The Human Chord by Algernon Blackwood (page 2)

secretary, who continued making frantic notes.

“That chance discovery, then, made during a moment’s inner vision,” he continued with a grave excitement, “gave me the key to a whole world of new knowledge, and since then I have made incredible developments. Listen closely, Mr. Spinrobin, while I explain. And take in what you can.”

The secretary laid down his pencil and notebook. He sat forward in an attitude of intense eagerness upon the edge of his chair. He was trembling. This strange modern confirmation of his early Heaven of wonder before the senses had thickened and concealed it, laid bare again his earliest world of far-off pristine glory.

“The ordinary name of a person, understand then, is merely a sound attached to their physical appearance at birth by the parents–a meaningless sound. It is not their true name. That, however, exists behind it in the spiritual world, and is the accurate description of the soul. It is the sound you express visibly before me. The Word is the Life.”

Spinrobin surreptitiously picked up his pencil; but the clergyman spied the movement. “Never mind the notes,” he said; “listen closely to me.” Spinrobin obeyed meekly.

“Your ordinary outer name, however,” continued Mr. Skale, speaking with profound conviction, “may be made a conductor to your true, inner one. The connection between the two by a series of subtle interior links forms gradually with the years. For even the ordinary name, if you reflect a moment, becomes in time a sound of singular authority–inwoven with the finest threads of your psychical being, so that in a sense you _become_ it. To hear it suddenly called aloud in the night–in a room full of people, in the street unexpectedly–is to know a shock, however small, of increased vitality. It touches the imagination. It calls upon the soul built up around it.”

He paused a moment. His voice boomed musically about the room, even after he ceased speaking. Bewildered, wondering, delighted, Spinrobin drank in every word. How well he knew it all.

“Now,” resumed the clergyman, lowering his tone unconsciously, “the first part of my discovery lies in this: that I have learned to pronounce the ordinary names of things and people in such a way as to lead me to their true, inner ones–“

“But,” interrupted Spinrobin irrepressibly, “how in the name of–?”

“Hush!” cried Skale quickly. “Never again call upon a mighty name–in vain. It is dangerous. Concentrate your mind upon what I now tell you, and you shall understand a part, at least, of my discovery. As I was saying, I have learned how to find the true name by means of the false; and understand, if you can, that to pronounce a true name correctly means to participate in its very life, to vibrate with its essential nature, to learn the ultimate secret of its inmost being. For our true names are the sounds originally uttered by the ‘Word’ of God when He created us, or ‘called’ us into Being out of the void of infinite silence, and to repeat them correctly means literally–to–speak–with–His–Voice. It is to speak the truth.” The clergyman dropped his tone to an awed whisper. “Words are the veils of Being; to speak them truly is to lift a corner of the veil.”

“What a glory! What a thing!” exclaimed the other under his breath, trying to keep his mind steady, but losing control of language in the attempt. The great sentences seemed to change the little room into a temple where sacred things were about to reveal themselves. Spinrobin now understood in a measure why Mr. Skale’s utterance of his own name and that of Miriam had sounded grand. Behind each he had touched the true name and made it echo.

The clergyman’s voice brought his thoughts back from distances in that inner prairie of his youth where they had lost themselves.

“For all of us,” he was repeating with rapt expression in his shining eyes, “are Sounds in the mighty music the universe sings to God, whose Voice it was that first produced us, and of whose awful resonance we are echoes therefore in harmony or disharmony.” A look of power passed into his great visage. Spinrobin’s imagination, in spite of the efforts that he made, fluttered with broken wings behind the swift words. A flash of the former terror stirred in the depths of him. The man was at the heels of knowledge it is not safe for humanity to seek….

“Yes,” he continued, directing his gaze again upon the other, “that is a part of my discovery, though only a part, mind. By repeating your outer name in a certain way until it disappears in the mind, I can arrive at the real name within. And to utter it is to call upon the secret soul–to summon it from its lair. ‘I have redeemed thee; I have called thee by name.’ You remember the texts? ‘_I know thee by name_,’ said Jehovah to the great Hebrew magician, ‘_and thou art mine_.’ By certain rhythms and vibratory modulations of the voice it is possible to produce harmonics of sound which awaken the inner name into life–and then to spell it out. Note well, to _spell_ it,–spell–incantation–the magical use of sound–the meaning of the Word of Power, used with such terrific effect in the old forgotten Hebrew magic. Utter correctly the names of their Forces, or Angels, I am teaching you daily now,” he went on reverently, with glowing eyes and intense conviction; “pronounce them with full vibratory power that awakens all their harmonics, and you awaken also their counterpart in yourself; you summon their strength or characteristic quality to your aid; you introduce their powers actively into your own psychical being. Had Jacob succeeded in discovering the ‘Name’ of that ‘Angel’ with whom he wrestled, he would have become one with its superior power and have thus conquered it. Only, he asked instead of commanded, and he found it not…”

“Magnificent! Splendid!” cried Spinrobin, starting from his chair, seizing with his imagination potently stirred, this possibility of developing character and rousing the forces of the soul.

“We shall yet call upon the Names, and see,” replied Skale, placing a great hand upon his companion’s shoulder, “not aloud necessarily, but by an inner effort of intense will which sets in vibration the finer harmonics heard only by the poet and magician, those harmonics and overtones which embody the psychical element in music. For the methods of poet and magician, I tell you, my dear Spinrobin, are identical, and all the faiths of the world are at the heels of that thought. Provided you have faith you can–move mountains! You can call upon the very gods!”

“A most wonderful idea, Mr. Skale,” faltered the other breathlessly, “quite wonderful!” The huge sentences deafened him a little with their mental thunder.

“And utterly simple,” was the reply, “for all truth is simple.”

He paced the floor like a great caged animal. He went down and leaned against the dark bookcase, with his legs wide apart, and hands in his coat pockets. “To name truly, you see, is to evoke, to create!” he roared from the end of the room. “To utter as it should be uttered any one of the Ten Words, or Creative Powers of the Deity in the old Hebrew system, is to become master of the ‘world’ to which it corresponds. For these names are still in living contact with the realities behind. It means to vibrate with the powers that called the universe into being and–into form.”

A sort of shadowy majesty draped his huge figure, Spinrobin thought, as he stood in semi-darkness at the end of the room and thundered forth these extraordinary sentences with a conviction that, for the moment at least, swept away all doubt in the mind of his listener. Dreadful ideas, huge-footed and threatening, rushed to and fro in the secretary’s mind. He was torn away from all known anchorage, staggered, dizzy and dismayed; yet at the same time, owing to his adventure-loving temperament, a prey to some secret and delightful exaltation of the spirit. He was out of his depth in great waters….

Then, quite suddenly, Mr. Skale came swiftly over to his side and whispered in accents that were soothing in comparison:

“And think for a moment how beautiful, the huge Words by which God called into being the worlds, and sent the perfect, rounded bodies of the spheres spinning and singing, blazing their eternal trails of glory through the void! How sweet the whisper that crystallized in flowers! How tender the note that fashioned the eyes and face, say, of Miriam….”

At the name of Miriam he felt caught up and glorified, in some delightful and inexplicable way that brought with it–peace. The power of all these strange and glowing thoughts poured their full tide into his own rather arid and thirsty world, frightening him with their terrific force. But the mere utterance of that delightful name–in the way Skale uttered it–brought confidence and peace.

“… Could we but hear them!” Skale continued, half to himself, half to his probationer; “for the sad thing is that today the world has ears yet cannot hear. As light is distorted by passing through a gross atmosphere, so sound reaches us but indistinctly now, and few true names can bring their wondrous messages of power correctly. Men, coarsening with the materialism of the ages, have grown thick and gross with the luxury of inventions and the diseases of modern life that develop intellect at the expense of soul. They have lost the old inner hearing of divine sound, and but one here and there can still catch the faint, far-off and ineffable music.”

He lifted his eyes, and his voice became low and even gentle as the glowing words fell from his heart of longing.

“None hear now the morning stars when they sing together to the sun; none know the chanting of the spheres! The ears of the world are stopped with lust, and the old divine science of true-naming seems lost forever amid the crash of engines and the noisy thunder of machinery!… Only among flowers and certain gems are the accurate old true names still to be found!… But we are on the track, my dear Spinrobin, we are on the ancient trail to Power.”

The clergyman closed his eyes and clasped his hands, lifting his face upwards with a rapt expression while he murmured under his breath the description of the Rider on the White Horse from the Book of the Revelations, as though it held some inner meaning that his heart knew yet dared not divulge: “And he had a Name written, that no man knew but he himself. And he was clothed in a vesture dipped in blood: and his Name is called The Word of God … and he hath on his vesture and on his thigh a name written,–‘King of Kings and Lord of Lords….'”

And for an instant Spinrobin, listening to the rolling sound but not to the actual words, fancied that a faintly colored atmosphere of deep scarlet accompanied the vibrations of his resonant whisper and produced in the depths of his mind this momentary effect of colored audition.

It was all very strange and puzzling. He tried, however, to keep an open mind and struggle as best he might with these big swells that rolled into his little pool of life and threatened to merge it in a vaster tide than he had yet dreamed of. Knowing how limited is the world which the senses report, he saw nothing too inconceivable in the idea that certain persons might possess a peculiar inner structure of the spirit by which supersensuous things can be perceived. And what more likely than that a man of Mr. Skale’s unusual caliber should belong to them? Indeed, that the clergyman possessed certain practical powers of an extraordinary description he was as certain as that the house was not empty as he had at first supposed. Of neither had he proof as yet; but proof was not long in forthcoming.

Chapter IV

I

“Then if there is so much sound about in all objects and forms–if the whole universe, in fact, is sounding,” asked Spinrobin with a naive impertinence not intended, but due to the reaction of his simple mind from all this vague splendor, “why don’t we hear it more?”

Mr. Skale came upon him like a boomerang from the end of the room. He was smiling. He approved the question.

“With us the question of hearing is merely the question of wavelengths in the air,” he replied; “the lowest audible sound having a wavelength of sixteen feet, the highest less than an inch. Some people can’t hear the squeak of a bat, others the rumble of an earthquake. I merely affirm that in every form sleeps the creative sound that is its life and being. The ear is a miserable organ at best, and the majority are far too gross to know clair-audience. What about sounds, for instance, that have a wavelength of a hundred, a thousand miles on the one hand, or a millionth part of an inch on the other?”

“A thousand miles! A millionth of an inch?” gasped the other, gazing at his interlocutor as though he was some great archangel of sound.

“Sound for most of us lies between, say, thirty and many thousand vibrations per second–the cry of the earthquake and the cricket; it is our limitation that renders the voice of the dewdrop and the voice of the planet alike inaudible. We even mistake a measure of noise–like a continuous millwheel or a river, say–for silence, when in reality there is no such thing as perfect silence. Other life is all the time singing and thundering about us,” he added, holding up a giant finger as though to listen. “To the imperfection of our ears you may ascribe the fact that we do not hear the morning stars shouting together.”

“Thank you, yes, I quite see now,” said the secretary. “To name truly is to hear truly.” The clergyman’s words seemed to hold a lamp to a vast interior map in his mind that was growing light. A new dawn was breaking over the great mental prairie where he wandered as a child. “To find the true name of anything,” he added, “you mean, is to hear its sound, its individual note as it were?” Incredible perspectives swam into his ken, hitherto undreamed of.

“Not ‘as it were,'” boomed the other, “You _do_ hear it. After which the next step is to utter it, and so absorb its force into your own being by synchronous vibration–union mystical and actual. Only, you must be sure you utter it correctly. To pronounce incorrectly is to call it incompletely into life and form–to distort and injure it, and yourself with it. To make it untrue–a lie.”

They were standing in the dusk by the library window, watching the veil of night that slowly covered the hills. The flying horizons of the moors had slipped away into the darkness.

The stars were whispering together their thoughts of flame and speed. At the back of the room sat Miriam among the shadows, like some melody hovering in a musician’s mind till he should call her forth. It was close upon the tea hour. Behind them Mrs. Mawle was busying herself with lamps and fire. Mr. Skale, turning at the sound of the housekeeper, motioned to the secretary to approach, then stooped down and spoke low in his ear:

“With many names I had great difficulty,” he whispered. “With hers, for instance,” indicating the housekeeper behind them. “It took me five years’ continuous research to establish her general voice-outline, and even then I at first only derived a portion of her name. And in uttering it I made such errors of omission and pronunciation that her physical form suffered, and she emerged from the ordeal in disorder. You have, of course, noticed her disabilities…. But, later, though only in stammering fashion, I called upon her all complete, and she has since known a serene blessedness and a sense of her great value in the music of life that she never knew before.” His face lit up as he spoke of it. “For in that moment she found herself. She heard her true name, God’s creative sound, thunder through her being.”

Spinrobin, feeling the clergyman’s forces pouring through him like a tide at such close proximity, bowed his head. His lips were too dry to frame words. He was thinking of the possible effects upon his own soul and body when his name too should be “uttered.” He remembered the withered arm and the deafness. He thought, too, of that slender, ghostly figure that haunted the house with its soft movements and tender singing. Lastly, he remembered his strange conviction that somewhere in the great building, possibly in his own corridor, there were other occupants, other life, Beings of unearthly scale waiting the given moment to appear, summoned by utterance.

“And you will understand now why it is I want a man of high courage to help me,” Skale resumed in a louder tone, standing sharply upright; “a man careless of physical existence, and with a faith wholly beyond the things of this world!”

“I do indeed,” he managed to reply aloud, while in his thoughts he was saying, “I will, I _must_ see it through. I won’t give in!” With all his might he resisted the invading tide of terror. Even if sad results came later, it was something to have been sacrificed in so big a conception.

In his excitement he slipped from the edge of the windowsill, where he was perched, and Mr. Skale, standing close in front of him, caught his two wrists and set him upon his feet. A shock, like a rush of electricity, ran through him. He took his courage boldly in both hands and asked the question ever burning at the back of his mind.

“Then, this great Experiment you–we have in view,” he stammered, “is to do with the correct uttering of the names of some of the great Forces, or Angels, and–and the assimilating of their powers into ourselves–?”

Skale rose up gigantically beside him. “No, sir,” he cried, “it is greater–infinitely greater than that. Names of mere Angels I can call alone without the help of any one; but for the name I wish to utter a whole chord is necessary even to compass the utterance of the opening syllable; as I have told you already, a chord in which you share the incalculable privilege of being the tenor note. But for the completed syllables–the full name–!” He closed his eyes and shrugged his massive shoulders–“I may need the massed orchestras of half the world, the chorused voices of the entire nation–or in their place a still small voice of utter purity crying in the wilderness! In time you shall know fully–know, see and hear. For the present, hold your soul with what patience and courage you may.”

The words thundered about the room, so that Miriam, too, heard them. Spinrobin trembled inwardly, as though a cold air passed him. The suggestion of immense possibilities, vague yet terrible, overwhelmed him again suddenly. Had not the girl at that moment moved up beside him and put her exquisite pale face over his shoulder, with her hand upon his arm, it is probable he would then and there have informed Mr. Skale that he withdrew from the whole affair.

“Whatever happens,” murmured Miriam, gazing into his eyes, “we go on singing and sounding together, you and I.” Then, as Spinrobin bent down and kissed her hair, Mr. Skale put an arm round each of them and drew them over to the tea table.

“Come, Mr. Spinrobin,” he said, with his winning smile, “you must not be alarmed, you know. You must not desert me. You are necessary to us all, and when my Experiment is complete we shall all be as gods together. Do not falter. There is nothing in life, remember, but to lose oneself; and I have found a better way of doing so than any one else–by merging ourselves into the Voice of–“

“Mr. Skale’s tea has been standing more than ten minutes,” interrupted the old housekeeper, coming up behind them; “if Mr. Spinrobin will please to let him come–” as though it was Spinrobin’s fault that there had been delay.

Mr. Skale laughed good-humouredly, as the two men, suddenly in the region of teacups and buttered toast, looked one another in the face with a certain confusion. Miriam, sipping her tea, laughed too, curiously. Spinrobin felt restored to some measure of safety and sanity again. Only the strange emotion of a few moments before still moved there unseen among them.

“Listen, and you shall presently hear her name,” the clergyman whispered, glancing up at the other over his teacup, but Spinrobin was crunching his toast too noisily to notice the meaning of the words fully.

II

The Stage Manager who stands behind all the scenes of life, both great and small, had prepared the scene well for what was to follow. The sentences about the world of inaudible sound had dropped the right kind of suggestion into the secretary’s heart. His mind still whirred with a litter of half-digested sentences and ideas, however, and he was vividly haunted by the actuality of truth behind them all. His whole inner being at that moment cried “Hark!” through a hush of expectant wonder.

There they sat at tea, this singular group of human beings: Mr. Skale, bigger than ever in his loose housesuit of black, swallowing his liquid with noisy gulps; Spinrobin, nibbling slippery morsels of hot toast, on the edge of his chair; Miriam, quiet and mysterious, in her corner; and Mrs. Mawle, sedate, respectful in cap and apron, presiding over the teapot, the whole scene cozily lit by lamp and fire–when this remarkable new thing happened. Spinrobin declares always that it came upon him like a drowning wave, frightening him not with any idea of injury to himself, but with a dreadful sense of being lost and shelterless among the immensities of a transcendent new world. Something passed into the room that made his soul shake and flutter at the center.

His attention was first roused by a sound that he took, perhaps, to be the wind coming down from the hills in those draughts and gusts he sometimes heard, only to his imagination now it was a peopled wind crying round the walls, behind whose voice he detected the great fluid form of it–running and colored. But, with the noise, a terror that was no ordinary terror invaded the recesses of his soul. It was the fear of the Unknown, dreadfully multiplied.

He glanced up quickly from his teacup, and chancing to meet Miriam’s eye, he saw that she was smiling as she watched him. This sound, then, had some special significance. At the same instant he perceived that it was not outside but in the room, close beside him, that Mr. Skale, in fact, was talking to the deaf housekeeper in a low and carefully modulated tone–a tone she could not possibly have heard, however. Then he discovered that the clergyman was not speaking actually, but repeating her name. He was intoning it. It grew into a kind of singing chant, an incantation.

“Sarah Mawle … Sarah Mawle … Sarah Mawle …” ran through the room like water. And, in Skale’s mouth, it sounded as his own name had sounded–different. It became in some significant way–thus Spinrobin expresses it always–stately, important, nay, even august. It became real. The syllables led his ear away from their normal signification–away from the outer toward the inner. His ordinary mental picture of the mere letters SARAHMAWLE disappeared and became merged in something else–into something alive that pulsed and moved with vibrations of its own. For, with the outer sound there grew up another interior one, that finally became separate and distinct.

Now Spinrobin was well aware that the continued repetition of one’s own name can induce self-hypnotism; and he also knew that the reiteration of the name of an object ends by making that object disappear from the mind. “Mustard,” repeated indefinitely, comes to have no meaning at all. The mind drops behind the mere symbol of the sound into something that is unintelligible, if not meaningless. But here it was altogether another matter, and from the torrent of words and similes he uses to describe it, this–a curious mixture of vividness and confusion–is apparently what he witnessed:

For, as the clergyman’s resonant voice continued quietly to utter the name, something passed gradually into the appearance of the motherly old housekeeper that certainly was not there before, not visible, at least, to the secretary’s eyes. Behind the fleshly covering of the body, within the very skin and bones it seemed, there flowed with steady splendor an effect of charging new vitality that had an air of radiating from her face and figure with the glow and rush of increased life. A suggestion of grandeur, genuine and convincing, began to express itself through the humble domestic exterior of her everyday self; at first, as though some greater personage towered shadowy behind her, but presently with a growing definiteness that showed it to be herself and nothing separate. The two, if two they were, merged.

Her mien, he saw, first softened astonishingly, then grew firm with an aspect of dignity that was unbelievably beautiful. An air of peace and joy her face had always possessed, but this was something beyond either. It was something imposing, majestic. So perilously adjusted is the ludicrous to the sublime, that while the secretary wondered dumbly whether the word “housekeeper” might also in Skale’s new world connote “angel,” he could have laughed aloud, had not the nobility of the spectacle hinted at the same time that he should have wept. For the tears of a positive worship started to his eyes at the sight.

“Sarahmawle … Sarahmawle….” The name continued to pour itself about him in a steady ripple, neither rising nor falling, and certainly not audible to those deaf old ears that flanked the vigorous and unwrinkled face. “Youth” is not the word to describe this appearance of ardent intensity that flamed out of the form and features of the housekeeper, for it was something utterly apart from either youth or age. Nor was it any mere idealization of her worn and crumpled self. It was independent of physical conditions, as it was independent of the limitations of time and space; superb as sunshine, simple as the glory that had sometimes touched his soul of boyhood in sleep–the white fires of an utter transfiguration.

It was, in a word, as if the name Skale uttered had summoned to the front, through all disguising barriers of flesh, her true and naked spirit, that which neither ages nor dies, that which the eyes, when they rest upon a human countenance, can never see–the Soul itself!

For the first time in his life Spinrobin, abashed and trembling, gazed upon something in human guise that was genuinely sublime–perfect with a stainless purity. The mere sight produced in him an exaltation of the spirit such as he had never before experienced … swallowing up his first terror. In his heart of hearts, he declares, he prayed; for this was the natural expression for an emotion of the volume and intensity that surged within him….

How long he sat there gazing seems uncertain; perhaps minutes, perhaps seconds only. The sense of time’s passage was temporarily annihilated. It might well have been a thousand years, for the sight somehow swept him into eternity…. In that tearoom of Skale’s lonely house among the mountains, the warmth of an earthly fire upon his back, the light of an earthly oil-lamp in his eyes, holding buttered toast in exceedingly earthly fingers, he sat face to face with something that yet was not of this earth, something majestic, spiritual and eternal … visible evidence of transfiguration and of “earth growing heaven….”

* * * * *

It was, of course, stupid and clumsy of Spinrobin to drop his teacup and let it smash noisily against the leg of the table; yet it was natural enough, for in his ecstasy and amazement he apparently lost control of certain muscles in his trembling fingers…. Though the change came gradually it seemed very quick. The volume of the clergyman’s voice grew less, and as the tide of sound ebbed the countenance of the housekeeper also slowly altered. The flames that a moment before had burned so whitely there flickered faintly and were gone; the glory faded; the splendor withdrew. She even seemed to dwindle in size…. She resumed her normal appearance. Skale’s voice ceased.

The incident apparently had occupied but a few moments, for Mrs. Mawle, he realized, was gathering the plates together and fitting them into the spaces of the crowded tea-tray with difficulty–an operation, he remembered, she had just begun when the clergyman first began to call upon her name.

She, clearly, had been conscious of nothing unusual. A moment later, with her customary combination of curtsey and bow, she was gone from the room, and Spinrobin, acting upon a strange impulse, found himself standing upright by the table, looking wildly about him, passing his hand through his scattered hair, and trying in vain to utter words that should relieve his overcharged soul of the burden of glory and mystery that oppressed it.

A pain, profoundly searching, pierced his heart. He thought of the splendors he had just witnessed, and of the joy and peace upon those features even when the greater wonder withdrew. He thought of the power in the countenance of Skale, and of the shining loveliness in the face of Miriam. Then, with a blast of bitterest disappointment, he realized the insignificance of his own self–the earthiness of his own personality, the dead, dull ordinariness of his own appearance. Why, oh, why, could not all faces let the soul shine through? Why could not all identify themselves with their eternal part, and thus learn happiness and joy? A sense of the futile agony of life led him with an impassioned eagerness again to the thought of Skale’s tremendous visions, and of the great Experiment that beckoned beyond. Only, once more the terror of its possible meaning dropped upon him, and the little black serpents of fear shot warningly across this brighter background of his hopes.

Then he was aware that Miriam had crossed the room and stood beside him, for her delicate and natural perfume announced her even before he turned and saw. Her soft eyes shining conveyed an irresistible appeal, and with her came the sense of peace she always brought. She was the one thing at that moment that could comfort and he opened his arms to her and let her come nestling in against him, both hands finding their way up under the lapels of his coat, all the exquisite confidence of the innocent child in her look. Her hair came over his lips and face like flowers, but he did not kiss her, nor could he find any words to say. To hold her there was enough, for the touch of her healed and blessed him.

“So now you have seen her as she really is,” he heard her voice against his shoulder; “you have heard her true name, and seen a little of its form and color!”

“I never guessed that in this world–” he stammered; then, instead of completing the sentence, held her more tightly to him and let his face sink deeper into the garden of her hair.

“Oh yes,” she answered, and then peered up with unflinching look into his eyes, “for that is just how I see you too–bright, splendid and eternal.”

“Miriam!” It was as unexpected as a ghost and as incredible. “Me …?”

“Of course! You see I know your true name. I see you as you are within!”

Something came to steady his swimming brain, but it was only after a distinct effort that he realized it was the voice of Mr. Skale addressing him. Then, gradually, as he listened, gently releasing the girl in order to turn towards him, he understood that what he had witnessed had been in the nature of a “test”–one of those tests he had been warned would come–and that his attitude to it was regarded by the clergyman with approval.

“It was a test more subtle than you know, perhaps, Mr. Spinrobin,” he was saying, “and the feelings it has roused in you are an adequate proof that you have come well through it. As I knew you would, as I knew you would,” he added, with evident satisfaction. “They do infinite credit both to yourself and to our judgment in–er–accepting you.”

A wave of singular emotion seemed to pass across the room from one to the other that, catching the breathless secretary in its tide, filled him with a high pride that he had been weighed and found worthy, then left him cold with a sudden reaction as he realized after some delay the import of the words Mr. Skale was next saying to him.

Chapter V

“And now you shall hear your own name called,” boomed the clergyman with enthusiasm, “and realize the beauty and importance of your own note in the music of life.”

And while Spinrobin trembled from head to toe Mr. Skale bore down upon him and laid a hand upon his shoulder. He looked up into the clergyman’s luminous eyes. His glance next wandered down the ridge of that masterful nose and lost itself among the flowing strands of the tangled beard. At that moment it would hardly have surprised him to see the big visage disappear, and to hear the Sound, of which it was the visible form, slip into his ears with a roar.

But side by side with the vague terror of the unknown he was conscious also of a smaller and more personal pang. For a man may envy other forms, yet keenly resent the possible loss or alteration of his own. And he remembered the withered arm and the deafness.

“But,” he faltered, yet ashamed of his want of courage, “I don’t want to lose my present shape, or–come back–without–“

“Have no fear,” exclaimed the other with decision. “Miriam and myself have not been experimenting in vain these three weeks. We have found your name. We know it accurately. For we are all one chord, and as I promised you, there is no risk.” He stopped, lowering his voice; and, taking the secretary by the arm with a fatherly and possessive gesture, “Spinrobin,” he whispered solemnly, “you shall learn the value and splendor of your Self in the melody of the Universe–that burst of divine music! You shall understand how closely linked you are to myself and Mrs. Mawle, but, closest of all, to Miriam. For Miriam herself shall call your name, and you shall hear!”

So little Miriam was to prove his executioner, or his redeemer. That was somehow another matter. The awe with which these experiments of Mr. Skale’s inspired him ebbed considerably as he turned and saw the appealing, wistful expression of his other examiner. Brave as a lion he felt, yet timid as a hare; there was no idea of real resistance in him any longer.

“I’m ready, then,” he said faintly, and the girl came up softly to his side and sought his face with a frank innocence of gaze that made no attempt to hide her eagerness and joy. She accepted the duty with delight, proudly conscious of its importance.

“I know thee by name and thou art mine,” she murmured, taking his hand.

“It makes me happy, yet afraid,” he replied in her ear, returning the caress; and at that moment the clergyman who had gone to fetch his violin, returned into the room with a suddenness that made them both start–for the first time. Very slightly, with the first sign of that modesty which comes with knowledge he had yet noticed in her, or felt conscious of in himself, she withdrew, a wonderful flush tinging her pale skin, then passing instantly away.

“To make you feel absolutely safe from possible disaster,” Mr. Skale was saying with a smile, “you shall have the assistance of the violin. The pitch and rhythm shall be thus assured. There is nothing to fear.”

And Miriam, equally smiling with confidence, led her friend, perplexed and entangled as he was by the whole dream-like and confusing puzzle–led him to the armchair she had just vacated, and then seated herself at his feet upon a high footstool and stared into his eyes with a sweet and irresistible directness of gaze that at once increased both his sense of bewilderment and his confidence.

“First, you must speak my name,” she said gently, yet with a note of authority, “so that I may get the note of your voice into myself. Once or twice will do.”

He obeyed. “Miriam … Miriam … Miriam,” he said, and watched the tiny reflection of his own face in her eyes, her “night-eyes.” The same moment he began to lose himself. The girl’s lips were moving. She had picked up his voice and merged her own with it, so that when he ceased speaking her tones took up the note continuously. There was no break. She carried on the sound that he had started.

And at the same moment, out of the corner of his eye, he perceived that the violin had left its case and was under the clergyman’s beard. The bow undulated like a silver snake, drawing forth long, low notes that flowed about the room and set the air into rhythmical vibrations. These vibrations, too, carried on the same sound. Spinrobin gave a little uncontrollable jump; he felt as if he had uttered his own death-warrant and that this instrument proclaimed the sentence. Then the feeling of dread lessened as he heard Mr. Skale’s voice mingling with the violin, combining exquisitely with the double-stopping he was playing on the two lower strings; for the music, as the saying is, “went through him” with thrills of power that plunged into unknown depths of his soul and lifted him with a delightful sense of inner expansion to a state where fear was merged in joy.

For some minutes the voice of Miriam, murmuring so close before him that he could feel her very breath, was caught in the greater volume of the violin and bass. Then, suddenly, both Skale and violin ceased together, and he heard her voice emerge alone. With a little rush like that of a singing flame, it dropped down on to the syllables of his name–his ugly and ridiculous outer and ordinary name:

“ROBERTSPINROBIN … ROBERTSPINROBIN …” he heard; and the sound flowed and poured about his ears like the murmur of a stream through summer fields. And, almost immediately, with it there came over him a sense of profound peace and security. Very soon, too, he lost the sound itself–did not hear it, as sound, for it grew too vast and enveloping. The sight of Miriam’s face also he lost. He grew too close to her to see her, as object. Both hearing and sight merged into something more intimate than either. He and the girl were together–one consciousness, yet two aspects of that one consciousness.

They were two notes singing together in the same chord, and he had lost his little personality, only to find it again, increased and redeemed, in an existence that was larger.

It seemed to Spinrobin–for there is only his limited phraseology to draw from–that the incantation of her singing tones inserted itself between the particles of his flesh and separated them, ran with his blood, covered his skin with velvet, flowed and purred in the very texture of his mind and thoughts. Something in him swam, melted, fused. His inner kingdom became most gloriously extended….

His soul loosened, then began to soar, while something at the heart of him that had hitherto been congealed now turned fluid and alive. He was light as air, swift as fire. His thoughts, too, underwent a change: rose and fell with the larger rhythm of new life as the sound played upon them, somewhat as wind may rouse the leaves of a tree, or call upon the surface of a deep sea to follow it in waves. Terror was nowhere in his sensations; but wonder, beauty and delight ran calling to one another from one wave to the next, as this tide of sound moved potently in the depths of his awakening higher consciousness. The little reactions of ordinary life spun away from him into nothingness as he listened to a volume of sound that was oceanic in power and of an infinite splendor: the creative sound by which God first called him into form and being–the true inner name of his soul.

…Yet he no longer consciously listened… no longer, perhaps, consciously heard. The name of the soul can sound only in the soul, where no speech is, nor any need for such stammering symbols. Spinrobin for the first time knew his true name, and that was enough.

It is impossible to translate into precise language this torrent of exquisite sensation that the girl’s voice awakened. In the secret chambers of his imagination Spinrobin found the _thoughts_, perhaps, that clothed it with intelligible description for himself, but in speaking of it to others he becomes simply semi-hysterical, and talks a kind of hearty nonsense. For the truth probably is that only poetry or music can convey any portion of a mystical illumination, otherwise hopelessly incommunicable. The outer name had acted as a conductor to the inner name beyond. It filled the room, and filled some far vaster space that opened out above the room, about the house, above the earth, yet at the same time was deep, deep down within his own self. He passed beyond the confines of the world into those sweet, haunted gardens where Cherubim and Seraphim–vast Forces–continually do sing. It floated him off his feet as a rising tide overtakes the little shore-pools and floats them into its own greatness, and on the tranquil bosom of these giant swells he rose into a state that was too calm to be ecstasy, yet too glorious to be mere exaltation.

And as his own little note of personal aspiration soared with this vaster music to which it belonged, he felt mounting out of himself into a condition where at last he was alive, complete and splendidly important. His sense of insignificance fled. His ordinary petty and unvalued self dropped away flake by flake, and he realized something of the essential majesty of his own real Being as part of an eternal and wonderful Whole. The little painful throb of his own limited personality slipped into the giant pulse-beat of a universal vibration.

In his normal daily life, of course, he lost sight of this Whole, blinded by the details seen without perspective, mistaking his little personality for all there was of him; but now, as he rose, whirling, soaring, singing in the body of this stupendous music, he understood with a rush of indescribable glory that he was part and parcel of this great chord–this particular chord in which Skale, Mrs. Mawle and Miriam also sang their harmonious existences–that this chord, again, was part of a vaster music still, and that all, in the last resort, was a single note in the divine Utterance of God.

That is, the little secretary, for the first time in his existence, saw life as a whole, and interpreted the vision so wondrous sweet and simple, with the analogies of sound communicated to his subliminal mind by the mighty Skale. Whatever the cause, however, the fine thing was that he saw, heard, knew. He was of value in the scheme. In future he could pipe his little lay without despair.

Moreover, with a merciless clarity of vision, he perceived an even deeper side of truth, and understood that the temporary discords were necessary, just as evil, so-called, is necessary for the greater final perfection of the Whole. For it came to him with the clear simplicity of a child’s vision that the process of attuning his being to the right note must inevitably involve suffering and pain: the awful stretching of the string, the strain of the lifting vibrations, the stress at first of sounding in harmony with all the others, and the apparent loss of one’s own little note in order to do so…

This point he reached, it seems, and grasped. Afterwards, however, he entered a state where he heard things no man can utter because no language can touch transcendental things without confining or destroying them. In attempting a version of them he merely becomes unintelligible, as has been said. Yet the mere memory of it brings tears to his blue eyes when he tries to speak of it, and Miriam, who became, of course, his chief confidant, invariably took it upon herself to stop his futile efforts with a kiss.

* * * * *

So at length the tide of sound began to ebb, the volume lessened and grew distant, and he found himself, regretfully, abruptly, sinking back into what by comparison was mere noise. First, he became conscious that he listened–heard–saw; then, that Miriam’s voice still uttered his name softly, but his ordinary, outer name, Robertspinrobin; that he noticed her big grey eyes gazing into his own, and her lips moving to frame the syllables, and, finally, that he was sitting in the armchair, trembling. Joy, peace, wonder still coursed through him like flames, but dying flames. Mr. Skale’s voice next reached him from the end of the room. He saw the fireplace, his own bright and pointed pumps, the tea table where they had drunk tea, and then, as the clergyman strode towards him over the carpet, he looked up, faint with the farewell of the awful excitement, into his face. The great passion of the experience still glowed and shone in him like a furnace.

And there, in that masterful bearded visage, he surprised an expression so tender, so winning, so comprehending, that Spinrobin rose to his feet, and taking Miriam by the hand, went to meet him. There the three of them stood upon the mat before the fire. He felt overwhelmingly drawn to the personality of the man who had revealed to him such splendid things, and in his mind stirred a keen and poignant regret that such knowledge could not be permanent and universal, instead of merely a heavenly dream in the mind of each separate percipient. Gratitude and love, unknown to him before, rose in his soul. Spinrobin, his heart bursting as with flames, had cried aloud, “You have called me by my name and I am free!… You have named me truly and I am redeemed!…” And all manner of speech, semi-inspirational, was about to follow, when Mr. Skale suddenly moved to one side and raised his arm. He pointed to the mirror.

Spinrobin was just tall enough to see his own face in the glass, but the glimpse he caught made him stand instantly on tiptoe to see more. For his round little countenance, flushed as it was beneath its fringe of disordered feathery hair, was literally–transfigured. A glory, similar to the glory he had seen that same evening upon the face of the housekeeper, still shone and flickered about the eyes and forehead. The signature of the soul, brilliant in purity, lay there, transforming the insignificance of the features with the grandeur and nobility of its own power.

“I am honored,–too gloriously honored!” was the singular cry that escaped his lips, vainly seeking words to express an emotion of the unknown, “I am honored as the sun… and as the stars…!”

And so fierce was the tide of emotion that rose within him at the sight, so strong the sense of gratitude to the man and girl who had shown him how his true Self might contain so great a glory, that he turned with a cry like that of a child bewildered by the loss of some incomprehensible happiness–turned and flung himself first upon the breast of the big clergyman, and then into the open arms of the radiant Miriam, with sobs and tears of wonder that absolutely refused to be restrained.

Chapter VI

I

The situation at this point of his amazing adventure seems to have been that the fear Spinrobin felt about the nature of the final Experiment was met and equalized by his passionate curiosity regarding it. Had these been the only two forces at work, the lightest pressure in either direction would have brought him to a decision. He would have accepted the challenge and stayed; or he would have hesitated, shirked, and left.

There was, however, another force at work upon which he had hardly calculated at the beginning, and that force now came into full operation and controlled his decision with margin and to spare. He loved Miriam; and even had he not loved her, it is probable that her own calm courage would have put him to shame and made him “face the music.” He could no more have deserted her than he could have deserted himself. The die was cast.

Moreover, if the certainty that Mr. Skale was trafficking in dangerous and unlawful knowledge was formidable enough to terrify him, for Miriam, at least, it held nothing alarming. She had no qualms, knew no uneasiness. She looked forward to the end with calmness, even with joy, just as ordinary good folk look forward to a heaven beyond death. For she had never known any other ideal. Mr. Skale to her was father, mother and God. He had brought her up during all the twenty years of her life in this solitude among the mountains, choosing her reading, providing her companionship, training her with the one end in view of carrying out his immense and fire-stealing purpose.

She had never dreamed of any other end, and had been so drilled with the idea that this life was but a tedious training-place for a worthier state to come, that she looked forward, naturally enough, with confidence and relief to the great Experiment that should bring her release. She knew vaguely that there was a certain awful danger involved, but it never for one instant occurred to her that Mr. Skale could fail. And, so far, Spinrobin had let no breath of his own terror reach her, or attempted ever to put into her calm mind the least suggestion that the experiment might fail and call down upon them the implacable and destructive forces that could ruin them body and soul forever. For this, plainly expressed, was the form in which his terror attacked him when he thought about it. Skale was tempting the Olympian powers to crush him.

It was about this time, however, as has been seen from a slight incident in the last chapter, that a change began to steal, at first imperceptibly, then obviously, over their relations together. Spinrobin had been in the house three weeks–far longer, no doubt, than any of the other candidates. There only remained now the final big tests. The preliminary ones were successfully passed. Miriam knew that very soon the moment would come for him to stay–or go. And it was in all probability this reflection that helped her to make certain discoveries in herself that at first she did not in the least understand.

Spinrobin, however, understood perfectly. His own heart made him intuitive enough for that. And the first signs thrilled and moved him prodigiously. His account of it all is like no love story that has ever been heard, for in the first place this singular girl hardly breathed about her the reality of an actual world. She had known nothing beyond the simple life in this hollow of the hills on the one hand, and on the other the portentous conceptions that peopled the region of dream revealed by the clergyman. And in the second place she had no standards but her own instincts to judge by, for Mrs. Mawle, in spite of her devotion to the girl, suffered under too great disabilities to fill the place of a mother, while Mr. Skale was too lost in his vast speculations to guide her except in a few general matters, and too sure of her at the same time to reflect that she might ever need detailed guidance. Her exceedingly natural and wholesome bringing-up on the one hand, and her own native purity and good sense on the other, however, led her fairly straight; while the fact that Spinrobin, with his modesty and his fine aspirations, was a “little gentleman” into the bargain, ensured that no unlawful temptation should be placed in her way, or undue pressure, based upon her ignorance, employed.

II

They were coming down one afternoon from the mountains soon after the test of calling his name, and they were alone, the clergyman being engaged upon some mysterious business that had kept him out of sight all day. They did not talk much, but they were happy in each other’s company, Spinrobin more than happy. Much of the time, when the ground allowed, they went along hand in hand like children.

“Miriam,” he had asked on the top of the moors, “did I ever tell you about Winky–my little friend Winky?” And she had looked up with a smile and shaken her head. “But I like the name,” she added; “I should like to hear, please.” And he told her how as a boy he had invoked various folk to tease his sister, of whom Winky was chief, but in telling the story he somehow or other always referred to the little person by name, and never once revealed his sex. He told, too, how he sat all night on the lawn outside his sister’s window to intercept the expected visit.

“Winky,” she said, speaking rather low, “is a true name, of course. You really created Winky–called Winky into being.” For to her now this seemed as true and possible as it had seemed to himself at the age of ten.

“Oh, I really loved Winky,” he replied enthusiastically, and was at the same moment surprised to feel her draw away her hand. “Winky lived for years in my very heart.”

And the next thing he knew, after a brief silence between them, was that he heard a sob, and no attempt to smother it either. In less than a second he was beside her and had both her hands in his. He understood in a flash.

“You precious baby,” he cried, “but Winky was a little man. He wasn’t a girl!”

She looked up through her tears–oh, but how wonderful her grey eyes were through tears!–and made him stand still before her and repeat his sentence. And she said, “I know it’s true, but I like to hear you say it, and that’s why I asked you to repeat it.”

“Miriam,” he said to her softly, kneeling down on the heather at her feet, “there’s only one name in my heart, I can tell you that. I heard it sing and sing the moment I came into this house, the very instant I first saw you in that dark passage. I knew perfectly well, ages and ages ago, that one day a girl with your name would come singing into my life to make me complete and happy, but I never believed that she would look as beautiful as you are.” He kissed the two hands he held. “Or that she–would–would think of me as you do,” he stammered in his passion.

And then Miriam, smiling down on him through her tears, bent and kissed his feathery hair, and immediately after was on her knees in front of him among the heather.

“I own you,” she said quite simply. “I know your name, and you know mine. Whatever happens–” But Spinrobin was too happy to hear any more, and putting both arms round her neck, he kissed the rest of her words away into silence.

And in the very middle of this it was that the girl gently, but very firmly, pushed him from her, and Spinrobin in the delicacy of his mind understood that for the first time in her curious, buried life the primitive instincts had awakened, so that she knew herself a woman, and a woman, moreover, who loved.

* * * * *

Thus caught in a bewildering network of curiosity, fear, wonder, and–love, Spinrobin stayed on, and decided further that should the clergyman approve him he would not leave. Yet his intimate relations now with Miriam, instead of making it easier for him to learn the facts, made it on the other hand more difficult. For he could not, of course, make use of her affection to learn secrets that Mr. Skale did not yet wish him to know. And, further, he had no desire to be disloyal either to him. None the less he was sorely tempted to ask her what the final experiment was, and what the ’empty’ rooms contained. And most of all what the great name was they were finally to utter by means of the human chord.

The emotions playing about him at this time, however, were too complicated and too violent to enable him to form a proper judgment of the whole affair. It seems, indeed, that this calmer adjudication never came to him at all, for even to this day the mere mention of the clergyman’s name brings to his round cheeks a flush of that enthusiasm and wonder which are the enemies of all sober discrimination. Skale still remains the great battering force of his life that carried him off his feet towards the stars, and sent his imagination with wings of fire tearing through the Unknown to a goal that once attained should make them all four as gods.

Chapter VII

I

And thus the affair moved nearer to its close. The theory and practice of molding form by means of sound was the next bang at his mind–delivered in the clergyman’s most convincing manner, and, in view of the proofs that soon followed, an experience that seemed to dislocate the very foundations of his visible world, deemed hitherto secure enough at least to stand on.

Had it all consisted merely of talk on Mr. Skale’s part the secretary would have known better what to think. It was the interludes of practical proof that sent his judgment so awry. These definite, sensible results, sandwiched in between all the visionary explanation, left him utterly at sea. He could not reconcile them altogether with hypnotism. He could only, as an ordinary man, already with a bias in the mystical direction, come to the one conclusion that this overwhelming and hierophantic man was actually in touch with cisterns of force so terrific as to be dangerous to what he had hitherto understood to be–life. It was easy enough for the clergyman, in his optimistic enthusiasm, to talk about their leading to a larger life. But what if the experiment failed, and these colossal powers ran amok upon the world–and upon the invokers?

Moreover–chief anxiety of all–what was this name to be experimented with? What was the nature of this force that Skale hoped to invoke–so mighty that it should make them “as gods,” so terrible that a chord alone could compass even the first of its stupendous syllables?

And, further, he was still haunted with the feeling that other “beings” occupied certain portions of the rambling mansion, and more than once recently he had wakened in the night with an idea, carried over from dreams possibly, that the corridor outside his bedroom was moving and alive with footsteps. “From dreams possibly,” for when he went and peered shivering through the narrow crack of the half-opened door, he saw nothing unusual. And another time–he was awake beyond question at the moment, for he had been reading till two o’clock and had but just extinguished the candle–he had heard a sound that he found impossible to describe, but that sent all the blood with a swift rush from the region of his heart. It was not wind; it was not the wood cracking with the frost; it was not snow sliding from the slates outside. It was something that simultaneously filled the entire building, yet sounded particularly loud just outside his door; and it came with the abrupt suddenness of a report. It made him think of all the air in the rooms and halls and passages being withdrawn by immense suction, as though a gigantic dome had been dropped over the building in order to produce a vacuum. And just after it he heard, unmistakably, the long soft stride of Skale going past his door and down the whole length of the corridor–stealthily, very quickly, with the hurry of anxiety or alarm in his silence and his speed.

This, moreover, had now happened twice, so that imagination seemed a far-fetched explanation. And on both occasions the clergyman had remained invisible on the day following until the evening, and had then reappeared, quiet and as usual, but with an atmosphere of immense vibratory force somehow about his person, and a glow in his face and eyes that at moments seemed positively colored.

No word of explanation, however, had as yet been forthcoming of these omens, and Spinrobin waited with what patience he could, meanwhile, for the final test which he knew to be close upon him. And in his diary, the pages usually left blank now because words failed him, he wrote a portion of Anone’s cry that had caught his memory and expressed a little of what he felt:

… for fiery thoughts
Do shape themselves within me, more and more, Whereof I catch the issue, as I hear
Dead sounds at night come from the inmost hills, _Like footsteps upon wool_….

II

It was within three days of the expiration of his trial month that he then had this conversation with the clergyman, which he understood quite well was offered by way of preparation for the bigger tests about to come. He has reported what he could of it; it seemed to him at the time both plausible and absurd; it was of a piece, that is, with the rest of the whole fabulous adventure.

Mr. Skale, as they walked over the snowy moors in the semi-darkness between tea and dinner, had been speaking to him about the practical results obtainable by sound-vibrations (what he already knew for that matter), and how it is possible by fiddling long enough upon a certain note to fiddle down a bridge and split it asunder. From that he passed on to the scientific fact that the ultimate molecules of matter are not only in constant whirring motion, but that also they do not actually touch one another. The atoms composing the point of a pin, for instance, shift and change without ceasing, and–there is space between them.

Then, suddenly taking Spinrobin’s arm, he came closer, his booming tone dropping to a whisper:

“To change the form of anything,” he said in his ear, “is merely to change the arrangement of those dancing molecules, to alter their rate of vibration.” His eyes, even in the obscurity of the dusk, went across the other’s face like flames.

“By means of sound?” asked the other, already beginning to feel eerie.

The clergyman nodded his great head in acquiescence.

“Just as the vibrations of heat-waves,” he said after a pause, “can alter the form of a metal by melting it, so the vibrations of sound can alter the form of a thing by inserting themselves between those whirling molecules and changing their speed and arrangement–change the outline, that is.”

The idea seemed fairly to buffet the little secretary in the face, but Mr. Skale’s proximity was too overpowering to permit of very clear thinking. Feeling that a remark was expected from him, he managed to ejaculate an obvious objection in his mind.

“But is there any sound that can produce vibrations fine and rapid enough–to–er–accomplish such a result?”

Mr. Skale appeared almost to leap for pleasure as he heard it. In reality he merely straightened himself up.

“That,” he cried aloud, to the further astonishment and even alarm of his companion, “is another part of my discovery–an essential particular of it: the production of sound-vibrations fine and rapid enough to alter shapes! Listen and I will tell you!” He lowered his voice again. “I have found out that by uttering the true inner name of anything I can set in motion harmonics–harmonics, note well, half the wave length and twice the frequency!–that are delicate and swift enough to insert themselves between the whirling molecules of any reasonable object–any object, I mean, not too closely or coherently packed. By then swelling or lowering my voice I can alter the scale, size or shape of that object almost indefinitely, its parts nevertheless retaining their normal relative proportions. I can scatter it to a huge scale by separating its molecules indefinitely, or bring them so closely together that the size of the object would be reduced to a practical invisibility!”

“Re-create the world, in fact!” gasped Spinrobin, feeling the earth he knew slipping away under his feet.

Mr. Skale turned upon him and stood still a moment. The huge moors, glimmering pale and unreal beneath their snow, ran past them into the sky–silent forms corresponding to who knows what pedal notes? The wind sighed–audible expression of who shall say what mighty shapes?… Something of the passion of sound, with all its mystery and splendor, entered his heart in that windy sigh. Was anything real? Was anything permanent?… Were Sound and Form merely interchangeable symbols of some deeper uncataloged Reality? And was the visible cohesion after all the illusory thing?

“Re-mold the whole universe, sir!” he roared through the darkness, in a way that made the other wish for the touch of Miriam’s hand to steady him. “I could make you, my dear Spinrobin, immense, tiny, invisible, or by a partial utterance of your name, permanently crooked. I could overwhelm your own vibrations and withdraw their force, as by suction of a vacuum, absorbing yourself into my own being. By uttering the name of this old earth, if I knew it, I could alter its face, toss the forests like green dust into the sea, and lift the pebbles of the seashore to the magnitude of moons! Or, did I know the true name of the sun, I could utter it in such a way as to identify myself with its very being, and so escape the pitiful terrors of a limited personal existence!”

He seized his companion’s arm and began to stride down the mountainside at a terrific pace, almost lifting Spinrobin from his feet as he did so. About the ears of the panting secretary the wild words tore like bullets, whistling a new and dreadful music.

“My dear fellow,” he shouted through the night, “at the Word of Power of a true man the nations would rush into war, or sink suddenly into eternal peace; the mountains be moved into the sea, and the dead arise. To know the sounds behind the manifestations of Nature, the names of mechanical as well as of psychical Forces, of Hebrew angels, as of Christian virtues, is to know Powers that you can call upon at will–and use! Utter them in the true vibratory way and you waken their counterpart in yourself and stir thus mighty psychic powers into activity in your Soul.”

He rained the words down upon the other’s head like a tempest.

“Can you wonder that the walls of Jericho fell flat before a ‘Sound,’ or that the raging waves of the sea lay still before a voice that called their Name? My discovery, Mr. Spinrobin, will run through the world like a purifying fire. For to utter the true names of individuals, families, tribes and nations, will be to call them to the knowledge of their highest Selves, and to lift them into tune with the music of the Voice of God.”

They reached the front door, where the gleam of lamps shone with a homely welcome through the glass panels. The clergyman released his companion’s arm; then bent down towards him and added in a tone that held in it for the first time something of the gravity of death:

“Only remember–that to utter falsely, to pronounce incorrectly, to call a name incompletely, is the beginning of all evil. For it is to lie with the very soul. It is also to evoke forces without the adequate corresponding shape that covers and controls them, and to attract upon yourself the destructive qualities of these Powers–to your own final disintegration and annihilation.”

Spinrobin entered the house, filled with a sense of awe that was cold and terrible, and greater than all his other sensations combined. The winds of fear and ruin blew shrill about his naked soul. None the less he was steadfast. He would remain to bless. Mr. Skale might be violent in mind, unbalanced, possibly mad; but his madness thundered at the doors of heaven, and the sound of that thundering completed the conquest of his admiration. He really believed that when the end came those mighty doors would actually open. And the thought woke a kind of elemental terror in him that was not of this world–yet marvelously attractive.

III

That night the singular rushing sound again disturbed him. It seemed as before to pass through the entire building, but this time it included a greater space in its operations, for he fancied he could hear it outside the house as well, traveling far up into the recesses of the dark mountains. Like the sweep of immense draughts of air it went down the passage and rolled on into the sky, making him think of the clergyman’s suggestion that some sounds might require airwaves of a hundred miles instead of a few inches, too vast to be heard as sound. And shortly after it followed the great gliding stride of Mr. Skale himself down the corridor. That, at least, was unmistakable.

During the following day, moreover, Mr. Skale remained invisible. Spinrobin, of course, had never permitted himself to search the house, or even to examine the other rooms in his own corridor. The quarters where Miriam slept were equally unknown to him. But he was quite certain that these prolonged periods of absence were spent by the clergyman in some remote part of the rambling building where there existed isolated, if not actually secret, rooms in which he practiced the rituals of some dangerous and intrepid worship. And these intimidating and mysterious sounds at night were, of course, something to do with the forces he conjured….

The day was still and windless, the house silent as the grave. He walked about the hills during the afternoon, practicing his Hebrew “Names” and “Words” like a schoolboy learning a lesson. And all about him the slopes of mountain watched him, listening. So did the sheet of snow, shining in the wintry sunlight. The clergyman seemed to have put all sound in his pocket and taken it away with him. The absence of anything approaching noise became almost oppressive. It was a Silence that prepares. Spinrobin went about on tiptoe, spoke to Miriam in whispers, practiced his Names in hushed, expectant tones. He almost expected to see the moors and mountains open their deep sides and let the Sounds of which they were the visible shape escape awfully about him….

In these hours of solitude, all that Skale had told him, and more still that he divined himself, haunted him with a sense of disquieting reality. Inaudible sounds of fearful volume, invisible forms of monstrous character, combinations of both even, impended everywhere about him. He became afraid lest he might stumble, as Skale had done, on the very note that should release them and bring them howling, leaping, crashing about his ears. Therefore, he tried to make himself as small as possible; he muffled steps and voice and personality. If he could, he would have completely disappeared.

He looked forward to Skale’s return, but when evening came he was still alone, and he dined _tete-a-tete_ with Miriam for the first time. And she, too, he noticed, was unusually quiet. Almost they seemed to have entered the world of Mrs. Mawle, the silent regions of the deaf. But for the most part it is probable that these queer impressions were due to the unusual state of Spinrobin’s imagination. He knew that it was his last night in the place–unless the clergyman accepted him; he knew also that Mr. Skale had absented himself with a purpose, and that the said purpose had to do with the test of Alteration of Forms by Sound, which would surely be upon him before the sun rose. So that, one way and another, it was natural enough that his nerves should have been somewhat overtaxed.

The presence of Miriam and Mrs. Mawle, however, did much to soothe him. The latter, indeed, mothered the pair of them quite absurdly, smiling all the time while she moved about softly with the dishes, and doing her best to make them eat enough for four. Between courses she sat at the end of the room, waiting in the shadows till Miriam beckoned to her, and once or twice going so far as to put her hand upon Spinrobin’s shoulder protectively.

His own mind, however, all the time was full of charging visions. He kept thinking of the month just past and of the amazing changes it had brought into his thoughts. He realized, too, now that Mr. Skale was away, something of the lonely and splendid courage of the man, following this terrific, perhaps mad, ideal, day in day out, week in week out, for twenty years and more, his faith never weakening, his belief undaunted. Waves of pity, too, invaded him for the first time–pity for this sweet girl, brought up in ignorance of any other possible world; pity for the deaf old housekeeper, already partially broken, and both sacrificed to the dominant idea of this single, heaven-climbing enthusiast; pity last of all for himself, swept headlong before he had time to reflect, into the audacious purpose of this violent and headstrong super-man.

All manner of emotions stirred now this last evening in his perplexed breast; yet out of the general turmoil one stood forth more clearly than the rest–his proud consciousness that he was taking an important part in something really big at last. Behind the screen of thought and emotion which veiled so puzzlingly the truth, he divined for the first time in his career a golden splendor. If it also terrified him, that was only his cowardice…. In the same way it might be splendid to jump into Niagara just above the falls to snatch a passing flower that seemed more wonderful than any he had seen before, but–!

“Miriam, tomorrow is my last day,” he said suddenly, catching her grey eyes upon him in the middle of his strange reflections. “Tonight may be my last night in this house with you.”

The girl made no reply, merely looking up and smiling at him. But the singing sensation that usually accompanied her gaze was not present.

“That was very nearly–a discord,” she observed presently, referring to his remark. “It was out of tune!” And he realized with a touch of shame what she meant. For it was not true that this was his last evening; he knew really that he would stay on and that Mr. Skale would accept him. Quick as a flash, with her simple intuition, she felt that he had said this merely to coax from her some sign of sympathy or love. And the girl was not to be drawn. She knew quite well that she held him and that their fate, whatever it might be, lay together.

The gentle rebuke made him silent again. They sat there smiling at one another across the table, and old Mrs. Mawle, sitting among the shadows at the far end of the room, her hands crossed in front of her, her white evening cap shining like a halo above her patient face, watched them, also smiling. The rest of the strange meal passed without conversation, for the great silence that all day had wrapped the hills seemed to have invaded the house as well and laid its spell upon every room. A deep hush, listening and expectant, dropped more and more about the building and about themselves.

After dinner they sat for twenty minutes together before the library fire, their toes upon the fender, for, contrary to her habit, Miriam had not vanished at once to her own quarters.

“We’re not alone here,” remarked Spinrobin presently, in a low voice, and she nodded her head to signify agreement. The presence of Mr. Skale when he was in the house but invisible, was often more real and tremendous than when he stood beside them and thundered. Some part of him, some emanation, some potent psychic messenger from his personality, kept them closely company, and tonight the secretary felt it very vividly. His remark was really another effort to keep in close touch with Miriam, even in thought. He needed her more than ever in this sea of silence that was gathering everywhere about him. Gulf upon gulf it rose and folded over him. His anxiety became every moment more acute, and those black serpents of fear that he dreaded were not very far away. By every fiber in his being he felt certain that a test which should shake the very foundations of his psychical life was slowly and remorselessly approaching him.

Yet, though he longed to speak outright and demand of Miriam what she knew, and especially that she should reveal the place of the clergyman’s concealment and what portent it was that required all this dread and muted atmosphere for its preparation, he kept a seal upon his lips, realizing that loyalty forbade, and that the knowledge of her contempt would be even worse than the knowledge of the truth.

And so in due course she rose to go, and as he opened the door for her into the hall, she paused a moment and turned towards him. A sudden inexplicable thrill flashed through him as she turned her eyes upon his face, for he thought at first she was about to speak. He has never forgotten the picture as she stood there so close to his side, the lamplight on her slim figure in its white silk blouse and neat dark skirt, the gloom of the unlit hall and staircase beyond–stood there an instant, then put both her arms about his neck, drew him down to her, and kissed him gently on both cheeks. Twice she kissed him, then was gone into the darkness, so softly that he scarcely heard her steps, and he stood between the shadows and the light, her perfume still lingering, and with it the sweet and magical blessing that she left behind. For that caress, he understood, was the innocent childlike caress of their first days, and with all the power of her loving little soul in it she had given him the message that he craved: “Courage! And keep a brave heart, dear Spinny, _tonight_!”

Chapter VIII

I

Spinrobin lingered a while in the library after Miriam was gone, then feeling slightly ill at ease in the room now that her presence was withdrawn, put the lights out, saw that the windows were properly barred and fastened, and went into the hall on his way to bed.

He looked at the front door, tried the chain, and made sure that both top and bottom bolts were thrown. Why he should have taken these somewhat unusual precautions was not far to seek, though at the moment he could not probably have explained. The desire for protection was awake in his being, and he took these measures of security and defense because it sought to express itself, as it were, even automatically. Spinrobin was afraid.

Up the broad staircase he went softly with his lighted candle, leaving the great hall behind him full to the brim with shadows–shadows that moved and took shape. His own head and shoulders in monstrous outline poured over the walls and upper landings, and thence leaped to the skylight overhead. As he passed the turn in the stairs, the dark contents of the hall below rushed past in a single mass, like an immense extended wing, and settled abruptly at his back, following him thence to the landing.

Once there, he went more quickly, moving on tiptoe, and so reached his own room halfway down. He passed two doors to get there; another two lay beyond; all four, as he believed, being always locked. It was these four rooms that conjured mightily with his imagination always, for these were the rooms he pictured to himself, though without a vestige of proof, as being occupied. It was from the further ones–one or other of them–he believed Mr. Skale came when he had passed down the corridor at two in the morning, stealthily, hurriedly, on the heels of that rush of sound that made him shake in his bed as he heard it.

In his own room, however, surrounded by the familiar and personal objects that reminded him of normal life, he felt more at home. He undressed quickly, all his candles alight, and then sat before the fire in the armchair to read a little before getting into bed.

And he read for choice Hebrew–Hebrew poetry, and on this particular occasion, the books of Job and Ezekiel. For nothing had so soothing and calming an effect upon him as the mighty yet simple imagery of these sonorous stanzas; they invariably took him “out of himself,” or at any rate out of the region of small personal alarms. And thus, letting his fancy roam, it seems, he was delighted to find that gradually the fears which had dominated him during the day and evening disappeared. He passed with the poetry into that region of high adventure which his nature in real life denied him. The verses uplifted him in a way that made his recent timidity seem the mere mood of a moment, or at least negligible. His memory, as one thing suggested another, began to give up its dead, and some of Blake’s drawings, seen recently in London with prodigious effect, began to pass vividly before his mental vision.

The symbolism of what he was reading doubtless suggested the memory. He felt himself caught in the great invisible nets of wonder that forever swept the world. The littleness of modern life, compared to that ancient and profound spirit which sought the permanent things of the soul, haunted him with curious insistence. He suffered a keen, though somewhat mixed realization of his actual insignificance, yet of his potential sublimity could he but identify himself with his ultimate Self in the region of vision…. His soul was aware of finding itself alternately ruffled and exalted as he read … and pondered … as he visualized to some degree the giant Splendors, the wonderful Wheels, the spirit Wings and Faces and all the other symbols of potent imagery evoked by the imagination of that old Hebrew world….

So that when, an hour later, pacified and sleepy, he rose to go to bed, this poetry seems to have left a very marked effect upon his mind–mingled, naturally enough, with the thought of Mr. Skale. For on his way across the floor, having adjusted the fire-screen, he distinctly remembered thinking what a splendid “study” the clergyman would have made for one of Blake’s representations of the Deity–the flowing beard, the great nose, the imposing head and shoulders, the potentialities of the massive striding figure, surrounded by a pictorial suggestion of all the sound-forces he was forever talking about….

This thought was his last, and it was without fear of any kind. Merely, he insists, that his imagination was touched, and in a manner perfectly accountable, considering the ingredients of its contents at the time.

And so he hopped nimbly into bed. On the little table beside him stood the candle and the copy of the Hebrew text he had been reading, with its parallel columns in the two languages. His Jaeger slippers were beneath the chair, his clothes, carefully folded, on the sofa, his collar, studs and necktie in a row on the top of the mahogany chest of drawers. On the mantelpiece stood the glass jar of heather, filled that very day by Miriam. He saw it just as he blew out the candle, and Miriam, accordingly, was the last vision that journeyed with him into the country of dreams and sweet forgetfulness.

The night was perfectly still. Winter, black and hard, lay about the house like an iron wall. No wind stirred. Snow covered the world of mountain and moor outside, and Silence, supreme at midnight, poured all her softest forces upon the ancient building and its occupants. Spinrobin, curled up in the middle of the big four-poster, slept like a tired baby.

II

It was a good deal later when somewhere out of that mass of silence rose the faint beginnings of a sound that stirred first cautiously about the very foundations of the house, and then, mounting inch by inch, through the hall, up the staircase, along the corridor, reached the floor where the secretary slept so peacefully, and finally entered his room. Its muffled tide poured most softly over all. At first only this murmur was audible, as of “footsteps upon wool,” of wind or drifting snow, a mere ghost of sound; but gradually it grew, though still gentle and subdued, until it filled the space from ceiling unto floor, pressing in like water dripping into a cistern with ever-deepening note as its volume increased. The trembling of air in a big belfry where bells have been a-ringing represents best the effect, only it was a trifle sharper in quality–keener, more alive.

But, also, there was something more in it–something gong-like and metallic, yet at the same time oddly and suspiciously human. It held a temper, too, that somehow woke the “panic sense,” as does the hurried note of a drum–some quick emotional timbre that stirs the sleeping outposts of apprehension and alarm. On the other hand, it was constant, neither rising nor falling, and thus ordinarily, it need not have stirred any emotion at all–least of all the emotion of consternation. Yet, there was that in it which struck at the root of security and life. It was a revolutionary sound.

And as it took possession of the room, covering everything with its garment of vibration, it slipped in also, so to speak, between the crevices of the sleeping, unprotected Spinrobin, coloring his dreams–his innocent dreams–with the suggestion of nightmare dread. Of course, he was too deeply wrapped in slumber to receive the faintest intimation of this waking analysis. Otherwise he might, perhaps, have recognized the kind of primitive, ancestral dread his remote forefathers knew when the inexplicable horror of a tidal wave or an eclipse of the sun overwhelmed them with the threatened alteration of their entire known universe.

The sleeping figure in that big four-poster moved a little as the tide of sound played upon it, fidgeting this way and that. The human ball uncoiled, lengthened, straightened out. The head, half hidden by folds of sheet and pillowcase, emerged.

Spinrobin unfolded, then opened his eyes and stared about him, bewildered, in the darkness.

“Who’s there? Is that you–anybody?” he asked in a whisper, the confusion of sleep still about him.

His voice seemed dead and smothered, as though the other sound overwhelmed it. The same instant, more widely awake, he realized that his bedroom was _humming_.

“What’s that? What’s the matter?” he whispered again, wondering uneasily at the noise.

There was no answer. The vague dread transferred itself adroitly from his dream-consciousness to his now thoroughly awakened mind. It began to dawn upon him that something was wrong. He noticed that the fire was out, and the room dark and heavy. He realized dimly the passage of time–a considerable interval of time–and that he must have been asleep several hours. Where was he? _Who_ was he? What, in the name of mystery and night, had been going on during the interval? He began to shake all over–feverishly. Whence came this noise that made everything in the darkness tremble?

As he fumbled hurriedly for the matchbox, his fingers caught in the folds of pillowcase and sheet, and he struggled violently to get them clear again. It was while doing this that the impression first reached him that the room was no longer quite the same. It had changed while he slept. Even in the darkness he felt this, and shuddering pulled the blankets over his head and shoulders, for this idea of the changed room plucked at the center of his heart, where terror lay waiting to leap out upon him.

After what seemed five minutes he found the matchbox and struck a light, and all the time the torrent of sound poured about his ears with such an effect of bewilderment that he hardly realized what he was doing. A strange terror poured into him that _he_ would change with the room. At length the match flared, and while he lit the candle with shaking fingers, he looked wildly, quickly about him. At once the sounds rushed upon him from all directions, burying him, so to speak, beneath vehement vibrations of the air that rained in upon him…. Yes, the room had indeed changed, actually changed … but before he could decide where the difference lay the candle died down to a mere spark, waiting for the wick to absorb the grease. It seemed like half an hour before the yellow tongue grew again, so that he finally saw clearly.

But–saw what? Saw that the room had horribly altered while he slept, yes! But how altered? What in the name of all the world’s deities was the matter with it? The torrent of sound, now growing louder and louder, so confused him at first, and the dancing patchwork of light and shadow the candle threw so increased his bewilderment, that for some minutes he sought in vain to steady his mind to the point of accurate observation.

“God of my Fathers!” cried Spinrobin at last under his breath, and hardly knowing what he said, “if it’s not moving!”

For this, indeed, was what he saw while the candle flame burned steadily upon a room that was no longer quite recognizable.

At first, with the natural exaggeration due to shock, he thought the whole room moved, but as his powers of sight came with time to report more truly, he perceived that this was only true of certain things in it. It was not the ceiling that poured down in fluid form to meet a floor ever gliding and shifting forward into outlandish proportions, but it was certain objects–one here, another there–midway between the two that, having assumed new and unaccustomed outlines, lent to the rest of the chamber a general appearance of movement and an entirely altered expression. And these objects, he perceived, holding tightly to the bedclothes with both hands as he stared, were two: the dark, old-fashioned cupboard on his left, and the plush curtains that draped the window on his right. He himself, and the bed and the rest of the furniture were stationary. The room as a whole stood still, while these two common and familiar articles of household furnishing took on a form and an expression utterly foreign to what he had always known as a cupboard and a curtain. This outline, this expression, moreover, if not actually sinister, was grotesque to the verge of the sinister: monstrous.

The difficulty of making any accurate observation at all was further increased by the perplexity of having to observe two objects, not even on the same side of the room. Their outlines, however, Spinrobin claims, altered very slowly, wavering like the distorted reflections seen in moving water, and unquestionably obeying in some way the pitch and volume of the sound that continued to pour its resonant tide about the room. The sound manipulated the shape; the connection between the two was evident. That, at least, he grasped. Somebody hidden elsewhere in the house–Mr. Skale probably, of course, in one of his secret chambers–was experimenting with the “true names” of these two “common objects,” altering their normal forms by inserting the vibrations of sound between their ultimate molecules.

Only, this simple statement that his clearing mind made to itself in no way accounted for the fascination of horror that accompanied the manifestation. For he recognized it as the joy of horror and not alone the torment. His blood ran swiftly to the rhythm of these humming vibrations that filled the space about him; and his terror, his bewilderment, his curious sense of elation seemed to him as messengers of far more terrific sensations that communicated to him dimly the rushing wonder of some aspect of the Unknown in its ultimate nature essentially beautiful.

This, however, only dawned upon him later, when the experiment was complete and he had time to reflect upon it all next day; for, meanwhile, to see the proportions he had known since childhood alter thus before his eyes was unbelievably dreadful. To see your friend sufficiently himself still to be recognizable, yet in essentials, at the same time, grotesquely altered, would doubtless touch a climax of distress and horror for you. The changing of these two things, so homely and well-known in themselves, into something that was not themselves, involved an idea of destruction that was worse than even death, for it meant that the idea in the mind no longer corresponded to the visible object there before the eyes. The correspondence was no longer a true one. The result was a lie.

To describe the actual forms assumed by these shifting and wavering bodies is not possible, for when Spinrobin gives the details one simply fails to recognize either cupboard or curtain. To say that the dark, lumbering cupboard, standing normally against the wall down there in the shadows, loomed suddenly forward and upward, bent, twisted, and stretched out the whole of one side towards him like a misshapen arm, can convey nothing of the world of new sensations that the little secretary felt while actually watching it in progress in that haunted chamber of Skale’s mansion among the hills. Nor can one be thrilled with the extraordinary sense of wonder that thrilled Spinrobin when he saw the faded plush curtain hang across the window in such a way that it might well have wrapped the whole of Wales into a single fold, yet without extending its skirts beyond the actual walls of the room. For what he saw apparently involved contradictions in words, and the fact is that no description of what he saw is really possible at all.

“Hark! By thunder!” he exclaimed, creeping out of bed with sheer stress of excitement, while the sounds poured up through the floor as though from cellars and tunnels where they lay stored beneath the house. They sang and trembled about him with the menaces of a really exquisite alarm. He moved cautiously out into the center of the room, not daring to approach too close to the affected objects, yet furiously anxious to discover how it was all done. For he was uncommonly “game” through it all, and had himself well in hand from beginning to end. He was really too excited, probably, to feel ordinary fear; it all swept him away too mightily for that; he did not even notice the sting of the hot candle-grease as it fell upon his bare feet.

There he stood, plucky little Spinny, steady amid this shifting world, master of his soul amid dissolution, his hair pointing out like ruffled feathers, his blue eyes wide open and charged with a speechless wonder, his face pale as chalk, lips apart, jaw a trifle dropped, one hand in the pocket of his dressing-gown, and the other holding the candle at an angle that showered grease upon the carpet of the Rev. Philip Skale as well as upon his own ankles. There he stood, face to face with the grotesque horror of familiar outlines gone wrong, the altered panorama of his known world moving about him in a strange riot of sound and form. It was, he understood, an amazing exhibition of the transforming power of sound–of sound playing tricks with the impermanence and the illusion of Form. Skale was making his words good.

And behind the scenes he divined, with a shudder of genuine admiration, the figure of the master of the ceremonies, somehow or other grown colossal, as he had thought of him just before going to sleep–Philip Skale, hidden in the secret places of the building, directing the operations of this dreadful aspect of his revolutionary Discovery…. And yet the thought brought a measure of comfort in its train, for was he not also himself now included in the mighty scheme?… In his mind he saw this giant Skale, with his great limbs and shoulders, his flowing, shaggy beard, his voice of thunder and his portentous speculations, and, so doing, felt himself merged in a larger world that made his own little terrors and anxieties of but small account. Once again the sense of his own insignificance disappeared as he realized that at last he was in the full flood of an adventure that was providing the kind of escape he had always longed for.

Inevitably, then, his thought flew to Miriam, and as he remembered her final word to him a few short hours ago in the hall below, he already felt ashamed of the fear with which he had met the beginning of the “test.” He instantly felt steeped instead in the wonder and power of the whole thing. His mind, though still trembling and shaken, came to rest. He drew, that is, upon the larger powers of the Chord.

And the interesting thing was that the moment this happened he noticed a change begin to come over the room. With extraordinary swiftness the tide of vibration lessened and the sound withdrew; the humming seemed to sink back into the depths of the house; the thrill and delight of his recent terrors fled with it. The air gradually ceased to shake and tremble; the furniture, with a curious final shiver as of spinning coins about to settle, resumed its normal shape. Once more the room, and with it the world, became commonplace and dull. The test apparently was over. He had met it with success.

Spinrobin, holding the candle straight for the first time, turned back towards the bed. He caught a passing glimpse of himself in the mirror as he went–white and scattered he describes his appearance…. He climbed again into bed, blew the candle out, put the matchbox under his pillow within easy reach, and so once more curled himself up into a ball and composed himself to sleep.

Chapter IX

I

But he was hardly settled–there had not even been time to warm the sheets again–when he was aware that the test, instead of being over, was, indeed, but just beginning; and the detail that conveyed this unwelcome knowledge to him, though small enough in itself, was yet fraught with a crowded cargo of new alarms. It was a step upon the staircase, approaching his room.

He heard it the instant he lay still in bed after the shuffling process known generally as “cuddling down.” And he knew that it was approaching because of the assistance the hall clock brought to his bewildered ears. For the hall clock–a big, dignified piece of furniture with a deep note–happened just then to strike the hour of two in the morning, and there was a considerable interval between the two notes. He first heard the step far below in the act of leaving the flagged hall for the staircase; then the clock drowned it with its first stroke, and perhaps a dozen seconds later, when the second stroke had died away, he heard the step again, as it passed from the top of the staircase on to the polished boards of the landing. The owner of the step, meanwhile, had passed up the whole length of the staircase in the interval, and was now coming across the landing in a direct line towards his bedroom door.

“It _is_ a step, I suppose,” it seems he muttered to himself, as with head partially raised above the blankets he listened intently. “It’s a _step_, I mean…?” For the sound was more like a light tapping of a little hammer than an actual step–some hard substance drumming automatically upon the floor, while yet moving in advance. He recognized, however, that there was intelligence behind its movements, because of the sense of direction it displayed, and by the fact that it had turned the sharp corner of the stairs; but the idea presented itself in fugitive fashion to his mind–Heaven alone knows why–that it might be some mechanical contrivance that was worked from the hall by a hand. For the sound was too light to be the tread of a person, yet too “conscious” to be merely a sound of the night operating mechanically. And it was unlike the noise that the feet of any animal would make, any animal that he could think of, that is. A four-footed creature suggested itself to his mind, but without approval.

The puzzling characteristics of the sound, therefore, contradictory as they were, left him utterly perplexed, so that for some little time he could not make up his mind whether to be frightened, interested or merely curious.

This uncertainty, however, lasted but a moment or two at the most, for an appreciable pause outside his door was next followed by a noise of scratching upon the panels, as of hands or paws, and then by the shuffling of some living body that was flattening itself in an attempt to squeeze through the considerable crack between door and flooring, and so to enter the room.

And, hearing it, Spinrobin this time was so petrified with an instantaneous rush of terror, that at first he dared not even move to find the matches again under his pillow.

The pause was dreadful. He longed for brilliant light that should reveal all parts of the room equally, or else for a thick darkness that should conceal him from everything in the world. The uncertain flicker of a single candle playing miserably between the two was the last thing in the world to appeal to him.

And then events crowded too thick and fast for him to recognize any one emotion in particular from all the fire of them passing so swiftly in and out among his hopelessly disorganized thoughts. Terror flashed, but with it flashed also wonder and delight–the audacity of unreflecting courage–and more–even a breathless worship of the powers, knowledge and forces that lifted for him in that little bedroom the vast Transparency that hides from men the Unknown.

It is soon told. For a moment there was silence, and then he knew that the invader had effected an entrance. There was barely time to marvel at the snake-like thinness of the living creature that could avail itself of so narrow a space, when to his amazement he heard the quick patter of feet across the space of boarded flooring next the wall, and then the silence that muffled them as they reached the carpet proper.

Almost at the same second something leaped upon his bed, and there shot swiftly across him a living thing with light, firm tread–a creature, so far as he could form any judgment at all, about the size of a rabbit or a cat. He felt the feet pushing through sheets and blankets upon his body. They were little feet; how many, at that stage, he could not guess. Then he heard the thud as it dropped to the floor upon the other side.

The panic terror that in the dark it would run upon his bare exposed face thus passed; and in that moment of intense relief Spinrobin gripped his soul, so to speak, with both hands and made the effort of his life. Whatever happened now he must have a light, be it only the light of a single miserable candle. In that moment he felt that he would have sacrificed all his hopes of the hereafter to have turned on a flood of searching and brilliant sunshine into every corner of the room–instantaneously. The thought that the creature might jump again upon the bed and touch him before he could see, gave him energy to act.

With dashes of terror shooting through him like spears of ice, he grabbed the matchbox, and after a frenzied entanglement again with sheets and pillow-case, succeeded in breaking four matches in quick succession. They cracked, it seemed to him, like pistol shots, till he half expected that this creature, waiting there in the darkness, must leap out in the direction of the sound to attack him. The fifth lit, and a moment later the candle was burning dimly, but with its usual exasperating leisure and delay. As the flare died down, then gradually rose again, he fairly swallowed the room with a single look, wishing there were eyes all over his body. It was a very faint light. At first he saw nothing, heard nothing–nothing alive, that is.

“I must act! I must do something–at once!” he remembered thinking. For, to wait meant to leave the choice and moment of attack to this other….

Cautiously, and very slowly, therefore, he wriggled to the edge of the bed and slid over, searching with his feet for slippers, but finding none, yet not daring to lower his eyes to look; then stood upright with a sudden rush, shading the candle from his eyes with one hand and peering over it.

As a rule, in moments of overwhelming emotion, the eyes search too eagerly, too furiously, to see properly at all; but this does not seem to have been the case with Spinrobin. The shadows ran about like water and the flickering of the candle-flame dazzled, but there, opposite to him, over by the darkness of the dead fireplace, he saw instantly the small black object that was the immediate cause of his terror. Its actual shape was merged too much in the dark background to be clearly ascertainable, but near the top of it, where presumably the head was, the candle-flame shone reflected in two brilliant points of light that were directed straight upon his face, and he knew that he was looking into the eyes of a living creature that was not the very least on the defensive. It was a living creature, aggressive and unafraid.

For perhaps a couple of minutes–or was it seconds only?–these two beings with the breath of life in them faced one another. Then Spinrobin made a step cautiously in advance; lowering his candle he moved towards it. This he did, partly to see better, partly to protect his bare legs. The idea of protection, however, seems to have been merely instinct, for at once this notion that it might dash forward to attack him was merged in the unaccountable realization of a far grander emotion, as he perceived that this “living creature” facing him was, for all its diminutive size, both dignified and imposing. Something in its atmosphere, something about its mysterious presentment there upon the floor in its dark corner, something, perhaps, that flashed from its brilliant and almost terrible eyes, managed to convey to him that it was clothed with an importance and a significance not attached normally to the animal world. It had “an air.” It bore itself with power, with value, almost with pride.

This incongruous impression bereft him of the sensations of ordinary fear, while it increased the sources of his confusion. Yet it convinced. He knew himself face to face with some form of life that was considerable in the true sense–spiritually. It exercised a fascination over him that was at the moment beyond either explanation or belief.

As he moved, moreover, the little dark object also moved–away from him, as though resenting closer inspection. With action–again unlike the action of any animal he could think of, and essentially dignified–both rapid and nicely calculated, it ran towards the curtains behind. This appearance of something stately that went with it was indefinable and beyond everything impressive; for how in the world could such small proportions and diminutive movements convey grandeur? And again Spinrobin found it impossible to decide precisely how it moved–whether on four legs or on two.

Keeping the two points of light always turned upon him, it shot across the floor, leaped easily upon a chair, passed with a nimble spring from this to a table by the wall, still too much in obscurity to permit a proper view; and then, while the amazed secretary approached cautiously to follow its movements better, it crawled to the edge of the table, and in so doing passed for the first time full across the pale zone of flickering candlelight.

Spinrobin, in that quick second, caught a glimpse of flying hair, and saw that it moved either as a human being or as a bird–on two legs.

The same moment it sprang deftly from the high table to the mantelpiece, turned, stood erect, and looked at him with the whole glare of the light upon its face; and Spinrobin, bereft of all power of intelligible sensation whatever, saw to his unutterable distress that it was–a man. The dignity of its movements had already stirred vaguely his sense of awe, but now the realization beyond doubt of its diminutive _human_ shape added a singularly acute touch of horror; and it was the combination of the two emotions, possibly, that were responsible also for the two remarkable impulses of which he was first conscious: first, a mad desire to strike and kill; secondly, an imperious feeling that he must hide his eyes in some act or other of worship!

And it was then he realized that the man was–Philip Skale!

Mr. Skale, scarcely a foot high, dressed as usual in black, flowing beard, hooked nose, lambent, flashing eyes and all, stood there upon the mantelpiece level with his secretary’s face, not three feet separating them, and–smiled at him. He was small as a Tanagra figure, and in perfect proportion.

It was unspeakably terrible.

II

“Of course–I’m dreaming,” cried Spinrobin, half aloud, half to the figure before him. He searched behind him with one hand for solid support. “You’re a dream thing. It’s some awful trick–God will protect me–!”

Mr. Skale’s tiny lips moved. “No, no,” his voice said, and it sounded as from a great distance. “I’m no dream thing at all, and you are wide awake. Look at me well. I am the man you know–Philip Skale. Look straight into my eyes and be convinced.” Again he smiled his kindly, winning smile. “What you now see is nothing but a result of sounding my true name in a certain way–very softly–to increase the cohesion of my physical molecules and reduce my visible expression. Listen, and watch!”

And Spinrobin, half stupefied, obeyed, feeling that his weakening knees must in another moment give way and precipitate him to the floor. He was utterly unnerved. The onslaught of terror and amazement was overwhelming. For something dreadful beyond all words lay in the sight of this man, whom he was accustomed to reverence in his gigantic everyday shape, here reduced to the stature of a pygmy, yet compelling as ever, terrific even when thus dwarfed. And to hear the voice of thunder that he knew so well come to him disguised within this thin and almost wailing tone, passed equally beyond the limits of what he could feel as emotion or translate into any intelligible words or gesture.

While, therefore, the secretary stood in awful wonder, doing as he was told simply because he could do nothing else, the figure of the clergyman moved with tiny steps to the edge of the mantelpiece, until it seemed as though he meant in another moment to leap on to his companion’s shoulder, or into his arms. At the edge, however, he stopped–the brink of a precipice, to him!–and Spinrobin then became aware that from his moving lips, doll-like though bearded, his voice was issuing with an ever-growing volume of sound and power.

Vibrations of swiftly-increasing depth and wave-length were spreading through the air about him, filling the room from floor to ceiling. What the syllables actually uttered may have been he was too dazed to realize, for no degree of concentration was possible to his mind at all; he only knew that, before his smarting eyes, with this rising of the voice to its old dominant inflexion, the figure of Mr. Philip Skale grew likewise, indescribably; swelled, rose, spread upwards and outwards, but with the parts ever passing slowly in consistent inter-relation, from minute to minute. He became, always in perfect proportion, magnified and extended. The growing form, moreover, kept pace exactly, and most beautifully, with the increasing tide of sonorous vibration that flooded himself, its utterer and the whole room.

Spinrobin, it seems, had just sufficient self-control left to realize that this sound was similar in quality to that which had first awakened him and caused the outlines of the furniture to alter, when the sight of Mr. Skale’s form changing thus terribly before his eyes, and within the touch of his very hand, became too much for him altogether….

What precisely happened he never knew. The sounds first enveloped him, then drove him backwards with a sense of immense applied resistance. He collapsed upon the sofa a few feet behind him, as though irresistibly pushed. The power that impelled him charged vehemently through the little room till it seemed the walls must burst asunder to give it scope, while the sounds rose to such a volume that he figured himself drowned and overpowered by their mighty vibrations as by the storm swells of the Atlantic. Before he lost them as sound he seems thus to have been aware of them as moving waves of air…. The next thing he took in was that amid the waste of silence that now followed his inability to hear, the figure of Philip Skale towered aloft towards the ceiling, till it seemed positively to occupy all the available space in the room about him.

Had he dropped upon the floor instead of upon the sofa it is probable that at this point Spinrobin would have lost consciousness, at any rate for a period; but that sofa, which luckily for his bones was so close behind, galvanized him sharply back into some measure of self-control again. Being provided with powerful springs, it shot him up into the air, whence he relapsed with a series of smaller bounds into a normal sitting posture. Still holding the lighted candle as best he could, the little secretary bounced upon that sofa like a tennis ball. And the violent motion shook him into himself, as it were. His tottering universe struggled back into shape once more. He remembered vaguely that all this was somehow a test of his courage and fitness. And this thought, strengthened by a law of his temperament which forced him to welcome the sweet, mad terror of the whole adventure, helped to call out the reserves of his failing courage.

He bounced upon his feet again–those bare feet plastered with candle grease–and, turning his head, saw the clergyman, of incredible stature, yet still apparently increasing, already over by the door. He was turning the key with a hand the size–O horror!–of Spinrobin’s breast. The next moment his vast stooping body filled the entire entrance, blotting out whole portions of the walls on either side, then was gone from the room.

Leaving the candlestick on the sofa, his heart aflame with a fearful ecstasy of curiosity, he dashed across the floor in pursuit, but Mr. Skale, silently and with the swiftness of a river, was already down the stairs before he had covered half the distance.

Through the framework of the door Spinrobin saw this picture:

Skale, like some awful Cyclops, stood upon the floor of the hall some twenty feet below, yet rearing terrifically up through the well of the building till his head and shoulders alone seemed to fill the entire space beneath the skylight. Though his feet rested unquestionably upon the ground, his face, huge as a planet in the sky, rose looming and half lighted above the banisters of this second storey, his tangled locks