one; it was always enforced, however, by a bumper of excellent Hockheimer, and even a dull joke at one’s own table, served up with jolly old wine, is irresistible. Many good things were said by poorer and keener wits that would not bear repeating, except on similar occasions; many sly speeches whispered in ladies’ ears that almost convulsed them with suppressed laughter; and a song or two roared out by a poor but merry and broad-faced cousin of the baron that absolutely made the maiden aunts hold up their fans.
Amidst all this revelry the stranger guest maintained a most singular and unseasonable gravity. His countenance assumed a deeper cast of dejection as the evening advanced, and, strange as it may appear, even the baron’s jokes seemed only to render him the more melancholy. At times he was lost in thought, and at times there was a perturbed and restless wandering of the eye that bespoke a mind but ill at ease. His conversations with the bride became more and more earnest and mysterious. Lowering clouds began to steal over the fair serenity of her brow, and tremors to run through her tender frame.
All this could not escape the notice of the company. Their gayety was chilled by the unaccountable gloom of the bridegroom; their spirits were infected; whispers and glances were interchanged, accompanied by shrugs and dubious shakes of the head. The song and the laugh grew less and less frequent: there were dreary pauses in the conversation, which were at length succeeded by wild tales and supernatural legends. One dismal story produced another still more dismal, and the baron nearly frightened some of the ladies into hysterics with the history of the goblin horseman that carried away the fair Leonora–a dreadful story which has since been put into excellent verse, and is read and believed by all the world.
The bridegroom listened to this tale with profound attention. He kept his eyes steadily fixed on the baron, and, as the story drew to a close, began gradually to rise from his seat, growing taller and taller, until in the baron’s entranced eye he seemed almost to tower into a giant. The moment the tale was finished he heaved a deep sigh and took a solemn farewell of the company. They were all amazement. The baron was perfectly thunderstruck.
“What! going to leave the castle at midnight? Why, everything was prepared for his reception; a chamber was ready for him if he wished to retire.”
The stranger shook his head mournfully and mysteriously: “I must lay my head in a different chamber to-night.”
There was something in this reply and the tone in which it was uttered that made the baron’s heart misgive him; but he rallied his forces and repeated his hospitable entreaties.
The stranger shook his head silently, but positively, at every offer, and, waving his farewell to the company, stalked slowly out of the hall. The maiden aunts were absolutely petrified; the bride hung her head and a tear stole to her eye.
The baron followed the stranger to the great court of the castle, where the black charger stood pawing the earth and snorting with impatience. When they had reached the portal, whose deep archway was dimly lighted by a cresset, the stranger paused, and addressed the baron in a hollow tone of voice, which the vaulted roof rendered still more sepulchral.
“Now that we are a lone,” said he, “I will impart to you the reason of my going. I have a solemn, an indispensable engagement—-“
“Why,” said the baron, “cannot you send some one in your place?”
“It admits of no substitute–I must attend it in person; I must away to Wurtzburg cathedral—-“
“Ay,” said the baron, plucking up spirit, “but not until to-morrow–to-morrow you shall take your bride there.”
“No! no!” replied the stranger, with tenfold solemnity, “my engagement is with no bride–the worms! the worms expect me! I am a dead man–I have been slain by robbers–my body lies at Wurtzburg–at midnight I am to be buried–the grave is waiting for me–I must keep my appointment!”
He sprang on his black charger, dashed over the drawbridge, and the clattering of his horse’s hoofs was lost in the whistling of the night blast.
The baron returned to the hall in the utmost consternation, and related what had passed. Two ladies fainted outright, others sickened at the idea of having banqueted with a spectre. It was the opinion of some that this might be the wild huntsman, famous in German legend. Some talked of mountain-sprites, of wood-demons, and of other supernatural beings with which the good people of Germany have been so grievously harassed since time immemorial. One of the poor relations ventured to suggest that it might be some sportive evasion of the young cavalier, and that the very gloominess of the caprice seemed to accord with so melancholy a personage. This, however, drew on him, the indignation of the whole company, and especially of the baron, who looked upon him as little better than an infidel; so that he was fain to abjure his heresy as speedily as possible and come into the faith of the true believers.
But, whatever may have been the doubts entertained, they were completely put to an end by the arrival next day of regular missives confirming the intelligence of the young count’s murder and his interment in Wurtzburg cathedral.
The dismay at the castle may well be imagined. The baron shut himself up in his chamber. The guests, who had come to rejoice with him, could not think of abandoning him in his distress. They wandered about the courts or collected in groups in the hall, shaking their heads and shrugging their shoulders at the troubles of so good a man, and sat longer than ever at table, and ate and drank more stoutly than ever, by way of keeping up their spirits. But the situation of the widowed bride was the most pitiable. To have lost a husband before she had even embraced him–and such a husband! If the very spectre could be so gracious and noble, what must have been the living man? She filled the house with lamentations.
On the night of the second day of her widowhood she had retired to her chamber, accompanied by one of her aunts, who insisted on sleeping with her. The aunt, who was one of the best tellers of ghost-stories in all Germany, had just been recounting one of her longest, and had fallen asleep in the very midst of it. The chamber was remote and overlooked a small garden. The niece lay pensively gazing at the beams of the rising moon as they trembled on the leaves of an aspen tree before the lattice. The castle clock had just tolled midnight when a soft strain of music stole up from the garden. She rose hastily from her bed and stepped lightly to the window. A tall figure stood among the shadows of the trees. As it raised its head a beam of moonlight fell upon the countenance. Heaven and earth! she beheld the Spectre Bridegroom! A loud shriek at that moment burst upon her ear, and her aunt, who had been awakened by the music and had followed her silently to the window, fell into her arms. When she looked again the spectre had disappeared.
Of the two females, the aunt now required the most soothing, for she was perfectly beside herself with terror. As to the young lady, there was something even in the spectre of her lover that seemed endearing. There was still the semblance of manly beauty, and, though the shadow of a man is but little calculated to satisfy the affections of a lovesick girl, yet where the substance is not to be had even that is consoling. The aunt declared she would never sleep in that chamber again; the niece, for once, was refractory, and declared as strongly that she would sleep in no other in the castle: the consequence was, that she had to sleep in it alone; but she drew a promise from her aunt not to relate the story of the spectre, lest she should be denied the only melancholy pleasure left her on earth–that of inhabiting the chamber over which the guardian shade of her lover kept its nightly vigils.
How long the good old lady would have observed this promise is uncertain, for she dearly loved to talk of the marvellous, and there is a triumph in being the first to tell a frightful story; it is, howover, still quoted in the neighborhood as a memorable instance of female secrecy that she kept it to herself for a whole week, when she was suddenly absolved from all further restraint by intelligence brought to the breakfast-table one morning that the young lady was not to be found. Her room was empty–the bed had not been slept in–the window was open and the bird had flown!
The astonishment and concern with which the intelligence was received can only be imagined by those who have witnessed the agitation which the mishaps of a great man cause among his friends. Even the poor relations paused for a moment from the indefatigable labors of the trencher, when the aunt, who had at first been struck speechless, wrung her hands and shrieked out, “The goblin” the goblin! she’s carried away by the goblin!”
In a few words she related the fearful scene of the garden, and concluded that the spectre must have carried off his bride. Two of the domestics corroborated the opinion, for they had heard the clattering of a horse’s hoofs down the mountain about midnight, and had no doubt that it was the spectre on his black charger bearing her away to the tomb. All present were struck with the direful probability for events of the kind are extremely common in Germany, as many well-authenticated histories bear witness.
What a lamentable situation was that of the poor baron! What a heartrending dilemma for a fond father and a member of the great family of Katzenellenbogen! His only daughter had either been rapt away to the grave, or he was to have some wood-demon for a son-in-law, and perchance a troop of goblin grandchildren. As usual, he was completely bewildered, and all the castle in an uproar. The men were ordered to take horse and scour every road and path and glen of the Odenwald. The baron himself had just drawn on his jack-boots, girded on his sword, and was about to mount his steed to sally forth on the doubtful quest, when he was brought to a pause by a new apparition. A lady was seen approaching the castle mounted on a palfrey, attended by a cavalier on horseback. She galloped up to the gate, sprang from her horse, and, falling at the baron’s feet, embraced his knees. It was his lost daughter, and her companion–the Spectre Bridegroom! The baron was astounded. He looked at his daughter, then at the spectre, and almost doubted the evidence of his senses. The latter, too, was wonderfully improved in his appearance since his visit to the world of spirits. His dress was splendid, and set off a noble figure of manly symmetry. He was no longer pale and melancholy. His fine countenance was flushed with the glow of youth, and joy rioted in his large dark eye.
The mystery was soon cleared up. The cavalier (for, in truth, as you must have known all the while, he was no goblin) announced himself as Sir Herman Von Starkenfaust. He related his adventure with the young count. He told how he had hastened to the castle to deliver the unwelcome tidings, but that the eloquence of the baron had interrupted him in every attempt to tell his tale. How the sight of the bride had completely captivated him and that to pass a few hours near her he had tacitly suffered the mistake to continue. How he had been sorely perplexed in what way to make a decent retreat, until the baron’s goblin stories had suggested his eccentric exit. How, fearing the feudal hostility of the family, he had repeated his visits by stealth–had haunted the garden beneath the young lady’s window–had wooed–had won–had borne away in triumph–and, in a word, had wedded the fair.
Under any other circumstances the baron would have been inflexible, for be was tenacious of paternal authority and devoutly obstinate in all family feuds; but be loved his daughter; he had lamented her as lost; he rejoiced to find her still alive; and, though her husband was of a hostile house, yet, thank Heaven! he was not a goblin. There was something, it must he acknowledged, that did not exactly accord with his notions of strict veracity in the joke the knight had passed upon him of his being a dead man; but several old friends present, who had served in the wars, assured him that every stratagem was excusable in love, and that the cavalier was entitled to especial privilege, having lately served as a trooper.
Matters, therefore, were happily arranged. The baron pardoned the young couple on the spot. The revels at the castle were resumed. The poor relations overwhelmed this new member of the family with loving-kindness; he was so gallant, so generous–and so rich. The aunts, it is true, were somewhat scandalized that their system of strict seclusion and passive obedience should be so badly exemplified, but attributed it all to their negligence in not having the windows grated. One of them was particularly mortified at having her marvellous story marred, and that the only spectre she had ever seen should turn out a counterfeit; but the niece seemed perfectly happy at having found him substantial flesh and blood. And so the story ends.
WESTMINSTER ABBEY.
When I behold, with deep astonishment, To famous Westminster how there resorte, Living in brasse or stoney monument,
The princes and the worthies of all sorte; Doe not I see reformde nobilitie,
Without contempt, or pride, or ostentation, And looke upon offenselesse majesty,
Naked of pomp or earthly domination? And how a play-game of a painted stone Contents the quiet now and silent sprites, Whome all the world which late they stood upon Could not content nor quench their appetites. Life is a frost of cold felicitie,
And death the thaw of all our vanitie. CHRISTOLERO’S EPIGRAMS, BY T. B. 1598.
ON one of those sober and rather melancholy days in the latter part of autumn when the shadows of morning and evening almost mingle together, and throw a gloom over the decline of the year, I passed several hours in rambling about Westminster Abbey. There was something congenial to the season in the mournful magnificence of the old pile, and as I passed its threshold it seemed like stepping back into the regions of antiquity and losing myself among the shades of former ages.
I entered from the inner court of Westminster School, through a long, low, vaulted passage that had an almost subterranean look, being dimly lighted in one part by circular perforations in the massive walls. Through this dark avenue I had a distant view of the cloisters, with the figure of an old verger in his black gown moving along their shadowy vaults, and seeming like a spectre from one of the neighboring tombs. The approach to the abbey through these gloomy monastic remains prepares the mind for its solemn contemplation. The cloisters still retain something of the quiet and seclusion of former days. The gray walls are discolored by damps and crumbling with age; a coat of hoary moss has gathered over the inscriptions of the mural monuments, and obscured the death’s heads and other funeral emblems. The sharp touches of the chisel are gone from the rich tracery of the arches; the roses which adorned the keystones have lost their leafy beauty; everything bears marks of the gradual dilapidations of time, which yet has something touching and pleasing in its very decay.
The sun was pouring down a yellow autumnal ray into the square of the cloisters, beaming upon a scanty plot of grass in the centre, and lighting up an angle of the vaulted passage with a kind of dusky splendor. From between the arcades the eye glanced up to a bit of blue sky or a passing cloud, and beheld the sun-gilt pinnacles of the abbey towering into the azure heaven.
As I paced the cloisters, sometimes contemplating this mingled picture of glory and decay, and sometimes endeavoring to decipher the inscriptions on the tombstones which formed the pavement beneath my feet, my eye was attracted to three figures rudely carved in relief, but nearly worn away by the footsteps of many generations. They were the effigies of three of the early abbots; the epitaphs were entirely effaced; the names alone remained, having no doubt been renewed in later times (Vitalis. Abbas. 1082, and Gislebertus Crispinus. Abbas. 1114, and Laurentius. Abbas. 1176). I remained some little while, musing over these casual relics of antiquity thus left like wrecks upon this distant shore of time, telling no tale but that such beings had been and had perished, teaching no moral but the futility of that pride which hopes still to exact homage in its ashes and to live in an inscription. A little longer, and even these faint records will be obliterated and the monument will cease to be a memorial. Whilst I was yet looking down upon the gravestones I was roused by the sound of the abbey clock, reverberating from buttress to buttress and echoing among the cloisters. It is almost startling to hear this warning of departed time sounding among the tombs and telling the lapse of the hour, which, like a billow, has rolled us onward towards the grave. I pursued my walk to an arched door opening to the interior of the abbey. On entering here the magnitude of the building breaks fully upon the mind, contrasted with the vaults of the cloisters. The eyes gaze with wonder at clustered columns of gigantic dimensions, with arches springing from them to such an amazing height, and man wandering about their bases, shrunk into insignificance in comparison with his own handiwork. The spaciousness and gloom of this vast edifice produce a profound and mysterious awe. We step cautiously and softly about, as if fearful of disturbing the hallowed silence of the tomb, while every footfall whispers along the walls and chatters among the sepulchres, making us more sensible of the quiet we have interrupted.
It seems as if the awful nature of the place presses down upon the soul and hushes the beholder into noiseless reverence. We feel that we are surrounded by the congregated bones of the great men of past times, who have filled history with their deeds and the earth with their renown.
And yet it almost provokes a smile at the vanity of human ambition to see how they are crowded together and jostled in the dust; what parsimony is observed in doling out a scanty nook, a gloomy corner, a little portion of earth, to those whom, when alive, kingdoms could not satisfy, and how many shapes and forms and artifices are devised to catch the casual notice of the passenger, and save from forgetfulness for a few short years a name which once aspired to occupy ages of the world’s thought and admiration.
I passed some time in Poet’s Corner, which occupies an end of one of the transepts or cross aisles of the abbey. The monuments are generally simple, for the lives of literary men afford no striking themes for the sculptor. Shakespeare and Addison have statues erected to their memories, but the greater part have busts, medallions, and sometimes mere inscriptions. Notwithstanding the simplicity of these memorials, I have always observed that the visitors to the abbey remained longest about them. A kinder and fonder feeling takes place of that cold curiosity or vague admiration with which they gaze on the splendid monuments of the great and the heroic. They linger about these as about the tombs of friends and companions, for indeed there is something of companionship between the author and the reader. Other men are known to posterity only through the medium of history, which is continually growing faint and obscure; but the intercourse between the author and his fellowmen is ever new, active, and immediate. He has lived for them more than for himself; he has sacrificed surrounding enjoyments, and shut himself up from the delights of social life, that he might the more intimately commune with distant minds and distant ages. Well may the world cherish his renown, for it has been purchased not by deeds of violence and blood, but by the diligent dispensation of pleasure. Well may posterity be grateful to his memory, for he has left it an inheritance not of empty names and sounding actions, but whole treasures of wisdom, bright gems of thought, and golden veins of language.
From Poet’s Corner I continued my stroll towards that part of the abbey which contains the sepulchres of the kings. I wandered among what once were chapels, but which are now occupied by the tombs and monuments of the great. At every turn I met with some illustrious name or the cognizance of some powerful house renowned in history. As the eye darts into these dusky chambers of death it catches glimpses of quaint effigies–some kneeling in niches, as if in devotion; others stretched upon the tombs, with hands piously pressed together; warriors in armor, as if reposing after battle; prelates, with crosiers and mitres; and nobles in robes and coronets, lying as it were in state. In glancing over this scene, so strangely populous, yet where every form is so still and silent, it seems almost as if we were treading a mansion of that fabled city where every being had been suddenly transmuted into stone.
I paused to contemplate a tomb on which lay the effigy of a knight in complete armor. A large buckler was on one arm; the hands were pressed together in supplication upon the breast; the face was almost covered by the morion; the legs were crossed, in token of the warrior’s having been engaged in the holy war. It was the tomb of a crusader, of one of those military enthusiasts who so strangely mingled religion and romance, and whose exploits form the connecting link between fact and fiction, between the history and the fairytale. There is something extremely picturesque in the tombs of these adventurers, decorated as they are with rude armorial bearings and Gothic sculpture. They comport with the antiquated chapels in which they are generally found; and in considering them the imagination is apt to kindle with the legendary associations, the romantic fiction, the chivalrous pomp and pageantry which poetry has spread over the wars for the sepulchre of Christ. They are the relics of times utterly gone by, of beings passed from recollection, of customs and manners with which ours have no affinity. They are like objects from some strange and distant land of which we have no certain knowledge, and about which all our conceptions are vague and visionary. There is something extremely solemn and awful in those effigies on Gothic tombs, extended as if in the sleep of death or in the supplication of the dying hour. They have an effect infinitely more impressive on my feelings than the fanciful attitudes, the over wrought conceits, the allegorical groups which abound on modern monuments. I have been struck, also, with the superiority of many of the old sepulchral inscriptions. There was a noble way in former times of saying things simply, and yet saying them proudly; and I do not know an epitaph that breathes a loftier consciousness of family worth and honorable lineage than one which affirms of a noble house that “all the brothers were brave and all the sisters virtuous.”
In the opposite transept to Poet’s Corner stands a monument which is among the most renowned achievements of modern art, but which to me appears horrible rather than sublime. It is the tomb of Mrs. Nightingale, by Roubillac. The bottom of the monument is represented as throwing open its marble doors, and a sheeted skeleton is starting forth. The shroud is falling from his fleshless frame as he launches his dart at his victim. She is sinking into her affrighted husband’s arms, who strives with vain and frantic effort to avert the blow. The whole is executed with terrible truth and spirit; we almost fancy we hear the gibbering yell of triumph bursting from the distended jaws of the spectre. But why should we thus seek to clothe death with unnecessary terrors, and to spread horrors round the tomb of those we love? The grave should be surrounded by everything that might inspire tenderness and veneration for the dead, or that might win the living to virtue. It is the place not of disgust and dismay, but of sorrow and meditation.
While wandering about these gloomy vaults and silent aisles, studying the records of the dead, the sound of busy existence from without occasionally reaches the ear–the rumbling of the passing equipage, the murmur of the multitude, or perhaps the light laugh of pleasure. The contrast is striking with the deathlike repose around; and it has a strange effect upon the feelings thus to hear the surges of active life hurrying along and beating against the very walls of the sepulchre.
I continued in this way to move from tomb to tomb and from chapel to chapel. The day was gradually wearing away; the distant tread of loiterers about the abbey grew less and less frequent; the sweet-tongued bell was summoning to evening prayers; and I saw at a distance the choristers in their white surplices crossing the aisle and entering the choir. I stood before the entrance to Henry the Seventh’s chapel. A flight of steps leads up to it through a deep and gloomy but magnificent arch. Great gates of brass, richly and delicately wrought, turn heavily upon their hinges, as if proudly reluctant to admit the feet of common mortals into this most gorgeous of sepulchres.
On entering the eye is astonished by the pomp of architecture and the elaborate beauty of sculptured detail. The very walls are wrought into universal ornament encrusted with tracery, and scooped into niches crowded with the statues of saints and martyrs. Stone seems, by the cunning labor of the chisel, to have been robbed of its weight and density, suspended aloft as if by magic, and the fretted roof achieved with the wonderful minuteness and airy security of a cobweb.
Along the sides of the chapel are the lofty stalls of the Knights of the Bath, richly carved of oak, though with the grotesque decorations of Gothic architecture. On the pinnacles of the stalls are affixed the helmets and crests of the knights, with their scarfs and swords, and above them are suspended their banners, emblazoned with armorial bearings, and contrasting the splendor of gold and purple and crimson with the cold gray fretwork of the roof. In the midst of this grand mausoleum stands the sepulchre of its founder–his effigy, with that of his queen, extended on a sumptuous tomb–and the whole surrounded by a superbly-wrought brazen railing.
There is a sad dreariness in this magnificence, this strange mixture of tombs and trophies, these emblems of living and aspiring ambition, close beside mementos which show the dust and oblivion in which all must sooner or later terminate. Nothing impresses the mind with a deeper feeling of loneliness than to tread the silent and deserted scene of former throng and pageant. On looking round on the vacant stalls of the knights and their esquires, and on the rows of dusty but gorgeous banners that were once borne before them, my imagination conjured up the scene when this hall was bright with the valor and beauty of the land, glittering with the splendor of jewelled rank and military array, alive with the tread of many feet and the hum of an admiring multitude. All had passed away; the silence of death had settled again upon the place, interrupted only by the casual chirping of birds, which had found their way into the chapel and built their nests among its friezes and pendants–sure signs of solitariness and desertion.
When I read the names inscribed on the banners, they were those of men scattered far and wide about the world–some tossing upon distant seas: some under arms in distant lands; some mingling in the busy intrigues of courts and cabinets,–all seeking to deserve one more distinction in this mansion of shadowy honors–the melancholy reward of a monument.
Two small aisles on each side of this chapel present a touching instance of the equality of the grave, which brings down the oppressor to a level with the oppressed and mingles the dust of the bitterest enemies together. In one is the sepulchre of the haughty Elizabeth; in the other is that of her victim, the lovely and unfortunate Mary. Not an hour in the day but some ejaculation of pity is uttered over the fate of the latter, mingled with indignation at her oppressor. The walls of Elizabeth’s sepulchre continually echo with the sighs of sympathy heaved at the grave of her rival.
A peculiar melancholy reigns over the aisle where Mary lies buried. The light struggles dimly through windows darkened by dust. The greater part of the place is in deep shadow, and the walls are stained and tinted by time and weather. A marble figure of Mary is stretched upon the tomb, round which is an iron railing, much corroded, bearing her national emblem–the thistle. I was weary with wandering, and sat down to rest myself by the monument, revolving in my mind the chequered and disastrous story of poor Mary.
The sound of casual footsteps had ceased from the abbey. I could only hear, now and then, the distant voice of the priest repeating the evening service and the faint responses of the choir; these paused for a time, and all was hushed. The stillness, the desertion, and obscurity that were gradally prevailing around gave a deeper and more solemn interest to the place;
For in the silent grave no conversation, No joyful tread of friends, no voice of lovers, No careful father’s counsel–nothing’s heard, For nothing is, but all oblivion,
Dust, and an endless darkness.
Suddenly the notes of the deep-laboring organ burst upon the ear, falling with doubled and redoubled intensity, and rolling, as it were, huge billows of sound. How well do their volume and grandeur accord with this mighty building! With what pomp do they swell through its vast vaults, and breathe their awful harmony through these caves of death, and make the silent sepulchre vocal! And now they rise in triumphant acclamation, heaving higher and higher their accordant notes and piling sound on sound. And now they pause, and the soft voices of the choir break out into sweet gushes of melody; they soar aloft and warble along the roof, and seem to play about these lofty vaults like the pure airs of heaven. Again the pealing organ heaves its thrilling thunders, compressing air into music, and rolling it forth upon the soul. What long-drawn cadences! What solemn sweeping concords! It grows more and more dense and powerful; it fills the vast pile and seems to jar the very walls–the ear is stunned–the senses are overwhelmed. And now it is winding up in full jubilee–it is rising from the earth to heaven; the very soul seems rapt away and floated upwards on this swelling tide of harmony!
I sat for some time lost in that kind of reverie which a strain of music is apt sometimes to inspire: the shadows of evening were gradually thickening round me; the monuments began to cast deeper and deeper gloom; and the distant clock again gave token of the slowly waning day.
I rose and prepared to leave the abbey. As I descended the flight of steps which lead into the body of the building, my eye was caught by the shrine of Edward the Confessor, and I ascended the small staircase that conducts to it, to take from thence a general survey of this wilderness of tombs. The shrine is elevated upon a kind of platform, and close around it are the sepulchres of various kings and queens. From this eminence the eye looks down between pillars and funeral trophies to the chapels and chambers below, crowded with tombs, where warriors, prelates, courtiers, and statesmen lie mouldering in their “beds of darkness.” Close by me stood the great chair of coronation, rudely carved of oak in the barbarous taste of a remote and Gothic age. The scene seemed almost as if contrived with theatrical artifice to produce an effect upon the beholder. Here was a type of the beginning and the end of human pomp and power; here it was literally but a step from the throne to the sepulchre. Would not one think that these incongruous mementos had been gathered together as a lesson to living greatness?–to show it, even in the moment of its proudest exaltation, the neglect and dishonor to which it must soon arrive–how soon that crown which encircles its brow must pass away, and it must lie down in the dust and disgraces of the tomb, and be trampled upon by the feet of the meanest of the multitude. For, strange to tell, even the grave is here no longer a sanctuary. There is a shocking levity in some natures which leads them to sport with awful and hallowed things, and there are base minds which delight to revenge on the illustrious dead the abject homage and grovelling servility which they pay to the living. The coffin of Edward the Confessor has been broken open, and his remains despoiled of their funereal ornaments; the sceptre has been stolen from the hand of the imperious Elizabeth; and the effigy of Henry the Fifth lies headless. Not a royal monument but bears some proof how false and fugitive is the homage of mankind. Some are plundered, some mutilated, some covered with ribaldry and insult,–all more or less outraged and dishonored.
The last beams of day were now faintly streaming through the painted windows in the high vaults above me; the lower parts of the abbey were already wrapped in the obscurity of twilight. The chapels and aisles grew darker and darker. The effigies of the kings faded into shadows; the marble figures of the monuments assumed strange shapes in the uncertain light; the evening breeze crept through the aisles like the cold breath of the grave; and even the distant footfall of a verger, traversing the Poet’s Corner, had something strange and dreary in its sound. I slowly retraced my morning’s walk, and as I passed out at the portal of the cloisters, the door, closing with a jarring noise behind me, filled the whole building with echoes.
I endeavored to form some arrangement in my mind of the objects I had been contemplating, but found they were already falling into indistinctness and confusion. Names, inscriptions, trophies, had all become confounded in my recollection, though I had scarcely taken my foot from off the threshold. What, thought I, is this vast assemblage of sepulchres but a treasury of humiliation–a huge pile of reiterated homilies on the emptiness of renown and the certainty of oblivion? It is, indeed, the empire of death; his great shadowy palace where he sits in state mocking at the relics of human glory and spreading dust and forgetfulness on the monuments of princes. How idle a boast, after all, is the immortality of a name! Time is ever silently turning over his pages; we are too much engrossed by the story of the present to think of the characters and anecdotes that gave interest to the past; and each age is a volume thrown aside to be speedily forgotten. The idol of to-day pushes the hero of yesterday out of our recollection, and will in turn be supplanted by his successor of tomorrow. “Our fathers,” says Sir Thomas Browne, “find their graves in our short memories, and sadly tell us how we may be buried in our survivors.” History fades into fable; fact becomes clouded with doubt and controversy; the inscription moulders from the tablet; the statue falls from the pedestal. Columns, arches, pyramids, what are they but heaps of sand, and their epitaphs but characters written in the dust? What is the security of a tomb or the perpetuity of an embalmment? The remains of Alexander the Great have been scattered to the wind, and his empty sarcophagus is now the mere curiosity of a museum. “The Egyptian mummies, which Cambyses or time hath spared, avarice now consumeth; Mizraim cures wounds, and Pharaoh is sold for balsams.”*
What then is to ensure this pile which now towers above me from sharing the fate of mightier mausoleums? The time must come when its gilded vaults which now spring so loftily, shall lie in rubbish beneath the feet; when instead of the sound of melody and praise the wind shall whistle through the broken arches and the owl hoot from the shattered tower; when the garish sunbeam shall break into these gloomy mansions of death, and the ivy twine round the fallen column; and the fox-glove hang its blossoms about the nameless urn, as if in mockery of the dead. Thus man passes away; his name passes from record and recollection; his history is as a tale that is told, and his very monument becomes a ruin.
* Sir T. Browne.
CHRISTMAS.
But is old, old, good old Christmas gone? Nothing but the hair of his good, gray old head and beard left? Well, I will have that, seeing I cannot have more of him.
HUE AND CRY AFTER CHRISTMAS.
A man might then behold
At Christmas, in each hall
Good fires to curb the cold,
And meat for great and small.
The neighbors were friendly bidden, And all had welcome true,
The poor from the gates were not chidden When this old cap was new.
OLD SONG.
NOTHING in England exercises a more delightful spell over my imagination than the lingerings of the holiday customs and rural games of former times. They recall the pictures my fancy used to draw in the May morning of life, when as yet I only knew the world through books, and believed it to be all that poets had painted it; and they bring with them the flavor of those honest days of yore, in which, perhaps with equal fallacy, I am apt to think the world was more homebred, social, and joyous than at present. I regret to say that they are daily growing more and more faint, being gradually worn away by time, but still more obliterated by modern fashion. They resemble those picturesque morsels of Gothic architecture which we see crumbling in various parts of the country, partly dilapidated by the waste of ages and partly lost in the additions and alterations of latter days. Poetry, however, clings with cherishing fondness about the rural game and holiday revel from which it has derived so many of its themes, as the ivy winds its rich foliage about the Gothic arch and mouldering tower, gratefully repaying their support by clasping together their tottering remains, and, as it were, embalming them in verdure.
Of all the old festivals, however, that of Christmas awakens the strongest and most heartfelt associations. There is a tone of solemn and sacred feeling that blends with our conviviality and lifts the spirit to a state of hallowed and elevated enjoyment. The services of the Church about this season are extremely tender and inspiring. They dwell on the beautiful story of the origin of our faith and the pastoral scenes that accompanied its announcement. They gradually increase in fervor and pathos during the season of Advent, until they break forth in full jubilee on the morning that brought peace and good-will to men. I do not know a grander effect of music on the moral feelings than to hear the full choir and the pealing organ performing a Christmas anthem in a cathedral, and filling every part of the vast pile with triumphant harmony.
It is a beautiful arrangement, also, derived from days of yore, that this festival, which commemorates the announcement of the religion of peace and love, has been made the season for gathering together of family connections, and drawing closer again those bands of kindred hearts which the cares and pleasures and sorrows of the world are continually operating to cast loose; of calling back the children of a family who have launched forth in life and wandered widely asunder, once more to assemble about the paternal hearth, that rallying-place of the affections, there to grow young and loving again among the endearing mementos of childhood.
There is something in the very season of the year that gives a charm to the festivity of Christmas. At other times we derive a great portion of our pleasures from the mere beauties of Nature. Our feelings sally forth and dissipate themselves over the sunny landscape, and we “live abroad and everywhere.” The song of the bird, the murmur of the stream, the breathing fragrance of spring, the soft voluptuousness of summer, the golden pomp of autumn, earth with its mantle of refreshing green, and heaven with it deep delicious blue and its cloudy magnificence,–all fill us with mute but exquisite delight, and we revel in the luxury of mere sensation. But in the depth of winter, when Nature lies despoiled of every charm and wrapped in her shroud of sheeted snow, we turn for our gratifications to moral sources. The dreariness and desolation of the landscape, the short gloomy days and darksome nights, while they circumscribe our wanderings, shut in our feelings also from rambling abroad, and make us more keenly disposed for the pleasure of the social circle. Our thoughts are more concentrated; our friendly sympathies more aroused. We feel more sensibly the charm of each other’s society, and are brought more closely together by dependence on each other for enjoyment. Heart calleth unto heart, and we draw our pleasures from the deep wells of loving-kindness which lie in the quiet recesses of our bosoms, and which, when resorted to, furnish forth the pure element of domestic felicity.
The pitchy gloom without makes the heart dilate on entering the room filled with the glow and warmth of the evening fire. The ruddy blaze diffuses an artificial summer and sunshine through the room, and lights up each countenance in a kindlier welcome. Where does the honest face of hospitality expand into a broader and more cordial smile, where is the shy glance of love more sweetly eloquent, than by the winter fireside? and as the hollow blast of wintry wind rushes through the hall, claps the distant door, whistles about the casement, and rumbles down the chimney, what can be more grateful than that feeling of sober and sheltered security with which we look round upon the comfortable chamber and the scene of domestic hilarity?
The English, from the great prevalence of rural habit throughout every class of society, have always been found of those festivals and holidays, which agreeably interrupt the stillness of country life, and they were, in former days, particularly observant of the religious and social rites of Christmas. It is inspiring to read even the dry details which some antiquaries have given of the quaint humors, the burlesque pageants, the complete abandonment to mirth and good-fellowship with which this festival was celebrated. It seemed to throw open every door and unlock every heart. It brought the peasant and the peer together, and blended all ranks in one warm, generous flow of joy and kindness. The old halls of castles and manor-houses resounded with the harp and the Christmas carol, and their ample boards groaned under the weight of hospitality. Even the poorest cottage welcomed the festive season with green decorations of bay and holly–the cheerful fire glanced its rays through the lattice, inviting the passengers to raise the latch and join the gossip knot huddled round the hearth beguiling the long evening with legendary jokes and oft-told Christmas tales.
One of the least pleasing effects of modern refinement is the havoc it has made among the hearty old holiday customs. It has completely taken off the sharp touchings and spirited reliefs of these embellishments of life, and has worn down society into a more smooth and polished, but certainly a less characteristic, surface. Many of the games and ceremonials of Christmas have entirely disappeared, and, like the sherris sack of old Falstaff, are become matters of speculation and dispute among commentators. They flourished in times full of spirit and lustihood, when men enjoyed life roughly, but heartily and vigorously–times wild and picturesque, which have furnished poetry with its richest materials and the drama with its most attractive variety of characters and manners. The world has become more worldly. There is more of dissipation, and less of enjoyment. Pleasure has expanded into a broader, but a shallower stream, and has forsaken many of those deep and quiet channels where it flowed sweetly through the calm bosom of domestic life. Society has acquired a more enlightened and elegant tone, but it has lost many of its strong local peculiarities, its homebred feelings, its honest fireside delights. The traditionary customs of golden-hearted antiquity, its feudal hospitalities, and lordly wassailings, have passed away with the baronial castles and stately manor-houses in which they were celebrated. They comported with the shadowy hall, the great oaken gallery, and the tapestried parlor, but are unfitted to the light showy saloons and gay drawing-rooms of the modern villa.
Shorn, however, as it is, of its ancient and festive honors, Christmas is still a period of delightful excitement in England. It is gratifying to see that home-feeling completely aroused which holds so powerful a place in every English bosom. The preparations making on every side for the social board that is again to unite friends and kindred; the presents of good cheer passing and repassing, those tokens of regard and quickeners of kind feelings; the evergreens distributed about houses and churches, emblems of peace and gladness,–all these have the most pleasing effect in producing fond associations and kindling benevolent sympathies. Even the sound of the Waits, rude as may be their minstrelsy, breaks upon the mid-watches of a winter night with the effect of perfect harmony. As I have been awakened by them in that still and solemn hour “when deep sleep falleth upon man,” I have listened with a hushed delight, and, connecting them with the sacred and joyous occasion, have almost fancied them into another celestial choir announcing peace and good-will to mankind.
How delightfully the imagination, when wrought upon by these moral influences, turns everything to melody and beauty! The very crowing of the cock, heard sometimes in the profound repose of the country, “telling the night-watches to his feathery dames,” was thought by the common people to announce the approach of this sacred festival.
“Some say that ever ‘gainst that season comes Wherein our Saviour’s birth is celebrated, This bird of dawning singeth all night long; And then, they say, no spirit dares stir abroad, The nights are wholesome–then no planets strike, No fairy takes, no witch hath power to charm, So hallow’d and so gracious is the time.”
Amidst the general call to happiness, the bustle of the spirits, and stir of the affections which prevail at this period what bosom can remain insensible? It is, indeed, the season of regenerated feeling–the season for kindling not merely the fire of hospitality in the hall, but the genial flame of charity in the heart.
The scene of early love again rises green to memory beyond the sterile waste of years; and the idea of home, fraught with the fragrance of home-dwelling joys, reanimates the drooping spirit, as the Arabian breeze will sometimes waft the freshness of the distant fields to the weary pilgrim of the desert.
Stranger and sojourner as I am in the land, though for me no social hearth may blaze, no hospitable roof throw open its doors, nor the warm grasp of friendship welcome me at the threshold, yet I feel the influence of the season beaming into my soul from the happy looks of those around me. Surely happiness is reflective, like the light of heaven, and every countenance, bright with smiles and glowing with innocent enjoyment, is a mirror transmitting to others the rays of a supreme and ever-shining benevolence. He who can turn churlishly away from contemplating the felicity of his fellow-beings, and can sit down darkling and repining in his loneliness when all around is joyful, may have his moments of strong excitement and selfish gratification, but he wants the genial and social sympathies which constitute the charm of a merry Christmas.
THE STAGE-COACH.
Omne bene
Sine poena
Tempua est ludendi.
Venit hora
Absque mora
Libros deponendi.
OLD HOLIDAY SCHOOL-SONG.
IN the preceding paper I have made some general observations on the Christmas festivities of England, and am tempted to illustrate them by some anecdotes of a Christmas passed in the country; in perusing which I would most courteously invite my reader to lay aside the austerity of wisdom, and to put on that genuine holiday spirit which is tolerant of folly and anxious only for amusement.
In the course of a December tour in Yorkshire, I rode for a long distance in one of the public coaches on the day preceding Christmas. The coach was crowded, both inside and out, with passengers who, by their talk, seemed principally bound to the mansions of relations or friends to eat the Christmas dinner. It was loaded also with hampers of game and baskets and boxes of delicacies, and hares hung dangling their long ears about the coachman’s box, presents from distant friends for the impending feast. I had three fine rosy-cheeked school boys for my fellow-passengers inside, full of the buxom health and manly spirit which I have observed in the children of this country. They were returning home for the holidays in high glee, and promising themselves a world of enjoyment. It was delightful to hear the gigantic plans of the little rogues, and the impracticable feats they were to perform during their six weeks’ emancipation from the abhorred thraldom of book, birch, and pedagogue. They were full of anticipations of the meeting with the family and household, down to the very cat and dog, and of the joy they were to give their little sisters by the presents with which their pockets were crammed; but the meeting to which they seemed to look forward with the greatest impatience was with Bantam, which I found to be a pony, and, according to their talk, possessed of more virtues than any steed since the days of Bucephalus. How he could trot! how he could run! and then such leaps as he would take!–there was not a hedge in the whole country that he could not clear.
They were under the particular guardianship of the coachman, to whom, whenever an opportunity presented, they addressed a host of questions, and pronounced him one of the best fellows in the world. Indeed, I could not but notice the more than ordinary air of bustle and importance of the coachman, who wore his hat a little on one side and had a large bunch of Christmas greens stuck in the buttonhole of his coat. He is always a personage full of mighty care and business, but he is particularly so during this season, having so many commissions to execute in consequence of the great interchange of presents. And here, perhaps, it may not be unacceptable to my untravelled readers to have a sketch that may serve as a general representation of this very numerous and important class of functionaries, who have a dress, a manner, a language, an air peculiar to themselves and prevalent throughout the fraternity; so that wherever an English stage-coachman may be seen he cannot be mistaken for one of any other craft or mystery.
He has commonly a broad, full face, curiously mottled with red, as if the blood had been forced by hard feeding into every vessel of the skin; he is swelled into jolly dimensions by frequent potations of malt liquors, and his bulk is still further increased by a multiplicity of coats, in which he is buried like a cauliflower, the upper one reaching to his heels. He wears a broad-brimmed, low-crowned hat; a huge roll of colored handkerchief about his neck, knowingly knotted and tucked in at the bosom; and has in summer-time a large bouquet of flowers in his buttonhole, the present, most probably, of some enamored country lass. His waistcoat is commonly of some bright color, striped, and his small-clothes extend far below the knees, to meet a pair of jockey boots which reach about halfway up his legs.
All this costume is maintained with much precision; he has a pride in having his clothes of excellent materials, and, notwithstanding the seeming grossness of his appearance, there is still discernible that neatness and propriety of person which is almost inherent in an Englishman. He enjoys great consequence and consideration along the road; has frequent conferences with the village housewives, who look upon him as a man of great trust and dependence; and he seems to have a good understanding with every bright-eyed country lass. The moment he arrives where the horses are to be changed, he throws down the reins with something of an air and abandons the cattle to the care of the ostler, his duty being merely to drive from one stage to another. When off the box his hands are thrust into the pockets of his great coat, and he rolls about the inn-yard with an air of the most absolute lordliness. Here he is generally surrounded by an admiring throng of ostlers, stableboys, shoeblacks, and those nameless hangers-on that infest inns and taverns, and run errands and do all kind of odd jobs for the privilege of battening on the drippings of the kitchen and the leakage of the tap-room. These all look up to him as to an oracle, treasure up his cant phrases, echo his opinions about horses and other topics of jockey lore, and, above all, endeavor to imitate his air and carriage. Every ragamuffin that has a coat to his back thrusts his hands in the pockets, rolls in his gait, talks slang, and is an embryo Coachey.
Perhaps it might be owing to the pleasing serenity that reigned in my own mind that I fancied I saw cheerfulness in every countenance throughout the journey. A stage-coach, however, carries animation always with it, and puts the world in motion as it whirls along. The horn, sounded at the entrance of the village, produces a general bustle. Some hasten forth to meet friends; some with bundles and bandboxes to secure places, and in the hurry of the moment can hardly take leave of the group that accompanies them. In the meantime the coachman has a world of small commissions to execute. Sometimes he delivers a hare or pheasant; sometimes jerks a small parcel or newspaper to the door of a public house; and sometimes, with knowing leer and words of sly import, hands to some half-blushing, half-laughing house-maid an odd-shaped billet-doux from some rustic admirer. As the coach rattles through the village every one runs to the window, and you have glances on every side of fresh country faces and blooming giggling girls. At the corners are assembled juntos of village idlers and wise men, who take their stations there for the important purpose of seeing company pass; but the sagest knot is generally at the blacksmith’s, to whom the passing of the coach is an event fruitful of much speculation. The smith, with the horse’s heel in his lap, pauses as the vehicle whirls by; the cyclops round the anvil suspend their ringing hammers and suffer the iron to grow cool; and the sooty spectre in brown paper cap laboring at the bellows leans on the handle for a moment, and permits the asthmatic engine to heave a long-drawn sigh, while he glares through the murky smoke and sulphurous gleams of the smithy.
Perhaps the impending holiday might have given a more than usual animation to the country, for it seemed to me as if everybody was in good looks and good spirits. Game, poultry, and other luxuries of the table were in brisk circulation in the villages; the grocers’, butchers’, and fruiterers’ shops were thronged with customers. The housewives were stirring briskly about, putting their dwellings in order, and the glossy branches of holly with their bright-red berries began to appear at the windows. The scene brought to mind an old writer’s account of Christmas preparation: “Now capons and hens, besides turkeys, geese, and ducks, with beef and mutton, must all die, for in twelve days a multitude of people will not be fed with a little. Now plums and spice, sugar and honey, square it among pies and broth. Now or never must music be in tune, for the youth must dance and sing to get them a heat, while the aged sit by the fire. The country maid leaves half her market, and must be sent again if she forgets a pack of cards on Christmas Eve. Great is the contention of holly and ivy whether master or dame wears the breeches. Dice and cards benefit the butler; and if the cook do not lack wit, he will sweetly lick his fingers.”
I was roused from this fit of luxurious meditation by a shout from my little travelling companions. They had been looking out of the coach-windows for the last few miles, recognizing every tree and cottage as they approached home, and now there was a general burst of joy. “There’s John! and there’s old Carlo! and there’s Bantam!” cried the happy little rogues, clapping their hands.
At the end of a lane there was an old sober-looking servant in livery waiting for them; he was accompanied by a superannuated pointer and by the redoubtable Bantam, a little old rat of a pony with a shaggy mane and long rusty tail, who stood dozing quietly by the roadside, little dreaming of the bustling times that awaited him.
I was pleased to see the fondness with which the little fellows leaped about the steady old footman and hugged the pointer, who wriggled his whole body for joy. But Bantam was the great object of interest; all wanted to mount at once, and it was with some difficulty that John arranged that they should ride by turns and the eldest should ride first.
Off they set at last, one on the pony, with the dog bounding and barking before him, and the others holding John’s hands, both talking at once and overpowering him with questions about home and with school anecdotes. I looked after them with a feeling in which I do not know whether pleasure or melancholy predominated; for I was reminded of those days when, like them, I had known neither care nor sorrow and a holiday was the summit of earthly felicity. We stopped a few moments afterwards to water the horses, and on resuming our route a turn of the road brought us in sight of a neat country-seat. I could just distinguish the forms of a lady and two young girls in the portico, and I saw my little comrades, with Bantam, Carlo, and old John, trooping along the carriage-road. I leaned out of the coach-window, in hopes of witnessing the happy meeting, but a grove of trees shut it from my sight.
In the evening we reached a village where I had determined to pass the night. As we drove into the great gateway of the inn, I saw on one side the light of a rousing kitchen-fire beaming through a window. I entered, and admired, for the hundredth time, that picture of convenience, neatness, and broad honest enjoyment, the kitchen of an English inn. It was of spacious dimensions, hung round with copper and tin vessels highly polished, and decorated here and there with a Christmas green. Hams, tongues, and flitches of bacon were suspended from the ceiling; a smoke-jack made its ceaseless clanking beside the fireplace, and a clock ticked in one corner. A well-scoured deal table extended along one side of the kitchen, with a cold round of beef and other hearty viands upon it, over which two foaming tankards of ale seemed mounting guard. Travellers of inferior order were preparing to attack this stout repast, while others sat smoking and gossiping over their ale on two high-backed oaken settles beside the fire. Trim housemaids were hurrying backwards and forwards under the directions of a fresh bustling landlady, but still seizing an occasional moment to exchange a flippant word and have a rallying laugh with the group round the fire. The scene completely realized Poor Robin’s humble idea of the comforts of midwinter:
Now trees their leafy hats do bare
To reverence Winter’s silver hair; A handsome hostess, merry host,
A pot of ale now and a toast,
Tobacco and a good coal fire,
Are things this season doth require.*
* Poor Robin’s Almanack, 1684.
I had not been long at the inn when a post-chaise drove up to the door. A young gentleman stept out, and by the light of the lamps I caught a glimpse of a countenance which I thought I knew. I moved forward to get a nearer view, when his eye caught mine. I was not mistaken; it was Frank Bracebridge, a sprightly, good-humored young fellow with whom I had once travelled on the Continent. Our meeting was extremely cordial, for the countenance of an old fellow-traveller always brings up the recollection of a thousand pleasant scenes, odd adventures, and excellent jokes. To discuss all these in a transient interview at an inn was impossible; and, finding that I was not pressed for time and was merely making a tour of observation, he insisted that I should give him a day or two at his father’s country-seat, to which he was going to pass the holidays and which lay at a few miles’ distance. “It is better than eating a solitary Christmas dinner at an inn,” said he, “and I can assure you of a hearty welcome in something of the old-fashioned style.” His reasoning was cogent, and I must confess the preparation I had seen for universal festivity and social enjoyment had made me feel a little impatient of my loneliness. I closed, therefore, at once with his invitation; the chaise drove up to the door, and in a few moments I was on my way to the family mansion of the Bracebridges.
CHRISTMAS EVE.
Saint Francis and Saint Benedight
Blesse this house from wicked wight; From the night-mare and the goblin,
That is hight good fellow Robin;
Keep it from all evil spirits,
Fairies, weezels, rats, and ferrets: From curfew time
To the next prime.
CARTWRIGHT.
IT was a brilliant moonlight night, but extremely cold; our chaise whirled rapidly over the frozen ground; the postboy smacked his whip incessantly, and a part of the time his horses were on a gallop. “He knows where he is going,” said my companion, laughing, “and is eager to arrive in time for some of the merriment and good cheer of the servants’ hall. My father, you must know, is a bigoted devotee of the old school, and prides himself upon keeping up something of old English hospitality. He is a tolerable specimen of what you will rarely meet with nowadays in its purity, the old English country gentleman; for our men of fortune spend so much of their time in town, and fashion is carried so much into the country, that the strong rich peculiarities of ancient rural life are almost polished away. My father, however, from early years, took honest Peacham* for his textbook, instead of Chesterfield; he determined in his own mind that there was no condition more truly honorable and enviable than that of a country gentleman on his paternal lands, and therefore passes the whole of his time on his estate. He is a strenuous advocate for the revival of the old rural games and holiday observances, and is deeply read in the writers, ancient and modern, who have treated on the subject. Indeed, his favorite range of reading is among the authors who flourished at least two centuries since, who, he insists, wrote and thought more like true Englishmen than any of their successors. He even regrets sometimes that he had not been born a few centuries earlier, when England was itself and had its peculiar manners and customs. As he lives at some distance from the main road, in rather a lonely part of the country, without any rival gentry near him, he has that most enviable of all blessings to an Englishman–an opportunity of indulging the bent of his own humor without molestation. Being representative of the oldest family in the neighborhood, and a great part of the peasantry being his tenants, he is much looked up to, and in general is known simply by the appellation of `The Squire’–a title which has been accorded to the head of the family since time immemorial. I think it best to give you these hints about my worthy old father, to prepare you for any eccentricities that might otherwise appear absurd.”
* Peacham’s Complete Gentleman, 1622.
We had passed for some time along the wall of a park, and at length the chaise stopped at the gate. It was in a heavy, magnificent old style, of iron bars fancifully wrought at top into flourishes and flowers. The huge square columns that supported the gate were surmounted by the family crest. Close adjoining was the porter’s lodge, sheltered under dark fir trees and almost buried in shrubbery.
The postboy rang a large porter’s bell, which resounded though the still frosty air, and was answered by the distant barking of dogs, with which the mansion-house seemed garrisoned. An old woman immediately appeared at the gate. As the moonlight fell strongly upon her, I had a full view of a little primitive dame, dressed very much in the antique taste, with a neat kerchief and stomacher, and her silver hair peeping from under a cap of snowy whiteness. She came curtseying forth, with many expressions of simple joy at seeing her young master. Her husband, it seemed, was up at the house keeping Christmas Eve in the servants’ hall; they could not do without him, as he was the best hand at a song and story in the household.
My friend proposed that we should alight and walk through the park to the hall, which was at no great distance, while the chaise should follow on. Our road wound through a noble avenue of trees, among the naked branches of which the moon glittered as she rolled through the deep vault of a cloudless sky. The lawn beyond was sheeted with a slight covering of snow, which here and there sparkled as the moonbeams caught a frosty crystal, and at a distance might be seen a thin transparent vapor stealing up from the low grounds and threatening gradually to shroud the landscape.
My companion looked around him with transport. “How often,” said he, “have I scampered up this avenue on returning home on school vacations! How often have I played under these trees when a boy! I feel a degree of filial reverence for them, as we look up to those who have cherished us in childhood. My father was always scrupulous in exacting our holidays and having us around him on family festivals. He used to direct and superintend our games with the strictness that some parents do the studies of their children. He was very particular that we should play the old English games according to their original form, and consulted old books for precedent and authority for every `merrie disport;’ yet I assure you there never was pedantry so delightful. It was the policy of the good old gentleman to make his children feel that home was the happiest place in the world; and I value this delicious home-feeling as one of the choicest gifts a parent could bestow.”
We were interrupted by the clamor of a troop of dogs of all sorts and sizes, “mongrel, puppy, whelp, and hound, and curs of lower degree,” that disturbed by the ring of the porter’s bell and the rattling of the chaise, came bounding, open-mouthed, across the lawn.
“`—-The little dogs and all,
Tray, Blanch, and Sweetheart, see, they bark at me!'”
cried Bracebridge, laughing. At the sound of his voice the bark was changed into a yelp of delight, and in a moment he was surrounded and almost overpowered by the caresses of the faithful animals.
We had now come in full view of the old family mansion, partly thrown in deep shadow and partly lit up by the cold moonshine. It was an irregular building of some magnitude, and seemed to be of the architecture of different periods. One wing was evidently very ancient, with heavy stone-shafted bow windows jutting out and overrun with ivy, from among the foliage of which the small diamond-shaped panes of glass glittered with the moonbeams. The rest of the house was in the French taste of Charles the Second’s time, having been repaired and altered, as my friend told me, by one of his ancestors who returned with that monarch at the Restoration. The grounds about the house were laid out in the old formal manner of artificial flower-beds, clipped shrubberies, raised terraces, and heavy stone balustrades, ornamented with urns, a leaden statue or two, and a jet of water. The old gentleman, I was told, was extremely careful to preserve this obsolete finery in all its original state. He admired this fashion in gardening; it had an air of magnificence, was courtly and noble, and befitting good old family style. The boasted imitation of Nature in modern gardening had sprung up with modern republican notions, but did not suit a monarchical government; it smacked of the leveling system. I could not help smiling at this introduction of politics into gardening, though I expressed some apprehension that I should find the old gentleman rather intolerant in his creed. Frank assured me, however, that it was almost the only instance in which he had ever heard his father meddle with politics; and he believed that he had got this notion from a member of Parliament who once passed a few weeks with him. The squire was glad of any argument to defend his clipped yew trees and formal terraces, which had been occasionally attacked by modern landscape gardeners.
As we approached the house we heard the sound of music, and now and then a burst of laughter from one end of the building. This, Bracebridge said, must proceed from the servants’ hall, where a great deal of revelry was permitted, and even encouraged, by the squire throughout the twelve days of Christmas, provided everything was done conformably to ancient usage. Here were kept up the old games of hoodman blind, shoe the wild mare, hot cockles, steal the white loaf, bob apple, and snap dragon; the Yule-clog and Christmas candle were regularly burnt, and the mistletoe with its white berries hung up, to the imminent peril of all the pretty housemaids.*
* The mistletoe is still hung up in farm-houses and kitchens at Christmas, and the young men have the privilege of kissing the girls under it, plucking each time a berry from the bush. When the berries are all plucked the privilege ceases.
So intent were the servants upon their sports that we had to ring repeatedly before we could make ourselves heard. On our arrival being announced the squire came out to receive us, accompanied by his two other sons–one a young officer in the army, home on a leave of absence; the other an Oxonian, just from the university. The squire was a fine healthy-looking old gentleman, with silver hair curling lightly round an open florid countenance, in which the physiognomist, with the advantage, like myself, of a previous hint or two, might discover a singular mixture of whim and benevolence.
The family meeting was warm and affectionate; as the evening was far advanced, the squire would not permit us to change our travelling dresses, but ushered us at once to the company, which was assembled in a large old-fashioned hall. It was composed of different branches of a numerous family connection, where there were the usual proportion of old uncles and aunts, comfortable married dames, superannuated spinsters, blooming country cousins, half-fledged striplings, and bright-eyed boarding-school hoydens. They were variously occupied–some at a round game of cards; others conversing around the fireplace; at one end of the hall was a group of the young folks, some nearly grown up, others of a more tender and budding age, fully engrossed by a merry game; and a profusion of wooden horses, penny trumpets, and tattered dolls about the floor showed traces of a troop of little fairy beings who, having frolicked through a happy day, had been carried off to slumber through a peaceful night.
While the mutual greetings were going on between young Bracebridge and his relatives I had time to scan the apartment. I have called it a hall, for so it had certainly been in old times, and the squire had evidently endeavored to restore it to something of its primitive state. Over the heavy projecting fireplace was suspended a picture of a warrior in armor, standing by a white horse, and on the opposite wall hung a helmet, buckler, and lance. At one end an enormous pair of antlers were inserted in the wall, the branches serving as hooks on which to suspend hats, whips, and spurs, and in the corners of the apartment were fowling-pieces, fishing-rods, and other sporting implements. The furniture was of the cumbrous workmanship of former days, though some articles of modern convenience had been added and the oaken floor had been carpeted, so that the whole presented an odd mixture of parlor and hall.
The grate had been removed from the wide overwhelming fireplace to make way for a fire of wood, in the midst of which was an enormous log glowing and blazing, and sending forth a vast volume of light and heat: this, I understood, was the Yule-clog, which the squire was particular in having brought in and illumined on a Christmas Eve, according to ancient custom.*
* The Yule-clog is a great log of wood, sometimes the root of a tree, brought into the house with great ceremony on Christmas Eve, laid in the fireplace, and lighted with the brand of last year’s clog. While it lasted there was great drinking, singing, and telling of tales. Sometimes it was accompanied by Christmas candles; but in the cottages the only light was from the ruddy blaze of the great wood fire. The Yule-clog was to burn all night; if it went out, it was considered a sign of ill luck.
Herrick mentions it in one of his songs:
Come, bring with a noise,
My metric, merrie boys,
The Christmas Log to the firing;
While my good dame, she
Bids ye all be free,
And drink to your hearts’ desiring.
The Yule-clog is still burnt in many farm-houses and kitchens in England, particularly in the north, and there are several superstitions connected with it among the peasantry. If a squinting person come to the house while it is burning, or a person barefooted, it is considered an ill omen. The brand remaining from the Yule-clog is carefully put away to light the next year’s Christmas fire.
It was really delightful to see the old squire seated in his hereditary elbow-chair by the hospitable fireside of his ancestors, and looking around him like the sun of a system, beaming warmth and gladness to every heart. Even the very dog that lay stretched at his feet, as he lazily shifted his position and yawned would look fondly up in his master’s face, wag his tail against the floor, and stretch himself again to sleep, confident of kindness and protection. There is an emanation from the heart in genuine hospitality which cannot be described, but is immediately felt and puts the stranger at once at his ease. I had not been seated many minutes by the comfortable hearth of the worthy old cavalier before I found myself as much at home as if I had been one of the family.
Supper was announced shortly after our arrival. It was served up in a spacious oaken chamber, the panels of which shone with wax, and around which were several family portraits decorated with holly and ivy. Besides the accustomed lights, two great wax tapers, called Christmas candles, wreathed with greens, were placed on a highly polished beaufet among the family plate. The table was abundantly spread with substantial fare; but the squire made his supper of frumenty, a dish made of wheat cakes boiled in milk with rich spices, being a standing dish in old times for Christmas Eve. I was happy to find my old friend, minced pie, in the retinue of the feast and, finding him to be perfectly orthodox, and that I need not be ashamed of my predilection, I greeted him with all the warmth wherewith we usually greet an old and very genteel acquaintance.
The mirth of the company was greatly promoted by the humors of an eccentric personage whom Mr. Bracebridge always addressed with the quaint appellation of Master Simon. He was a tight brisk little man, with the air of an arrant old bachelor. His nose was shaped like the bill of a parrot; his face slightly pitted with the small-pox, with a dry perpetual bloom on it, like a frostbitten leaf in autumn. He had an eye of great quickness and vivacity, with a drollery and lurking waggery of expression that was irresistible. He was evidently the wit of the family, dealing very much in sly jokes and innuendoes with the ladies, and making infinite merriment by harping upon old themes, which, unfortunately, my ignorance of the family chronicles did not permit me to enjoy. It seemed to be his great delight during supper to keep a young girl next to him in a continual agony of stifled laughter, in spite of her awe of the reproving looks of her mother, who sat opposite. Indeed, he was the idol of the younger part of the company, who laughed at everything he said or did and at every turn of his countenance. I could not wonder at it; for be must have been a miracle of accomplishments in their eyes. He could imitate Punch and Judy; make an old woman of his hand, with the assistance of a burnt cork and pocket-handkerchief; and cut an orange into such a ludicrous caricature that the young folks were ready to die with laughing.
I was let briefly into his history by Frank Bracebridge. He was an old bachelor, of a small independent income, which by careful management was sufficient for all his wants. He revolved through the family system like a vagrant comet in its orbit, sometimes visiting one branch, and sometimes another quite remote, as is often the case with gentlemen of extensive connections and small fortunes in England. He had a chirping, buoyant disposition, always enjoying the present moment; and his frequent change of scene and company prevented his acquiring those rusty, unaccommodating habits with which old bachelors are so uncharitably charged. He was a complete family chronicle, being versed in the genealogy, history, and intermarriages of the whole house of Bracebridge, which made him a great favorite with the old folks; he was a beau of all the elder ladies and superannuated spinsters, among whom he was habitually considered rather a young fellow; and he was master of the revels among the children, so that there was not a more popular being in the sphere in which he moved than Mr. Simon Bracebridge. Of late years he had resided almost entirely with the squire, to whom he had become a factotum, and whom he particularly delighted by jumping with his humor in respect to old times and by having a scrap of an old song to suit every occasion. We had presently a specimen of his last-mentioned talent, for no sooner was supper removed and spiced wines and other beverages peculiar to the season introduced, than Master Simon was called on for a good old Christmas song. He bethought himself for a moment, and then, with a sparkle of the eye and a voice that was by no means bad, excepting that it ran occasionally into a falsetto like the notes of a split reed, he quavered forth a quaint old ditty:
Now Christmas is come,
Let us beat up the drum,
And call all our neighbors together; And when they appear,
Let us make them such cheer,
As will keep out the wind and the weather, &c.
The supper had disposed every one to gayety, and an old harper was summoned from the servants’ hall, where he had been strumming all the evening, and to all appearance comforting himself with some of the squire’s home-brewed. He was a kind of hanger-on, I was told, of the establishment, and, though ostensibly a resident of the village, was oftener to be found in the squire’s kitchen than his own home, the old gentleman being fond of the sound of “harp in hall.”
The dance, like most dances after supper, was a merry one: some of the older folks joined in it, and the squire himself figured down several couple with a partner with whom he affirmed he had danced at every Christmas for nearly half a century. Master Simon, who seemed to be a kind of connecting link between the old times and the new, and to be withal a little antiquated in the taste of his accomplishments, evidently piqued himself on his dancing, and was endeavoring to gain credit by the heel and toe, rigadoon, and other graces of the ancient school; but he had unluckily assorted himself with a little romping girl from boarding-school, who by her wild vivacity kept him continually on the stretch and defeated all his sober attempts at elegance: such are the ill-sorted matches to which antique gentlemen are unfortunately prone.
The young Oxonian, on the contrary, had led out one of his maiden aunts, on whom the rogue played a thousand little knaveries with impunity: he was full of practical jokes, and his delight was to tease his aunts and cousins, yet, like all madcap youngsters, he was a universal favorite among the women. The most interesting couple in the dance was the young officer and a ward of the squire’s, a beautiful blushing girl of seventeen. From several shy glances which I had noticed in the course of the evening I suspected there was a little kindness growing up between them; and indeed the young soldier was just the hero to captivate a romantic girl. He was tall, slender, and handsome, and, like most young British officers of late years, had picked up various small accomplishments on the Continent: he could talk French and Italian, draw landscapes, sing very tolerably, dance divinely, but, above all, he had been wounded at Waterloo. What girl of seventeen, well read in poetry and romance, could resist such a mirror of chivalry and perfection?
The moment the dance was over he caught up a guitar, and, lolling against the old marble fireplace in an attitude which I am half inclined to suspect was studied, began the little French air of the Troubadour. The squire, however, exclaimed against having anything on Christmas Eve but good old English; upon which the young minstrel, casting up his eye for a moment as if in an effort of memory, struck into another strain, and with a charming air of gallantry gave Herrick’s “Night-Piece to Julia:”
Her eyes the glow-worm lend thee, The shooting stars attend thee,
And the elves also,
Whose little eyes glow
Like the sparks of fire, befriend thee.
No Will-o’-the-Wisp misligbt thee;
Nor snake nor slow-worm bite thee; But on thy way,
Not making a stay,
Since ghost there is none to affright thee,
Then let not the dark thee cumber;
What though the moon does slumber, The stars of the night
Will lend thee their light,
Like tapers clear without number.
Then, Julia, let me woo thee,
Thus, thus to come unto me,
And when I shall meet
Thy silvery feet,
My soul I’ll pour into thee.
The song might or might not have been intended in compliment to the fair Julia, for so I found his partner was called; she, however, was certainly unconscious of any such application, for she never looked at the singer, but kept her eyes cast upon the floor. Her face was suffused, it is true, with a beautiful blush, and there was a gentle heaving of the bosom, but all that was doubtless caused by the exercise of the dance; indeed, so great was her indifference that she amused herself with plucking to pieces a choice bouquet of hot-house flowers, and by the time the song was concluded the nosegay lay in ruins on the floor.
The party now broke up for the night with the kind-hearted old custom of shaking hands. As I passed through the hall on my way to my chamber, the dying embers of the Yule-clog still sent forth a dusky glow, and had it not been the season when “no spirit dares stir abroad,” I should have been half tempted to steal from my room at midnight and peep whether the fairies might not be at their revels about the hearth.
My chamber was in the old part of the mansion, the ponderous furniture of which might have been fabricated in the days of the giants. The room was panelled, with cornices of heavy carved work, in which flowers and grotesque faces were strangely intermingled, and a row of black-looking portraits stared mournfully at me from the walls. The bed was of rich thought faded damask, with a lofty tester, and stood in a niche opposite a bow window. I had scarcely got into bed when a strain of music seemed to break forth in the air just below the window. I listened, and found it proceeded from a band which I concluded to be the Waits from some neighboring village. They went round the house, playing under the windows. I drew aside the curtains to hear them more distinctly. The moonbeams fell through the upper part of the casement; partially lighting up the antiquated apartment. The sounds, as they receded, became more soft and aerial, and seemed to accord with the quiet and moonlight. I listened and listened–they became more and more tender and remote, and, as they gradually died away, my head sunk upon the pillow and I fell asleep.
CHRISTMAS DAY.
Dark and dull night, flie hence away, And give the honor to this day
That sees December turn’d to May. . . . . . . .
Why does the chilling winter’s morne Smile like a field beset with corn?
Or smell like to a meade new-shorne, Thus on the sudden?–come and see
The cause why things thus fragrant be. HERRICK.
WHEN I woke the next morning it seemed as if all the events of the preceding evening had been a dream, and nothing but the identity of the ancient chamber convinced me of their reality. While I lay musing on my pillow I heard the sound of little feet pattering outside of the door, and a whispering consultation. Presently a choir of small voices chanted forth an old Christmas carol, the burden of which was–
Rejoice, our Saviour he was born
On Christmas Day in the morning.
I rose softly, slipt on my clothes, opened the door suddenly, and beheld one of the most beautiful little fairy groups that a painter could imagine. It consisted of a boy and two girls, the eldest not more than six, and lovely as seraphs. They were going the rounds of the house and singing at every chamber door, but my sudden appearance frightened them into mute bashfulness. They remained for a moment playing on their lips with their fingers, and now and then stealing a shy glance from under their eyebrows, until, as if by one impulse, they scampered away, and as they turned an angle of the gallery I heard them laughing in triumph at their escape.
Everything conspired to produce kind and happy feelings in this stronghold of old-fashioned hospitality. The window of my chamber looked out upon what in summer would have been a beautiful landscape. There was a sloping lawn, a fine stream winding at the foot of it, and a tract of park beyond, with noble clumps of trees and herds of deer. At a distance was a neat hamlet, with the smoke from the cottage chimneys hanging over it, and a church with its dark spire in strong relief against the clear cold sky. The house was surrounded with evergreens, according to the English custom, which would have given almost an appearance of summer; but the morning was extremely frosty; the light vapor of the preceding evening had been precipitated by the cold, and covered all the trees and every blade of grass with its fine crystalizations. The rays of a bright morning sun had a dazzling effect among the glittering foliage. A robin, perched upon the top of a mountain-ash that hung its clusters of red berries just before my window, was basking himself in the sunshine and piping a few querulous notes, and a peacock was displaying all the glories of his train and strutting with the pride and gravity of a Spanish grandee on the terrace walk below.
I had scarcely dressed myself when a servant appeared to invite me to family prayers. He showed me the way to a small chapel in the old wing of the house, where I found the principal part of the family already assembled in a kind of gallery furnished with cushions, hassocks, and large prayer-books; the servants were seated on benches below. The old gentleman read prayers from a desk in front of the gallery, and Master Simon acted as clerk and made the responses; and I must do him the justice to say that he acquitted himself with great gravity and decorum.
The service was followed by a Christmas carol, which Mr. Bracebridge himself had constructed from a poem of his favorite author, Herrick, and it had been adapted to an old church melody by Master Simon. As there were several good voices among the household, the effect was extremely pleasing, but I was particularly gratified by the exaltation of heart and sudden sally of grateful feeling with which the worthy squire delivered one stanza, his eye glistening and his voice rambling out of all the bounds of time and tune:
“‘Tis Thou that crown’st my glittering hearth With guiltless mirth,
And givest me Wassaile bowles to drink Spiced to the brink;
Lord, ’tis Thy plenty-dropping hand That soiles my land:
And giv’st me for my bushell sowne, Twice ten for one.”
I afterwards understood that early morning service was read on every Sunday and saint’s day throughout the year, either by Mr. Bracebridge or by some member of the family. It was once almost universally the case at the seats of the nobility and gentry of England, and it is much to be regretted that the custom is falling into neglect; for the dullest observer must be sensible of the order and serenity prevalent in those households where the occasional exercise of a beautiful form of worship in the morning gives, as it were, the keynote to every temper for the day and attunes every spirit to harmony.
Our breakfast consisted of what the squire denominated true old English fare. He indulged in some bitter lamentations over modern breakfasts of tea and toast, which he censured as among the causes of modern effeminacy and weak nerves and the decline of old English heartiness; and, though he admitted them to his table to suit the palates of his guests, yet there was a brave display of cold meats, wine, and ale on the sideboard.
After breakfast I walked about the grounds with Frank Bracebridge and Master Simon, or Mr. Simon, as he was called by everybody but the squire. We were escorted by a number of gentlemanlike dogs, that seemed loungers about the establishment, from the frisking spaniel to the steady old stag-hound, the last of which was of a race that had been in the family time out of mind; they were all obedient to a dog-whistle which hung to Master Simon’s buttonhole, and in the midst of their gambols would glance an eye occasionally upon a small switch he carried in his hand.
The old mansion had a still more venerable look in the yellow sunshine than by pale moonlight; and I could not but feel the force of the squire’s idea that the formal terraces, heavily moulded balustrades, and clipped yew trees carried with them an air of proud aristocracy. There appeared to be an unusual number of peacocks about the place, and I was making some remarks upon what I termed a flock of them that were basking under a sunny wall, when I was gently corrected in my phraseology by Master Simon, who told me that according to the most ancient and approved treatise on hunting I must say a muster of peacocks. “In the same way,” added he, with a slight air of pedantry, “we say a flight of doves or swallows, a bevy of quails, a herd of deer, of wrens, or cranes, a skulk of foxes, or a building of rooks.” He went on to inform me that, according to Sir Anthony Fitzherbert, we ought to ascribe to this bird “both understanding and glory; for, being praised, he will presently set up his tail, chiefly against the sun, to the intent you may the better behold the beauty thereof. But at the fall of the leaf, when his tail falleth, he will mourn and hide himself in corners till his tail come again as it was.”
I could not help smiling at this display of small erudition on so whimsical a subject; but I found that the peacocks were birds of some consequence at the hall, for Frank Bracebridge informed me that they were great favorites with his father, who was extremely careful to keep up the breed; partly because they belonged to chivalry, and were in great request at the stately banquets of the olden time, and partly because they had a pomp and magnificence about them highly becoming an old family mansion. Nothing, he was accustomed to say, had an air of greater state and dignity than a peacock perched upon an antique stone balustrade.
Master Simon had now to hurry off, having an appointment at the parish church with the village choristers, who were to perform some music of his selection. There was something extremely agreeable in the cheerful flow of animal spirits of the little man; and I confess I had been somewhat surprised at his apt quotations from authors who certainly were not in the range of every-day reading. I mentioned this last circumstance to Frank Bracebridge, who told me with a smile that Master Simon’s whole stock of erudition was confined to some half a dozen old authors, which the squire had put into his hands, and which he read over and over whenever he had a studious fit, as he sometimes had on a rainy day or a long winter evening. Sir Anthony Fitzherbert’s Book of Husbandry, Markham’s Country Contentments, the Tretyse of Hunting, by Sir Thomas Cockayne, Knight, Isaac Walton’s Angler, and two or three more such ancient worthies of the pen were his standard authorities; and, like all men who know but a few books, he looked up to them with a kind of idolatry and quoted them on all occasions. As to his songs, they were chiefly picked out of old books in the squire’s library, and adapted to tunes that were popular among the choice spirits of the last century. His practical application of scraps of literature, however, had caused him to be looked upon as a prodigy of book-knowledge by all the grooms, huntsmen, and small sportsmen of the neighborhood.
While we were talking we heard the distant toll of the village bell, and I was told that the squire was a little particular in having his household at church on a Christmas morning, considering it a day of pouring out of thanks and rejoicing; for, as old Tusser observed,–
“At Christmas be merry, and thankful withal, And feast thy poor neighbors, the great with the small.”
“If you are disposed to go to church,” said Frank Bracebridge, “I can promise you a specimen of my cousin Simon’s musical achievements. As the church is destitute of an organ, he has formed a band from the village amateurs, and established a musical club for their improvement; he has also sorted a choir, as he sorted my father’s pack of hounds, according to the directions of Jervaise Markham in his Country Contentments: for the bass he has sought out all the `deep, solemn mouths,’ and for the tenor the `loud-ringing mouths,’ among the country bumpkins, and for `sweet-mouths,’ he has culled-with curious taste among the prettiest lasses in the neighborhood; though these last, he affirms, are the most difficult to keep in tune, your pretty female singer being exceedingly wayward and capricious, and very liable to accident.”
As the morning, though frosty, was remarkably fine and clear, the most of the family walked to the church, which was a very old building of gray stone, and stood near a village about half a mile from the park gate. Adjoining it was a low snug parsonage which seemed coeval with the church. The front of it was perfectly matted with a yew tree that had been trained against its walls, through the dense foliage of which apertures had been formed to admit light into the small antique lattices. As we passed this sheltered nest the parson issued forth and preceded us.
I had expected to see a sleek well-conditioned pastor, such as is often found in a snug living in the vicinity of a rich patron’s table, but I was disappointed. The parson was a little, meagre, black-looking man, with a grizzled wig that was too wide and stood off from each ear; so that his head seemed to have shrunk away within it, like a dried filbert in its shell. He wore a rusty coat, with great skirts and pockets that would have held the church Bible and prayer-book: and his small legs seemed still smaller from being planted in large shoes decorated with enormous buckles.
I was informed by Frank Bracebridge that the parson had been a chum of his father’s at Oxford, and had received this living shortly after the latter had come to his estate. He was a complete black-letter hunter, and would scarcely read a work printed in the Roman character. The editions of Caxton and Wynkyn de Worde were his delight, and he was indefatigable in his researches after such old English writers as have fallen into oblivion from their worthlessness. In deference, perhaps, to the notions of Mr. Bracebridge he had made diligent investigations into the festive rites and holiday customs of former times, and had been as zealous in the inquiry as if he had been a boon coinpanion; but it was merely with that plodding spirit with which men of adust temperament follow up any track of study, merely because it is denominated learning; indifferent to its intrinsic nature, whether it be the illustration of the wisdom or of the ribaldry and obscenity of antiquity. He had pored over these old volumes so intensely that they seemed to have been reflected into his countenance; which, if the face be indeed an index of the mind, might be compared to a title-page of black-letter.
On reaching the church-porch we found the parson rebuking the gray-headed sexton for having used mistletoe among the greens with which the church was decorated. It was, he observed, an unholy plant, profaned by having been used by the Druids in their mystic ceremonies; and, though it might be innocently employed in the festive ornamenting of halls and kitchens, yet it had been deemed by the Fathers of the Church as unhallowed and totally unfit for sacred purposes. So tenacious was he on this point that the poor sexton was obliged to strip down a great part of the humble trophies of his taste before the parson would consent to enter upon the service of the day.
The interior of the church was venerable, but simple; on the walls were several mural monuments of the Bracebridges, and just beside the altar was a tomb of ancient workmanship, on which lay the effigy of a warrior in armor with his legs crossed, a sign of his having been a crusader. I was told it was one of the family who had signalized himself in the Holy Land, and the same whose picture hung over the fireplace in the hall.
During service Master Simon stood up in the pew and repeated the responses very audibly, evincing that kind of ceremonious devotion punctually observed by a gentleman of the old school and a man of old family connections. I observed too that he turned over the leaves of a folio prayer-book with something of a flourish; possibly to show off an enormous seal-ring which enriched one of his fingers and which had the look of a family relic. But he was evidently most solicitous about the musical part of the service, keeping his eye fixed intently on the choir, and beating time with much gesticulation and emphasis.
The orchestra was in a small gallery, and presented a most whimsical grouping of heads piled one above the other, among which I particularly noticed that of the village tailor, a pale fellow with a retreating forehead and chin, who played on the clarinet, and seemed to have blown his face to a point; and there was another, a short pursy man, stooping and laboring at a bass-viol, so as to show nothing but the top of a round bald head, like the egg of an ostrich. There were two or three pretty faces among the female singers, to which the keen air of a frosty morning had given a bright rosy tint; but the gentlemen choristers had evidently been chosen, like old Cremona fiddles, more for tone than looks; and as several had to sing from the same book, there were clusterings of odd physiognomies not unlike those groups of cherubs we sometimes see on country tombstones.
The usual services of the choir were managed tolerably well, the vocal parts generally lagging a little behind the instrumental, and some loitering fiddler now and then making up for lost time by travelling over a passage with prodigious celerity and clearing more bars than the keenest fox-hunter to be in at the death. But the great trial was an anthem that had been prepared and arranged by Master Simon, and on which he had founded great expectation. Unluckily, there was a blunder at the very outset: the musicians became flurried; Master Simon was in a fever; everything went on lamely and irregularly until they came to a chorus beginning, “Now let us sing with one accord,” which seemed to be a signal for parting company: all became discord and confusion: each shifted for himself, and got to the end as well–or, rather, as soon–as he could, excepting one old chorister in a pair of horn spectacles bestriding and pinching a long sonorous nose, who happened to stand a little apart, and, being wrapped up in his own melody, kept on a quavering course, wriggling his head, ogling his book, and winding all up by a nasal solo of at least three bars’ duration.
The parson gave us a most erudite sermon on the rites and ceremonies of Christmas, and the propriety of observing it not merely as a day of thanksgiving but of rejoicing, supporting the correctness of his opinions by the earliest usages of the Church, and enforcing them by the authorities of Theophilus of Caesarea, St. Cyprian, St. Chrysostom, St. Augustine, and a cloud more of saints and fathers, from whom he made copious quotations. I was a little at a loss to perceive the necessity of such a mighty array of forces to maintain a point which no one present seemed inclined to dispute; but I soon found that the good man had a legion of ideal adversaries to contend with, having in the course of his researches on the subject of Christmas got completely embroiled in the sectarian controversies of the Revolution, when the Puritans made such a fierce assault upon the ceremonies of the Church, and poor old Christmas was driven out of the land by proclamation of Parliament.* The worthy parson lived but with times past, and knew but little of the present.
Shut up among worm-eaten tomes in the retirement of his antiquated little study, the pages of old times were to him as the gazettes of the day, while the era of the Revolution was mere modern history. He forgot that nearly two centuries had elapsed since the fiery persecution of poor mince-pie throughout the land; when plum porridge was denounced as “mere popery,” and roast beef as anti-christian, and that Christmas had been brought in again triumphantly with the merry court of King Charles at the Restoration. He kindled into warmth with the ardor of his contest and the host of imaginary foes with whom he had to combat; he had a stubborn conflict with old Prynne and two or three other forgotten champions of the Roundheads on the subject of Christmas festivity; and concluded by urging his hearers, in the most solemn and affecting manner, to stand to the traditional customs of their fathers and feast and make merry on this joyful anniversary of the Church.
* From the “Flying Eagle,” a small gazette, published December 24, 1652: “The House spent much time this day about the business of the Navy, for settling the affairs at sea, and before they rose, were presented with a terrible remonstrance against Christmas day, grounded upon divine Scriptures, 2 Cor. v. 16; I Cor. xv. 14, 17; and in honor of the Lord’s Day, grounded upon these Scriptures, John xx. I; Rev. i. 10; Psalms cxviii. 24; Lev. xxiii. 7, 11; Mark xv. 8; Psalms lxxxiv. 10, in which Christmas is called Anti-christ’s masse, and those Masse-mongers and Papists who observe it, etc. In consequence of which parliament spent some time in consultation about the abolition of Christmas day, passed orders to that effect, and resolved to sit on the following day, which was commonly called Christmas day.”
I have seldom known a sermon attended apparently with more immediate effects, for on leaving the church the congregation seemed one and all possessed with the gayety of spirit so earnestly enjoined by their pastor. The elder folks gathered in knots in the churchyard, greeting and shaking hands, and the children ran about crying Ule! Ule! and repeating some uncouth rhymes,* which the parson, who had joined us, informed me had been banded down from days of yore. The villagers doffed their hats to the squire as he passed, giving him the good wishes of the season with every appearance of heartfelt sincerity, and were invited by him to the hall to take something to keep out the cold of the weather; and I heard blessings uttered by several of the poor, which convinced me that, in the midst of his enjoyments, the worthy old cavalier had not forgotten the true Christmas virtue of charity.
* “Ule! Ule!
Three puddings in a pule;
Crack nuts and cry ule!”
On our way homeward his heart seemed overflowed with generous and happy feelings. As we passed over a rising ground which commanded something of a prospect, the sounds of rustic merriment now and then reached our ears: the squire paused for a few moments and looked around with an air of inexpressible benignity. The beauty of the day was of itself sufficient to inspire philanthropy. Notwithstanding the frostiness of the morning the sun in his cloudless journey had acquired sufficient power to melt away the thin covering of snow from every southern declivity, and to bring out the living green which adorns an English landscape even in mid-winter. Large tracts of smiling verdure contrasted with the dazzling whiteness of the shaded slopes and hollows. Every sheltered bank on which the broad rays rested yielded its silver rill of cold and limpid water, glittering through the dripping grass, and sent up slight exhalations to contribute to the thin haze that hung just above the surface of the earth. There was something truly cheering in this triumph of warmth and verdure over the frosty thraldom of winter; it was, as the squire observed, an emblem of Christmas hospitality breaking through the chills of ceremony and selfishness and thawing every heart into a flow. He pointed with pleasure to the indications of good cheer reeking from the chimneys of the comfortable farm-houses and low thatched cottages. “I love,” said he, “to see this day well kept by rich and poor; it is a great thing to have one day in the year, at least, when you are sure of being welcome wherever you go, and of having, as it were, the world all thrown open to you; and I am almost disposed to join with Poor Robin in his malediction on every churlish enemy to this honest festival:
“`Those who at Christmas do repine, And would fain hence dispatch him,
May they with old Duke Humphry dine, Or else may Squire Ketch catch’em.'”
The squire went on to lament the deplorable decay of the games and amusements which were once prevalent at this season among the lower orders and countenanced by the higher, when the old halls of castles and manor-houses were thrown open at daylight; when the tables were covered with brawn and beef and humming ale; when the harp and the carol resounded all day long; and when rich and poor were alike welcome to enter and make merry.* “Our old games and local customs,” said he, “had a great effect in making the peasant fond of his home, and the promotion of them by the gentry made him fond of his lord. They made the times merrier and kinder