keeps on, we shall all go mad; but then we shall none of us be able to criticise the others. Or possibly the thing may work its own cure. You know the ingenuity of the political economists in justifying the egotism to which conditions appeal. They do not deny that these foster greed and rapacity in merciless degree, but they contend that when the wealth- winner drops off gorged there is a kind of miracle wrought, and good comes of it all. I never could see how; but if it is true, why shouldn’t a sort of ultimate immunity come back to us from the very excess and invasion of the appeals now made to us, and destined to be made to us still more by the adsmith? Come, isn’t there hope in that?”
“I see a great opportunity for the wofsmith in some such dream,” said my friend. “Why don’t you turn it to account?”
“You know that isn’t my line; I must leave that sort of wofsmithing to the romantic novelist. Besides, I have my well-known panacea for all the ills our state is heir to, in a civilization which shall legislate foolish and vicious and ugly and adulterate things out of the possibility of existence. Most of the adsmithing is now employed in persuading people that such things are useful, beautiful, and pure. But in any civilization they shall not even be suffered to be made, much less foisted upon the community by adsmiths.”
“I see what you mean,” said my friend; and he sighed gently. “I had much better let you write about spring.”
THE PSYCHOLOGY OF PLAGIARISM
A late incident in the history of a very widespread English novelist, triumphantly closed by the statement of his friend that the novelist had casually failed to accredit a given passage in his novel to the real author, has brought freshly to my mind a curious question in ethics. The friend who vindicated the novelist, or, rather, who contemptuously dismissed the matter, not only confessed the fact of adoption, but declared that it was one of many which could be found in the novelist’s works. The novelist, he said, was quite in the habit of so using material in the rough, which he implied was like using any fact or idea from life, and he declared that the novelist could not bother to answer critics who regarded these exploitations as a sort of depredation. In a manner he brushed the impertinent accusers aside, assuring the general public that the novelist always meant, at his leisure, and in his own way, duly to ticket the flies preserved in his amber.
I.
When I read this haughty vindication, I thought at first that if the case were mine I would rather have several deadly enemies than such a friend as that; but since, I have not been so sure. I have asked myself upon a careful review of the matter whether plagiarism may not be frankly avowed, as in nowise dishonest, and I wish some abler casuist would take the affair into consideration and make it clear for me. If we are to suppose that offences against society disgrace the offender, and that public dishonor argues the fact of some such offence, then apparently plagiarism is not such an offence; for in even very flagrant cases it does not disgrace. The dictionary, indeed, defines it as “the crime of literary theft”; but as no penalty attaches to it, and no lasting shame, it is hard to believe it either a crime or a theft; and the offence, if it is an offence (one has to call it something, and I hope the word is not harsh), is some such harmless infraction of the moral law as white- lying.
The much-perverted saying of Moliere, that he took his own where he found it, is perhaps in the consciousness of those who appropriate the things other people have rushed in with before them. But really they seem to need neither excuse nor defence with the impartial public if they are caught in the act of reclaiming their property or despoiling the rash intruder upon their premises. The novelist in question is by no means the only recent example, and is by no means a flagrant example. While the ratification of the treaty with Spain was pending before the Senate of the United States, a member of that body opposed it in a speech almost word for word the same as a sermon delivered in New York City only a few days earlier and published broadcast. He was promptly exposed by the parallel-column system; but I have never heard that his standing was affected or his usefulness impaired by the offence proven against him. A few years ago an eminent divine in one of our cities preached as his own the sermon of a brother divine, no longer living; he, too, was detected and promptly exposed by the parallel-column system, but nothing whatever happened from the exposure. Every one must recall like instances, more or less remote. I remember one within my youthfuller knowledge of a journalist who used as his own all the denunciatory passages of Macaulay’s article on Barrere, and applied them with changes of name to the character and conduct of a local politician whom he felt it his duty to devote to infamy. He was caught in the fact, and by means of the parallel column pilloried before the community. But the community did not mind it a bit, and the journalist did not either. He prospered on amid those who all knew what he had done, and when he removed to another city it was to a larger one, and to a position of more commanding influence, from which he was long conspicuous in helping shape the destinies of the nation.
So far as any effect from these exposures was concerned, they were as harmless as those exposures of fraudulent spiritistic mediums which from time to time are supposed to shake the spiritistic superstition to its foundations. They really do nothing of the kind; the table-tippings, rappings, materializations, and levitations keep on as before; and I do not believe that the exposure of the novelist who has been the latest victim of the parallel column will injure him a jot in the hearts or heads of his readers.
II.
I am very glad of it, being a disbeliever in punishments of all sorts. I am always glad to have sinners get off, for I like to get off from my own sins; and I have a bad moment from my sense of them whenever another’s have found him out. But as yet I have not convinced myself that the sort of thing we have been considering is a sin at all, for it seems to deprave no more than it dishonors; or that it is what the dictionary (with very unnecessary brutality) calls a “crime” and a “theft.” If it is either, it is differently conditioned, if not differently natured, from all other crimes and thefts. These may be more or less artfully and hopefully concealed, but plagiarism carries inevitable detection with it. If you take a man’s hat or coat out of his hall, you may pawn it before the police overtake you; if you take his horse out of his stable, you may ride it away beyond pursuit and sell it; if you take his purse out of his pocket, you may pass it to a pal in the crowd, and easily prove your innocence. But if you take his sermon, or his essay, or even his apposite reflection, you cannot escape discovery. The world is full of idle people reading books, and they are only too glad to act as detectives; they please their miserable vanity by showing their alertness, and are proud to hear witness against you in the court of parallel columns. You have no safety in the obscurity of the author from whom you take your own; there is always that most terrible reader, the reader of one book, who knows that very author, and will the more indecently hasten to bring you to the bar because he knows no other, and wishes to display his erudition. A man may escape for centuries and yet be found out. In the notorious case of William Shakespeare the offender seemed finally secure of his prey; and yet one poor lady, who ended in a lunatic asylum, was able to detect him at last, and to restore the goods to their rightful owner, Sir Francis Bacon.
In spite, however, of this almost absolute certainty of exposure, plagiarism goes on as it has always gone on; and there is no probability that it will cease as long as there are novelists, senators, divines, and journalists hard pressed for ideas which they happen not to have in mind at the time, and which they see going to waste elsewhere. Now and then it takes a more violent form and becomes a real mania, as when the plagiarist openly claims and urges his right to a well-known piece of literary property. When Mr. William Allen Butler’s famous poem of “Nothing to Wear” achieved its extraordinary popularity, a young girl declared and apparently quite believed that she had written it and lost the MS. in an omnibus. All her friends apparently believed so, too; and the friends of the different gentlemen and ladies who claimed the authorship of “Beautiful Snow” and “Rock Me to Sleep” were ready to support them by affidavit against the real authors of those pretty worthless pieces.
From all these facts it must appear to the philosophic reader that plagiarism is not the simple “crime” or “theft” that the lexicographers would have us believe. It argues a strange and peculiar courage on the part of those who commit it or indulge it, since they are sure of having it brought home to them, for they seem to dread the exposure, though it involves no punishment outside of themselves. Why do they do it, or, having done it, why do they mind it, since the public does not? Their temerity and their timidity are things almost irreconcilable, and the whole position leaves one quite puzzled as to what one would do if one’s own plagiarisms were found out. But this is a mere question of conduct, and of infinitely less interest than that of the nature or essence of the thing itself.
PURITANISM IN AMERICAN FICTION
The question whether the fiction which gives a vivid impression of reality does truly represent the conditions studied in it, is one of those inquiries to which there is no very final answer. The most baffling fact of such fiction is that its truths are self-evident; and if you go about to prove them you are in some danger of shaking the convictions of those whom they have persuaded. It will not do to affirm anything wholesale concerning them; a hundred examples to the contrary present themselves if you know the ground, and you are left in doubt of the verity which you cannot gainsay. The most that you can do is to appeal to your own consciousness, and that is not proof to anybody else. Perhaps the best test in this difficult matter is the quality of the art which created the picture. Is it clear, simple, unaffected? Is it true to human experience generally? If it is so, then it cannot well be false to the special human experience it deals with.
I.
Not long ago I heard of something which amusingly, which pathetically, illustrated the sense of reality imparted by the work of one of our writers, whose art is of the kind I mean. A lady was driving with a young girl of the lighter-minded civilization of New York through one of those little towns of the North Shore in Massachusetts, where the small; wooden houses cling to the edges of the shallow bay, and the schooners slip, in and out on the hidden channels of the salt meadows as if they were blown about through the tall grass. She tried to make her feel the shy charm of the place, that almost subjective beauty, which those to the manner born are so keenly aware of in old-fashioned New England villages; but she found that the girl was not only not looking at the sad-colored cottages, with their weather-worn shingle walls, their grassy door-yards lit by patches of summer bloom, and their shutterless windows with their close-drawn shades, but she was resolutely averting her eyes from them, and staring straightforward until she should be out of sight of them altogether. She said that they were terrible, and she knew that in each of them was one of those dreary old women, or disappointed girls, or unhappy wives, or bereaved mothers, she had read of in Miss Wilkins’s stories.
She had been too little sensible of the humor which forms the relief of these stories, as it forms the relief of the bare, duteous, conscientious, deeply individualized lives portrayed in them; and no doubt this cannot make its full appeal to the heart of youth aching for their stoical sorrows. Without being so very young, I, too, have found the humor hardly enough at times, and if one has not the habit of experiencing support in tragedy itself, one gets through a remote New England village, at nightfall, say, rather limp than otherwise, and in quite the mood that Miss Wilkins’s bleaker studies leave one in. At mid- day, or in the bright sunshine of the morning, it is quite possible to fling off the melancholy which breathes the same note in the fact and the fiction; and I have even had some pleasure at such times in identifying this or, that one-story cottage with its lean-to as a Mary Wilkins house and in placing one of her muted dramas in it. One cannot know the people of such places without recognizing her types in them, and one cannot know New England without owning the fidelity of her stories to New England character, though, as I have already suggested, quite another sort of stories could be written which should as faithfully represent other phases of New England village life.
To the alien inquirer, however, I should be by no means confident that their truth would evince itself, for the reason that human nature is seldom on show anywhere. I am perfectly certain of the truth of Tolstoy and Tourguenief to Russian life, yet I should not be surprised if I went through Russia and met none of their people. I should be rather more surprised if I went through Italy and met none of Verga’s or Fogazzaro’s, but that would be because I already knew Italy a little. In fact, I suspect that the last delight of truth in any art comes only to the connoisseur who is as well acquainted with the subject as the artist himself. One must not be too severe in challenging the truth of an author to life; and one must bring a great deal of sympathy and a great deal of patience to the scrutiny. Types are very backward and shrinking things, after all; character is of such a mimosan sensibility that if you seize it too abruptly its leaves are apt to shut and hide all that is distinctive in it; so that it is not without some risk to an author’s reputation for honesty that he gives his readers the impression of his truth.
II.
The difficulty with characters in fiction is that the reader there finds them dramatized; not only their actions, but also their emotions are dramatized; and the very same sort of persons when one meets them in real life are recreantly undramatic. One might go through a New England village and see Mary Wilkins houses and Mary Wilkins people, and yet not witness a scene nor hear a word such as one finds in her tales. It is only too probable that the inhabitants one met would say nothing quaint or humorous, or betray at all the nature that she reveals in them; and yet I should not question her revelation on that account. The life of New England, such as Miss Wilkins deals with, and Miss Sarah O. Jewett, and Miss Alice Brown, is not on the surface, or not visibly so, except to the accustomed eye. It is Puritanism scarcely animated at all by the Puritanic theology. One must not be very positive in such things, and I may be too bold in venturing to say that while the belief of some New Englanders approaches this theology the belief of most is now far from it; and yet its penetrating individualism so deeply influenced the New England character that Puritanism survives in the moral and mental make of the people almost in its early strength. Conduct and manner conform to a dead religious ideal; the wish to be sincere, the wish to be just, the wish to be righteous are before the wish to be kind, merciful, humble. A people are not a chosen people for half a dozen generations without acquiring a spiritual pride that remains with them long after they cease to believe themselves chosen. They are often stiffened in the neck and they are often hardened in the heart by it, to the point of making them angular and cold; but they are of an inveterate responsibility to a power higher than themselves, and they are strengthened for any fate. They are what we see in the stories which, perhaps, hold the first place in American fiction.
As a matter of fact, the religion of New England is not now so Puritanical as that of many parts of the South and West, and yet the inherited Puritanism stamps the New England manner, and differences it from the manner of the straightest sects elsewhere. There was, however, always a revolt against Puritanism when Puritanism was severest and securest; this resulted in types of shiftlessness if not wickedness, which have not yet been duly studied, and which would make the fortune of some novelist who cared to do a fresh thing. There is also a sentimentality, or pseudo-emotionality (I have not the right phrase for it), which awaits full recognition in fiction. This efflorescence from the dust of systems and creeds, carried into natures left vacant by the ancestral doctrine, has scarcely been noticed by the painters of New England manners. It is often a last state of Unitarianism, which prevailed in the larger towns and cities when the Calvinistic theology ceased to be dominant, and it is often an effect of the spiritualism so common in New England, and, in fact, everywhere in America. Then, there is a wide-spread love of literature in the country towns and villages which has in great measure replaced the old interest in dogma, and which forms with us an author’s closest appreciation, if not his best. But as yet little hint of all this has got into the short stories, and still less of that larger intellectual life of New England, or that exalted beauty of character which tempts one to say that Puritanism was a blessing if it made the New-Englanders what they are; though one can always be glad not to have lived among them in the disciplinary period. Boston, the capital of that New England nation which is fast losing itself in the American nation, is no longer of its old literary primacy, and yet most of our right thinking, our high thinking, still begins there, and qualifies the thinking of the country at large. The good causes, the generous causes, are first befriended there, and in a wholesome sort the New England culture, as well as the New England conscience, has imparted itself to the American people.
Even the power of writing short stories, which we suppose ourselves to have in such excellent degree, has spread from New England. That is, indeed, the home of the American short story, and it has there been brought to such perfection in the work of Miss Wilkins, of Miss Jewett, of Miss Brown, and of that most faithful, forgotten painter of manners, Mrs. Rose Terry Cook, that it presents upon the whole a truthful picture of New England village life in some of its more obvious phases. I say obvious because I must, but I have already said that this is a life which is very little obvious; and I should not blame any one who brought the portrait to the test of reality, and found it exaggerated, overdrawn, and unnatural, though I should be perfectly sure that such a critic was wrong.
THE WHAT AND THE HOW IN ART
One of the things always enforcing itself upon the consciousness of the artist in any sort is the fact that those whom artists work for rarely care for their work artistically. They care for it morally, personally, partially. I suspect that criticism itself has rather a muddled preference for the what over the how, and that it is always haunted by a philistine question of the material when it should, aesthetically speaking, be concerned solely with the form.
I.
The other night at the theatre I was witness of a curious and amusing illustration of my point. They were playing a most soul-filling melodrama, of the sort which gives you assurance from the very first that there will be no trouble in the end, but everything will come out just as it should, no matter what obstacles oppose themselves in the course of the action. An over-ruling Providence, long accustomed to the exigencies of the stage, could not fail to intervene at the critical moment in behalf of innocence and virtue, and the spectator never had the least occasion for anxiety. Not unnaturally there was a black-hearted villain in the piece; so very black-hearted that he seemed not to have a single good impulse from first to last. Yet he was, in the keeping of the stage Providence, as harmless as a blank cartridge, in spite of his deadly aims. He accomplished no more mischief, in fact, than if all his intents had been of the best; except for the satisfaction afforded by the edifying spectacle of his defeat and shame, he need not have been in the play at all; and one might almost have felt sorry for him, he was so continually baffled. But this was not enough for the audience, or for that part of it which filled the gallery to the roof. Perhaps he was such an uncommonly black-hearted villain, so very, very cold-blooded in his wickedness that the justice unsparingly dealt out to him by the dramatist could not suffice. At any rate, the gallery took such a vivid interest in his punishment that it had out the actor who impersonated the wretch between all the acts, and hissed him throughout his deliberate passage across the stage before the curtain. The hisses were not at all for the actor, but altogether for the character. The performance was fairly good, quite as good as the performance of any virtuous part in the piece, and easily up to the level of other villanous performances (I never find much nature in them, perhaps because there is not much nature in villany itself; that is, villany pure and simple); but the mere conception of the wickedness this bad man had attempted was too much for an audience of the average popular goodness. It was only after he had taken poison, and fallen dead before their eyes, that the spectators forbore to visit him with a lively proof of their abhorrence; apparently they did not care to “give him a realizing sense that there was a punishment after death,” as the man in Lincoln’s story did with the dead dog.
II.
The whole affair was very amusing at first, but it has since put me upon thinking (I like to be put upon thinking; the eighteenth-century essayists were) that the attitude of the audience towards this deplorable reprobate is really the attitude of most readers of books, lookers at pictures and statues, listeners to music, and so on through the whole list of the arts. It is absolutely different from the artist’s attitude, from the connoisseur’s attitude; it is quite irreconcilable with their attitude, and yet I wonder if in the end it is not what the artist works for. Art is not produced for artists, or even for connoisseurs; it is produced for the general, who can never view it otherwise than morally, personally, partially, from their associations and preconceptions.
Whether the effect with the general is what the artist works for or not, he, does not succeed without it. Their brute liking or misliking is the final test; it is universal suffrage that elects, after all. Only, in some cases of this sort the polls do not close at four o’clock on the first Tuesday after the first Monday of November, but remain open forever, and the voting goes on. Still, even the first day’s canvass is important, or at least significant. It will not do for the artist to electioneer, but if he is beaten, he ought to ponder the causes of his defeat, and question how he has failed to touch the chord of universal interest. He is in the world to make beauty and truth evident to his fellowmen, who are as a rule incredibly stupid and ignorant of both, but whose judgment he must nevertheless not despise. If he can make something that they will cheer, or something that they will hiss, he may not have done any great thing, but if he has made something that they will neither cheer nor hiss, he may well have his misgivings, no matter how well, how finely, how truly he has done the thing.
This is very humiliating, but a tacit snub to one’s artist-pride such as one gets from public silence is not a bad thing for one. Not long ago I was talking about pictures with a painter, a very great painter, to my thinking; one whose pieces give me the same feeling I have from reading poetry; and I was excusing myself to him with respect to art, and perhaps putting on a little more modesty than I felt. I said that I could enjoy pictures only on the literary side, and could get no answer from my soul to those excellences of handling and execution which seem chiefly to interest painters. He replied that it was a confession of weakness in a painter if he appealed merely or mainly to technical knowledge in the spectator; that he narrowed his field and dwarfed his work by it; and that if he painted for painters merely, or for the connoisseurs of painting, he was denying his office, which was to say something clear and appreciable to all sorts of men in the terms of art. He even insisted that a picture ought to tell a story.
The difficulty in humbling one’s self to this view of art is in the ease with which one may please the general by art which is no art. Neither the play nor the playing that I saw at the theatre when the actor was hissed for the wickedness of the villain he was personating, was at all fine; and yet I perceived, on reflection, that they had achieved a supreme effect. If I may be so confidential, I will say that I should be very sorry to have written that piece; yet I should be very proud if, on the level I chose and with the quality I cared for, I could invent a villain that the populace would have out and hiss for his surpassing wickedness. In other words, I think it a thousand pities whenever an artist gets so far away from the general, so far within himself or a little circle of amateurs, that his highest and best work awakens no response in the multitude. I am afraid this is rather the danger of the arts among us, and how to escape it is not so very plain. It makes one sick and sorry often to see how cheaply the applause of the common people is won. It is not an infallible test of merit, but if it is wanting to any performance, we may be pretty sure it is not the greatest performance.
III.
The paradox lies in wait here, as in most other human affairs, to confound us, and we try to baffle it, in this way and in that. We talk, for instance, of poetry for poets, and we fondly imagine that this is different from talking of cookery for cooks. Poetry is not made for poets; they have enough poetry of their own, but it is made for people who are not poets. If it does not please these, it may still be poetry, but it is poetry which has failed of its truest office. It is none the less its truest office because some very wretched verse seems often to do it.
The logic of such a fact is not that the poet should try to achieve this truest office of his art by means of doggerel, but that he should study how and where and why the beauty and the truth he has made manifest are wanting in universal interest, in human appeal. Leaving the drama out of the question, and the theatre which seems now to be seeking only the favor of the dull rich, I believe that there never was a time or a race more open to the impressions of beauty and of truth than ours. The artist who feels their divine charm, and longs to impart it, has now and here a chance to impart it more widely than ever artist had in the world before. Of course, the means of reaching the widest range of humanity are the simple and the elementary, but there is no telling when the complex and the recondite may not universally please. 288
The art is to make them plain to every one, for every one has them in him. Lowell used to say that Shakespeare was subtle, but in letters a foot high.
The painter, sculptor, or author who pleases the polite only has a success to be proud of as far as it goes, and to be ashamed of that it goes no further. He need not shrink from giving pleasure to the vulgar because bad art pleases them. It is part of his reason for being that he should please them, too; and if he does not it is a proof that he is wanting in force, however much he abounds in fineness. Who would not wish his picture to draw a crowd about it? Who would not wish his novel to sell five hundred thousand copies, for reasons besides the sordid love of gain which I am told governs novelists? One should not really wish it any the less because chromos and historical romances are popular.
Sometime, I believe, the artist and his public will draw nearer together in a mutual understanding, though perhaps not in our present conditions. I put that understanding off till the good time when life shall be more than living, more even than the question of getting a living; but in the mean time I think that the artist might very well study the springs of feeling in others; and if I were a dramatist I think I should quite humbly go to that play where they hiss the villain for his villany, and inquire how his wickedness had been made so appreciable, so vital, so personal. Not being a dramatist, I still cannot indulge the greatest contempt of that play and its public.
POLITICS OF AMERICAN AUTHORS
No thornier theme could well be suggested than I was once invited to consider by an Englishman who wished to know how far American politicians were scholars, and how far American authors took part in politics. In my mind I first revolted from the inquiry, and then I cast about, in the fascination it began to have for me, to see how I might handle it and prick myself least. In a sort, which it would take too long to set forth, politics are very intimate matters with us, and if one were to deal quite frankly with the politics of a contemporary author, one might accuse one’s self of an unwarrantable personality. So, in what I shall have to say in answer to the question asked me, I shall seek above all things not to be quite frank.
I.
My uncandor need not be so jealously guarded in speaking of authors no longer living. Not to go too far back among these, it is perfectly safe to say that when the slavery question began to divide all kinds of men among us, Lowell, Longfellow, Whittier, Curtis, Emerson, and Bryant more or less promptly and openly took sides against slavery. Holmes was very much later in doing so, but he made up for his long delay by his final strenuousness; as for Hawthorne, he was, perhaps, too essentially a spectator of life to be classed with either party, though his associations, if not his sympathies, were with the Northern men who had Southern principles until the civil war came. After the war, when our political questions ceased to be moral and emotional and became economic and sociological, literary men found their standing with greater difficulty. They remained mostly Republicans, because the Republicans were the anti-slavery party, and were still waging war against slavery in their nerves.
I should say that they also continued very largely the emotional tradition in politics, and it is doubtful if in the nature of things the politics of literary men can ever be otherwise than emotional. In fact, though the questions may no longer be so, the politics of vastly the greater number of Americans are so. Nothing else would account for the fact that during the last ten or fifteen years men have remained Republicans and remained Democrats upon no tangible issues except of office, which could practically concern only a few hundreds or thousands out of every million voters. Party fealty is praised as a virtue, and disloyalty to party is treated as a species of incivism next in wickedness to treason. If any one were to ask me why then American authors were not active in American politics, as they once were, I should feel a certain diffidence in replying that the question of other people’s accession to office was, however emotional, unimportant to them as compared with literary questions. I should have the more diffidence because it might be retorted that literary men were too unpractical for politics when they did not deal with moral issues.
Such a retort would be rather mild and civil, as things go, and might even be regarded as complimentary. It is not our custom to be tender with any one who doubts if any actuality is right, or might not be bettered, especially in public affairs. We are apt to call such a one out of his name and to punish him for opinions he has never held. This may be a better reason than either given why authors do not take part in politics with us. They are a thin-skinned race, fastidious often, and always averse to hard knocks; they are rather modest, too, and distrust their fitness to lead, when they have quite a firm faith in their convictions. They hesitate to urge these in the face of practical politicians, who have a confidence in their ability to settle all affairs of State not surpassed even by that of business men in dealing with economic questions.
I think it is a pity that our authors do not go into politics at least for the sake of the material it would yield them; but really they do not. Our politics are often vulgar, but they are very picturesque; yet, so far, our fiction has shunned them even more decidedly than it has shunned our good society–which is not picturesque or apparently anything but a tiresome adaptation of the sort of drama that goes on abroad under the same name. In nearly the degree that our authors have dealt with our politics as material, they have given the practical politicians only too much reason to doubt their insight and their capacity to understand the mere machinery, the simplest motives, of political life.
II.
There are exceptions, of course, and if my promise of reticence did not withhold me I might name some striking ones. Privately and unprofessionally, I think our authors take as vivid an interest in public affairs as any other class of our citizens, and I should be sorry to think that they took a less intelligent interest. Now and then, but only very rarely, one of them speaks out, and usually on the unpopular side. In this event he is spared none of the penalties with which we like to visit difference of opinion; rather they are accumulated on him.
Such things are not serious, and they are such as no serious man need shrink from, but they have a bearing upon what I am trying to explain, and in a certain measure they account for a certain attitude in our literary men. No one likes to have stones, not to say mud, thrown at him, though they are not meant to hurt him badly and may be partly thrown in joke. But it is pretty certain that if a man not in politics takes them seriously, he will have more or less mud, not to say stones, thrown at him. He might burlesque or caricature them, or misrepresent them, with safety; but if he spoke of public questions with heart and conscience, he could not do it with impunity, unless he were authorized to do so by some practical relation to them. I do not mean that then he would escape; but in this country, where there were once supposed to be no classes, people are more strictly classified than in any other. Business to the business man, law to the lawyer, medicine to the physician, politics to the politician, and letters to the literary man; that is the rule. One is not expected to transcend his function, and commonly one does not. We keep each to his last, as if there were not human interests, civic interests, which had a higher claim than the last upon our thinking and feeling. The tendency has grown upon us severally and collectively through the long persistence of our prosperity; if public affairs were going ill, private affairs were going so well that we did not mind the others; and we Americans are, I think, meridional in our improvidence. We are so essentially of to-day that we behave as if to- morrow no more concerned us than yesterday. We have taught ourselves to believe that it will all come out right in the end so long that we have come to act upon our belief; we are optimistic fatalists.
III.
The turn which our politics have taken towards economics, if I may so phrase the rise of the questions of labor and capital, has not largely attracted literary men. It is doubtful whether Edward Bellamy himself, whose fancy of better conditions has become the abiding faith of vast numbers of Americans, supposed that he was entering the field of practical politics, or dreamed of influencing elections by his hopes of economic equality. But he virtually founded the Populist party, which, as the vital principle of the Democratic party, came so near electing its candidate for the Presidency some years ago; and he is to be named first among our authors who have dealt with politics on their more human side since the days of the old antislavery agitation. Without too great disregard of the reticence concerning the living which I promised myself, I may mention Dr. Edward Everett Hale and Colonel Thomas Wentworth Higginson as prominent authors who encouraged the Nationalist movement eventuating in Populism, though they were never Populists. It may be interesting to note that Dr. Hale and Colonel Higginson, who later came together in their sociological sympathies, were divided by the schism of 1884, when the first remained with the Republicans and the last went off to the Democrats. More remotely, Colonel Higginson was anti slavery almost to the point of Abolitionism, and he led a negro regiment in the war. Dr. Hale was of those who were less radically opposed to slavery before the war, but hardly so after it came. Since the war a sort of refluence of the old anti-slavery politics carried from his moorings in Southern tradition Mr. George W. Cable, who, against the white sentiment of his section, sided with the former slaves, and would, if the indignant renunciation of his fellow-Southerners could avail, have consequently ceased to be the first of Southern authors, though he would still have continued the author of at least one of the greatest American novels.
If I must burn my ships behind me in alleging these modern instances, as I seem really to be doing, I may mention Mr. R. W. Gilder, the poet, as an author who has taken part in the politics of municipal reform, Mr. Hamlin Garland has been known from the first as a zealous George man, or single-taxer. Mr. John Hay, Mr. Theodore Roosevelt, and Mr. Henry Cabot Lodge are Republican politicians, as well as recognized literary men. Mr. Joel Chandler Harris, when not writing Uncle Remus, writes political articles in a leading Southern journal. Mark Twain is a leading anti- imperialist.
IV.
I am not sure whether I have made out a case for our authors or against them; perhaps I have not done so badly; but I have certainly not tried to be exhaustive; the exhaustion is so apt to extend from the subject to the reader, and I wish to leave him in a condition to judge for himself whether American literary men take part in American politics or not. I think they bear their share, in the quieter sort of way which we hope (it may be too fondly) is the American way. They are none of them politicians in the Latin sort. Few, if any, of our statesmen have come forward with small volumes of verse in their hands as they used to do in Spain; none of our poets or historians have been chosen Presidents of the republic as has happened to their French confreres; no great novelist of ours has been exiled as Victor Hugo was, or atrociously mishandled as Zola has been, though I have no doubt that if, for instance, one had once said the Spanish war wrong he would be pretty generally ‘conspue’. They have none of them reached the heights of political power, as several English authors have done; but they have often been ambassadors, ministers, and consuls, though they may not often have been appointed for political reasons. I fancy they discharge their duties in voting rather faithfully, though they do not often take part in caucuses or conventions.
As for the other half of the question–how far American politicians are scholars–one’s first impulse would be to say that they never were so. But I have always had an heretical belief that there were snakes in Ireland; and it may be some such disposition to question authority that keeps me from yielding to this impulse. The law of demand and supply alone ought to have settled the question in favor of the presence of the scholar in our politics, there has been such a cry for him among us for almost a generation past. Perhaps the response has not been very direct, but I imagine that our politicians have never been quite so destitute of scholarship as they would sometimes make appear. I do not think so many of them now write a good style, or speak a good style, as the politicians of forty, or fifty, or sixty years ago; but this may be merely part of the impression of the general worsening of things, familiar after middle life to every one’s experience, from the beginning of recorded time. If something not so literary is meant by scholarship, if a study of finance, of economics, of international affairs is in question, it seems to go on rather more to their own satisfaction than that of their critics. But without being always very proud of the result, and without professing to know the facts very profoundly, one may still suspect that under an outside by no means academic there is a process of thinking in our statesmen which is not so loose, not so unscientific, and not even so unscholarly as it might be supposed. It is not the effect of specific training, and yet it is the effect of training. I do not find that the matters dealt with are anywhere in the world intrusted to experts; and in this sense scholarship has not been called to the aid of our legislation or administration; but still I should not like to say that none of our politicians were scholars. That would be offensive, and it might not be true. In fact, I can think of several whom I should be tempted to call scholars if I were not just here recalled to a sense of my purpose not to deal quite frankly with this inquiry.
STORAGE
It has been the belief of certain kindly philosophers that if the one half of mankind knew how the other half lived, the two halves might be brought together in a family affection not now so observable in human relations. Probably if this knowledge were perfect, there would still be things, to bar the perfect brotherhood; and yet the knowledge itself is so interesting, if not so salutary as it has been imagined, that one can hardly refuse to impart it if one has it, and can reasonably hope, in the advantage of the ignorant, to find one’s excuse with the better informed.
I.
City and country are still so widely apart in every civilization that one can safely count upon a reciprocal strangeness in many every-day things. For instance, in the country, when people break up house-keeping, they sell their household goods and gods, as they did in cities fifty or a hundred years ago; but now in cities they simply store them; and vast warehouses in all the principal towns have been devoted to their storage. The warehouses are of all types, from dusty lofts over stores, and ammoniacal lofts over stables, to buildings offering acres of space, and carefully planned for the purpose. They are more or less fire-proof, slow-burning, or briskly combustible, like the dwellings they have devastated. But the modern tendency is to a type where flames do not destroy, nor moth corrupt, nor thieves break through and steal. Such a warehouse is a city in itself, laid out in streets and avenues, with the private tenements on either hand duly numbered, and accessible only to the tenants or their order. The aisles are concreted, the doors are iron, and the roofs are ceiled with iron; the whole place is heated by steam and lighted by electricity. Behind the iron doors, which in the New York warehouses must number hundreds of thousands, and throughout all our other cities, millions, the furniture of a myriad households is stored–the effects of people who have gone to Europe, or broken up house-keeping provisionally or definitively, or have died, or been divorced. They are the dead bones of homes, or their ghosts, or their yet living bodies held in hypnotic trances; destined again in some future time to animate some house or flat anew. In certain cases the spell lasts for many years, in others for a few, and in others yet it prolongs itself indefinitely.
I may mention the case of one owner whom I saw visiting the warehouse to take out the household stuff that had lain there a long fifteen years. He had been all that while in Europe, expecting any day to come home and begin life again, in his own land. That dream had passed, and now he was taking his stuff out of storage and shipping it to Italy. I did not envy him his feelings as the parts of his long-dead past rose round him in formless resurrection. It was not that they were all broken or defaced. On the contrary, they were in a state of preservation far more heartbreaking than any decay. In well-managed storage warehouses the things are handled with scrupulous care, and they are so packed into the appointed rooms that if not disturbed they could suffer little harm in fifteen or fifty years. The places are wonderfully well kept, and if you will visit them, say in midwinter, after the fall influx of furniture has all been hidden away behind the iron doors of the several cells, you shall find their far-branching corridors scrupulously swept and dusted, and shall walk up and down their concrete length with some such sense of secure finality as you would experience in pacing the aisle of your family vault.
That is what it comes to. One may feign that these storage warehouses are cities, but they are really cemeteries: sad columbaria on whose shelves are stowed exanimate things once so intimately of their owners’ lives that it is with the sense of looking at pieces and bits of one’s dead self that one revisits them. If one takes the fragments out to fit them to new circumstance, one finds them not only uncomformable and incapable, but so volubly confidential of the associations in which they are steeped, that one wishes to hurry them back to their cell and lock it upon them forever. One feels then that the old way was far better, and that if the things had been auctioned off, and scattered up and down, as chance willed, to serve new uses with people who wanted them enough to pay for them even a tithe of their cost, it would have been wiser. Failing this, a fire seems the only thing for them, and their removal to the cheaper custody of a combustible or slow-burning warehouse the best recourse. Desperate people, aging husbands and wives, who have attempted the reconstruction of their homes with these
“Portions and parcels of the dreadful past”
have been known to wish for an earthquake, even, that would involve their belongings in an indiscriminate ruin.
II.
In fact, each new start in life should be made with material new to you, if comfort is to attend the enterprise. It is not only sorrowful but it is futile to store your possessions, if you hope to find the old happiness in taking them out and using them again. It is not that they will not go into place, after a fashion, and perform their old office, but that the pang they will inflict through the suggestion of the other places where they served their purpose in other years will be only the keener for the perfection with which they do it now. If they cannot be sold, and if no fire comes down from heaven to consume them, then they had better be stored with no thought of ever taking them out again.
That will be expensive, or it will be inexpensive, according to the sort of storage they are put into. The inexperienced in such matters may be surprised, and if they have hearts they may be grieved, to learn that the fire-proof storage of the furniture of the average house would equal the rent of a very comfortable domicile in a small town, or a farm by which a family’s living can be earned, with a decent dwelling in which it can be sheltered. Yet the space required is not very great; three fair-sized rooms will hold everything; and there is sometimes a fierce satisfaction in seeing how closely the things that once stood largely about, and seemed to fill ample parlors and chambers, can be packed away. To be sure they are not in their familiar attitudes; they lie on their sides or backs, or stand upon their heads; between the legs of library or dining tables are stuffed all kinds of minor movables, with cushions, pillows, pictures, cunningly adjusted to the environment; and mattresses pad the walls, or interpose their soft bulk between pieces of furniture that would otherwise rend each other. Carpets sewn in cotton against moths, and rugs in long rolls; the piano hovering under its ample frame a whole brood of helpless little guitars, mandolins, and banjos, and supporting on its broad back a bulk of lighter cases to the fire-proof ceiling of the cell; paintings in boxes indistinguishable outwardly from their companioning mirrors; barrels of china and kitchen utensils, and all the what-not of householding and house-keeping contribute to the repletion.
There is a science observed in the arrangement of the various effects; against the rear wall and packed along the floor, and then in front of and on top of these, is built a superstructure of the things that may be first wanted, in case of removal, or oftenest wanted in some exigency of the homeless life of the owners, pending removal. The lightest and slightest articles float loosely about the door, or are interwoven in a kind of fabric just within, and curtaining the ponderous mass behind. The effect is not so artistic as the mortuary mosaics which the Roman Capuchins design with the bones of their dead brethren in the crypt of their church, but the warehousemen no doubt have their just pride in it, and feel an artistic pang in its provisional or final disturbance.
It had better never be disturbed, for it is disturbed only in some futile dream of returning to the past; and we never can return to the past on the old terms. It is well in all things to accept life implicitly, and when an end has come to treat it as the end, and not vainly mock it as a suspense of function. When the poor break up their homes, with no immediate hope of founding others, they must sell their belongings because they cannot afford to pay storage on them. The rich or richer store their household effects, and cheat themselves with the illusion that they are going some time to rehabilitate with them just such a home as they have dismantled. But the illusion probably deceives nobody so little as those who cherish the vain hope. As long as they cherish it, however–and they must cherish it till their furniture or themselves fall to dust–they cannot begin life anew, as the poor do who have kept nothing of the sort to link them to the past. This is one of the disabilities of the prosperous, who will probably not be relieved of it till some means of storing the owner as well as the’ furniture is invented. In the immense range of modern ingenuity, this is perhaps not impossible. Why not, while we are still in life, some sweet oblivious antidote which shall drug us against memory, and after time shall elapse for the reconstruction of a new home in place of the old, shall repossess us of ourselves as unchanged as the things with which we shall again array it? Here is a pretty idea for some dreamer to spin into the filmy fabric of a romance, and I handsomely make a present of it to the first comer. If the dreamer is of the right quality he will know how to make the reader feel that with the universal longing to return to former conditions or circumstances it must always be a mistake to do so, and he will subtly insinuate the disappointment and discomfort of the stored personality in resuming its old relations. With that just mixture of the comic and pathetic which we desire in romance, he will teach convincingly that a stored personality is to be desired only if it is permanently stored, with the implication of a like finality in the storage of its belongings.
Save in some signal exception, a thing taken out of storage cannot be established in its former function without a sense of its comparative inadequacy. It stands in the old place, it serves the old use, and yet a new thing would be better; it would even in some subtle wise be more appropriate, if I may indulge so audacious a paradox; for the time is new, and so will be all the subconscious keeping in which our lives are mainly passed. We are supposed to have associations with the old things which render them precious, but do not the associations rather render them painful? If that is true of the inanimate things, how much truer it is of those personalities which once environed and furnished our lives! Take the article of old friends, for instance: has it ever happened to the reader to witness the encounter of old friends after the lapse of years? Such a meeting is conventionally imagined to be full of tender joy, a rapture that vents itself in manly tears, perhaps, and certainly in womanly tears. But really is it any such emotion? Honestly is not it a cruel embarrassment, which all the hypocritical pretences cannot hide? The old friends smile and laugh, and babble incoherently at one another, but are they genuinely glad? Is not each wishing the other at that end of the earth from which he came? Have they any use for each other such as people of unbroken associations have?
I have lately been privy to the reunion of two old comrades who are bound together more closely than most men in a community of interests, occupations, and ideals. During a long separation they had kept account of each other’s opinions as well as experiences; they had exchanged letters, from time to time, in which they opened their minds fully to each other, and found themselves constantly in accord. When they met they made a great shouting, and each pretended that he found the other just what he used to be. They talked a long, long time, fighting the invisible enemy which they felt between them. The enemy was habit, the habit of other minds and hearts, the daily use of persons and things which in their separation they had not had in common. When the old friends parted they promised to meet every day, and now, since their lines had been cast in the same places again, to repair the ravage of the envious years, and become again to each other all that they had ever been. But though they live in the same town, and often dine at the same table, and belong to the same club, yet they have not grown together again. They have grown more and more apart, and are uneasy in each other’s presence, tacitly self-reproachful for the same effect which neither of them could avert or repair. They had been respectively in storage, and each, in taking the other out, has experienced in him the unfitness which grows upon the things put away for a time and reinstated in a former function.
III.
I have not touched upon these facts of life, without the purpose of finding some way out of the coil. There seems none better than the counsel of keeping one’s face set well forward, and one’s eyes fixed steadfastly upon the future. This is the hint we will get from nature if we will heed her, and note how she never recurs, never stores or takes out of storage. Fancy rehabilitating one’s first love: how nature would mock at that! We cannot go back and be the men and women we were, any more than we can go back and be children. As we grow older, each year’s change in us is more chasmal and complete. There is no elixir whose magic will recover us to ourselves as we were last year; but perhaps we shall return to ourselves more and more in the times, or the eternity, to come. Some instinct or inspiration implies the promise of this, but only on condition that we shall not cling to the life that has been ours, and hoard its mummified image in our hearts. We must not seek to store ourselves, but must part with what we were for the use and behoof of others, as the poor part with their worldly gear when they move from one place to another. It is a curious and significant property of our outworn characteristics that, like our old furniture, they will serve admirably in the life of some other, and that this other can profitably make them his when we can no longer keep them ours, or ever hope to resume them. They not only go down to successive generations, but they spread beyond our lineages, and serve the turn of those whom we never knew to be within the circle of our influence.
Civilization imparts itself by some such means, and the lower classes are clothed in the cast conduct of the upper, which if it had been stored would have left the inferiors rude and barbarous. We have only to think how socially naked most of us would be if we had not had the beautiful manners of our exclusive society to put on at each change of fashion when it dropped them.
All earthly and material things should be worn out with use, and not preserved against decay by any unnatural artifice. Even when broken and disabled from overuse they have a kind of respectability which must commend itself to the observer, and which partakes of the pensive grace of ruin. An old table with one leg gone, and slowly lapsing to decay in the woodshed, is the emblem of a fitter order than the same table, with all its legs intact, stored with the rest of the furniture from a broken home. Spinning-wheels gathering dust in the garret of a house that is itself falling to pieces have a dignity that deserts them when they are dragged from their refuge, and furbished up with ribbons and a tuft of fresh tow, and made to serve the hollow occasions of bric-a-brac, as they were a few years ago. A pitcher broken at the fountain, or a battered kettle on a rubbish heap, is a venerable object, but not crockery and copper-ware stored in the possibility of future need. However carefully handed down from one generation to another, the old objects have a forlorn incongruity in their successive surroundings which appeals to the compassion rather than the veneration of the witness.
It was from a truth deeply mystical that Hawthorne declared against any sort of permanence in the dwellings of men, and held that each generation should newly house itself. He preferred the perishability of the wooden American house to the durability of the piles of brick or stone which in Europe affected him as with some moral miasm from the succession of sires and sons and grandsons that had died out of them. But even of such structures as these it is impressive how little the earth makes with the passage of time. Where once a great city of them stood, you shall find a few tottering walls, scarcely more mindful of the past than “the cellar and the well” which Holmes marked as the ultimate monuments, the last witnesses, to the existence of our more transitory habitations. It is the law of the patient sun that everything under it shall decay, and if by reason of some swift calamity, some fiery cataclysm, the perishable shall be overtaken by a fate that fixes it in unwasting arrest, it cannot be felt that the law has been set aside in the interest of men’s happiness or cheerfulness. Neither Pompeii nor Herculaneum invites the gayety of the spectator, who as he walks their disinterred thoroughfares has the weird sense of taking a former civilization out of storage, and the ache of finding it wholly unadapted to the actual world. As far as his comfort is concerned, it had been far better that those cities had not been stored, but had fallen to the ruin that has overtaken all their contemporaries.
IV
No, good friend, sir or madam, as the case may be, but most likely madam: if you are about to break up your household for any indefinite period, and are not so poor that you need sell your things, be warned against putting them in storage, unless of the most briskly combustible type. Better, far better, give them away, and disperse them by that means to a continuous use that shall end in using them up; or if no one will take them, then hire a vacant lot, somewhere, and devote them to the flames. By that means you shall bear witness against a custom that insults the order of nature, and crowds the cities with the cemeteries of dead homes, where there is scarcely space for the living homes. Do not vainly fancy that you shall take your stuff out of storage and find it adapted to the ends that it served before it was put in. You will not be the same, or have the same needs or desire, when you take it out, and the new place which you shall hope to equip with it will receive it with cold reluctance, or openly refuse it, insisting upon forms and dimensions that render it ridiculous or impossible. The law is that nothing taken out of storage is the same as it was when put in, and this law, hieroglyphed in those rude ‘graffiti’ apparently inscribed by accident in the process of removal, has only such exceptions as prove the rule.
The world to which it has returned is not the same, and that makes all the difference. Yet, truth and beauty do not change, however the moods and fashions change. The ideals remain, and these alone you can go back to, secure of finding them the same, to-day and to-morrow, that they were yesterday. This perhaps is because they have never been in storage, but in constant use, while the moods and fashions have been put away and taken out a thousand times. Most people have never had ideals, but only moods and fashions, but such people, least of all, are fitted to find in them that pleasure of the rococo which consoles the idealist when the old moods and fashions reappear.
“FLOATING DOWN THE RIVER ON THE O-HI-O”
There was not much promise of pleasure in the sodden afternoon of a mid- March day at Pittsburg, where the smoke of a thousand foundry chimneys gave up trying to rise through the thick, soft air, and fell with the constant rain which it dyed its own black. But early memories stirred joyfully in the two travellers in whose consciousness I was making my tour, at sight of the familiar stern-wheel steamboat lying beside the wharf boat at the foot of the dilapidated levee, and doing its best to represent the hundreds of steamboats that used to lie there in the old days. It had the help of three others in its generous effort, and the levee itself made a gallant pretence of being crowded with freight, and succeeded in displaying several saturated piles of barrels and agricultural implements on the irregular pavement whose wheel-worn stones, in long stretches, were sunken out of sight in their parent mud. The boats and the levee were jointly quite equal to the demand made upon them by the light-hearted youngsters of sixty-five and seventy, who were setting out on their journey in fulfilment of a long-cherished dream, and for whom much less freight and much fewer boats would have rehabilitated the past.
I.
When they mounted the broad stairway, tidily strewn with straw to save it from the mud of careless boots, and entered the long saloon of the steamboat, the promise of their fancy was more than made good for them. From the clerk’s office, where they eagerly paid their fare, the saloon stretched two hundred feet by thirty away to the stern, a cavernous splendor of white paint and gilding, starred with electric bulbs, and fenced at the stern with wide windows of painted glass. Midway between the great stove in the bow where the men were herded, and the great stove at the stern where the women kept themselves in the seclusion which the tradition of Western river travel still guards, after well-nigh a hundred years, they were given ample state-rooms, whose appointments so exactly duplicated those they remembered from far-off days that they could have believed themselves awakened from a dream of insubstantial time, with the events in which it had seemed to lapse, mere feints of experience. When they sat down at the supper-table and were served with the sort of belated steamboat dinner which it recalled as vividly, the kind, sooty faces and snowy aprons of those who served them were so quite those of other days that they decided all repasts since were mere Barmecide feasts, and made up for the long fraud practised upon them with the appetites of the year 1850.
II.
A rigider sincerity than shall be practised here might own that the table of the good steamboat ‘Avonek’ left something to be desired, if tested by more sophisticated cuisines, but in the article of corn-bread it was of an inapproachable preeminence. This bread was made of the white corn which North knows not, nor the hapless East; and the buckwheat cakes at breakfast were without blame, and there was a simple variety in the abundance which ought to have satisfied if it did not flatter the choice. The only thing that seemed strangely, that seemed sadly, anomalous in a land flowing with ham and bacon was that the ‘Avonek’ had not imagined providing either for the guests, no one of whom could have had a religious scruple against them.
The thing, indeed, which was first and last conspicuous in the passengers, was their perfectly American race and character. At the start, when with an acceptable observance of Western steamboat tradition the ‘Avonek’ left her wharf eight hours behind her appointed time, there were very few passengers; but they began to come aboard at the little towns of both shores as she swam southward and westward, till all the tables were so full that, in observance of another Western steamboat tradition; one did well to stand guard over his chair lest some other who liked it should seize it earlier. The passengers were of every age and condition, except perhaps the highest condition, and they seemed none the worse for being more like Americans of the middle of the last century than of the beginning of this. Their fashions were of an approximation to those of the present, but did not scrupulously study detail; their manners were those of simpler if not sincerer days.
The women kept to themselves at their end of the saloon, aloof from the study of any but their husbands or kindred, but the men were everywhere else about, and open to observation. They were not so open to conversation, for your mid-Westerner is not a facile, though not an unwilling, talker. They sat by their tall, cast-iron stove (of the oval pattern unvaried since the earliest stove of the region), and silently ruminated their tobacco and spat into the clustering, cuspidors at their feet. They would always answer civilly if questioned, and oftenest intelligently, but they asked nothing in return, and they seemed to have none of that curiosity once known or imagined in them by Dickens and other averse aliens. They had mostly faces of resolute power, and such a looking of knowing exactly what they wanted as would not have promised well for any collectively or individually opposing them. If ever the sense of human equality has expressed itself in the human countenance it speaks unmistakably from American faces like theirs.
They were neither handsome nor unhandsome; but for a few striking exceptions, they had been impartially treated by nature; and where they were notably plain their look of force made up for their lack of beauty. They were notably handsomest in a tall young fellow of a lean face, absolute Greek in profile, amply thwarted with a branching mustache, and slender of figure, on whom his clothes, lustrous from much sitting down and leaning up, grew like the bark on a tree, and who moved slowly and gently about, and spoke with a low, kind voice. In his young comeliness he was like a god, as the gods were fancied in the elder world: a chewing and a spitting god, indeed, but divine in his passionless calm.
He was a serious divinity, and so were all the mid-Western human-beings about him. One heard no joking either of the dapper or cockney sort of cities, or the quaint graphic phrasing of Eastern country folk; and it may have been not far enough West for the true Western humor. At any rate, when they were not silent these men still were serious.
The women were apparently serious, too, and where they were associated with the men were, if they were not really subject, strictly abeyant, in the spectator’s eye. The average of them was certainly not above the American woman’s average in good looks, though one young mother of six children, well grown save for the baby in her arms, was of the type some masters loved to paint, with eyes set wide under low arched brows. She had the placid dignity and the air of motherly goodness which goes fitly with such beauty, and the sight of her was such as to disperse many of the misgivings that beset the beholder who looketh upon the woman when she is New. As she seemed, so any man might wish to remember his mother seeming.
All these river folk, who came from the farms and villages along the stream, and never from the great towns or cities, were well mannered, if quiet manners are good; and though the men nearly all chewed tobacco and spat between meals, at the table they were of an exemplary behavior. The use of the fork appeared strange to them, and they handled it strenuously rather than agilely, yet they never used their knives shovel-wise, however they planted their forks like daggers in the steak: the steak deserved no gentler usage, indeed. They were usually young, and they were constantly changing, bent upon short journeys between the shore villages; they were mostly farm youth, apparently, though some were said to be going to find work at the great potteries up the river for wages fabulous to home-keeping experience.
One personality which greatly took the liking of one of our tourists was a Kentucky mountaineer who, after three years’ exile in a West Virginia oil town, was gladly returning to the home for which he and all his brood-of large and little comely, red-haired boys and girls-had never ceased to pine. His eagerness to get back was more than touching; it was awing; for it was founded on a sort of mediaeval patriotism that could own no excellence beyond the borders of the natal region. He had prospered at high wages in his trade at that oil town, and his wife and children had managed a hired farm so well as to pay all the family expenses from it, but he was gladly leaving opportunity behind, that he might return to a land where, if you were passing a house at meal-time, they came out and made you come in and eat. “When you eat where I’ve been living you pay fifty cents,” he explained. “And are you taking all your household stuff with you?” “Only the cook-stove. Well, I’ll tell you: we made the other things ourselves; made them out of plank, and they were not worth-moving.” Here was the backwoods surviving into the day of Trusts; and yet we talk of a world drifted hopelessly far from the old ideals!
III.
The new ideals, the ideals of a pitiless industrialism, were sufficiently expressed along the busy shores, where the innumerable derricks of oil- wells silhouetted their gibbet shapes against the horizon, and the myriad chimneys of the foundries sent up the smoke of their torment into the quiet skies and flamed upon the forehead of the evening like baleful suns. But why should I be so violent of phrase against these guiltless means of millionairing? There must be iron and coal as well as wheat and corn in the world, and without their combination we cannot have bread. If the combination is in the form of a trust, such as has laid its giant clutch upon all those warring industries beside the Ohio and swept them into one great monopoly, why, it has still to show that it is worse than competition; that it is not, indeed, merely the first blind stirrings of the universal cooperation of which the dreamers of ideal commonwealths have always had the vision.
The derricks and the chimneys, when one saw them, seem to have all the land to themselves; but this was an appearance only, terrifying in its strenuousness, but not, after all, the prevalent aspect. That was rather of farm, farms, and evermore farms, lying along the rich levels of the stream, and climbing as far up its beautiful hills as the plough could drive. In the spring and in the Mall, when it is suddenly swollen by the earlier and the later rains, the river scales its banks and swims over those levels to the feet of those hills, and when it recedes it leaves the cornfields enriched for the crop that, has never failed since the forests were first cut from the land. Other fertilizing the fields have never had any, but they teem as if the guano islands had been emptied into their laps. They feel themselves so rich that they part with great lengths and breadths of their soil to the river, which is not good for the river, and is not well for the fields; so that the farmers, whose ease learns slowly, are beginning more and more to fence their borders with the young willows which form a hedge in the shallow wash such a great part of the way up and down the Ohio. Elms and maples wade in among the willows, and in time the river will be denied the indigestion which it confesses in shoals and bars at low water, and in a difficulty of channel at all stages.
Meanwhile the fields flourish in spite of their unwise largesse to the stream, whose shores the comfortable farmsteads keep so constantly that they are never out of sight. Most commonly they are of brick, but sometimes of painted wood, and they are set on little eminences high enough to save them from the freshets, but always so near the river that they cannot fail of its passing life. Usually a group of planted evergreens half hides the house from the boat, but its inmates will not lose any detail of the show, and come down to the gate of the paling fence to watch the ‘Avonek’ float by: motionless men and women, who lean upon the supporting barrier, and rapt children who hold by their skirts and hands. There is not the eager New England neatness about these homes; now and then they have rather a sloven air, which does not discord with their air of comfort; and very, very rarely they stagger drunkenly in a ruinous neglect. Except where a log cabin has hardily survived the pioneer period, the houses are nearly all of one pattern; their facades front the river, and low chimneys point either gable, where a half-story forms the attic of the two stories below. Gardens of pot-herbs flank them, and behind cluster the corn-cribs, and the barns and stables stretch into the fields that stretch out to the hills, now scantily wooded, but ever lovely in the lines that change with the steamer’s course.
Except in the immediate suburbs of the large towns, there is no ambition beyond that of rustic comfort in the buildings on the shore. There is no such thing, apparently, as a summer cottage, with its mock humility of name, up or down the whole tortuous length of the Ohio. As yet the land is not openly depraved by shows of wealth; those who amass it either keep it to themselves or come away to spend it in European travel, or pause to waste it unrecognized on the ungrateful Atlantic seaboard. The only distinctions that are marked are between the homes of honest industry above the banks and the homes below them of the leisure, which it is hoped is not dishonest. But, honest or dishonest, it is there apparently to stay in the house-boats which line the shores by thousands, and repeat on Occidental terms in our new land the river-life of old and far Cathay.
They formed the only feature of their travel which our tourists found absolutely novel; they could clearly or dimly recall from the past every other feature but the houseboats, which they instantly and gladly naturalized to their memories of it. The houses had in common the form of a freight-car set in a flat-bottomed boat; the car would be shorter or longer, with one, or two, or three windows in its sides, and a section of stovepipe softly smoking from its roof. The windows might be curtained or they might be bare, but apparently there was no other distinction among the houseboat dwellers, whose sluggish craft lay moored among the willows, or tied to an elm or a maple, or even made fast to a stake on shore. There were cases in which they had not followed the fall of the river promptly enough, and lay slanted on the beach, or propped up to a more habitable level on its slope; in a sole, sad instance, the house had gone down with the boat and lay wallowing in the wash of the flood. But they all gave evidence of a tranquil and unhurried life which the soul of the beholder envied within him, whether it manifested itself in the lord of the house-boat fishing from its bow, or the lady coming to cleanse some household utensil at its stern. Infrequently a group of the house- boat dwellers seemed to be drawing a net, and in one high event they exhibited a good-sized fish of their capture, but nothing so strenuous characterized their attitude on any other occasion. The accepted theory of them was that they did by day as nearly nothing as men could do and live, and that by night their forays on the bordering farms supplied the simple needs of people who desired neither to toil nor to spin, but only to emulate Solomon in his glory with the least possible exertion. The joyful witness of their ease would willingly have sacrificed to them any amount of the facile industrial or agricultural prosperity about them and left them slumberously afloat, unmolested by dreams of landlord or tax- gatherer. Their existence for the fleeting time seemed the true interpretation of the sage’s philosophy, the fulfilment of the poet’s aspiration.
“Why should we only toil, that are the roof and crown of things.”
How did they pass their illimitable leisure, when they rested from the fishing-net by day and the chicken-coop by night? Did they read the new historical fictions aloud to one another? Did some of them even meditate the thankless muse and not mind her ingratitude? Perhaps the ladies of the house-boats, when they found themselves–as they often did–in companies of four or five, had each other in to “evenings,” at which one of them read a paper on some artistic or literary topic.
IV.
The trader’s boat, of an elder and more authentic tradition, sometimes shouldered the house-boats away from a village landing, but it, too, was a peaceful home, where the family life visibly went hand-in-hand with commerce. When the trader has supplied all the wants and wishes of a neighborhood, he unmoors his craft and drops down the river’s tide to where it meets the ocean’s tide in the farthermost Mississippi, and there either sells out both his boat and his stock, or hitches his home to some returning steamboat, and climbs slowly, with many pauses, back to the upper Ohio. But his home is not so interesting as that of the houseboatman, nor so picturesque as that of the raftsman, whose floor of logs rocks flexibly under his shanty, but securely rides the current. As the pilots said, a steamboat never tries to hurt a raft of logs, which is adapted to dangerous retaliation; and by night it always gives a wide berth to the lantern tilting above the raft from a swaying pole. By day the raft forms one of the pleasantest aspects of the river-life, with its convoy of skiffs always searching the stream or shore for logs which have broken from it, and which the skiffmen recognize by distinctive brands or stamps. Here and there the logs lie in long ranks upon the shelving beaches, mixed with the drift of trees and fence-rails, and frames of corn-cribs and hencoops, and even house walls, which the freshets have brought down and left stranded. The tops of the little willows are tufted gayly with hay and rags, and other spoil of the flood; and in one place a disordered mattress was lodged high among the boughs of a water- maple, where it would form building material for countless generations of birds. The fat cornfields were often littered with a varied wreckage which the farmers must soon heap together and burn, to be rid of it, and everywhere were proofs of the river’s power to devastate as well as enrich its shores. The dwellers there had no power against it, in its moments of insensate rage, and the land no protection from its encroachments except in the simple device of the willow hedges, which, if planted, sometimes refused to grow, but often came of themselves and kept the torrent from the loose, unfathomable soil of the banks, otherwise crumbling helplessly into it.
The rafts were very well, and the house-boats and the traders’ boats, but the most majestic feature of the riverlife was the tow of coal-barges which, going or coming, the ‘Avonek’ met every few miles. Whether going or coming they were pushed, not pulled, by the powerful steamer which gathered them in tens and twenties before her, and rode the mid-current with them, when they were full, or kept the slower water near shore when they were empty. They claimed the river where they passed, and the ‘Avonek’ bowed to an unwritten law in giving them the full right of way, from the time when their low bulk first rose in sight, with the chimneys of their steamer towering above them and her gay contours gradually making themselves seen, till she receded from the encounter, with the wheel at her stern pouring a cataract of yellow water from its blades. It was insurpassably picturesque always, and not the tapering masts or the swelling sails of any sea-going craft could match it.
V.
So at least the travellers thought who were here revisiting the earliest scenes of childhood, and who perhaps found them unduly endeared. They perused them mostly from an easy seat at the bow of the hurricane-deck, and, whenever the weather favored them, spent the idle time in selecting shelters for their declining years among the farmsteads that offered themselves to their choice up and down the shores. The weather commonly favored them, and there was at least one whole day on the lower river when the weather was divinely flattering. The soft, dull air lulled their nerves while it buffeted their faces, and the sun, that looked through veils of mist and smoke, gently warmed their aging frames and found itself again in their hearts. Perhaps it was there that the water- elms and watermaples chiefly budded, and the red-birds sang, and the drifting flocks of blackbirds called and clattered; but surely these also spread their gray and pink against the sky and filled it with their voices. There were meadow-larks and robins without as well as within, and it was no subjective plough that turned the earliest furrows in those opulent fields.
When they were tired of sitting there, they climbed, invited or uninvited, but always welcomed, to the pilothouse, where either pilot of the two who were always on watch poured out in an unstinted stream the lore of the river on which all their days had been passed. They knew from indelible association every ever-changing line of the constant hills; every dwelling by the low banks; every aspect of the smoky towns; every caprice of the river; every-tree, every stump; probably every bud and bird in the sky. They talked only of the river; they cared for nothing else. The Cuban cumber and the Philippine folly were equally far from them; the German prince was not only as if he had never been here, but as if he never had been; no public question concerned them but that of abandoning the canals which the Ohio legislature was then foolishly debating. Were not the canals water-ways, too, like the river, and if the State unnaturally abandoned them would not it be for the behoof of those railroads which the rivermen had always fought, and which would have made a solitude of the river if they could?
But they could not, and there was nothing more surprising and delightful in this blissful voyage than the evident fact that the old river traffic had strongly survived, and seemed to be more strongly reviving. Perhaps it was not; perhaps the fondness of those Ohio-river-born passengers was abused by an illusion (as subjective as that of the buds and birds) of a vivid variety of business and pleasure on the beloved stream. But again, perhaps not. They were seldom out of sight of the substantial proofs of both in the through or way packets they encountered, or the nondescript steam craft that swarmed about the mouths of the contributory rivers, and climbed their shallowing courses into the recesses of their remotest hills, to the last lurking-places of their oil and coal.
VI.
The Avonek was always stopping to put off or take on merchandise or men. She would stop for a single passenger, plaited in the mud with his telescope valise or gripsack under the edge of a lonely cornfield, or to gather upon her decks the few or many casks or bales that a farmer wished to ship. She lay long hours by the wharf-boats of busy towns, exchanging one cargo for another, in that anarchic fetching and carrying which we call commerce, and which we drolly suppose to be governed by laws. But wherever she paused or parted, she tested the pilot’s marvellous skill; for no landing, no matter how often she landed in the same place, could be twice the same. At each return the varying stream and shore must be studied, and every caprice of either divined. It was always a triumph, a miracle, whether by day or by night, a constant wonder how under the pilot’s inspired touch she glided softly to her moorings, and without a jar slipped from them again and went on her course.
But the landings by night were of course the finest. Then the wide fan of the search-light was unfurled upon the point to be attained and the heavy staging lowered from the bow to the brink, perhaps crushing the willow hedges in it’s fall, and scarcely touching the land before a black, ragged deck-hand had run out through the splendor and made a line fast to the trunk of the nearest tree. Then the work of lading or unlading rapidly began in the witching play of the light that set into radiant relief the black, eager faces and the black, eager figures of the deck-hands struggling up or down the staging under boxes of heavy wares, or kegs of nails, or bales of straw, or blocks of stone, steadily mocked or cursed at in their shapeless effort, till the last of them reeled back to the deck down the steep of the lifting stage, and dropped to his broken sleep wherever he could coil himself, doglike, down among the heaps of freight.
No dog, indeed, leads such a hapless life as theirs; and ah! and ah! why should their sable shadows intrude in a picture that was meant to be all so gay and glad? But ah! and ah! where, in what business of this hard world, is not prosperity built upon the struggle of toiling men, who still endeavor their poor best, and writhe and writhe under the burden of their brothers above, till they lie still under the lighter load of their mother earth?
ETEXT EDITOR’S BOOKMARKS:
Absence of distinction
Advertising
Aim at nothing higher than the amusement of your readers Anise-seed bag
Any man’s country could get on without him Begun to fight with want from their cradles Blasts of frigid wind swept the streets
Clemens is said to have said of bicycling Could not, as the saying is, find a stone to throw at a dog Disbeliever in punishments of all sorts
Do not want to know about such squalid lives Early self-helpfulness of children is very remarkable Encounter of old friends after the lapse of years Even a day’s rest is more than most people can bear Eyes fixed steadfastly upon the future
Face that expresses care, even to the point of anxiety For most people choice is a curse
General worsening of things, familiar after middle life Happy in the indifference which ignorance breeds in us Hard to think up anything new
Heart of youth aching for their stoical sorrows Heighten our suffering by anticipation
If one were poor, one ought to be deserving Lascivious and immodest as possible
Literary spirit is the true world-citizen Look of challenge, of interrogation, almost of reproof Malevolent agitators
Meet here to the purpose of a common ostentation Neatness that brings despair
Noble uselessness
Openly depraved by shows of wealth
People have never had ideals, but only moods and fashions People might oftener trust themselves to Providence People of wealth and fashion always dissemble their joy Plagiarism carries inevitable detection with it Pure accident and by its own contributory negligence Refused to see us as we see ourselves
Should be very sorry to do good, as people called it So many millionaires and so many tramps
So touching that it brought the lump into my own throat Solution of the problem how and where to spend the summer Some of it’s good, and most of it isn’t
Some of us may be toys and playthings without reproach Superiority one likes to feel towards the rich and great Take our pleasures ungraciously
The old and ugly are fastidious as to the looks of others They are so many and I am so few
Those who decide their fate are always rebelling against it Those who work too much and those who rest too much Unfailing American kindness
Visitors of the more inquisitive sex We cannot all be hard-working donkeys
We who have neither youth nor beauty should always expect it Whatever choice you make, you are pretty sure to regret it
MY LITERARY PASSIONS
By William Dean Howells
1895
BIBLIOGRAPHICAL.
I. THE BOOKCASE AT HOME
II. GOLDSMITH
III. CERVANTES
IV. IRVING
V. FIRST FICTION AND DRAMA
VI. LONGFELLOW’S “SPANISH STUDENT” VII. SCOTT
VIII. LIGHTER FANCIES
IX. POPE
X. VARIOUS PREFERENCES
XI. UNCLE TOM’S CABIN
XII. OSSIAN
XIII. SHAKESPEARE
XIV. IK MARVEL
XV. DICKENS
XVI. WORDSWORTH, LOWELL, CHAUCER
XVII. MACAULAY.
XVIII. CRITICS AND REVIEWS.
XIX. A NON-LITERARY EPISODE
XX. THACKERAY
XXI. “LAZARILLO DE TORMES”
XXII. CURTIS, LONGFELLOW, SCHLEGEL XXIII. TENNYSON
XXIV. HEINE
XXV. DE QUINCEY, GOETHE, LONGFELLOW. XXVI. GEORGE ELIOT, HAWTHORNE, GOETHE, HEINE XXVII. CHARLES READE
XXVIII. DANTE.
XXIX. GOLDONI, MANZONI, D’AZEGLIO XXX. “PASTOR FIDO,” “AMINTA,” “ROMOLA,” “YEAST,” “PAUL FERROLL” XXXI. ERCKMANN-CHATRIAN, BJORSTJERNE BJORNSON XXXII. TOURGUENIEF, AUERBACH
XXXIII. CERTAIN PREFERENCES AND EXPERIENCES XXXIV. VALDES, GALDOS, VERGA, ZOLA, TROLLOPE, HARDY XXXV. TOLSTOY
BIBLIOGRAPHICAL
The papers collected here under the name of ‘My Literary Passions’ were printed serially in a periodical of such vast circulation that they might well have been supposed to have found there all the acceptance that could be reasonably hoped for them. Nevertheless, they were reissued in a volume the year after they first appeared, in 1895, and they had a pleasing share of such favor as their author’s books have enjoyed. But it is to be doubted whether any one liked reading them so much as he liked writing them–say, some time in the years 1893 and 1894, in a New York flat, where he could look from his lofty windows over two miles and a half of woodland in Central Park, and halloo his fancy wherever he chose in that faery realm of books which he re-entered in reminiscences perhaps too fond at times, and perhaps always too eager for the reader’s following. The name was thought by the friendly editor of the popular publication where they were serialized a main part of such inspiration as they might be conjectured to have, and was, as seldom happens with editor and author, cordially agreed upon before they were begun.
The name says, indeed, so exactly and so fully what they are that little remains for their bibliographer to add beyond the meagre historical detail here given. Their short and simple annals could be eked out by confidences which would not appreciably enrich the materials of the literary history of their time, and it seems better to leave them to the imagination of such posterity as they may reach. They are rather helplessly frank, but not, I hope, with all their rather helpless frankness, offensively frank. They are at least not part of the polemic which their author sustained in the essays following them in this volume, and which might have been called, in conformity with ‘My Literary Passions’, by the title of ‘My Literary Opinions’ better than by the vague name which they actually wear.
They deal, to be sure, with the office of Criticism and the art of Fiction, and so far their present name is not a misnomer. It follows them from an earlier date and could not easily be changed, and it may serve to recall to an elder generation than this the time when their author was breaking so many lances in the great, forgotten war between Realism and Romanticism that the floor of the “Editor’s Study” in Harper’s Magazine was strewn with the embattled splinters. The “Editor’s Study” is now quite another place, but he who originally imagined it in 1886, and abode in it until 1892, made it at once the scene of such constant offence that he had no time, if he had the temper, for defence. The great Zola, or call him the immense Zola, was the prime mover in the attack upon the masters of the Romanticistic school; but he lived to own that he had fought a losing fight, and there are some proofs that he was right. The Realists, who were undoubtedly the masters of fiction in their passing generation, and who prevailed not only in France, but in Russia, in Scandinavia, in Spain, in Portugal, were overborne in all Anglo-Saxon countries by the innumerable hosts of Romanticism, who to this day possess the land; though still, whenever a young novelist does work instantly recognizable for its truth and beauty among us, he is seen and felt to have wrought in the spirit of Realism. Not even yet, however, does the average critic recognize this, and such lesson as the “Editor’s Study” assumed to teach remains here in all its essentials for his improvement.
Month after month for the six years in which the “Editor’s Study” continued in the keeping of its first occupant, its lesson was more or less stormily delivered, to the exclusion, for the greater part, of other prophecy, but it has not been found well to keep the tempestuous manner along with the fulminant matter in this volume. When the author came to revise the material, he found sins against taste which his zeal for righteousness could not suffice to atone for. He did not hesitate to omit the proofs of these, and so far to make himself not only a precept, but an example in criticism. He hopes that in other and slighter things he has bettered his own instruction, and that in form and in fact the book is altogether less crude and less rude than the papers from which it has here been a second time evolved.
The papers, as they appeared from month to month, were not the product of those unities of time and place which were the happy conditioning of ‘My Literary Passions.’ They could not have been written in quite so many places as times, but they enjoyed a comparable variety of origin. Beginning in Boston, they were continued in a Boston suburb, on the shores of Lake George, in a Western New York health resort, in Buffalo, in Nahant; once, twice, and thrice in New York, with reversions to Boston, and summer excursions to the hills and waters of New England, until it seemed that their author had at last said his say, and he voluntarily lapsed into silence with the applause of friends and enemies alike.
The papers had made him more of the last than of the first, but not as still appears to him with greater reason. At moments his deliverances seemed to stir people of different minds to fury in two continents, so far as they were English-speaking, and on the coasts of the seven seas; and some of these came back at him with such violent personalities as it is his satisfaction to remember that he never indulged in his attacks upon their theories of criticism and fiction. His opinions were always impersonal; and now as their manner rather than their make has been slightly tempered, it may surprise the belated reader to learn that it was the belief of one English critic that their author had “placed himself beyond the pale of decency” by them. It ought to be less surprising that, since these dreadful words were written of him, more than one magnanimous Englishman has penitently expressed to the author the feeling that he was not so far wrong in his overboldly hazarded convictions. The penitence of his countrymen is still waiting expression, but it may come to that when they have recurred to the evidences of his offence in their present shape.
KITTERY POINT, MAINE, July, 1909.
MY LITERARY PASSIONS
I. THE BOOKCASE AT HOME
To give an account of one’s reading is in some sort to give an account of one’s life; and I hope that I shall not offend those who follow me in these papers, if I cannot help speaking of myself in speaking of the authors I must call my masters: my masters not because they taught me this or that directly, but because I had such delight in them that I could not fail to teach myself from them whatever I was capable of learning. I do not know whether I have been what people call a great reader; I cannot claim even to have been a very wise reader; but I have always been conscious of a high purpose to read much more, and more discreetly, than I have ever really done, and probably it is from the vantage-ground of this good intention that I shall sometimes be found writing here rather than from the facts of the case.
But I am pretty sure that I began right, and that if I had always kept the lofty level which I struck at the outset I should have the right to use authority in these reminiscences without a bad conscience. I shall try not to use authority, however, and I do not expect to speak here of all my reading, whether it has been much or little, but only of those books, or of those authors that I have felt a genuine passion for. I have known such passions at every period of my life, but it is mainly of the loves of my youth that I shall write, and I shall write all the more frankly because my own youth now seems to me rather more alien than that of any other person.
I think that I came of a reading race, which has always loved literature in a way, and in spite of varying fortunes and many changes. From a letter of my great-grandmother’s written to a stubborn daughter upon some unfilial behavior, like running away to be married, I suspect that she was fond of the high-colored fiction of her day, for she tells the wilful child that she has “planted a dagger in her mother’s heart,” and I should not be surprised if it were from this fine-languaged lady that my grandfather derived his taste for poetry rather than from his father, who was of a worldly wiser mind. To be sure, he became a Friend by Convincement as the Quakers say, and so I cannot imagine that he was altogether worldly; but he had an eye to the main chance: he founded the industry of making flannels in the little Welsh town where he lived, and he seems to have grown richer, for his day and place, than any of us have since grown for ours. My grandfather, indeed, was concerned chiefly in getting away from the world and its wickedness. He came to this country early in the nineteenth century and settled his family in a log-cabin in the Ohio woods, that they might be safe from the sinister influences of the village where he was managing some woollen-mills. But he kept his affection for certain poets of the graver, not to say gloomier sort, and he must have suffered his children to read them, pending that great question of their souls’ salvation which was a lifelong trouble to him.
My father, at any rate, had such a decided bent in the direction of literature, that he was not content in any of his several economical experiments till he became the editor of a newspaper, which was then the sole means of satisfying a literary passion. His paper, at the date when I began to know him, was a living, comfortable and decent, but without the least promise of wealth in it, or the hope even of a much better condition. I think now that he was wise not to care for the advancement which most of us have our hearts set upon, and that it was one of his finest qualities that he was content with a lot in life where he was not exempt from work with his hands, and yet where he was not so pressed by need but he could give himself at will not only to the things of the spirit, but the things of the mind too. After a season of scepticism he had become a religious man, like the rest of his race, but in his own fashion, which was not at all the fashion of my grandfather: a Friend who had married out of Meeting, and had ended a perfervid Methodist. My father, who could never get himself converted at any of the camp-meetings where my grandfather often led the forces of prayer to his support, and had at last to be given up in despair, fell in with the writings of Emanuel Swedenborg, and embraced the doctrine of that philosopher with a content that has lasted him all the days of his many years. Ever since I can remember, the works of Swedenborg formed a large part of his library; he read them much himself, and much to my mother, and occasionally a “Memorable Relation” from them to us children. But he did not force them upon our notice, nor urge us to read them, and I think this was very well. I suppose his conscience and his reason kept him from doing so. But in regard to other books, his fondness was too much for him, and when I began to show a liking for literature he was eager to guide my choice.
His own choice was for poetry, and the most of our library, which was not given to theology, was given to poetry. I call it the library now, but then we called it the bookcase, and that was what literally it was, because I believe that whatever we had called our modest collection of books, it was a larger private collection than any other in the town where we lived. Still it was all held, and shut with glass doors, in a case of very few shelves. It was not considerably enlarged during my childhood, for few books came to my father as editor, and he indulged himself in buying them even more rarely. My grandfather’s book store (it was also the village drug-store) had then the only stock of literature for sale in the place; and once, when Harper & Brothers’ agent came to replenish it, be gave my father several volumes for review. One of these was a copy of Thomson’s Seasons, a finely illustrated edition, whose pictures I knew long before I knew the poetry, and thought them the most beautiful things that ever were. My father read passages of the book aloud, and he wanted me to read it all myself. For the matter of that he wanted me to read Cowper, from whom no one could get anything but good, and he wanted me to read Byron, from whom I could then have got no harm; we get harm from the evil we understand. He loved Burns, too, and he used to read aloud from him, I must own, to my inexpressible weariness. I could not away with that dialect, and I could not then feel the charm of the poet’s wit, nor the tender beauty of his pathos. Moore, I could manage better; and when my father read “Lalla Rookh” to my mother I sat up to listen, and entered into all the woes of Iran in the story of the “Fire Worshippers.” I drew the line at the “Veiled Prophet of Khorassan,” though I had some sense of the humor of the poet’s conception of the critic in “Fadladeen.” But I liked Scott’s poems far better, and got from Ispahan to Edinburgh with a glad alacrity of fancy. I followed the “Lady of the Lake” throughout, and when I first began to contrive verses of my own I found that poem a fit model in mood and metre.
Among other volumes of verse on the top shelf of the bookcase, of which I used to look at the outside without penetrating deeply within, were Pope’s translation of the Iliad and the Odyssey, and Dryden’s Virgil, pretty little tomes in tree-calf, published by James Crissy in Philadelphia, and illustrated with small copper-plates, which somehow seemed to put the matter hopelessly beyond me. It was as if they said to me in so many words that literature which furnished the subjects of such pictures I could not hope to understand, and need not try. At any rate, I let them alone for the time, and I did not meddle with a volume of Shakespeare, in green cloth and cruelly fine print, which overawed me in like manner with its wood-cuts. I cannot say just why I conceived that there was something unhallowed in the matter of the book; perhaps this was a tint from the reputation of the rather profligate young man from whom my father had it. If he were not profligate I ask his pardon. I have not the least notion who he was, but that was the notion I had of him, whoever he was, or wherever he now is. There may never have been such a young man at all; the impression I had may have been pure invention of my own, like many things with children, who do not very distinctly know their dreams from their experiences, and live in the world where both project the same quality of shadow.
There were, of course, other books in the bookcase, which my consciousness made no account of, and I speak only of those I remember. Fiction there was none at all that I can recall, except Poe’s ‘Tales of the Grotesque and the Arabesque’ (I long afflicted myself as to what those words meant, when I might easily have asked and found out) and Bulwer’s Last Days of Pompeii, all in the same kind of binding. History is known, to my young remembrance of that library, by a History of the United States, whose dust and ashes I hardly made my way through; and by a ‘Chronicle of the Conquest of Granada’, by the ever dear and precious Fray Antonio Agapida, whom I was long in making out to be one and the same as Washington Irving.
In school there was as little literature then as there is now, and I cannot say anything worse of our school reading; but I was not really very much in school, and so I got small harm from it. The printing- office was my school from a very early date. My father thoroughly believed in it, and he had his beliefs as to work, which he illustrated as soon as we were old enough to learn the trade he followed. We could go to school and study, or we could go into the printing-office and work, with an equal chance of learning, but we could not be idle; we must do something, for our souls’ sake, though he was willing enough we should play, and he liked himself to go into the woods with us, and to enjoy the pleasures that manhood can share with childhood. I suppose that as the world goes now we were poor. His income was never above twelve hundred a year, and his family was large; but nobody was rich there or then; we lived in the simple abundance of that time and place, and we did not know that we were poor. As yet the unequal modern conditions were undreamed of (who indeed could have dreamed of them forty or fifty years ago?) in the little Southern Ohio town where nearly the whole of my most happy boyhood was passed.
II. GOLDSMITH
When I began to have literary likings of my own, and to love certain books above others, the first authors of my heart were Goldsmith, Cervantes, and Irving. In the sharply foreshortened perspective of the past I seem to have read them all at once, but I am aware of an order of time in the pleasure they gave me, and I know that Goldsmith came first. He came so early that I cannot tell when or how I began to read him, but it must have been before I was ten years old. I read other books about that time, notably a small book on Grecian and Roman mythology, which I perused with such a passion for those pagan gods and goddesses that, if it had ever been a question of sacrificing to Diana, I do not really know whether I should have been able to refuse. I adored indiscriminately all the tribes of nymphs and naiads, demigods and heroes, as well as the high ones of Olympus; and I am afraid that by day I dwelt in a world peopled and ruled by them, though I faithfully said my prayers at night, and fell asleep in sorrow for my sins. I do not know in the least how Goldsmith’s Greece came into my hands, though I fancy it must have been procured for me because of a taste which I showed for that kind of reading, and I can imagine no greater luck for a small boy in a small town of Southwestern Ohio well-nigh fifty years ago. I have the books yet; two little, stout volumes in fine print, with the marks of wear on them, but without those dishonorable blots, or those other injuries which boys inflict upon books in resentment of their dulness, or out of mere wantonness. I was always sensitive to the maltreatment of books; I could not bear to see a book faced down or dogs-eared or broken-backed. It was like a hurt or an insult to a thing that could feel.
Goldsmith’s History of Rome came to me much later, but quite as immemorably, and after I had formed a preference for the Greek Republics, which I dare say was not mistaken. Of course I liked Athens best, and yet there was something in the fine behavior of the Spartans in battle, which won a heart formed for hero-worship. I mastered the notion of their communism, and approved of their iron money, with the poverty it obliged them to, yet somehow their cruel treatment of the Helots failed to shock me; perhaps I forgave it to their patriotism, as I had to forgive many ugly facts in the history of the Romans to theirs. There was hardly any sort of bloodshed which I would not pardon in those days to the slayers of tyrants; and the swagger form of such as despatched a despot with a fine speech was so much to my liking that I could only grieve that I was born too late to do and to say those things.
I do not think I yet felt the beauty of the literature which made them all live in my fancy, that I conceived of Goldsmith as an artist using for my rapture the finest of the arts; and yet I had been taught to see the loveliness of poetry, and was already trying to make it on my own poor account. I tried to make verses like those I listened to when my father read Moore and Scott to my mother, but I heard them with no such happiness as I read my beloved histories, though I never thought then of attempting to write like Goldsmith. I accepted his beautiful work as ignorantly as I did my other blessings. I was concerned in getting at the Greeks and Romans, and I did not know through what nimble air and by what lovely ways I was led to them. Some retrospective perception of this came long afterward when I read his essays, and after I knew all of his poetry, and later yet when I read the ‘Vicar of Wakefield’; but for the present my eyes were holden, as the eyes of a boy mostly are in the world of art. What I wanted with my Greeks and Romans after I got at them was to be like them, or at least to turn them to account in verse, and in dramatic verse at that. The Romans were less civilized than the Greeks, and so were more like boys, and more to a boy’s purpose. I did not make literature of the Greeks, but I got a whole tragedy out of the Romans; it was a rhymed tragedy, and in octosyllabic verse, like the “Lady of the Lake.” I meant it to be acted by my schoolmates, but I am not sure that I ever made it known to them. Still, they were not ignorant of my reading, and I remember how proud I was when a certain boy, who had always whipped me when we fought together, and so outranked me in that little boys’ world, once sent to ask me the name of the Roman emperor who lamented at nightfall, when he had done nothing worthy, that he had lost a day. The boy was going to use the story, in a composition, as we called the school themes then, and I told him the emperor’s name; I could not tell him now without turning to the book.
My reading gave me no standing among the boys, and I did not expect it to rank me with boys who were more valiant in fight or in play; and I have since found that literature gives one no more certain station in the world of men’s activities, either idle or useful. We literary folk try to believe that it does, but that is all nonsense. At every period of life, among boys or men, we are accepted when they are at leisure, and want to be amused, and at best we are tolerated rather than accepted. I must have told the boys stories out of my Goldsmith’s Greece and Rome, or it would not have been known that I had read them, but I have no recollection now of doing so, while I distinctly remember rehearsing the allegories and fables of the ‘Gesta Romanorum’, a book which seems to have been in my hands about the same time or a little later. I had a delight in that stupid collection of monkish legends which I cannot account for now, and which persisted in spite of the nightmare confusion it made of my ancient Greeks and Romans. They were not at all the ancient Greeks and Romans of Goldsmith’s histories.
I cannot say at what times I read these books, but they must have been odd times, for life was very full of play then, and was already beginning to be troubled with work. As I have said, I was to and fro between the schoolhouse and the printing-office so much that when I tired of the one I must have been very promptly given my choice of the other. The reading, however, somehow went on pretty constantly, and no doubt my love for it won me a chance for it. There were some famous cherry-trees in our yard, which, as I look back at them, seem to have been in flower or fruit the year round; and in one of them there was a level branch where a boy could sit with a book till his dangling legs went to sleep, or till some idler or busier boy came to the gate and called him down to play marbles or go swimming. When this happened the ancient world was rolled up like a scroll, and put away until the next day, with all its orators and conspirators, its nymphs and satyrs, gods and demigods; though sometimes they escaped at night and got into the boy’s dreams.
I do not think I cared as much as some of the other boys for the ‘Arabian Nights’ or ‘Robinson Crusoe,’ but when it came to the ‘Ingenious Gentleman of La Mancha,’ I was not only first, I was sole.