he would be jeered by such remarks as “Nigger, dat cue ain’t no hoe-handle.” I noticed that among this class of colored men the word “nigger” was freely used in about the same sense as the word “fellow,” and sometimes as a term of almost endearment; but I soon learned that its use was positively and absolutely prohibited to white men.
I stood watching this pool game until I was called by my friends, who were still in the bar-room, to go upstairs. On the second floor there were two large rooms. From the hall I looked into the one on the front. There was a large, round table in the center, at which five or six men were seated playing poker. The air and conduct here were greatly in contrast to what I had just seen in the pool-room; these men were evidently the aristocrats of the place; they were well, perhaps a bit flashily, dressed and spoke in low modulated voices, frequently using the word “gentlemen”; in fact, they seemed to be practicing a sort of Chesterfieldian politeness towards each other. I was watching these men with a great deal of interest and some degree of admiration when I was again called by the members of our party, and I followed them on to the back room. There was a door-keeper at this room, and we were admitted only after inspection. When we got inside, I saw a crowd of men of all ages and kinds grouped about an old billiard table, regarding some of whom, in supposing them to be white, I made no mistake. At first I did not know what these men were doing; they were using terms that were strange to me. I could hear only a confusion of voices exclaiming: “Shoot the two!” “Shoot the four!” “Fate me! Fate me!” “I’ve got you fated!” “Twenty-five cents he don’t turn!” This was the ancient and terribly fascinating game of dice, popularly known as “craps.” I myself had played pool in Jacksonville–it is a favorite game among cigar makers–and I had seen others play cards; but here was something new. I edged my way in to the table and stood between one of my new-found New York friends and a tall, slender, black fellow, who was making side bets while the dice were at the other end of the table. My companion explained to me the principles of the game; and they are so simple that they hardly need to be explained twice. The dice came around the table until they reached the man on the other side of the tall, black fellow. He lost, and the latter said: “Gimme the bones.” He threw a dollar on the table and said: “Shoot the dollar.” His style of play was so strenuous that he had to be allowed plenty of room. He shook the dice high above his head, and each time he threw them on the table, he emitted a grunt such as men give when they are putting forth physical exertion with a rhythmic regularity. He frequently whirled completely around on his heels, throwing the dice the entire length of the table, and talking to them as though they were trained animals. He appealed to them in short singsong phrases. “Come, dice,” he would say. “Little Phoebe,” “Little Joe,” “‘Way down yonder in the cornfield.” Whether these mystic incantations were efficacious or not I could not say, but, at any rate, his luck was great, and he had what gamblers term “nerve.” “Shoot the dollar!” “Shoot the two!” “Shoot the four!” “Shoot the eight!” came from his lips as quickly as the dice turned to his advantage. My companion asked me if I had ever played. I told him no. He said that I ought to try my luck: that everybody won at first. The tall man at my side was waving his arms in the air, exclaiming: “Shoot the sixteen!” “Shoot the sixteen!” “Fate me!” Whether it was my companion’s suggestion or some latent dare-devil strain in my blood which suddenly sprang into activity I do not know; but with a thrill of excitement which went through my whole body I threw a twenty-dollar bill on the table and said in a trembling voice: “I fate you.”
I could feel that I had gained the attention and respect of everybody in the room, every eye was fixed on me, and the widespread question, “Who is he?” went around. This was gratifying to a certain sense of vanity of which I have never been able to rid myself, and I felt that it was worth the money even if I lost. The tall man, with a whirl on his heels and a double grunt, threw the dice; four was the number which turned up. This is considered as a hard “point” to make. He redoubled his contortions and his grunts and his pleadings to the dice; but on his third or fourth throw the fateful seven turned up, and I had won. My companion and all my friends shouted to me to follow up my luck. The fever was on me. I seized the dice. My hands were so hot that the bits of bone felt like pieces of ice. I shouted as loudly as I could: “Shoot it all!” but the blood was tingling so about my ears that I could not hear my own voice. I was soon “fated.” I threw the dice–sevens–I had won. “Shoot it all!” I cried again. There was a pause; the stake was more than one man cared to or could cover. I was finally “fated” by several men taking each a part of it. I then threw the dice again. Seven. I had won. “Shoot it all!” I shouted excitedly. After a short delay I was “fated.” Again I rolled the dice. Eleven. Again I won. My friends now surrounded me and, much against my inclination, forced me to take down all of the money except five dollars. I tried my luck once more, and threw some small “point” which failed to make, and the dice passed on to the next man.
In less than three minutes I had won more than two hundred dollars, a sum which afterwards cost me dearly. I was the hero of the moment and was soon surrounded by a group of men who expressed admiration for my “nerve” and predicted for me a brilliant future as a gambler. Although at the time I had no thought of becoming a gambler, I felt proud of my success. I felt a bit ashamed, too, that I had allowed my friends to persuade me to take down my money so soon. Another set of men also got around me and begged me for twenty-five or fifty cents to put them back into the game. I gave each of them something. I saw that several of them had on linen dusters, and as I looked about, I noticed that there were perhaps a dozen men in the room similarly clad. I asked the fellow who had been my prompter at the dice table why they dressed in such a manner. He told me that men who had lost all the money and jewelry they possessed, frequently, in an effort to recoup their losses, would gamble away all their outer clothing and even their shoes; and that the proprietor kept on hand a supply of linen dusters for all who were so unfortunate. My informant went on to say that sometimes a fellow would become almost completely dressed and then, by a turn of the dice, would be thrown back into a state of semi-nakedness. Some of them were virtually prisoners and unable to get into the streets for days at a time. They ate at the lunch counter, where their credit was good so long as they were fair gamblers and did not attempt to jump their debts, and they slept around in chairs. They importuned friends and winners to put them back in the game, and kept at it until fortune again smiled on them. I laughed heartily at this, not thinking the day was coming which would find me in the same ludicrous predicament.
On passing downstairs I was told that the third and top floor of the house was occupied by the proprietor. When we passed through the bar, I treated everybody in the room–and that was no small number, for eight or ten had followed us down. Then our party went out. It was now about half past twelve, but my nerves were at such a tension that I could not endure the mere thought of going to bed. I asked if there was no other place to which we could go; our guides said yes, and suggested that we go to the “Club.” We went to Sixth Avenue, walked two blocks, and turned to the west into another street. We stopped in front of a house with three stories and a basement. In the basement was a Chinese chop-suey restaurant. There was a red lantern at the iron gate to the area way, inside of which the Chinaman’s name was printed. We went up the steps of the stoop, rang the bell, and were admitted without any delay. From the outside the house bore a rather gloomy aspect, the windows being absolutely dark, but within, it was a veritable house of mirth. When we had passed through a small vestibule and reached the hallway, we heard mingled sounds of music and laughter, the clink of glasses, and the pop of bottles. We went into the main room and I was little prepared for what I saw. The brilliancy of the place, the display of diamond rings, scarf-pins, ear-rings, and breast-pins, the big rolls of money that were brought into evidence when drinks were paid for, and the air of gaiety that pervaded the place, all completely dazzled and dazed me. I felt positively giddy, and it was several minutes before I was able to make any clear and definite observations.
We at length secured places at a table in a corner of the room and, as soon as we could attract the attention of one of the busy waiters, ordered a round of drinks. When I had somewhat collected my senses, I realized that in a large back room into which the main room opened, there was a young fellow singing a song, accompanied on the piano by a short, thickset, dark man. After each verse he did some dance steps, which brought forth great applause and a shower of small coins at his feet. After the singer had responded to a rousing encore, the stout man at the piano began to run his fingers up and down the keyboard. This he did in a manner which indicated that he was master of a good deal of technique. Then he began to play; and such playing! I stopped talking to listen. It was music of a kind I had never heard before. It was music that demanded physical response, patting of the feet, drumming of the fingers, or nodding of the head in time with the beat. The barbaric harmonies, the audacious resolutions, often consisting of an abrupt jump from one key to another, the intricate rhythms in which the accents fell in the most unexpected places, but in which the beat was never lost, produced a most curious effect. And, too, the player–the dexterity of his left hand in making rapid octave runs and jumps was little short of marvelous; and with his right hand he frequently swept half the keyboard with clean-cut chromatics which he fitted in so nicely as never to fail to arouse in his listeners a sort of pleasant surprise at the accomplishment of the feat.
This was ragtime music, then a novelty in New York, and just growing to be a rage, which has not yet subsided. It was originated in the questionable resorts about Memphis and St. Louis by Negro piano players who knew no more of the theory of music than they did of the theory of the universe, but were guided by natural musical instinct and talent. It made its way to Chicago, where it was popular some time before it reached New York. These players often improvised crude and, at times, vulgar words to fit the melodies. This was the beginning of the ragtime song. Several of these improvisations were taken down by white men, the words slightly altered, and published under the names of the arrangers. They sprang into immediate popularity and earned small fortunes, of which the Negro originators got only a few dollars. But I have learned that since that time a number of colored men, of not only musical talent, but training, are writing out their own melodies and words and reaping the reward of their work. I have learned also that they have a large number of white imitators and adulterators.
American musicians, instead of investigating ragtime, attempt to ignore it, or dismiss it with a contemptuous word. But that has always been the course of scholasticism in every branch of art. Whatever new thing the people like is pooh-poohed; whatever is popular is spoken of as not worth the while. The fact is, nothing great or enduring, especially in music, has ever sprung full-fledged and unprecedented from the brain of any master; the best that he gives to the world he gathers from the hearts of the people, and runs it through the alembic of his genius. In spite of the bans which musicians and music teachers have placed upon it, the people still demand and enjoy ragtime. One thing cannot be denied; it is music which possesses at least one strong element of greatness: it appeals universally; not only the American, but the English, the French, and even the German people find delight in it. In fact, there is not a corner of the civilized world in which it is not known, and this proves its originality; for if it were an imitation, the people of Europe, anyhow, would not have found it a novelty. Anyone who doubts that there is a peculiar heel-tickling, smile-provoking, joy-awakening charm in ragtime needs only to hear a skillful performer play the genuine article to be convinced. I believe that it has its place as well as the music which draws from us sighs and tears.
I became so interested in both the music and the player that I left the table where I was sitting, and made my way through the hall into the back room, where I could see as well as hear. I talked to the piano-player between the musical numbers and found out that he was just a natural musician, never having taken a lesson in his life. Not only could he play almost anything he heard, but he could accompany singers in songs he had never heard. He had, by ear alone, composed some pieces, several of which he played over for me; each of them was properly proportioned and balanced. I began to wonder what this man with such a lavish natural endowment would have done had he been trained. Perhaps he wouldn’t have done anything at all; he might have become, at best, a mediocre imitator of the great masters in what they have already done to a finish, or one of the modern innovators who strive after originality by seeing how cleverly they can dodge about through the rules of harmony and at the same time avoid melody. It is certain that he would not have been so delightful as he was in ragtime.
I sat by, watching and listening to this man until I was dragged away by my friends. The place was now almost deserted; only a few stragglers hung on, and they were all the, worse for drink. My friends were well up in this class. We passed into the street; the lamps were pale against the sky; day was just breaking. We went home and got into bed. I fell into a fitful sort of sleep, with ragtime music ringing continually in my ears.
VII
I shall take advantage of this pause in my narrative to describe more closely the “Club” spoken of in the latter part of the preceding chapter–to describe it as I afterwards came to know it, as an habitue. I shall do this not only because of the direct influence it had on my life, but also because it was at that time the most famous place of its kind in New York, and was well known to both white and colored people of certain classes.
I have already stated that in the basement of the house there was a Chinese restaurant. The Chinaman who kept it did an exceptionally good business; for chop-suey was a favorite dish among the frequenters of the place. It is a food that, somehow, has the power of absorbing alcoholic liquors that have been taken into the stomach. I have heard men claim that they could sober up on chop-suey. Perhaps that accounted, in some degree, for its popularity. On the main floor there were two large rooms: a parlor about thirty feet in length, and a large, square back room into which the parlor opened. The floor of the parlor was carpeted; small tables and chairs were arranged about the room; the windows were draped with lace curtains, and the walls were literally covered with photographs or lithographs of every colored man in America who had ever “done anything.” There were pictures of Frederick Douglass and of Peter Jackson, of all the lesser lights of the prize-fighting ring, of all the famous jockeys and the stage celebrities, down to the newest song and dance team. The most of these photographs were autographed and, in a sense, made a really valuable collection. In the back room there was a piano, and tables were placed around the wall. The floor was bare and the center was left vacant for singers, dancers, and others who entertained the patrons. In a closet in this room which jutted out into the hall the proprietor kept his buffet. There was no open bar, because the place had no liquor license. In this back room the tables were sometimes pushed aside, and the floor given over to general dancing. The front room on the next floor was a sort of private party room; a back room on the same floor contained no furniture and was devoted to the use of new and ambitious performers. In this room song and dance teams practiced their steps, acrobatic teams practiced their tumbles, and many other kinds of “acts” rehearsed their “turns.” The other rooms of the house were used as sleeping-apartments.
No gambling was allowed, and the conduct of the place was surprisingly orderly. It was, in short, a center of colored Bohemians and sports. Here the great prize fighters were wont to come, the famous jockeys, the noted minstrels, whose names and faces were familiar on every bill-board in the country; and these drew a multitude of those who love to dwell in the shadow of greatness. There were then no organizations giving performances of such order as are now given by several colored companies; that was because no manager could imagine that audiences would pay to see Negro performers in any other role than that of Mississippi River roustabouts; but there was lots of talent and ambition. I often heard the younger and brighter men discussing the time when they would compel the public to recognize that they could do something more than grin and cut pigeon-wings.
Sometimes one or two of the visiting stage professionals, after being sufficiently urged, would go into the back room and take the places of the regular amateur entertainers, but they were very sparing with these favors, and the patrons regarded them as special treats. There was one man, a minstrel, who, whenever he responded to a request to “do something,” never essayed anything below a reading from Shakespeare. How well he read I do not know, but he greatly impressed me; and I can say that at least he had a voice which strangely stirred those who heard it. Here was a man who made people laugh at the size of his mouth, while he carried in his heart a burning ambition to be a tragedian; and so after all he did play a part in a tragedy.
These notables of the ring, the turf, and the stage, drew to the place crowds of admirers, both white and colored. Whenever one of them came in, there were awe-inspired whispers from those who knew him by sight, in which they enlightened those around them as to his identity, and hinted darkly at their great intimacy with the noted one. Those who were on terms of approach immediately showed their privilege over others less fortunate by gathering around their divinity. I was, at first, among those who dwelt in darkness. Most of these celebrities I had never heard of. This made me an object of pity among many of my new associates. I soon learned, however, to fake a knowledge for the benefit of those who were greener than I; and, finally, I became personally acquainted with the majority of the famous personages who came to the “Club.”
A great deal of money was spent here, so many of the patrons were men who earned large sums. I remember one night a dapper little brown-skin fellow was pointed out to me and I was told that he was the most popular jockey of the day, and that he earned $12,000 a year. This latter statement I couldn’t doubt, for with my own eyes I saw him spending at about thirty times that rate. For his friends and those who were introduced to him he bought nothing but wine–in sporting circles, “wine” means champagne–and paid for it at five dollars a quart. He sent a quart to every table in the place with his compliments; and on the table at which he and his party were seated there were more than a dozen bottles. It was the custom at the “Club” for the waiter not to remove the bottles when champagne was being drunk until the party had finished. There were reasons for this; it advertised the brand of wine, it advertised that the party was drinking wine, and advertised how much they had bought. This jockey had won a great race that day, and he was rewarding his admirers for the homage they paid him, all of which he accepted with a fine air of condescension.
Besides the people I have just been describing, there was at the place almost every night one or two parties of white people, men and women, who were out sight-seeing, or slumming. They generally came in cabs; some of them would stay only for a few minutes, while others sometimes stayed until morning. There was also another set of white people who came frequently; it was made up of variety performers and others who delineated “darky characters”; they came to get their imitations first hand from the Negro entertainers they saw there.
There was still another set of white patrons, composed of women; these were not occasional visitors, but five or six of them were regular habituees. When I first saw them, I was not sure that they were white. In the first place, among the many colored women who came to the “Club” there were several just as fair; and, secondly, I always saw these women in company with colored men. They were all good-looking and well-dressed, and seemed to be women of some education. One of these in particular attracted my attention; she was an exceedingly beautiful woman of perhaps thirty-five; she had glistening copper-colored hair, very white skin, and eyes very much like Du Maurier’s conception of Trilby’s “twin gray stars.” When I came to know her, I found that she was a woman of considerable culture; she had traveled in Europe, spoke French, and played the piano well. She was always dressed elegantly, but in absolute good taste. She always came to the “Club” in a cab, and was soon joined by a well-set-up, very black young fellow. He was always faultlessly dressed; one of the most exclusive tailors in New York made his clothes, and he wore a number of diamonds in about as good taste as they could be worn in by a man. I learned that she paid for his clothes and his diamonds. I learned, too, that he was not the only one of his kind. More that I learned would be better suited to a book on social phenomena than to a narrative of my life.
This woman was known at the “Club” as the rich widow. She went by a very aristocratic-sounding name, which corresponded to her appearance. I shall never forget how hard it was for me to get over my feelings of surprise, perhaps more than surprise, at seeing her with her black companion; somehow I never exactly enjoyed the sight. I have devoted so much time to this pair, the “widow” and her companion, because it was through them that another decided turn was brought about in my life.
VIII
On the day following our night at the “Club” we slept until late in the afternoon; so late that beginning search for work was entirely out of the question. This did not cause me much worry, for I had more than three hundred dollars, and New York had impressed me as a place where there was lots of money and not much difficulty in getting it. It is needless to inform my readers that I did not long hold this opinion. We got out of the house about dark, went to a restaurant on Sixth Avenue and ate something, then walked around for a couple of hours. I finally suggested that we visit the same places we had been in the night before. Following my suggestion, we started first to the gambling house. The man on the door let us in without any question; I accredited this to my success of the night before. We went straight to the “crap” room, and I at once made my way to a table, where I was rather flattered by the murmur of recognition which went around. I played in up and down luck for three or four hours; then, worn with nervous excitement, quit, having lost about fifty dollars. But I was so strongly possessed with the thought that I would make up my losses the next time I played that I left the place with a light heart.
When we got into the street our party was divided against itself; two were for going home at once and getting to bed. They gave as a reason that we were to get up early and look for jobs. I think the real reason was that they had each lost several dollars in the game. I lived to learn that in the world of sport all men win alike, but lose differently; and so gamblers are rated, not by the way in which they win, but by the way in which they lose. Some men lose with a careless smile, recognizing that losing is a part of the game; others curse their luck and rail at fortune; and others, still, lose sadly; after each such experience they are swept by a wave of reform; they resolve to stop gambling and be good. When in this frame of mind it would take very little persuasion to lead them into a prayer-meeting. Those in the first class are looked upon with admiration; those in the second class are merely commonplace; while those in the third are regarded with contempt. I believe these distinctions hold good in all the ventures of life. After some minutes one of my friends and I succeeded in convincing the other two that a while at the “Club” would put us all in better spirits; and they consented to go, on our promise not to stay longer than an hour. We found the place crowded, and the same sort of thing going on which we had seen the night before. I took a seat at once by the side of the piano player, and was soon lost to everything except the novel charm of the music. I watched the performer with the idea of catching the trick, and during one of his intermissions I took his place at the piano and made an attempt to imitate him, but even my quick ear and ready fingers were unequal to the task on first trial.
We did not stay at the “Club” very long, but went home to bed in order to be up early the next day. We had no difficulty in finding work, and my third morning in New York found me at a table rolling cigars. I worked steadily for some weeks, at the same time spending my earnings between the “crap” game and the “Club.” Making cigars became more and more irksome to me; perhaps my more congenial work as a “reader” had unfitted me for work at the table. And, too, the late hours I was keeping made such a sedentary occupation almost beyond the powers of will and endurance. I often found it hard to keep my eyes open and sometimes had to get up and move around to keep from falling asleep. I began to miss whole days from the factory, days on which I was compelled to stay at home and sleep.
My luck at the gambling table was varied; sometimes I was fifty to a hundred dollars ahead, and at other times I had to borrow money from my fellow workmen to settle my room rent and pay for my meals. Each night after leaving the dice game I went to the “Club” to hear the music and watch the gaiety. If I had won, this was in accord with my mood; if I had lost, it made me forget. I at last realized that making cigars for a living and gambling for a living could not both be carried on at the same time, and I resolved to give up the cigar making. This resolution led me into a life which held me bound more than a year. During that period my regular time for going to bed was somewhere between four and six o’clock in the mornings. I got up late in the afternoons, walked about a little, then went to the gambling house or the “Club.” My New York was limited to ten blocks; the boundaries were Sixth Avenue from Twenty-third to Thirty-third Streets, with the cross streets one block to the west. Central Park was a distant forest, and the lower part of the city a foreign land. I look back upon the life I then led with a shudder when I think what would have been had I not escaped it. But had I not escaped it, I should have been no more unfortunate than are many young colored men who come to New York. During that dark period I became acquainted with a score of bright, intelligent young fellows who had come up to the great city with high hopes and ambitions and who had fallen under the spell of this under life, a spell they could not throw off. There was one popularly known as “the doctor”; he had had two years in the Harvard Medical School, but here he was, living this gas-light life, his will and moral sense so enervated and deadened that it was impossible for him to break away. I do not doubt that the same thing is going on now, but I have sympathy rather than censure for these victims, for I know how easy it is to slip into a slough from which it takes a herculean effort to leap.
I regret that I cannot contrast my views of life among colored people of New York; but the truth is, during my entire stay in this city I did not become acquainted with a single respectable family. I knew that there were several colored men worth a hundred or so thousand dollars each, and some families who proudly dated their free ancestry back a half-dozen generations. I also learned that in Brooklyn there lived quite a large colony in comfortable homes which they owned; but at no point did my life come in contact with theirs.
In my gambling experiences I passed through all the states and conditions that a gambler is heir to. Some days found me able to peel ten and twenty-dollar bills from a roll, and others found me clad in a linen duster and carpet slippers. I finally caught up another method of earning money, and so did not have to depend entirely upon the caprices of fortune at the gaming table. Through continually listening to the music at the “Club,” and through my own previous training, my natural talent and perseverance, I developed into a remarkable player of ragtime; indeed, I had the name at that time of being the best ragtime-player in New York. I brought all my knowledge of classic music to bear and, in so doing, achieved some novelties which pleased and even astonished my listeners. It was I who first made ragtime transcriptions of familiar classic selections. I used to play Mendelssohn’s “Wedding March” in a manner that never failed to arouse enthusiasm among the patrons of the “Club.” Very few nights passed during which I was not asked to play it. It was no secret that the great increase in slumming visitors was due to my playing. By mastering ragtime I gained several things: first of all, I gained the title of professor. I was known as “the professor” as long as I remained in that world. Then, too, I gained the means of earning a rather fair livelihood. This work took up much of my time and kept me almost entirely away from the gambling table. Through it I also gained a friend who was the means by which I escaped from this lower world. And, finally, I secured a wedge which has opened to me more doors and made me a welcome guest than my playing of Beethoven and Chopin could ever have done.
The greater part of the money I now began to earn came through the friend to whom I alluded in the foregoing paragraph. Among the other white “slummers” there came into the “Club” one night a clean-cut, slender, but athletic-looking man, who would have been taken for a youth had it not been for the tinge of gray about his temples. He was clean-shaven and had regular features, and all of his movements bore the indefinable but unmistakable stamp of culture. He spoke to no one, but sat languidly puffing cigarettes and sipping a glass of beer. He was the center of a great deal of attention; all of the old-timers were wondering who he was. When I had finished playing, he called a waiter and by him sent me a five-dollar bill. For about a month after that he was at the “Club” one or two nights each week, and each time after I had played, he gave me five dollars. One night he sent for me to come to his table; he asked me several questions about myself; then told me that he had an engagement which he wanted me to fill. He gave me a card containing his address and asked me to be there on a certain night.
I was on hand promptly and found that he was giving a dinner in his own apartments to a party of ladies and gentlemen and that I was expected to furnish the musical entertainment. When the grave, dignified man at the door let me in, the place struck me as being almost dark, my eyes had been so accustomed to the garish light of the “Club.” He took my coat and hat, bade me take a seat, and went to tell his master that I had come. When my eyes were adjusted to the soft light, I saw that I was in the midst of elegance and luxury in a degree such as I had never seen; but not the elegance which makes one ill at ease. As I sank into a great chair, the subdued tone, the delicately sensuous harmony of my surroundings, drew from me a deep sigh of relief and comfort. How long the man was gone I do not know, but I was startled by a voice saying: “Come this way, if you please, sir,” and I saw him standing by my chair. I had been asleep; and I awoke very much confused and a little ashamed, because I did not know how many times he may have called me. I followed him through into the dining-room, where the butler was putting the finishing touches to a table which already looked like a big jewel. The doorman turned me over to the butler, and I passed with the butler on back to where several waiters were busy polishing and assorting table utensils. Without being asked whether I was hungry or not, I was placed at a table and given something to eat. Before I had finished eating, I heard the laughter and talk of the guests who were arriving. Soon afterwards I was called in to begin my work.
I passed in to where the company was gathered and went directly to the piano. According to a suggestion from the host, I began with classic music. During the first number there was absolute quiet and appreciative attention, and when I had finished, I was given a round of generous applause. After that the talk and the laughter began to grow until the music was only an accompaniment to the chatter. This, however, did not disconcert me as it once would have done, for I had become accustomed to playing in the midst of uproarious noise. As the guests began to pay less attention to me, I was enabled to pay more to them. There were about a dozen of them. The men ranged in appearance from a girlish-looking youth to a big grizzled man whom everybody addressed as “Judge.” None of the women appeared to be under thirty, but each of them struck me as being handsome. I was not long in finding out that they were all decidedly blase. Several of the women smoked cigarettes, and with a careless grace which showed they were used to the habit. Occasionally a “Damn it!” escaped from the lips of some one of them, but in such a charming way as to rob it of all vulgarity. The most notable thing which I observed was that the reserve of the host increased in direct proportion with the hilarity of his guests. I thought that there was something going wrong which displeased him. I afterwards learned that it was his habitual manner on such occasions. He seemed to take cynical delight in watching and studying others indulging in excess. His guests were evidently accustomed to his rather non-participating attitude, for it did not seem in any degree to dampen their spirits.
When dinner was served, the piano was moved and the door left open, so that the company might hear the music while eating. At a word from the host I struck up one of my liveliest ragtime pieces. The effect was surprising, perhaps even to the host; the ragtime music came very near spoiling the party so far as eating the dinner was concerned. As soon as I began, the conversation suddenly stopped. It was a pleasure to me to watch the expression of astonishment and delight that grew on the faces of everybody. These were people–and they represented a large class–who were ever expecting to find happiness in novelty, each day restlessly exploring and exhausting every resource of this great city that might possibly furnish a new sensation or awaken a fresh emotion, and who were always grateful to anyone who aided them in their quest. Several of the women left the table and gathered about the piano. They watched my fingers and asked what kind of music it was that I was playing, where I had learned it, and a host of other questions. It was only by being repeatedly called back to the table that they were induced to finish their dinner. When the guests arose, I struck up my ragtime transcription of Mendelssohn’s “Wedding March,” playing it with terrific chromatic octave runs in the bass. This raised everybody’s spirits to the highest point of gaiety, and the whole company involuntarily and unconsciously did an impromptu cake-walk. From that time on until the time of leaving they kept me so busy that my arms ached. I obtained a little respite when the girlish-looking youth and one or two of the ladies sang several songs, but after each of these it was “back to ragtime.”
In leaving, the guests were enthusiastic in telling the host that he had furnished them the most unusual entertainment they had ever enjoyed. When they had gone, my millionaire friend–for he was reported to be a millionaire–said to me with a smile: “Well, I have given them something they’ve never had before.” After I had put on my coat and was ready to leave, he made me take a glass of wine; he then gave me a cigar and twenty dollars in bills. He told me that he would give me lots of work, his only stipulation being that I should not play any engagements such as I had just filled for him, except by his instructions. I readily accepted the proposition, for I was sure that I could not be the loser by such a contract. I afterwards played for him at many dinners and parties of one kind or another. Occasionally he “loaned” me to some of his friends. And, too, I often played for him alone at his apartments. At such times he was quite a puzzle to me until I became accustomed to his manners. He would sometimes sit for three or four hours hearing me play, his eyes almost closed, making scarcely a motion except to light a fresh cigarette, and never commenting one way or another on the music. At first I sometimes thought he had fallen asleep and would pause in playing. The stopping of the music always aroused him enough to tell me to play this or that; and I soon learned that my task was not to be considered finished until he got up from his chair and said: “That will do.” The man’s powers of endurance in listening often exceeded mine in performing–yet I am not sure that he was always listening. At times I became so oppressed with fatigue and sleepiness that it took almost superhuman effort to keep my fingers going; in fact, I believe I sometimes did so while dozing. During such moments this man sitting there so mysteriously silent, almost hid in a cloud of heavy-scented smoke, filled me with a sort of unearthly terror. He seemed to be some grim, mute, but relentless tyrant, possessing over me a supernatural power which he used to drive me on mercilessly to exhaustion. But these feelings came very rarely; besides, he paid me so liberally I could forget much. There at length grew between us a familiar and warm relationship, and I am sure he had a decided personal liking for me. On my part, I looked upon him at that time as about all a man could wish to be.
The “Club” still remained my headquarters, and when I was not playing for my good patron, I was generally to be found there. However, I no longer depended on playing at the “Club” to earn my living; I rather took rank with the visiting celebrities and, occasionally, after being sufficiently urged, would favor my old and new admirers with a number or two. I say, without any egotistic pride, that among my admirers were several of the best-looking women who frequented the place, and who made no secret of the fact that they admired me as much as they did my playing. Among these was the “widow”; indeed, her attentions became so marked that one of my friends warned me to beware of her black companion, who was generally known as a “bad man.” He said there was much more reason to be careful because the pair had lately quarreled and had not been together at the “Club” for some nights. This warning greatly impressed me and I resolved to stop the affair before it should go any further; but the woman was so beautiful that my native gallantry and delicacy would not allow me to repulse her; my finer feelings entirely overcame my judgment. The warning also opened my eyes sufficiently to see that though my artistic temperament and skill made me interesting and attractive to the woman, she was, after all, using me only to excite the jealousy of her companion and revenge herself upon him. It was this surly, black despot who held sway over her deepest emotions.
One night, shortly afterwards, I went into the “Club” and saw the “widow” sitting at a table in company with another woman. She at once beckoned for me to come to her. I went, knowing that I was committing worse than folly. She ordered a quart of champagne and insisted that I sit down and drink with her. I took a chair on the opposite side of the table and began to sip a glass of the wine. Suddenly I noticed by an expression on the “widow’s” face that something had occurred.
I instinctively glanced around and saw that her companion had just entered. His ugly look completely frightened me. My back was turned to him, but by watching the “widow’s” eyes I judged that he was pacing back and forth across the room. My feelings were far from being comfortable; I expected every moment to feel a blow on my head. She, too, was very nervous; she was trying hard to appear unconcerned, but could not succeed in hiding her real feelings. I decided that it was best to get out of such a predicament even at the expense of appearing cowardly, and I made a motion to rise. Just as I partly turned in my chair, I saw the black fellow approaching; he walked directly to our table and leaned over. The “widow” evidently feared he was going to strike her, and she threw back her head. Instead of striking her he whipped out a revolver and fired; the first shot went straight into her throat. There were other shots fired, but how many I do not know; for the first knowledge I had of my surroundings and actions was that I was rushing through the chop-suey restaurant into the street. Just which streets I followed when I got outside I do not know, but I think I must have gone towards Eighth Avenue, then down towards Twenty-third Street and across towards Fifth Avenue. I traveled, not by sight, but instinctively. I felt like one fleeing in a horrible nightmare.
How long and far I walked I cannot tell; but on Fifth Avenue, under a light, I passed a cab containing a solitary occupant, who called to me, and I recognized the voice and face of my millionaire friend. He stopped the cab and asked: “What on earth are you doing strolling in this part of the town?” For answer I got into the cab and related to him all that had happened. He reassured me by saying that no charge of any kind could be brought against me; then added: “But of course you don’t want to be mixed up in such an affair.” He directed the driver to turn around and go into the park, and then went on to say: “I decided last night that I’d go to Europe tomorrow. I think I’ll take you along instead of Walter.” Walter was his valet. It was settled that I should go to his apartments for the rest of the night and sail with him in the morning.
We drove around through the park, exchanging only an occasional word. The cool air somewhat calmed my nerves and I lay back and closed my eyes; but still I could see that beautiful white throat with the ugly wound. The jet of blood pulsing from it had placed an indelible red stain on my memory.
IX
I did not feel at ease until the ship was well out of New York harbor; and, notwithstanding the repeated reassurances of my millionaire friend and my own knowledge of the facts in the case, I somehow could not rid myself of the sentiment that I was, in a great degree, responsible for the “widow’s” tragic end. We had brought most of the morning papers aboard with us, but my great fear of seeing my name in connection with the killing would not permit me to read the accounts, although, in one of the papers, I did look at the picture of the victim, which did not in the least resemble her. This morbid state of mind, together with sea-sickness, kept me miserable for three or four days. At the end of that time my spirits began to revive, and I took an interest in the ship, my fellow passengers, and the voyage in general. On the second or third day out we passed several spouting whales, but I could not arouse myself to make the effort to go to the other side of the ship to see them. A little later we ran in close proximity to a large iceberg. I was curious enough to get up and look at it, and I was fully repaid for my pains. The sun was shining full upon it, and it glistened like a mammoth diamond, cut with a million facets. As we passed, it constantly changed its shape; at each different angle of vision it assumed new and astonishing forms of beauty. I watched it through a pair of glasses, seeking to verify my early conception of an iceberg–in the geographies of my grammar school days the pictures of icebergs always included a stranded polar bear, standing desolately upon one of the snowy crags. I looked for the bear, but if he was there, he refused to put himself on exhibition.
It was not, however, until the morning that we entered the harbor of Havre that I was able to shake off my gloom. Then the strange sights, the chatter in an unfamiliar tongue, and the excitement of landing and passing the customs officials caused me to forget completely the events of a few days before. Indeed, I grew so lighthearted that when I caught my first sight of the train which was to take us to Paris, I enjoyed a hearty laugh. The toy-looking engine, the stuffy little compartment cars, with tiny, old-fashioned wheels, struck me as being extremely funny. But before we reached Paris my respect for our train rose considerably. I found that the “tiny” engine made remarkably fast time, and that the old-fashioned wheels ran very smoothly. I even began to appreciate the “stuffy” cars for their privacy. As I watched the passing scenery from the car window, it seemed too beautiful to be real. The bright-colored houses against the green background impressed me as the work of some idealistic painter. Before we arrived in Paris, there was awakened in my heart a love for France which continued to grow stronger, a love which to-day makes that country for me the one above all others to be desired.
We rolled into the station Saint Lazare about four o’clock in the afternoon and drove immediately to the Hotel Continental. My benefactor, humoring my curiosity and enthusiasm, which seemed to please him very much, suggested that we take a short walk before dinner. We stepped out of the hotel and turned to the right into the rue de Rivoli. When the vista of the Place de la Concorde and the Champs Elysees suddenly burst on me, I could hardly credit my own eyes. I shall attempt no such supererogatory task as a description of Paris. I wish only to give briefly the impressions which that wonderful city made upon me. It impressed me as the perfect and perfectly beautiful city; and even after I had been there for some time, and seen not only its avenues and palaces, but its most squalid alleys and hovels, this impression was not weakened. Paris became for me a charmed spot, and whenever I have returned there, I have fallen under the spell, a spell which compels admiration for all of its manners and customs and justification of even its follies and sins.
We walked a short distance up the Champs Elysees and sat for a while in chairs along the sidewalk, watching the passing crowds on foot and in carriages. It was with reluctance that I went back to the hotel for dinner. After dinner we went to one of the summer theatres, and after the performance my friend took me to a large cafe on one of the Grands Boulevards. Here it was that I had my first glimpse of the French life of popular literature, so different from real French life. There were several hundred people, men and women, in the place drinking, smoking, talking, and listening to the music. My millionaire friend and I took seats at a table, where we sat smoking and watching the crowd. It was not long before we were joined by two or three good-looking, well-dressed young women. My friend talked to them in French and bought drinks for the whole party. I tried to recall my high-school French, but the effort availed me little. I could stammer out a few phrases, but, very naturally, could not understand a word that was said to me. We stayed at the cafe a couple of hours, then went back to the hotel. The next day we spent several hours in the shops and at the tailor’s. I had no clothes except what I had been able to gather together at my benefactor’s apartments the night before we sailed. He bought me the same kind of clothes which he himself wore, and that was the best; and he treated me in every way as he dressed me, as an equal, not as a servant. In fact, I don’t think anyone could have guessed that such a relation existed. My duties were light and few, and he was a man full of life and vigor, who rather enjoyed doing things for himself. He kept me supplied with money far beyond what ordinary wages would have amounted to. For the first two weeks we were together almost constantly, seeing the sights, sights old to him, but from which he seemed to get new pleasure in showing them to me. During the day we took in the places of interest, and at night the theatres and cafes. This sort of life appealed to me as ideal, and I asked him one day how long he intended to stay in Paris. He answered: “Oh, until I get tired of it.” I could not understand how that could ever happen. As it was, including several short trips to the Mediterranean, to Spain, to Brussels, and to Ostend, we did remain there fourteen or fifteen months. We stayed at the Hotel Continental about two months of this time. Then my millionaire took apartments, hired a piano, and lived almost the same life he lived in New York. He entertained a great deal, some of the parties being a good deal more blase than the New York ones. I played for the guests at all of them with an effect which to relate would be but a tiresome repetition to the reader. I played not only for the guests, but continued, as I used to do in New York, to play often for the host when he was alone. This man of the world, who grew weary of everything and was always searching for something new, appeared never to grow tired of my music; he seemed to take it as a drug. He fell into a habit which caused me no little annoyance; sometimes he would come in during the early hours of the morning and, finding me in bed asleep, would wake me up and ask me to play something. This, so far as I can remember, was my only hardship during my whole stay with him in Europe.
After the first few weeks spent in sight-seeing I had a great deal of time left to myself; my friend was often I did not know where. When not with him, I spent the day nosing about all the curious nooks and corners of Paris; of this I never grew tired. At night I usually went to some theatre, but always ended up at the big cafe on the Grands Boulevards. I wish the reader to know that it was not alone the gaiety which drew me there; aside from that I had a laudable purpose. I had purchased an English-French conversational dictionary, and I went there every night to take a language lesson. I used to get three or four of the young women who frequented the place at a table and buy beer and cigarettes for them. In return I received my lesson. I got more than my money’s worth, for they actually compelled me to speak the language. This, together with reading the papers every day, enabled me within a few months to express myself fairly well, and, before I left Paris, to have more than an ordinary command of French. Of course, every person who goes to Paris could not dare to learn French in this manner, but I can think of no easier or quicker way of doing it. The acquiring of another foreign language awoke me to the fact that with a little effort I could secure an added accomplishment as fine and as valuable as music; so I determined to make myself as much of a linguist as possible. I bought a Spanish newspaper every day in order to freshen my memory of that language, and, for French, devised what was, so far as I knew, an original system of study. I compiled a list which I termed “Three hundred necessary words.” These I thoroughly committed to memory, also the conjugation of the verbs which were included in the list. I studied these words over and over, much as children of a couple of generations ago studied the alphabet. I also practiced a set of phrases like the following: “How?” “What did you say?” “What does the word —- mean?” “I understand all you say except —-.” “Please repeat.” “What do you call —-?” “How do you say —-?” These I called my working sentences. In an astonishingly short time I reached the point where the language taught itself–where I learned to speak merely by speaking. This point is the place which students taught foreign languages in our schools and colleges find great difficulty in reaching. I think the main trouble is that they learn too much of a language at a time. A French child with a vocabulary of two hundred words can express more spoken ideas than a student of French can with a knowledge of two thousand. A small vocabulary, the smaller the better, which embraces the common, everyday-used ideas, thoroughly mastered, is the key to a language. When that much is acquired the vocabulary can be increased simply by talking. And it is easy. Who cannot commit three hundred words to memory? Later I tried my method, if I may so term it, with German, and found that it worked in the same way.
I spent a good many evenings at the Opera. The music there made me strangely reminiscent of my life in Connecticut; it was an atmosphere in which I caught a fresh breath of my boyhood days and early youth. Generally, in the morning after I had attended a performance, I would sit at the piano and for a couple of hours play the music which I used to play in my mother’s little parlor.
One night I went to hear _Faust_. I got into my seat just as the lights went down for the first act. At the end of the act I noticed that my neighbor on the left was a young girl. I cannot describe her either as to feature, or color of her hair, or of her eyes; she was so young, so fair, so ethereal, that I felt to stare at her would be a violation; yet I was distinctly conscious of her beauty. During the intermission she spoke English in a low voice to a gentleman and a lady who sat in the seats to her left, addressing them as father and mother. I held my program as though studying it, but listened to catch every sound of her voice. Her observations on the performance and the audience were so fresh and naive as to be almost amusing. I gathered that she was just out of school, and that this was her first trip to Paris. I occasionally stole a glance at her, and each time I did so my heart leaped into my throat. Once I glanced beyond to the gentleman who sat next to her. My glance immediately turned into a stare. Yes, there he was, unmistakably, my father! looking hardly a day older than when I had seen him some ten years before. What a strange coincidence! What should I say to him? What would he say to me? Before I had recovered from my first surprise, there came another shock in the realization that the beautiful, tender girl at my side was my sister. Then all the springs of affection in my heart, stopped since my mother’s death, burst out in fresh and terrible torrents, and I could have fallen at her feet and worshiped her. They were singing the second act, but I did not hear the music. Slowly the desolate loneliness of my position became clear to me. I knew that I could not speak, but I would have given a part of my life to touch her hand with mine and call her “sister.” I sat through the opera until I could stand it no longer. I felt that I was suffocating. Valentine’s love seemed like mockery, and I felt an almost uncontrollable impulse to rise up and scream to the audience: “Here, here in your very midst, is a tragedy, a real tragedy!” This impulse grew so strong that I became afraid of myself, and in the darkness of one of the scenes I stumbled out of the theatre. I walked aimlessly about for an hour or so, my feelings divided between a desire to weep and a desire to curse. I finally took a cab and went from cafe to cafe, and for one of the very few times in my life drank myself into a stupor.
It was unwelcome news for me when my benefactor–I could not think of him as employer–informed me that he was at last tired of Paris. This news gave me, I think, a passing doubt as to his sanity. I had enjoyed life in Paris, and, taking all things into consideration, enjoyed it wholesomely. One thing which greatly contributed to my enjoyment was the fact that I was an American. Americans are immensely popular in Paris; and this is not due solely to the fact that they spend lots of money there, for they spend just as much or more in London, and in the latter city they are merely tolerated because they do spend. The Londoner seems to think that Americans are people whose only claim to be classed as civilized is that they have money, and the regrettable thing about that is that the money is not English. But the French are more logical and freer from prejudices than the British; so the difference of attitude is easily explained. Only once in Paris did I have cause to blush for my American citizenship. I had become quite friendly with a young man from Luxemburg whom I had met at the big cafe. He was a stolid, slow-witted fellow, but, as we say, with a heart of gold. He and I grew attached to each other and were together frequently. He was a great admirer of the United States and never grew tired of talking to me about the country and asking for information. It was his intention to try his fortune there some day. One night he asked me in a tone of voice which indicated that he expected an authoritative denial of an ugly rumor: “Did they really burn a man alive in the United States?” I never knew what I stammered out to him as an answer. I should have felt relieved if I could even have said to him: “Well, only one.”
When we arrived in London, my sadness at leaving Paris was turned into despair. After my long stay in the French capital, huge, ponderous, massive London seemed to me as ugly a thing as man could contrive to make. I thought of Paris as a beauty spot on the face of the earth, and of London as a big freckle. But soon London’s massiveness, I might say its very ugliness, began to impress me. I began to experience that sense of grandeur which one feels when he looks at a great mountain or a mighty river. Beside London Paris becomes a toy, a pretty plaything. And I must own that before I left the world’s metropolis I discovered much there that was beautiful. The beauty in and about London is entirely different from that in and about Paris; and I could not but admit that the beauty of the French city seemed hand-made, artificial, as though set up for the photographer’s camera, everything nicely adjusted so as not to spoil the picture; while that of the English city was rugged, natural, and fresh.
How these two cities typify the two peoples who built them! Even the sound of their names expresses a certain racial difference. Paris is the concrete expression of the gaiety, regard for symmetry, love of art, and, I might well add, of the morality of the French people. London stands for the conservatism, the solidarity, the utilitarianism, and, I might well add, the hypocrisy of the Anglo-Saxon. It may sound odd to speak of the morality of the French, if not of the hypocrisy of the English; but this seeming paradox impresses me as a deep truth. I saw many things in Paris which were immoral according to English standards, but the absence of hypocrisy, the absence of the spirit to do the thing if it might only be done in secret, robbed these very immoralities of the damning influence of the same evils in London. I have walked along the terrace cafes of Paris and seen hundreds of men and women sipping their wine and beer, without observing a sign of drunkenness. As they drank, they chatted and laughed and watched the passing crowds; the drinking seemed to be a secondary thing. This I have witnessed, not only in the cafes along the Grands Boulevards, but in the out-of-the-way places patronized by the working classes. In London I have seen in the “pubs” men and women crowded in stuffy little compartments, drinking seemingly only for the pleasure of swallowing as much as they could hold. I have seen there women from eighteen to eighty, some in tatters, and some clutching babes in their arms, drinking the heavy English ales and whiskies served to them by women. In the whole scene, not one ray of brightness, not one flash of gaiety, only maudlin joviality or grim despair. And I have thought, if some men and women will drink–and it is certain that some will–is it not better that they do so under the open sky, in the fresh air, than huddled together in some close, smoky room? There is a sort of frankness about the evils of Paris which robs them of much of the seductiveness of things forbidden, and with that frankness goes a certain cleanliness of thought belonging to things not hidden. London will do whatever Paris does, provided exterior morals are not shocked. As a result, Paris has the appearance only of being the more immoral city. The difference may be summed up in this: Paris practices its sins as lightly as it does its religion, while London practices both very seriously.
I should not neglect to mention what impressed me most forcibly during my stay in London. It was not St. Paul’s nor the British Museum nor Westminster Abbey. It was nothing more or less than the simple phrase “Thank you,” or sometimes more elaborated, “Thank you very kindly, sir.” I was continually surprised by the varied uses to which it was put; and, strange to say, its use as an expression of politeness seemed more limited than any other. One night I was in a cheap music hall and accidentally bumped into a waiter who was carrying a tray-load of beer, almost bringing him to several shillings’ worth of grief. To my amazement he righted himself and said: “Thank ye, sir,” and left me wondering whether he meant that he thanked me for not completely spilling his beer, or that he would thank me for keeping out of his way.
I also found cause to wonder upon what ground the English accuse Americans of corrupting the language by introducing slang words. I think I heard more and more different kinds of slang during my few weeks’ stay in London than in my whole “tenderloin” life in New York. But I suppose the English feel that the language is theirs, and that they may do with it as they please without at the same time allowing that privilege to others.
My millionaire was not so long in growing tired of London as of Paris. After a stay of six or eight weeks we went across into Holland. Amsterdam was a great surprise to me. I had always thought of Venice as the city of canals; it had never entered my mind that I should find similar conditions in a Dutch town. I don’t suppose the comparison goes far beyond the fact that there are canals in both cities–I have never seen Venice–but Amsterdam struck me as being extremely picturesque. From Holland we went to Germany, where we spent five or six months, most of the time in Berlin. I found Berlin more to my taste than London, and occasionally I had to admit that in some things it was superior to Paris.
In Berlin I especially enjoyed the orchestral concerts, and I attended a large number of them. I formed the acquaintance of a good many musicians, several of whom spoke of my playing in high terms. It was in Berlin that my inspiration was renewed.
One night my millionaire entertained a party of men composed of artists, musicians, writers, and, for aught I know, a count or two. They drank and smoked a great deal, talked art and music, and discussed, it seemed to me, everything that ever entered man’s mind. I could only follow the general drift of what they were saying. When they discussed music, it was more interesting to me; for then some fellow would run excitedly to the piano and give a demonstration of his opinions, and another would follow quickly, doing the same. In this way, I learned that, regardless of what his specialty might be, every man in the party was a musician. I was at the same time impressed with the falsity of the general idea that Frenchmen are excitable and emotional, and that Germans are calm and phlegmatic. Frenchmen are merely gay and never overwhelmed by their emotions. When they talk loud and fast, it is merely talk, while Germans get worked up and red in the face when sustaining an opinion, and in heated discussions are likely to allow their emotions to sweep them off their feet.
My millionaire planned, in the midst of the discussion on music, to have me play the “new American music” and astonish everybody present. The result was that I was more astonished than anyone else. I went to the piano and played the most intricate ragtime piece I knew. Before there was time for anybody to express an opinion on what I had done, a big bespectacled, bushy-headed man rushed over, and, shoving me out of the chair, exclaimed: “Get up! Get up!” He seated himself at the piano, and, taking the theme of my ragtime, played it through first in straight chords; then varied and developed it through every known musical form. I sat amazed. I had been turning classic music into ragtime, a comparatively easy task; and this man had taken ragtime and made it classic. The thought came across me like a flash–It can be done, why can’t I do it? From that moment my mind was made up. I clearly saw the way of carrying out the ambition I had formed when a boy.
I now lost interest in our trip. I thought: “Here I am a man, no longer a boy, and what am I doing but wasting my time and abusing my talent? What use am I making of my gifts? What future have I before me following my present course?” These thoughts made me feel remorseful and put me in a fever to get to work, to begin to do something. Of course I know now that I was not wasting time; that there was nothing I could have done at that age which would have benefited me more than going to Europe as I did. The desire to begin work grew stronger each day. I could think of nothing else. I made up my mind to go back into the very heart of the South, to live among the people, and drink in my inspiration firsthand. I gloated over the immense amount of material I had to work with, not only modern ragtime, but also the old slave songs–material which no one had yet touched.
The more decided and anxious I became to return to the United States, the more I dreaded the ordeal of breaking with my millionaire. Between this peculiar man and me there had grown a very strong bond of affection, backed up by a debt which each owed to the other. He had taken me from a terrible life in New York and, by giving me the opportunity of traveling and of coming in contact with the people with whom he associated, had made me a polished man of the world. On the other hand, I was his chief means of disposing of the thing which seemed to sum up all in life that he dreaded–time. As I remember him now, I can see that time was what he was always endeavoring to escape, to bridge over, to blot out; and it is not strange that some years later he did escape it forever, by leaping into eternity.
For some weeks I waited for just the right moment in which to tell my patron of my decision. Those weeks were a trying time to me. I felt that I was playing the part of a traitor to my best friend. At length, one day he said to me: “Well, get ready for a long trip; we are going to Egypt, and then to Japan.” The temptation was for an instant almost overwhelming, but I summoned determination enough to say: “I don’t think I want to go.” “What!” he exclaimed, “you want to go back to your dear Paris? You still think that the only spot on earth? Wait until you see Cairo and Tokyo, you may change your mind.” “No,” I stammered, “it is not because I want to go back to Paris. I want to go back to the United States.” He wished to know my reason, and I told him, as best I could, my dreams, my ambition, and my decision. While I was talking, he watched me with a curious, almost cynical, smile growing on his lips. When I had finished he put his hand on my shoulder–this was the first physical expression of tender regard he had ever shown me–and looking at me in a big-brotherly way, said: “My boy, you are by blood, by appearance, by education, and by tastes a white man. Now, why do you want to throw your life away amidst the poverty and ignorance, in the hopeless struggle, of the black people of the United States? Then look at the terrible handicap you are placing on yourself by going home and working as a Negro composer; you can never be able to get the hearing for your work which it might deserve. I doubt that even a white musician of recognized ability could succeed there by working on the theory that American music should be based on Negro themes. Music is a universal art; anybody’s music belongs to everybody; you can’t limit it to race or country. Now, if you want to become a composer, why not stay right here in Europe? I will put you under the best teachers on the Continent. Then if you want to write music on Negro themes, why, go ahead and do it.”
We talked for some time on music and the race question. On the latter subject I had never before heard him express any opinion. Between him and me no suggestion of racial differences had ever come up. I found that he was a man entirely free from prejudice, but he recognized that prejudice was a big stubborn entity which had to be taken into account. He went on to say: “This idea you have of making a Negro out of yourself is nothing more than a sentiment; and you do not realize the fearful import of what you intend to do. What kind of a Negro would you make now, especially in the South? If you had remained there, or perhaps even in your club in New York, you might have succeeded very well; but now you would be miserable. I can imagine no more dissatisfied human being than an educated, cultured, and refined colored man in the United States. I have given more study to the race question in the United States than you may suppose, and I sympathize with the Negroes there; but what’s the use? I can’t right their wrongs, and neither can you; they must do that themselves. They are unfortunate in having wrongs to right, and you would be foolish to take their wrongs unnecessarily on your shoulders. Perhaps some day, through study and observation, you will come to see that evil is a force, and, like the physical and chemical forces, we cannot annihilate it; we may only change its form. We light upon one evil and hit it with all the might of our civilization, but only succeed in scattering it into a dozen other forms. We hit slavery through a great civil war. Did we destroy it? No, we only changed it into hatred between sections of the country: in the South, into political corruption and chicanery, the degradation of the blacks through peonage, unjust laws, unfair and cruel treatment; and the degradation of the whites by their resorting to these practices, the paralyzation of the public conscience, and the ever over-hanging dread of what the future may bring. Modern civilization hit ignorance of the masses through the means of popular education. What has it done but turn ignorance into anarchy, socialism, strikes, hatred between poor and rich, and universal discontent? In like manner, modern philanthropy hit at suffering and disease through asylums and hospitals; it prolongs the sufferers’ lives, it is true, but is, at the same time, sending down strains of insanity and weakness into future generations. My philosophy of life is this: make yourself as happy as possible, and try to make those happy whose lives come in touch with yours; but to attempt to right the wrongs and ease the sufferings of the world in general is a waste of effort. You had just as well try to bail the Atlantic by pouring the water into the Pacific.”
This tremendous flow of serious talk from a man I was accustomed to see either gay or taciturn so surprised and overwhelmed me that I could not frame a reply. He left me thinking over what he had said. Whatever was the soundness of his logic or the moral tone of his philosophy, his argument greatly impressed me. I could see, in spite of the absolute selfishness upon which it was based, that there was reason and common sense in it. I began to analyze my own motives, and found that they, too, were very largely mixed with selfishness. Was it more a desire to help those I considered my people, or more a desire to distinguish myself, which was leading me back to the United States? That is a question I have never definitely answered.
For several weeks longer I was in a troubled state of mind. Added to the fact that I was loath to leave my good friend was the weight of the question he had aroused in my mind, whether I was not making a fatal mistake. I suffered more than one sleepless night during that time. Finally, I settled the question on purely selfish grounds, in accordance with my millionaire’s philosophy. I argued that music offered me a better future than anything else I had any knowledge of, and, in opposition to my friend’s opinion, that I should have greater chances of attracting attention as a colored composer than as a white one. But I must own that I also felt stirred by an unselfish desire to voice all the joys and sorrows, the hopes and ambitions, of the American Negro, in classic musical form.
When my mind was fully made up, I told my friend. He asked me when I intended to start. I replied that I would do so at once. He then asked me how much money I had. I told him that I had saved several hundred dollars out of sums he had given me. He gave me a check for five hundred dollars, told me to write to him in care of his Paris bankers if I ever needed his help, wished me good luck, and bade me good-by. All this he did almost coldly; and I often wondered whether he was in a hurry to get rid of what he considered a fool, or whether he was striving to hide deeper feelings.
And so I separated from the man who was, all in all, the best friend I ever had, except my mother, the man who exerted the greatest influence ever brought into my life, except that exerted by my mother. My affection for him was so strong, my recollections of him are so distinct, he was such a peculiar and striking character, that I could easily fill several chapters with reminiscences of him; but for fear of tiring the reader I shall go on with my narration.
I decided to go to Liverpool and take ship for Boston. I still had an uneasy feeling about returning to New York; and in a few days I found myself aboard ship headed for home.
X
Among the first of my fellow-passengers of whom I took any particular notice was a tall, broad-shouldered, almost gigantic, colored man. His dark-brown face was clean-shaven; he was well-dressed and bore a decidedly distinguished air. In fact, if he was not handsome, he at least compelled admiration for his fine physical proportions. He attracted general attention as he strode the deck in a sort of majestic loneliness. I became curious to know who he was and determined to strike up an acquaintance with him at the first opportune moment. The chance came a day or two later. He was sitting in the smoking-room, with a cigar, which had gone out, in his mouth, reading a novel. I sat down beside him and, offering him a fresh cigar, said: “You don’t mind my telling you something unpleasant, do you?” He looked at me with a smile, accepted the proffered cigar, and replied in a voice which comported perfectly with his size and appearance: “I think my curiosity overcomes any objections I might have.” “Well,” I said, “have you noticed that the man who sat at your right in the saloon during the first meal has not sat there since?” He frowned slightly without answering my question. “Well,” I continued, “he asked the steward to remove him; and not only that, he attempted to persuade a number of the passengers to protest against your presence in the dining-saloon.” The big man at my side took a long draw from his cigar, threw his head back, and slowly blew a great cloud of smoke toward the ceiling. Then turning to me he said: “Do you know, I don’t object to anyone’s having prejudices so long as those prejudices don’t interfere with my personal liberty. Now, the man you are speaking of had a perfect right to change his seat if I in any way interfered with his appetite or his digestion. I should have no reason to complain if he removed to the farthest corner of the saloon, or even if he got off the ship; but when his prejudice attempts to move _me_ one foot, one inch, out of the place where I am comfortably located, then I object.” On the word “object” he brought his great fist down on the table in front of us with such a crash that everyone in the room turned to look. We both covered up the slight embarrassment with a laugh and strolled out on the deck.
We walked the deck for an hour or more, discussing different phases of the Negro question. In referring to the race I used the personal pronoun “we”; my companion made no comment about it, nor evinced any surprise, except to raise his eyebrows slightly the first time he caught the significance of the word. He was the broadest-minded colored man I have ever talked with on the Negro question. He even went so far as to sympathize with and offer excuses for some white Southern points of view. I asked him what were his main reasons for being so hopeful. He replied: “In spite of all that is written, said, and done, this great, big, incontrovertible fact stands out–the Negro is progressing, and that disproves all the arguments in the world that he is incapable of progress. I was born in slavery, and at emancipation was set adrift a ragged, penniless bit of humanity. I have seen the Negro in every grade, and I know what I am talking about. Our detractors point to the increase of crime as evidence against us; certainly we have progressed in crime as in other things; what less could be expected? And yet, in this respect, we are far from the point which has been reached by the more highly civilized white race. As we continue to progress, crime among us will gradually lose much of its brutal, vulgar, I might say healthy, aspect, and become more delicate, refined, and subtle. Then it will be less shocking and noticeable, although more dangerous to society.” Then dropping his tone of irony, he continued with some show of eloquence: “But, above all, when I am discouraged and disheartened, I have this to fall back on: if there is a principle of right in the world, which finally prevails, and I believe that there is; if there is a merciful but justice-loving God in heaven, and I believe that there is, we shall win; for we have right on our side, while those who oppose us can defend themselves by nothing in the moral law, nor even by anything in the enlightened thought of the present age.”
For several days, together with other topics, we discussed the race problem, not only of the United States, but as it affected native Africans and Jews. Finally, before we reached Boston, our conversation had grown familiar and personal. I had told him something of my past and much about my intentions for the future. I learned that he was a physician, a graduate of Howard University, Washington, and had done post-graduate work in Philadelphia; and this was his second trip abroad to attend professional courses. He had practiced for some years in the city of Washington, and though he did not say so, I gathered that his practice was a lucrative one. Before we left the ship, he had made me promise that I would stop two or three days in Washington before going on south.
We put up at a hotel in Boston for a couple of days and visited several of my new friend’s acquaintances; they were all people of education and culture and, apparently, of means. I could not help being struck by the great difference between them and the same class of colored people in the South. In speech and thought they were genuine Yankees. The difference was especially noticeable in their speech. There was none of that heavy-tongued enunciation which characterizes even the best-educated colored people of the South. It is remarkable, after all, what an adaptable creature the Negro is. I have seen the black West Indian gentleman in London, and he is in speech and manners a perfect Englishman. I have seen natives of Haiti and Martinique in Paris, and they are more Frenchy than a Frenchman. I have no doubt that the Negro would make a good Chinaman, with exception of the pigtail.
My stay in Washington, instead of being two or three days, was two or three weeks. This was my first visit to the national capital, and I was, of course, interested in seeing the public buildings and something of the working of the government; but most of my time I spent with the doctor among his friends and acquaintances. The social phase of life among colored people is more developed in Washington than in any other city in the country. This is on account of the large number of individuals earning good salaries and having a reasonable amount of leisure time to draw from. There are dozens of physicians and lawyers, scores of school teachers, and hundreds of clerks in the departments. As to the colored department clerks, I think it fair to say that in educational equipment they average above the white clerks of the same grade; for, whereas a colored college graduate will seek such a job, the white university man goes into one of the many higher vocations which are open to him.
In a previous chapter I spoke of social life among colored people; so there is no need to take it up again here. But there is one thing I did not mention: among Negroes themselves there is the peculiar inconsistency of a color question. Its existence is rarely admitted and hardly ever mentioned; it may not be too strong a statement to say that the greater portion of the race is unconscious of its influence; yet this influence, though silent, is constant. It is evidenced most plainly in marriage selection; thus the black men generally marry women fairer than themselves; while, on the other hand, the dark women of stronger mental endowment are very often married to light-complexioned men; the effect is a tendency toward lighter complexions, especially among the more active elements in the race. Some might claim that this is a tacit admission of colored people among themselves of their own inferiority judged by the color line. I do not think so. What I have termed an inconsistency is, after all, most natural; it is, in fact, a tendency in accordance with what might be called an economic necessity. So far as racial differences go, the United States puts a greater premium on color, or, better, lack of color, than upon anything else in the world. To paraphrase, “Have a white skin, and all things else may be added unto you.” I have seen advertisements in newspapers for waiters, bell-boys, or elevator men, which read: “Light-colored man wanted.” It is this tremendous pressure which the sentiment of the country exerts that is operating on the race. There is involved not only the question of higher opportunity, but often the question of earning a livelihood; and so I say it is not strange, but a natural tendency. Nor is it any more a sacrifice of self-respect that a black man should give to his children every advantage he can which complexion of the skin carries than that the new or vulgar rich should purchase for their children the advantages which ancestry, aristocracy, and social position carry. I once heard a colored man sum it up in these words: “It’s no disgrace to be black, but it’s often very inconvenient.”
Washington shows the Negro not only at his best, but also at his worst. As I drove around with the doctor, he commented rather harshly on those of the latter class which we saw. He remarked: “You see those lazy, loafing, good-for-nothing darkies; they’re not worth digging graves for; yet they are the ones who create impressions of the race for the casual observer. It’s because they are always in evidence on the street corners, while the rest of us are hard at work, and you know a dozen loafing darkies make a bigger crowd and a worse impression in this country than fifty white men of the same class. But they ought not to represent the race. We are the race, and the race ought to be judged by us, not by them. Every race and every nation should be judged by the best it has been able to produce, not by the worst.”
The recollection of my stay in Washington is a pleasure to me now. In company with the doctor I visited Howard University, the public schools, the excellent colored hospital, with which he was in some way connected, if I remember correctly, and many comfortable and even elegant homes. It was with some reluctance that I continued my journey south. The doctor was very kind in giving me letters to people in Richmond and Nashville when I told him that I intended to stop in both of these cities. In Richmond a man who was then editing a very creditable colored newspaper gave me a great deal of his time and made my stay there of three or four days very pleasant. In Nashville I spent a whole day at Fisk University, the home of the “Jubilee Singers,” and was more than repaid for my time. Among my letters of introduction was one to a very prosperous physician. He drove me about the city and introduced me to a number of people. From Nashville I went to Atlanta, where I stayed long enough to gratify an old desire to see Atlanta University again. I then continued my journey to Macon.
During the trip from Nashville to Atlanta I went into the smoking-compartment of the car to smoke a cigar. I was traveling in a Pullman, not because of an abundance of funds, but because through my experience with my millionaire a certain amount of comfort and luxury had become a necessity to me whenever it was obtainable. When I entered the car, I found only a couple of men there; but in a half-hour there were half a dozen or more. From the general conversation I learned that a fat Jewish-looking man was a cigar manufacturer, and was experimenting in growing Havana tobacco in Florida; that a slender bespectacled young man was from Ohio and a professor in some State institution in Alabama; that a white-mustached, well-dressed man was an old Union soldier who had fought through the Civil War; and that a tall, raw-boned, red-faced man, who seemed bent on leaving nobody in ignorance of the fact that he was from Texas, was a cotton planter.
In the North men may ride together for hours in a “smoker” and unless they are acquainted with each other never exchange a word; in the South men thrown together in such manner are friends in fifteen minutes. There is always present a warm-hearted cordiality which will melt down the most frigid reserve. It may be because Southerners are very much like Frenchmen in that they must talk; and not only must they talk, but they must express their opinions.
The talk in the car was for a while miscellaneous–on the weather, crops, business prospects; the old Union soldier had invested capital in Atlanta, and he predicted that that city would soon be one of the greatest in the country. Finally the conversation drifted to politics; then, as a natural sequence, turned upon the Negro question.
In the discussion of the race question the diplomacy of the Jew was something to be admired; he had the faculty of agreeing with everybody without losing his allegiance to any side. He knew that to sanction Negro oppression would be to sanction Jewish oppression and would expose him to a shot along that line from the old soldier, who stood firmly on the ground of equal rights and opportunity to all men; long traditions and business instincts told him when in Rome to act as a Roman. Altogether his position was a delicate one, and I gave him credit for the skill he displayed in maintaining it. The young professor was apologetic. He had had the same views as the G.A.R. man; but a year in the South had opened his eyes, and he had to confess that the problem could hardly be handled any better than it was being handled by the Southern whites. To which the G.A.R. man responded somewhat rudely that he had spent ten times as many years in the South as his young friend and that he could easily understand how holding a position in a State institution in Alabama would bring about a change of views. The professor turned very red and had very little more to say. The Texan was fierce, eloquent, and profane in his argument, and, in a lower sense, there was a direct logic in what he said, which was convincing; it was only by taking higher ground, by dealing in what Southerners call “theories,” that he could be combated. Occasionally some one of the several other men in the “smoker” would throw in a remark to reinforce what he said, but he really didn’t need any help; he was sufficient in himself.
In the course of a short time the controversy narrowed itself down to an argument between the old soldier and the Texan. The latter maintained hotly that the Civil War was a criminal mistake on the part of the North and that the humiliation which the South suffered during Reconstruction could never be forgotten. The Union man retorted just as hotly that the South was responsible for the war and that the spirit of unforgetfulness on its part was the greatest cause of present friction; that it seemed to be the one great aim of the South to convince the North that the latter made a mistake in fighting to preserve the Union and liberate the slaves. “Can you imagine,” he went on to say, “what would have been the condition of things eventually if there had been no war, and the South had been allowed to follow its course? Instead of one great, prosperous country with nothing before it but the conquests of peace, a score of petty republics, as in Central and South America, wasting their energies in war with each other or in revolutions.”
“Well,” replied the Texan, “anything–no country at all–is better than having niggers over you. But anyhow, the war was fought and the niggers were freed; for it’s no use beating around the bush, the niggers, and not the Union, was the cause of it; and now do you believe that all the niggers on earth are worth the good white blood that was spilt? You freed the nigger and you gave him the ballot, but you couldn’t make a citizen out of him. He don’t know what he’s voting for, and we buy ’em like so many hogs. You’re giving ’em education, but that only makes slick rascals out of ’em.”
“Don’t fancy for a moment,” said the Northern man, “that you have any monopoly in buying ignorant votes. The same thing is done on a larger scale in New York and Boston, and in Chicago and San Francisco; and they are not black votes either. As to education’s making the Negro worse, you might just as well tell me that religion does the same thing. And, by the way, how many educated colored men do you know personally?”
The Texan admitted that he knew only one, and added that he was in the penitentiary. “But,” he said, “do you mean to claim, ballot or no ballot, education or no education, that niggers are the equals of white men?”
“That’s not the question,” answered the other, “but if the Negro is so distinctly inferior, it is a strange thing to me that it takes such tremendous effort on the part of the white man to make him realize it, and to keep him in the same place into which inferior men naturally fall. However, let us grant for sake of argument that the Negro is inferior in every respect to the white man; that fact only increases our moral responsibility in regard to our actions toward him. Inequalities of numbers, wealth, and power, even of intelligence and morals, should make no difference in the essential rights of men.”
“If he’s inferior and weaker, and is shoved to the wall, that’s his own look-out,” said the Texan. “That’s the law of nature; and he’s bound to go to the wall; for no race in the world has ever been able to stand competition with the Anglo-Saxon. The Anglo-Saxon race has always been and always will be the masters of the world, and the niggers in the South ain’t going to change all the records of history.”
“My friend,” said the old soldier slowly, “if you have studied history, will you tell me, as confidentially between white men, what the Anglo-Saxon has ever done?”
The Texan was too much astonished by the question to venture any reply.
His opponent continued: “Can you name a single one of the great fundamental and original intellectual achievements which have raised man in the scale of civilization that may be credited to the Anglo-Saxon? The art of letters, of poetry, of music, of sculpture, of painting, of the drama, of architecture; the science of mathematics, of astronomy, of philosophy, of logic, of physics, of chemistry, the use of the metals, and the principles of mechanics, were all invented or discovered by darker and what we now call inferior races and nations. We have carried many of these to their highest point of perfection, but the foundation was laid by others. Do you know the only original contribution to civilization we can claim is what we have done in steam and electricity and in making implements of war more deadly? And there we worked largely on principles which we did not discover. Why, we didn’t even originate the religion we use. We are a great race, the greatest in the world today, but we ought to remember that we are standing on a pile of past races, and enjoy our position with a little less show of arrogance. We are simply having our turn at the game, and we were a long time getting to it. After all, racial supremacy is merely a matter of dates in history. The man here who belongs to what is, all in all, the greatest race the world ever produced, is almost ashamed to own it. If the Anglo-Saxon is the source of everything good and great in the human race from the beginning, why wasn’t the German forest the birthplace of civilization, rather than the valley of the Nile?”
The Texan was somewhat disconcerted, for the argument had passed a little beyond his limits, but he swung it back to where he was sure of his ground by saying: “All that may be true, but it hasn’t got much to do with us and the niggers here in the South. We’ve got ’em here, and we’ve got ’em to live with, and it’s a question of white man or nigger, no middle ground. You want us to treat niggers as equals. Do you want to see ’em sitting around in our parlors? Do you want to see a mulatto South? To bring it right home to you, would you let your daughter marry a nigger?”
“No, I wouldn’t consent to my daughter’s marrying a nigger, but that doesn’t prevent my treating a black man fairly. And I don’t see what fair treatment has to do with niggers sitting around in your parlors; they can’t come there unless they’re invited. Out of all the white men I know, only a hundred or so have the privilege of sitting around in my parlor. As to the mulatto South, if you Southerners have one boast that is stronger than another, it is your women; you put them on a pinnacle of purity and virtue and bow down in a chivalric worship before them; yet you talk and act as though, should you treat the Negro fairly and take the anti-inter-marriage laws off your statute books, these same women would rush into the arms of black lovers and husbands. It’s a wonder to me that they don’t rise up and resent the insult.”
“Colonel,” said the Texan, as he reached into his handbag and brought out a large flask of whisky, “you might argue from now until hell freezes over, and you might convince me that you’re right, but you’ll never convince me that I’m wrong. All you say sounds very good, but it’s got nothing to do with facts. You can say what men ought to be, but they ain’t that; so there you are. Down here in the South we’re up against facts, and we’re meeting ’em like facts. We don’t believe the nigger is or ever will be the equal of the white man, and we ain’t going to treat him as an equal; I’ll be damned if we will. Have a drink.” Everybody except the professor partook of the generous Texan’s flask, and the argument closed in a general laugh and good feeling.
I went back into the main part of the car with the conversation on my mind. Here I had before me the bald, raw, naked aspects of the race question in the South; and, in consideration of the step I was just taking, it was far from encouraging. The sentiments of the Texan–and he expressed the sentiments of the South–fell upon me like a chill. I was sick at heart. Yet I must confess that underneath it all I felt a certain sort of admiration for the man who could not be swayed from what he held as his principles. Contrasted with him, the young Ohio professor was indeed a pitiable character. And all along, in spite of myself, I have been compelled to accord the same kind of admiration to the Southern white man for the manner in which he defends not only his virtues, but his vices. He knows that, judged by a high standard, he is narrow and prejudiced, that he is guilty of unfairness, oppression, and cruelty, but this he defends as stoutly as he would his better qualities. This same spirit obtains in a great degree among the blacks; they, too, defend their faults and failings. This they generally do whenever white people are concerned. And yet among themselves they are their own most merciless critics. I have never heard the race so terribly arraigned as I have by colored speakers to strictly colored audiences. It is the spirit of the South to defend everything belonging to it. The North is too cosmopolitan and tolerant for such a spirit. If you should say to an Easterner that Paris is a gayer city than New York, he would be likely to agree with you, or at least to let you have your own way; but to suggest to a South Carolinian that Boston is a nicer city to live in than Charleston would be to stir his greatest depths of argument and eloquence.
But to-day, as I think over that smoking-car argument, I can see it in a different light. The Texan’s position does not render things so hopeless, for it indicates that the main difficulty of the race question does not lie so much in the actual condition of the blacks as it does in the mental attitude of the whites; and a mental attitude, especially one not based on truth, can be changed more easily than actual conditions. That is to say, the burden of the question is not that the whites are struggling to save ten million despondent and moribund people from sinking into a hopeless slough of ignorance, poverty, and barbarity in their very midst, but that they are unwilling to open certain doors of opportunity and to accord certain treatment to ten million aspiring, education-and-property-acquiring people. In a word, the difficulty of the problem is not so much due to the facts presented as to the hypothesis assumed for its solution. In this it is similar to the problem of the solar system. By a complex, confusing, and almost contradictory mathematical process, by the use of zigzags instead of straight lines, the earth can be proved to be the center of things celestial; but by an operation so simple that it can be comprehended by a schoolboy, its position can be verified among the other worlds which revolve about the sun, and its movements harmonized with the laws of the universe. So, when the white race assumes as a hypothesis that it is the main object of creation and that all things else are merely subsidiary to its well-being, sophism, subterfuge, perversion of conscience, arrogance, injustice, oppression, cruelty, sacrifice of human blood, all are required to maintain the position, and its dealings with other races become indeed a problem, a problem which, if based on a hypothesis of common humanity, could be solved by the simple rules of justice.
When I reached Macon, I decided to leave my trunk and all my surplus belongings, to pack my bag, and strike out into the interior. This I did; and by train, by mule and ox-cart, I traveled through many counties. This was my first real experience among rural colored people, and all that I saw was interesting to me; but there was a great deal which does not require description at my hands; for log cabins and plantations and dialect-speaking “darkies” are perhaps better known in American literature than any other single picture of our national life. Indeed, they form an ideal and exclusive literary concept of the American Negro to such an extent that it is almost impossible to get the reading public to recognize him in any other setting; so I shall endeavor to avoid giving the reader any already overworked and hackneyed descriptions. This generally accepted literary ideal of the American Negro constitutes what is really an obstacle in the way of the thoughtful and progressive element of the race. His character has been established as a happy-go-lucky, laughing, shuffling, banjo-picking being, and the reading public has not yet been prevailed upon to take him seriously. His efforts to elevate himself socially are looked upon as a sort of absurd caricature of “white civilization.” A novel dealing with colored people who lived in respectable homes and amidst a fair degree of culture and who naturally acted “just like white folks” would be taken in a comic-opera sense. In this respect the Negro is much in the position of a great comedian who gives up the lighter roles to play tragedy. No matter how well he may portray the deeper passions, the public is loath to give him up in his old character; they even conspire to make him a failure in serious work, in order to force him back into comedy. In the same respect, the public is not too much to be blamed, for great comedians are far more scarce than mediocre tragedians; every amateur actor is a tragedian. However, this very fact constitutes the opportunity of the future Negro novelist and poet to give the country something new and unknown, in depicting the life, the ambitions, the struggles, and the passions of those of their race who are striving to break the narrow limits of traditions. A beginning has already been made in that remarkable book by Dr. Du Bois, _The Souls of Black Folk_.
Much, too, that I saw while on this trip, in spite of my enthusiasm, was disheartening. Often I thought of what my millionaire had said to me, and wished myself back in Europe. The houses in which I had to stay were generally uncomfortable, sometimes worse. I often had to sleep in a division or compartment with several other people. Once or twice I was not so fortunate as to find divisions; everybody slept on pallets on the floor. Frequently I was able to lie down and contemplate the stars which were in their zenith. The food was at times so distasteful and poorly cooked that I could not eat it. I remember that once I lived for a week or more on buttermilk, on account of not being able to stomach the fat bacon, the rank turnip-tops, and the heavy damp mixture of meal, salt, and water which was called corn bread. It was only my ambition to do the work which I had planned that kept me steadfast to my purpose. Occasionally I would meet with some signs of progress and uplift in even one of these back-wood settlements–houses built of boards, with windows, and divided into rooms; decent food, and a fair standard of living. This condition was due to the fact that there was in the community some exceptionally capable Negro farmer whose thrift served as an example. As I went about among these dull, simple people–the great majority of them hard working, in their relations with the whites submissive, faithful, and often affectionate, negatively content with their lot–and contrasted them with those of the race who had been quickened by the forces of thought, I could not but appreciate the logic of the position held by those Southern leaders who have been bold enough to proclaim against the education of the Negro. They are consistent in their public speech with Southern sentiment and desires. Those public men of the South who have not been daring or heedless enough to defy the ideals of twentieth-century civilization and of modern humanitarianism and philanthropy, find themselves in the embarrassing situation of preaching one thing and praying for another. They are in the position of the fashionable woman who is compelled by the laws of polite society to say to her dearest enemy: “How happy I am to see you!”
And yet in this respect how perplexing is Southern character; for, in opposition to the above, it may be said that the claim of the Southern whites that they love the Negro better than the Northern whites do is in a manner true. Northern white people love the Negro in a sort of abstract way, as a race; through a sense of justice, charity, and philanthropy, they will liberally assist in his elevation. A number of them have heroically spent their lives in this effort (and just here I wish to say that when the colored people reach the monument-building stage, they should not forget the men and women who went South after the war and founded schools for them). Yet, generally speaking, they have no particular liking for individuals of the race. Southern white people despise the Negro as a race, and will do nothing to aid in his elevation as such; but for certain individuals they have a strong affection, and are helpful to them in many ways. With these individual members of the race they live on terms of the greatest intimacy; they entrust to them their children, their family treasures, and their family secrets; in trouble they often go to them for comfort and counsel; in sickness they often rely upon their care. This affectionate relation between the Southern whites and those blacks who come into close touch with them has not been overdrawn even in fiction.
This perplexity of Southern character extends even to the intermixture of the races. That is spoken of as though it were dreaded worse than smallpox, leprosy, or the plague. Yet, when I was in Jacksonville, I knew several prominent families there with large colored branches, which went by the same name and were known and acknowledged as blood relatives. And what is more, there seemed to exist between these black brothers and sisters and uncles and aunts a decidedly friendly feeling.
I said above that Southern whites would do nothing for the Negro as a race. I know the South claims that it has spent millions for the education of the blacks, and that it has of its own free will shouldered this awful burden. It seems to be forgetful of the fact that these millions have been taken from the public tax funds for education, and that the law of political economy which recognizes the land owner as the one who really pays the taxes is not tenable. It would be just as reasonable for the relatively few land owners of Manhattan to complain that they had to stand the financial burden of the education of the thousands and thousands of children whose parents pay rent for tenements and flats. Let the millions of producing and consuming Negroes be taken out of the South, and it would be quickly seen how much less of public funds there would be to appropriate for education or any other purpose.
In thus traveling about through the country I was sometimes amused on arriving at some little railroad-station town to be taken for and treated as a white man, and six hours later, when it was learned that I was stopping at the house of the colored preacher or school teacher, to note the attitude of the whole town change. At times this led even to embarrassment. Yet it cannot be so embarrassing for a colored man to be taken for white as for a white man to be taken for colored; and I have heard of several cases of the latter kind.
All this while I was gathering material for work, jotting down in my note-book themes and melodies, and trying to catch the spirit of the Negro in his relatively primitive state. I began to feel the necessity of hurrying so that I might get back to some city like Nashville to begin my compositions and at the same time earn at least a living by teaching and performing before my funds gave out. At the last settlement in which I stopped I found a mine of material. This was due to the fact that “big meeting” was in progress. “Big meeting” is an institution something like camp-meeting, the difference being that it is held in a permanent church, and not in a temporary structure. All the churches of some one denomination–of course, either Methodist or Baptist–in a county, or, perhaps, in several adjoining counties, are closed, and the congregations unite at some centrally located church for a series of meetings lasting a week. It is really a social as well as a religious function. The people come in great numbers, making the trip, according to their financial status, in buggies drawn by sleek, fleet-footed mules, in ox-carts, or on foot. It was amusing to see some of the latter class trudging down the hot and dusty road, with their shoes, which were brand-new, strung across their shoulders. When they got near the church, they sat on the side of the road and, with many grimaces, tenderly packed their feet into those instruments of torture. This furnished, indeed, a trying test of their religion. The famous preachers come from near and far and take turns in warning sinners of the day of wrath. Food, in the form of those two Southern luxuries, fried chicken and roast pork, is plentiful, and no one need go hungry. On the opening Sunday the women are immaculate in starched stiff white dresses adorned with ribbons, either red or blue. Even a great many of the men wear streamers of vari-colored ribbons in the buttonholes of their coats. A few of them carefully cultivate a forelock of hair by wrapping it in twine, and on such festive occasions decorate it with a narrow ribbon streamer. Big meetings afford a fine opportunity to the younger people to meet each other dressed in their Sunday clothes, and much rustic courting, which is as enjoyable as any other kind, is indulged in.
This big meeting which I was lucky enough to catch was particularly well attended; the extra large attendance was due principally to two attractions, a man by the name of John Brown, who was renowned as the most powerful preacher for miles around; and a wonderful leader of singing, who was known as “Singing Johnson.” These two men were a study and a revelation to me. They caused me to reflect upon how great an influence their types have been in the development of the Negro in America. Both these types are now looked upon generally with condescension or contempt by the progressive element among the colored people; but it should never be forgotten that it was they who led the race from paganism and kept it steadfast to Christianity through all the long, dark years of slavery.
John Brown was a jet-black man of medium size, with a strikingly intelligent head and face, and a voice like an organ peal. He preached each night after several lesser lights had successively held the pulpit during an hour or so. As far as subject-matter is concerned, all of the sermons were alike: each began with the fall of man, ran through various trials and tribulations of the Hebrew children, on to the redemption by Christ, and ended with a fervid picture of the judgment day and the fate of the damned. But John Brown possessed magnetism and an imagination so free and daring that he was able to carry through what the other preachers would not attempt. He knew all the arts and tricks of oratory, the modulation of the voice to almost a whisper, the pause for effect, the rise through light, rapid-fire sentences to the terrific, thundering outburst of an electrifying climax. In addition, he had the intuition of a born theatrical manager. Night after night this man held me fascinated. He convinced me that, after all, eloquence consists more in the manner of saying than in what is said. It is largely a matter of tone pictures.
The most striking example of John Brown’s magnetism and imagination was his “heavenly march”; I shall never forget how it impressed me when I heard it. He opened his sermon in the usual way; then, proclaiming to his listeners that he was going to take them on the heavenly march, he seized the Bible under his arm and began to pace up and down the pulpit platform. The congregation immediately began with their feet a tramp, tramp, tramp, in time with the preacher’s march in the pulpit, all the while singing in an undertone a hymn about marching to Zion. Suddenly he cried: “Halt!” Every foot stopped with the precision of a company of well-drilled soldiers, and the singing ceased. The morning star had been reached. Here the preacher described the beauties of that celestial body. Then the march, the tramp, tramp, tramp, and the singing were again taken up. Another “Halt!” They had reached the evening star. And so on, past the sun and moon–the intensity of religious emotion all the time increasing–along the milky way, on up to the gates of heaven. Here the halt was longer, and the preacher described at length the gates and walls of the New Jerusalem. Then he took his hearers through the pearly gates, along the golden streets, pointing out the glories of the city, pausing occasionally to greet some patriarchal members of the church, well-known to most of his listeners in life, who had had “the tears wiped from their eyes, were clad in robes of spotless white, with crowns of gold upon their heads and harps within their hands,” and ended his march before the great white throne. To the reader this may sound ridiculous, but listened to under the circumstances, it was highly and effectively dramatic. I was a more or less sophisticated and non-religious man of the world, but the torrent of the preacher’s words, moving with the rhythm and glowing with the eloquence of primitive poetry, swept me along, and I, too, felt like joining in the shouts of “Amen! Hallelujah!”
John Brown’s powers in describing the delights of heaven were no greater than those in depicting the horrors of hell. I saw great, strapping fellows trembling and weeping like children at the “mourners’ bench.” His warnings to sinners were truly terrible. I shall never forget one expression that he used, which for originality and aptness could not be excelled. In my opinion, it is more graphic and, for us, far more expressive than St. Paul’s “It is hard to kick against the pricks.” He struck the attitude of a pugilist and thundered out: “Young man, your arm’s too short to box with God!”
Interesting as was John Brown to me, the other man, “Singing Johnson,” was more so. He was a small, dark-brown, one-eyed man, with a clear, strong, high-pitched voice, a leader of singing, a maker of songs, a man who could improvise at the moment lines to fit the occasion. Not so striking a figure as John Brown, but, at “big meetings,” equally important. It is indispensable to the success of the singing, when the congregation is a large one made up of people from different communities, to have someone with a strong voice who knows just what hymn to sing and when to sing it, who can pitch it in the right key, and who has all the leading lines committed to memory. Sometimes it devolves upon the leader to “sing down” a long-winded or uninteresting speaker. Committing to memory the leading lines of all the Negro spiritual songs is no easy task, for they run up into the hundreds. But the accomplished leader must know them all, because the congregation sings only the refrains and repeats; every ear in the church is fixed upon him, and if he becomes mixed in his lines or forgets them, the responsibility falls directly on his shoulders.
For example, most of these hymns are constructed to be sung in the following manner:
Leader. _Swing low, sweet chariot._
Congregation. _Coming for to carry me home._ Leader. _Swing low, sweet chariot._
Congregation. _Coming for to carry me home._ Leader. _I look over yonder, what do I see?_ Congregation. _Coming for to carry me home._ Leader. _Two little angels coming after me._ Congregation. _Coming for to carry me home…._
The solitary and plaintive voice of the leader is answered by a sound like the roll of the sea, producing a most curious effect.
In only a few of these songs do the leader and the congregation start off together. Such a song is the well-known “Steal away to Jesus.”
The leader and the congregation begin with part-singing:
_Steal away, steal away,
Steal away to Jesus;
Steal away, steal away home,
I ain’t got long to stay here._
Then the leader alone or the congregation in unison:
_My Lord he calls me,
He calls me by the thunder,
The trumpet sounds within-a my soul._
Then all together:
_I ain’t got long to stay here._
The leader and the congregation again take up the opening refrain; then the leader sings three more leading lines alone, and so on almost _ad infinitum_. It will be seen that even here most of the work falls upon the leader, for the congregation sings the same lines over and over, while his memory and ingenuity are taxed to keep the songs going.
Generally the parts taken up by the congregation are sung in a three-part harmony, the women singing the soprano and a transposed tenor, the men with high voices singing the melody, and those with low voices a thundering bass. In a few of these songs, however, the leading part is sung in unison by the whole congregation, down to the last line, which is harmonized. The effect of this is intensely thrilling. Such a hymn is “Go down, Moses.” It stirs the heart like a trumpet call.
“Singing Johnson” was an ideal leader, and his services were in great demand. He spent his time going about the country from one church to another. He received his support in much the same way as the preachers–part of a collection, food and lodging. All of his leisure time he devoted to originating new words and melodies and new lines for old songs. He always sang with his eyes–or, to be more exact, his eye–closed, indicating the _tempo_ by swinging his head to and fro. He was a great judge of the proper hymn to sing at a particular moment; and I noticed several times, when the preacher reached a certain climax, or expressed a certain sentiment, that Johnson broke in with a line or two of some appropriate hymn. The speaker understood and would pause until the singing ceased.
As I listened to the singing of these songs, the wonder of their production grew upon me more and more. How did the men who originated them manage to do it? The sentiments are easily accounted for; they are mostly taken from the Bible; but the melodies, where did they come from? Some of them so weirdly sweet, and others so wonderfully strong. Take, for instance, “Go down, Moses.” I doubt that there is a stronger theme in the whole musical literature of the world. And so many of these songs contain more than mere melody; there is sounded in them that elusive undertone, the note in music which is not heard with the ears. I sat often with the tears rolling down my cheeks and my heart melted within me. Any musical person who has never heard a Negro congregation under the spell of religious fervor sing these old songs has missed one of the most thrilling emotions which the human heart may experience. Anyone who without shedding tears can listen to Negroes sing “Nobody knows de trouble I see, Nobody knows but Jesus” must indeed have a heart of stone.
As yet, the Negroes themselves do not fully appreciate these old slave songs. The educated classes are rather ashamed of them and prefer to sing hymns from books. This feeling is natural; they are still too close to the conditions under which the songs were produced; but the day will come when this slave music will be the most treasured heritage of the American Negro.
At the close of the “big meeting” I left the settlement where it was being held, full of enthusiasm. I was in that frame of mind which, in the artistic temperament, amounts to inspiration. I was now ready and anxious to get to some place where I might settle down to work, and give expression to the ideas which were teeming in my head; but I strayed into another deviation from my path of life as I had it marked out, which led me upon an entirely different road. Instead of going to the nearest and most convenient railroad station, I accepted the invitation of a young man who had been present the closing Sunday at the meeting to drive with him some miles farther to the town in which he taught school, and there take the train. My conversation with this young man as we drove along through the country was extremely interesting. He had been a student in one of the Negro colleges–strange coincidence, in the very college, as I learned through him, in which “Shiny” was now a professor. I was, of course, curious to hear about my boyhood friend; and had it not been vacation time, and that I was not sure that I should find him, I should have gone out of my way to pay him a visit; but I determined to write to him as soon as the school opened. My companion talked to me about his work among the people, of his hopes and his discouragements. He was tremendously in earnest; I might say, too much so. In fact, it may be said that the majority of intelligent colored people are, in some degree, too much in earnest over the race question. They assume and carry so much that their progress is at times impeded and they are unable to see things in their proper proportions. In many instances a slight exercise of the sense of humor would save much anxiety of soul. Anyone who marks the general tone of editorials in colored newspapers