served him, and also from his great size. When he sat down, it required a dignitary of considerable rank to put on his hat; and when he arose to speak a few precious words, the effect was visible a good many yards from where he stood. At the close of the service he went in great state down the center aisle, preceded by the gorgeous beadle–a character that is always awe-inspiring to me in these churches, being a cross between a magnificent drum-major and a verger and two persons in livery, and followed by a train of splendidly attired priests, six of whom bore up his long train of purple silk. The whole cortege was resplendent in embroidery and ermine; and as the great man swept out of my sight, and was carried on a priestly wave into his shining carriage, and the noble footman jumped up behind, and he rolled away to his dinner, I stood leaning against a pillar, and reflected if it could be possible that that religion could be anything but genuine which had so much genuine ermine. And the organ-notes, rolling down the arches, seemed to me to have a very ultramontane sound.
CHANGING QUARTERS
Perhaps it may not interest you to know how we moved, that is, changed our apartments. I did not see it mentioned in the cable dispatches, and it may not be generally known, even in Germany; but then, the cable is so occupied with relating how his Serenity this, and his Highness that, and her Loftiness the other one, went outdoors and came in again, owing to a slight superfluity of the liquid element in the atmosphere, that it has no time to notice the real movements of the people. And yet, so dry are some of these little German newspapers of news, that it is refreshing to read, now and then, that the king, on Sunday, walked out with the Duke of Hesse after dinner (one would like to know if they also had sauerkraut and sausage), and that his prospective mother-in-law, the Empress of Russia, who was here the other day, on her way home from Como, where she was nearly drowned out by the inundation, sat for an hour on Sunday night, after the opera, in the winter garden of the palace, enjoying the most easy family intercourse.
But about moving. Let me tell you that to change quarters in the face of a Munich winter, which arrives here the 1st of November, is like changing front to the enemy just before a battle; and if we had perished in the attempt, it might have been put upon our monuments, as it is upon the out-of-cannon-cast obelisk in the Karolina Platz, erected to the memory of the thirty thousand Bavarian soldiers who fell in the disastrous Russian winter campaign of Napoleon, fighting against all the interests of Germany,–“they, too, died for their Fatherland.” Bavaria happened also to fight on the wrong side at Sadowa and I suppose that those who fell there also died for Fatherland: it is a way the Germans have of doing, and they mean nothing serious by it. But, as I was saying, to change quarters here as late as November is a little difficult, for the wise ones seek to get housed for the winter by October: they select the sunny apartments, get on the double windows, and store up wood. The plants are tied up in the gardens, the fountains are covered over, and the inhabitants go about in furs and the heaviest winter clothing long before we should think of doing so at home. And they are wise: the snow comes early, and, besides, a cruel fog, cold as the grave and penetrating as remorse, comes down out of the near Tyrol. One morning early in November, I looked out of the window to find snow falling, and the ground covered with it. There was dampness and frost enough in the air to make it cling to all the tree-twigs, and to take fantastic shapes on all the queer roofs and the slenderest pinnacles and most delicate architectural ornamentations. The city spires had a mysterious appearance in the gray haze; and above all, the round-topped towers of the old Frauenkirche, frosted with a little snow, loomed up more grandly than ever. When I went around to the Hof Garden, where I late had sat in the sun, and heard the brown horse-chestnuts drop on the leaves, the benches were now full of snow, and the fat and friendly fruit-woman at the gate had retired behind glass windows into a little shop, which she might well warm by her own person, if she radiated heat as readily as she used to absorb it on the warm autumn days, when I have marked her knitting in the sunshine.
But we are not moving. The first step we took was to advertise our wants in the “Neueste Nachrichten” (“Latest News “) newspaper. We desired, if possible, admission into some respectable German family, where we should be forced to speak German, and in which our society, if I may so express it, would be some compensation for our bad grammar. We wished also to live in the central part of the city,–in short, in the immediate neighborhood of all the objects of interest (which are here very much scattered), and to have pleasant rooms. In Dresden, where the people are not so rich as in Munich, and where different customs prevail, it is customary for the best people, I mean the families of university professors, for instance, to take in foreigners, and give them tolerable food and a liberal education. Here it is otherwise. Nearly all families occupy one floor of a building, renting just rooms enough for the family, so that their apartments are not elastic enough to take in strangers, even if they desire to do so. And generally they do not. Munich society is perhaps chargeable with being a little stiff and exclusive. Well, we advertised in the “Neueste Nachrichten.” This is the liberal paper of Munich. It is a poorly printed, black-looking daily sheet, folded in octavo size, and containing anywhere from sixteen to thirty-four pages, more or less, as it happens to have advertisements. It sometimes will not have more than two or three pages of reading matter. There will be a scrap or two of local news, the brief telegrams taken from the official paper of the day before, a bit or two of other news, and perhaps a short and slashing editorial on the ultramontane party. The advantage of printing and folding it in such small leaves is, that the size can be varied according to the demands of advertisements or news (if the German papers ever find out what that is); so that the publisher is always giving, every day, just what it pays to give that day; and the reader has his regular quantity of reading matter, and does not have to pay for advertising space, which in journals of unchangeable form cannot always be used profitably. This little journal was started something like twenty years ago. It probably spends little for news, has only one or, at most, two editors, is crowded with advertisements, which are inserted cheap, and costs, delivered, a little over six francs a year. It circulates in the city some thirty-five thousand. There is another little paper here of the same size, but not so many leaves, called “The Daily Advertiser,” with nothing but advertisements, principally of theaters, concerts, and the daily sights, and one page devoted to some prodigious yarn, generally concerning America, of which country its readers must get the most extraordinary and frightful impression. The “Nachrichten” made the fortune of its first owner, who built himself a fine house out of it, and retired to enjoy his wealth. It was recently sold for one hundred thousand guldens; and I can see that it is piling up another fortune for its present owner. The Germans, who herein show their good sense and the high state of civilization to which they have reached, are very free advertisers, going to the newspapers with all their wants, and finding in them that aid which all interests and all sorts of people, from kaiser to kerl, are compelled, in these days, to seek in the daily journal. Every German town of any size has three or four of these little journals of flying leaves, which are excellent papers in every respect, except that they look like badly printed handbills, and have very little news and no editorials worth speaking of. An exception to these in Bavaria is the “Allgerneine Zeitung” of Augsburg, which is old and immensely respectable, and is perhaps, for extent of correspondence and splendidly written editorials on a great variety of topics, excelled by no journal in Europe except the London “Times.” It gives out two editions daily, the evening one about the size of the New York “Nation;” and it has all the telegraphic news. It is absurdly old-grannyish, and is malevolent in its pretended conservatism and impartiality. Yet it circulates over forty thousand copies, and goes all over Germany.
But were we not saying something about moving? The truth is, that the best German families did not respond to our appeal with that alacrity which we had no right to expect, and did not exhibit that anxiety for our society which would have been such a pleasant evidence of their appreciation of the honor done to the royal city of Munich by the selection of it as a residence during the most disagreeable months of the year by the advertising undersigned. Even the young king, whose approaching marriage to the Russian princess, one would think, might soften his heart, did nothing to win our regard, or to show that he appreciated our residence “near” his court, and, so far as I know, never read with any sort of attention our advertisement, which was composed with as much care as Goethe’s “Faust,” and probably with the use of more dictionaries. And this, when he has an extraordinary large Residenz, to say nothing about other outlying palaces and comfortable places to live in, in which I know there are scores of elegantly furnished apartments, which stand idle almost the year round, and might as well be let to appreciative strangers, who would accustom the rather washy and fierce frescoes on the walls to be stared at. I might have selected rooms, say on the court which looks on the exquisite bronze fountain, Perseus with the head of Medusa, a copy of the one in Florence by Benvenuto Cellini, where we could have a southern exposure. Or we might, so it would seem, have had rooms by the winter garden, where tropical plants rejoice in perennial summer, and blossom and bear fruit, while a northern winter rages without. Yet the king did not see it “by those lamps;” and I looked in vain on the gates of the Residenz for the notice so frequently seen on other houses, of apartments to let. And yet we had responses. The day after the announcement appeared, our bell ran perpetually; and we had as many letters as if we had advertised for wives innumerable. The German notes poured in upon us in a flood; each one of them containing an offer tempting enough to beguile an angel out of paradise, at least, according to our translation: they proffered us chambers that were positively overheated by the flaming sun (which, I can take my oath, only ventures a few feet above the horizon at this season), which were friendly in appearance, splendidly furnished and near to every desirable thing, and in which, usually, some American family had long resided, and experienced a content and happiness not to be felt out of Germany.
I spent some days in calling upon the worthy frauen who made these alluring offers. The visits were full of profit to the student of human nature, but profitless otherwise. I was ushered into low, dark chambers, small and dreary, looking towards the sunless north, which I was assured were delightful and even elegant. I was taken up to the top of tall houses, through a smell of cabbage that was appalling, to find empty and dreary rooms, from which I fled in fright. We were visited by so many people who had chambers to rent, that we were impressed with the idea that all Munich was to let; and yet, when we visited the places offered, we found they were only to be let alone. One of the frauen who did us the honor to call, also wrote a note, and inclosed a letter that she had just received from an American gentleman (I make no secret of it that he came from Hartford), in which were many kindly expressions for her welfare, and thanks for the aid he had received in his study of German; and yet I think her chambers are the most uninviting in the entire city. There were people who were willing to teach us German, without rooms or board; or to lodge us without giving us German or food; or to feed us, and let us starve intellectually, and lodge where we could.
But all things have an end, and so did our hunt for lodgings. I chanced one day in my walk to find, with no help from the advertisement, very nearly what we desired,–cheerful rooms in a pleasant neighborhood, where the sun comes when it comes out at all, and opposite the Glass Palace, through which the sun streams in the afternoon with a certain splendor, and almost next door to the residence and laboratory of the famous chemist, Professor Liebig; so that we can have our feelings analyzed whenever it is desirable. When we had set up our household gods, and a fire was kindled in the tall white porcelain family monument, which is called here a stove,– and which, by the way, is much more agreeable than your hideous black and air-scorching cast-iron stoves,–and seen that the feather-beds under which we were expected to lie were thick enough to roast the half of the body, and short enough to let the other half freeze, we determined to try for a season the regular German cookery, our table heretofore having been served with food cooked in the English style with only a slight German flavor. A week of the experiment was quite enough. I do not mean to say that the viands served us were not good, only that we could not make up our minds to eat them. The Germans eat a great deal of meat; and we were obliged to take meat when we preferred vegetables. Now, when a deep dish is set before you wherein are chunks of pork reposing on stewed potatoes, and another wherein a fathomless depth of sauerkraut supports coils of boiled sausage, which, considering that you are a mortal and responsible being, and have a stomach, will you choose? Herein Munich, nearly all the bread is filled with anise or caraway seed; it is possible to get, however, the best wheat bread we have eaten in Europe, and we usually have it; but one must maintain a constant vigilance against the inroads of the fragrant seeds. Imagine, then, our despair, when one day the potato, the one vegetable we had always eaten with perfect confidence, appeared stewed with caraway seeds. This was too much for American human nature, constituted as it is. Yet the dish that finally sent us back to our ordinary and excellent way of living is one for which I have no name. It may have been compounded at different times, have been the result of many tastes or distastes: but there was, after all, a unity in it that marked it as the composition of one master artist; there was an unspeakable harmony in all its flavors and apparently ununitable substances. It looked like a terrapin soup, but it was not. Every dive of the spoon into its dark liquid brought up a different object,–a junk of unmistakable pork, meat of the color of roast hare, what seemed to be the neck of a goose, something in strings that resembled the rags of a silk dress, shreds of cabbage, and what I am quite willing to take my oath was a bit of Astrachan fur. If Professor Liebig wishes to add to his reputation, he could do so by analyzing this dish, and publishing the result to the world.
And, while we are speaking of eating, it may be inferred that the Germans are good eaters; and although they do not begin early, seldom taking much more than a cup of coffee before noon, they make it up by very substantial dinners and suppers. To say nothing of the extraordinary dishes of meats which the restaurants serve at night, the black bread and odorous cheese and beer which the men take on board in the course of an evening would soon wear out a cast-iron stomach in America; and yet I ought to remember the deadly pie and the corroding whisky of my native land. The restaurant life of the people is, of course, different from their home life, and perhaps an evening entertainment here is no more formidable than one in America, but it is different. Let me give you the outlines of a supper to which we were invited the other night: it certainly cannot hurt you to read about it. We sat down at eight. There were first courses of three sorts of cold meat, accompanied with two sorts of salad; the one, a composite, with a potato basis, of all imaginable things that are eaten. Beer and bread were unlimited. There was then roast hare, with some supporting dish, followed by jellies of various sorts, and ornamented plates of something that seemed unable to decide whether it would be jelly or cream; and then came assorted cake and the white wine of the Rhine and the red of Hungary. We were then surprised with a dish of fried eels, with a sauce. Then came cheese; and, to crown all, enormous, triumphal-looking loaves of cake, works of art in appearance, and delicious to the taste. We sat at the table till twelve o’clock; but you must not imagine that everybody sat still all the time, or that, appearances to the contrary notwithstanding, the principal object of the entertainment was eating. The songs that were sung in Hungarian as well as German, the poems that were recited, the burlesques of actors and acting, the imitations that were inimitable, the take-off of table-tipping and of prominent musicians, the wit and constant flow of fun, as constant as the good-humor and free hospitality, the unconstrained ease of the whole evening, these things made the real supper which one remembers when the grosser meal has vanished, as all substantial things do vanish.
CHRISTMAS TIME-MUSIC
For a month Munich has been preparing for Christmas. The shop windows have had a holiday look all December. I see one every day in which are displayed all the varieties of fruits, vegetables, and confectionery possible to be desired for a feast, done in wax,–a most dismal exhibition, and calculated to make the adjoining window, which has a little fountain and some green plants waving amidst enormous pendent sausages and pigs’ heads and various disagreeable hashes of pressed meat, positively enticing. And yet there are some vegetables here that I should prefer to have in wax,–for instance, sauerkraut. The toy windows are worthy of study, and next to them the bakers’. A favorite toy of the season is a little crib, with the Holy Child, in sugar or wax, lying in it in the most uncomfortable attitude. Babies here are strapped upon pillows, or between pillows, and so tied up and wound up that they cannot move a muscle, except, perhaps, the tongue; and so, exactly like little mummies, they are carried about the street by the nurses,–poor little things, packed away so, even in the heat of summer, their little faces looking out of the down in a most pitiful fashion. The popular toy is a representation, in sugar or wax, of this period of life. Generally the toy represents twins, so swathed and bound; and, not infrequently, the bold conception of the artist carries the point of the humor so far as to introduce triplets, thus sporting with the most dreadful possibilities of life.
The German bakers are very ingenious; and if they could be convinced of this great error, that because things are good separately, they must be good in combination, the produce of their ovens would be much more eatable. As it is, they make delicious cake, and of endless variety; but they also offer us conglomerate formations that may have a scientific value, but are utterly useless to a stomach not trained in Germany. Of this sort, for the most part, is the famous Lebkuchen, a sort of gingerbread manufactured in Nurnberg, and sent all over Germany: “age does not [seem to] impair, nor custom stale its infinite variety.” It is very different from our simple cake of that name, although it is usually baked in flat cards. It may contain nuts or fruit, and is spoiled by a flavor of conflicting spices. I should think it might be sold by the cord, it is piled up in such quantities; and as it grows old and is much handled, it acquires that brown, not to say dirty, familiar look, which may, for aught I know, be one of its chief recommendations. The cake, however, which prevails at this season of the year comes from the Tyrol; and as the holidays approach, it is literally piled up on the fruit-stands. It is called Klatzenbrod, and is not a bread at all, but and amalgamation of fruits and spices. It is made up into small round or oblong forms; and the top is ornamented in various patterns, with split almond meats. The color is a faded black, as if it had been left for some time in a country store; and the weight is just about that of pig-iron. I had formed a strong desire, mingled with dread, to taste it, which I was not likely to gratify,–one gets so tired of such experiments after a time–when a friend sent us a ball of it. There was no occasion to call in Professor Liebig to analyze the substance: it is a plain case. The black mass contains, cut up and pressed together, figs, citron, oranges, raisins, dates, various kinds of nuts, cinnamon) nutmeg, cloves, and I know not what other spices, together with the inevitable anise and caraway seeds. It would make an excellent cannon-ball, and would be specially fatal if it hit an enemy in the stomach. These seeds invade all dishes. The cooks seem possessed of one of the rules of whist,–in case of doubt, play a trump: in case of doubt, they always put in anise seed. It is sprinkled profusely in the blackest rye bread, it gets into all the vegetables, and even into the holiday cakes.
The extensive Maximilian Platz has suddenly grown up into booths and shanties, and looks very much like a temporary Western village. There are shops for the sale of Christmas articles, toys, cakes, and gimcracks; and there are, besides, places of amusement, if one of the sorry menageries of sick beasts with their hair half worn off can be so classed. One portion of the platz is now a lively and picturesque forest of evergreens, an extensive thicket of large and small trees, many of them trimmed with colored and gilt strips of paper. I meet in every street persons lugging home their little trees; for it must be a very poor household that cannot have its Christmas tree, on which are hung the scanty store of candy, nuts, and fruit, and the simple toys that the needy people will pinch themselves otherwise to obtain.
At this season, usually, the churches get up some representations for the children, the stable at Bethlehem, with the figures of the Virgin and Child, the wise men, and the oxen standing by. At least, the churches must be put in spick-and-span order. I confess that I like to stray into these edifices, some of them gaudy enough when they are, so to speak, off duty, when the choir is deserted, and there is only here and there a solitary worshiper at his prayers; unless, indeed, as it sometimes happens, when I fancy myself quite alone, I come by chance upon a hundred people, in some remote corner before a side chapel, where mass is going on, but so quietly that the sense of solitude in the church is not disturbed. Sometimes, when the place is left entirely to myself, and the servants who are putting it to rights and, as it were, shifting the scenes, I get a glimpse of the reality of all the pomp and parade of the services. At first I may be a little shocked with the familiar manner in which the images and statues and the gilded paraphernalia are treated, very different from the stately ceremony of the morning, when the priests are at the altar, the choir is in the organ-loft, and the people crowd nave and aisles. Then everything is sanctified and inviolate. Now, as I loiter here, the old woman sweeps and dusts about as if she were in an ordinary crockery store: the sacred things are handled without gloves. And, lo! an unclerical servant, in his shirt-sleeves, climbs up to the altar, and, taking down the silver-gilded cherubs, holds them, head down, by one fat foot, while he wipes them off with a damp cloth. To think of submitting a holy cherub to the indignity of a damp cloth!
One could never say too much about the music here. I do not mean that of the regimental bands, or the orchestras in every hall and beer-garden, or that in the churches on Sundays, both orchestral and vocal. Nearly every day, at half-past eleven, there is a parade by the Residenz, and another on the Marian Platz; and at each the bands play for half an hour. In the Loggie by the palace the music-stands can always be set out, and they are used in the platz when it does not storm; and the bands play choice overtures and selections from the operas in fine style. The bands are always preceded and followed by a great crowd as they march through the streets, people who seem to live only for this half hour in the day, and whom no mud or snow can deter from keeping up with the music. It is a little gleam of comfort in the day for the most wearied portion of the community: I mean those who have nothing to do.
But the music of which I speak is that of the conservatoire and opera. The Hof Theater, opera, and conservatoire are all under one royal direction. The latter has been recently reorganized with a new director, in accordance with the Wagner notions somewhat. The young king is cracked about Wagner, and appears to care little for other music: he brings out his operas at great expense, and it is the fashion here to like Wagner whether he is understood or not. The opera of the “Meister-Singer von Nurnberg,” which was brought out last summer, occupied over five hours in the representation, which is unbearable to the Germans, who go to the opera at six o’clock or half-past, and expect to be at home before ten. His latest opera, which has not yet been produced, is founded on the Niebelungen Lied, and will take three evenings in the representation, which is almost as bad as a Chinese play. The present director of the conservatoire and opera, a Prussian, Herr von Bulow, is a friend of Wagner. There are formed here in town two parties: the Wagner and the conservative, the new and the old, the modern and classical; only the Wagnerites do not admit that their admiration of Beethoven and the older composers is less than that of the others, and so for this reason Bulow has given us more music of Beethoven than of any other composer. One thing is certain, that the royal orchestra is trained to a high state of perfection: its rendition of the grand operas and its weekly concerts in the Odeon cannot easily be surpassed. The singers are not equal to the orchestra, for Berlin and Vienna offer greater inducements; but there are people here who regard this orchestra as superlative. They say that the best orchestras in the world are in Germany; that the best in Germany is in Munich; and, therefore, you can see the inevitable deduction. We have another parallel syllogism. The greatest pianist in the world is Liszt; but then Herr Bulow is actually a better performer than Liszt; therefore you see again to what you must come. At any rate, we are quite satisfied in this provincial capital; and, if there is anywhere better music, we don’t know it. Bulow’s orchestra is not very large,–there are less than eighty pieces, but it is so handled and drilled, that when we hear it give one of the symphonies of Beethoven or Mendelssohn, there is little left to be desired. Bulow is a wonderful conductor, a little man, all nerve and fire, and he seems to inspire every instrument. It is worth something to see him lead an orchestra: his baton is magical; head, arms, and the whole body are in motion; he knows every note of the compositions; and the precision with which he evokes a solitary note out of a distant instrument with a jerk of his rod, or brings a wail from the concurring violins, like the moaning of a pine forest in winter, with a sweep of his arm, is most masterly. About the platform of the Odeon are the marble busts of the great composers; and while the orchestra is giving some of Beethoven’s masterpieces, I like to fix my eyes on his serious and genius-full face, which seems cognizant of all that is passing, and believe that he has a posthumous satisfaction in the interpretation of his great thoughts.
The managers of the conservatoire also give vocal concerts, and there are, besides, quartette soiries; so that there are few evenings without some attraction. The opera alternates with the theater two or three times a week. The singers are, perhaps, not known in Paris and London, but some of them are not unworthy to be. There is the baritone, Herr Kindermann, who now, at the age of sixty-five, has a superb voice and manner, and has had few superiors in his time on the German stage. There is Frau Dietz, at forty-five, the best of actresses, and with a still fresh and lovely voice. There is Herr Nachbar, a tenor, who has a future; Fraulein Stehle, a soprano, young and with an uncommon voice, who enjoys a large salary, and was the favorite until another soprano, the Malinger, came and turned the heads of king and opera habitues. The resources of the Academy are, however, tolerably large; and the practice of pensioning for life the singers enables them to keep always a tolerable company. This habit of pensioning officials, as well as musicians and poets, is very agreeable to the Germans. A gentleman the other day, who expressed great surprise at the smallness of the salary of our President, said, that, of course, Andrew Johnson would receive a pension when he retired from office. I could not explain to him how comical the idea was to me; but when I think of the American people pensioning Andrew Johnson,–well, like the fictitious Yankee in “Mugby Junction,” “I laff, I du.”
There is some fashion, in a fudgy, quaint way, here in Munich; but it is not exhibited in dress for the opera. People go–and it is presumed the music is the attraction in ordinary apparel. They save all their dress parade for the concerts; and the hall of the Odeon is as brilliant as provincial taste can make it in toilet. The ladies also go to operas and concerts unattended by gentlemen, and are brought, and fetched away, by their servants. There is a freedom and simplicity about this which I quite like; and, besides, it leaves their husbands and brothers at liberty to spend a congenial evening in the cafes, beer-gardens, and clubs. But there is always a heavy fringe of young officers and gallants both at opera and concert, standing in the outside passages. It is cheaper to stand, and one can hear quite as well, and see more.
LOOKING FOR WARM WEATHER
FROM MUNICH TO NAPLES
At all events, saith the best authority, “pray that your flight be not in winter;” and it might have added, don’t go south if you desire warm weather. In January, 1869, I had a little experience of hunting after genial skies; and I will give you the benefit of it in some free running notes on my journey from Munich to Naples.
It was the middle of January, at eleven o’clock at night, that we left Munich, on a mixed railway train, choosing that time, and the slowest of slow trains, that we might make the famous Brenner Pass by daylight. It was no easy matter, at last, to pull up from the dear old city in which we had become so firmly planted, and to leave the German friends who made the place like home to us. One gets to love Germany and the Germans as he does no other country and people in Europe. There has been something so simple, honest, genuine, in our Munich life, that we look back to it with longing eyes from this land of fancy, of hand-organ music, and squalid splendor. I presume the streets are yet half the day hid in a mountain fog; but I know the superb military bands are still playing at noon in the old Marian Platz and in the Loggie by the Residenz; that at half-past six in the evening our friends are quietly stepping in to hear the opera at the Hof Theater, where everybody goes to hear the music, and nobody for display, and that they will be at home before half-past nine, and have dispatched the servant for the mugs of foaming beer; I know that they still hear every week the choice conservatoire orchestral concerts in the Odeon; and, alas that experience should force me to think of it! I have no doubt that they sip, every morning, coffee which is as much superior to that of Paris as that of Paris is to that of London; and that they eat the delicious rolls, in comparison with which those of Paris are tasteless. I wonder, in this land of wine,–and yet it must be so,–if the beer-gardens are still filled nightly; and if it could be that I should sit at a little table there, a comely lass would, before I could ask for what everybody is presumed to want, place before me a tall glass full of amber liquid, crowned with creamy foam. Are the handsome officers still sipping their coffee in the Caf Maximilian; and, on sunny days, is the crowd of fashion still streaming down to the Isar, and the high, sightly walks and gardens beyond?
As I said, it was eleven o’clock of a clear and not very severe night; for Munich had had no snow on the ground since November. A deputation of our friends were at the station to see us off, and the farewells between the gentlemen were in the hearty fashion of the country. I know there is a prejudice with us against kissing between men; but it is only a question of taste: and the experience of anybody will tell him that the theory that this sort of salutation must necessarily be desirable between opposite sexes is a delusion. But I suppose it cannot be denied that kissing between men was invented in Germany before they wore full beards. Well, our goodbyes said, we climbed into our bare cars. There is no way of heating the German cars, except by tubes filled with hot water, which are placed under the feet, and are called foot-warmers. As we slowly moved out over the plain, we found it was cold; in an hour the foot-warmers, not hot to start with, were stone cold. You are going to sunny Italy, our friends had said: as soon as you pass the Brenner you will have sunshine and delightful weather. This thought consoled us, but did not warm our feet. The Germans, when they travel by rail, wrap themselves in furs and carry foot-sacks.
We creaked along, with many stoppings. At two o’clock we were at Rosenheim. Rosenheim is a windy place, with clear starlight, with a multitude of cars on a multiplicity of tracks, and a large, lighted refreshment-room, which has a glowing, jolly stove. We stay there an hour, toasting by the fire and drinking excellent coffee. Groups of Germans are seated at tables playing cards, smoking, and taking coffee. Other trains arrive; and huge men stalk in, from Vienna or Russia, you would say, enveloped in enormous fur overcoats, reaching to the heels, and with big fur boots coming above the knees, in which they move like elephants. Another start, and a cold ride with cooling foot-warmers, droning on to Kurfstein. It is five o’clock when we reach Kurfstein, which is also a restaurant, with a hot stove, and more Germans going on as if it were daytime; but by this time in the morning the coffee had got to be wretched.
After an hour’s waiting, we dream on again, and, before we know it, come out of our cold doze into the cold dawn. Through the thick frost on the windows we see the faint outlines of mountains. Scraping away the incrustation, we find that we are in the Tyrol, high hills on all sides, no snow in the valley, a bright morning, and the snow-peaks are soon rosy in the sunrise. It is just as we expected,–little villages under the hills, and slender church spires with brick-red tops. At nine o’clock we are in Innsbruck, at the foot of the Brenner. No snow yet. It must be charming here in the summer.
During the night we have got out of Bavaria. The waiter at the restaurant wants us to pay him ninety kreuzers for our coffee, which is only six kreuzers a cup in Munich. Remembering that it takes one hundred kreuzers to make a gulden in Austria, I launch out a Bavarian gulden, and expect ten kreuzers in change. I have heard that sixty Bavarian kreuzers are equal to one hundred Austrian; but this waiter explains to me that my gulden is only good for ninety kreuzers. I, in my turn, explain to the waiter that it is better than the coffee; but we come to no understanding, and I give up, before I begin, trying to understand the Austrian currency. During the day I get my pockets full of coppers, which are very convenient to take in change, but appear to have a very slight purchasing, power in Austria even, and none at all elsewhere, and the only use for which I have found is to give to Italian beggars. One of these pieces satisfies a beggar when it drops into his hat; and then it detains him long enough in the examination of it, so that your carriage has time to get so far away that his renewed pursuit is usually unavailing.
The Brenner Pass repaid us for the pains we had taken to see it, especially as the sun shone and took the frost from our windows, and we encountered no snow on the track; and, indeed, the fall was not deep, except on the high peaks about us. Even if the engineering of the road were not so interesting, it was something to be again amidst mountains that can boast a height of ten thousand feet. After we passed the summit, and began the zigzag descent, we were on a sharp lookout for sunny Italy. I expected to lay aside my heavy overcoat, and sun myself at the first station among the vineyards. Instead of that, we bade good-by to bright sky, and plunged into a snowstorm, and, so greeted, drove down into the narrow gorges, whose steep slopes we could see were terraced to the top, and planted with vines. We could distinguish enough to know that, with the old Roman ruins, the churches and convent towers perched on the crags, and all, the scenery in summer must be finer than that of the Rhine, especially as the vineyards here are picturesque,–the vines being trained so as to hide and clothe the ground with verdure.
It was four o’clock when we reached Trent, and colder than on top of the Brenner. As the Council, owing to the dead state of its members for now three centuries, was not in session, we made no long tarry. We went into the magnificent large refreshment-room to get warm; but it was as cold as a New England barn. I asked the proprietor if we could not get at a fire; but he insisted that the room was warm, that it was heated with a furnace, and that he burned good stove-coal, and pointed to a register high up in the wall. Seeing that I looked incredulous, he insisted that I should test it. Accordingly, I climbed upon a table, and reached up my hand. A faint warmth came out; and I gave it up, and congratulated the landlord on his furnace. But the register had no effect on the great hall. You might as well try to heat the dome of St. Peter’s with a lucifer-match. At dark, Allah be praised! we reached Ala, where we went through the humbug of an Italian custom-house, and had our first glimpse of Italy in the picturesque-looking idlers in red-tasseled caps, and the jabber of a strange tongue. The snow turned into a cold rain: the foot-warmers, we having reached the sunny lands, could no longer be afforded; and we shivered along till nine o’clock, dark and rainy, brought us to Verona. We emerged from the station to find a crowd of omnibuses, carriages, drivers, runners, and people anxious to help us, all vociferating in the highest key. Amidst the usual Italian clamor about nothing, we gained our hotel omnibus, and sat there for ten minutes watching the dispute over our luggage, and serenely listening to the angry vituperations of policemen and drivers. It sounded like a revolution, but it was only the ordinary Italian way of doing things; and we were at last rattling away over the broad pavements.
Of course, we stopped at a palace turned hotel, drove into a court with double flights of high stone and marble stairways, and were hurried up to the marble-mosaic landing by an active boy, and, almost before we could ask for rooms, were shown into a suite of magnificent apartments. I had a glimpse of a garden in the rear,–flowers and plants, and a balcony up which I suppose Romeo climbed to hold that immortal love-prattle with the lovesick Juliet. Boy began to light the candles. Asked in English the price of such fine rooms. Reply in Italian. Asked in German. Reply in Italian. Asked in French, with the same result. Other servants appeared, each with a piece of baggage. Other candles were lighted. Everybody talked in chorus. The landlady–a woman of elegant manners and great command of her native tongue–appeared with a candle, and joined in the melodious confusion. What is the price of these rooms? More jabber, more servants bearing lights. We seemed suddenly to have come into an illumination and a private lunatic asylum. The landlady and her troop grew more and more voluble and excited. Ah, then, if these rooms do not suit the signor and signoras, there are others; and we were whisked off to apartments yet grander, great suites with high, canopied beds, mirrors, and furniture that was luxurious a hundred years ago. The price? Again a torrent of Italian; servants pouring in, lights flashing, our baggage arriving, until, in the tumult, hopeless of any response to our inquiry for a servant who could speak anything but Italian, and when we had decided, in despair, to hire the entire establishment, a waiter appeared who was accomplished in all languages, the row subsided, and we were left alone in our glory, and soon in welcome sleep forgot our desperate search for a warm climate.
The next day it was rainy and not warm; but the sun came out occasionally, and we drove about to see some of the sights. The first Italian town which the stranger sees he is sure to remember, the outdoor life of the people is so different from that at the North. It is the fiction in Italy that it is always summer; and the people sit in the open market-place, shiver in the open doorways, crowd into corners where the sun comes, and try to keep up the beautiful pretense. The picturesque groups of idlers and traffickers were more interesting to us than the palaces with sculptured fronts and old Roman busts, or tombs of the Scaligers, and old gates. Perhaps I ought to except the wonderful and perfect Roman amphitheater, over every foot of which a handsome boy in rags followed us, looking over every wall that we looked over, peering into every hole that we peered into, thus showing his fellowship with us, and at every pause planting himself before us, and throwing a somerset, and then extending his greasy cap for coppers, as if he knew that the modern mind ought not to dwell too exclusively on hoary antiquity without some relief.
Anxious, as I have said, to find the sunny South, we left Verona that afternoon for Florence, by way of Padua and Bologna. The ride to Padua was through a plain, at this season dreary enough, were it not, here and there, for the abrupt little hills and the snowy Alps, which were always in sight, and towards sundown and between showers transcendently lovely in a purple and rosy light. But nothing now could be more desolate than the rows of unending mulberry-trees, pruned down to the stumps, through which we rode all the afternoon. I suppose they look better when the branches grow out with the tender leaves for the silk-worms, and when they are clothed with grapevines. Padua was only to us a name. There we turned south, lost mountains and the near hills, and had nothing but the mulberry flats and ditches of water, and chilly rain and mist. It grew unpleasant as we went south. At dark we were riding slowly, very slowly, for miles through a country overflowed with water, out of which trees and houses loomed up in a ghastly show. At all the stations soldiers were getting on board, shouting and singing discordantly choruses from the operas; for there was a rising at Padua, and one feared at Bologna the populace getting up insurrections against the enforcement of the grist-tax,–a tax which has made the government very unpopular, as it falls principally upon the poor.
Creeping along at such a slow rate, we reached Bologna too late for the Florence train, It was eight o’clock, and still raining. The next train went at two o’clock in the morning, and was the best one for us to take. We had supper in an inn near by, and a fair attempt at a fire in our parlor. I sat before it, and kept it as lively as possible, as the hours wore away, and tried to make believe that I was ruminating on the ancient greatness of Bologna and its famous university, some of whose chairs had been occupied by women, and upon the fact that it was on a little island in the Reno, just below here, that Octavius and Lepidus and Mark Antony formed the second Triumvirate, which put an end to what little liberty Rome had left; but in reality I was thinking of the draught on my back, and the comforts of a sunny clime. But the time came at length for starting; and in luxurious cars we finished the night very comfortably, and rode into Florence at eight in the morning to find, as we had hoped, on the other side of the Apennines, a sunny sky and balmy air.
As this is strictly a chapter of travel and weather, I may not stop to say how impressive and beautiful Florence seemed to us; how bewildering in art treasures, which one sees at a glance in the streets; or scarcely to hint how lovely were the Boboli Gardens behind the Pitti Palace, the roses, geraniums etc, in bloom, the birds singing, and all in a soft, dreamy air. The next day was not so genial; and we sped on, following our original intention of seeking the summer in winter. In order to avoid trouble with baggage and passports in Rome, we determined to book through for Naples, making the trip in about twenty hours. We started at nine o’clock in the evening, and I do not recall a more thoroughly uncomfortable journey. It grew colder as the night wore on, and we went farther south. Late in the morning we were landed at the station outside of Rome. There was a general appearance of ruin and desolation. The wind blew fiercely from the hills, and the snowflakes from the flying clouds added to the general chilliness. There was no chance to get even a cup of coffee, and we waited an hour in the cold car. If I had not been so half frozen, the consciousness that I was actually on the outskirts of the Eternal City, that I saw the Campagna and the aqueducts, that yonder were the Alban Hills, and that every foot of soil on which I looked was saturated with history, would have excited me. The sun came out here and there as we went south, and we caught some exquisite lights on the near and snowy hills; and there was something almost homelike in the miles and miles of olive orchards, that recalled the apple-trees, but for their shining silvered leaves. And yet nothing could be more desolate than the brown marshy ground, the brown hillocks, with now and then a shabby stone hut or a bit of ruin, and the flocks of sheep shivering near their corrals, and their shepherd, clad in sheepskin, as his ancestor was in the time of Romulus, leaning on his staff, with his back to the wind. Now and then a white town perched on a hillside, its houses piled above each other, relieved the eye; and I could imagine that it might be all the poets have sung of it, in the spring, though the Latin poets, I am convinced, have wonderfully imposed upon us.
To make my long story short, it happened to be colder next morning at Naples than it was in Germany. The sun shone; but the northeast wind, which the natives poetically call the Tramontane, was blowing, and the white smoke of Vesuvius rolled towards the sea. It would only last three days, it was very unusual, and all that. The next day it was colder, and the next colder yet. Snow fell, and blew about unmelted: I saw it in the streets of Pompeii.
The fountains were frozen, icicles hung from the locks of the marble statues in the Chiaia. And yet the oranges glowed like gold among their green leaves; the roses, the heliotrope, the geraniums, bloomed in all the gardens. It is the most contradictory climate. We lunched one day, sitting in our open carriage in a lemon grove, and near at hand the Lucrine Lake was half frozen over. We feasted our eyes on the brilliant light and color on the sea, and the lovely outlined mountains round the shore, and waited for a change of wind. The Neapolitans declare that they have not had such weather in twenty years. It is scarcely one’s ideal of balmy Italy.
Before the weather changed, I began to feel in this great Naples, with its roaring population of over half a million, very much like the sailor I saw at the American consul’s, who applied for help to be sent home, claiming to be an American. He was an oratorical bummer, and told his story with all the dignity and elevated language of an old Roman. He had been cast away in London. How cast away? Oh! it was all along of a boarding-house. And then he found himself shipped on an English vessel, and he had lost his discharge-papers; and “Listen, your honor,” said he, calmly extending his right hand, “here I am cast away on this desolate island with nothing before me but wind and weather.”
RAVENNA
A DEAD CITY
Ravenna is so remote from the route of general travel in Italy, that I am certain you can have no late news from there, nor can I bring you anything much later than the sixth century. Yet, if you were to see Ravenna, you would say that that is late enough. I am surprised that a city which contains the most interesting early Christian churches and mosaics, is the richest in undisturbed specimens of early Christian art, and contains the only monuments of Roman emperors still in their original positions, should be so seldom visited. Ravenna has been dead for some centuries; and because nobody has cared to bury it, its ancient monuments are yet above ground. Grass grows in its wide streets, and its houses stand in a sleepy, vacant contemplation of each other: the wind must like to mourn about its silent squares. The waves of the Adriatic once brought the commerce of the East to its wharves; but the deposits of the Po and the tides have, in process of time, made it an inland town, and the sea is four miles away.
In the time of Augustus, Ravenna was a favorite Roman port and harbor for fleets of war and merchandise. There Theodoric, the great king of the Goths, set up his palace, and there is his enormous mausoleum. As early as A. D. 44 it became an episcopal see, with St. Apollinaris, a disciple of St. Peter, for its bishop. There some of the later Roman emperors fixed their residences, and there they repose. In and about it revolved the adventurous life of Galla Placidia, a woman of considerable talent and no principle, the daughter of Theodosius (the great Theodosius, who subdued the Arian heresy, the first emperor baptized in the true faith of the Trinity, the last who had a spark of genius), the sister of one emperor, and the mother of another,–twice a slave, once a queen, and once an empress; and she, too, rests there in the great mausoleum builded for her. There, also, lies Dante, in his tomb “by the upbraiding shore;” rejected once of ungrateful Florence, and forever after passionately longed for. There, in one of the earliest Christian churches in existence, are the fine mosaics of the Emperor Justinian and Theodora, the handsome courtesan whom he raised to the dignity and luxury of an empress on his throne in Constantinople. There is the famous forest of pines, stretching–unbroken twenty miles down the coast to Rimini, in whose cool and breezy glades Dante and Boccaccio walked and meditated, which Dryden has commemorated, and Byron has invested with the fascination of his genius; and under the whispering boughs of which moved the glittering cavalcade which fetched the bride to Rimini,–the fair Francesca, whose sinful confession Dante heard in hell.
We went down to Ravenna from Bologna one afternoon, through a country level and rich, riding along toward hazy evening, the land getting flatter as we proceeded (you know, there is a difference between level and flat), through interminable mulberry-trees and vines, and fields with the tender green of spring, with church spires in the rosy horizon; on till the meadows became marshes, in which millions of frogs sang the overture of the opening year. Our arrival, I have reason to believe, was an event in the old town. We had a crowd of moldy loafers to witness it at the station, not one of whom had ambition enough to work to earn a sou by lifting our traveling-bags. We had our hotel to ourselves, and wished that anybody else had it. The rival house was quite aware of our advent, and watched us with jealous eyes; and we, in turn, looked wistfully at it, for our own food was so scarce that, as an old traveler says, we feared that we shouldn’t have enough, until we saw it on the table, when its quality made it appear too much. The next morning, when I sallied out to hire a conveyance, I was an object of interest to the entire population, who seemed to think it very odd that any one should walk about and explore the quiet streets. If I were to describe Ravenna, I should say that it is as flat as Holland and as lively as New London. There are broad streets, with high houses, that once were handsome, palaces that were once the abode of luxury, gardens that still bloom, and churches by the score. It is an open gate through which one walks unchallenged into the past, with little to break the association with the early Christian ages, their monuments undimmed by time, untouched by restoration and innovation, the whole struck with ecclesiastical death. With all that we saw that day,–churches, basilicas, mosaics, statues, mausoleums,–I will not burden these pages; but I will set down is enough to give you the local color, and to recall some of the most interesting passages in Christian history in this out- of-the-way city on the Adriatic.
Our first pilgrimage was to the Church of St. Apollinare Nuova; but why it is called new I do not know, as Theodoric built it for an Arian cathedral in about the year 500. It is a noble interior, having twenty-four marble columns of gray Cippolino, brought from Constantinople, with composite capitals, on each of which is an impost with Latin crosses sculptured on it. These columns support round arches, which divide the nave from the aisles, and on the whole length of the wall of the nave so supported are superb mosaics, full-length figures, in colors as fresh as if done yesterday, though they were executed thirteen hundred years ago. The mosaic on the left side–which is, perhaps, the finest one of the period in existence–is interesting on another account. It represents the city of Classis, with sea and ships, and a long procession of twenty-two virgins presenting offerings to the Virgin and Child, seated on a throne. The Virgin is surrounded by angels, and has a glory round her head, which shows that homage is being paid to her. It has been supposed, from the early monuments of Christian art, that the worship of the Virgin is of comparatively recent origin; but this mosaic would go to show that Mariolatry was established before the end of the sixth century. Near this church is part of the front of the palace of Theodoric, in which the Exarchs and Lombard kings subsequently resided. Its treasures and marbles Charlemagne carried off to Germany.
DOWN TO THE PINETA
We drove three miles beyond the city, to the Church of St. Apollinare in Classe, a lonely edifice in a waste of marsh, a grand old basilica, a purer specimen of Christian art than Rome or any other Italian town can boast. Just outside the city gate stands a Greek cross on a small fluted column, which marks the site of the once magnificent Basilica of St. Laurentius, which was demolished in the sixteenth century, its stone built into a new church in town, and its rich marbles carried to all-absorbing Rome. It was the last relic of the old port of Caesarea, famous since the time of Augustus. A marble column on a green meadow is all that remains of a once prosperous city. Our road lay through the marshy plain, across an elevated bridge over the sluggish united stream of the Ronco and Montone, from which there is a wide view, including the Pineta (or Pine Forest), the Church of St. Apollinare in the midst of rice-fields and marshes, and on a clear day the Alps and Apennines.
I can imagine nothing more desolate than this solitary church, or the approach to it. Laborers were busy spading up the heavy, wet ground, or digging trenches, which instantly filled with water, for the whole country was afloat. The frogs greeted us with clamorous chorus out of their slimy pools, and the mosquitoes attacked us as we rode along. I noticed about on the bogs, wherever they could find standing-room, half-naked wretches, with long spears, having several prongs like tridents, which they thrust into the grass and shallow water. Calling one of them to us, we found that his business was fishing, and that he forked out very fat and edible-looking fish with his trident. Shaggy, undersized horses were wading in the water, nipping off the thin spears of grass. Close to the church is a rickety farmhouse. If I lived there, I would as lief be a fish as a horse.
The interior of this primitive old basilica is lofty and imposing, with twenty-four handsome columns of the gray Cippolino marble, and an elevated high altar and tribune, decorated with splendid mosaics of the sixth century,–biblical subjects, in all the stiff faithfulness of the holy old times. The marble floor is green and damp and slippery. Under the tribune is the crypt, where the body of St. Apollinaris used to lie (it is now under the high altar above); and as I desired to see where he used to rest, I walked in. I also walked into about six inches of water, in the dim, irreligious light; and so made a cold-water Baptist devotee of myself. In the side aisles are wonderful old sarcophagi, containing the ashes of archbishops of Ravenna, so old that the owners’ names are forgotten of two of them, which shows that a man may build a tomb more enduring than his memory. The sculptured bas-reliefs are very interesting, being early Christian emblems and curious devices,–symbols of sheep, palms, peacocks, crosses, and the four rivers of Paradise flowing down in stony streams from stony sources, and monograms, and pious rebuses. At the entrance of the crypt is an open stone book, called the Breviary of Gregory the Great. Detached from the church is the Bell Tower, a circular campanile of a sort peculiar to Ravenna, which adds to the picturesqueness of the pile, and suggests the notion that it is a mast unshipped from its vessel, the church, which consequently stands there water-logged, with no power to catch any wind, of doctrine or other, and move. I forgot to say that the basilica was launched in the year 534.
A little weary with the good but damp old Christians, we ordered our driver to continue across the marsh to the Pineta, whose dark fringe bounded all our horizon toward the Adriatic. It is the largest unbroken forest in Italy, and by all odds the most poetic in itself and its associations. It is twenty-five miles long, and from one to three in breadth, a free growth of stately pines, whose boughs are full of music and sweet odors,–a succession of lovely glades and avenues, with miles and miles of drives over the springy turf. At the point where we entered is a farmhouse. Laborers had been gathering the cones, which were heaped up in immense windrows, hundreds of feet in length. Boys and men were busy pounding out the seeds from the cones. The latter are used for fuel, and the former are pressed for their oil. They are also eaten: we have often had them served at hotel tables, and found them rather tasteless, but not unpleasant. The turf, as we drove into the recesses of the forest, was thickly covered with wild flowers, of many colors and delicate forms; but we liked best the violets, for they reminded us of home, though the driver seemed to think them less valuable than the seeds of the pine-cones. A lovely day and history and romance united to fascinate us with the place. We were driving over the spot where, eighteen centuries ago, the Roman fleet used to ride at anchor. Here, it is certain, the gloomy spirit of Dante found congenial place for meditation, and the gay Boccaccio material for fiction. Here for hours, day after day, Byron used to gallop his horse, giving vent to that restless impatience which could not all escape from his fiery pen, hearing those voices of a past and dead Italy which he, more truthfully and pathetically than any other poet, has put into living verse. The driver pointed out what is called Byron’s Path, where he was wont to ride. Everybody here, indeed, knows of Byron; and I think his memory is more secure than any saint of them all in their stone boxes, partly because his poetry has celebrated the region, perhaps rather from the perpetuated tradition of his generosity. No foreigner was ever so popular as he while he lived at Ravenna. At least, the people say so now, since they find it so profitable to keep his memory alive and to point out his haunts. The Italians) to be sure, know how to make capital out of poets and heroes, and are quick to learn the curiosity of foreigners, and to gratify it for a compensation. But the evident esteem in which Byron’s memory is held in the Armenian monastery of St. Lazzaro, at Venice, must be otherwise accounted for. The monks keep his library-room and table as they were when he wrote there, and like to show his portrait, and tell of his quick mastery of the difficult Armenian tongue. We have a notable example of a Person who became a monk when he was sick; but Byron accomplished too much work during the few months he was on the Island of St. Lazzaro, both in original composition and in translating English into Armenian, for one physically ruined and broken.
DANTE AND BYRON
The pilgrim to Ravenna, who has any idea of what is due to the genius of Dante, will be disappointed when he approaches his tomb. Its situation is in a not very conspicuous corner, at the foot of a narrow street, bearing the poet’s name, and beside the Church of San Francisco, which is interesting as containing the tombs of the Polenta family, whose hospitality to the wandering exile has rescued their names from oblivion. Opposite the tomb is the shabby old brick house of the Polentas, where Dante passed many years of his life. It is tenanted now by all sorts of people, and a dirty carriage-shop in the courtyard kills the poetry of it. Dante died in 1321, and was at first buried in the neighboring church; but this tomb, since twice renewed, was erected, and his body removed here, in 1482. It is a square stuccoed structure, stained light green, and covered by a dome,–a tasteless monument, embellished with stucco medallions, inside, of the poet, of Virgil, of Brunetto Latini, the poet’s master, and of his patron, Guido da Polenta. On the sarcophagus is the epitaph, composed in Latin by Dante himself, who seems to have thought, with Shakespeare, that for a poet to make his own epitaph was the safest thing to do. Notwithstanding the mean appearance of this sepulcher, there is none in all the soil of Italy that the traveler from America will visit with deeper interest. Near by is the house where Byron first resided in Ravenna, as a tablet records.
The people here preserve all the memorials of Byron; and, I should judge, hold his memory in something like affection. The Palace Guiccioli, in which he subsequently resided, is in another part of the town. He spent over two years in Ravenna, and said he preferred it to any place in Italy. Why I cannot see, unless it was remote from the route of travel, and the desolation of it was congenial to him. Doubtless he loved these wide, marshy expanses on the Adriatic, and especially the great forest of pines on its shore; but Byron was apt to be governed in his choice of a residence by the woman with whom he was intimate. The palace was certainly pleasanter than his gloomy house in the Strada di Porta Sisi, and the society of the Countess Guiccioli was rather a stimulus than otherwise to his literary activity. At her suggestion he wrote the “Prophecy of Dante;” and the translation of “Francesca da Rimini” was “executed at Ravenna, where, five centuries before, and in the very house in which the unfortunate lady was born, Dante’s poem had been composed.” Some of his finest poems were also produced here, poems for which Venice is as grateful as Ravenna. Here he wrote “Marino Faliero,” “The Two Foscari,” “Morganti Maggiore,” “Sardanapalus,” “The Blues,” “The fifth canto of Don Juan,” ” Cain,” “Heaven and Earth,” and “The Vision of Judgment.” I looked in at the court of the palace,–a pleasant, quiet place,–where he used to work, and tried to guess which were the windows of his apartments. The sun was shining brightly, and a bird was singing in the court; but there was no other sign of life, nor anything to remind one of the profligate genius who was so long a guest here.
RESTING-PLACE OF CAESARS–PICTURE OF A BEAUTIFUL HERETIC
Very different from the tomb of Dante, and different in the associations it awakes, is the Rotunda or Mausoleum of Theodoric the Goth, outside the Porta Serrata, whose daughter, Amalasuntha, as it is supposed, about the year 530, erected this imposing structure as a certain place “to keep his memory whole and mummy hid” for ever. But the Goth had not lain in it long before Arianism went out of fashion quite, and the zealous Roman Catholics despoiled his costly sleeping-place, and scattered his ashes abroad. I do not know that any dead person has lived in it since. The tomb is still a very solid affair,–a rotunda built of solid blocks of limestone, and resting on a ten-sided base, each side having a recess surmounted by an arch. The upper story is also decagonal, and is reached by a flight of modern stone steps. The roof is composed of a single block of Istrian limestone, scooped out like a shallow bowl inside; and, being the biggest roof-stone I ever saw, I will give you the dimensions. It is thirty-six feet in diameter, hollowed out to the depth of ten feet, four feet thick at the center, and two feet nine inches at the edges, and is estimated to weigh two hundred tons. Amalasuntha must have had help in getting it up there. The lower story is partly under water. The green grass of the inclosure in which it stands is damp enough for frogs. An old woman opened the iron gate to let us in. Whether she was any relation of the ancient proprietor, I did not inquire; but she had so much trouble in, turning the key in the rusty lock, and letting us in, that I presume we were the only visitors she has had for some centuries.
Old women abound in Ravenna; at least, she was not young who showed us the mausoleum of Galla Placidia. Placidia was also prudent and foreseeing, and built this once magnificent sepulcher for her own occupation. It is in the form of a Latin cross, forty-six feet in length by about forty in width. The floor is paved with rich marbles; the cupola is covered with mosaics of the time of the empress; and in the arch over the door is a fine representation of the Good Shepherd. Behind the altar is the massive sarcophagus of marble (its cover of silver plates was long ago torn off) in which are literally the ashes of the empress. She was immured in it as a mummy, in a sitting position, clothed in imperial robes; and there the ghastly corpse sat in a cypress-wood chair, to be looked at by anybody who chose to peep through the aperture, for more than eleven hundred years, till one day, in 1577, some children introduced a lighted candle, perhaps out of compassion for her who sat so long in darkness, when her clothes caught fire, and she was burned up,–a warning to all children not to play with a dead and dry empress. In this resting-place are also the tombs of Honorius II., her brother, of Constantius III., her second husband, and of Honoria, her daughter.
There are no other undisturbed tombs of the Caesars in existence. Hers is almost the last, and the very small last, of a great succession. What thoughts of a great empire in ruins do not force themselves on one in the confined walls of this little chamber! What a woman was she whose ashes lie there! She saw and aided the ruin of the empire; but it may be said of her, that her vices were greater than her misfortunes. And what a story is her life! Born to the purple, educated in the palace at Constantinople, accomplished but not handsome, at the age of twenty she was in Rome when Alaric besieged it. Carried off captive by the Goths, she became the not unwilling object of the passion of King Adolphus, who at length married her at Narbonne. At the nuptials the king, in a Roman habit, occupied a seat lower than hers, while she sat on a throne habited as a Roman empress, and received homage. Fifty handsome youths bore to her in each hand a dish of gold, one filled with coin, and the other with precious stones,–a small part only, these hundred vessels of treasure, of the spoils the Goths brought from her country. When Adolphus, who never abated his fondness for his Roman bride, was assassinated at Barcelona, she was treated like a slave by his assassins, and driven twelve miles on foot before the horse of his murderer. Ransomed at length for six hundred thousand measures of wheat by her brother Honorius, who handed her over struggling to Constantius, one of his generals. But, once married, her reluctance ceased; and she set herself to advance the interests of herself and husband, ruling him as she had done the first one. Her purpose was accomplished when he was declared joint emperor with Honorius. He died shortly after; and scandalous stories of her intimacy with her brother caused her removal to Constantinople; but she came back again, and reigned long as the regent of her son, Valentinian III.,– a feeble youth, who never grew to have either passions or talents, and was very likely, as was said, enervated by his mother in dissolute indulgence, so that she might be supreme. But she died at Rome in 450, much praised for her orthodoxy and her devotion to the Trinity. And there was her daughter, Honoria, who ran off with a chamberlain, and afterward offered to throw herself into the arms of Attila who wouldn’t take her as a gift at first, but afterward demanded her, and fought to win her and her supposed inheritance. But they were a bad lot altogether; and it is no credit to a Christian of the nineteenth century to stay in this tomb so long.
Near this mausoleum is the magnificent Basilica of St. Vitale, built in the reign of Justinian, and consecrated in 547, I was interested to see it because it was erected in confessed imitation of St. Sophia at Constantinople, is in the octagonal form, and has all the accessories of Eastern splendor, according to the architectural authorities. Its effect is really rich and splendid; and it rather dazzled us with its maze of pillars, its upper and lower columns, its galleries, complicated capitals, arches on arches, and Byzantine intricacies. To the student of the very early ecclesiastical art, it must be an object of more interest than even of wonder. But what I cared most to see were the mosaics in the choir, executed in the time of Justinian, and as fresh and beautiful as on the day they were made. The mosaics and the exquisite arabesques on the roof of the choir, taken together, are certainly unequaled by any other early church decoration I have seen; and they are as interesting as they are beautiful. Any description of them is impossible; but mention may be made of two characteristic groups, remarkable for execution, and having yet a deeper interest.
In one compartment of the tribune is the figure of the Emperor Justinian, holding a vase with consecrated offerings, and surrounded by courtiers and soldiers. Opposite is the figure of the Empress Theodora, holding a similar vase, and attended by ladies of her court. There is a refinement and an elegance about the empress, a grace and sweet dignity, that is fascinating. This is royalty,– stately and cold perhaps: even the mouth may be a little cruel, I begin to perceive, as I think of her; but she wears the purple by divine right. I have not seen on any walls any figure walking out of history so captivating as this lady, who would seem to have been worthy of apotheosis in a Christian edifice. Can there be any doubt that this lovely woman was orthodox? She, also, has a story, which you doubtless have been recalling as you read. Is it worth while to repeat even its outlines? This charming regal woman was the daughter of the keeper of the bears in the circus at Constantinople; and she early went upon the stage as a pantomimist and buffoon. She was beautiful, with regular features, a little pale, but with a tinge of natural color, vivacious eyes, and an easy motion that displayed to advantage the graces of her small but elegant figure. I can see all that in the mosaic. But she sold her charms to whoever cared to buy them in Constantinople; she led a life of dissipation that cannot be even hinted at in these days; she went off to Egypt as the concubine of a general; was deserted, and destitute even to misery in Cairo; wandered about a vagabond in many Eastern cities, and won the reputation everywhere of the most beautiful courtesan of her time; reappeared in Constantinople; and, having, it is said, a vision of her future, suddenly took to a pretension of virtue and plain sewing; contrived to gain the notice of Justinian, to inflame his passions as she did those of all the world besides, to captivate him into first an alliance, and at length a marriage. The emperor raised her to an equal seat with himself on his throne; and she was worshiped as empress in that city where she had been admired as harlot. And on the throne she was a wise woman, courageous and chaste; and had her palaces on the Bosphorus; and took good care of her beauty, and indulged in the pleasures of a good table; had ministers who kissed her feet; a crowd of women and eunuchs in her secret chambers, whose passions she indulged; was avaricious and sometimes cruel; and founded a convent for the irreclaimably bad of her own sex, some of whom liked it, and some of whom threw themselves into the sea in despair; and when she died was an irreparable loss to her emperor. So that it seems to me it is a pity that the historian should say that she was devout, but a little heretic.
A HIGH DAY IN ROME
PALM SUNDAY IN ST. PETER’S
The splendid and tiresome ceremonies of Holy Week set in; also the rain, which held up for two days. Rome without the sun, and with rain and the bone-penetrating damp cold of the season, is a wretched place. Squalor and ruins and cheap splendor need the sun; the galleries need it; the black old masters in the dark corners of the gaudy churches need it; I think scarcely anything of a cardinal’s big, blazing footman, unless the sun shines on him, and radiates from his broad back and his splendid calves; the models, who get up in theatrical costumes, and get put into pictures, and pass the world over for Roman peasants (and beautiful many of them are), can’t sit on the Spanish Stairs in indolent pose when it rains; the streets are slimy and horrible; the carriages try to run over you, and stand a very good chance of succeeding, where there are no sidewalks, and you are limping along on the slippery round cobble-stones; you can’t get into the country, which is the best part of Rome: but when the sun shines all this is changed; the dear old dirty town exercises, its fascinations on you then, and you speedily forget your recent misery.
Holy Week is a vexation to most people. All the world crowds here to see its exhibitions and theatrical shows, and works hard to catch a glimpse of them, and is tired out, if not disgusted, at the end. The things to see and hear are Palm Sunday in St. Peter’s; singing of the Miserere by the pope’s choir on Wednesday, Thursday, and Friday in the Sistine Chapel; washing of the pilgrims’ feet in a chapel of St. Peter’s, and serving the apostles at table by the pope on Thursday, with a papal benediction from the balcony afterwards; Easter Sunday, with the illumination of St. Peter’s in the evening; and fireworks (this year in front of St. Peter’s in Montorio) Monday evening. Raised seats are built up about the high altar under the dome in St. Peter’s, which will accommodate a thousand, and perhaps more, ladies; and for these tickets are issued without numbers, and for twice as many as they will seat. Gentlemen who are in evening dress are admitted to stand in the reserved places inside the lines of soldiers. For the Miserere in the Sistine Chapel tickets are also issued. As there is only room for about four hundred ladies, and a thousand and more tickets are given out, you may imagine the scramble. Ladies go for hours before the singing begins, and make a grand rush when the doors are open. I do not know any sight so unseemly and cruel as a crowd of women intent on getting in to such a ceremony: they are perfectly rude and unmerciful to each other. They push and trample one another under foot; veils and dresses are torn; ladies faint away in the scrimmage, and only the strongest and most unscrupulous get in. I have heard some say, who have been in the pellmell, that, not content with elbowing and pushing and pounding, some women even stick pins into those who are in the way. I hope this latter is not true; but it is certain that the conduct of most of the women is brutal. A weak or modest or timid woman stands no more chance than she would in a herd of infuriated Campagna cattle. The same scenes are enacted in the efforts to see the pope wash feet, and serve at the table. For the possession of the seats under the dome on Palm Sunday and Easter there is a like crush. The ceremonies do not begin until half-past nine; but ladies go between five and six o’clock in the morning, and when the passages are open they make a grand rush. The seats, except those saved for the nobility, are soon all taken, and the ladies who come after seven are lucky if they can get within the charmed circle, and find a spot to sit down on a campstool. They can then see only a part of the proceedings, and have a weary, exhausting time of it for hours. This year Rome is more crowded than ever before. There are American ladies enough to fill all the reserved places; and I fear they are energetic enough to get their share of them.
It rained Sunday; but there was a steady stream of people and carriages all the morning pouring over the Bridge of St. Angelo, and discharging into the piazza of St. Peter’s. It was after nine when I arrived on the ground. There was a crowd of carriages under the colonnades, and a heavy fringe in front of them; but the hundreds of people moving over the piazza, and up the steps to the entrances, made only the impression of dozens in the vast space. I do not know if there are people enough in Rome to fill St. Peter’s; certainly there was no appearance of a crowd as we entered, although they had been pouring in all the morning, and still thronged the doors. I heard a traveler say that he followed ten thousand soldiers into the church, and then lost them from sight: they disappeared in the side chapels. He did not make his affidavit as to the number of soldiers. The interior area of the building is not much greater than the square of St. Mark in Venice. To go into the great edifice is almost like going outdoors. Lines of soldiers kept a wide passage clear from the front door away down to the high altar; and there was a good mass of spectators on the outside. The tribunes for the ladies, built up under the dome, were of course, filled with masses of ladies in solemn black; and there was more or less of a press of people surging about in that vicinity. Thousands of people were also roaming about in the great spaces of the edifice; but there was nowhere else anything like a crowd. It had very much the appearance of a large fair-ground, with little crowds about favorite booths. Gentlemen in dress-coats were admitted to the circle under the dome. The pope’s choir was stationed in a gallery there opposite the high altar. Back of the altar was a wide space for the dignitaries; seats were there, also, for ambassadors and those born to the purple; and the pope’s seat was on a raised dais at the end. Outsiders could see nothing of what went on within there; and the ladies under the dome could only partially see, in the seats they had fought so gallantly to obtain.
St. Peter’s is a good place for grand processions and ceremonies; but it is a poor one for viewing them. A procession which moves down the nave is hidden by the soldiers who stand on either side, or is visible only by sections as it passes: there is no good place to get the grand effect of the masses of color, and the total of the gorgeous pageantry. I should like to see the display upon a grand stage, and enjoy it in a coup d,oeil. It is a fine study of color and effect, and the groupings are admirable; but the whole affair is nearly lost to the mass of spectators. It must be a sublime feeling to one in the procession to walk about in such monstrous fine clothes; but what would his emotions be if more people could see him! The grand altar stuck up under the dome not only breaks the effect of what would be the fine sweep of the nave back to the apse, but it cuts off all view of the celebration of the mass behind it, and, in effect, reduces what should be the great point of display in the church to a mere chapel. And when you add to that the temporary tribunes erected under the dome for seating the ladies, the entire nave is shut off from a view of the gorgeous ceremony of high mass. The effect would be incomparable if one could stand in the door, or anywhere in the nave, and, as in other churches, look down to the end upon a great platform) with the high altar and all the sublime spectacle in full view, with the blaze of candles and the clouds of incense rising in the distance.
At half-past nine the great doors opened, and the procession began, in slow and stately moving fashion, to enter. One saw a throng of ecclesiastics in robes and ermine; the white plumes of the Guard Noble; the pages and chamberlains in scarlet; other pages, or what not, in black short-clothes, short swords, gold chains, cloak hanging from the shoulder, and stiff white ruffs; thirty-six cardinals in violet robes, with high miter-shaped white silk hats, that looked not unlike the pasteboard “trainer-caps” that boys wear when they play soldier; crucifixes, and a blazoned banner here and there; and, at last, the pope, in his red chair, borne on the shoulders of red lackeys, heaving along in a sea-sicky motion, clad in scarlet and gold, with a silver miter on his head, feebly making the papal benediction with two upraised fingers, and moving his lips in blessing. As the pope came in, a supplementary choir of men and soprano hybrids, stationed near the door, set up a high, welcoming song, or chant, which echoed rather finely through the building. All the music of the day is vocal.
The procession having reached its destination, and disappeared behind the altar of the dome, the pope dismounted, and took his seat on his throne. The blessing of the palms began, the cardinals first approaching, and afterwards the members of the diplomatic corps, the archbishops and bishops, the heads of the religious orders, and such private persons as have had permission to do so. I had previously seen the palms carried in by servants in great baskets. It is, perhaps, not necessary to say that they are not the poetical green waving palms, but stiff sort of wands, woven out of dry, yellow, split palm-leaves, sometimes four or five feet in length, braided into the semblance of a crown on top,–a kind of rough basket-work. The palms having been blessed, a procession was again formed down the nave and out the door, all in it “carrying palms in their hands,” the yellow color of which added a new element of picturesqueness to the splendid pageant. The pope was carried as before, and bore in his hand a short braided palm, with gold woven in, flowers added, and the monogram “I. H. S.” worked in the top. It is the pope’s custom to give this away when the ceremony is over. Last year he presented it to an American lady, whose devotion attracted him; this year I saw it go away in a gilded coach in the hands of an ecclesiastic. The procession disappeared through the great portal into the vestibule, and the door closed. In a moment somebody knocked three times on the door: it opened, and the procession returned, and moved again to the rear of the altar, the singers marching with it and chanting. The cardinals then changed their violet for scarlet robes; and high mass, for an hour, was celebrated by a cardinal priest: and I was told that it was the pope’s voice that we heard, high and clear, singing the passion. The choir made the responses, and performed at intervals. The singing was not without a certain power; indeed, it was marvelous how some of the voices really filled the vast spaces of the edifice, and the choruses rolled in solemn waves of sound through the arches. The singing, with the male sopranos, is not to my taste; but it cannot be denied that it had a wild and strange effect.
While this was going on behind the altar, the people outside were wandering about, looking at each other, and on the watch not to miss any of the shows of the day. People were talking, chattering, and greeting each other as they might do in the street. Here and there somebody was kneeling on the pavement, unheeding the passing throng. At several of the chapels, services were being conducted; and there was a large congregation, an ordinary church full, about each of them. But the most of those present seemed to regard it as a spectacle only; and as a display of dress, costumes, and nationalities it was almost unsurpassed. There are few more wonderful sights in this world than an Englishwoman in what she considers full dress. An English dandy is also a pleasing object. For my part, as I have hinted, I like almost as well as anything the big footmen,–those in scarlet breeches and blue gold-embroidered coats. I stood in front of one of the fine creations for some time, and contemplated him as one does the Farnese Hercules. One likes to see to what a splendor his species can come, even if the brains have all run down into the calves of the legs. There were also the pages, the officers of the pope’s household, in costumes of the Middle Ages; the pope’s Swiss guard in the showy harlequin uniform designed by Michael Angelo; the foot-soldiers in white short-clothes, which threatened to burst, and let them fly into pieces; there were fine ladies and gentlemen, loafers and loungers, from every civilized country, jabbering in all the languages; there were beggars in rags, and boors in coats so patched that there was probably none of the original material left; there were groups of peasants from the Campagna, the men in short jackets and sheepskin breeches with the wool side out, the women with gay-colored folded cloths on their heads, and coarse woolen gowns; a squad of wild-looking Spanish gypsies, burning-eyed, olive-skinned, hair long, black, crinkled, and greasy, as wild in raiment as in face; priests and friars, Zouaves in jaunty light gray and scarlet; rags and velvets, silks and serge cloths,–a cosmopolitan gathering poured into the world’s great place of meeting,–a fine religious Vanity Fair on Sunday.
There came an impressive moment in all this confusion, a point of august solemnity. Up to that instant, what with chanting and singing the many services, and the noise of talking and walking, there was a wild babel. But at the stroke of the bell and the elevation of the Host, down went the muskets of the guard with one clang on the marble; the soldiers kneeled; the multitude in the nave, in the aisles, at all the chapels, kneeled; and for a minute in that vast edifice there was perfect stillness: if the whole great concourse had been swept from the earth, the spot where it lately was could not have been more silent. And then the military order went down the line, the soldiers rose, the crowd rose, and the mass and the hum went on.
It was all over before one; and the pope was borne out again, and the vast crowd began to discharge itself. But it was a long time before the carriages were all filled and rolled off. I stood for a half hour watching the stream go by,–the pompous soldiers, the peasants and citizens, the dazzling equipages, and jaded, exhausted women in black, who had sat or stood half a day under the dome, and could get no carriage; and the great state coaches of the cardinals, swinging high in the air, painted and gilded, with three noble footmen hanging on behind each, and a cardinal’s broad face in the window.
VESUVIUS
CLIMBING A VOLCANO
Everybody who comes to Naples,–that is, everybody except the lady who fell from her horse the other day at Resina and injured her shoulder, as she was mounting for the ascent,–everybody, I say, goes up Vesuvius, and nearly every one writes impressions and descriptions of the performance. If you believe the tales of travelers, it is an undertaking of great hazard, an experience of frightful emotions. How unsafe it is, especially for ladies, I heard twenty times in Naples before I had been there a day. Why, there was a lady thrown from her horse and nearly killed, only a week ago; and she still lay ill at the next hotel, a witness of the truth of the story. I imagined her plunged down a precipice of lava, or pitched over the lip of the crater, and only rescued by the devotion of a gallant guide, who threatened to let go of her if she didn’t pay him twenty francs instantly. This story, which will live and grow for years in this region, a waxing and never-waning peril of the volcano, I found, subsequently, had the foundation I have mentioned above. The lady did go to Resina in order to make the ascent of Vesuvius, mounted a horse there, fell off, being utterly unhorsewomanly, and hurt herself; but her injury had no more to do with Vesuvius than it had with the entrance of Victor Emanuel into Naples, which took place a couple of weeks after. Well, as I was saying, it is the fashion to write descriptions of Vesuvius; and you might as well have mine, which I shall give to you in rough outline.
There came a day when the Tramontane ceased to blow down on us the cold air of the snowy Apennines, and the white cap of Vesuvius, which is, by the way, worn generally like the caps of the Neapolitans, drifted inland instead of toward the sea. Warmer weather had come to make the bright sunshine no longer a mockery. For some days I had been getting the gauge of the mountain. With its white plume it is a constant quantity in the landscape: one sees it from every point of view; and we had been scarcely anywhere that volcanic remains, or signs of such action,–a thin crust shaking under our feet, as at Solfatara, where blasts of sulphurous steam drove in our faces,–did not remind us that the whole ground is uncertain, and undermined by the subterranean fires that have Vesuvius for a chimney. All the coast of the bay, within recent historic periods, in different spots at different times, has risen and sunk and risen again, in simple obedience to the pulsations of the great fiery monster below. It puffs up or sinks, like the crust of a baking apple-pie. This region is evidently not done; and I think it not unlikely it may have to be turned over again before it is. We had seen where Herculaneum lies under the lava and under the town of Resina; we had walked those clean and narrow streets of Pompeii, and seen the workmen picking away at the imbedded gravel, sand, and ashes which still cover nearly two thirds of the nice little, tight little Roman city; we had looked at the black gashes on the mountain-sides, where the lava streams had gushed and rolled and twisted over vineyards and villas and villages; and we decided to take a nearer look at the immediate cause of all this abnormal state of things.
In the morning when I awoke the sun was just rising behind Vesuvius; and there was a mighty display of gold and crimson in that quarter, as if the curtain was about to be lifted on a grand performance, say a ballet at San Carlo, which is the only thing the Neapolitans think worth looking at. Straight up in the air, out of the mountain, rose a white pillar, spreading out at the top like a palm-tree, or, to compare it to something I have seen, to the Italian pines, that come so picturesquely into all these Naples pictures. If you will believe me, that pillar of steam was like a column of fire, from the sun shining on and through it, and perhaps from the reflection of the background of crimson clouds and blue and gold sky, spread out there and hung there in royal and extravagant profusion, to make a highway and a regal gateway, through which I could just then see coming the horses and the chariot of a southern perfect day. They said that the tree-shaped cloud was the sign of an eruption; but the hotel-keepers here are always predicting that. The eruption is usually about two or three weeks distant; and the hotel proprietors get this information from experienced guides, who observe the action of the water in the wells; so that there can be no mistake about it.
We took carriages at nine o’clock to Resina, a drive of four miles, and one of exceeding interest, if you wish to see Naples life. The way is round the curving bay by the sea; but so continuously built up is it, and so inclosed with high walls of villas, through the open gates of which the golden oranges gleam, that you seem never to leave the city. The streets and quays swarm with the most vociferous, dirty, multitudinous life. It is a drive through Rag Fair. The tall, whitey-yellow houses fronting the water, six, seven, eight stories high, are full as beehives; people are at all the open windows; garments hang from the balconies and from poles thrust out; up every narrow, gloomy, ascending street are crowds of struggling human shapes; and you see how like herrings in a box are packed the over half a million people of Naples. In front of the houses are the markets in the open air,–fish, vegetables, carts of oranges; in the sun sit women spinning from distaffs or weaving fishing-nets; and rows of children who were never washed and never clothed but once, and whose garments have nearly wasted away; beggars, fishermen in red caps, sailors, priests, donkeys, fruit-venders, street-musicians, carriages, carts, two-wheeled break-down vehicles,–the whole tangled in one wild roar and rush and babel,–a shifting, varied panorama of color, rags,–a pandemonium such as the world cannot show elsewhere, that is what one sees on the road to Resina. The drivers all drive in the streets here as if they held a commission from the devil, cracking their whips, shouting to their horses, and dashing into the thickest tangle with entire recklessness. They have one cry, used alike for getting more speed out of their horses or for checking them, or in warning to the endangered crowds on foot. It is an exclamatory grunt, which may be partially expressed by the letters “a-e-ugh.” Everybody shouts it, mule-driver, “coachee,” or cattle-driver; and even I, a passenger, fancied I could do it to disagreeable perfection after a time. Out of this throng in the streets I like to select the meek, patient, diminutive little donkeys, with enormous panniers that almost hide them. One would have a woman seated on top, with a child in one pannier and cabbages in the other; another, with an immense stock of market-greens on his back, or big baskets of oranges, or with a row of wine-casks and a man seated behind, adhering, by some unknown law of adhesion, to the sloping tail. Then there was the cart drawn by one diminutive donkey, or by an ox, or by an ox and a donkey, or by a donkey and horse abreast, never by any possibility a matched team. And, funniest of all, was the high, two-wheeled caleche, with one seat, and top thrown back, with long thills and poor horse. Upon this vehicle were piled, Heaven knows how, behind, before, on the thills, and underneath the high seat, sometimes ten, and not seldom as many as eighteen people, men, women, and children,–all in flaunting rags, with a colored scarf here and there, or a gay petticoat, or a scarlet cap,–perhaps a priest, with broad black hat, in the center,–driving along like a comet, the poor horse in a gallop, the bells on his ornamented saddle merrily jingling, and the whole load in a roar of merriment.
But we shall never get to Vesuvius at this rate. I will not even stop to examine the macaroni manufactories on the road. The long strips of it were hung out on poles to dry in the streets, and to get a rich color from the dirt and dust, to say nothing of its contact with the filthy people who were making it. I am very fond of macaroni. At Resina we take horses for the ascent. We had sent ahead for a guide and horses for our party of ten; but we found besides, I should think, pretty nearly the entire population of the locality awaiting us, not to count the importunate beggars, the hags, male and female, and the ordinary loafers of the place. We were besieged to take this and that horse or mule, to buy walking-sticks for the climb, to purchase lava cut into charms, and veritable ancient coins, and dug-up cameos, all manufactured for the demand. One wanted to hold the horse, or to lead it, to carry a shawl, or to show the way. In the midst of infinite clamor and noise, we at last got mounted, and, turning into a narrow lane between high walls, began the ascent, our cavalcade attended by a procession of rags and wretchedness up through the village. Some of them fell off as we rose among the vineyards, and they found us proof against begging; but several accompanied us all day, hoping that, in some unguarded moment, they could do us some slight service, and so establish a claim on us. Among these I noticed some stout fellows with short ropes, with which they intended to assist us up the steeps. If I looked away an instant, some urchin would seize my horse’s bridle; and when I carelessly let my stick fall on his hand, in token for him to let go, he would fall back with an injured look, and grasp the tail, from which I could only loosen him by swinging my staff and preparing to break his head.
The ascent is easy at first between walls and the vineyards which produce the celebrated Lachryma Christi. After a half hour we reached and began to cross the lava of 1858, and the wild desolation and gloom of the mountain began to strike us. One is here conscious of the titanic forces at work. Sometimes it is as if a giant had ploughed the ground, and left the furrows without harrowing them to harden into black and brown stone. We could see again how the broad stream, flowing down, squeezed and squashed like mud, had taken all fantastic shapes,–now like gnarled tree roots; now like serpents in a coil; here the human form, or a part of it,–a torso or a limb,–in agony; now in other nameless convolutions and contortions, as if heaved up and twisted in fiery pain and suffering,–for there was almost a human feeling in it; and again not unlike stone billows. We could see how the cooling crust had been lifted and split and turned over by the hot stream underneath, which, continually oozing from the rent of the eruption, bore it down and pressed it upward. Even so low as the point where we crossed the lava of 1858 were fissures whence came hot air.
An hour brought us to the resting-place called the Hermitage, an osteria and observatory established by the government. Standing upon the end of a spur, it seems to be safe from the lava, whose course has always been on either side; but it must be an uncomfortable place in a shower of stones and ashes. We rode half an hour longer on horseback, on a nearly level path, to the foot of the steep ascent, the base of the great crater. This ride gave us completely the wide and ghastly desolation of the mountain, the ruin that the lava has wrought upon slopes that were once green with vine and olive, and busy with the hum of life. This black, contorted desert waste is more sterile and hopeless than any mountain of stone, because the idea of relentless destruction is involved here. This great hummocked, sloping plain, ridged and seamed, was all about us, without cheer or relaxation of grim solitude. Before us rose, as black and bare, what the guides call the mountain, and which used to be the crater. Up one side is worked in the lava a zigzag path, steep, but not very fatiguing, if you take it slowly. Two thirds of the way up, I saw specks of people climbing. Beyond it rose the cone of ashes, out of which the great cloud of sulphurous smoke rises and rolls night and day now. On the very edge of that, on the lip of it, where the smoke rose, I also saw human shapes; and it seemed as if they stood on the brink of Tartarus and in momently imminent peril.
We left our horses in a wild spot, where scorched boulders had fallen upon the lava bed; and guides and boys gathered about us like cormorants: but, declining their offers to pull us up, we began the ascent, which took about three quarters of an hour. We were then on the summit, which is, after all, not a summit at all, but an uneven waste, sloping away from the Cone in the center. This sloping lava waste was full of little cracks,–not fissures with hot lava in them, or anything of the sort,–out of which white steam issued, not unlike the smoke from a great patch of burned timber; and the wind blew it along the ground towards us. It was cool, for the sun was hidden by light clouds, but not cold. The ground under foot was slightly warm. I had expected to feel some dread, or shrinking, or at least some sense of insecurity, but I did not the slightest, then or afterwards; and I think mine is the usual experience. I had no more sense of danger on the edge of the crater than I had in the streets of Naples.
We next addressed ourselves to the Cone, which is a loose hill of ashes and sand,–a natural slope, I should say, of about one and a half to one, offering no foothold. The climb is very fatiguing, because you sink in to the ankles, and slide back at every step; but it is short,–we were up in six to eight minutes,–though the ladies, who had been helped a little by the guides, were nearly exhausted, and sank down on the very edge of the crater, with their backs to the smoke. What did we see? What would you see if you looked into a steam boiler? We stood on the ashy edge of the crater, the sharp edge sloping one way down the mountain, and the other into the bowels, whence the thick, stifling smoke rose. We rolled stones down, and heard them rumbling for half a minute. The diameter of the crater on the brink of which we stood was said to be an eighth of a mile; but the whole was completely filled with vapor. The edge where we stood was quite warm.
We ate some rolls we had brought in our pockets, and some of the party tried a bottle of the wine that one of the cormorants had brought up, but found it anything but the Lachryma Christi it was named. We looked with longing eyes down into the vapor-boiling caldron; we looked at the wide and lovely view of land and sea; we tried to realize our awful situation, munched our dry bread, and laughed at the monstrous demands of the vagabonds about us for money, and then turned and went down quicker than we came up.
We had chosen to ascend to the old crater rather than to the new one of the recent eruption on the side of the mountain, where there is nothing to be seen. When we reached the bottom of the Cone, our guide led us to the north side, and into a region that did begin to look like business. The wind drove all the smoke round there, and we were half stifled with sulphur fumes to begin with. Then the whole ground was discolored red and yellow, and with many more gay and sulphur-suggesting colors. And it actually had deep fissures in it, over which we stepped and among which we went, out of which came blasts of hot, horrid vapor, with a roaring as if we were in the midst of furnaces. And if we came near the cracks the heat was powerful in our faces, and if we thrust our sticks down them they were instantly burned; and the guides cooked eggs; and the crust was thin, and very hot to our boots; and half the time we couldn’t see anything; and we would rush away where the vapor was not so thick, and, with handkerchiefs to our mouths, rush in again to get the full effect. After we came out again into better air, it was as if we had been through the burning, fiery furnace, and had the smell of it on our garments. And, indeed, the sulphur had changed to red certain of our clothes, and noticeably my pantaloons and the black velvet cap of one of the ladies; and it was some days before they recovered their color. But, as I say, there was no sense of danger in the adventure.
We descended by a different route, on the south side of the mountain, to our horses, and made a lark of it. We went down an ash slope, very steep, where we sank in a foot or little less at every step, and there was nothing to do for it, but to run and jump. We took steps as long as if we had worn seven-league boots. When the whole party got in motion, the entire slope seemed to slide a little with us, and there appeared some danger of an avalanche. But we did n’t stop for it. It was exactly like plunging down a steep hillside that is covered thickly with light, soft snow. There was a gray-haired gentleman with us, with a good deal of the boy in him, who thought it great fun.
I have said little about the view; but I might have written about nothing else, both in the ascent and descent. Naples, and all the villages which rim the bay with white, the gracefully curving arms that go out to sea, and do not quite clasp rocky Capri, which lies at the entrance, made the outline of a picture of surpassing loveliness. But as we came down, there was a sight that I am sure was unique. As one in a balloon sees the earth concave beneath, so now, from where we stood, it seemed to rise, not fall, to the sea, and all the white villages were raised to the clouds; and by the peculiar light, the sea looked exactly like sky, and the little boats on it seemed to float, like balloons in the air. The illusion was perfect. As the day waned, a heavy cloud hid the sun, and so let down the light that the waters were a dark purple. Then the sun went behind Posilipo in a perfect blaze of scarlet, and all the sea was violet. Only it still was not the sea at all; but the little chopping waves looked like flecked clouds; and it was exactly as if one of the violet, cloud-beautified skies that we see at home over some sunsets had fallen to the ground. And the slant white sails and the black specks of boats on it hung in the sky, and were as unsubstantial as the whole pageant. Capri alone was dark and solid. And as we descended and a high wall hid it, a little handsome rascal, who had attended me for an hour, now at the head and now at the tail of my pony, recalled me to the realities by the request that I should give him a franc. For what? For carrying signor’s coat up the mountain. I rewarded the little liar with a German copper. I had carried my own overcoat all day.
SORRENTO DAYS
OUTLINES
The day came when we tired of the brilliancy and din of Naples, most noisy of cities. Neapolis, or Parthenope, as is well known, was founded by Parthenope, a siren who was cast ashore there. Her descendants still live here; and we have become a little weary of their inherited musical ability: they have learned to play upon many new instruments, with which they keep us awake late at night, and arouse us early in the morning. One of them is always there under the window, where the moonlight will strike him, or the early dawn will light up his love-worn visage, strumming the guitar with his horny thumb, and wailing through his nose as if his throat was full of seaweed. He is as inexhaustible as Vesuvius. We shall have to flee, or stop our ears with wax, like the sailors of Ulysses.
The day came when we had checked off the Posilipo, and the Grotto, Pozzuoli, Baiae, Cape Misenum, the Museum, Vesuvius, Pompeii, Herculaneum, the moderns buried at the Campo Santo; and we said, Let us go and lie in the sun at Sorrento. But first let us settle our geography.
The Bay of Naples, painted and sung forever, but never adequately, must consent to be here described as essentially a parallelogram, with an opening towards the southwest. The northeast side of this, with Naples in the right-hand corner, looking seaward and Castellamare in the left-hand corner, at a distance of some fourteen miles, is a vast rich plain, fringed on the shore with towns, and covered with white houses and gardens. Out of this rises the isolated bulk of Vesuvius. This growing mountain is manufactured exactly like an ant-hill.
The northwest side of the bay, keeping a general westerly direction, is very uneven, with headlands, deep bays, and outlying islands. First comes the promontory of Posilipo, pierced by two tunnels, partly natural and partly Greek and Roman work, above the entrance of one of which is the tomb of Virgil, let us believe; then a beautiful bay, the shore of which is incrusted with classic ruins. On this bay stands Pozzuoli, the ancient Puteoli where St. Paul landed one May day, and doubtless walked up this paved road, which leads direct to Rome. At the entrance, near the head of Posilipo, is the volcanic island of “shining Nisida,” to which Brutus retired after the assassination of Caesar, and where he bade Portia good-by before he departed for Greece and Philippi: the favorite villa of Cicero, where he wrote many of his letters to Atticus, looked on it. Baiae, epitome of the luxury and profligacy, of the splendor and crime of the most sensual years of the Roman empire, spread there its temples, palaces, and pleasure-gardens, which crowded the low slopes, and extended over the water; and yonder is Cape Misenum, which sheltered the great fleets of Rome.
This region, which is still shaky from fires bubbling under the thin crust, through which here and there the sulphurous vapor breaks out, is one of the most sacred in the ancient world. Here are the Lucrine Lake, the Elysian Fields, the cave of the Cumean Sibyl, and the Lake Avernus. This entrance to the infernal regions was frozen over the day I saw it; so that the profane prophecy of skating on the bottomless pit might have been realized. The islands of Procida and Ischia continue and complete this side of the bay, which is about twenty miles long as the boat sails.
At Castellamare the shore makes a sharp bend, and runs southwest along the side of the Sorrentine promontory. This promontory is a high, rocky, diversified ridge, which extends out between the bays of Naples and Salerno, with its short and precipitous slope towards the latter. Below Castellamare, the mountain range of the Great St. Angelo (an offshoot of the Apennines) runs across the peninsula, and cuts off that portion of it which we have to consider. The most conspicuous of the three parts of this short range is over four thousand seven hundred feet above the Bay of Naples, and the highest land on it. From Great St. Angelo to the point, the Punta di Campanella, it is, perhaps, twelve miles by balloon, but twenty by any other conveyance. Three miles off this point lies Capri.
This promontory has a backbone of rocky ledges and hills; but it has at intervals transverse ledges and ridges, and deep valleys and chains cutting in from either side; so that it is not very passable in any direction. These little valleys and bays are warm nooks for the olive and the orange; and all the precipices and sunny slopes are terraced nearly to the top. This promontory of rocks is far from being barren.
>From Castellamare, driving along a winding, rockcut road by the bay,- -one of the most charming in southern Italy,–a distance of seven miles, we reach the Punta di Scutolo. This point, and the opposite headland, the Capo di Sorrento, inclose the Piano di Sorrento, an irregular plain, three miles long, encircled by limestone hills, which protect it from the east and south winds. In this amphitheater it lies, a mass of green foliage and white villages, fronting Naples and Vesuvius.
If nature first scooped out this nook level with the sea, and then filled it up to a depth of two hundred to three hundred feet with volcanic tufa, forming a precipice of that height along the shore, I can understand how the present state of things came about.
This plain is not all level, however. Decided spurs push down into it from the hills; and great chasms, deep, ragged, impassable, split in the tufa, extend up into it from the sea. At intervals, at the openings of these ravines, are little marinas, where the fishermen have their huts’ and where their boats land. Little villages, separate from the world, abound on these marinas. The warm volcanic soil of the sheltered plain makes it a paradise of fruits and flowers.
Sorrento, ancient and romantic city, lies at the southwest end of this plain, built along the sheer sea precipice, and running back to the hills,–a city of such narrow streets, high walls, and luxuriant groves that it can be seen only from the heights adjacent. The ancient boundary of the city proper was the famous ravine on the east side, a similar ravine on the south, which met it at right angles, and was supplemented by a high Roman wall, and the same wall continued on the west to the sea. The growing town has pushed away the wall on the west side; but that on the south yet stands as good as when the Romans made it. There is a little attempt at a mall, with double rows of trees, under that wall, where lovers walk, and ragged, handsome urchins play the exciting game of fives, or sit in the dirt, gambling with cards for the Sorrento currency. I do not know what sin it may be to gamble for a bit of printed paper which has the value of one sou.
The great ravine, three quarters of a mile long, the ancient boundary which now cuts the town in two, is bridged where the main street, the Corso, crosses, the bridge resting on old Roman substructions, as everything else about here does. This ravine, always invested with mystery, is the theme of no end of poetry and legend. Demons inhabit it. Here and there, in its perpendicular sides, steps have been cut for descent. Vines and lichens grow on the walls: in one place, at the bottom, an orange grove has taken root. There is even a mill down there, where there is breadth enough for a building; and altogether, the ravine is not so delivered over to the power of darkness as it used to be. It is still damp and slimy, it is true; but from above, it is always beautiful, with its luxuriant growth of vines, and at twilight mysterious. I like as well, however, to look into its entrance from the little marina, where the old fishwives arc weaving nets.
These little settlements under the cliff, called marinas, are worlds in themselves, picturesque at a distance, but squalid seen close at hand. They are not very different from the little fishing-stations on the Isle of Wight; but they are more sheltered, and their inhabitants sing at their work, wear bright colors, and bask in the sun a good deal, feeling no sense of responsibility for the world they did not create. To weave nets, to fish in the bay, to sell their fish at the wharves, to eat unexciting vegetables and fish, to drink moderately, to go to the chapel of St. Antonino on Sunday, not to work on fast and feast days, nor more than compelled to any day, this is life at the marinas. Their world is what they can see, and Naples is distant and almost foreign. Generation after generation is content with the same simple life. They have no more idea of the bad way the world is in than bees in their cells.
THE VILLA NARDI
The Villa Nardi hangs over the sea. It is built on a rock, and I know not what Roman and Greek foundations, and the remains of yet earlier peoples, traders, and traffickers, whose galleys used to rock there at the base of the cliff, where the gentle waves beat even in this winter-time with a summer swing and sound of peace.
It was at the close of a day in January that I first knew the Villa Nardi,–a warm, lovely day, at the hour when the sun was just going behind the Capo di Sorrento, in order to disrobe a little, I fancy, before plunging into the Mediterranean off the end of Capri, as is his wont about this time of year. When we turned out of the little piazza, our driver was obliged to take off one of our team of three horses driven abreast, so that we could pass through the narrow and crooked streets, or rather lanes of blank walls. With cracking whip, rattling wheels, and shouting to clear the way, we drove into the Strada di San Francisca, and to an arched gateway. This led down a straight path, between olives and orange and lemon-trees, gleaming with shining leaves and fruit of gold, with hedges of rose-trees in full bloom, to another leafy arch, through which I saw tropical trees, and a terrace with a low wall and battered busts guarding it, and beyond, the blue sea, a white sail or two slanting across the opening, and the whiteness of Naples some twenty miles away on the shore.
The noble family of the Villa did not descend into the garden to welcome us, as we should have liked; in fact, they have been absent now for a long time, so long that even their ghosts, if they ever pace the terrace-walk towards the convent, would appear strange to one who should meet them; and yet our hostess, the Tramontano, did what the ancient occupants scarcely could have done, gave us the choice of rooms in the entire house. The stranger who finds himself in this secluded paradise, at this season, is always at a loss whether to take a room on the sea, with all its changeable loveliness, but no sun, or one overlooking the garden, where the sun all day pours itself into the orange boughs, and where the birds are just beginning to get up a spring twitteration. My friend, whose capacity for taking in the luxurious repose of this region is something extraordinary, has tried, I believe, nearly every room in the house, and has at length gone up to a solitary room on the top, where, like a bird on a tree he looks all ways, and, so to say, swings in the entrancing air. But, wherever you are, you will grow into content with your situation.
At the Villa Nardi we have no sound of wheels, no noise of work or traffic, no suggestion of conflict. I am under the impression that everything that was to have been done has been done. I am, it is true, a little afraid that the Saracens will come here again, and carry off more of the nut-brown girls, who lean over the walls, and look down on us from under the boughs. I am not quite sure that a French Admiral of the Republic will not some morning anchor his three-decker in front, and open fire on us; but nothing else can happen. Naples is a thousand miles away. The boom of the saluting guns of Castel Nuovo is to us scarcely an echo of modern life. Rome does not exist. And as for London and New York) they send their people and their newspapers here, but no pulse of unrest from them disturbs our tranquillity. Hemmed in on the land side by high walls, groves, and gardens, perched upon a rock two hundred feet above the water, how much more secure from invasion is this than any fabled island of the southern sea, or any remote stream where the boats of the lotus-eaters float!
There is a little terrace and flower-plat, where we sometimes sit, and over the wall of which we like to lean, and look down the cliff to the sea. This terrace is the common ground of many exotics as well as native trees and shrubs. Here are the magnolia, the laurel, the Japanese medlar, the oleander, the pepper, the bay, the date-palm, a tree called the plumbago, another from the Cape of Good Hope, the pomegranate, the elder in full leaf, the olive, salvia, heliotrope; close by is a banana-tree.