THE MEMOIRS OF VICTOR HUGO CONTENTS. PREFACE AT RHEIMS, 1825-1838 RECOUNTED BY EYE-WITNESSES: I. The Execution of Louis XVI. II. The Arrival of Napoleon I. in Paris in 1815. VISIONS OF THE REAL: I. The Hovel. II. Pillage. III. A Dream. IV. The Panel with the Coat of Arms. V. The Easter Daisy. THEATRE: I.
The Man Who Laughs by Victor Hugo
Proofreaders THE MAN WHO LAUGHS A Romance of English History By VICTOR HUGO CONTENTS Preliminary Chapter.–Ursus Another Preliminary Chapter.–The Comprachicos PART I. BOOK THE FIRST.–NIGHT NOT SO BLACK AS MAN. I. Portland Bill II. Left Alone III. Alone IV. Questions V. The Tree of Human Invention VI. Struggle between Death and Night VII. The North
Poems by Victor Hugo
Produced by Stan Goodman and the Online Distributed Proofreading Team POEMS BY VICTOR HUGO 1888 CONTENTS. Memoir of Victor Marie Hugo EARLY POEMS. Moses on the Nile–_Dublin University Magazine_ Envy and Avarice–_American Keepsake_ ODES.–1818-28. King Louis XVII–_Dublin University Magazine_ The Feast of Freedom–_”Father Prout” (F.S. Mahony)_ Genius–_Mrs. Torre Hulme_ The Girl of Otaheite–_Clement Scott_ Nero’s
The Hunchback of Notre Dame by Victor Hugo
PREFACE. A few years ago, while visiting or, rather, rummaging about Notre-Dame, the author of this book found, in an obscure nook of one of the towers, the following word, engraved by hand upon the wall:– ἈΝÁΓΚΗ. These Greek capitals, black with age, and quite deeply graven in the stone, with I know not what
Les Miserables by Victor Hugo
by Victor Hugo The Works of Victor Hugo Translated by Isabel F. Hapgood CONTENTS VOLUME I BOOK FIRST.–A JUST MAN CHAPTER I. M. Myriel II. M. Myriel becomes M. Welcome III. A Hard Bishopric for a Good Bishop IV. Works corresponding to Words V. Monseigneur Bienvenu made his Cassocks last too long VI. Who guarded
La Légende des Siècles by Victor Hugo
Produced by Stan Goodman, Renald Levesque and the Online Distributed Proofreading Team. LA LEGENDE DES SIECLES BY VICTOR HUGO EDITED BY G. F. BRIDGE, M.A. GENERAL PREFACE Encouraged by the favourable reception accorded to the ‘Oxford Modern French Series,’ the Delegates of the Clarendon Press determined, some time since, to issue a ‘Higher Series’ of