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“The queer, I guess,” said Harry. “Or else he’s one of Jerome’s men. Or some guy with a new graft. He’s too much hayseed. Maybe that his–I wonder now–oh, no, it couldn’t have been real money.”

Haylocks wandered on. Thirst probably assailed him again, for he dived into a dark groggery on a side street and bought beer. At first sight of him their eyes brightened; but when his insistent and exaggerated rusticity became apparent their expressions changed to wary suspicion.

Haylocks swung his valise across the bar.

“Keep that a while for me, mister,” he said, chewing at the end of a virulent claybank cigar. “I’ll be back after I knock around a spell. And keep your eye on it, for there’s $950 inside of it, though maybe you wouldn’t think so to look at me.”

Somewhere outside a phonograph struck up a band piece, and Haylocks was off for it, his coat-tail buttons flopping in the middle of his back.

“Divvy, Mike,” said the men hanging upon the bar, winking openly at one another.

“Honest, now,” said the bartender, kicking the valise to one side. “You don’t think I’d fall to that, do you? Anybody can see he ain’t no jay. One of McAdoo’s come-on squad, I guess. He’s a shine if he made himself up. There ain’t no parts of the country now where they dress like that since they run rural free delivery to Providence, Rhode Island. If he’s got nine-fifty in that valise it’s a ninety-eight cent Waterbury that’s stopped at ten minutes to ten.”

When Haylocks had exhausted the resources of Mr. Edison to amuse he returned for his valise. And then down Broadway he gallivanted, culling the sights with his eager blue eyes. But still and evermore Broadway rejected him with curt glances and sardonic smiles. He was the oldest of the “gags” that the city must endure. He was so flagrantly impossible, so ultra rustic, so exaggerated beyond the most freakish products of the barnyard, the hayfield and the vaudeville stage, that he excited only weariness and suspicion. And the wisp of hay in his hair was so genuine, so fresh and redolent of the meadows, so clamorously rural that even a shell-game man would have put up his peas and folded his table at the sight of it.

Haylocks seated himself upon a flight of stone steps and once more exhumed his roll of yellow-backs from the valise. The outer one, a twenty, he shucked off and beckoned to a newsboy.

“Son,” said he, “run somewhere and get this changed for me. I’m mighty nigh out of chicken feed. I guess you’ll get a nickel if you’ll hurry up.”

A hurt look appeared through the dirt on the newsy’s face.

“Aw, watchert’ink! G’wan and get yer funny bill changed yerself. Dey ain’t no farm clothes yer got on. G’wan wit yer stage money.”

On a corner lounged a keen-eyed steerer for a gambling-house. He saw Haylocks, and his expression suddenly grew cold and virtuous.

“Mister,” said the rural one. “I’ve heard of places in this here town where a fellow could have a good game of old sledge or peg a card at keno. I got $950 in this valise, and I come down from old Ulster to see the sights. Know where a fellow could get action on about $9 or $10? I’m goin’ to have some sport, and then maybe I’ll buy out a business of some kind.”

The steerer looked pained, and investigated a white speck on his left forefinger nail.

“Cheese it, old man,” he murmured, reproachfully. “The Central Office must be bughouse to send you out looking like such a gillie. You couldn’t get within two blocks of a sidewalk crap game in them Tony Pastor props. The recent Mr. Scotty from Death Valley has got you beat a crosstown block in the way of Elizabethan scenery and mechanical accessories. Let it be skiddoo for yours. Nay, I know of no gilded halls where one may bet a patrol wagon on the ace.”

Rebuffed once again by the great city that is so swift to detect artificialities, Haylocks sat upon the curb and presented his thoughts to hold a conference.

“It’s my clothes,” said he; “durned if it ain’t. They think I’m a hayseed and won’t have nothin’ to do with me. Nobody never made fun of this hat in Ulster County. I guess if you want folks to notice you in New York you must dress up like they do.”

So Haylocks went shopping in the bazaars where men spake through their noses and rubbed their hands and ran the tape line ecstatically over the bulge in his inside pocket where reposed a red nubbin of corn with an even number of rows. And messengers bearing parcels and boxes streamed to his hotel on Broadway within the lights of Long Acre.

At 9 o’clock in the evening one descended to the sidewalk whom Ulster County would have foresworn. Bright tan were his shoes; his hat the latest block. His light gray trousers were deeply creased; a gay blue silk handkerchief flapped from the breast pocket of his elegant English walking coat. His collar might have graced a laundry window; his blond hair was trimmed close; the wisp of hay was gone.

For an instant he stood, resplendent, with the leisurely air of a boulevardier concocting in his mind the route for his evening pleasures. And then he turned down the gay, bright street with the easy and graceful tread of a millionaire.

But in the instant that he had paused the wisest and keenest eyes in the city had enveloped him in their field of vision. A stout man with gray eyes picked two of his friends with a lift of his eyebrows from the row of loungers in front of the hotel.

“The juiciest jay I’ve seen in six months,” said the man with gray eyes. “Come along.”

It was half-past eleven when a man galloped into the West Forty-seventh Street Police Station with the story of his wrongs.

“Nine hundred and fifty dollars,” he gasped, “all my share of grandmother’s farm.”

The desk sergeant wrung from him the name Jabez Bulltongue, of Locust Valley farm, Ulster County, and then began to take descriptions of the strong-arm gentlemen.

When Conant went to see the editor about the fate of his poem, he was received over the head of the office boy into the inner office that is decorated with the statuettes by Rodin and J. G. Brown.

“When I read the first line of ‘The Doe and the Brook,'” said the editor, “I knew it to be the work of one whose life has been heart to heart with Nature. The finished art of the line did not blind me to that fact. To use a somewhat homely comparison, it was as if a wild, free child of the woods and fields were to don the garb of fashion and walk down Broadway. Beneath the apparel the man would show.”

“Thanks,” said Conant. “I suppose the check will be round on Thursday, as usual.”

The morals of this story have somehow gotten mixed. You can take your choice of “Stay on the Farm” or “Don’t Write Poetry.”

VII

THE ROBE OF PEACE

Mysteries follow one another so closely in a great city that the reading public and the friends of Johnny Bellchambers have ceased to marvel at his sudden and unexplained disappearance nearly a year ago. This particular mystery has now been cleared up, but the solution is so strange and incredible to the mind of the average man that only a select few who were in close touch with Bellchambers will give it full credence.

Johnny Bellchambers, as is well known, belonged to the intrinsically inner circle of the _élite_. Without any of the ostentation of the fashionable ones who endeavor to attract notice by eccentric display of wealth and show he still was _au fait_ in everything that gave deserved lustre to his high position in the ranks of society.

Especially did he shine in the matter of dress. In this he was the despair of imitators. Always correct, exquisitely groomed, and possessed of an unlimited wardrobe, he was conceded to be the best-dressed man in New York, and, therefore, in America. There was not a tailor in Gotham who would not have deemed it a precious boon to have been granted the privilege of making Bellchambers’ clothes without a cent of pay. As he wore them, they would have been a priceless advertisement. Trousers were his especial passion. Here nothing but perfection would he notice. He would have worn a patch as quickly as he would have overlooked a wrinkle. He kept a man in his apartments always busy pressing his ample supply. His friends said that three hours was the limit of time that he would wear these garments without exchanging.

Bellchambers disappeared very suddenly. For three days his absence brought no alarm to his friends, and then they began to operate the usual methods of inquiry. All of them failed. He had left absolutely no trace behind. Then the search for a motive was instituted, but none was found. He had no enemies, he had no debts, there was no woman. There were several thousand dollars in his bank to his credit. He had never showed any tendency toward mental eccentricity; in fact, he was of a particularly calm and well-balanced temperament. Every means of tracing the vanished man was made use of, but without avail. It was one of those cases–more numerous in late years–where men seem to have gone out like the flame of a candle, leaving not even a trail of smoke as a witness.

In May, Tom Eyres and Lancelot Gilliam, two of Bellchambers’ old friends, went for a little run on the other side. While pottering around in Italy and Switzerland, they happened, one day, to hear of a monastery in the Swiss Alps that promised something outside of the ordinary tourist-beguiling attractions. The monastery was almost inaccessible to the average sightseer, being on an extremely rugged and precipitous spur of the mountains. The attractions it possessed but did not advertise were, first, an exclusive and divine cordial made by the monks that was said to far surpass benedictine and chartreuse. Next a huge brass bell so purely and accurately cast that it had not ceased sounding since it was first rung three hundred years ago. Finally, it was asserted that no Englishman had ever set foot within its walls. Eyres and Gilliam decided that these three reports called for investigation.

It took them two days with the aid of two guides to reach the monastery of St. Gondrau. It stood upon a frozen, wind-swept crag with the snow piled about it in treacherous, drifting masses. They were hospitably received by the brothers whose duty it was to entertain the infrequent guest. They drank of the precious cordial, finding it rarely potent and reviving. They listened to the great, ever-echoing bell, and learned that they were pioneer travelers, in those gray stone walls, over the Englishman whose restless feet have trodden nearly every corner of the earth.

At three o’clock on the afternoon they arrived, the two young Gothamites stood with good Brother Cristofer in the great, cold hallway of the monastery to watch the monks march past on their way to the refectory. They came slowly, pacing by twos, with their heads bowed, treading noiselessly with sandaled feet upon the rough stone flags. As the procession slowly filed past, Eyres suddenly gripped Gilliam by the arm. “Look,” he whispered, eagerly, “at the one just opposite you now–the one on this side, with his hand at his waist–if that isn’t Johnny Bellchambers then I never saw him!”

Gilliam saw and recognized the lost glass of fashion.

“What the deuce,” said he, wonderingly, “is old Bell doing here? Tommy, it surely can’t be he! Never heard of Bell having a turn for the religious. Fact is, I’ve heard him say things when a four-in-hand didn’t seem to tie up just right that would bring him up for court-martial before any church.”

“It’s Bell, without a doubt,” said Eyres, firmly, “or I’m pretty badly in need of an oculist. But think of Johnny Bellchambers, the Royal High Chancellor of swell togs and the Mahatma of pink teas, up here in cold storage doing penance in a snuff-colored bathrobe! I can’t get it straight in my mind. Let’s ask the jolly old boy that’s doing the honors.”

Brother Cristofer was appealed to for information. By that time the monks had passed into the refectory. He could not tell to which one they referred. Bellchambers? Ah, the brothers of St. Gondrau abandoned their worldly names when they took the vows. Did the gentlemen wish to speak with one of the brothers? If they would come to the refectory and indicate the one they wished to see, the reverend abbot in authority would, doubtless, permit it.

Eyres and Gilliam went into the dining hall and pointed out to Brother Cristofer the man they had seen. Yes, it was Johnny Bellchambers. They saw his face plainly now, as he sat among the dingy brothers, never looking up, eating broth from a coarse, brown bowl.

Permission to speak to one of the brothers was granted to the two travelers by the abbot, and they waited in a reception room for him to come. When he did come, treading softly in his sandals, both Eyres and Gilliam looked at him in perplexity and astonishment. It was Johnny Bellchambers, but he had a different look. Upon his smooth-shaven face was an expression of ineffable peace, of rapturous attainment, of perfect and complete happiness. His form was proudly erect, his eyes shone with a serene and gracious light. He was as neat and well-groomed as in the old New York days, but how differently was he clad! Now he seemed clothed in but a single garment–a long robe of rough brown cloth, gathered by a cord at the waist, and falling in straight, loose folds nearly to his feet. He shook hands with his visitors with his old ease and grace of manner. If there was any embarrassment in that meeting it was not manifested by Johnny Bellchambers. The room had no seats; they stood to converse.

“Glad to see you, old man,” said Eyres, somewhat awkwardly. “Wasn’t expecting to find you up here. Not a bad idea though, after all. Society’s an awful sham. Must be a relief to shake the giddy whirl and retire to–er–contemplation and–er–prayer and hymns, and those things.

“Oh, cut that, Tommy,” said Bellchambers, cheerfully. “Don’t be afraid that I’ll pass around the plate. I go through these thing-um-bobs with the rest of these old boys because they are the rules. I’m Brother Ambrose here, you know. I’m given just ten minutes to talk to you fellows. That’s rather a new design in waistcoats you have on, isn’t it, Gilliam? Are they wearing those things on Broadway now?”

“It’s the same old Johnny,” said Gilliam, joyfully. “What the devil–I mean why– Oh, confound it! what did you do it for, old man?”

“Peel the bathrobe,” pleaded Eyres, almost tearfully, “and go back with us. The old crowd’ll go wild to see you. This isn’t in your line, Bell. I know half a dozen girls that wore the willow on the quiet when you shook us in that unaccountable way. Hand in your resignation, or get a dispensation, or whatever you have to do to get a release from this ice factory. You’ll get catarrh here, Johnny–and– My God! you haven’t any socks on!”

Bellchambers looked down at his sandaled feet and smiled.

“You fellows don’t understand,” he said, soothingly. “It’s nice of you to want me to go back, but the old life will never know me again. I have reached here the goal of all my ambitions. I am entirely happy and contented. Here I shall remain for the remainder of my days. You see this robe that I wear?” Bellchambers caressingly touched the straight-hanging garment: “At last I have found something that will not bag at the knees. I have attained–“

At that moment the deep boom of the great brass bell reverberated through the monastery. It must have been a summons to immediate devotions, for Brother Ambrose bowed his head, turned and left the chamber without another word. A slight wave of his hand as he passed through the stone doorway seemed to say a farewell to his old friends. They left the monastery without seeing him again.

And this is the story that Tommy Eyres and Lancelot Gilliam brought back with them from their latest European tour.

VIII

THE GIRL AND THE GRAFT

The other day I ran across my old friend Ferguson Pogue. Pogue is a conscientious grafter of the highest type. His headquarters is the Western Hemisphere, and his line of business is anything from speculating in town lots on the Great Staked Plains to selling wooden toys in Connecticut, made by hydraulic pressure from nutmegs ground to a pulp.

Now and then when Pogue has made a good haul he comes to New York for a rest. He says the jug of wine and loaf of bread and Thou in the wilderness business is about as much rest and pleasure to him as sliding down the bumps at Coney would be to President Taft. “Give me,” says Pogue, “a big city for my vacation. Especially New York. I’m not much fond of New Yorkers, and Manhattan is about the only place on the globe where I don’t find any.”

While in the metropolis Pogue can always be found at one of two places. One is a little second-hand book-shop on Fourth Avenue, where he reads books about his hobbies, Mahometanism and taxidermy. I found him at the other–his hall bedroom in Eighteenth Street–where he sat in his stocking feet trying to pluck “The Banks of the Wabash” out of a small zither. Four years he has practised this tune without arriving near enough to cast the longest trout line to the water’s edge. On the dresser lay a blued-steel Colt’s forty-five and a tight roll of tens and twenties large enough around to belong to the spring rattlesnake-story class. A chambermaid with a room-cleaning air fluttered nearby in the hall, unable to enter or to flee, scandalized by the stocking feet, aghast at the Colt’s, yet powerless, with her metropolitan instincts, to remove herself beyond the magic influence of the yellow-hued roll.

I sat on his trunk while Ferguson Pogue talked. No one could be franker or more candid in his conversation. Beside his expression the cry of Henry James for lacteal nourishment at the age of one month would have seemed like a Chaldean cryptogram. He told me stories of his profession with pride, for he considered it an art. And I was curious enough to ask him whether he had known any women who followed it.

“Ladies?” said Pogue, with Western chivalry. “Well, not to any great extent. They don’t amount to much in special lines of graft, because they’re all so busy in general lines. What? Why, they have to. Who’s got the money in the world? The men. Did you ever know a man to give a woman a dollar without any consideration? A man will shell out his dust to another man free and easy and gratis. But if he drops a penny in one of the machines run by the Madam Eve’s Daughters’ Amalgamated Association and the pineapple chewing gum don’t fall out when he pulls the lever you can hear him kick to the superintendent four blocks away. Man is the hardest proposition a woman has to go up against. He’s the low-grade one, and she has to work overtime to make him pay. Two times out of five she’s salted. She can’t put in crushers and costly machinery. He’d notice ’em and be onto the game. They have to pan out what they get, and it hurts their tender hands. Some of ’em are natural sluice troughs and can carry out $1,000 to the ton. The dry-eyed ones have to depend on signed letters, false hair, sympathy, the kangaroo walk, cowhide whips, ability to cook, sentimental juries, conversational powers, silk underskirts, ancestry, rouge, anonymous letters, violet sachet powders, witnesses, revolvers, pneumatic forms, carbolic acid, moonlight, cold cream and the evening newspapers.”

“You are outrageous, Ferg,” I said. “Surely there is none of this ‘graft’ as you call it, in a perfect and harmonious matrimonial union!”

“Well,” said Pogue, “nothing that would justify you every time in calling Police Headquarters and ordering out the reserves and a vaudeville manager on a dead run. But it’s this way: Suppose you’re a Fifth Avenue millionaire, soaring high, on the right side of copper and cappers.

“You come home at night and bring a $9,000,000 diamond brooch to the lady who’s staked you for a claim. You hand it over. She says, ‘Oh, George!’ and looks to see if it’s backed. She comes up and kisses you. You’ve waited for it. You get it. All right. It’s graft.

“But I’m telling you about Artemisia Blye. She was from Kansas and she suggested corn in all of its phases. Her hair was as yellow as the silk; her form was as tall and graceful as a stalk in the low grounds during a wet summer; her eyes were as big and startling as bunions, and green was her favorite color.

“On my last trip into the cool recesses of your sequestered city I met a human named Vaucross. He was worth–that is, he had a million. He told me he was in business on the street. ‘A sidewalk merchant?’ says I, sarcastic. ‘Exactly,’ says he, ‘Senior partner of a paving concern.’

“I kind of took to him. For this reason, I met him on Broadway one night when I was out of heart, luck, tobacco and place. He was all silk hat, diamonds and front. He was all front. If you had gone behind him you would have only looked yourself in the face. I looked like a cross between Count Tolstoy and a June lobster. I was out of luck. I had–but let me lay my eyes on that dealer again.

“Vaucross stopped and talked to me a few minutes and then he took me to a high-toned restaurant to eat dinner. There was music, and then some Beethoven, and Bordelaise sauce, and cussing in French, and frangipangi, and some hauteur and cigarettes. When I am flush I know them places.

“I declare, I must have looked as bad as a magazine artist sitting there without any money and my hair all rumpled like I was booked to read a chapter from ‘Elsie’s School Days’ at a Brooklyn Bohemian smoker. But Vaucross treated me like a bear hunter’s guide. He wasn’t afraid of hurting the waiter’s feelings.

“‘Mr. Pogue,’ he explains to me, ‘I am using you.’

“‘Go on,’ says I; ‘I hope you don’t wake up.’

“And then he tells me, you know, the kind of man he was. He was a New Yorker. His whole ambition was to be noticed. He wanted to be conspicuous. He wanted people to point him out and bow to him, and tell others who he was. He said it had been the desire of his life always. He didn’t have but a million, so he couldn’t attract attention by spending money. He said he tried to get into public notice one time by planting a little public square on the east side with garlic for free use of the poor; but Carnegie heard of it, and covered it over at once with a library in the Gaelic language. Three times he had jumped in the way of automobiles; but the only result was five broken ribs and a notice in the papers that an unknown man, five feet ten, with four amalgam-filled teeth, supposed to be the last of the famous Red Leary gang had been run over.

“‘Ever try the reporters,’ I asked him.

“‘Last month,’ says Mr. Vaucross, ‘my expenditure for lunches to reporters was $124.80.’

“‘Get anything out of that?’ I asks.

“‘That reminds me,’ says he; ‘add $8.50 for pepsin. Yes, I got indigestion.’

“‘How am I supposed to push along your scramble for prominence?’ I inquires. ‘Contrast?’

“‘Something of that sort to-night,’ says Vaucross. ‘It grieves me; but I am forced to resort to eccentricity.’ And here he drops his napkin in his soup and rises up and bows to a gent who is devastating a potato under a palm across the room.

“‘The Police Commissioner,’ says my climber, gratified. ‘Friend’, says I, in a hurry, ‘have ambitions but don’t kick a rung out of your ladder. When you use me as a stepping stone to salute the police you spoil my appetite on the grounds that I may be degraded and incriminated. Be thoughtful.’

“At the Quaker City squab en casserole the idea about Artemisia Blye comes to me.

“‘Suppose I can manage to get you in the papers,’ says I–‘a column or two every day in all of ’em and your picture in most of ’em for a week. How much would it be worth to you?’

“‘Ten thousand dollars,’ says Vaucross, warm in a minute. ‘But no murder,’ says he; ‘and I won’t wear pink pants at a cotillon.’

“‘I wouldn’t ask you to,’ says I. ‘This is honorable, stylish and uneffeminate. Tell the waiter to bring a demi tasse and some other beans, and I will disclose to you the opus moderandi.’

“We closed the deal an hour later in the rococo rouge et noise room. I telegraphed that night to Miss Artemisia in Salina. She took a couple of photographs and an autograph letter to an elder in the Fourth Presbyterian Church in the morning, and got some transportation and $80. She stopped in Topeka long enough to trade a flashlight interior and a valentine to the vice-president of a trust company for a mileage book and a package of five-dollar notes with $250 scrawled on the band.

“The fifth evening after she got my wire she was waiting, all décolletée and dressed up, for me and Vaucross to take her to dinner in one of these New York feminine apartment houses where a man can’t get in unless he plays bezique and smokes depilatory powder cigarettes.

“‘She’s a stunner,’ says Vaucross when he saw her. ‘They’ll give her a two-column cut sure.’

“This was the scheme the three of us concocted. It was business straight through. Vaucross was to rush Miss Blye with all the style and display and emotion he could for a month. Of course, that amounted to nothing as far as his ambitions were concerned. The sight of a man in a white tie and patent leather pumps pouring greenbacks through the large end of a cornucopia to purchase nutriment and heartsease for tall, willowy blondes in New York is as common a sight as blue turtles in delirium tremens. But he was to write her love letters–the worst kind of love letters, such as your wife publishes after you are dead–every day. At the end of the month he was to drop her, and she would bring suit for $100,000 for breach of promise.

“Miss Artemisia was to get $10,000. If she won the suit that was all; and if she lost she was to get it anyhow. There was a signed contract to that effect.

“Sometimes they had me out with ’em, but not often. I couldn’t keep up to their style. She used to pull out his notes and criticize them like bills of lading.

“‘Say, you!’ she’d say. ‘What do you call this–letter to a Hardware Merchant from His Nephew on Learning that His Aunt Has Nettlerash? You Eastern duffers know as much about writing love letters as a Kansas grasshopper does about tugboats. “My dear Miss Blye!”–wouldn’t that put pink icing and a little red sugar bird on your bridal cake? How long do you expect to hold an audience in a court-room with that kind of stuff? You want to get down to business, and call me “Tweedlums Babe” and “Honeysuckle,” and sign yourself “Mama’s Own Big Bad Puggy Wuggy Boy” if you want any limelight to concentrate upon your sparse gray hairs. Get sappy.’

“After that Vaucross dipped his pen in the indelible tabasco. His notes read like something or other in the original. I could see a jury sitting up, and women tearing one another’s hats to hear ’em read. And I could see piling up for Mr. Vaucross as much notoriousness as Archbishop Cranmer or the Brooklyn Bridge or cheese-on-salad ever enjoyed. He seemed mighty pleased at the prospects.

“They agreed on a night; and I stood on Fifth Avenue outside a solemn restaurant and watched ’em. A process-server walked in and handed Vaucross the papers at his table. Everybody looked at ’em; and he looked as proud as Cicero. I went back to my room and lit a five-cent cigar, for I knew the $10,000 was as good as ours.

“About two hours later somebody knocked at my door. There stood Vaucross and Miss Artemisia, and she was clinging–yes, sir, clinging–to his arm. And they tells me they’d been out and got married. And they articulated some trivial cadences about love and such. And they laid down a bundle on the table and said ‘Good night’ and left.

“And that’s why I say,” concluded Ferguson Pogue, “that a woman is too busy occupied with her natural vocation and instinct of graft such as is given her for self-preservation and amusement to make any great success in special lines.”

“What was in the bundle that they left?” I asked, with my usual curiosity.

“Why,” said Ferguson, “there was a scalper’s railroad ticket as far as Kansas City and two pairs of Mr. Vaucross’s old pants.”

IX

THE CALL OF THE TAME

When the inauguration was accomplished–the proceedings were made smooth by the presence of the Rough Riders–it is well known that a herd of those competent and loyal ex-warriors paid a visit to the big city. The newspaper reporters dug out of their trunks the old broad-brimmed hats and leather belts that they wear to North Beach fish fries, and mixed with the visitors. No damage was done beyond the employment of the wonderful plural “tenderfeet” in each of the scribe’s stories. The Westerners mildly contemplated the skyscrapers as high as the third story, yawned at Broadway, hunched down in the big chairs in hotel corridors, and altogether looked as bored and dejected as a member of Ye Ancient and Honorable Artillery separated during a sham battle from his valet.

Out of this sightseeing delegations of good King Teddy’s Gentlemen of the Royal Bear-hounds dropped one Greenbrier Nye, of Pin Feather, Ariz.

The daily cyclone of Sixth Avenue’s rush hour swept him away from the company of his pardners true. The dust from a thousand rustling skirts filled his eyes. The mighty roar of trains rushing across the sky deafened him. The lightning-flash of twice ten hundred beaming eyes confused his vision.

The storm was so sudden and tremendous that Greenbrier’s first impulse was to lie down and grab a root. And then he remembered that the disturbance was human, and not elemental; and he backed out of it with a grin into a doorway.

The reporters had written that but for the wide-brimmed hats the West was not visible upon these gauchos of the North. Heaven sharpen their eyes! The suit of black diagonal, wrinkled in impossible places; the bright blue four-in-hand, factory tied; the low, turned-down collar, pattern of the days of Seymour and Blair, white glazed as the letters on the window of the open-day-and-night-except-Sunday restaurants; the out-curve at the knees from the saddle grip; the peculiar spread of the half-closed right thumb and fingers from the stiff hold upon the circling lasso; the deeply absorbed weather tan that the hottest sun of Cape May can never equal; the seldom-winking blue eyes that unconsciously divided the rushing crowds into fours, as though they were being counted out of a corral; the segregated loneliness and solemnity of expression, as of an Emperor or of one whose horizons have not intruded upon him nearer than a day’s ride–these brands of the West were set upon Greenbrier Nye. Oh, yes; he wore a broad-brimmed hat, gentle reader–just like those the Madison Square Post Office mail carriers wear when they go up to Bronx Park on Sunday afternoons.

Suddenly Greenbrier Nye jumped into the drifting herd of metropolitan cattle, seized upon a man, dragged him out of the stream and gave him a buffet upon his collar-bone that sent him reeling against a wall.

The victim recovered his hat, with the angry look of a New Yorker who has suffered an outrage and intends to write to the Trib. about it. But he looked at his assailant, and knew that the blow was in consideration of love and affection after the manner of the West, which greets its friends with contumely and uproar and pounding fists, and receives its enemies in decorum and order, such as the judicious placing of the welcoming bullet demands.

“God in the mountains!” cried Greenbrier, holding fast to the foreleg of his cull. “Can this be Longhorn Merritt?”

The other man was–oh, look on Broadway any day for the pattern–business man–latest rolled-brim derby–good barber, business, digestion and tailor.

“Greenbrier Nye!” he exclaimed, grasping the hand that had smitten him. “My dear fellow! So glad to see you! How did you come to–oh, to be sure–the inaugural ceremonies–I remember you joined the Rough Riders. You must come and have luncheon with me, of course.”

Greenbrier pinned him sadly but firmly to the wall with a hand the size, shape and color of a McClellan saddle.

“Longy,” he said, in a melancholy voice that disturbed traffic, “what have they been doing to you? You act just like a citizen. They done made you into an inmate of the city directory. You never made no such Johnny Branch execration of yourself as that out on the Gila. ‘Come and have lunching with me!’ You never defined grub by any such terms of reproach in them days.”

“I’ve been living in New York seven years,” said Merritt. “It’s been eight since we punched cows together in Old Man Garcia’s outfit. Well, let’s go to a café, anyhow. It sounds good to hear it called ‘grub’ again.”

They picked their way through the crowd to a hotel, and drifted, as by a natural law, to the bar.

“Speak up,” invited Greenbrier.

“A dry Martini,” said Merritt.

“Oh, Lord!” cried Greenbrier; “and yet me and you once saw the same pink Gila monsters crawling up the walls of the same hotel in Cañon Diablo! A dry–but let that pass. Whiskey straight–and they’re on you.”

Merritt smiled, and paid.

They lunched in a small extension of the dining room that connected with the café. Merritt dexterously diverted his friend’s choice, that hovered over ham and eggs, to a purée of celery, a salmon cutlet, a partridge pie and a desirable salad.

“On the day,” said Greenbrier, grieved and thunderous, “when I can’t hold but one drink before eating when I meet a friend I ain’t seen in eight years at a 2 by 4 table in a thirty-cent town at 1 o’clock on the third day of the week, I want nine broncos to kick me forty times over a 640-acre section of land. Get them statistics?”

“Right, old man,” laughed Merritt. “Waiter, bring an absinthe frappé and–what’s yours, Greenbrier?”

“Whiskey straight,” mourned Nye. “Out of the neck of a bottle you used to take it, Longy–straight out of the neck of a bottle on a galloping pony–Arizona redeye, not this ab–oh, what’s the use? They’re on you.”

Merritt slipped the wine card under his glass.

“All right. I suppose you think I’m spoiled by the city. I’m as good a Westerner as you are, Greenbrier; but, somehow, I can’t make up my mind to go back out there. New York is comfortable–comfortable. I make a good living, and I live it. No more wet blankets and riding herd in snowstorms, and bacon and cold coffee, and blowouts once in six months for me. I reckon I’ll hang out here in the future. We’ll take in the theatre to-night, Greenbrier, and after that we’ll dine at–“

“I’ll tell you what you are, Merritt,” said Greenbrier, laying one elbow in his salad and the other in his butter. “You are a concentrated, effete, unconditional, short-sleeved, gotch-eared Miss Sally Walker. God made you perpendicular and suitable to ride straddle and use cuss words in the original. Wherefore you have suffered his handiwork to elapse by removing yourself to New York and putting on little shoes tied with strings, and making faces when you talk. I’ve seen you rope and tie a steer in 42 1/2. If you was to see one now you’d write to the Police Commissioner about it. And these flapdoodle drinks that you inoculate your system with–these little essences of cowslip with acorns in ’em, and paregoric flip–they ain’t anyways in assent with the cordiality of manhood. I hate to see you this way.”

“Well, Mr. Greenbrier,” said Merritt, with apology in his tone, “in a way you are right. Sometimes I do feel like I was being raised on the bottle. But, I tell you, New York is comfortable–comfortable. There’s something about it–the sights and the crowds, and the way it changes every day, and the very air of it that seems to tie a one-mile-long stake rope around a man’s neck, with the other end fastened somewhere about Thirty-fourth Street. I don’t know what it is.”

“God knows,” said Greenbrier sadly, “and I know. The East has gobbled you up. You was venison, and now you’re veal. You put me in mind of a japonica in a window. You’ve been signed, sealed and diskivered. Requiescat in hoc signo. You make me thirsty.”

“A green chartreuse here,” said Merritt to the waiter.

“Whiskey straight,” sighed Greenbrier, “and they’re on you, you renegade of the round-ups.”

“Guilty, with an application for mercy,” said Merritt. “You don’t know how it is, Greenbrier. It’s so comfortable here that–“

“Please loan me your smelling salts,” pleaded Greenbrier. “If I hadn’t seen you once bluff three bluffers from Mazatzal City with an empty gun in Phoenix–“

Greenbrier’s voice died away in pure grief.

“Cigars!” he called harshly to the waiter, to hide his emotion.

“A pack of Turkish cigarettes for mine,” said Merritt.

“They’re on you,” chanted Greenbrier, struggling to conceal his contempt.

At seven they dined in the Where-to-Dine-Well column.

That evening a galaxy had assembled there. Bright shone the lights o’er fair women and br–let it go, anyhow–brave men. The orchestra played charmingly. Hardly had a tip from a diner been placed in its hands by a waiter when it would burst forth into soniferousness. The more beer you contributed to it the more Meyerbeer it gave you. Which is reciprocity.

Merritt put forth exertions on the dinner. Greenbrier was his old friend, and he liked him. He persuaded him to drink a cocktail.

“I take the horehound tea,” said Greenbrier, “for old times’ sake. But I’d prefer whiskey straight. They’re on you.”

“Right!” said Merritt. “Now, run your eye down that bill of fare and see if it seems to hitch on any of these items.”

“Lay me on my lava bed!” said Greenbrier, with bulging eyes. “All these specimens of nutriment in the grub wagon! What’s this? Horse with the heaves? I pass. But look along! Here’s truck for twenty round-ups all spelled out in different directions. Wait till I see.”

The viands ordered, Merritt turned to the wine list.

“This Medoc isn’t bad,” he suggested.

“You’re the doc,” said Greenbrier. “I’d rather have whiskey straight. It’s on you.”

Greenbrier looked around the room. The waiter brought things and took dishes away. He was observing. He saw a New York restaurant crowd enjoying itself.

“How was the range when you left the Gila?” asked Merritt.

“Fine,” said Greenbrier. “You see that lady in the red speckled silk at that table. Well, she could warm over her beans at my campfire. Yes, the range was good. She looks as nice as a white mustang I see once on Black River.”

When the coffee came, Greenbrier put one foot on the seat of the chair next to him.

“You said it was a comfortable town, Longy,” he said, meditatively. “Yes, it’s a comfortable town. It’s different from the plains in a blue norther. What did you call that mess in the crock with the handle, Longy? Oh, yes, squabs in a cash roll. They’re worth the roll. That white mustang had just such a way of turning his head and shaking his mane–look at her, Longy. If I thought I could sell out my ranch at a fair price, I believe I’d–

“Gyar–song!” he suddenly cried, in a voice that paralyzed every knife and fork in the restaurant.

The waiter dived toward the table.

“Two more of them cocktail drinks,” ordered Greenbrier.

Merritt looked at him and smiled significantly.

“They’re on me,” said Greenbrier, blowing a puff of smoke to the ceiling.

X

THE UNKNOWN QUANTITY

The poet Longfellow–or was it Confucius, the inventor of wisdom?–remarked:

“Life is real, life is earnest;
And things are not what they seem.”

As mathematics are–or is: thanks, old subscriber!–the only just rule by which questions of life can be measured, let us, by all means, adjust our theme to the straight edge and the balanced column of the great goddess Two-and-Two-Makes-Four. Figures–unassailable sums in addition–shall be set over against whatever opposing element there may be.

A mathematician, after scanning the above two lines of poetry, would say: “Ahem! young gentlemen, if we assume that X plus–that is, that life is real–then things (all of which life includes) are real. Anything that is real is what it seems. Then if we consider the proposition that ‘things are not what they seem,’ why–“

But this is heresy, and not poesy. We woo the sweet nymph Algebra; we would conduct you into the presence of the elusive, seductive, pursued, satisfying, mysterious X.

Not long before the beginning of this century, Septimus Kinsolving, an old New Yorker, invented an idea. He originated the discovery that bread is made from flour and not from wheat futures. Perceiving that the flour crop was short, and that the Stock Exchange was having no perceptible effect on the growing wheat, Mr. Kinsolving cornered the flour market.

The result was that when you or my landlady (before the war she never had to turn her hand to anything; Southerners accommodated) bought a five-cent loaf of bread you laid down an additional two cents, which went to Mr. Kinsolving as a testimonial to his perspicacity.

A second result was that Mr. Kinsolving quit the game with $2,000,000 prof–er–rake-off.

Mr. Kinsolving’s son Dan was at college when the mathematical experiment in breadstuffs was made. Dan came home during vacation, and found the old gentleman in a red dressing-gown reading “Little Dorrit” on the porch of his estimable red brick mansion in Washington Square. He had retired from business with enough extra two-cent pieces from bread buyers to reach, if laid side by side, fifteen times around the earth and lap as far as the public debt of Paraguay.

Dan shook hands with his father, and hurried over to Greenwich Village to see his old high-school friend, Kenwitz. Dan had always admired Kenwitz. Kenwitz was pale, curly-haired, intense, serious, mathematical, studious, altruistic, socialistic, and the natural foe of oligarchies. Kenwitz had foregone college, and was learning watch-making in his father’s jewelry store. Dan was smiling, jovial, easy-tempered and tolerant alike of kings and ragpickers. The two foregathered joyously, being opposites. And then Dan went back to college, and Kenwitz to his mainsprings–and to his private library in the rear of the jewelry shop.

Four years later Dan came back to Washington Square with the accumulations of B. A. and two years of Europe thick upon him. He took a filial look at Septimus Kinsolving’s elaborate tombstone in Greenwood and a tedious excursion through typewritten documents with the family lawyer; and then, feeling himself a lonely and hopeless millionaire, hurried down to the old jewelry store across Sixth Avenue.

Kenwitz unscrewed a magnifying glass from his eye, routed out his parent from a dingy rear room, and abandoned the interior of watches for outdoors. He went with Dan, and they sat on a bench in Washington Square. Dan had not changed much; he was stalwart, and had a dignity that was inclined to relax into a grin. Kenwitz was more serious, more intense, more learned, philosophical and socialistic.

“I know about it now,” said Dan, finally. “I pumped it out of the eminent legal lights that turned over to me poor old dad’s collections of bonds and boodle. It amounts to $2,000,000, Ken. And I am told that he squeezed it out of the chaps that pay their pennies for loaves of bread at little bakeries around the corner. You’ve studied economics, Dan, and you know all about monopolies, and the masses, and octopuses, and the rights of laboring people. I never thought about those things before. Football and trying to be white to my fellow-man were about the extent of my college curriculum.

“But since I came back and found out how dad made his money I’ve been thinking. I’d like awfully well to pay back those chaps who had to give up too much money for bread. I know it would buck the line of my income for a good many yards; but I’d like to make it square with ’em. Is there any way it can be done, old Ways and Means?”

Kenwitz’s big black eyes glowed fierily. His thin, intellectual face took on almost a sardonic cast. He caught Dan’s arm with the grip of a friend and a judge.

“You can’t do it!” he said, emphatically. “One of the chief punishments of you men of ill-gotten wealth is that when you do repent you find that you have lost the power to make reparation or restitution. I admire your good intentions, Dan, but you can’t do anything. Those people were robbed of their precious pennies. It’s too late to remedy the evil. You can’t pay them back”

“Of course,” said Dan, lighting his pipe, “we couldn’t hunt up every one of the duffers and hand ’em back the right change. There’s an awful lot of ’em buying bread all the time. Funny taste they have–I never cared for bread especially, except for a toasted cracker with the Roquefort. But we might find a few of ’em and chuck some of dad’s cash back where it came from. I’d feel better if I could. It seems tough for people to be held up for a soggy thing like bread. One wouldn’t mind standing a rise in broiled lobsters or deviled crabs. Get to work and think, Ken. I want to pay back all of that money I can.”

“There are plenty of charities,” said Kenwitz, mechanically.

“Easy enough,” said Dan, in a cloud of smoke. “I suppose I could give the city a park, or endow an asparagus bed in a hospital. But I don’t want Paul to get away with the proceeds of the gold brick we sold Peter. It’s the bread shorts I want to cover, Ken.”

The thin fingers of Kenwitz moved rapidly.

“Do you know how much money it would take to pay back the losses of consumers during that corner in flour?” he asked.

“I do not.” said Dan, stoutly. “My lawyer tells me that I have two millions.”

“If you had a hundred millions,” said Kenwitz, vehemently, “you couldn’t repair a thousandth part of the damage that has been done. You cannot conceive of the accumulated evils produced by misapplied wealth. Each penny that was wrung from the lean purses of the poor reacted a thousandfold to their harm. You do not understand. You do not see how hopeless is your desire to make restitution. Not in a single instance can it be done.”

“Back up, philosopher!” said Dan. “The penny has no sorrow that the dollar cannot heal.”

“Not in one instance,” repeated Kenwitz. “I will give you one, and let us see. Thomas Boyne had a little bakery over there in Varick Street. He sold bread to the poorest people. When the price of flour went up he had to raise the price of bread. His customers were too poor to pay it, Boyne’s business failed and he lost his $1,000 capital–all he had in the world.”

Dan Kinsolving struck the park bench a mighty blow with his fist.

“I accept the instance,” he cried. “Take me to Boyne. I will repay his thousand dollars and buy him a new bakery.”

“Write your check,” said Kenwitz, without moving, “and then begin to write checks in payment of the train of consequences. Draw the next one for $50,000. Boyne went insane after his failure and set fire to the building from which he was about to be evicted. The loss amounted to that much. Boyne died in an asylum.”

“Stick to the instance,” said Dan. “I haven’t noticed any insurance companies on my charity list.”

“Draw your next check for $100,000,” went on Kenwitz. “Boyne’s son fell into bad ways after the bakery closed, and was accused of murder. He was acquitted last week after a three years’ legal battle, and the state draws upon taxpayers for that much expense.”

“Back to the bakery!” exclaimed Dan, impatiently. “The Government doesn’t need to stand in the bread line.”

“The last item of the instance is–come and I will show you,” said Kenwitz, rising.

The Socialistic watchmaker was happy. He was a millionaire-baiter by nature and a pessimist by trade. Kenwitz would assure you in one breath that money was but evil and corruption, and that your brand-new watch needed cleaning and a new ratchet-wheel.

He conducted Kinsolving southward out of the square and into ragged, poverty-haunted Varick Street. Up the narrow stairway of a squalid brick tenement he led the penitent offspring of the Octopus. He knocked on a door, and a clear voice called to them to enter.

In that almost bare room a young woman sat sewing at a machine. She nodded to Kenwitz as to a familiar acquaintance. One little stream of sunlight through the dingy window burnished her heavy hair to the color of an ancient Tuscan’s shield. She flashed a rippling smile at Kenwitz and a look of somewhat flustered inquiry.

Kinsolving stood regarding her clear and pathetic beauty in heart-throbbing silence. Thus they came into the presence of the last item of the Instance.

“How many this week, Miss Mary?” asked the watchmaker. A mountain of coarse gray shirts lay upon the floor.

“Nearly thirty dozen,” said the young woman cheerfully. “I’ve made almost $4. I’m improving, Mr. Kenwitz. I hardly know what to do with so much money.” Her eyes turned, brightly soft, in the direction of Dan. A little pink spot came out on her round, pale cheek.

Kenwitz chuckled like a diabolic raven.

“Miss Boyne,” he said, “let me present Mr. Kinsolving, the son of the man who put bread up five years ago. He thinks he would like to do something to aid those who where inconvenienced by that act.”

The smile left the young woman’s face. She rose and pointed her forefinger toward the door. This time she looked Kinsolving straight in the eye, but it was not a look that gave delight.

The two men went down Varick Street. Kenwitz, letting all his pessimism and rancor and hatred of the Octopus come to the surface, gibed at the moneyed side of his friend in an acrid torrent of words. Dan appeared to be listening, and then turned to Kenwitz and shook hands with him warmly.

“I’m obliged to you, Ken, old man,” he said, vaguely–“a thousand times obliged.”

“Mein Gott! you are crazy!” cried the watchmaker, dropping his spectacles for the first time in years.

Two months afterward Kenwitz went into a large bakery on lower Broadway with a pair of gold-rimmed eyeglasses that he had mended for the proprietor.

A lady was giving an order to a clerk as Kenwitz passed her.

“These loaves are ten cents,” said the clerk.

“I always get them at eight cents uptown,” said the lady. “You need not fill the order. I will drive by there on my way home.”

The voice was familiar. The watchmaker paused.

“Mr. Kenwitz!” cried the lady, heartily. “How do you do?”

Kenwitz was trying to train his socialistic and economic comprehension on her wonderful fur boa and the carriage waiting outside.

“Why, Miss Boyne!” he began.

“Mrs. Kinsolving,” she corrected. “Dan and I were married a month ago.”

XI

THE THING’S THE PLAY

Being acquainted with a newspaper reporter who had a couple of free passes, I got to see the performance a few nights ago at one of the popular vaudeville houses.

One of the numbers was a violin solo by a striking-looking man not much past forty, but with very gray thick hair. Not being afflicted with a taste for music, I let the system of noises drift past my ears while I regarded the man.

“There was a story about that chap a month or two ago,” said the reporter. “They gave me the assignment. It was to run a column and was to be on the extremely light and joking order. The old man seems to like the funny touch I give to local happenings. Oh, yes, I’m working on a farce comedy now. Well, I went down to the house and got all the details; but I certainly fell down on that job. I went back and turned in a comic write-up of an east side funeral instead. Why? Oh, I couldn’t seem to get hold of it with my funny hooks, somehow. Maybe you could make a one-act tragedy out of it for a curtain-raiser. I’ll give you the details.”

After the performance my friend, the reporter, recited to me the facts over the Würzburger.

“I see no reason,” said I, when he had concluded, “why that shouldn’t make a rattling good funny story. Those three people couldn’t have acted in a more absurd and preposterous manner if they had been real actors in a real theatre. I’m really afraid that all the stage is a world, anyhow, and all the players men and women. ‘The thing’s the play,’ is the way I quote Mr. Shakespeare.”

“Try it,” said the reporter.

“I will,” said I; and I did, to show him how he could have made a humorous column of it for his paper.

There stands a house near Abingdon Square. On the ground floor there has been for twenty-five years a little store where toys and notions and stationery are sold.

One night twenty years ago there was a wedding in the rooms above the store. The Widow Mayo owned the house and store. Her daughter Helen was married to Frank Barry. John Delaney was best man. Helen was eighteen, and her picture had been printed in a morning paper next to the headlines of a “Wholesale Female Murderess” story from Butte, Mont. But after your eye and intelligence had rejected the connection, you seized your magnifying glass and read beneath the portrait her description as one of a series of Prominent Beauties and Belles of the lower west side.

Frank Barry and John Delaney were “prominent” young beaux of the same side, and bosom friends, whom you expected to turn upon each other every time the curtain went up. One who pays his money for orchestra seats and fiction expects this. That is the first funny idea that has turned up in the story yet. Both had made a great race for Helen’s hand. When Frank won, John shook his hand and congratulated him–honestly, he did.

After the ceremony Helen ran upstairs to put on her hat. She was getting married in a traveling dress. She and Frank were going to Old Point Comfort for a week. Downstairs the usual horde of gibbering cave-dwellers were waiting with their hands full of old Congress gaiters and paper bags of hominy.

Then there was a rattle of the fire-escape, and into her room jumps the mad and infatuated John Delaney, with a damp curl drooping upon his forehead, and made violent and reprehensible love to his lost one, entreating her to flee or fly with him to the Riviera, or the Bronx, or any old place where there are Italian skies and _dolce far niente_.

It would have carried Blaney off his feet to see Helen repulse him. With blazing and scornful eyes she fairly withered him by demanding whatever he meant by speaking to respectable people that way.

In a few moments she had him going. The manliness that had possessed him departed. He bowed low, and said something about “irresistible impulse” and “forever carry in his heart the memory of”–and she suggested that he catch the first fire-escape going down.

“I will away,” said John Delaney, “to the furthermost parts of the earth. I cannot remain near you and know that you are another’s. I will to Africa, and there amid other scenes strive to for–“

“For goodness sake, get out,” said Helen. “Somebody might come in.”

He knelt upon one knee, and she extended him one white hand that he might give it a farewell kiss.

Girls, was this choice boon of the great little god Cupid ever vouchsafed you–to have the fellow you want hard and fast, and have the one you don’t want come with a damp curl on his forehead and kneel to you and babble of Africa and love which, in spite of everything, shall forever bloom, an amaranth, in his heart? To know your power, and to feel the sweet security of your own happy state; to send the unlucky one, broken-hearted, to foreign climes, while you congratulate yourself as he presses his last kiss upon your knuckles, that your nails are well manicured–say, girls, it’s galluptious–don’t ever let it get by you.

And then, of course–how did you guess it?–the door opened and in stalked the bridegroom, jealous of slow-tying bonnet strings.

The farewell kiss was imprinted upon Helen’s hand, and out of the window and down the fire-escape sprang John Delaney, Africa bound.

A little slow music, if you please–faint violin, just a breath in the clarinet and a touch of the ‘cello. Imagine the scene. Frank, white-hot, with the cry of a man wounded to death bursting from him. Helen, rushing and clinging to him, trying to explain. He catches her wrists and tears them from his shoulders–once, twice, thrice he sways her this way and that–the stage manager will show you how–and throws her from him to the floor a huddled, crushed, moaning thing. Never, he cries, will he look upon her face again, and rushes from the house through the staring groups of astonished guests.

And, now because it is the Thing instead of the Play, the audience must stroll out into the real lobby of the world and marry, die, grow gray, rich, poor, happy or sad during the intermission of twenty years which must precede the rising of the curtain again.

Mrs. Barry inherited the shop and the house. At thirty-eight she could have bested many an eighteen-year-old at a beauty show on points and general results. Only a few people remembered her wedding comedy, but she made of it no secret. She did not pack it in lavender or moth balls, nor did she sell it to a magazine.

One day a middle-aged money-making lawyer, who bought his legal cap and ink of her, asked her across the counter to marry him.

“I’m really much obliged to you,” said Helen, cheerfully, “but I married another man twenty years ago. He was more a goose than a man, but I think I love him yet. I have never seen him since about half an hour after the ceremony. Was it copying ink that you wanted or just writing fluid?”

The lawyer bowed over the counter with old-time grace and left a respectful kiss on the back of her hand. Helen sighed. Parting salutes, however romantic, may be overdone. Here she was at thirty-eight, beautiful and admired; and all that she seemed to have got from her lovers were approaches and adieus. Worse still, in the last one she had lost a customer, too.

Business languished, and she hung out a Room to Let card. Two large rooms on the third floor were prepared for desirable tenants. Roomers came, and went regretfully, for the house of Mrs. Barry was the abode of neatness, comfort and taste.

One day came Ramonti, the violinist, and engaged the front room above. The discord and clatter uptown offended his nice ear; so a friend had sent him to this oasis in the desert of noise.

Ramonti, with his still youthful face, his dark eyebrows, his short, pointed, foreign, brown beard, his distinguished head of gray hair, and his artist’s temperament–revealed in his light, gay and sympathetic manner–was a welcome tenant in the old house near Abingdon Square.

Helen lived on the floor above the store. The architecture of it was singular and quaint. The hall was large and almost square. Up one side of it, and then across the end of it ascended an open stairway to the floor above. This hall space she had furnished as a sitting room and office combined. There she kept her desk and wrote her business letters; and there she sat of evenings by a warm fire and a bright red light and sewed or read. Ramonti found the atmosphere so agreeable that he spent much time there, describing to Mrs. Barry the wonders of Paris, where he had studied with a particularly notorious and noisy fiddler.

Next comes lodger No. 2, a handsome, melancholy man in the early 40’s, with a brown, mysterious beard, and strangely pleading, haunting eyes. He, too, found the society of Helen a desirable thing. With the eyes of Romeo and Othello’s tongue, he charmed her with tales of distant climes and wooed her by respectful innuendo.

From the first Helen felt a marvelous and compelling thrill in the presence of this man. His voice somehow took her swiftly back to the days of her youth’s romance. This feeling grew, and she gave way to it, and it led her to an instinctive belief that he had been a factor in that romance. And then with a woman’s reasoning (oh, yes, they do, sometimes) she leaped over common syllogisms and theory, and logic, and was sure that her husband had come back to her. For she saw in his eyes love, which no woman can mistake, and a thousand tons of regret and remorse, which aroused pity, which is perilously near to love requited, which is the _sine qua non_ in the house that Jack built.

But she made no sign. A husband who steps around the corner for twenty years and then drops in again should not expect to find his slippers laid out too conveniently near nor a match ready lighted for his cigar. There must be expiation, explanation, and possibly execration. A little purgatory, and then, maybe, if he were properly humble, he might be trusted with a harp and crown. And so she made no sign that she knew or suspected.

And my friend, the reporter, could see nothing funny in this! Sent out on an assignment to write up a roaring, hilarious, brilliant joshing story of–but I will not knock a brother–let us go on with the story.

One evening Ramonti stopped in Helen’s hall-office-reception-room and told his love with the tenderness and ardor of the enraptured artist. His words were a bright flame of the divine fire that glows in the heart of a man who is a dreamer and doer combined.

“But before you give me an answer,” he went on, before she could accuse him of suddenness, “I must tell you that ‘Ramonti’ is the only name I have to offer you. My manager gave me that. I do not know who I am or where I came from. My first recollection is of opening my eyes in a hospital. I was a young man, and I had been there for weeks. My life before that is a blank to me. They told me that I was found lying in the street with a wound on my head and was brought there in an ambulance. They thought I must have fallen and struck my head upon the stones. There was nothing to show who I was. I have never been able to remember. After I was discharged from the hospital, I took up the violin. I have had success. Mrs. Barry–I do not know your name except that–I love you; the first time I saw you I realized that you were the one woman in the world for me–and”–oh, a lot of stuff like that.

Helen felt young again. First a wave of pride and a sweet little thrill of vanity went all over her; and then she looked Ramonti in the eyes, and a tremendous throb went through her heart. She hadn’t expected that throb. It took her by surprise. The musician had become a big factor in her life, and she hadn’t been aware of it.

“Mr. Ramonti,” she said sorrowfully (this was not on the stage, remember; it was in the old home near Abingdon Square), “I’m awfully sorry, but I’m a married woman.”

And then she told him the sad story of her life, as a heroine must do, sooner or later, either to a theatrical manager or to a reporter.

Ramonti took her hand, bowed low and kissed it, and went up to his room.

Helen sat down and looked mournfully at her hand. Well she might. Three suitors had kissed it, mounted their red roan steeds and ridden away.

In an hour entered the mysterious stranger with the haunting eyes. Helen was in the willow rocker, knitting a useless thing in cotton-wool. He ricocheted from the stairs and stopped for a chat. Sitting across the table from her, he also poured out his narrative of love. And then he said: “Helen, do you not remember me? I think I have seen it in your eyes. Can you forgive the past and remember the love that has lasted for twenty years? I wronged you deeply–I was afraid to come back to you–but my love overpowered my reason. Can you, will you, forgive me?”

Helen stood up. The mysterious stranger held one of her hands in a strong and trembling clasp.

There she stood, and I pity the stage that it has not acquired a scene like that and her emotions to portray.

For she stood with a divided heart. The fresh, unforgettable, virginal love for her bridegroom was hers; the treasured, sacred, honored memory of her first choice filled half her soul. She leaned to that pure feeling. Honor and faith and sweet, abiding romance bound her to it. But the other half of her heart and soul was filled with something else–a later, fuller, nearer influence. And so the old fought against the new.

And while she hesitated, from the room above came the soft, racking, petitionary music of a violin. The hag, music, bewitches some of the noblest. The daws may peck upon one’s sleeve without injury, but whoever wears his heart upon his tympanum gets it not far from the neck.

This music and the musician caller her, and at her side honor and the old love held her back.

“Forgive me,” he pleaded.

“Twenty years is a long time to remain away from the one you say you love,” she declared, with a purgatorial touch.

“How could I tell?” he begged. “I will conceal nothing from you. That night when he left I followed him. I was mad with jealousy. On a dark street I struck him down. He did not rise. I examined him. His head had struck a stone. I did not intend to kill him. I was mad with love and jealousy. I hid near by and saw an ambulance take him away. Although you married him, Helen–“

“_Who Are You?_” cried the woman, with wide-open eyes, snatching her hand away.

“Don’t you remember me, Helen–the one who has always loved you best? I am John Delaney. If you can forgive–“

But she was gone, leaping, stumbling, hurrying, flying up the stairs toward the music and him who had forgotten, but who had known her for his in each of his two existences, and as she climbed up she sobbed, cried and sang: “Frank! Frank! Frank!”

Three mortals thus juggling with years as though they were billiard balls, and my friend, the reporter, couldn’t see anything funny in it!

XII

A RAMBLE IN APHASIA

My wife and I parted on that morning in precisely our usual manner. She left her second cup of tea to follow me to the front door. There she plucked from my lapel the invisible strand of lint (the universal act of woman to proclaim ownership) and bade me to take care of my cold. I had no cold. Next came her kiss of parting–the level kiss of domesticity flavored with Young Hyson. There was no fear of the extemporaneous, of variety spicing her infinite custom. With the deft touch of long malpractice, she dabbed awry my well-set scarf pin; and then, as I closed the door, I heard her morning slippers pattering back to her cooling tea.

When I set out I had no thought or premonition of what was to occur. The attack came suddenly.

For many weeks I had been toiling, almost night and day, at a famous railroad law case that I won triumphantly but a few days previously. In fact, I had been digging away at the law almost without cessation for many years. Once or twice good Doctor Volney, my friend and physician, had warned me.

“If you don’t slacken up, Bellford,” he said, “you’ll go suddenly to pieces. Either your nerves or your brain will give way. Tell me, does a week pass in which you do not read in the papers of a case of aphasia–of some man lost, wandering nameless, with his past and his identity blotted out–and all from that little brain clot made by overwork or worry?”

“I always thought,” said I, “that the clot in those instances was really to be found on the brains of the newspaper reporters.”

Doctor Volney shook his head.

“The disease exists,” he said. “You need a change or a rest. Court-room, office and home–there is the only route you travel. For recreation you–read law books. Better take warning in time.”

“On Thursday nights,” I said, defensively, “my wife and I play cribbage. On Sundays she reads to me the weekly letter from her mother. That law books are not a recreation remains yet to be established.”

That morning as I walked I was thinking of Doctor Volney’s words. I was feeling as well as I usually did–possibly in better spirits than usual.

I woke with stiff and cramped muscles from having slept long on the incommodious seat of a day coach. I leaned my head against the seat and tried to think. After a long time I said to myself: “I must have a name of some sort.” I searched my pockets. Not a card; not a letter; not a paper or monogram could I find. But I found in my coat pocket nearly $3,000 in bills of large denomination. “I must be some one, of course,” I repeated to myself, and began again to consider.

The car was well crowded with men, among whom, I told myself, there must have been some common interest, for they intermingled freely, and seemed in the best good humor and spirits. One of them–a stout, spectacled gentleman enveloped in a decided odor of cinnamon and aloes–took the vacant half of my seat with a friendly nod, and unfolded a newspaper. In the intervals between his periods of reading, we conversed, as travelers will, on current affairs. I found myself able to sustain the conversation on such subjects with credit, at least to my memory. By and by my companion said:

“You are one of us, of course. Fine lot of men the West sends in this time. I’m glad they held the convention in New York; I’ve never been East before. My name’s R. P. Bolder–Bolder & Son, of Hickory Grove, Missouri.”

Though unprepared, I rose to the emergency, as men will when put to it. Now must I hold a christening, and be at once babe, parson and parent. My senses came to the rescue of my slower brain. The insistent odor of drugs from my companion supplied one idea; a glance at his newspaper, where my eye met a conspicuous advertisement, assisted me further.

“My name,” said I, glibly, “is Edward Pinkhammer. I am a druggist, and my home is in Cornopolis, Kansas.”

“I knew you were a druggist,” said my fellow traveler, affably. “I saw the callous spot on your right forefinger where the handle of the pestle rubs. Of course, you are a delegate to our National Convention.”

“Are all these men druggists?” I asked, wonderingly.

“They are. This car came through from the West. And they’re your old-time druggists, too–none of your patent tablet-and-granule pharmashootists that use slot machines instead of a prescription desk. We percolate our own paregoric and roll our own pills, and we ain’t above handling a few garden seeds in the spring, and carrying a side line of confectionery and shoes. I tell you Hampinker, I’ve got an idea to spring on this convention–new ideas is what they want. Now, you know the shelf bottles of tartar emetic and Rochelle salt Ant. et Pot. Tart. and Sod. et Pot. Tart.–one’s poison, you know, and the other’s harmless. It’s easy to mistake one label for the other. Where do druggists mostly keep ’em? Why, as far apart as possible, on different shelves. That’s wrong. I say keep ’em side by side, so when you want one you can always compare it with the other and avoid mistakes. Do you catch the idea?”

“It seems to me a very good one,” I said.

“All right! When I spring it on the convention you back it up. We’ll make some of these Eastern orange-phosphate-and-massage-cream professors that think they’re the only lozenges in the market look like hypodermic tablets.”

“If I can be of any aid,” I said, warming, “the two bottles of–er–“

“Tartrate of antimony and potash, and tartrate of soda and potash.”

“Shall henceforth sit side by side,” I concluded, firmly.

“Now, there’s another thing,” said Mr. Bolder. “For an excipient in manipulating a pill mass which do you prefer–the magnesia carbonate or the pulverised glycerrhiza radix?”

“The–er–magnesia,” I said. It was easier to say than the other word.

Mr. Bolder glanced at me distrustfully through his spectacles.

“Give me the glycerrhiza,” said he. “Magnesia cakes.”

“Here’s another one of these fake aphasia cases,” he said, presently, handing me his newspaper, and laying his finger upon an article. “I don’t believe in ’em. I put nine out of ten of ’em down as frauds. A man gets sick of his business and his folks and wants to have a good time. He skips out somewhere, and when they find him he pretends to have lost his memory–don’t know his own name, and won’t even recognize the strawberry mark on his wife’s left shoulder. Aphasia! Tut! Why can’t they stay at home and forget?”

I took the paper and read, after the pungent headlines, the following:

“DENVER, June 12.–Elwyn C. Bellford, a prominent lawyer, is mysteriously missing from his home since three days ago, and all efforts to locate him have been in vain. Mr. Bellford is a well-known citizen of the highest standing, and has enjoyed a large and lucrative law practice. He is married and owns a fine home and the most extensive private library in the State. On the day of his disappearance, he drew quite a large sum of money from his bank. No one can be found who saw him after he left the bank. Mr. Bellford was a man of singularly quiet and domestic tastes, and seemed to find his happiness in his home and profession. If any clue at all exists to his strange disappearance, it may be found in the fact that for some months he has been deeply absorbed in an important law case in connection with the Q. Y. and Z. Railroad Company. It is feared that overwork may have affected his mind. Every effort is being made to discover the whereabouts of the missing man.”

“It seems to me you are not altogether uncynical, Mr. Bolder,” I said, after I had read the despatch. “This has the sound, to me, of a genuine case. Why should this man, prosperous, happily married, and respected, choose suddenly to abandon everything? I know that these lapses of memory do occur, and that men do find themselves adrift without a name, a history or a home.”

“Oh, gammon and jalap!” said Mr. Bolder. “It’s larks they’re after. There’s too much education nowadays. Men know about aphasia, and they use it for an excuse. The women are wise, too. When it’s all over they look you in the eye, as scientific as you please, and say: ‘He hypnotized me.'”

Thus Mr. Bolder diverted, but did not aid, me with his comments and philosophy.

We arrived in New York about ten at night. I rode in a cab to a hotel, and I wrote my name “Edward Pinkhammer” in the register. As I did so I felt pervade me a splendid, wild, intoxicating buoyancy–a sense of unlimited freedom, of newly attained possibilities. I was just born into the world. The old fetters–whatever they had been–were stricken from my hands and feet. The future lay before me a clear road such as an infant enters, and I could set out upon it equipped with a man’s learning and experience.

I thought the hotel clerk looked at me five seconds too long. I had no baggage.

“The Druggists’ Convention,” I said. “My trunk has somehow failed to arrive.” I drew out a roll of money.

“Ah!” said he, showing an auriferous tooth, “we have quite a number of the Western delegates stopping here.” He struck a bell for the boy.

I endeavored to give color to my rôle.

“There is an important movement on foot among us Westerners,” I said, “in regard to a recommendation to the convention that the bottles containing the tartrate of antimony and potash, and the tartrate of sodium and potash be kept in a contiguous position on the shelf.”

“Gentleman to three-fourteen,” said the clerk, hastily. I was whisked away to my room.

The next day I bought a trunk and clothing, and began to live the life of Edward Pinkhammer. I did not tax my brain with endeavors to solve problems of the past.

It was a piquant and sparkling cup that the great island city held up to my lips. I drank of it gratefully. The keys of Manhattan belong to him who is able to bear them. You must be either the city’s guest or its victim.

The following few days were as gold and silver. Edward Pinkhammer, yet counting back to his birth by hours only, knew the rare joy of having come upon so diverting a world full-fledged and unrestrained. I sat entranced on the magic carpets provided in theatres and roof-gardens, that transported one into strange and delightful lands full of frolicsome music, pretty girls and grotesque drolly extravagant parodies upon human kind. I went here and there at my own dear will, bound by no limits of space, time or comportment. I dined in weird cabarets, at weirder _tables d’hôte_ to the sound of Hungarian music and the wild shouts of mercurial artists and sculptors. Or, again, where the night life quivers in the electric glare like a kinetoscopic picture, and the millinery of the world, and its jewels, and the ones whom they adorn, and the men who make all three possible are met for good cheer and the spectacular effect. And among all these scenes that I have mentioned I learned one thing that I never knew before. And that is that the key to liberty is not in the hands of License, but Convention holds it. Comity has a toll-gate at which you must pay, or you may not enter the land of Freedom. In all the glitter, the seeming disorder, the parade, the abandon, I saw this law, unobtrusive, yet like iron, prevail. Therefore, in Manhattan you must obey these unwritten laws, and then you will be freest of the free. If you decline to be bound by them, you put on shackles.

Sometimes, as my mood urged me, I would seek the stately, softly murmuring palm rooms, redolent with high-born life and delicate restraint, in which to dine. Again I would go down to the waterways in steamers packed with vociferous, bedecked, unchecked love-making clerks and shop-girls to their crude pleasures on the island shores. And there was always Broadway–glistening, opulent, wily, varying, desirable Broadway–growing upon one like an opium habit.

One afternoon as I entered my hotel a stout man with a big nose and a black mustache blocked my way in the corridor. When I would have passed around him, he greet me with offensive familiarity.

“Hello, Bellford!” he cried, loudly. “What the deuce are you doing in New York? Didn’t know anything could drag you away from that old book den of yours. Is Mrs. B. along or is this a little business run alone, eh?”

“You have made a mistake, sir,” I said, coldly, releasing my hand from his grasp. “My name is Pinkhammer. You will excuse me.”

The man dropped to one side, apparently astonished. As I walked to the clerk’s desk I heard him call to a bell boy and say something about telegraph blanks.

“You will give me my bill,” I said to the clerk, “and have my baggage brought down in half an hour. I do not care to remain where I am annoyed by confidence men.”

I moved that afternoon to another hotel, a sedate, old-fashioned one on lower Fifth Avenue.

There was a restaurant a little way off Broadway where one could be served almost _al fresco_ in a tropic array of screening flora. Quiet and luxury and a perfect service made it an ideal place in which to take luncheon or refreshment. One afternoon I was there picking my way to a table among the ferns when I felt my sleeve caught.

“Mr. Bellford!” exclaimed an amazingly sweet voice.

I turned quickly to see a lady seated alone–a lady of about thirty, with exceedingly handsome eyes, who looked at me as though I had been her very dear friend.

“You were about to pass me,” she said, accusingly. “Don’t tell me you do not know me. Why should we not shake hands–at least once in fifteen years?”

I shook hands with her at once. I took a chair opposite her at the table. I summoned with my eyebrows a hovering waiter. The lady was philandering with an orange ice. I ordered a _crème de menthe_. Her hair was reddish bronze. You could not look at it, because you could not look away from her eyes. But you were conscious of it as you are conscious of sunset while you look into the profundities of a wood at twilight.

“Are you sure you know me?” I asked.

“No,” she said, smiling. “I was never sure of that.”

“What would you think,” I said, a little anxiously, “if I were to tell you that my name is Edward Pinkhammer, from Cornopolis, Kansas?”

“What would I think?” she repeated, with a merry glance. “Why, that you had not brought Mrs. Bellford to New York with you, of course. I do wish you had. I would have liked to see Marian.” Her voice lowered slightly–“You haven’t changed much, Elwyn.”

I felt her wonderful eyes searching mine and my face more closely.

“Yes, you have,” she amended, and there was a soft, exultant note in her latest tones; “I see it now. You haven’t forgotten. You haven’t forgotten for a year or a day or an hour. I told you you never could.”

I poked my straw anxiously in the _crème de menthe_.

“I’m sure I beg your pardon,” I said, a little uneasy at her gaze. “But that is just the trouble. I have forgotten. I’ve forgotten everything.”

She flouted my denial. She laughed deliciously at something she seemed to see in my face.

“I’ve heard of you at times,” she went on. “You’re quite a big lawyer out West–Denver, isn’t it, or Los Angeles? Marian must be very proud of you. You knew, I suppose, that I married six months after you did. You may have seen it in the papers. The flowers alone cost two thousand dollars.”

She had mentioned fifteen years. Fifteen years is a long time.

“Would it be too late,” I asked, somewhat timorously, “to offer you congratulations?”

“Not if you dare do it,” she answered, with such fine intrepidity that I was silent, and began to crease patterns on the cloth with my thumb nail.

“Tell me one thing,” she said, leaning toward me rather eagerly–“a thing I have wanted to know for many years–just from a woman’s curiosity, of course–have you ever dared since that night to touch, smell or look at white roses–at white roses wet with rain and dew?”

I took a sip of _crème de menthe_.

“It would be useless, I suppose,” I said, with a sigh, “for me to repeat that I have no recollection at all about these things. My memory is completely at fault. I need not say how much I regret it.”

The lady rested her arms upon the table, and again her eyes disdained my words and went traveling by their own route direct to my soul. She laughed softly, with a strange quality in the sound–it was a laugh of happiness–yes, and of content–and of misery. I tried to look away from her.

“You lie, Elwyn Bellford,” she breathed, blissfully. “Oh, I know you lie!”

I gazed dully into the ferns.

“My name is Edward Pinkhammer,” I said. “I came with the delegates to the Druggists’ National Convention. There is a movement on foot for arranging a new position for the bottles of tartrate of antimony and tartrate of potash, in which, very likely, you would take little interest.”

A shining landau stopped before the entrance. The lady rose. I took her hand, and bowed.

“I am deeply sorry,” I said to her, “that I cannot remember. I could explain, but fear you would not understand. You will not concede Pinkhammer; and I really cannot at all conceive of the–the roses and other things.”

“Good-by, Mr. Bellford,” she said, with her happy, sorrowful smile, as she stepped into her carriage.

I attended the theatre that night. When I returned to my hotel, a quiet man in dark clothes, who seemed interested in rubbing his finger nails with a silk handkerchief, appeared, magically, at my side.

“Mr. Pinkhammer,” he said, giving the bulk of his attention to his forefinger, “may I request you to step aside with me for a little conversation? There is a room here.”

“Certainly,” I answered.

He conducted me into a small, private parlor. A lady and a gentleman were there. The lady, I surmised, would have been unusually good-looking had her features not been clouded by an expression of keen worry and fatigue. She was of a style of figure and possessed coloring and features that were agreeable to my fancy. She was in a traveling dress; she fixed upon me an earnest look of extreme anxiety, and pressed an unsteady hand to her bosom. I think she would have started forward, but the gentleman arrested her movement with an authoritative motion of his hand. He then came, himself, to meet me. He was a man of forty, a little gray about the temples, and with a strong, thoughtful face.

“Bellford, old man,” he said, cordially, “I’m glad to see you again. Of course we know everything is all right. I warned you, you know, that you were overdoing it. Now, you’ll go back with us, and be yourself again in no time.”

I smiled ironically.

“I have been ‘Bellforded’ so often,” I said, “that it has lost its edge. Still, in the end, it may grow wearisome. Would you be willing at all to entertain the hypothesis that my name is Edward Pinkhammer, and that I never saw you before in my life?”

Before the man could reply a wailing cry came from the woman. She sprang past his detaining arm. “Elwyn!” she sobbed, and cast herself upon me, and clung tight. “Elwyn,” she cried again, “don’t break my heart. I am your wife–call my name once–just once. I could see you dead rather than this way.”

I unwound her arms respectfully, but firmly.

“Madam,” I said, severely, “pardon me if I suggest that you accept a resemblance too precipitately. It is a pity,” I went on, with an amused laugh, as the thought occurred to me, “that this Bellford and I could not be kept side by side upon the same shelf like tartrates of sodium and antimony for purposes of identification. In order to understand the allusion,” I concluded airily, “it may be necessary for you to keep an eye on the proceedings of the Druggists’ National Convention.”

The lady turned to her companion, and grasped his arm.

“What is it, Doctor Volney? Oh, what is it?” she moaned.

He led her to the door.

“Go to your room for a while,” I heard him say. “I will remain and talk with him. His mind? No, I think not–only a portion of the brain. Yes, I am sure he will recover. Go to your room and leave me with him.”

The lady disappeared. The man in dark clothes also went outside, still manicuring himself in a thoughtful way. I think he waited in the hall.

“I would like to talk with you a while, Mr. Pinkhammer, if I may,” said the gentleman who remained.

“Very well, if you care to,” I replied, “and will excuse me if I take it comfortably; I am rather tired.” I stretched myself upon a couch by a window and lit a cigar. He drew a chair nearby.

“Let us speak to the point,” he said, soothingly. “Your name is not Pinkhammer.”

“I know that as well as you do,” I said, coolly. “But a man must have a name of some sort. I can assure you that I do not extravagantly admire the name of Pinkhammer. But when one christens one’s self suddenly, the fine names do not seem to suggest themselves. But, suppose it had been Scheringhausen or Scroggins! I think I did very well with Pinkhammer.”

“Your name,” said the other man, seriously, “is Elwyn C. Bellford. You are one of the first lawyers in Denver. You are suffering from an attack of aphasia, which has caused you to forget your identity. The cause of it was over-application to your profession, and, perhaps, a life too bare of natural recreation and pleasures. The lady who has just left the room is your wife.”

“She is what I would call a fine-looking woman,” I said, after a judicial pause. “I particularly admire the shade of brown in her hair.”

“She is a wife to be proud of. Since your disappearance, nearly two weeks ago, she has scarcely closed her eyes. We learned that you were in New York through a telegram sent by Isidore Newman, a traveling man from Denver. He said that he had met you in a hotel here, and that you did not recognize him.”

“I think I remember the occasion,” I said. “The fellow called me ‘Bellford,’ if I am not mistaken. But don’t you think it about time, now, for you to introduce yourself?”

“I am Robert Volney–Doctor Volney. I have been your close friend for twenty years, and your physician for fifteen. I came with Mrs. Bellford to trace you as soon as we got the telegram. Try, Elwyn, old man–try to remember!”

“What’s the use to try?” I asked, with a little frown. “You say you are a physician. Is aphasia curable? When a man loses his memory does it return slowly, or suddenly?”

“Sometimes gradually and imperfectly; sometimes as suddenly as it went.”

“Will you undertake the treatment of my case, Doctor Volney?” I asked.

“Old friend,” said he, “I’ll do everything in my power, and will have done everything that science can do to cure you.”

“Very well,” said I. “Then you will consider that I am your patient. Everything is in confidence now–professional confidence.”

“Of course,” said Doctor Volney.

I got up from the couch. Some one had set a vase of white roses on the centre table–a cluster of white roses, freshly sprinkled and fragrant. I threw them far out of the window, and then I laid myself upon the couch again.

“It will be best, Bobby,” I said, “to have this cure happen suddenly. I’m rather tired of it all, anyway. You may go now and bring Marian in. But, oh, Doc,” I said, with a sigh, as I kicked him on the shin–“good old Doc–it was glorious!”

XIII

A MUNICIPAL REPORT

The cities are full of pride,
Challenging each to each–
This from her mountainside,
That from her burthened beach.
R. KIPLING.

Fancy a novel about Chicago or Buffalo, let us say, or Nashville, Tennessee! There are just three big cities in the United States that are “story cities”–New York, of course, New Orleans, and, best of the lot, San Francisco.–FRANK NORRIS.

East is East, and West is San Francisco, according to Californians. Californians are a race of people; they are not merely inhabitants of a State. They are the Southerners of the West. Now, Chicagoans are no less loyal to their city; but when you ask them why, they stammer and speak of lake fish and the new Odd Fellows Building. But Californians go into detail.

Of course they have, in the climate, an argument that is good for half an hour while you are thinking of your coal bills and heavy underwear. But as soon as they come to mistake your silence for conviction, madness comes upon them, and they picture the city of the Golden Gate as the Bagdad of the New World. So far, as a matter of opinion, no refutation is necessary. But, dear cousins all (from Adam and Eve descended), it is a rash one who will lay his finger on the map and say: “In this town there can be no romance–what could happen here?” Yes, it is a bold and a rash deed to challenge in one sentence history, romance, and Rand and McNally.

NASHVILLE–A city, port of delivery, and the capital of the State of Tennessee, is on the Cumberland River and on the N. C. & St. L. and the L. & N. railroads. This city is regarded as the most important educational centre in the South.

I stepped off the train at 8 P.M. Having searched the thesaurus in vain for adjectives, I must, as a substitution, hie me to comparison in the form of a recipe.

Take a London fog 30 parts; malaria 10 parts; gas leaks 20 parts; dewdrops gathered in a brick yard at sunrise, 25 parts; odor of honeysuckle 15 parts. Mix.

The mixture will give you an approximate conception of a Nashville drizzle. It is not so fragrant as a moth-ball nor as thick as pea-soup; but ’tis enough–’twill serve.

I went to a hotel in a tumbril. It required strong self-suppression for me to keep from climbing to the top of it and giving an imitation of Sidney Carton. The vehicle was drawn by beasts of a bygone era and driven by something dark and emancipated.

I was sleepy and tired, so when I got to the hotel I hurriedly paid it the fifty cents it demanded (with approximate lagniappe, I assure you). I knew its habits; and I did not want to hear it prate about its old “marster” or anything that happened “befo’ de wah.”

The hotel was one of the kind described as “renovated.” That means $20,000 worth of new marble pillars, tiling, electric lights and brass cuspidors in the lobby, and a new L. & N. time table and a lithograph of Lookout Mountain in each one of the great rooms above. The management was without reproach, the attention full of exquisite Southern courtesy, the service as slow as the progress of a snail and as good-humored as Rip Van Winkle. The food was worth traveling a thousand miles for. There is no other hotel in the world where you can get such chicken livers _en brochette_.

At dinner I asked a Negro waiter if there was anything doing in town. He pondered gravely for a minute, and then replied: “Well, boss, I don’t really reckon there’s anything at all doin’ after sundown.”

Sundown had been accomplished; it had been drowned in the drizzle long before. So that spectacle was denied me. But I went forth upon the streets in the drizzle to see what might be there.

It is built on undulating grounds; and the streets are lighted by electricity at a cost of $32,470 per annum.

As I left the hotel there was a race riot. Down upon me charged a company of freedmen, or Arabs, or Zulus, armed with–no, I saw with relief that they were not rifles, but whips. And I saw dimly a caravan of black, clumsy vehicles; and at the reassuring shouts, “Kyar you anywhere in the town, boss, fuh fifty cents,” I reasoned that I was merely a “fare” instead of a victim.

I walked through long streets, all leading uphill. I wondered how those streets ever came down again. Perhaps they didn’t until they were “graded.” On a few of the “main streets” I saw lights in stores here and there; saw street cars go by conveying worthy burghers hither and yon; saw people pass engaged in the art of conversation, and heard a burst of semi-lively laughter issuing from a soda-water and ice-cream parlor. The streets other than “main” seemed to have enticed upon their borders houses consecrated to peace and domesticity. In many of them lights shone behind discreetly drawn window shades; in a few pianos tinkled orderly and irreproachable music. There was, indeed, little “doing.” I wished I had come before sundown. So I returned to my hotel.

In November, 1864, the Confederate General Hood advanced against Nashville, where he shut up a National force under General Thomas. The latter then sallied forth and defeated the Confederates in a terrible conflict.

All my life I have heard of, admired, and witnessed the fine marksmanship of the South in its peaceful conflicts in the tobacco-chewing regions. But in my hotel a surprise awaited me. There were twelve bright, new, imposing, capacious brass cuspidors in the great lobby, tall enough to be called urns and so wide-mouthed that the crack pitcher of a lady baseball team should have been able to throw a ball into one of them at five paces distant. But, although a terrible battle had raged and was still raging, the enemy had not suffered. Bright, new, imposing, capacious, untouched, they stood. But, shades of Jefferson Brick! the tile floor–the beautiful tile floor! I could not avoid thinking of the battle of Nashville, and trying to draw, as is my foolish habit, some deductions about hereditary marksmanship.

Here I first saw Major (by misplaced courtesy) Wentworth Caswell. I knew him for a type the moment my eyes suffered from the sight of him. A rat has no geographical habitat. My old friend, A. Tennyson, said, as he so well said almost everything:

Prophet, curse me the blabbing lip,
And curse me the British vermin, the rat.

Let us regard the word “British” as interchangeable _ad lib_. A rat is a rat.

This man was hunting about the hotel lobby like a starved dog that had forgotten where he had buried a bone. He had a face of great acreage, red, pulpy, and with a kind of sleepy massiveness like that of Buddha. He possessed one single virtue–he was very smoothly shaven. The mark of the beast is not indelible upon a man until he goes about with a stubble. I think that if he had not used his razor that day I would have repulsed his advances, and the criminal calendar of the world would have been spared the addition of one murder.

I happened to be standing within five feet of a cuspidor when Major Caswell opened fire upon it. I had been observant enough to perceive that the attacking force was using Gatlings instead of squirrel rifles; so I side-stepped so promptly that the major seized the opportunity to apologize to a noncombatant. He had the blabbing lip. In four minutes he had become my friend and had dragged me to the bar.

I desire to interpolate here that I am a Southerner. But I am not one by profession or trade. I eschew the string tie, the slouch hat, the Prince Albert, the number of bales of cotton destroyed by Sherman, and plug chewing. When the orchestra plays Dixie I do not cheer. I slide a little lower on the leather-cornered seat and, well, order another Würzburger and wish that Longstreet had–but what’s the use?

Major Caswell banged the bar with his fist, and the first gun at Fort Sumter re-echoed. When he fired the last one at Appomattox I began to hope. But then he began on family trees, and demonstrated that Adam