tended to this largeness. Buddhism is an expression of it. The Buddhist, who thanks no man, who says, ‘Do not flatter your benefactors,’ but who in his conviction that every good deed can by no possibility escape its reward, will not deceive the benefactor by pretending that he has done more than he should, is a Transcendentalist.
“These exacting children advertise us of our wants. There is no compliment, no smooth speech with them; they pay you only this one compliment, of insatiable expectation; they aspire, they severely exact, and if they only stand fast in this watch-tower, and persist in demanding unto the end, and without end, then are they terrible friends, whereof poet and priest cannot choose but stand in awe; and what if they eat clouds, and drink wind, they have not been without service to the race of man.”
The person who adopts “any presentiment, any extravagance as most in nature,” is not commonly called a Transcendentalist, but is known colloquially as a “crank.” The person who does not thank, by word or look, the friend or stranger who has pulled him out of the fire or water, is fortunate if he gets off with no harder name than that of a churl.
Nothing was farther from Emerson himself than whimsical eccentricity or churlish austerity. But there was occasionally an air of bravado in some of his followers as if they had taken out a patent for some knowing machine which was to give them a monopoly of its products. They claimed more for each other than was reasonable,–so much occasionally that their pretensions became ridiculous. One was tempted to ask: “What forlorn hope have you led? What immortal book have you written? What great discovery have you made? What heroic task of any kind have you performed?” There was too much talk about earnestness and too little real work done. Aspiration too frequently got as far as the alpenstock and the brandy flask, but crossed no dangerous crevasse, and scaled no arduous summit. In short, there was a kind of “Transcendentalist” dilettanteism, which betrayed itself by a phraseology as distinctive as that of the Della Cruscans of an earlier time.
In reading the following description of the “intelligent and religious persons” who belonged to the “Transcendentalist” communion, the reader must remember that it is Emerson who draws the portrait,–a friend and not a scoffer:–
“They are not good citizens, not good members of society: unwillingly they bear their part of the public and private burdens; they do not willingly share in the public charities, in the public religious rites, in the enterprise of education, of missions, foreign and domestic, in the abolition of the slave-trade, or in the temperance society. They do not even like to vote.”
After arraigning the representatives of Transcendental or spiritual beliefs in this way, he summons them to plead for themselves, and this is what they have to say:–
“‘New, we confess, and by no means happy, is our condition: if you want the aid of our labor, we ourselves stand in greater want of the labor. We are miserable with inaction. We perish of rest and rust: but we do not like your work.’
‘Then,’ says the world, ‘show me your own.’
‘We have none.’
‘What will you do, then?’ cries the world.
‘We will wait.’
‘How long?’
‘Until the Universe beckons and calls us to work.’
‘But whilst you wait you grow old and useless.’
‘Be it so: I can sit in a corner and _perish_ (as you call it), but I will not move until I have the highest command.'”
And so the dissatisfied tenant of this unhappy creation goes on with his reasons for doing nothing.
It is easy to stay away from church and from town-meetings. It is easy to keep out of the way of the contribution box and to let the subscription paper go by us to the next door. The common duties of life and the good offices society asks of us may be left to take care of themselves while we contemplate the infinite. There is no safer fortress for indolence than “the Everlasting No.” The chimney-corner is the true arena for this class of philosophers, and the pipe and mug furnish their all-sufficient panoply. Emerson undoubtedly met with some of them among his disciples. His wise counsel did not always find listeners in a fitting condition to receive it. He was a sower who went forth to sow. Some of the good seed fell among the thorns of criticism. Some fell on the rocks of hardened conservatism. Some fell by the wayside and was picked up by the idlers who went to the lecture-room to get rid of themselves. But when it fell upon the right soil it bore a growth of thought which ripened into a harvest of large and noble lives.
Emerson shows up the weakness of his young enthusiasts with that delicate wit which warns its objects rather than wounds them. But he makes it all up with the dreamers before he can let them go.
“Society also has its duties in reference to this class, and must behold them with what charity it can. Possibly some benefit may yet accrue from them to the state. Besides our coarse implements, there must be some few finer instruments,–rain-gauges, thermometers, and telescopes; and in society, besides farmers, sailors, and weavers, there must be a few persons of purer fire kept specially as gauges and meters of character; persons of a fine, detecting instinct, who note the smallest accumulations of wit and feeling in the by-stander. Perhaps too there might be room for the exciters and monitors; collectors of the heavenly spark, with power to convey the electricity to others. Or, as the storm-tossed vessel at sea speaks the frigate or “line-packet” to learn its longitude, so it may not be without its advantage that we should now and then encounter rare and gifted men, to compare the points of our spiritual compass, and verify our bearings from superior chronometers.”
It must be confessed that it is not a very captivating picture which Emerson draws of some of his transcendental friends. Their faults were naturally still more obvious to those outside of their charmed circle, and some prejudice, very possibly, mingled with their critical judgments. On the other hand we have the evidence of a visitor who knew a good deal of the world as to the impression they produced upon him:–
“There has sprung up in Boston,” says Dickens, in his “American Notes,” “a sect of philosophers known as Transcendentalists. On inquiring what this appellation might be supposed to signify, I was given to understand that whatever was unintelligible would be certainly Transcendental. Not deriving much comfort from this elucidation, I pursued the inquiry still further, and found that the Transcendentalists are followers of my friend Mr. Carlyle, or, I should rather say, of a follower of his, Mr. Ralph Waldo Emerson. This gentleman has written a volume of Essays, in which, among much that is dreamy and fanciful (if he will pardon me for saying so), there is much more that is true and manly, honest and bold. Transcendentalism has its occasional vagaries (what school has not?), but it has good healthful qualities in spite of them; not least among the number a hearty disgust of Cant, and an aptitude to detect her in all the million varieties of her everlasting wardrobe. And therefore, if I were a Bostonian, I think I would be a Transcendentalist.”
In December, 1841, Emerson delivered a Lecture entitled “The Conservative.” It was a time of great excitement among the members of that circle of which he was the spiritual leader. Never did Emerson show the perfect sanity which characterized his practical judgment more beautifully than in this Lecture and in his whole course with reference to the intellectual agitation of the period. He is as fair to the conservative as to the reformer. He sees the fanaticism of the one as well as that of the other. “Conservatism tends to universal seeming and treachery; believes in a negative fate; believes that men’s tempers govern them; that for me it avails not to trust in principles, they will fail me, I must bend a little; it distrusts Nature; it thinks there is a general law without a particular application,–law for all that does not include any one. Reform in its antagonism inclines to asinine resistance, to kick with hoofs; it runs to egotism and bloated self-conceit; it runs to a bodiless pretension, to unnatural refining and elevation, which ends in hypocrisy and sensual reaction. And so, whilst we do not go beyond general statements, it may be safely affirmed of these two metaphysical antagonists that each is a good half, but an impossible whole.”
He has his beliefs, and, if you will, his prejudices, but he loves fair play, and though he sides with the party of the future, he will not be unjust to the present or the past.
We read in a letter from Emerson to Carlyle, dated March 12, 1835, that Dr. Charming “lay awake all night, he told my friend last week, because he had learned in the evening that some young men proposed to issue a journal, to be called ‘The Transcendentalist,’ as the organ of a spiritual philosophy.” Again on the 30th of April of the same year, in a letter in which he lays out a plan for a visit of Carlyle to this country, Emerson says:–
“It was suggested that if Mr. C. would undertake a journal of which we have talked much, but which we have never yet produced, he would do us great service, and we feel some confidence that it could be made to secure him a support. It is that project which I mentioned to you in a letter by Mr. Barnard,–a book to be called ‘The Transcendentalist;’ or, ‘The Spiritual Inquirer,’ or the like…. Those who are most interested in it designed to make gratuitous contribution to its pages, until its success could be assured.”
The idea of the grim Scotchman as editor of what we came in due time to know as “The Dial!” A concert of singing mice with a savage and hungry old grimalkin as leader of the orchestra! It was much safer to be content with Carlyle’s purring from his own side of the water, as thus:–
“‘The Boston Transcendentalist,’ whatever the fate or merit of it may prove to be, is surely an interesting symptom. There must be things not dreamt of over in that _Transoceanic_ parish! I shall certainly wish well to this thing; and hail it as the sure forerunner of things better.”
There were two notable products of the intellectual ferment of the Transcendental period which deserve an incidental notice here, from the close connection which Emerson had with one of them and the interest which he took in the other, in which many of his friends were more deeply concerned. These were the periodical just spoken of as a possibility realized, and the industrial community known as Brook Farm. They were to a certain extent synchronous,–the Magazine beginning in July, 1840, and expiring in April, 1844; Brook Farm being organized in 1841, and breaking up in 1847.
“The Dial” was edited at first by Margaret Fuller, afterwards by Emerson, who contributed more than forty articles in prose and verse, among them “The Conservative,” “The Transcendentalist,” “Chardon Street and Bible Convention,” and some of his best and best known poems, “The Problem,” “Woodnotes,” “The Sphinx,” “Fate.” The other principal writers were Margaret Fuller, A. Bronson Alcott, George Ripley, James Freeman Clarke, Theodore Parker, William H. Channing, Henry Thoreau, Eliot Cabot, John S. Dwight, C.P. Cranch, William Ellery Channing, Mrs. Ellen Hooper, and her sister Mrs. Caroline Tappan. Unequal as the contributions are in merit, the periodical is of singular interest. It was conceived and carried on in a spirit of boundless hope and enthusiasm. Time and a narrowing subscription list proved too hard a trial, and its four volumes remain stranded, like some rare and curiously patterned shell which a storm of yesterday has left beyond the reach of the receding waves. Thoreau wrote for nearly every number. Margaret Fuller, less attractive in print than in conversation, did her part as a contributor as well as editor. Theodore Parker came down with his “trip-hammer” in its pages. Mrs. Ellen Hooper published a few poems in its columns which remain, always beautiful, in many memories. Others, whose literary lives have fulfilled their earlier promise, and who are still with us, helped forward the new enterprise with their frequent contributions. It is a pleasure to turn back to “The Dial,” with all its crudities. It should be looked through by the side of the “Anthology.” Both were April buds, opening before the frosts were over, but with the pledge of a better season.
We get various hints touching the new Magazine in the correspondence between Emerson and Carlyle. Emerson tells Carlyle, a few months before the first number appeared, that it will give him a better knowledge of our _young people_ than any he has had. It is true that unfledged writers found a place to try their wings in it, and that makes it more interesting. This was the time above all others when out of the mouth of babes and sucklings was to come forth strength. The feeling that intuition was discovering a new heaven and a new earth was the inspiration of these “young people” to whom Emerson refers. He has to apologize for the first number. “It is not yet much,” he says; “indeed, though no copy has come to me, I know it is far short of what it should be, for they have suffered puffs and dulness to creep in for the sake of the complement of pages, but it is better than anything we had.–The Address of the Editors to the Readers is all the prose that is mine, and whether they have printed a few verses for me I do not know.” They did print “The Problem.” There were also some fragments of criticism from the writings of his brother Charles, and the poem called “The Last Farewell,” by his brother Edward, which is to be found in Emerson’s “May-day and other Pieces.”
On the 30th of August, after the periodical had been published a couple of months, Emerson writes:–
“Our community begin to stand in some terror of Transcendentalism; and the _Dial_, poor little thing, whose first number contains scarce anything considerable or even visible, is just now honored by attacks from almost every newspaper and magazine; which at least betrays the irritability and the instincts of the good public.”
Carlyle finds the second number of “The Dial” better than the first, and tosses his charitable recognition, as if into an alms-basket, with his usual air of superiority. He distinguishes what is Emerson’s readily,–the rest he speaks of as the work of [Greek: oi polloi] for the most part. “But it is all good and very good as a _soul;_ wants only a body, which want means a great deal.” And again, “‘The Dial,’ too, it is all spirit like, aeri-form, aurora-borealis like. Will no _Angel_ body himself out of that; no stalwart Yankee _man_, with color in the cheeks of him and a coat on his back?”
Emerson, writing to Carlyle in March, 1842, speaks of the “dubious approbation on the part of you and other men,” notwithstanding which he found it with “a certain class of men and women, though few, an object of tenderness and religion.” So, when Margaret Fuller gave it up, at the end of the second volume, Emerson consented to become its editor. “I cannot bid you quit ‘The Dial,'” says Carlyle, “though it, too, alas, is Antinomian somewhat! _Perge, perge_, nevertheless.”
In the next letter he says:–
“I love your ‘Dial,’ and yet it is with a kind of shudder. You seem to me in danger of dividing yourselves from the Fact of this present Universe, in which alone, ugly as it is, can I find any anchorage, and soaring away after Ideas, Beliefs, Revelations and such like,–into perilous altitudes, as I think; beyond the curve of perpetual frost, for one thing. I know not how to utter what impression you give me; take the above as some stamping of the fore-hoof.”
A curious way of characterizing himself as a critic,–but he was not always as well-mannered as the Houyhnhnms.
To all Carlyle’s complaints of “The Dial’s” short-comings Emerson did not pretend to give any satisfactory answer, but his plea of guilty, with extenuating circumstances, is very honest and definite.
“For the _Dial_ and its sins, I have no defence to set up. We write as we can, and we know very little about it. If the direction of these speculations is to be deplored, it is yet a fact for literary