Across The Plains by Robert Louis Stevenson (page 2)

[1880]

CHAPTER III – FONTAINEBLEAU – VILLAGE COMMUNITIES OF PAINTERS

I

THE charm of Fontainebleau is a thing apart. It is a place that people love even more than they admire. The vigorous forest air, the silence, the majestic avenues of highway, the wilderness of tumbled boulders, the great age and dignity of certain groves – these are but ingredients, they are not the secret of the philtre. The place is sanative; the air, the light, the perfumes, and the shapes of things concord in happy harmony. The artist may be idle and not fear the “blues.” He may dally with his life. Mirth, lyric mirth, and a vivacious classical contentment are of the very essence of the better kind of art; and these, in that most smiling forest, he has the chance to learn or to remember. Even on the plain of Biere, where the Angelus of Millet still tolls upon the ear of fancy, a larger air, a higher heaven, something ancient and healthy in the face of nature, purify the mind alike from dulness and hysteria. There is no place where the young are more gladly conscious of their youth, or the old better contented with their age.

The fact of its great and special beauty further recommends this country to the artist. The field was chosen by men in whose blood there still raced some of the gleeful or solemn exultation of great art – Millet who loved dignity like Michelangelo, Rousseau whose modern brush was dipped in the glamour of the ancients. It was chosen before the day of that strange turn in the history of art, of which we now perceive the culmination in impressionistic tales and pictures – that voluntary aversion of the eye from all speciously strong and beautiful effects – that disinterested love of dulness which has set so many Peter Bells to paint the river- side primrose. It was then chosen for its proximity to Paris. And for the same cause, and by the force of tradition, the painter of to-day continues to inhabit and to paint it. There is in France scenery incomparable for romance and harmony. Provence, and the valley of the Rhone from Vienne to Tarascon, are one succession of masterpieces waiting for the brush. The beauty is not merely beauty; it tells, besides, a tale to the imagination, and surprises while it charms. Here you shall see castellated towns that would befit the scenery of dreamland; streets that glow with colour like cathedral windows; hills of the most exquisite proportions; flowers of every precious colour, growing thick like grass. All these, by the grace of railway travel, are brought to the very door of the modern painter; yet he does not seek them; he remains faithful to Fontainebleau, to the eternal bridge of Gretz, to the watering-pot cascade in Cernay valley. Even Fontainebleau was chosen for him; even in Fontainebleau he shrinks from what is sharply charactered. But one thing, at least, is certain, whatever he may choose to paint and in whatever manner, it is good for the artist to dwell among graceful shapes. Fontainebleau, if it be but quiet scenery, is classically graceful; and though the student may look for different qualities, this quality, silently present, will educate his hand and eye.

But, before all its other advantages – charm, loveliness, or proximity to Paris – comes the great fact that it is already colonised. The institution of a painters’ colony is a work of time and tact. The population must be conquered. The innkeeper has to be taught, and he soon learns, the lesson of unlimited credit; he must be taught to welcome as a favoured guest a young gentleman in a very greasy coat, and with little baggage beyond a box of colours and a canvas; and he must learn to preserve his faith in customers who will eat heartily and drink of the best, borrow money to buy tobacco, and perhaps not pay a stiver for a year. A colour merchant has next to be attracted. A certain vogue must be given to the place, lest the painter, most gregarious of animals, should find himself alone. And no sooner are these first difficulties overcome, than fresh perils spring up upon the other side; and the bourgeois and the tourist are knocking at the gate. This is the crucial moment for the colony. If these intruders gain a footing, they not only banish freedom and amenity; pretty soon, by means of their long purses, they will have undone the education of the innkeeper; prices will rise and credit shorten; and the poor painter must fare farther on and find another hamlet. “Not here, O Apollo!” will become his song. Thus Trouville and, the other day, St. Raphael were lost to the arts. Curious and not always edifying are the shifts that the French student uses to defend his lair; like the cuttlefish, he must sometimes blacken the waters of his chosen pool; but at such a time and for so practical a purpose Mrs. Grundy must allow him licence. Where his own purse and credit are not threatened, he will do the honours of his village generously. Any artist is made welcome, through whatever medium he may seek expression; science is respected; even the idler, if he prove, as he so rarely does, a gentleman, will soon begin to find himself at home. And when that essentially modern creature, the English or American girl-student, began to walk calmly into his favourite inns as if into a drawing-room at home, the French painter owned himself defenceless; he submitted or he fled. His French respectability, quite as precise as ours, though covering different provinces of life, recoiled aghast before the innovation. But the girls were painters; there was nothing to be done; and Barbizon, when I last saw it and for the time at least, was practically ceded to the fair invader. Paterfamilias, on the other hand, the common tourist, the holiday shopman, and the cheap young gentleman upon the spree, he hounded from his villages with every circumstance of contumely.

This purely artistic society is excellent for the young artist. The lads are mostly fools; they hold the latest orthodoxy in its crudeness; they are at that stage of education, for the most part, when a man is too much occupied with style to be aware of the necessity for any matter; and this, above all for the Englishman, is excellent. To work grossly at the trade, to forget sentiment, to think of his material and nothing else, is, for awhile at least, the king’s highway of progress. Here, in England, too many painters and writers dwell dispersed, unshielded, among the intelligent bourgeois. These, when they are not merely indifferent, prate to him about the lofty aims and moral influence of art. And this is the lad’s ruin. For art is, first of all and last of all, a trade. The love of words and not a desire to publish new discoveries, the love of form and not a novel reading of historical events, mark the vocation of the writer and the painter. The arabesque, properly speaking, and even in literature, is the first fancy of the artist; he first plays with his material as a child plays with a kaleidoscope; and he is already in a second stage when he begins to use his pretty counters for the end of representation. In that, he must pause long and toil faithfully; that is his apprenticeship; and it is only the few who will really grow beyond it, and go forward, fully equipped, to do the business of real art – to give life to abstractions and significance and charm to facts. In the meanwhile, let him dwell much among his fellow-craftsmen. They alone can take a serious interest in the childish tasks and pitiful successes of these years. They alone can behold with equanimity this fingering of the dumb keyboard, this polishing of empty sentences, this dull and literal painting of dull and insignificant subjects. Outsiders will spur him on. They will say, “Why do you not write a great book? paint a great picture?” If his guardian angel fail him, they may even persuade him to the attempt, and, ten to one, his hand is coarsened and his style falsified for life.

And this brings me to a warning. The life of the apprentice to any art is both unstrained and pleasing; it is strewn with small successes in the midst of a career of failure, patiently supported; the heaviest scholar is conscious of a certain progress; and if he come not appreciably nearer to the art of Shakespeare, grows letter-perfect in the domain of A-B, ab. But the time comes when a man should cease prelusory gymnastic, stand up, put a violence upon his will, and, for better or worse, begin the business of creation. This evil day there is a tendency continually to postpone: above all with painters. They have made so many studies that it has become a habit; they make more, the walls of exhibitions blush with them; and death finds these aged students still busy with their horn-book. This class of man finds a congenial home in artist villages; in the slang of the English colony at Barbizon we used to call them “Snoozers.” Continual returns to the city, the society of men farther advanced, the study of great works, a sense of humour or, if such a thing is to be had, a little religion or philosophy, are the means of treatment. It will be time enough to think of curing the malady after it has been caught; for to catch it is the very thing for which you seek that dream-land of the painters’ village. “Snoozing” is a part of the artistic education; and the rudiments must be learned stupidly, all else being forgotten, as if they were an object in themselves.

Lastly, there is something, or there seems to be something, in the very air of France that communicates the love of style. Precision, clarity, the cleanly and crafty employment of material, a grace in the handling, apart from any value in the thought, seem to be acquired by the mere residence; or if not acquired, become at least the more appreciated. The air of Paris is alive with this technical inspiration. And to leave that airy city and awake next day upon the borders of the forest is but to change externals. The same spirit of dexterity and finish breathes from the long alleys and the lofty groves, from the wildernesses that are still pretty in their confusion, and the great plain that contrives to be decorative in its emptiness.

II

In spite of its really considerable extent, the forest of Fontainebleau is hardly anywhere tedious. I know the whole western side of it with what, I suppose, I may call thoroughness; well enough at least to testify that there is no square mile without some special character and charm. Such quarters, for instance, as the Long Rocher, the Bas-Breau, and the Reine Blanche, might be a hundred miles apart; they have scarce a point in common beyond the silence of the birds. The two last are really conterminous; and in both are tall and ancient trees that have outlived a thousand political vicissitudes. But in the one the great oaks prosper placidly upon an even floor; they beshadow a great field; and the air and the light are very free below their stretching boughs. In the other the trees find difficult footing; castles of white rock lie tumbled one upon another, the foot slips, the crooked viper slumbers, the moss clings in the crevice; and above it all the great beech goes spiring and casting forth her arms, and, with a grace beyond church architecture, canopies this rugged chaos. Meanwhile, dividing the two cantons, the broad white causeway of the Paris road runs in an avenue: a road conceived for pageantry and for triumphal marches, an avenue for an army; but, its days of glory over, it now lies grilling in the sun between cool groves, and only at intervals the vehicle of the cruising tourist is seen far away and faintly audible along its ample sweep. A little upon one side, and you find a district of sand and birch and boulder; a little upon the other lies the valley of Apremont, all juniper and heather; and close beyond that you may walk into a zone of pine trees. So artfully are the ingredients mingled. Nor must it be forgotten that, in all this part, you come continually forth upon a hill-top, and behold the plain, northward and westward, like an unrefulgent sea; nor that all day long the shadows keep changing; and at last, to the red fires of sunset, night succeeds, and with the night a new forest, full of whisper, gloom, and fragrance. There are few things more renovating than to leave Paris, the lamplit arches of the Carrousel, and the long alignment of the glittering streets, and to bathe the senses in this fragrant darkness of the wood.

In this continual variety the mind is kept vividly alive. It is a changeful place to paint, a stirring place to live in. As fast as your foot carries you, you pass from scene to scene, each vigorously painted in the colours of the sun, each endeared by that hereditary spell of forests on the mind of man who still remembers and salutes the ancient refuge of his race.

And yet the forest has been civilised throughout. The most savage corners bear a name, and have been cherished like antiquities; in the most remote, Nature has prepared and balanced her effects as if with conscious art; and man, with his guiding arrows of blue paint, has countersigned the picture. After your farthest wandering, you are never surprised to come forth upon the vast avenue of highway, to strike the centre point of branching alleys, or to find the aqueduct trailing, thousand-footed, through the brush. It is not a wilderness; it is rather a preserve. And, fitly enough, the centre of the maze is not a hermit’s cavern. In the midst, a little mirthful town lies sunlit, humming with the business of pleasure; and the palace, breathing distinction and peopled by historic names, stands smokeless among gardens.

Perhaps the last attempt at savage life was that of the harmless humbug who called himself the hermit. In a great tree, close by the highroad, he had built himself a little cabin after the manner of the Swiss Family Robinson; thither he mounted at night, by the romantic aid of a rope ladder; and if dirt be any proof of sincerity, the man was savage as a Sioux. I had the pleasure of his acquaintance; he appeared grossly stupid, not in his perfect wits, and interested in nothing but small change; for that he had a great avidity. In the course of time he proved to be a chicken- stealer, and vanished from his perch; and perhaps from the first he was no true votary of forest freedom, but an ingenious, theatrically-minded beggar, and his cabin in the tree was only stock-in-trade to beg withal. The choice of his position would seem to indicate so much; for if in the forest there are no places still to be discovered, there are many that have been forgotten, and that lie unvisited. There, to be sure, are the blue arrows waiting to reconduct you, now blazed upon a tree, now posted in the corner of a rock. But your security from interruption is complete; you might camp for weeks, if there were only water, and not a soul suspect your presence; and if I may suppose the reader to have committed some great crime and come to me for aid, I think I could still find my way to a small cavern, fitted with a hearth and chimney, where he might lie perfectly concealed. A confederate landscape-painter might daily supply him with food; for water, he would have to make a nightly tramp as far as to the nearest pond; and at last, when the hue and cry began to blow over, he might get gently on the train at some side station, work round by a series of junctions, and be quietly captured at the frontier.

Thus Fontainebleau, although it is truly but a pleasure-ground, and although, in favourable weather, and in the more celebrated quarters, it literally buzzes with the tourist, yet has some of the immunities and offers some of the repose of natural forests. And the solitary, although he must return at night to his frequented inn, may yet pass the day with his own thoughts in the companionable silence of the trees. The demands of the imagination vary; some can be alone in a back garden looked upon by windows; others, like the ostrich, are content with a solitude that meets the eye; and others, again, expand in fancy to the very borders of their desert, and are irritably conscious of a hunter’s camp in an adjacent county. To these last, of course, Fontainebleau will seem but an extended tea-garden: a Rosherville on a by-day. But to the plain man it offers solitude: an excellent thing in itself, and a good whet for company.

III

I was for some time a consistent Barbizonian; ET EGO IN ARCADIA VIXI, it was a pleasant season; and that noiseless hamlet lying close among the borders of the wood is for me, as for so many others, a green spot in memory. The great Millet was just dead, the green shutters of his modest house were closed; his daughters were in mourning. The date of my first visit was thus an epoch in the history of art: in a lesser way, it was an epoch in the history of the Latin Quarter. The PETIT CENACLE was dead and buried; Murger and his crew of sponging vagabonds were all at rest from their expedients; the tradition of their real life was nearly lost; and the petrified legend of the VIE DE BOHEME had become a sort of gospel, and still gave the cue to zealous imitators. But if the book be written in rose-water, the imitation was still farther expurgated; honesty was the rule; the innkeepers gave, as I have said, almost unlimited credit; they suffered the seediest painter to depart, to take all his belongings, and to leave his bill unpaid; and if they sometimes lost, it was by English and Americans alone. At the same time, the great influx of Anglo- Saxons had begun to affect the life of the studious. There had been disputes; and, in one instance at least, the English and the Americans had made common cause to prevent a cruel pleasantry. It would be well if nations and races could communicate their qualities; but in practice when they look upon each other, they have an eye to nothing but defects. The Anglo-Saxon is essentially dishonest; the French is devoid by nature of the principle that we call “Fair Play.” The Frenchman marvelled at the scruples of his guest, and, when that defender of innocence retired over-seas and left his bills unpaid, he marvelled once again; the good and evil were, in his eyes, part and parcel of the same eccentricity; a shrug expressed his judgment upon both.

At Barbizon there was no master, no pontiff in the arts. Palizzi bore rule at Gretz – urbane, superior rule – his memory rich in anecdotes of the great men of yore, his mind fertile in theories; sceptical, composed, and venerable to the eye; and yet beneath these outworks, all twittering with Italian superstition, his eye scouting for omens, and the whole fabric of his manners giving way on the appearance of a hunchback. Cernay had Pelouse, the admirable, placid Pelouse, smilingly critical of youth, who, when a full-blown commercial traveller, suddenly threw down his samples, bought a colour-box, and became the master whom we have all admired. Marlotte, for a central figure, boasted Olivier de Penne. Only Barbizon, since the death of Millet, was a headless commonwealth. Even its secondary lights, and those who in my day made the stranger welcome, have since deserted it. The good Lachevre has departed, carrying his household gods; and long before that Gaston Lafenestre was taken from our midst by an untimely death. He died before he had deserved success; it may be, he would never have deserved it; but his kind, comely, modest countenance still haunts the memory of all who knew him. Another – whom I will not name – has moved farther on, pursuing the strange Odyssey of his decadence. His days of royal favour had departed even then; but he still retained, in his narrower life at Barbizon, a certain stamp of conscious importance, hearty, friendly, filling the room, the occupant of several chairs; nor had he yet ceased his losing battle, still labouring upon great canvases that none would buy, still waiting the return of fortune. But these days also were too good to last; and the former favourite of two sovereigns fled, if I heard the truth, by night. There was a time when he was counted a great man, and Millet but a dauber; behold, how the whirligig of time brings in his revenges! To pity Millet is a piece of arrogance; if life be hard for such resolute and pious spirits, it is harder still for us, had we the wit to understand it; but we may pity his unhappier rival, who, for no apparent merit, was raised to opulence and momentary fame, and, through no apparent fault was suffered step by step to sink again to nothing. No misfortune can exceed the bitterness of such back-foremost progress, even bravely supported as it was; but to those also who were taken early from the easel, a regret is due. From all the young men of this period, one stood out by the vigour of his promise; he was in the age of fermentation, enamoured of eccentricities. “Il faut faire de la peinture nouvelle,” was his watchword; but if time and experience had continued his education, if he had been granted health to return from these excursions to the steady and the central, I must believe that the name of Hills had become famous.

Siron’s inn, that excellent artists’ barrack, was managed upon easy principles. At any hour of the night, when you returned from wandering in the forest, you went to the billiard-room and helped yourself to liquors, or descended to the cellar and returned laden with beer or wine. The Sirons were all locked in slumber; there was none to check your inroads; only at the week’s end a computation was made, the gross sum was divided, and a varying share set down to every lodger’s name under the rubric: ESTRATS. Upon the more long-suffering the larger tax was levied; and your bill lengthened in a direct proportion to the easiness of your disposition. At any hour of the morning, again, you could get your coffee or cold milk, and set forth into the forest. The doves had perhaps wakened you, fluttering into your chamber; and on the threshold of the inn you were met by the aroma of the forest. Close by were the great aisles, the mossy boulders, the interminable field of forest shadow. There you were free to dream and wander. And at noon, and again at six o’clock, a good meal awaited you on Siron’s table. The whole of your accommodation, set aside that varying item of the ESTRALS, cost you five francs a day; your bill was never offered you until you asked it; and if you were out of luck’s way, you might depart for where you pleased and leave it pending.

IV

Theoretically, the house was open to all corners; practically, it was a kind of club. The guests protected themselves, and, in so doing, they protected Siron. Formal manners being laid aside, essential courtesy was the more rigidly exacted; the new arrival had to feel the pulse of the society; and a breach of its undefined observances was promptly punished. A man might be as plain, as dull, as slovenly, as free of speech as he desired; but to a touch of presumption or a word of hectoring these free Barbizonians were as sensitive as a tea-party of maiden ladies. I have seen people driven forth from Barbizon; it would be difficult to say in words what they had done, but they deserved their fate. They had shown themselves unworthy to enjoy these corporate freedoms; they had pushed themselves; they had “made their head”; they wanted tact to appreciate the “fine shades” of Barbizonian etiquette. And once they were condemned, the process of extrusion was ruthless in its cruelty; after one evening with the formidable Bodmer, the Baily of our commonwealth, the erring stranger was beheld no more; he rose exceeding early the next day, and the first coach conveyed him from the scene of his discomfiture. These sentences of banishment were never, in my knowledge, delivered against an artist; such would, I believe, have been illegal; but the odd and pleasant fact is this, that they were never needed. Painters, sculptors, writers, singers, I have seen all of these in Barbizon; and some were sulky, and some blatant and inane; but one and all entered at once into the spirit of the association. This singular society is purely French, a creature of French virtues, and possibly of French defects. It cannot be imitated by the English. The roughness, the impatience, the more obvious selfishness, and even the more ardent friendships of the Anglo-Saxon, speedily dismember such a commonwealth. But this random gathering of young French painters, with neither apparatus nor parade of government, yet kept the life of the place upon a certain footing, insensibly imposed their etiquette upon the docile, and by caustic speech enforced their edicts against the unwelcome. To think of it is to wonder the more at the strange failure of their race upon the larger theatre. This inbred civility – to use the word in its completest meaning – this natural and facile adjustment of contending liberties, seems all that is required to make a governable nation and a just and prosperous country.

Our society, thus purged and guarded, was full of high spirits, of laughter, and of the initiative of youth. The few elder men who joined us were still young at heart, and took the key from their companions. We returned from long stations in the fortifying air, our blood renewed by the sunshine, our spirits refreshed by the silence of the forest; the Babel of loud voices sounded good; we fell to eat and play like the natural man; and in the high inn chamber, panelled with indifferent pictures and lit by candles guttering in the night air, the talk and laughter sounded far into the night. It was a good place and a good life for any naturally- minded youth; better yet for the student of painting, and perhaps best of all for the student of letters. He, too, was saturated in this atmosphere of style; he was shut out from the disturbing currents of the world, he might forget that there existed other and more pressing interests than that of art. But, in such a place, it was hardly possible to write; he could not drug his conscience, like the painter, by the production of listless studies; he saw himself idle among many who were apparently, and some who were really, employed; and what with the impulse of increasing health and the continual provocation of romantic scenes, he became tormented with the desire to work. He enjoyed a strenuous idleness full of visions, hearty meals, long, sweltering walks, mirth among companions; and still floating like music through his brain, foresights of great works that Shakespeare might be proud to have conceived, headless epics, glorious torsos of dramas, and words that were alive with import. So in youth, like Moses from the mountain, we have sights of that House Beautiful of art which we shall never enter. They are dreams and unsubstantial; visions of style that repose upon no base of human meaning; the last heart- throbs of that excited amateur who has to die in all of us before the artist can be born. But they come to us in such a rainbow of glory that all subsequent achievement appears dull and earthly in comparison. We were all artists; almost all in the age of illusion, cultivating an imaginary genius, and walking to the strains of some deceiving Ariel; small wonder, indeed, if we were happy! But art, of whatever nature, is a kind mistress; and though these dreams of youth fall by their own baselessness, others succeed, graver and more substantial; the symptoms change, the amiable malady endures; and still, at an equal distance, the House Beautiful shines upon its hill-top.

V

Gretz lies out of the forest, down by the bright river. It boasts a mill, an ancient church, a castle, and a bridge of many sterlings. And the bridge is a piece of public property; anonymously famous; beaming on the incurious dilettante from the walls of a hundred exhibitions. I have seen it in the Salon; I have seen it in the Academy; I have seen it in the last French Exposition, excellently done by Bloomer; in a black-and-white by Mr. A. Henley, it once adorned this essay in the pages of the MAGAZINE OF ART. Long-suffering bridge! And if you visit Gretz to-morrow, you shall find another generation, camped at the bottom of Chevillon’s garden under their white umbrellas, and doggedly painting it again.

The bridge taken for granted, Gretz is a less inspiring place than Barbizon. I give it the palm over Cernay. There is something ghastly in the great empty village square of Cernay, with the inn tables standing in one corner, as though the stage were set for rustic opera, and in the early morning all the painters breaking their fast upon white wine under the windows of the villagers. It is vastly different to awake in Gretz, to go down the green inn- garden, to find the river streaming through the bridge, and to see the dawn begin across the poplared level. The meals are laid in the cool arbour, under fluttering leaves. The splash of oars and bathers, the bathing costumes out to dry, the trim canoes beside the jetty, tell of a society that has an eye to pleasure. There is “something to do” at Gretz. Perhaps, for that very reason, I can recall no such enduring ardours, no such glories of exhilaration, as among the solemn groves and uneventful hours of Barbizon. This “something to do” is a great enemy to joy; it is a way out of it; you wreak your high spirits on some cut-and-dry employment, and behold them gone! But Gretz is a merry place after its kind: pretty to see, merry to inhabit. The course of its pellucid river, whether up or down, is full of gentle attractions for the navigator: islanded reed-mazes where, in autumn, the red berries cluster; the mirrored and inverted images of trees, lilies, and mills, and the foam and thunder of weirs. And of all noble sweeps of roadway, none is nobler, on a windy dusk, than the highroad to Nemours between its lines of talking poplar.

But even Gretz is changed. The old inn, long shored and trussed and buttressed, fell at length under the mere weight of years, and the place as it was is but a fading image in the memory of former guests. They, indeed, recall the ancient wooden stair; they recall the rainy evening, the wide hearth, the blaze of the twig fire, and the company that gathered round the pillar in the kitchen. But the material fabric is now dust; soon, with the last of its inhabitants, its very memory shall follow; and they, in their turn, shall suffer the same law, and, both in name and lineament, vanish from the world of men. “For remembrance of the old house’ sake,” as Pepys once quaintly put it, let me tell one story. When the tide of invasion swept over France, two foreign painters were left stranded and penniless in Gretz; and there, until the war was over, the Chevillons ungrudgingly harboured them. It was difficult to obtain supplies; but the two waifs were still welcome to the best, sat down daily with the family to table, and at the due intervals were supplied with clean napkins, which they scrupled to employ. Madame Chevillon observed the fact and reprimanded them. But they stood firm; eat they must, but having no money they would soil no napkins.

VI

Nemours and Moret, for all they are so picturesque, have been little visited by painters. They are, indeed, too populous; they have manners of their own, and might resist the drastic process of colonisation. Montigny has been somewhat strangely neglected, I never knew it inhabited but once, when Will H. Low installed himself there with a barrel of PIQUETTE, and entertained his friends in a leafy trellis above the weir, in sight of the green country and to the music of the falling water. It was a most airy, quaint, and pleasant place of residence, just too rustic to be stagey; and from my memories of the place in general, and that garden trellis in particular – at morning, visited by birds, or at night, when the dew fell and the stars were of the party – I am inclined to think perhaps too favourably of the future of Montigny. Chailly-en-Biere has outlived all things, and lies dustily slumbering in the plain – the cemetery of itself. The great road remains to testify of its former bustle of postilions and carriage bells; and, like memorial tablets, there still hang in the inn room the paintings of a former generation, dead or decorated long ago. In my time, one man only, greatly daring, dwelt there. From time to time he would walk over to Barbizon like a shade revisiting the glimpses of the moon, and after some communication with flesh and blood return to his austere hermitage. But even he, when I last revisited the forest, had come to Barbizon for good, and closed the roll of Chaillyites. It may revive – but I much doubt it. Acheres and Recloses still wait a pioneer; Bourron is out of the question, being merely Gretz over again, without the river, the bridge, or the beauty; and of all the possible places on the western side, Marlotte alone remains to be discussed. I scarcely know Marlotte, and, very likely for that reason, am not much in love with it. It seems a glaring and unsightly hamlet. The inn of Mother Antonie is unattractive; and its more reputable rival, though comfortable enough, is commonplace. Marlotte has a name; it is famous; if I were the young painter I would leave it alone in its glory.

VII

These are the words of an old stager; and though time is a good conservative in forest places, much may be untrue to-day. Many of us have passed Arcadian days there and moved on, but yet left a portion of our souls behind us buried in the woods. I would not dig for these reliquiae; they are incommunicable treasures that will not enrich the finder; and yet there may lie, interred below great oaks or scattered along forest paths, stores of youth’s dynamite and dear remembrances. And as one generation passes on and renovates the field of tillage for the next, I entertain a fancy that when the young men of to-day go forth into the forest they shall find the air still vitalised by the spirits of their predecessors, and, like those “unheard melodies” that are the sweetest of all, the memory of our laughter shall still haunt the field of trees. Those merry voices that in woods call the wanderer farther, those thrilling silences and whispers of the groves, surely in Fontainebleau they must be vocal of me and my companions? We are not content to pass away entirely from the scenes of our delight; we would leave, if but in gratitude, a pillar and a legend.

One generation after another fall like honey-bees upon this memorable forest, rifle its sweets, pack themselves with vital memories, and when the theft is consummated depart again into life richer, but poorer also. The forest, indeed, they have possessed, from that day forward it is theirs indissolubly, and they will return to walk in it at night in the fondest of their dreams, and use it for ever in their books and pictures. Yet when they made their packets, and put up their notes and sketches, something, it should seem, had been forgotten. A projection of themselves shall appear to haunt unfriended these scenes of happiness, a natural child of fancy, begotten and forgotten unawares. Over the whole field of our wanderings such fetches are still travelling like indefatigable bagmen; but the imps of Fontainebleau, as of all beloved spots, are very long of life, and memory is piously unwilling to forget their orphanage. If anywhere about that wood you meet my airy bantling, greet him with tenderness. He was a pleasant lad, though now abandoned. And when it comes to your own turn to quit the forest, may you leave behind you such another; no Antony or Werther, let us hope, no tearful whipster, but, as becomes this not uncheerful and most active age in which we figure, the child of happy hours.

No art, it may be said, was ever perfect, and not many noble, that has not been mirthfully conceived.

And no man, it may be added, was ever anything but a wet blanket and a cross to his companions who boasted not a copious spirit of enjoyment. Whether as man or artist let the youth make haste to Fontainebleau, and once there let him address himself to the spirit of the place; he will learn more from exercise than from studies, although both are necessary; and if he can get into his heart the gaiety and inspiration of the woods he will have gone far to undo the evil of his sketches. A spirit once well strung up to the concert-pitch of the primeval out-of-doors will hardly dare to finish a study and magniloquently ticket it a picture. The incommunicable thrill of things, that is the tuning-fork by which we test the flatness of our art. Here it is that Nature teaches and condemns, and still spurs up to further effort and new failure. Thus it is that she sets us blushing at our ignorant and tepid works; and the more we find of these inspiring shocks the less shall we be apt to love the literal in our productions. In all sciences and senses the letter kills; and to-day, when cackling human geese express their ignorant condemnation of all studio pictures, it is a lesson most useful to be learnt. Let the young painter go to Fontainebleau, and while he stupefies himself with studies that teach him the mechanical side of his trade, let him walk in the great air, and be a servant of mirth, and not pick and botanise, but wait upon the moods of nature. So he will learn – or learn not to forget – the poetry of life and earth, which, when he has acquired his track, will save him from joyless reproduction.

[1882.]

CHAPTER IV – EPILOGUE TO “AN INLAND VOYAGE”

THE country where they journeyed, that green, breezy valley of the Loing, is one very attractive to cheerful and solitary people. The weather was superb; all night it thundered and lightened, and the rain fell in sheets; by day, the heavens were cloudless, the sun fervent, the air vigorous and pure. They walked separate: the Cigarette plodding behind with some philosophy, the lean Arethusa posting on ahead. Thus each enjoyed his own reflections by the way; each had perhaps time to tire of them before he met his comrade at the designated inn; and the pleasures of society and solitude combined to fill the day. The Arethusa carried in his knapsack the works of Charles of Orleans, and employed some of the hours of travel in the concoction of English roundels. In this path, he must thus have preceded Mr. Lang, Mr. Dobson, Mr. Henley, and all contemporary roundeleers; but for good reasons, he will be the last to publish the result. The Cigarette walked burthened with a volume of Michelet. And both these books, it will be seen, played a part in the subsequent adventure.

The Arethusa was unwisely dressed. He is no precisian in attire; but by all accounts, he was never so ill-inspired as on that tramp; having set forth indeed, upon a moment’s notice, from the most unfashionable spot in Europe, Barbizon. On his head he wore a smoking-cap of Indian work, the gold lace pitifully frayed and tarnished. A flannel shirt of an agreeable dark hue, which the satirical called black; a light tweed coat made by a good English tailor; ready-made cheap linen trousers and leathern gaiters completed his array. In person, he is exceptionally lean; and his face is not, like those of happier mortals, a certificate. For years he could not pass a frontier or visit a bank without suspicion; the police everywhere, but in his native city, looked askance upon him; and (though I am sure it will not be credited) he is actually denied admittance to the casino of Monte Carlo. If you will imagine him, dressed as above, stooping under his knapsack, walking nearly five miles an hour with the folds of the ready-made trousers fluttering about his spindle shanks, and still looking eagerly round him as if in terror of pursuit – the figure, when realised, is far from reassuring. When Villon journeyed (perhaps by the same pleasant valley) to his exile at Roussillon, I wonder if he had not something of the same appearance. Something of the same preoccupation he had beyond a doubt, for he too must have tinkered verses as he walked, with more success than his successor. And if he had anything like the same inspiring weather, the same nights of uproar, men in armour rolling and resounding down the stairs of heaven, the rain hissing on the village streets, the wild bull’s-eye of the storm flashing all night long into the bare inn- chamber – the same sweet return of day, the same unfathomable blue of noon, the same high-coloured, halcyon eves – and above all, if he had anything like as good a comrade, anything like as keen a relish for what he saw, and what he ate, and the rivers that he bathed in, and the rubbish that he wrote, I would exchange estates to-day with the poor exile, and count myself a gainer.

But there was another point of similarity between the two journeys, for which the Arethusa was to pay dear: both were gone upon in days of incomplete security. It was not long after the Franco- Prussian war. Swiftly as men forget, that country-side was still alive with tales of uhlans, and outlying sentries, and hairbreadth ‘scapes from the ignominious cord, and pleasant momentary friendships between invader and invaded. A year, at the most two years later, you might have tramped all that country over and not heard one anecdote. And a year or two later, you would – if you were a rather ill-looking young man in nondescript array – have gone your rounds in greater safety; for along with more interesting matter, the Prussian spy would have somewhat faded from men’s imaginations.

For all that, our voyager had got beyond Chateau Renard before he was conscious of arousing wonder. On the road between that place and Chatillon-sur-Loing, however, he encountered a rural postman; they fell together in talk, and spoke of a variety of subjects; but through one and all, the postman was still visibly preoccupied, and his eyes were faithful to the Arethusa’s knapsack. At last, with mysterious roguishness, he inquired what it contained, and on being answered, shook his head with kindly incredulity. “NON,” said he, “NON, VOUS AVEZ DES PORTRAITS.” And then with a languishing appeal, “VOYONS, show me the portraits!” It was some little while before the Arethusa, with a shout of laughter, recognised his drift. By portraits he meant indecent photographs; and in the Arethusa, an austere and rising author, he thought to have identified a pornographic colporteur. When countryfolk in France have made up their minds as to a person’s calling, argument is fruitless. Along all the rest of the way, the postman piped and fluted meltingly to get a sight of the collection; now he would upbraid, now he would reason – “VOYONS, I will tell nobody”; then he tried corruption, and insisted on paying for a glass of wine; and, at last when their ways separated – “NON,” said he, “CE N’EST PAS BIEN DE VOTRE PART. O NON, CE N’EST PAS BIEN.” And shaking his head with quite a sentimental sense of injury, he departed unrefreshed.

On certain little difficulties encountered by the Arethusa at Chatillon-sur-Loing, I have not space to dwell; another Chatillon, of grislier memory, looms too near at hand. But the next day, in a certain hamlet called La Jussiere, he stopped to drink a glass of syrup in a very poor, bare drinking shop. The hostess, a comely woman, suckling a child, examined the traveller with kindly and pitying eyes. “You are not of this department?” she asked. The Arethusa told her he was English. “Ah!” she said, surprised. “We have no English. We have many Italians, however, and they do very well; they do not complain of the people of hereabouts. An Englishman may do very well also; it will be something new.” Here was a dark saying, over which the Arethusa pondered as he drank his grenadine; but when he rose and asked what was to pay, the light came upon him in a flash. “O, POUR VOUS,” replied the landlady, “a halfpenny!” POUR VOUS? By heaven, she took him for a beggar! He paid his halfpenny, feeling that it were ungracious to correct her. But when he was forth again upon the road, he became vexed in spirit. The conscience is no gentleman, he is a rabbinical fellow; and his conscience told him he had stolen the syrup.

That night the travellers slept in Gien; the next day they passed the river and set forth (severally, as their custom was) on a short stage through the green plain upon the Berry side, to Chatillon- sur-Loire. It was the first day of the shooting; and the air rang with the report of firearms and the admiring cries of sportsmen. Overhead the birds were in consternation, wheeling in clouds, settling and re-arising. And yet with all this bustle on either hand, the road itself lay solitary. The Arethusa smoked a pipe beside a milestone, and I remember he laid down very exactly all he was to do at Chatillon: how he was to enjoy a cold plunge, to change his shirt, and to await the Cigarette’s arrival, in sublime inaction, by the margin of the Loire. Fired by these ideas, he pushed the more rapidly forward, and came, early in the afternoon and in a breathing heat, to the entering-in of that ill-fated town. Childe Roland to the dark tower came.

A polite gendarme threw his shadow on the path.

“MONSIEUR EST VOYAGEUR?” he asked.

And the Arethusa, strong in his innocence, forgetful of his vile attire, replied – I had almost said with gaiety: “So it would appear.”

“His papers are in order?” said the gendarme. And when the Arethusa, with a slight change of voice, admitted he had none, he was informed (politely enough) that he must appear before the Commissary.

The Commissary sat at a table in his bedroom, stripped to the shirt and trousers, but still copiously perspiring; and when he turned upon the prisoner a large meaningless countenance, that was (like Bardolph’s) “all whelks and bubuckles,” the dullest might have been prepared for grief. Here was a stupid man, sleepy with the heat and fretful at the interruption, whom neither appeal nor argument could reach.

THE COMMISSARY. You have no papers?

THE ARETHUSA. Not here.

THE COMMISSARY. Why?

THE ARETHUSA. I have left them behind in my valise.

THE COMMISSARY. You know, however, that it is forbidden to circulate without papers?

THE ARETHUSA. Pardon me: I am convinced of the contrary. I am here on my rights as an English subject by international treaty.

THE COMMISSARY (WITH SCORN). You call yourself an Englishman?

THE ARETHUSA. I do.

THE COMMISSARY. Humph. – What is your trade?

THE ARETHUSA. I am a Scotch advocate.

THE COMMISSARY (WITH SINGULAR ANNOYANCE). A Scotch advocate! Do you then pretend to support yourself by that in this department?

The Arethusa modestly disclaimed the pretension. The Commissary had scored a point.

THE COMMISSARY. Why, then, do you travel?

THE ARETHUSA. I travel for pleasure.

THE COMMISSARY (POINTING TO THE KNAPSACK, AND WITH SUBLIME INCREDULITY). AVEC CA? VOYEZ-VOUS, JE SUIS UN HOMME INTELLIGENT! (With that? Look here, I am a person of intelligence!)

The culprit remaining silent under this home thrust, the Commissary relished his triumph for a while, and then demanded (like the postman, but with what different expectations!) to see the contents of the knapsack. And here the Arethusa, not yet sufficiently awake to his position, fell into a grave mistake. There was little or no furniture in the room except the Commissary’s chair and table; and to facilitate matters, the Arethusa (with all the innocence on earth) leant the knapsack on a corner of the bed. The Commissary fairly bounded from his seat; his face and neck flushed past purple, almost into blue; and he screamed to lay the desecrating object on the floor.

The knapsack proved to contain a change of shirts, of shoes, of socks, and of linen trousers, a small dressing-case, a piece of soap in one of the shoes, two volumes of the COLLECTION JANNET lettered POESIES DE CHARLES D’ORLEANS, a map, and a version book containing divers notes in prose and the remarkable English roundels of the voyager, still to this day unpublished: the Commissary of Chatillon is the only living man who has clapped an eye on these artistic trifles. He turned the assortment over with a contumelious finger; it was plain from his daintiness that he regarded the Arethusa and all his belongings as the very temple of infection. Still there was nothing suspicious about the map, nothing really criminal except the roundels; as for Charles of Orleans, to the ignorant mind of the prisoner, he seemed as good as a certificate; and it was supposed the farce was nearly over.

The inquisitor resumed his seat.

THE COMMISSARY (AFTER A PAUSE). EH BIEN, JE VAIS VOUS DIRE CE QUE VOUS ETES. VOUS ETES ALLEMAND ET VOUS VENEZ CHANTER A LA FOIRE. (Well, then, I will tell you what you are. You are a German and have come to sing at the fair.)

THE ARETHUSA. Would you like to hear me sing? I believe I could convince you of the contrary.

THE COMMISSARY. PAS DE PLAISANTERIE, MONSIEUR!

THE ARETHUSA. Well, sir, oblige me at least by looking at this book. Here, I open it with my eyes shut. Read one of these songs – read this one – and tell me, you who are a man of intelligence, if it would be possible to sing it at a fair?

THE COMMISSARY (CRITICALLY). MAIS OUI. TRES BIEN.

THE ARETHUSA. COMMENT, MONSIEUR! What! But do you not observe it is antique. It is difficult to understand, even for you and me; but for the audience at a fair, it would be meaningless.

THE COMMISSARY (TAKING A PEN). ENFIN, IL FAUI EN FINIR. What is your name?

THE ARETHUSA (SPEAKING WITH THE SWALLOWING VIVACITY OF THE ENGLISH). Robert-Louis-Stev’ns’n.

THE COMMISSARY (AGHAST). HE! QUOI?

THE ARETHUSA (PERCEIVING AND IMPROVING HIS ADVANTAGE). Rob’rt- Lou’s-Stev’ns’n.

THE COMMISSARY (AFTER SEVERAL CONFLICTS WITH HIS PEN). EH BIEN, IL FAUT SE PASSER DU NOM. CA NE S’ECRIT PAS. (Well, we must do without the name: it is unspellable.)

The above is a rough summary of this momentous conversation, in which I have been chiefly careful to preserve the plums of the Commissary; but the remainder of the scene, perhaps because of his rising anger, has left but little definite in the memory of the Arethusa. The Commissary was not, I think, a practised literary man; no sooner, at least, had he taken pen in hand and embarked on the composition of the PROCES-VERBAL, than he became distinctly more uncivil and began to show a predilection for that simplest of all forms of repartee: “You lie!” Several times the Arethusa let it pass, and then suddenly flared up, refused to accept more insults or to answer further questions, defied the Commissary to do his worst, and promised him, if he did, that he should bitterly repent it. Perhaps if he had worn this proud front from the first, instead of beginning with a sense of entertainment and then going on to argue, the thing might have turned otherwise; for even at this eleventh hour the Commissary was visibly staggered. But it was too late; he had been challenged the PROCES-VERBAL was begun; and he again squared his elbows over his writing, and the Arethusa was led forth a prisoner.

A step or two down the hot road stood the gendarmerie. Thither was our unfortunate conducted, and there he was bidden to empty forth the contents of his pockets. A handkerchief, a pen, a pencil, a pipe and tobacco, matches, and some ten francs of change: that was all. Not a file, not a cipher, not a scrap of writing whether to identify or to condemn. The very gendarme was appalled before such destitution.

“I regret,” he said, “that I arrested you, for I see that you are no VOYOU.” And he promised him every indulgence.

The Arethusa, thus encouraged, asked for his pipe. That he was told was impossible, but if he chewed, he might have some tobacco. He did not chew, however, and asked instead to have his handkerchief.

“NON,” said the gendarme. “NOUS AVONS EU DES HISTOIRES DE GENS QUI SE SONT PENDUS.” (No, we have had histories of people who hanged themselves.)

“What,” cried the Arethusa. “And is it for that you refuse me my handkerchief? But see how much more easily I could hang myself in my trousers!”

The man was struck by the novelty of the idea; but he stuck to his colours, and only continued to repeat vague offers of service.

“At least,” said the Arethusa, “be sure that you arrest my comrade; he will follow me ere long on the same road, and you can tell him by the sack upon his shoulders.”

This promised, the prisoner was led round into the back court of the building, a cellar door was opened, he was motioned down the stair, and bolts grated and chains clanged behind his descending person.

The philosophic and still more the imaginative mind is apt to suppose itself prepared for any mortal accident. Prison, among other ills, was one that had been often faced by the undaunted Arethusa. Even as he went down the stairs, he was telling himself that here was a famous occasion for a roundel, and that like the committed linnets of the tuneful cavalier, he too would make his prison musical. I will tell the truth at once: the roundel was never written, or it should be printed in this place, to raise a smile. Two reasons interfered: the first moral, the second physical.

It is one of the curiosities of human nature, that although all men are liars, they can none of them bear to be told so of themselves. To get and take the lie with equanimity is a stretch beyond the stoic; and the Arethusa, who had been surfeited upon that insult, was blazing inwardly with a white heat of smothered wrath. But the physical had also its part. The cellar in which he was confined was some feet underground, and it was only lighted by an unglazed, narrow aperture high up in the wall and smothered in the leaves of a green vine. The walls were of naked masonry, the floor of bare earth; by way of furniture there was an earthenware basin, a water- jug, and a wooden bedstead with a blue-gray cloak for bedding. To be taken from the hot air of a summer’s afternoon, the reverberation of the road and the stir of rapid exercise, and plunged into the gloom and damp of this receptacle for vagabonds, struck an instant chill upon the Arethusa’s blood. Now see in how small a matter a hardship may consist: the floor was exceedingly uneven underfoot, with the very spade-marks, I suppose, of the labourers who dug the foundations of the barrack; and what with the poor twilight and the irregular surface, walking was impossible. The caged author resisted for a good while; but the chill of the place struck deeper and deeper; and at length, with such reluctance as you may fancy, he was driven to climb upon the bed and wrap himself in the public covering. There, then, he lay upon the verge of shivering, plunged in semi-darkness, wound in a garment whose touch he dreaded like the plague, and (in a spirit far removed from resignation) telling the roll of the insults he had just received. These are not circumstances favourable to the muse.

Meantime (to look at the upper surface where the sun was still shining and the guns of sportsmen were still noisy through the tufted plain) the Cigarette was drawing near at his more philosophic pace. In those days of liberty and health he was the constant partner of the Arethusa, and had ample opportunity to share in that gentleman’s disfavour with the police. Many a bitter bowl had he partaken of with that disastrous comrade. He was himself a man born to float easily through life, his face and manner artfully recommending him to all. There was but one suspicious circumstance he could not carry off, and that was his companion. He will not readily forget the Commissary in what is ironically called the free town of Frankfort-on-the-Main ; nor the Franco-Belgian frontier; nor the inn at La Fere; last, but not least, he is pretty certain to remember Chatillon-sur-Loire.

At the town entry, the gendarme culled him like a wayside flower; and a moment later, two persons, in a high state of surprise, were confronted in the Commissary’s office. For if the Cigarette was surprised to be arrested, the Commissary was no less taken aback by the appearance and appointments of his captive. Here was a man about whom there could be no mistake: a man of an unquestionable and unassailable manner, in apple-pie order, dressed not with neatness merely but elegance, ready with his passport, at a word, and well supplied with money: a man the Commissary would have doffed his hat to on chance upon the highway; and this BEAU CAVALIER unblushingly claimed the Arethusa for his comrade! The conclusion of the interview was foregone; of its humours, I remember only one. “Baronet?” demanded the magistrate, glancing up from the passport. “ALORS, MONSIEUR, VOUS ETES LE FIRS D’UN BARON?” And when the Cigarette (his one mistake throughout the interview) denied the soft impeachment, “ALORS,” from the Commissary, “CE N’EST PAS VOTRE PASSEPORT!” But these were ineffectual thunders; he never dreamed of laying hands upon the Cigarette; presently he fell into a mood of unrestrained admiration, gloating over the contents of the knapsack, commanding our friend’s tailor. Ah, what an honoured guest was the Commissary entertaining! what suitable clothes he wore for the warm weather! what beautiful maps, what an attractive work of history he carried in his knapsack! You are to understand there was now but one point of difference between them: what was to be done with the Arethusa? the Cigarette demanding his release, the Commissary still claiming him as the dungeon’s own. Now it chanced that the Cigarette had passed some years of his life in Egypt, where he had made acquaintance with two very bad things, cholera morbus and pashas; and in the eye of the Commissary, as he fingered the volume of Michelet, it seemed to our traveller there was something Turkish. I pass over this lightly; it is highly possible there was some misunderstanding, highly possible that the Commissary (charmed with his visitor) supposed the attraction to be mutual and took for an act of growing friendship what the Cigarette himself regarded as a bribe. And at any rate, was there ever a bribe more singular than an odd volume of Michelet’s history? The work was promised him for the morrow, before our departure; and presently after, either because he had his price, or to show that he was not the man to be behind in friendly offices – “EH BIEN,” he said, “JE SUPPOSE QU’IL FAUT LAHER VOIRE CAMARADE.” And he tore up that feast of humour, the unfinished PROCES-VERBAL. Ah, if he had only torn up instead the Arethusa’s roundels! There were many works burnt at Alexandria, there are many treasured in the British Museum, that I could better spare than the PROCES-VERBAL of Chatillon. Poor bubuckled Commissary! I begin to be sorry that he never had his Michelet: perceiving in him fine human traits, a broad-based stupidity, a gusto in his magisterial functions, a taste for letters, a ready admiration for the admirable. And if he did not admire the Arethusa, he was not alone in that.

To the imprisoned one, shivering under the public covering, there came suddenly a noise of bolts and chains. He sprang to his feet, ready to welcome a companion in calamity; and instead of that, the door was flung wide, the friendly gendarme appeared above in the strong daylight, and with a magnificent gesture (being probably a student of the drama) – “VOUS ETES LIBRE!” he said. None too soon for the Arethusa. I doubt if he had been half-an-hour imprisoned; but by the watch in a man’s brain (which was the only watch he carried) he should have been eight times longer; and he passed forth with ecstasy up the cellar stairs into the healing warmth of the afternoon sun; and the breath of the earth came as sweet as a cow’s into his nostril; and he heard again (and could have laughed for pleasure) the concord of delicate noises that we call the hum of life.

And here it might be thought that my history ended; but not so, this was an act-drop and not the curtain. Upon what followed in front of the barrack, since there was a lady in the case, I scruple to expatiate. The wife of the Marechal-des-logis was a handsome woman, and yet the Arethusa was not sorry to be gone from her society. Something of her image, cool as a peach on that hot afternoon, still lingers in his memory: yet more of her conversation. “You have there a very fine parlour,” said the poor gentleman. – “Ah,” said Madame la Marechale (des-logis), “you are very well acquainted with such parlours!” And you should have seen with what a hard and scornful eye she measured the vagabond before her! I do not think he ever hated the Commissary; but before that interview was at an end, he hated Madame la Marechale. His passion (as I am led to understand by one who was present) stood confessed in a burning eye, a pale cheek, and a trembling utterance; Madame meanwhile tasting the joys of the matador, goading him with barbed words and staring him coldly down.

It was certainly good to be away from this lady, and better still to sit down to an excellent dinner in the inn. Here, too, the despised travellers scraped acquaintance with their next neighbour, a gentleman of these parts, returned from the day’s sport, who had the good taste to find pleasure in their society. The dinner at an end, the gentleman proposed the acquaintance should be ripened in the cafe.

The cafe was crowded with sportsmen conclamantly explaining to each other and the world the smallness of their bags. About the centre of the room, the Cigarette and the Arethusa sat with their new acquaintance; a trio very well pleased, for the travellers (after their late experience) were greedy of consideration, and their sportsman rejoiced in a pair of patient listeners. Suddenly the glass door flew open with a crash; the Marechal-des-logis appeared in the interval, gorgeously belted and befrogged, entered without salutation, strode up the room with a clang of spurs and weapons, and disappeared through a door at the far end. Close at his heels followed the Arethusa’s gendarme of the afternoon, imitating, with a nice shade of difference, the imperial bearing of his chief; only, as he passed, he struck lightly with his open hand on the shoulder of his late captive, and with that ringing, dramatic utterance of which he had the secret – “SUIVEZ!” said he.

The arrest of the members, the oath of the Tennis Court, the signing of the declaration of independence, Mark Antony’s oration, all the brave scenes of history, I conceive as having been not unlike that evening in the cafe at Chatillon. Terror breathed upon the assembly. A moment later, when the Arethusa had followed his recaptors into the farther part of the house, the Cigarette found himself alone with his coffee in a ring of empty chairs and tables, all the lusty sportsmen huddled into corners, all their clamorous voices hushed in whispering, all their eyes shooting at him furtively as at a leper.

And the Arethusa? Well, he had a long, sometimes a trying, interview in the back kitchen. The Marechal-des-logis, who was a very handsome man, and I believe both intelligent and honest, had no clear opinion on the case. He thought the Commissary had done wrong, but he did not wish to get his subordinates into trouble; and he proposed this, that, and the other, to all of which the Arethusa (with a growing sense of his position) demurred.

“In short,” suggested the Arethusa, “you want to wash your hands of further responsibility? Well, then, let me go to Paris.”

The Marechal-des-logis looked at his watch.

“You may leave,” said he, “by the ten o’clock train for Paris.”

And at noon the next day the travellers were telling their misadventure in the dining-room at Siron’s.

CHAPTER V – RANDOM MEMORIES

I. – THE COAST OF FIFE

MANY writers have vigorously described the pains of the first day or the first night at school; to a boy of any enterprise, I believe, they are more often agreeably exciting. Misery – or at least misery unrelieved – is confined to another period, to the days of suspense and the “dreadful looking-for” of departure; when the old life is running to an end, and the new life, with its new interests, not yet begun: and to the pain of an imminent parting, there is added the unrest of a state of conscious pre-existence. The area railings, the beloved shop-window, the smell of semi- suburban tanpits, the song of the church bells upon a Sunday, the thin, high voices of compatriot children in a playing-field – what a sudden, what an overpowering pathos breathes to him from each familiar circumstance! The assaults of sorrow come not from within, as it seems to him, but from without. I was proud and glad to go to school; had I been let alone, I could have borne up like any hero; but there was around me, in all my native town, a conspiracy of lamentation: “Poor little boy, he is going away – unkind little boy, he is going to leave us”; so the unspoken burthen followed me as I went, with yearning and reproach. And at length, one melancholy afternoon in the early autumn, and at a place where it seems to me, looking back, it must be always autumn and generally Sunday, there came suddenly upon the face of all I saw – the long empty road, the lines of the tall houses, the church upon the hill, the woody hillside garden – a look of such a piercing sadness that my heart died; and seating myself on a door- step, I shed tears of miserable sympathy. A benevolent cat cumbered me the while with consolations – we two were alone in all that was visible of the London Road: two poor waifs who had each tasted sorrow – and she fawned upon the weeper, and gambolled for his entertainment, watching the effect it seemed, with motherly eyes.

For the sake of the cat, God bless her! I confessed at home the story of my weakness; and so it comes about that I owed a certain journey, and the reader owes the present paper, to a cat in the London Road. It was judged, if I had thus brimmed over on the public highway, some change of scene was (in the medical sense) indicated; my father at the time was visiting the harbour lights of Scotland; and it was decided he should take me along with him around a portion of the shores of Fife; my first professional tour, my first journey in the complete character of man, without the help of petticoats.

The Kingdom of Fife (that royal province) may be observed by the curious on the map, occupying a tongue of land between the firths of Forth and Tay. It may be continually seen from many parts of Edinburgh (among the rest, from the windows of my father’s house) dying away into the distance and the easterly HAAR with one smoky seaside town beyond another, or in winter printing on the gray heaven some glittering hill-tops. It has no beauty to recommend it, being a low, sea-salted, wind-vexed promontory; trees very rare, except (as common on the east coast) along the dens of rivers; the fields well cultivated, I understand, but not lovely to the eye. It is of the coast I speak: the interior may be the garden of Eden. History broods over that part of the world like the easterly HAAR. Even on the map, its long row of Gaelic place- names bear testimony to an old and settled race. Of these little towns, posted along the shore as close as sedges, each with its bit of harbour, its old weather-beaten church or public building, its flavour of decayed prosperity and decaying fish, not one but has its legend, quaint or tragic: Dunfermline, in whose royal towers the king may be still observed (in the ballad) drinking the blood- red wine; somnolent Inverkeithing, once the quarantine of Leith; Aberdour, hard by the monastic islet of Inchcolm, hard by Donibristle where the “bonny face was spoiled”; Burntisland where, when Paul Jones was off the coast, the Reverend Mr. Shirra had a table carried between tidemarks, and publicly prayed against the rover at the pitch of his voice and his broad lowland dialect; Kinghorn, where Alexander “brak’s neckbane” and left Scotland to the English wars; Kirkcaldy, where the witches once prevailed extremely and sank tall ships and honest mariners in the North Sea; Dysart, famous – well famous at least to me for the Dutch ships that lay in its harbour, painted like toys and with pots of flowers and cages of song-birds in the cabin windows, and for one particular Dutch skipper who would sit all day in slippers on the break of the poop, smoking a long German pipe; Wemyss (pronounce Weems) with its bat-haunted caves, where the Chevalier Johnstone, on his flight from Culloden, passed a night of superstitious terrors; Leven, a bald, quite modern place, sacred to summer visitors, whence there has gone but yesterday the tall figure and the white locks of the last Englishman in Delhi, my uncle Dr. Balfour, who was still walking his hospital rounds, while the troopers from Meerut clattered and cried “Deen Deen” along the streets of the imperial city, and Willoughby mustered his handful of heroes at the magazine, and the nameless brave one in the telegraph office was perhaps already fingering his last despatch; and just a little beyond Leven, Largo Law and the smoke of Largo town mounting about its feet, the town of Alexander Selkirk, better known under the name of Robinson Crusoe. So on, the list might be pursued (only for private reasons, which the reader will shortly have an opportunity to guess) by St. Monance, and Pittenweem, and the two Anstruthers, and Cellardyke, and Crail, where Primate Sharpe was once a humble and innocent country minister: on to the heel of the land, to Fife Ness, overlooked by a sea-wood of matted elders and the quaint old mansion of Balcomie, itself overlooking but the breach or the quiescence of the deep – the Carr Rock beacon rising close in front, and as night draws in, the star of the Inchcape reef springing up on the one hand, and the star of the May Island on the other, and farther off yet a third and a greater on the craggy foreland of St. Abb’s. And but a little way round the corner of the land, imminent itself above the sea, stands the gem of the province and the light of mediaeval Scotland, St. Andrews, where the great Cardinal Beaton held garrison against the world, and the second of the name and title perished (as you may read in Knox’s jeering narrative) under the knives of true-blue Protestants, and to this day (after so many centuries) the current voice of the professor is not hushed.

Here it was that my first tour of inspection began, early on a bleak easterly morning. There was a crashing run of sea upon the shore, I recollect, and my father and the man of the harbour light must sometimes raise their voices to be audible. Perhaps it is from this circumstance, that I always imagine St. Andrews to be an ineffectual seat of learning, and the sound of the east wind and the bursting surf to linger in its drowsy classrooms and confound the utterance of the professor, until teacher and taught are alike drowned in oblivion, and only the sea-gull beats on the windows and the draught of the sea-air rustles in the pages of the open lecture. But upon all this, and the romance of St. Andrews in general, the reader must consult the works of Mr. Andrew Lang; who has written of it but the other day in his dainty prose and with his incommunicable humour, and long ago in one of his best poems, with grace, and local truth, and a note of unaffected pathos. Mr. Lang knows all about the romance, I say, and the educational advantages, but I doubt if he had turned his attention to the harbour lights; and it may be news even to him, that in the year 1863 their case was pitiable. Hanging about with the east wind humming in my teeth, and my hands (I make no doubt) in my pockets, I looked for the first time upon that tragi-comedy of the visiting engineer which I have seen so often re-enacted on a more important stage. Eighty years ago, I find my grandfather writing: “It is the most painful thing that can occur to me to have a correspondence of this kind with any of the keepers, and when I come to the Light House, instead of having the satisfaction to meet them with approbation and welcome their Family, it is distressing when one-is obliged to put on a most angry countenance and demeanour.” This painful obligation has been hereditary in my race. I have myself, on a perfectly amateur and unauthorised inspection of Turnberry Point, bent my brows upon the keeper on the question of storm-panes; and felt a keen pang of self-reproach, when we went down stairs again and I found he was making a coffin for his infant child; and then regained my equanimity with the thought that I had done the man a service, and when the proper inspector came, he would be readier with his panes. The human race is perhaps credited with more duplicity than it deserves. The visitation of a lighthouse at least is a business of the most transparent nature. As soon as the boat grates on the shore, and the keepers step forward in their uniformed coats, the very slouch of the fellows’ shoulders tells their story, and the engineer may begin at once to assume his “angry countenance.” Certainly the brass of the handrail will be clouded; and if the brass be not immaculate, certainly all will be to match – the reflectors scratched, the spare lamp unready, the storm-panes in the storehouse. If a light is not rather more than middling good, it will be radically bad. Mediocrity (except in literature) appears to be unattainable by man. But of course the unfortunate of St. Andrews was only an amateur, he was not in the Service, he had no uniform coat, he was (I believe) a plumber by his trade and stood (in the mediaeval phrase) quite out of the danger of my father; but he had a painful interview for all that, and perspired extremely.

From St. Andrews, we drove over Magus Muir. My father had announced we were “to post,” and the phrase called up in my hopeful mind visions of top-boots and the pictures in Rowlandson’s DANCE OF DEATH; but it was only a jingling cab that came to the inn door, such as I had driven in a thousand times at the low price of one shilling on the streets of Edinburgh. Beyond this disappointment, I remember nothing of that drive. It is a road I have often travelled, and of not one of these journeys do I remember any single trait. The fact has not been suffered to encroach on the truth of the imagination. I still see Magus Muir two hundred years ago; a desert place, quite uninclosed; in the midst, the primate’s carriage fleeing at the gallop; the assassins loose-reined in pursuit, Burley Balfour, pistol in hand, among the first. No scene of history has ever written itself so deeply on my mind; not because Balfour, that questionable zealot, was an ancestral cousin of my own; not because of the pleadings of the victim and his daughter; not even because of the live bum-bee that flew out of Sharpe’s ‘bacco-box, thus clearly indicating his complicity with Satan; nor merely because, as it was after all a crime of a fine religious flavour, it figured in Sunday books and afforded a grateful relief from MINISTERING CHILDREN or the MEMOIRS OF MRS. KATHATINE WINSLOWE. The figure that always fixed my attention is that of Hackston of Rathillet, sitting in the saddle with his cloak about his mouth, and through all that long, bungling, vociferous hurly-burly, revolving privately a case of conscience. He would take no hand in the deed, because he had a private spite against the victim, and “that action” must be sullied with no suggestion of a worldly motive; on the other hand, “that action,” in itself, was highly justified, he had cast in his lot with “the actors,” and he must stay there, inactive but publicly sharing the responsibility. “You are a gentleman – you will protect me!” cried the wounded old man, crawling towards him. “I will never lay a hand on you,” said Hackston, and put his cloak about his mouth. It is an old temptation with me, to pluck away that cloak and see the face – to open that bosom and to read the heart. With incomplete romances about Hackston, the drawers of my youth were lumbered. I read him up in every printed book that I could lay my hands on. I even dug among the Wodrow manuscripts, sitting shame-faced in the very room where my hero had been tortured two centuries before, and keenly conscious of my youth in the midst of other and (as I fondly thought) more gifted students. All was vain: that he had passed a riotous nonage, that he was a zealot, that he twice displayed (compared with his grotesque companions) some tincture of soldierly resolution and even of military common sense, and that he figured memorably in the scene on Magus Muir, so much and no more could I make out. But whenever I cast my eyes backward, it is to see him like a landmark on the plains of history, sitting with his cloak about his mouth, inscrutable. How small a thing creates an immortality! I do not think he can have been a man entirely commonplace; but had he not thrown his cloak about his mouth, or had the witnesses forgot to chronicle the action, he would not thus have haunted the imagination of my boyhood, and to-day he would scarce delay me for a paragraph. An incident, at once romantic and dramatic, which at once awakes the judgment and makes a picture for the eye, how little do we realise its perdurable power! Perhaps no one does so but the author, just as none but he appreciates the influence of jingling words; so that he looks on upon life, with something of a covert smile, seeing people led by what they fancy to be thoughts and what are really the accustomed artifices of his own trade, or roused by what they take to be principles and are really picturesque effects. In a pleasant book about a school- class club, Colonel Fergusson has recently told a little anecdote. A “Philosophical Society” was formed by some Academy boys – among them, Colonel Fergusson himself, Fleeming Jenkin, and Andrew Wilson, the Christian Buddhist and author of THE ABODE OF SNOW. Before these learned pundits, one member laid the following ingenious problem: “What would be the result of putting a pound of potassium in a pot of porter?” “I should think there would be a number of interesting bi-products,” said a smatterer at my elbow; but for me the tale itself has a bi-product, and stands as a type of much that is most human. For this inquirer who conceived himself to burn with a zeal entirely chemical, was really immersed in a design of a quite different nature; unconsciously to his own recently breeched intelligence, he was engaged in literature. Putting, pound, potassium, pot, porter; initial p, mediant t – that was his idea, poor little boy! So with politics and that which excites men in the present, so with history and that which rouses them in the past: there lie at the root of what appears, most serious unsuspected elements.

The triple town of Anstruther Wester, Anstruther Easter, and Cellardyke, all three Royal Burghs – or two Royal Burghs and a less distinguished suburb, I forget which – lies continuously along the seaside, and boasts of either two or three separate parish churches, and either two or three separate harbours. These ambiguities are painful; but the fact is (although it argue me uncultured), I am but poorly posted upon Cellardyke. My business lay in the two Anstruthers. A tricklet of a stream divides them, spanned by a bridge; and over the bridge at the time of my knowledge, the celebrated Shell House stood outpost on the west. This had been the residence of an agreeable eccentric; during his fond tenancy, he had illustrated the outer walls, as high (if I remember rightly) as the roof, with elaborate patterns and pictures, and snatches of verse in the vein of EXEGI MONUMENTUM; shells and pebbles, artfully contrasted and conjoined, had been his medium; and I like to think of him standing back upon the bridge, when all was finished, drinking in the general effect and (like Gibbon) already lamenting his employment.

The same bridge saw another sight in the seventeenth century. Mr. Thomson, the “curat” of Anstruther Easter, was a man highly obnoxious to the devout: in the first place, because he was a “curat”; in the second place, because he was a person of irregular and scandalous life; and in the third place, because he was generally suspected of dealings with the Enemy of Man. These three disqualifications, in the popular literature of the time, go hand in hand; but the end of Mr. Thomson was a thing quite by itself, and in the proper phrase, a manifest judgment. He had been at a friend’s house in Anstruther Wester, where (and elsewhere, I suspect) he had partaken of the bottle; indeed, to put the thing in our cold modern way, the reverend gentleman was on the brink of DELIRIUM TREMENS. It was a dark night, it seems; a little lassie came carrying a lantern to fetch the curate home; and away they went down the street of Anstruther Wester, the lantern swinging a bit in the child’s hand, the barred lustre tossing up and down along the front of slumbering houses, and Mr. Thomson not altogether steady on his legs nor (to all appearance) easy in his mind. The pair had reached the middle of the bridge when (as I conceive the scene) the poor tippler started in some baseless fear and looked behind him; the child, already shaken by the minister’s strange behaviour, started also; in so doing, she would jerk the lantern; and for the space of a moment the lights and the shadows would be all confounded. Then it was that to the unhinged toper and the twittering child, a huge bulk of blackness seemed to sweep down, to pass them close by as they stood upon the bridge, and to vanish on the farther side in the general darkness of the night. “Plainly the devil come for Mr. Thomson!” thought the child. What Mr. Thomson thought himself, we have no ground of knowledge; but he fell upon his knees in the midst of the bridge like a man praying. On the rest of the journey to the manse, history is silent; but when they came to the door, the poor caitiff, taking the lantern from the child, looked upon her with so lost a countenance that her little courage died within her, and she fled home screaming to her parents. Not a soul would venture out; all that night, the minister dwelt alone with his terrors in the manse; and when the day dawned, and men made bold to go about the streets, they found the devil had come indeed for Mr. Thomson.

This manse of Anstruther Easter has another and a more cheerful association. It was early in the morning, about a century before the days of Mr. Thomson, that his predecessor was called out of bed to welcome a Grandee of Spain, the Duke of Medina Sidonia, just landed in the harbour underneath. But sure there was never seen a more decayed grandee; sure there was never a duke welcomed from a stranger place of exile. Half-way between Orkney and Shetland, there lies a certain isle; on the one hand the Atlantic, on the other the North Sea, bombard its pillared cliffs; sore-eyed, short- living, inbred fishers and their families herd in its few huts; in the graveyard pieces of wreck-wood stand for monuments; there is nowhere a more inhospitable spot. BELLE-ISLE-EN-MER – Fair-Isle- at-Sea – that is a name that has always rung in my mind’s ear like music; but the only “Fair Isle” on which I ever set my foot, was this unhomely, rugged turret-top of submarine sierras. Here, when his ship was broken, my lord Duke joyfully got ashore; here for long months he and certain of his men were harboured; and it was from this durance that he landed at last to be welcomed (as well as such a papist deserved, no doubt) by the godly incumbent of Anstruther Easter; and after the Fair Isle, what a fine city must that have appeared! and after the island diet, what a hospitable spot the minister’s table! And yet he must have lived on friendly terms with his outlandish hosts. For to this day there still survives a relic of the long winter evenings when the sailors of the great Armada crouched about the hearths of the Fair-Islanders, the planks of their own lost galleon perhaps lighting up the scene, and the gale and the surf that beat about the coast contributing their melancholy voices. All the folk of the north isles are great artificers of knitting: the Fair-Islanders alone dye their fabrics in the Spanish manner. To this day, gloves and nightcaps, innocently decorated, may be seen for sale in the Shetland warehouse at Edinburgh, or on the Fair Isle itself in the catechist’s house; and to this day, they tell the story of the Duke of Medina Sidonia’s adventure.

It would seem as if the Fair Isle had some attraction for “persons of quality.” When I landed there myself, an elderly gentleman, unshaved, poorly attired, his shoulders wrapped in a plaid, was seen walking to and fro, with a book in his hand, upon the beach. He paid no heed to our arrival, which we thought a strange thing in itself; but when one of the officers of the PHAROS, passing narrowly by him, observed his book to be a Greek Testament, our wonder and interest took a higher flight. The catechist was cross- examined; he said the gentleman had been put across some time before in Mr. Bruce of Sumburgh’s schooner, the only link between the Fair Isle and the rest of the world; and that he held services and was doing “good.” So much came glibly enough; but when pressed a little farther, the catechist displayed embarrassment. A singular diffidence appeared upon his face: “They tell me,” said he, in low tones, “that he’s a lord.” And a lord he was; a peer of the realm pacing that inhospitable beach with his Greek Testament, and his plaid about his shoulders, set upon doing good, as he understood it, worthy man! And his grandson, a good-looking little boy, much better dressed than the lordly evangelist, and speaking with a silken English accent very foreign to the scene, accompanied me for a while in my exploration of the island. I suppose this little fellow is now my lord, and wonder how much he remembers of the Fair Isle. Perhaps not much; for he seemed to accept very quietly his savage situation; and under such guidance, it is like that this was not his first nor yet his last adventure.

CHAPTER VI – RANDOM MEMORIES

II. – THE EDUCATION OF AN ENGINEER

ANSTRUTHER is a place sacred to the Muse; she inspired (really to a considerable extent) Tennant’s vernacular poem ANST’ER FAIR; and I have there waited upon her myself with much devotion. This was when I came as a young man to glean engineering experience from the building of the breakwater. What I gleaned, I am sure I do not know; but indeed I had already my own private determination to be an author; I loved the art of words and the appearances of life; and TRAVELLERS, and HEADERS, and RUBBLE, and POLISHED ASHLAR, and PIERRES PERDUES, and even the thrilling question of the STRING- COURSE, interested me only (if they interested me at all) as properties for some possible romance or as words to add to my vocabulary. To grow a little catholic is the compensation of years; youth is one-eyed; and in those days, though I haunted the breakwater by day, and even loved the place for the sake of the sunshine, the thrilling seaside air, the wash of waves on the sea- face, the green glimmer of the divers’ helmets far below, and the musical chinking of the masons, my one genuine preoccupation lay elsewhere, and my only industry was in the hours when I was not on duty. I lodged with a certain Bailie Brown, a carpenter by trade; and there, as soon as dinner was despatched, in a chamber scented with dry rose-leaves, drew in my chair to the table and proceeded to pour forth literature, at such a speed, and with such intimations of early death and immortality, as I now look back upon with wonder. Then it was that I wrote VOCES FIDELIUM, a series of dramatic monologues in verse; then that I indited the bulk of a covenanting novel – like so many others, never finished. Late I sat into the night, toiling (as I thought) under the very dart of death, toiling to leave a memory behind me. I feel moved to thrust aside the curtain of the years, to hail that poor feverish idiot, to bid him go to bed and clap VOCES FIDELIUM on the fire before he goes; so clear does he appear before me, sitting there between his candles in the rose-scented room and the late night; so ridiculous a picture (to my elderly wisdom) does the fool present! But he was driven to his bed at last without miraculous intervention; and the manner of his driving sets the last touch upon this eminently youthful business. The weather was then so warm that I must keep the windows open; the night without was populous with moths. As the late darkness deepened, my literary tapers beaconed forth more brightly; thicker and thicker came the dusty night-fliers, to gyrate for one brilliant instant round the flame and fall in agonies upon my paper. Flesh and blood could not endure the spectacle; to capture immortality was doubtless a noble enterprise, but not to capture it at such a cost of suffering; and out would go the candles, and off would I go to bed in the darkness raging to think that the blow might fall on the morrow, and there was VOCES FIDELIUM still incomplete. Well, the moths are – all gone, and VOCES FIDELIUM along with them; only the fool is still on hand and practises new follies.

Only one thing in connection with the harbour tempted me, and that was the diving, an experience I burned to taste of. But this was not to be, at least in Anstruther; and the subject involves a change of scene to the sub-arctic town of Wick. You can never have dwelt in a country more unsightly than that part of Caithness, the land faintly swelling, faintly falling, not a tree, not a hedgerow, the fields divided by single slate stones set upon their edge, the wind always singing in your ears and (down the long road that led nowhere) thrumming in the telegraph wires. Only as you approached the coast was there anything to stir the heart. The plateau broke down to the North Sea in formidable cliffs, the tall out-stacks rose like pillars ringed about with surf, the coves were over- brimmed with clamorous froth, the sea-birds screamed, the wind sang in the thyme on the cliff’s edge; here and there, small ancient castles toppled on the brim; here and there, it was possible to dip into a dell of shelter, where you might lie and tell yourself you were a little warm, and hear (near at hand) the whin-pods bursting in the afternoon sun, and (farther off) the rumour of the turbulent sea. As for Wick itself, it is one of the meanest of man’s towns, and situate certainly on the baldest of God’s bays. It lives for herring, and a strange sight it is to see (of an afternoon) the heights of Pulteney blackened by seaward-looking fishers, as when a city crowds to a review – or, as when bees have swarmed, the ground is horrible with lumps and clusters; and a strange sight, and a beautiful, to see the fleet put silently out against a rising moon, the sea-line rough as a wood with sails, and ever and again and one after another, a boat flitting swiftly by the silver disk. This mass of fishers, this great fleet of boats, is out of all proportion to the town itself; and the oars are manned and the nets hauled by immigrants from the Long Island (as we call the outer Hebrides), who come for that season only, and depart again, if “the take” be poor, leaving debts behind them. In a bad year, the end of the herring fishery is therefore an exciting time; fights are common, riots often possible; an apple knocked from a child’s hand was once the signal for something like a war; and even when I was there, a gunboat lay in the bay to assist the authorities. To contrary interests, it should be observed, the curse of Babel is here added; the Lews men are Gaelic speakers. Caithness has adopted English; an odd circumstance, if you reflect that both must be largely Norsemen by descent. I remember seeing one of the strongest instances of this division: a thing like a Punch-and- Judy box erected on the flat grave-stones of the churchyard; from the hutch or proscenium – I know not what to call it – an eldritch- looking preacher laying down the law in Gaelic about some one of the name of POWL, whom I at last divined to be the apostle to the Gentiles; a large congregation of the Lews men very devoutly listening; and on the outskirts of the crowd, some of the town’s children (to whom the whole affair was Greek and Hebrew) profanely playing tigg. The same descent, the same country, the same narrow sect of the same religion, and all these bonds made very largely nugatory by an accidental difference of dialect!

Into the bay of Wick stretched the dark length of the unfinished breakwater, in its cage of open staging; the travellers (like frames of churches) over-plumbing all; and away at the extreme end, the divers toiling unseen on the foundation. On a platform of loose planks, the assistants turned their air-mills; a stone might be swinging between wind and water; underneath the swell ran gaily; and from time to time, a mailed dragon with a window-glass snout came dripping up the ladder. Youth is a blessed season after all; my stay at Wick was in the year of VOCES FIDELIUM and the rose-leaf room at Bailie Brown’s; and already I did not care two straws for literary glory. Posthumous ambition perhaps requires an atmosphere of roses; and the more rugged excitant of Wick east winds had made another boy of me. To go down in the diving-dress, that was my absorbing fancy; and with the countenance of a certain handsome scamp of a diver, Bob Bain by name, I gratified the whim.

It was gray, harsh, easterly weather, the swell ran pretty high, and out in the open there were “skipper’s daughters,” when I found myself at last on the diver’s platform, twenty pounds of lead upon each foot and my whole person swollen with ply and ply of woollen underclothing. One moment, the salt wind was whistling round my night-capped head; the next, I was crushed almost double under the weight of the helmet. As that intolerable burthern was laid upon me, I could have found it in my heart (only for shame’s sake) to cry off from the whole enterprise. But it was too late. The attendants began to turn the hurdy-gurdy, and the air to whistle through the tube; some one screwed in the barred window of the vizor; and I was cut off in a moment from my fellow-men; standing there in their midst, but quite divorced from intercourse: a creature deaf and dumb, pathetically looking forth upon them from a climate of his own. Except that I could move and feel, I was like a man fallen in a catalepsy. But time was scarce given me to realise my isolation; the weights were hung upon my back and breast, the signal rope was thrust into my unresisting hand; and setting a twenty-pound foot upon the ladder, I began ponderously to descend.

Some twenty rounds below the platform, twilight fell. Looking up, I saw a low green heaven mottled with vanishing bells of white; looking around, except for the weedy spokes and shafts of the ladder, nothing but a green gloaming, somewhat opaque but very restful and delicious. Thirty rounds lower, I stepped off on the PIERRES PERDUES of the foundation; a dumb helmeted figure took me by the hand, and made a gesture (as I read it) of encouragement; and looking in at the creature’s window, I beheld the face of Bain. There we were, hand to hand and (when it pleased us) eye to eye; and either might have burst himself with shouting, and not a whisper come to his companion’s hearing. Each, in his own little world of air, stood incommunicably separate.

Bob had told me ere this a little tale, a five minutes’ drama at the bottom of the sea, which at that moment possibly shot across my mind. He was down with another, settling a stone of the sea-wall. They had it well adjusted, Bob gave the signal, the scissors were slipped, the stone set home; and it was time to turn to something else. But still his companion remained bowed over the block like a mourner on a tomb, or only raised himself to make absurd contortions and mysterious signs unknown to the vocabulary of the diver. There, then, these two stood for awhile, like the dead and the living; till there flashed a fortunate thought into Bob’s mind, and he stooped, peered through the window of that other world, and beheld the face of its inhabitant wet with streaming tears. Ah! the man was in pain! And Bob, glancing downward, saw what was the trouble: the block had been lowered on the foot of that unfortunate – he was caught alive at the bottom of the sea under fifteen tons of rock.

That two men should handle a stone so heavy, even swinging in the scissors, may appear strange to the inexpert. These must bear in mind the great density of the water of the sea, and the surprising results of transplantation to that medium. To understand a little what these are, and how a man’s weight, so far from being an encumbrance, is the very ground of his agility, was the chief lesson of my submarine experience. The knowledge came upon me by degrees. As I began to go forward with the hand of my estranged companion, a world of tumbled stones was visible, pillared with the weedy uprights of the staging: overhead, a flat roof of green: a little in front, the sea-wall, like an unfinished rampart. And presently in our upward progress, Bob motioned me to leap upon a stone; I looked to see if he were possibly in earnest, and he only signed to me the more imperiously. Now the block stood six feet high; it would have been quite a leap to me unencumbered; with the breast and back weights, and the twenty pounds upon each foot, and the staggering load of the helmet, the thing was out of reason. I laughed aloud in my tomb; and to prove to Bob how far he was astray, I gave a little impulse from my toes. Up I soared like a bird, my companion soaring at my side. As high as to the stone, and then higher, I pursued my impotent and empty flight. Even when the strong arm of Bob had checked my shoulders, my heels continued their ascent; so that I blew out sideways like an autumn leaf, and must be hauled in, hand over hand, as sailors haul in the slack of a sail, and propped upon my feet again like an intoxicated sparrow. Yet a little higher on the foundation, and we began to be affected by the bottom of the swell, running there like a strong breeze of wind. Or so I must suppose; for, safe in my cushion of air, I was conscious of no impact; only swayed idly like a weed, and was now borne helplessly abroad, and now swiftly – and yet with dream-like gentleness – impelled against my guide. So does a child’s balloon divagate upon the currents of the air, and touch, and slide off again from every obstacle. So must have ineffectually swung, so resented their inefficiency, those light crowds that followed the Star of Hades, and uttered exiguous voices in the land beyond Cocytus.

There was something strangely exasperating, as well as strangely wearying, in these uncommanded evolutions. It is bitter to return to infancy, to be supported, and directed, and perpetually set upon your feet, by the hand of some one else. The air besides, as it is supplied to you by the busy millers on the platform, closes the eustachian tubes and keeps the neophyte perpetually swallowing, till his throat is grown so dry that he can swallow no longer. And for all these reasons-although I had a fine, dizzy, muddle-headed joy in my surroundings, and longed, and tried, and always failed, to lay hands on the fish that darted here and there about me, swift as humming-birds – yet I fancy I was rather relieved than otherwise when Bain brought me back to the ladder and signed to me to mount. And there was one more experience before me even then. Of a sudden, my ascending head passed into the trough of a swell. Out of the green, I shot at once into a glory of rosy, almost of sanguine light – the multitudinous seas incarnadined, the heaven above a vault of crimson. And then the glory faded into the hard, ugly daylight of a Caithness autumn, with a low sky, a gray sea, and a whistling wind.

Bob Bain had five shillings for his trouble, and I had done what I desired. It was one of the best things I got from my education as an engineer: of which, however, as a way of life, I wish to speak with sympathy. It takes a man into the open air; it keeps him hanging about harbour-sides, which is the richest form of idling; it carries him to wild islands; it gives him a taste of the genial dangers of the sea; it supplies him with dexterities to exercise; it makes demands upon his ingenuity; it will go far to cure him of any taste (if ever he had one) for the miserable life of cities. And when it has done so, it carries him back and shuts him in an office! From the roaring skerry and the wet thwart of the tossing boat, he passes to the stool and desk; and with a memory full of ships, and seas, and perilous headlands, and the shining pharos, he must apply his long-sighted eyes to the petty niceties of drawing, or measure his inaccurate mind with several pages of consecutive figures. He is a wise youth, to be sure, who can balance one part of genuine life against two parts of drudgery between four walls, and for the sake of the one, manfully accept the other.

Wick was scarce an eligible place of stay. But how much better it was to hang in the cold wind upon the pier, to go down with Bob Bain among the roots of the staging, to be all day in a boat coiling a wet rope and shouting orders – not always very wise – than to be warm and dry, and dull, and dead-alive, in the most comfortable office. And Wick itself had in those days a note of originality. It may have still, but I misdoubt it much. The old minister of Keiss would not preach, in these degenerate times, for an hour and a half upon the clock. The gipsies must be gone from their cavern; where you might see, from the mouth, the women tending their fire, like Meg Merrilies, and the men sleeping off their coarse potations; and where, in winter gales, the surf would beleaguer them closely, bursting in their very door. A traveller to-day upon the Thurso coach would scarce observe a little cloud of smoke among the moorlands, and be told, quite openly, it marked a private still. He would not indeed make that journey, for there is now no Thurso coach. And even if he could, one little thing that happened to me could never happen to him, or not with the same trenchancy of contrast.

We had been upon the road all evening; the coach-top was crowded with Lews fishers going home, scarce anything but Gaelic had sounded in my ears; and our way had lain throughout over a moorish country very northern to behold. Latish at night, though it was still broad day in our subarctic latitude, we came down upon the shores of the roaring Pentland Firth, that grave of mariners; on one hand, the cliffs of Dunnet Head ran seaward; in front was the little bare, white town of Castleton, its streets full of blowing sand; nothing beyond, but the North Islands, the great deep, and the perennial ice-fields of the Pole. And here, in the last imaginable place, there sprang up young outlandish voices and a chatter of some foreign speech; and I saw, pursuing the coach with its load of Hebridean fishers – as they had pursued VETTURINI up the passes of the Apennines or perhaps along the grotto under Virgil’s tomb – two little dark-eyed, white-toothed Italian vagabonds, of twelve to fourteen years of age, one with a hurdy- gurdy, the other with a cage of white mice. The coach passed on, and their small Italian chatter died in the distance; and I was left to marvel how they had wandered into that country, and how they fared in it, and what they thought of it, and when (if ever) they should see again the silver wind-breaks run among the olives, and the stone-pine stand guard upon Etruscan sepulchres.

Upon any American, the strangeness of this incident is somewhat lost. For as far back as he goes in his own land, he will find some alien camping there; the Cornish miner, the French or Mexican half-blood, the negro in the South, these are deep in the woods and far among the mountains. But in an old, cold, and rugged country such as mine, the days of immigration are long at an end; and away up there, which was at that time far beyond the northernmost extreme of railways, hard upon the shore of that ill-omened strait of whirlpools, in a land of moors where no stranger came, unless it should be a sportsman to shoot grouse or an antiquary to decipher runes, the presence of these small pedestrians struck the mind as though a bird-of-paradise had risen from the heather or an albatross come fishing in the bay of Wick. They were as strange to their surroundings as my lordly evangelist or the old Spanish grandee on the Fair Isle.

CHAPTER VII – THE LANTERN-BEARERS

I

THESE boys congregated every autumn about a certain easterly fisher-village, where they tasted in a high degree the glory of existence. The place was created seemingly on purpose for the diversion of young gentlemen. A street or two of houses, mostly red and many of, them tiled; a number of fine trees clustered about the manse and the kirkyard, and turning the chief street into a shady alley; many little gardens more than usually bright with flowers; nets a-drying, and fisher-wives scolding in the backward parts; a smell of fish, a genial smell of seaweed; whiffs of blowing sand at the street-corners; shops with golf-balls and bottled lollipops; another shop with penny pickwicks (that remarkable cigar) and the LONDON JOURNAL, dear to me for its startling pictures, and a few novels, dear for their suggestive names: such, as well as memory serves me, were the ingredients of the town. These, you are to conceive posted on a spit between two sandy bays, and sparsely flanked with villas enough for the boys to lodge in with their subsidiary parents, not enough (not yet enough) to cocknify the scene: a haven in the rocks in front: in front of that, a file of gray islets: to the left, endless links and sand wreaths, a wilderness of hiding-holes, alive with popping rabbits and soaring gulls: to the right, a range of seaward crags, one rugged brow beyond another; the ruins of a mighty and ancient fortress on the brink of one; coves between – now charmed into sunshine quiet, now whistling with wind and clamorous with bursting surges; the dens and sheltered hollows redolent of thyme and southernwood, the air at the cliff’s edge brisk and clean and pungent of the sea – in front of all, the Bass Rock, tilted seaward like a doubtful bather, the surf ringing it with white, the solan- geese hanging round its summit like a great and glittering smoke. This choice piece of seaboard was sacred, besides, to the wrecker; and the Bass, in the eye of fancy, still flew the colours of King James; and in the ear of fancy the arches of Tantallon still rang with horse-shoe iron, and echoed to the commands of Bell-the-Cat.

There was nothing to mar your days, if you were a boy summering in that part, but the embarrassment of pleasure. You might golf if you wanted; but I seem to have been better employed. You might secrete yourself in the Lady’s Walk, a certain sunless dingle of elders, all mossed over by the damp as green as grass, and dotted here and there by the stream-side with roofless walls, the cold homes of anchorites. To fit themselves for life, and with a special eye to acquire the art of smoking, it was even common for the boys to harbour there; and you might have seen a single penny pickwick, honestly shared in lengths with a blunt knife, bestrew the glen with these apprentices. Again, you might join our fishing parties, where we sat perched as thick as solan-geese, a covey of little anglers, boy and girl, angling over each other’s heads, to the to the much entanglement of lines and loss of podleys and consequent shrill recrimination – shrill as the geese themselves. Indeed, had that been all, you might have done this often; but though fishing be a fine pastime, the podley is scarce to be regarded as a dainty for the table; and it was a point of honour that a boy should eat all that he had taken. Or again, you might climb the Law, where the whale’s jawbone stood landmark in the buzzing wind, and behold the face of many counties, and the smoke and spires of many towns, and the sails of distant ships. You might bathe, now in the flaws of fine weather, that we pathetically call our summer, now in a gale of wind, with the sand scourging your bare hide, your clothes thrashing abroad from underneath their guardian stone, the froth of the great breakers casting you headlong ere it had drowned your knees. Or you might explore the tidal rocks, above all in the ebb of springs, when the very roots of the hills were for the nonce discovered; following my leader from one group to another, groping in slippery tangle for the wreck of ships, wading in pools after the abominable creatures of the sea, and ever with an eye cast backward on the march off the tide and the menaced line of your retreat. And then you might go Crusoeing, a word that covers all extempore eating in the open air: digging perhaps a house under the margin of the links, kindling a fire of the sea-ware, and cooking apples there – if they were truly apples, for I sometimes suppose the merchant must have played us off with some inferior and quite local fruit capable of resolving, in the neighbourhood of fire, into mere sand and smoke and iodine; or perhaps pushing to Tantallon, you might lunch on sandwiches and visions in the grassy court, while the wind hummed in the crumbling turrets; or clambering along the coast, eat geans (the worst, I must suppose, in Christendom) from an adventurous gean tree that had taken root under a cliff, where it was shaken with an ague of east wind, and silvered after gales with salt, and grew so foreign among its bleak surroundings that to eat of its produce was an adventure in itself.

There are mingled some dismal memories with so many that were joyous. Of the fisher-wife, for instance, who had cut her throat at Canty Bay; and of how I ran with the other children to the top of the Quadrant, and beheld a posse of silent people escorting a cart, and on the cart, bound in a chair, her throat bandaged, and the bandage all bloody – horror! – the fisher-wife herself, who continued thenceforth to hag-ride my thoughts, and even to-day (as I recall the scene) darkens daylight. She was lodged in the little old jail in the chief street; but whether or no she died there, with a wise terror of the worst, I never inquired. She had been tippling; it was but a dingy tragedy; and it seems strange and hard that, after all these years, the poor crazy sinner should be still pilloried on her cart in the scrap-book of my memory. Nor shall I readily forget a certain house in the Quadrant where a visitor died, and a dark old woman continued to dwell alone with the dead body; nor how this old woman conceived a hatred to myself and one of my cousins, and in the dread hour of the dusk, as we were clambering on the garden-walls, opened a window in that house of mortality and cursed us in a shrill voice and with a marrowy choice of language. It was a pair of very colourless urchins that fled down the lane from this remarkable experience! But I recall with a more doubtful sentiment, compounded out of fear and exultation, the coil of equinoctial tempests; trumpeting squalls, scouring flaws of rain; the boats with their reefed lugsails scudding for the harbour mouth, where danger lay, for it was hard to make when the wind had any east in it; the wives clustered with blowing shawls at the pier-head, where (if fate was against them) they might see boat and husband and sons – their whole wealth and their whole family – engulfed under their eyes; and (what I saw but once) a troop of neighbours forcing such an unfortunate homeward, and she squalling and battling in their midst, a figure scarcely human, a tragic Maenad.

These are things that I recall with interest; but what my memory dwells upon the most, I have been all this while withholding. It was a sport peculiar to the place, and indeed to a week or so of our two months’ holiday there. Maybe it still flourishes in its native spot; for boys and their pastimes are swayed by periodic forces inscrutable to man; so that tops and marbles reappear in their due season, regular like the sun and moon; and the harmless art of knucklebones has seen the fall of the Roman empire and the rise of the United States. It may still flourish in its native spot, but nowhere else, I am persuaded; for I tried myself to introduce it on Tweedside, and was defeated lamentably; its charm being quite local, like a country wine that cannot be exported.

The idle manner of it was this:-

Toward the end of September, when school-time was drawing near and the nights were already black, we would begin to sally from our- respective villas, each equipped with a tin bull’s-eye lantern. The thing was so well known that it had worn a rut in the commerce of Great Britain; and the grocers, about the due time, began to garnish their windows with our particular brand of luminary. We wore them buckled to the waist upon a cricket belt, and over them, such was the rigour of the game, a buttoned top-coat. They smelled noisomely of blistered tin; they never burned aright, though they would always burn our fingers; their use was naught; the pleasure of them merely fanciful; and yet a boy with a bull’s-eye under his top-coat asked for nothing more. The fishermen used lanterns about their boats, and it was from them, I suppose, that we had got the hint; but theirs were not bull’s-eyes, nor did we ever play at being fishermen. The police carried them at their belts, and we had plainly copied them in that; yet we did not pretend to be policemen. Burglars, indeed, we may have had some haunting thoughts of; and we had certainly an eye to past ages when lanterns were more common, and to certain story-books in which we had found them to figure very largely. But take it for all in all, the pleasure of the thing was substantive; and to be a boy with a bull’s-eye under his top-coat was good enough for us.

When two of these asses met, there would be an anxious “Have you got your lantern?” and a gratified “Yes!” That was the shibboleth, and very needful too; for, as it was the rule to keep our glory contained, none could recognise a lantern-bearer, unless (like the polecat) by the smell. Four or five would sometimes climb into the belly of a ten-man lugger, with nothing but the thwarts above them – for the cabin was usually locked, or choose out some hollow of