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  • 1947
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“Good night, all,” he said, and began to usher us out abruptly, but without offence, into the night.

A fortnight later, he dropped each of us a card, and you can imagine that I was not late this time. When we arrived, Carnacki took us straight into dinner, and when we had finished, and all made ourselves comfortable, he began again, where he had left off:–

“Now just listen quietly; for I have got something pretty queer to tell you. I got back late at night, and I had to walk up to the castle, as I had not warned them that I was coming. It was bright moonlight; so that the walk was rather a pleasure, than otherwise. When I got there, the whole place was in darkness, and I thought I would take a walk ’round outside, to see whether Tassoc or his brother was keeping watch. But I could not find them anywhere, and concluded that they had got tired of it, and gone off to bed.

“As I returned across the front of the East Wing, I caught the hooning whistling of the Room, coming down strangely through the stillness of the night. It had a queer note in it, I remember–low and constant, queerly meditative. I looked up at the window, bright in the moonlight, and got a sudden thought to bring a ladder from the stable yard, and try to get a look into the Room, through the window.

“With this notion, I hunted ’round at the back of the castle, among the straggle of offices, and presently found a long, fairly light ladder; though it was heavy enough for one, goodness knows! And I thought at first that I should never get it reared. I managed at last, and let the ends rest very quietly against the wall, a little below the sill of the larger window. Then, going silently, I went up the ladder. Presently, I had my face above the sill and was looking in alone with the moonlight.

“Of course, the queer whistling sounded louder up there; but it still conveyed that peculiar sense of something whistling quietly to itself–can you understand? Though, for all the meditative lowness of the note, the horrible, gargantuan quality was distinct–a mighty parody of the human, as if I stood there and listened to the whistling from the lips of a monster with a man’s soul.

“And then, you know, I saw something. The floor in the middle of the huge, empty room, was puckered upward in the center into a strange soft-looking mound, parted at the top into an ever changing hole, that pulsated to that great, gentle hooning. At times, as I watched, I saw the heaving of the indented mound, gap across with a queer, inward suction, as with the drawing of an enormous breath; then the thing would dilate and pout once more to the incredible melody. And suddenly, as I stared, dumb, it came to me that the thing was living. I was looking at two enormous, blackened lips, blistered and brutal, there in the pale moonlight….

“Abruptly, they bulged out to a vast, pouting mound of force and sound, stiffened and swollen, and hugely massive and clean-cut in the moon-beams. And a great sweat lay heavy on the vast upper-lip. In the same moment of time, the whistling had burst into a mad screaming note, that seemed to stun me, even where I stood, outside of the window. And then, the following moment, I was staring blankly at the solid, undisturbed floor of the room–smooth, polished stone flooring, from wall to wall; and there was an absolute silence.

“You can picture me staring into the quiet Room, and knowing what I knew. I felt like a sick, frightened kid, and wanted to slide _quietly_ down the ladder, and run away. But in that very instant, I heard Tassoc’s voice calling to me from within the Room, for help, _help_. My God! but I got such an awful dazed feeling; and I had a vague, bewildered notion that, after all, it was the Irishmen who had got him in there, and were taking it out of him. And then the call came again, and I burst the window, and jumped in to help him. I had a confused idea that the call had come from within the shadow of the great fireplace, and I raced across to it; but there was no one there.

“‘Tassoc!’ I shouted, and my voice went empty-sounding ’round the great apartment; and then, in a flash, _I knew that Tassoc had never called_. I whirled ’round, sick with fear, toward the window, and as I did so, a frightful, exultant whistling scream burst through the Room. On my left, the end wall had bellied-in toward me, in a pair of gargantuan lips, black and utterly monstrous, to within a yard of my face. I fumbled for a mad instant at my revolver; not for _it_, but myself; for the danger was a thousand times worse than death. And then, suddenly, the Unknown Last Line of the Saaamaaa Ritual was whispered quite audibly in the room. Instantly, the thing happened that I have known once before. There came a sense as of dust falling continually and monotonously, and I knew that my life hung uncertain and suspended for a flash, in a brief, reeling vertigo of unseeable things. Then _that_ ended, and I knew that I might live. My soul and body blended again, and life and power came to me. I dashed furiously at the window, and hurled myself out head-foremost; for I can tell you that I had stopped being afraid of death. I crashed down on to the ladder, and slithered, grabbing and grabbing; and so came some way or other alive to the bottom. And there I sat in the soft, wet grass, with the moonlight all about me; and far above, through the broken window of the Room, there was a low whistling.

“That is the chief of it. I was not hurt, and I went ’round to the front, and knocked Tassoc up. When they let me in, we had a long yarn, over some good whisky–for I was shaken to pieces–and I explained things as much as I could, I told Tassoc that the room would have to come down, and every fragment of it burned in a blast-furnace, erected within a pentacle. He nodded. There was nothing to say. Then I went to bed.

“We turned a small army on to the work, and within ten days, that lovely thing had gone up in smoke, and what was left was calcined, and clean.

“It was when the workmen were stripping the paneling, that I got hold of a sound notion of the beginnings of that beastly development. Over the great fireplace, after the great oak panels had been torn down, I found that there was let into the masonry a scrollwork of stone, with on it an old inscription, in ancient Celtic, that here in this room was burned Dian Tiansay, Jester of King Alzof, who made the Song of Foolishness upon King Ernore of the Seventh Castle.

“When I got the translation clear, I gave it to Tassoc. He was tremendously excited; for he knew the old tale, and took me down to the library to look at an old parchment that gave the story in detail. Afterward, I found that the incident was well-known about the countryside; but always regarded more as a legend than as history. And no one seemed ever to have dreamt that the old East Wing of Iastrae Castle was the remains of the ancient Seventh Castle.

“From the old parchment, I gathered that there had been a pretty dirty job done, away back in the years. It seems that King Alzof and King Ernore had been enemies by birthright, as you might say truly; but that nothing more than a little raiding had occurred on either side for years, until Dian Tiansay made the Song of Foolishness upon King Ernore, and sang it before King Alzof; and so greatly was it appreciated that King Alzof gave the jester one of his ladies, to wife.

“Presently, all the people of the land had come to know the song, and so it came at last to King Ernore, who was so angered that he made war upon his old enemy, and took and burned him and his castle; but Dian Tiansay, the jester, he brought with him to his own place, and having torn his tongue out because of the song which he had made and sung, he imprisoned him in the Room in the East Wing (which was evidently used for unpleasant purposes), and the jester’s wife, he kept for himself, having a fancy for her prettiness.

“But one night, Dian Tiansay’s wife was not to be found, and in the morning they discovered her lying dead in her husband’s arms, and he sitting, whistling the Song of Foolishness, for he had no longer the power to sing it.

“Then they roasted Dian Tiansay, in the great fireplace–probably from that selfsame ‘galley-iron’ which I have already mentioned. And until he died, Dian Tiansay ceased not to whistle the Song of Foolishness, which he could no longer sing. But afterward, ‘in that room’ there was often heard at night the sound of something whistling; and there ‘grew a power in that room,’ so that none dared to sleep in it. And presently, it would seem, the King went to another castle; for the whistling troubled him.

“There you have it all. Of course, that is only a rough rendering of the translation of the parchment. But it sounds extraordinarily quaint. Don’t you think so?”

“Yes,” I said, answering for the lot. “But how did the thing grow to such a tremendous manifestation?”

“One of those cases of continuity of thought producing a positive action upon the immediate surrounding material,” replied Carnacki. “The development must have been going forward through centuries, to have produced such a monstrosity. It was a true instance of Saiitii manifestation, which I can best explain by likening it to a living spiritual fungus, which involves the very structure of the aether-fiber itself, and, of course, in so doing, acquires an essential control over the ‘material substance’ involved in it. It is impossible to make it plainer in a few words.”

“What broke the seventh hair?” asked Taylor.

But Carnacki did not know. He thought it was probably nothing but being too severely tensioned. He also explained that they found out that the men who had run away, had not been up to mischief; but had come over secretly, merely to hear the whistling, which, indeed, had suddenly become the talk of the whole countryside.

“One other thing,” said Arkright, “have you any idea what governs the use of the Unknown Last Line of the Saaamaaa Ritual? I know, of course, that it was used by the Ab-human Priests in the Incantation of Raaaee; but what used it on your behalf, and what made it?”

“You had better read Harzan’s Monograph, and my Addenda to it, on Astral and Astral Co-ordination and Interference,” said Carnacki. “It is an extraordinary subject, and I can only say here that the human vibration may not be insulated from the astral (as is always believed to be the case, in interferences by the Ab-human), without immediate action being taken by those Forces which govern the spinning of the outer circle. In other words, it is being proved, time after time, that there is some inscrutable Protective Force constantly intervening between the human soul (not the body, mind you,) and the Outer Monstrosities. Am I clear?”

“Yes, I think so,” I replied. “And you believe that the Room had become the material expression of the ancient Jester–that his soul, rotten with hatred, had bred into a monster–eh?” I asked.

“Yes,” said Carnacki, nodding, “I think you’ve put my thought rather neatly. It is a queer coincidence that Miss Donnehue is supposed to be descended (so I have heard since) from the same King Ernore. It makes one think some curious thoughts, doesn’t it? The marriage coming on, and the Room waking to fresh life. If she had gone into that room, ever … eh? _It_ had waited a long time. Sins of the fathers. Yes, I’ve thought of that. They’re to be married next week, and I am to be best man, which is a thing I hate. And he won his bets, rather! Just think, _if_ ever she had gone into that room. Pretty horrible, eh?”

He nodded his head, grimly, and we four nodded back. Then he rose and took us collectively to the door, and presently thrust us forth in friendly fashion on the Embankment and into the fresh night air.

“Good night,” we all called back, and went to our various homes. If she had, eh? If she had? That is what I kept thinking.

No. 4

THE HORSE OF THE INVISIBLE

I had that afternoon received an invitation from Carnacki. When I reached his place I found him sitting alone. As I came into the room he rose with a perceptibly stiff movement and extended his left hand. His face seemed to be badly scarred and bruised and his right hand was bandaged. He shook hands and offered me his paper, which I refused. Then he passed me a handful of photographs and returned to his reading.

Now, that is just Carnacki. Not a word had come from him and not a question from me. He would tell us all about it later. I spent about half an hour looking at the photographs which were chiefly “snaps” (some by flashlight) of an extraordinarily pretty girl; though in some of the photographs it was wonderful that her prettiness was so evident for so frightened and startled was her expression that it was difficult not to believe that she had been photographed in the presence of some imminent and overwhelming danger.

The bulk of the photographs were of interiors of different rooms and passages and in every one the girl might be seen, either full length in the distance or closer, with perhaps little more than a hand or arm or portion of the head or dress included in the photograph. All of these had evidently been taken with some definite aim that did not have for its first purpose the picturing of the girl, but obviously of her surroundings and they made me very curious, as you can imagine.

Near the bottom of the pile, however, I came upon something _definitely_ extraordinary. It was a photograph of the girl standing abrupt and clear in the great blaze of a flashlight, as was plain to be seen. Her face was turned a little upward as if she had been frightened suddenly by some noise. Directly above her, as though half-formed and coming down out of the shadows, was the shape of a single enormous hoof.

I examined this photograph for a long time without understanding it more than that it had probably to do with some queer case in which Carnacki was interested. When Jessop, Arkright and Taylor came in Carnacki quietly held out his hand for the photographs which I returned in the same spirit and afterward we all went in to dinner. When we had spent a quiet hour at the table we pulled our chairs ’round and made ourselves snug and Carnacki began:

“I’ve been North,” he said, speaking slowly and painfully between puffs at his pipe. “Up to Hisgins of East Lancashire. It has been a pretty strange business all ’round, as I fancy you chaps will think, when I have finished. I knew before I went, something about the ‘horse story,’ as I have heard it called; but I never thought of it coming my way, somehow. Also I know _now_ that I never considered it seriously–in spite of my rule always to keep an open mind. Funny creatures, we humans!

“Well, I got a wire asking for an appointment, which of course told me that there was some trouble. On the date I fixed old Captain Hisgins himself came up to see me. He told me a great many new details about the horse story; though naturally I had always known the main points and understood that if the first child were a girl, that girl would be haunted by the Horse during her courtship.

“It is, as you can see already, an extraordinary story and though I have always known about it, I have never thought it to be anything more than an old-time legend, as I have already hinted. You see, for seven generations the Hisgins family have had men children for their first-born and even the Hisginses themselves have long considered the tale to be little more than a myth.

“To come to the present, the eldest child of the reigning family is a girl and she has been often teased and warned in jest by her friends and relations that she is the first girl to be the eldest for seven generations and that she would have to keep her men friends at arm’s length or go into a nunnery if she hoped to escape the haunting. And this, I think, shows us how thoroughly the tale had grown to be considered as nothing worthy of the least serious thought. Don’t you think so?

“Two months ago Miss Hisgins became engaged to Beaumont, a young Naval Officer, and on the evening of the very day of the engagement, before it was even formally announced, a most extraordinary thing happened which resulted in Captain Hisgins making the appointment and my ultimately going down to their place to look into the thing.

“From the old family records and papers that were entrusted to me I found that there could be no possible doubt that prior to something like a hundred and fifty years ago there were some very extraordinary and disagreeable coincidences, to put the thing in the least emotional way. In the whole of the two centuries prior to that date there were five first-born girls out of a total of seven generations of the family. Each of these girls grew up to maidenhood and each became engaged, and each one died during the period of engagement, two by suicide, one by falling from a window, one from a ‘broken heart’ (presumably heart failure, owing to sudden shock through fright). The fifth girl was killed one evening in the park ’round the house; but just how, there seemed to be no _exact_ knowledge; only that there was an impression that she had been kicked by a horse. She was dead when found. Now, you see, all of these deaths might be attributed in a way–even the suicides–to natural causes, I mean as distinct from supernatural. You see? Yet, in every case the maidens had undoubtedly suffered some extraordinary and terrifying experiences during their various courtships for in all of the records there was mention either of the neighing of an unseen horse or of the sounds of an invisible horse galloping, as well as many other peculiar and quite inexplicable manifestations. You begin to understand now, I think, just how extraordinary a business it was that I was asked to look into.

“I gathered from one account that the haunting of the girls was so constant and horrible that two of the girls’ lovers fairly ran away from their ladyloves. And I think it was this, more than anything else, that made me feel that there had been something more in it than a mere succession of uncomfortable coincidences.

“I got hold of these facts before I had been many hours in the house and after this I went pretty carefully into the details of the thing that happened on the night of Miss Hisgins’s engagement to Beaumont. It seems that as the two of them were going through the big lower corridor, just after dusk and before the lamps had been lighted, there had been a sudden, horrible neighing in the corridor, close to them. Immediately afterward Beaumont received a tremendous blow or kick which broke his right forearm. Then the rest of the family and the servants came running to know what was wrong. Lights were brought and the corridor and, afterward, the whole house searched, but nothing unusual was found.

“You can imagine the excitement in the house and the half incredulous, half believing talk about the old legend. Then, later, in the middle of the night the old Captain was waked by the sound of a great horse galloping ’round and ’round the house.

“Several times after this both Beaumont and the girl said that they had heard the sounds of hoofs near to them after dusk, in several of the rooms and corridors.

“Three nights later Beaumont was waked by a strange neighing in the nighttime seeming to come from the direction of his sweetheart’s bedroom. He ran hurriedly for her father and the two of them raced to her room. They found her awake and ill with sheer terror, having been awakened by the neighing, seemingly close to her bed.

“The night before I arrived, there had been a fresh happening and they were all in a frightfully nervy state, as you can imagine.

“I spent most of the first day, as I have hinted, in getting hold of details; but after dinner I slacked off and played billiards all the evening with Beaumont and Miss Hisgins. We stopped about ten o’clock and had coffee and I got Beaumont to give me full particulars about the thing that had happened the evening before.

“He and Miss Hisgins had been sitting quietly in her aunt’s boudoir whilst the old lady chaperoned them, behind a book. It was growing dusk and the lamp was at her end of the table. The rest of the house was not yet lit as the evening had come earlier than usual.

“Well, it seems that the door into the hall was open and suddenly the girl said: ‘H’sh! what’s that?’

“They both listened and then Beaumont heard it–the sound of a horse outside of the front door.

“‘Your father?’ he suggested, but she reminded him that her father was not riding.

“Of course they were both ready to feel queer, as you can suppose, but Beaumont made an effort to shake this off and went into the hall to see whether anyone was at the entrance. It was pretty dark in the hall and he could see the glass panels of the inner draft door, clear-cut in the darkness of the hall. He walked over to the glass and looked through into the drive beyond, but there nothing in sight.

“He felt nervous and puzzled and opened the inner door and went out on to the carriage-circle. Almost directly afterward the great hall door swung to with a crash behind him. He told me that he had a sudden awful feeling of having been trapped in some way–that is how he put it. He whirled ’round and gripped the door handle, but something seemed to be holding it with a vast grip on the other side. Then, before he could be fixed in his mind that this was so, he was able to turn the handle and open the door.

“He paused a moment in the doorway and peered into the hall, for he had hardly steadied his mind sufficiently to know whether he was really frightened or not. Then he heard his sweetheart blow him a kiss out of the greyness of the big, unlit hall and he knew that she had followed him from the boudoir. He blew her a kiss back and stepped inside the doorway, meaning to go to her. And then, suddenly, in a flash of sickening knowledge he knew that it was not his sweetheart who had blown him that kiss. He knew that something was trying to tempt him alone into the darkness and that the girl had never left the boudoir. He jumped back and in the same instant of time he heard the kiss again, nearer to him. He called out at the top of his voice: ‘Mary, stay in the boudoir. Don’t move out of the boudoir until I come to you.’ He heard her call something in reply from the boudoir and then he had struck a clump of a dozen or so matches and was holding them above his head and looking ’round the hall. There was no one in it, but even as the matches burned out there came the sounds of a great horse galloping down the empty drive.

“Now you see, both he and the girl had heard the sounds of the horse galloping; but when I questioned more closely I found that the aunt had heard nothing, though it is true she is a bit deaf, and she was further back in the room. Of course, both he and Miss Hisgins had been in an extremely nervous state and ready to hear anything. The door might have been slammed by a sudden puff of wind owing to some inner door being opened; and as for the grip on the handle, that may have been nothing more than the snick catching.

“With regard to the kisses and the sounds of the horse galloping, I pointed out that these might have seemed ordinary enough sounds, if they had been only cool enough to reason. As I told him, and as he knew, the sounds of a horse galloping carry a long way on the wind so that what he had heard might have been nothing more than a horse being ridden some distance away. And as for the kiss, plenty of quiet noises–the rustle of a paper or a leaf–have a somewhat similar sound, especially if one is in an overstrung condition and imagining things.

“I finished preaching this little sermon on commonsense versus hysteria as we put out the lights and left the billiard room. But neither Beaumont nor Miss Hisgins would agree that there had been any fancy on their parts.

“We had come out of the billiard room by this time and were going along the passage and I was still doing my best to make both of them see the ordinary, commonplace possibilities of the happening, when what killed my pig, as the saying goes, was the sound of a hoof in the dark billiard room we had just left.

“I felt the ‘creep’ come on me in a flash, up my spine and over the back of my head. Miss Hisgins whooped like a child with the whooping cough and ran up the passage, giving little gasping screams. Beaumont, however, ripped ’round on his heels and jumped back a couple of yards. I gave back too, a bit, as you can understand.

“‘There it is,’ he said in a low, breathless voice. ‘Perhaps you’ll believe now.’

“‘There’s certainly something,’ I whispered, never taking my gaze off the closed door of the billiard room.

“‘H’sh!’ he muttered. ‘There it is again.’

“There was a sound like a great horse pacing ’round and ’round the billiard room with slow, deliberate steps. A horrible cold fright took me so that it seemed impossible to take a full breath, you know the feeling, and then I saw we must have been walking backward for we found ourselves suddenly at the opening of the long passage.

“We stopped there and listened. The sounds went on steadily with a horrible sort of deliberateness, as if the brute were taking a sort of malicious gusto in walking about all over the room which we had just occupied. Do you understand just what I mean?

“Then there was a pause and a long time of absolute quiet except for an excited whispering from some of the people down in the big hall. The sound came plainly up the wide stairway. I fancy they were gathered ’round Miss Hisgins, with some notion of protecting her.

“I should think Beaumont and I stood there, at the end of the passage for about five minutes, listening for any noise in the billiard room. Then I realized what a horrible funk I was in and I said to him: ‘I’m going to see what’s there.’

“‘So’m I,’ he answered. He was pretty white, but he had heaps of pluck. I told him to wait one instant and I made a dash into my bedroom and got my camera and flashlight. I slipped my revolver into my right-hand pocket and a knuckle-duster over my left fist, where it was ready and yet would not stop me from being able to work my flashlight.

“Then I ran back to Beaumont. He held out his hand to show me that he had his pistol and I nodded, but whispered to him not to be too quick to shoot, as there might be some silly practical joking at work, after all. He had got a lamp from a bracket in the upper hall which he was holding in the crook of his damaged arm, so that we had a good light. Then we went down the passage toward the billiard room and you can imagine that we were a pretty nervous couple.

“All this time there had not been a sound, but abruptly when we were within perhaps a couple of yards of the door we heard the sudden clumping of a hoof on the solid _parquet_ floor of the billiard room. In the instant afterward it seemed to me that the whole place shook beneath the ponderous hoof falls of some huge thing, _coming toward the door_. Both Beaumont and I gave back a pace or two, and then realized and hung on to our courage, as you might say, and waited. The great tread came right up to the door and then stopped and there was an instant of absolute silence, except that so far as I was concerned, the pulsing in my throat and temples almost deafened me.

“I dare say we waited quite half a minute and then came the further restless clumping of a great hoof. Immediately afterward the sounds came right on as if some invisible thing passed through the closed door and the ponderous tread was upon us. We jumped, each of us, to our side of the passage and I know that I spread myself stiff against the wall. The clungk clunck, clungk clunck, of the great hoof falls passed right between us and slowly and with deadly deliberateness, down the passage. I heard them through a haze of blood beats in my ears and temples and my body was extraordinarily rigid and pringling and I was horribly breathless. I stood for a little time like this, my head turned so that I could see up the passage. I was conscious only that there was a hideous danger abroad. Do you understand?

“And then, suddenly, my pluck came back to me. I was aware that the noise of the hoof beats sounded near the other end of the passage. I twisted quickly and got my camera to bear and snapped off the flashlight. Immediately afterward, Beaumont let fly a storm of shots down the passage and began to run, shouting: ‘It’s after Mary. Run! Run!’

“He rushed down the passage and I after him. We came out on the main landing and heard the sound of a hoof on the stairs and after that, nothing. And from thence onward, nothing.

“Down below us in the big hall I could see a number of the household ’round Miss Hisgins, who seemed to have fainted and there were several of the servants clumped together a little way off, staring up at the main landing and no one saying a single word. And about some twenty steps up the stairs was the old Captain Hisgins with a drawn sword in his hand where he had halted, just below the last hoof sound. I think I never saw anything finer than the old man standing there between his daughter and that infernal thing.

“I daresay you can understand the queer feeling of horror I had at passing that place on the stairs where the sounds had ceased. It was as if the monster were still standing there, invisible. And the peculiar thing was that we never heard another sound of the hoof, either up or down the stairs.

“After they had taken Miss Hisgins to her room I sent word that I should follow, so soon as they were ready for me. And presently, when a message came to tell me that I could come any time, I asked her father to give me a hand with my instrument box and between us we carried it into the girl’s bedroom. I had the bed pulled well out into the middle of the room, after which I erected the electric pentacle ’round the bed.

“Then I directed that lamps should be placed ’round the room, but that on no account must any light be made within the pentacle; neither must anyone pass in or out. The girl’s mother I had placed within the pentacle and directed that her maid should sit without, ready to carry any message so as to make sure that Mrs. Hisgins did not have to leave the pentacle. I suggested also that the girl’s father should stay the night in the room and that he had better be armed.

“When I left the bedroom I found Beaumont waiting outside the door in a miserable state of anxiety. I told him what I had done and explained to him that Miss Hisgins was probably perfectly safe within the ‘protection’; but that in addition to her father remaining the night in the room, I intended to stand guard at the door. I told him that I should like him to keep me company, for I knew that he could never sleep, feeling as he did, and I should not be sorry to have a companion. Also, I wanted to have him under my own observation, for there was no doubt but that he was actually in greater danger in some ways than the girl. At least, that was my opinion and is still, as I think you will agree later.

“I asked him whether he would object to my drawing a pentacle ’round him for the night and got him to agree, but I saw that he did not know whether to be superstitious about it or to regard it more as a piece of foolish mumming; but he took it seriously enough when I gave him some particulars about the Black Veil case, when young Aster died. You remember, he said it was a piece of silly superstition and stayed outside. Poor devil!

“The night passed quietly enough until a little while before dawn when we both heard the sounds of a great horse galloping ’round and ’round the house just as old Captain Hisgins had described it. You can imagine how queer it made me feel and directly afterward, I heard someone stir within the bedroom. I knocked at the door, for I was uneasy, and the Captain came. I asked whether everything was right; to which he replied yes, and immediately asked me whether I had heard the galloping, so that I knew he had heard them also. I suggested that it might be well to leave the bedroom door open a little until the dawn came in, as there was certainly something abroad. This was done and he went back into the room, to be near his wife and daughter.

“I had better say here that I was doubtful whether there was any value in the ‘Defense’ about Miss Hisgins, for what I term the ‘personal sounds’ of the manifestation were so extraordinarily material that I was inclined to parallel the case with that one of Harford’s where the hand of the child kept materializing within the pentacle and patting the floor. As you will remember, that was a hideous business.

“Yet, as it chanced, nothing further happened and so soon as daylight had fully come we all went off to bed.

“Beaumont knocked me up about midday and I went down and made breakfast into lunch. Miss Hisgins was there and seemed in very fair spirits, considering. She told me that I had made her feel almost safe for the first time for days. She told me also that her cousin, Harry Parsket, was coming down from London and she knew that he would do anything to help fight the ghost. And after that she and Beaumont went out into the grounds to have a little time together.

“I had a walk in the grounds myself and went ’round the house, but saw no traces of hoof marks and after that I spent the rest of the day making an examination of the house, but found nothing.

“I made an end of my search before dark and went to my room to dress for dinner. When I got down the cousin had just arrived and I found him one of the nicest men I have met for a long time. A chap with a tremendous amount of pluck, and the particular kind of man I like to have with me in a bad case like the one I was on. I could see that what puzzled him most was our belief in the genuineness of the haunting and I found myself almost wanting something to happen, just to show him how true it was. As it chanced, something did happen, with a vengeance.

“Beaumont and Miss Hisgins had gone out for a stroll just before the dusk and Captain Hisgins asked me to come into his study for a short chat whilst Parsket went upstairs with his traps, for he had no man with him.

“I had a long conversation with the old Captain in which I pointed out that the ‘haunting’ had evidently no particular connection with the house, but only with the girl herself and that the sooner she was married, the better as it would give Beaumont a right to be with her at all times and further than this, it might be that the manifestations would cease if the marriage were actually performed.

“The old man nodded agreement to this, especially to the first part and reminded me that three of the girls who were said to have been ‘haunted’ had been sent away from home and met their deaths whilst away. And then in the midst of our talk there came a pretty frightening interruption, for all at once the old butler rushed into the room, most extraordinarily pale:

“‘Miss Mary, sir! Miss Mary, sir!’ he gasped. ‘She’s screaming … out in the Park, sir! And they say they can hear the Horse–‘

“The Captain made one dive for a rack of arms and snatched down his old sword and ran out, drawing it as he ran. I dashed out and up the stairs, snatched my camera-flashlight and a heavy revolver, gave one yell at Parsket’s door: ‘The Horse!’ and was down and into the grounds.

“Away in the darkness there was a confused shouting and I caught the sounds of shooting, out among the scattered trees. And then, from a patch of blackness to my left, there burst suddenly an infernal gobbling sort of neighing. Instantly I whipped ’round and snapped off the flashlight. The great light blazed out momentarily, showing me the leaves of a big tree close at hand, quivering in the night breeze, but I saw nothing else and then the ten-fold blackness came down upon me and I heard Parsket shouting a little way back to know whether I had seen anything.

“The next instant he was beside me and I felt safer for his company, for there was some incredible thing near to us and I was momentarily blind because of the brightness of the flashlight. ‘What was it? What was it?’ he kept repeating in an excited voice. And all the time I was staring into the darkness and answering, mechanically, ‘I don’t know. I don’t know.’

“There was a burst of shouting somewhere ahead and then a shot. We ran toward the sounds, yelling to the people not to shoot; for in the darkness and panic there was this danger also. Then there came two of the game-keepers racing hard up the drive with their lanterns and guns; and immediately afterward a row of lights dancing toward us from the house, carried by some of the men-servants.

“As the lights came up I saw we had come close to Beaumont. He was standing over Miss Hisgins and he had his revolver in his hand. Then I saw his face and there was a great wound across his forehead. By him was the Captain, turning his naked sword this way and that, and peering into the darkness; a little behind him stood the old butler, a battle-axe from one of the arm stands in the hall in his hands. Yet there was nothing strange to be seen anywhere.

“We got the girl into the house and left her with her mother and Beaumont, whilst a groom rode for a doctor. And then the rest of us, with four other keepers, all armed with guns and carrying lanterns, searched ’round the home park. But we found nothing.

“When we got back we found that the doctor had been. He had bound up Beaumont’s wound, which luckily was not deep, and ordered Miss Hisgins straight to bed. I went upstairs with the Captain and found Beaumont on guard outside of the girl’s door. I asked him how he felt and then, so soon as the girl and her mother were ready for us, Captain Hisgins and I went into the bedroom and fixed the pentacle again ’round the bed. They had already got lamps about the room and after I had set the same order of watching as on the previous night, I joined Beaumont outside of the door.

“Parsket had come up while I had been in the bedroom and between us we got some idea from Beaumont as to what had happened out in the Park. It seems that they were coming home after their stroll from the direction of the West Lodge. It had got quite dark and suddenly Miss Hisgins said: ‘Hush!’ and came to a standstill. He stopped and listened, but heard nothing for a little. Then he caught it–the sound of a horse, seemingly a long way off, galloping toward them over the grass. He told the girl that it was nothing and started to hurry her toward the house, but she was not deceived, of course. In less than a minute they heard it quite close to them in the darkness and they started running. Then Miss Hisgins caught her foot and fell. She began to scream and that is what the butler heard. As Beaumont lifted the girl he heard the hoofs come thudding right at him. He stood over her and fired all five chambers of his revolver right at the sounds. He told us that he was sure he saw something that looked like an enormous horse’s head, right upon him in the light of the last flash of his pistol. Immediately afterward he was struck a tremendous blow which knocked him down and then the Captain and the butler came running up, shouting. The rest, of course, we knew.

“About ten o’clock the butler brought us up a tray, for which I was very glad, as the night before I had got rather hungry. I warned Beaumont, however, to be very particular not to drink any spirits and I also made him give me his pipe and matches. At midnight I drew a pentacle ’round him and Parsket and I sat one on each side of him, outside the pentacle, for I had no fear that there would be any manifestation made against anyone except Beaumont or Miss Hisgins.

“After that we kept pretty quiet. The passage was lit by a big lamp at each end so that we had plenty of light and we were all armed, Beaumont and I with revolvers and Parsket with a shotgun. In addition to my weapon I had my camera and flashlight.

“Now and again we talked in whispers and twice the Captain came out of the bedroom to have a word with us. About half-past one we had all grown very silent and suddenly, about twenty minutes later, I held up my hand, silently, for there seemed to be a sound of galloping out in the night. I knocked on the bedroom door for the Captain to open it and when he came I whispered to him that we thought we heard the Horse. For some time we stayed listening, and both Parsket and the Captain thought they heard it; but now I was not so sure, neither was Beaumont. Yet afterward, I thought I heard it again.

“I told Captain Hisgins I thought he had better go into the bedroom and leave the door a little open and this he did. But from that time onward we heard nothing and presently the dawn came in and we all went very thankfully to bed.

“When I was called at lunchtime I had a little surprise, for Captain Hisgins told me that they had held a family council and had decided to take my advice and have the marriage without a day’s more delay than possible. Beaumont was already on his way to London to get a special License and they hoped to have the wedding next day.

“This pleased me, for it seemed the sanest thing to be done in the extraordinary circumstances and meanwhile I should continue my investigations; but until the marriage was accomplished, my chief thought was to keep Miss Hisgins near to me.

“After lunch I thought I would take a few experimental photographs of Miss Hisgins and her _surroundings_. Sometimes the camera sees things that would seem very strange to normal human eyesight.

“With this intention and partly to make an excuse to keep her in my company as much as possible, I asked Miss Hisgins to join me in my experiments. She seemed glad to do this and I spent several hours with her, wandering all over the house, from room to room and whenever the impulse came I took a flashlight of her and the room or corridor in which we chanced to be at the moment.

“After we had gone right through the house in this fashion, I asked her whether she felt sufficiently brave to repeat the experiments in the cellars. She said yes, and so I rooted out Captain Hisgins and Parsket, for I was not going to take her even into what you might call artificial darkness without help and companionship at hand.

“When we were ready we went down into the wine cellar, Captain Hisgins carrying a shotgun and Parsket a specially prepared background and a lantern. I got the girl to stand in the middle of the cellar whilst Parsket and the Captain held out the background behind her. Then I fired off the flashlight, and we went into the next cellar where we repeated the experiment.

“Then in the third cellar, a tremendous, pitch-dark place, something extraordinary and horrible manifested itself. I had stationed Miss Hisgins in the center of the place, with her father and Parsket holding the background as before. When all was ready and just as I pressed the trigger of the ‘flash,’ there came in the cellar that dreadful, gobbling neighing that I had heard out in the Park. It seemed to come from somewhere above the girl and in the glare of the sudden light I saw that she was staring tensely upward, but at no visible thing. And then in the succeeding comparative darkness, I was shouting to the Captain and Parsket to run Miss Hisgins out into the daylight.

“This was done instantly and I shut and locked the door afterward making the First and Eighth signs of the Saaamaaa Ritual opposite to each post and connecting them across the threshold with a triple line.

“In the meanwhile Parsket and Captain Hisgins carried the girl to her mother and left her there, in a half fainting condition whilst I stayed on guard outside of the cellar door, feeling pretty horrible for I knew that there was some disgusting thing inside, and along with this feeling there was a sense of half ashamedness, rather miserable, you know, because I had exposed Miss Hisgins to the danger.

“I had got the Captain’s shotgun and when he and Parsket came down again they were each carrying guns and lanterns. I could not possibly tell you the utter relief of spirit and body that came to me when I heard them coming, but just try to imagine what it was like, standing outside of that cellar. Can you?

“I remember noticing, just before I went to unlock the door, how white and ghastly Parsket looked and the old Captain was grey-looking and I wondered whether my face was like theirs. And this, you know, had its own distinct effect upon my nerves, for it seemed to bring the beastliness of the thing crash down on to me in a fresh way. I know it was only sheer will power that carried me up to the door and made me turn the key.

“I paused one little moment and then with a nervy jerk sent the door wide open and held my lantern over my head. Parsket and the Captain came one on each side of me and held up their lanterns, but the place was absolutely empty. Of course, I did not trust to a casual look of this kind, but spent several hours with the help of the two others in sounding every square foot of the floor, ceiling and walls.

“Yet, in the end I had to admit that the place itself was absolutely normal and so we came away. But I sealed the door and outside, opposite each doorpost I made the First and Last signs of the Saaamaaa Ritual, joined them as before, with a triple line. Can you imagine what it was like, searching that cellar?

“When we got upstairs I inquired very anxiously how Miss Hisgins was and the girl came out herself to tell me that she was all right and that I was not to trouble about her, or blame myself, as I told her I had been doing.

“I felt happier then and went off to dress for dinner and after that was done, Parsket and I took one of the bathrooms to develop the negatives that I had been taking. Yet none of the plates had anything to tell us until we came to the one that was taken in the cellar. Parsket was developing and I had taken a batch of the fixed plates out into the lamplight to examine them.

“I had just gone carefully through the lot when I heard a shout from Parsket and when I ran to him he was looking at a partly-developed negative which he was holding up to the red lamp. It showed the girl plainly, looking upward as I had seen her, but the thing that astonished me was the shadow of an enormous hoof, right above her, as if it were coming down upon her out of the shadows. And you know, I had run her bang into that danger. That was the thought that was chief in my mind.

“As soon as the developing was complete I fixed the plate and examined it carefully in a good light. There was no doubt about it at all, the thing above Miss Hisgins was an enormous, shadowy hoof. Yet I was no nearer to coming to any definite knowledge and the only thing I could do was to warn Parsket to say nothing about it to the girl for it would only increase her fright, but I showed the thing to her father for I considered it right that he should know.

“That night we took the same precaution for Miss Hisgins’s safety as on the two previous nights and Parsket kept me company; yet the dawn came in without anything unusual having happened and I went off to bed.

“When I got down to lunch I learnt that Beaumont had wired to say that he would be in soon after four; also that a message had been sent to the Rector. And it was generally plain that the ladies of the house were in a tremendous fluster.

“Beaumont’s train was late and he did not get home until five, but even then the Rector had not put in an appearance and the butler came in to say that the coachman had returned without him as he had been called away unexpectedly. Twice more during the evening the carriage was sent down, but the clergyman had not returned and we had to delay the marriage until the next day.

“That night I arranged the ‘Defense’ ’round the girl’s bed and the Captain and his wife sat up with her as before. Beaumont, as I expected, insisted on keeping watch with me and he seemed in a curiously frightened mood; not for himself, you know, but for Miss Hisgins. He had a horrible feeling he told me, that there would be a final, dreadful attempt on his sweetheart that night.

“This, of course, I told him was nothing but nerves; yet really, it made me feel very anxious; for I have seen too much not to know that under such circumstances a premonitory _conviction_ of impending danger is not necessarily to be put down entirely to nerves. In fact, Beaumont was so simply and earnestly convinced that the night would bring some extraordinary manifestation that I got Parsket to rig up a long cord from the wire of the butler’s bell, to come along the passage handy.

“To the butler himself I gave directions not to undress and to give the same order to two of the footmen. If I rang he was to come instantly, with the footmen, carrying lanterns and the lanterns were to be kept ready lit all night. If for any reason the bell did not ring and I blew my whistle, he was to take that as a signal in the place of the bell.

“After I had arranged all these minor details I drew a pentacle about Beaumont and warned him very particularly to stay within it, whatever happened. And when this was done, there was nothing to do but wait and pray that the night would go as quietly as the night before.

“We scarcely talked at all and by about one a.m. we were all very tense and nervous so that at last Parsket got up and began to walk up and down the corridor to steady himself a bit. Presently I slipped off my pumps and joined him and we walked up and down, whispering occasionally for something over an hour, until in turning I caught my foot in the bell cord and went down on my face; but without hurting myself or making a noise.

“When I got up Parsket nudged me.

“‘Did you notice that the bell never rang?’ he whispered.

“‘Jove!’ I said, ‘you’re right.’

“‘Wait a minute,’ he answered. ‘I’ll bet it’s only a kink somewhere in the cord.’ He left his gun and slipped along the passage and taking the top lamp, tiptoed away into the house, carrying Beaumont’s revolver ready in his right hand. He was a plucky chap, I remember thinking then, and again, later.

“Just then Beaumont motioned to me for absolute quiet. Directly afterward I heard the thing for which he listened–the sound of a horse galloping, out in the night. I think that I may say I fairly shivered. The sound died away and left a horrible, desolate, eerie feeling in the air, you know. I put my hand out to the bell cord, hoping Parsket had got it clear. Then I waited, glancing before and behind.

“Perhaps two minutes passed, full of what seemed like an almost unearthly quiet. And then, suddenly, down the corridor at the lighted end there sounded the clumping of a great hoof and instantly the lamp was thrown with a tremendous crash and we were in the dark. I tugged hard on the cord and blew the whistle; then I raised my snapshot and fired the flashlight. The corridor blazed into brilliant light, but there was nothing, and then the darkness fell like thunder. I heard the Captain at the bedroom door and shouted to him to bring out a lamp, _quick_; but instead something started to kick the door and I heard the Captain shouting within the bedroom and then the screaming of the women. I had a sudden horrible fear that the monster had got into the bedroom, but in the same instant from up the corridor there came abruptly the vile, gobbling neighing that we had heard in the park and the cellar. I blew the whistle again and groped blindly for the bell cord, shouting to Beaumont to stay in the Pentacle, whatever happened. I yelled again to the Captain to bring out a lamp and there came a smashing sound against the bedroom door. Then I had my matches in my hand, to get some light before that incredible, unseen Monster was upon us.

“The match scraped on the box and flared up dully and in the same instant I heard a faint sound behind me. I whipped ’round in a kind of mad terror and saw something in the light of the match–a monstrous horse-head close to Beaumont.

“‘Look out, Beaumont!’ I shouted in a sort of scream. ‘It’s behind you!’

“The match went out abruptly and instantly there came the huge bang of Parsket’s double-barrel (both barrels at once), fired evidently single-handed by Beaumont close to my ear, as it seemed. I caught a momentary glimpse of the great head in the flash and of an enormous hoof amid the belch of fire and smoke seeming to be descending upon Beaumont. In the same instant I fired three chambers of my revolver. There was the sound of a dull blow and then that horrible, gobbling neigh broke out close to me. I fired twice at the sound. Immediately afterward something struck me and I was knocked backward. I got on to my knees and shouted for help at the top of my voice. I heard the women screaming behind the closed door of the bedroom and was dully aware that the door was being smashed from the inside, and directly afterward I knew that Beaumont was struggling with some hideous thing near to me. For an instant I held back, stupidly, paralyzed with funk and then, blindly and in a sort of rigid chill of goose flesh I went to help him, shouting his name. I can tell you, I was nearly sick with the naked fear I had on me. There came a little, choking scream out of the darkness, and at that I jumped forward into the dark. I gripped a vast, furry ear. Then something struck me another great blow knocking me sick. I hit back, weak and blind and gripped with my other hand at the incredible thing. Abruptly I was dimly aware of a tremendous crash behind me and a great burst of light. There were other lights in the passage and a noise of feet and shouting. My hand-grips were torn from the thing they held; I shut my eyes stupidly and heard a loud yell above me and then a heavy blow, like a butcher chopping meat and then something fell upon me.

“I was helped to my knees by the Captain and the butler. On the floor lay an enormous horse-head out of which protruded a man’s trunk and legs. On the wrists were fixed great hoofs. It was the monster. The Captain cut something with the sword that he held in his hand and stooped and lifted off the mask, for that is what it was. I saw the face then of the man who had worn it. It was Parsket. He had a bad wound across the forehead where the Captain’s sword had bit through the mask. I looked bewilderedly from him to Beaumont, who was sitting up, leaning against the wall of the corridor. Then I stared at Parsket again.

“‘By Jove!’ I said at last, and then I was quiet for I was so ashamed for the man. You can understand, can’t you? And he was opening his eyes. And you know, I had grown so to like him.

“And then, you know, just as Parsket was getting back his wits and looking from one to the other of us and beginning to remember, there happened a strange and incredible thing. For from the end of the corridor there sounded suddenly, the clumping of a great hoof. I looked that way and then instantly at Parsket and saw a horrible fear in his face and eyes. He wrenched himself ’round, weakly, and stared in mad terror up the corridor to where the sound had been, and the rest of us stared, in a frozen group. I remember vaguely half sobs and whispers from Miss Hisgins’s bedroom, all the while that I stared frightenedly up the corridor.

“The silence lasted several seconds and then, abruptly there came again the clumping of the great hoof, away at the end of the corridor. And immediately afterward the clungk, clunk–clungk, clunk of mighty hoofs coming down the passage toward us.

“Even then, you know, most of us thought it was some mechanism of Parsket’s still at work and we were in the queerest mixture of fright and doubt. I think everyone looked at Parsket. And suddenly the Captain shouted out:

“‘Stop this damned fooling at once. Haven’t you done enough?’

“For my part, I was now frightened for I had a _sense_ that there was something horrible and wrong. And then Parsket managed to gasp out:

“‘It’s not me! My God! It’s not me! My God! It’s not me.’

“And then, you know, it seemed to come home to everyone in an instant that there was really some dreadful thing coming down the passage. There was a mad rush to get away and even old Captain Hisgins gave back with the butler and the footmen. Beaumont fainted outright, as I found afterward, for he had been badly mauled. I just flattened back against the wall, kneeling as I was, too stupid and dazed even to run. And almost in the same instant the ponderous hoof falls sounded close to me and seeming to shake the solid floor as they passed. Abruptly the great sounds ceased and I knew in a sort of sick fashion that the thing had halted opposite to the door of the girl’s bedroom. And then I was aware that Parsket was standing rocking in the doorway with his arms spread across, so as to fill the doorway with his body. Parsket was extraordinarily pale and the blood was running down his face from the wound in his forehead; and then I noticed that he seemed to be looking at something in the passage with a peculiar, desperate, fixed, incredibly masterful gaze. But there was really nothing to be seen. And suddenly the clungk, clunk–clungk, clunk recommenced and passed onward down the passage. In the same moment Parsket pitched forward out of the doorway on to his face.

“There were shouts from the huddle of men down the passage and the two footmen and the butler simply ran, carrying their lanterns, but the Captain went against the side-wall with his back and put the lamp he was carrying over his head. The dull tread of the Horse went past him, and left him unharmed and I heard the monstrous hoof falls going away and away through the quiet house and after that a dead silence.

“Then the Captain moved and came toward us, very slow and shaky and with an extraordinarily grey face.

“I crept toward Parsket and the Captain came to help me. We turned him over and, you know, I knew in a moment that he was dead; but you can imagine what a feeling it sent through me.

“I looked at the Captain and suddenly he said:

“‘That–That–That–‘ and I know that he was trying to tell me that Parsket had stood between his daughter and whatever it was that had gone down the passage. I stood up and steadied him, though I was not very steady myself. And suddenly his face began to work and he went down on to his knees by Parsket and cried like some shaken child. Then the women came out of the doorway of the bedroom and I turned away and left him to them, whilst I over to Beaumont.

“That is practically the whole story and the only thing that is left to me is to try to explain some of the puzzling parts, here and there.

“Perhaps you have seen that Parsket was in love with Miss Hisgins and this fact is the key to a good deal that was extraordinary. He was doubtless responsible for some portions of the ‘haunting’; in fact I think for nearly everything, but, you know, I can prove nothing and what I have to tell you is chiefly the result of deduction.

“In the first place, it is obvious that Parsket’s intention was to frighten Beaumont away and when he found that he could not do this, I think he grew so desperate that he really intended to kill him. I hate to say this, but the facts force me to think so.

“I am quite certain that it was Parsket who broke Beaumont’s arm. He knew all the details of the so-called ‘Horse Legend,’ and got the idea to work upon the old story for his own end. He evidently had some method of slipping in and out of the house, probably through one of the many French windows, or possibly he had a key to one or two of the garden doors, and when he was supposed to be away, he was really coming down on the quiet and hiding somewhere in the neighborhood.

“The incident of the kiss in the dark hall I put down to sheer nervous imaginings on the part of Beaumont and Miss Hisgins, yet I must say that the sound of the horse outside of the front door is a little difficult to explain away. But I am still inclined to keep to my first idea on this point, that there was nothing really unnatural about it.

“The hoof sounds in the billiard room and down the passage were done by Parsket from the floor below by bumping up against the paneled ceiling with a block of wood tied to one of the window hooks. I proved this by an examination which showed the dents in the woodwork.

“The sounds of the horse galloping ’round the house were possibly made also by Parsket, who must have had a horse tied up in the plantation nearby, unless, indeed, he made the sounds himself, but I do not see how he could have gone fast enough to produce the illusion. In any case, I don’t feel perfect certainty on this point. I failed to find any hoof marks, as you remember.

“The gobbling neighing in the park was a ventriloquial achievement on the part of Parsket and the attack out there on Beaumont was also by him, so that when I thought he was in his bedroom, he must have been outside all the time and joined me after I ran out of the front door. This is almost probable. I mean that Parsket was the cause, for if it had been something more serious he would certainly have given up his foolishness, knowing that there was no longer any need for it. I cannot imagine how he escaped being shot, both then and in the last mad action of which I have just told you. He was enormously without fear of any kind for himself as you can see.

“The time when Parsket was with us, when we thought we heard the Horse galloping ’round the house, we must have been deceived. No one was very sure, except, of course, Parsket, who would naturally encourage the belief.

“The neighing in the cellar is where I consider there came the first suspicion into Parsket’s mind that there was something more at work than his sham haunting. The neighing was done by him in the same way that he did it in the park; but when I remember how ghastly he looked I feel sure that the sounds must have had some infernal quality added to them which frightened the man himself. Yet, later, he would persuade himself that he had been getting fanciful. Of course, I must not forget that the effect upon Miss Hisgins must have made him feel pretty miserable.

“Then, about the clergyman being called away, we found afterward that it was a bogus errand, or, rather, call and it is apparent that Parsket was at the bottom of this, so as to get a few more hours in which to achieve his end and what that was, a very little imagination will show you; for he had found that Beaumont would not be frightened away. I hate to think this, but I’m bound to. Anyway, it is obvious that the man was temporarily a bit off his normal balance. Love’s a queer disease!

“Then, there is no doubt at all but that Parsket left the cord to the butler’s bell hitched somewhere so as to give him an excuse to slip away naturally to clear it. This also gave him the opportunity to remove one of the passage lamps. Then he had only to smash the other and the passage was in utter darkness for him to make the attempt on Beaumont.

“In the same way, it was he who locked the door of the bedroom and took the key (it was in his pocket). This prevented the Captain from bringing a light and coming to the rescue. But Captain Hisgins broke down the door with the heavy fender curb and it was his smashing the door that sounded so confusing and frightening in the darkness of the passage.

“The photograph of the monstrous hoof above Miss Hisgins in the cellar is one of the things that I am less sure about. It might have been faked by Parsket, whilst I was out of the room, and this would have been easy enough, to anyone who knew how. But, you know, it does not look like a fake. Yet, there is as much evidence of probability that it was faked, as against; and the thing is too vague for an examination to help to a definite decision so that I will express no opinion, one way or the other. It is certainly a horrible photograph.

“And now I come to that last, dreadful thing. There has been no further manifestation of anything abnormal so that there is an extraordinary uncertainty in my conclusions. If we had not heard those last sounds and if Parsket had not shown that enormous sense of fear the whole of this case could be explained in the way in which I have shown. And, in fact, as you have seen, I am of the opinion that almost all of it can be cleared up, but I see no way of going past the thing we heard at the last and the fear that Parsket showed.

“His death–no, that proves nothing. At the inquest it was described somewhat untechnically as due to heart spasm. That is normal enough and leaves us quite in the dark as to whether he died because he stood between the girl and some incredible thing of monstrosity.

“The look on Parsket’s face and the thing he called out when he heard the great hoof sounds coming down the passage seem to show that he had the sudden realization of what before then may have been nothing more than a horrible suspicion. And his fear and appreciation of some tremendous danger approaching was probably more keenly real even than mine. And then he did the one fine, great thing!”

“And the cause?” I said. “What caused it?”

Carnacki shook his head.

“God knows,” he answered, with a peculiar, sincere reverence. “If that thing was what it seemed to be one might suggest an explanation which would not offend one’s reason, but which may be utterly wrong. Yet I have thought, though it would take a long lecture on Thought Induction to get you to appreciate my reasons, that Parsket had produced what I might term a kind of ‘induced haunting,’ a kind of induced simulation of his mental conceptions to his desperate thoughts and broodings. It is impossible to make it clearer in a few words.”

“But the old story!” I said. “Why may not there have been something in _that_?”

“There may have been something in it,” said Carnacki. “But I do not think it had anything to do with this. I have not clearly thought out my reasons, yet; but later I may be able to tell you why I think so.”

“And the marriage? And the cellar–was there anything found there?” asked Taylor.

“Yes, the marriage was performed that day in spite of the tragedy,” Carnacki told us. “It was the wisest thing to do considering the things that I cannot explain. Yes, I had the floor of that big cellar up, for I had a feeling I might find something there to give me some light. But there was nothing.

“You know, the whole thing is tremendous and extraordinary. I shall never forget the look on Parsket’s face. And afterward the disgusting sounds of those great hoofs going away through the quiet house.”

Carnacki stood up.

“Out you go!” he said in friendly fashion, using the recognized formula.

And we went presently out into the quiet of the Embankment, and so to our homes.

No. 5

THE SEARCHER OF THE END HOUSE

It was still evening, as I remember, and the four of us, Jessop, Arkright, Taylor and I, looked disappointedly at Carnacki, where he sat silent in his great chair.

We had come in response to the usual card of invitation, which–as you know–we have come to consider as a sure prelude to a good story; and now, after telling us the short incident of the Three Straw Platters, he had lapsed into a contented silence, and the night not half gone, as I have hinted.

However, as it chanced, some pitying fate jogged Carnacki’s elbow, or his memory, and he began again, in his queer level way:–

“The ‘Straw Platters’ business reminds me of the ‘Searcher’ Case, which I have sometimes thought might interest you. It was some time ago, in fact a deuce of a long time ago, that the thing happened; and my experience of what I might term ‘curious’ things was very small at that time.

“I was living with my mother when it occurred, in a small house just outside of Appledorn, on the South Coast. The house was the last of a row of detached cottage villas, each house standing in its own garden; and very dainty little places they were, very old, and most of them smothered in roses; and all with those quaint old leaded windows, and doors of genuine oak. You must try to picture them for the sake of their complete niceness.

“Now I must remind you at the beginning that my mother and I had lived in that little house for two years; and in the whole of that time there had not been a single peculiar happening to worry us.

“And then, something happened.

“It was about two o’clock one morning, as I was finishing some letters, that I heard the door of my mother’s bedroom open, and she came to the top of the stairs, and knocked on the banisters.

“‘All right, dear,’ I called; for I suppose she was merely reminding me that I should have been in bed long ago; then I heard her go back to her room, and I hurried my work, for fear she should lie awake, until she heard me safe up to my room.

“When I was finished, I lit my candle, put out the lamp, and went upstairs. As I came opposite the door of my mother’s room, I saw that it was open, called good night to her, very softly, and asked whether I should close the door. As there was no answer, I knew that she had dropped off to sleep again, and I closed the door very gently, and turned into my room, just across the passage. As I did so, I experienced a momentary, half-aware sense of a faint, peculiar, disagreeable odor in the passage; but it was not until the following night that I _realized_ I had noticed a smell that offended me. You follow me? It is so often like that–one suddenly knows a thing that really recorded itself on one’s consciousness, perhaps a year before.

“The next morning at breakfast, I mentioned casually to my mother that she had ‘dropped off,’ and I had shut the door for her. To my surprise, she assured me she had never been out of her room. I reminded her about the two raps she had given upon the banister; but she still was certain I must be mistaken; and in the end I teased her, saying she had grown so accustomed to my bad habit of sitting up late, that she had come to call me in her sleep. Of course, she denied this, and I let the matter drop; but I was more than a little puzzled, and did not know whether to believe my own explanation, or to take the mater’s, which was to put the noises down to the mice, and the open door to the fact that she couldn’t have properly latched it, when she went to bed. I suppose, away in the subconscious part of me, I had a stirring of less reasonable thoughts; but certainly, I had no real uneasiness at that time.

“The next night there came a further development. About two thirty a.m., I heard my mother’s door open, just as on the previous night, and immediately afterward she rapped sharply, on the banister, as it seemed to me. I stopped my work and called up that I would not be long. As she made no reply, and I did not hear her go back to bed, I had a quick sense of wonder whether she might not be doing it in her sleep, after all, just as I had said.

“With the thought, I stood up, and taking the lamp from the table, began to go toward the door, which was open into the passage. It was then I got a sudden nasty sort of thrill; for it came to me, all at once, that my mother never knocked, when I sat up too late; she always called. You will understand I was not really frightened in any way; only vaguely uneasy, and pretty sure she must really be doing the thing in her sleep.

“I went quickly up the stairs, and when I came to the top, my mother was not there; but her door was open. I had a bewildered sense though believing she must have gone quietly back to bed, without my hearing her. I entered her room and found her sleeping quietly and naturally; for the vague sense of trouble in me was sufficiently strong to make me go over to look at her.

“When I was sure that she was perfectly right in every way, I was still a little bothered; but much more inclined to think my suspicion correct and that she had gone quietly back to bed in her sleep, without knowing what she had been doing. This was the most reasonable thing to think, as you must see.

“And then it came to me, suddenly, that vague, queer, mildewy smell in the room; and it was in that instant I became aware I had smelt the same strange, uncertain smell the night before in the passage.

“I was definitely uneasy now, and began to search my mother’s room; though with no aim or clear thought of anything, except to assure myself that there was nothing in the room. All the time, you know, I never _expected really_ to find anything; only my uneasiness had to be assured.

“In the middle of my search my mother woke up, and of course I had to explain. I told her about her door opening, and the knocks on the banister, and that I had come up and found her asleep. I said nothing about the smell, which was not very distinct; but told her that the thing happening twice had made me a bit nervous, and possibly fanciful, and I thought I would take a look ’round, just to feel satisfied.

“I have thought since that the reason I made no mention of the smell, was not only that I did not want to frighten my mother, for I was scarcely that myself; but because I had only a vague half-knowledge that I associated the smell with fancies too indefinite and peculiar to bear talking about. You will understand that I am able _now_ to analyze and put the thing into words; but _then_ I did not even know my chief reason for saying nothing; let alone appreciate its possible significance.

“It was my mother, after all, who put part of my vague sensations into words:–

“‘What a disagreeable smell!’ she exclaimed, and was silent a moment, looking at me. Then:–‘You feel there’s something wrong?’ still looking at me, very quietly but with a little, nervous note of questioning expectancy.

“‘I don’t know,’ I said. ‘I can’t understand it, unless you’ve really been walking about in your sleep.’

“‘The smell,’ she said.

“‘Yes,’ I replied. ‘That’s what puzzles me too. I’ll take a walk through the house; but I don’t suppose it’s anything.’

“I lit her candle, and taking the lamp, I went through the other bedrooms, and afterward all over the house, including the three underground cellars, which was a little trying to the nerves, seeing that I was more nervous than I would admit.

“Then I went back to my mother, and told her there was really nothing to bother about; and, you know, in the end, we talked ourselves into believing it was nothing. My mother would not agree that she might have been sleepwalking; but she was ready to put the door opening down to the fault of the latch, which certainly snicked very lightly. As for the knocks, they might be the old warped woodwork of the house cracking a bit, or a mouse rattling a piece of loose plaster. The smell was more difficult to explain; but finally we agreed that it might easily be the queer night smell of the moist earth, coming in through the open window of my mother’s room, from the back garden, or–for that matter–from the little churchyard beyond the big wall at the bottom of the garden.

“And so we quietened down, and finally I went to bed, and to sleep.

“I think this is certainly a lesson on the way we humans can delude ourselves; for there was not one of these explanations that my reason could really accept. Try to imagine yourself in the same circumstances, and you will see how absurd our attempts to explain the happenings really were.

“In the morning, when I came down to breakfast, we talked it all over again, and whilst we agreed that it was strange, we also agreed that we had begun to imagine funny things in the backs of our minds, which now we felt half ashamed to admit. This is very strange when you come to look into it; but very human.

“And then that night again my mother’s door was slammed once more just after midnight. I caught up the lamp, and when I reached her door, I found it shut. I opened it quickly, and went in, to find my mother lying with her eyes open, and rather nervous; having been waked by the bang of the door. But what upset me more than anything, was the fact that there was a disgusting smell in the passage and in her room.

“Whilst I was asking her whether she was all right, a door slammed twice downstairs; and you can imagine how it made me feel. My mother and I looked at one another; and then I lit her candle, and taking the poker from the fender, went downstairs with the lamp, beginning to feel really nervous. The cumulative effect of so many queer happenings was getting hold of me; and all the _apparently_ reasonable explanations seemed futile.

“The horrible smell seemed to be very strong in the downstairs passage; also in the front room and the cellars; but chiefly in the passage. I made a very thorough search of the house, and when I had finished, I knew that all the lower windows and doors were properly shut and fastened, and that there was no living thing in the house, beyond our two selves. Then I went up to my mother’s room again, and we talked the thing over for an hour or more, and in the end came to the conclusion that we might, after all, be reading too much into a number of little things; but, you know, inside of us, we did not believe this.

“Later, when we had talked ourselves into a more comfortable state of mind, I said good night, and went off to bed; and presently managed to get to sleep.

“In the early hours of the morning, whilst it was still dark, I was waked by a loud noise. I sat up in bed, and listened. And from downstairs, I heard:–bang, bang, bang, one door after another being slammed; at least, that is the impression the sounds gave to me.

“I jumped out of bed, with the tingle and shiver of sudden fright on me; and at the same moment, as I lit my candle, my door was pushed slowly open; I had left it unlatched, so as not to feel that my mother was quite shut off from me.

“‘Who’s there?’ I shouted out, in a voice twice as deep as my natural one, and with a queer breathlessness, that sudden fright so often gives one. ‘Who’s there?’

“Then I heard my mother saying:–

“‘It’s me, Thomas. Whatever is happening downstairs?’

“She was in the room by this, and I saw she had her bedroom poker in one hand, and her candle in the other. I could have smiled at her, had it not been for the extraordinary sounds downstairs.

“I got into my slippers, and reached down an old sword bayonet from the wall; then I picked up my candle, and begged my mother not to come; but I knew it would be little use, if she had made up her mind; and she had, with the result that she acted as a sort of rearguard for me, during our search. I know, in some ways, I was very glad to have her with me, as you will understand.

“By this time, the door slamming had ceased, and there seemed, probably because of the contrast, to be an appalling silence in the house. However, I led the way, holding my candle high, and keeping the sword bayonet very handy. Downstairs we found all the doors wide open; although the outer doors and the windows were closed all right. I began to wonder whether the noises had been made by the doors after all. Of one thing only were we sure, and that was, there was no living thing in the house, beside ourselves, while everywhere throughout the house, there was the taint of that disgusting odor.

“Of course it was absurd to try to make believe any longer. There was something strange about the house; and as soon as it was daylight, I set my mother to packing; and soon after breakfast, I saw her off by train.

“Then I set to work to try to clear up the mystery. I went first to the landlord, and told him all the circumstances. From him, I found that twelve or fifteen years back, the house had got rather a curious name from three or four tenants; with the result that it had remained empty a long while; in the end he had let it at a low rent to a Captain Tobias, on the one condition that he should hold his tongue, if he saw anything peculiar. The landlord’s idea–as he told me frankly–was to free the house from these tales of ‘something queer,’ by keeping a tenant in it, and then to sell it for the best price he could get.

“However, when Captain Tobias left, after a ten years’ tenancy, there was no longer any talk about the house; so when I offered to take it on a five years’ lease, he had jumped at the offer. This was the whole story; so he gave me to understand. When I pressed him for details of the supposed peculiar happenings in the house, all those years back, he said the tenants had talked about a woman who always moved about the house at night. Some tenants never saw anything; but others would not stay out the first month’s tenancy.

“One thing the landlord was particular to point out, that no tenant had ever complained about knockings, or door slamming. As for the smell, he seemed positively indignant about it; but why, I don’t suppose he knew himself, except that he probably had some vague feeling that it was an indirect accusation on my part that the drains were not right.

“In the end, I suggested that he should come down and spend the night with me. He agreed at once, especially as I told him I intended to keep the whole business quiet, and try to get to the bottom of the curious affair; for he was anxious to keep the rumor of the haunting from getting about.

“About three o’clock that afternoon, he came down, and we made a thorough search of the house, which, however, revealed nothing unusual. Afterward, the landlord made one or two tests, which showed him the drainage was in perfect order; after that we made our preparations for sitting up all night.

“First, we borrowed two policemen’s dark lanterns from the station nearby, and where the superintendent and I were friendly, and as soon as it was really dusk, the landlord went up to his house for his gun. I had the sword bayonet I have told you about; and when the landlord got back, we sat talking in my study until nearly midnight.

“Then we lit the lanterns and went upstairs. We placed the lanterns, gun and bayonet handy on the table; then I shut and sealed the bedroom doors; afterward we took our seats, and turned off the lights.

“From then until two o’clock, nothing happened; but a little after two, as I found by holding my watch near the faint glow of the closed lanterns, I had a time of extraordinary nervousness; and I bent toward the landlord, and whispered to him that I had a queer feeling something was about to happen, and to be ready with his lantern; at the same time I reached out toward mine. In the very instant I made this movement, the darkness which filled the passage seemed to become suddenly of a dull violet color; not, as if a light had been shone; but as if the natural blackness of the night had changed color. And then, coming through this violet night, through this violet-colored gloom, came a little naked Child, running. In an extraordinary way, the Child seemed not to be distinct from the surrounding gloom; but almost as if it were a concentration of that extraordinary atmosphere; as if that gloomy color which had changed the night, came from the Child. It seems impossible to make clear to you; but try to understand it.

“The Child went past me, running, with the natural movement of the legs of a chubby human child, but in an absolute and inconceivable silence. It was a very small Child, and must have passed under the table; but I saw the Child through the table, as if it had been only a slightly darker shadow than the colored gloom. In the same instant, I saw that a fluctuating glimmer of violet light outlined the metal of the gun-barrels and the blade of the sword bayonet, making them seem like faint shapes of glimmering light, floating unsupported where the tabletop should have shown solid.

“Now, curiously, as I saw these things, I was subconsciously aware that I heard the anxious breathing of the landlord, quite clear and labored, close to my elbow, where he waited nervously with his hands on the lantern. I realized in that moment that he saw nothing; but waited in the darkness, for my warning to come true.

“Even as I took heed of these minor things, I saw the Child jump to one side, and hide behind some half-seen object that was certainly nothing belonging to the passage. I stared, intently, with a most extraordinary thrill of expectant wonder, with fright making goose flesh of my back. And even as I stared, I solved for myself the less important problem of what the two black clouds were that hung over a part of the table. I think it very curious and interesting, the double working of the mind, often so much more apparent during times of stress. The two clouds came from two faintly shining shapes, which I knew must be the metal of the lanterns; and the things that looked black to the sight with which I was then seeing, could be nothing else but what to normal human sight is known as light. This phenomenon I have always remembered. I have twice seen a somewhat similar thing; in the Dark Light Case and in that trouble of Maetheson’s, which you know about.

“Even as I understood this matter of the lights, I was looking to my left, to understand why the Child was hiding. And suddenly, I heard the landlord shout out:–‘The Woman!’ But I saw nothing. I had a disagreeable sense that something repugnant was near to me, and I was aware in the same moment that the landlord was gripping my arm in a hard, frightened grip. Then I was looking back to where the Child had hidden. I saw the Child peeping out from behind its hiding place, seeming to be looking up the passage; but whether in fear I could not tell. Then it came out, and ran headlong away, through the place where should have been the wall of my mother’s bedroom; but the Sense with which I was seeing these things, showed me the wall only as a vague, upright shadow, unsubstantial. And immediately the child was lost to me, in the dull violet gloom. At the same time, I felt the landlord press back against me, as if something had passed close to him; and he called out again, a hoarse sort of cry:–‘The Woman! The Woman!’ and turned the shade clumsily from off his lantern. But I had seen no Woman; and the passage showed empty, as he shone the beam of his light jerkily to and fro; but chiefly in the direction of the doorway of my mother’s room.

“He was still clutching my arm, and had risen to his feet; and now, mechanically and almost slowly, I picked up my lantern and turned on the light. I shone it, a little dazedly, at the seals upon the doors; but none were broken; then I sent the light to and fro, up and down the passage; but there was nothing; and I turned to the landlord, who was saying something in a rather incoherent fashion. As my light passed over his face, I noted, in a dull sort of way, that he was drenched with sweat.

“Then my wits became more handleable, and I began to catch the drift of his words:–‘Did you see her? Did you see her?’ he was saying, over and over again; and then I found myself telling him, in quite a level voice, that I had not seen any Woman. He became more coherent then, and I found that he had seen a Woman come from the end of the passage, and go past us; but he could not describe her, except that she kept stopping and looking about her, and had even peered at the wall, close beside him, as if looking for something. But what seemed to trouble him most, was that she had not seemed to see him at all. He repeated this so often, that in the end I told him, in an absurd sort of way, that he ought to be very glad she had not. What did it all mean? was the question; somehow I was not so frightened, as utterly bewildered. I had seen less then, than since; but what I had seen, had made me feel adrift from my anchorage of Reason.

“What did it mean? He had seen a Woman, searching for something. _I_ had not seen this Woman. _I_ had seen a Child, running away, and hiding from Something or Someone. _He_ had not seen the Child, or the other things–only the Woman. And _I_ had not seen her. What did it all mean?

“I had said nothing to the landlord about the Child. I had been too bewildered, and I realized that it would be futile to attempt an explanation. He was already stupid with the thing he had seen; and not the kind of man to understand. All this went through my mind as we stood there, shining the lanterns to and fro. All the time, intermingled with a streak of practical reasoning, I was questioning myself, what did it all mean? What was the Woman searching for; what was the Child running from?

“Suddenly, as I stood there, bewildered and nervous, making random answers to the landlord, a door below was violently slammed, and directly I caught the horrible reek of which I have told you.

“‘There!’ I said to the landlord, and caught his arm, in my turn. ‘The Smell! Do _you_ smell it?’

“He looked at me so stupidly that in a sort of nervous anger, I shook him.

“‘Yes,’ he said, in a queer voice, trying to shine the light from his shaking lantern at the stair head.

“‘Come on!’ I said, and picked up my bayonet; and he came, carrying his gun awkwardly. I think he came, more because he was afraid to be left alone, than because he had any pluck left, poor beggar. I never sneer at that kind of funk, at least very seldom; for when it takes hold of you, it makes rags of your courage.

“I led the way downstairs, shining my light into the lower passage, and afterward at the doors to see whether they were shut; for I had closed and latched them, placing a corner of a mat against each door, so I should know which had been opened.

“I saw at once that none of the doors had been opened; then I threw the beam of my light down alongside the stairway, in order to see the mat I had placed against the door at the top of the cellar stairs. I got a horrid thrill; for the mat was flat! I paused a couple of seconds, shining my light to and fro in the passage, and holding fast to my courage, I went down the stairs.

“As I came to the bottom step, I saw patches of wet all up and down the passage. I shone my lantern on them. It was the imprint of a wet foot on the oilcloth of the passage; not an ordinary footprint, but a queer, soft, flabby, spreading imprint, that gave me a feeling of extraordinary horror.

“Backward and forward I flashed the light over the impossible marks and saw them everywhere. Suddenly I noticed that they led to each of the closed doors. I felt something touch my back, and glanced ’round swiftly, to find the landlord had come close to me, almost pressing against me, in his fear.

“‘It’s all right,’ I said, but in a rather breathless whisper, meaning to put a little courage into him; for I could feel that he was shaking through all his body. Even then as I tried to get him steadied enough to be of some use, his gun went off with a tremendous bang. He jumped, and yelled with sheer terror; and I swore because of the shock.

“‘Give it to me, for God’s sake!’ I said, and slipped the gun from his hand; and in the same instant there was a sound of running steps up the garden path, and immediately the flash of a bull’s-eye lantern upon the fan light over the front door. Then the door was tried, and directly afterward there came a thunderous knocking, which told me a policeman had heard the shot.

“I went to the door, and opened it. Fortunately the constable knew me, and when I had beckoned him in, I was able to explain matters in a very short time. While doing this, Inspector Johnstone came up the path, having missed the officer, and seeing lights and the open door. I told him as briefly as possible what had occurred, and did not mention the Child or the Woman; for it would have seem too fantastic for him to notice. I showed him the queer, wet footprints and how they went toward the closed doors. I explained quickly about the mats, and how that the one against the cellar door was flat, which showed the door had been opened.

“The inspector nodded, and told the constable to guard the door at the top of the cellar stairs. He then asked the hall lamp to be lit, after which he took the policeman’s lantern, and led the way into the front room. He paused with the door wide open, and threw the light all ’round; then he jumped into the room, and looked behind the door; there was no one there; but all over the polished oak floor, between the scattered rugs, went the marks of those horrible spreading footprints; and the room permeated with the horrible odor.

“The inspector searched the room carefully, and then went into the middle room, using the same precautions. There was nothing in the middle room, or in the kitchen or pantry; but everywhere went the wet footmarks through all the rooms, showing plainly wherever there were woodwork or oilcloth; and always there was the smell.

“The inspector ceased from his search of the rooms, and spent a minute in trying whether the mats would really fall flat when the doors were open, or merely ruckle up in a way as to appear they had been untouched; but in each case, the mats fell flat, and remained so.

“‘Extraordinary!’ I heard Johnstone mutter to himself. And then he went toward the cellar door. He had inquired at first whether there were windows to the cellar, and when he learned there was no way out, except by the door, he had left this part of the search to the last.

“As Johnstone came up to the door, the policeman made a motion of salute, and said something in a low voice; and something in the tone made me flick my light across him. I saw then that the man was very white, and he looked strange and bewildered.

“‘What?’ said Johnstone impatiently. ‘Speak up!’

“‘A woman come along ‘ere, sir, and went through this ‘ere door,’ said the constable, clearly, but with a curious monotonous intonation that is sometimes heard from an unintelligent man.

“‘Speak up!’ shouted the inspector.

“‘A woman come along and went through this ‘ere door,’ repeated the man, monotonously.

“The inspector caught the man by the shoulder, and deliberately sniffed his breath.

“‘No!’ he said. And then sarcastically:–‘I hope you held the door open politely for the lady.’

“‘The door weren’t opened, sir,’ said the man, simply.

“‘Are you mad–‘ began Johnstone.

“‘No,’ broke in the landlord’s voice from the back. Speaking steadily enough. ‘I saw the Woman upstairs.’ It was evident that he had got back his control again.

“‘I’m afraid, Inspector Johnstone,’ I said, ‘that there’s more in this than you think. I certainly saw some very extraordinary things upstairs.’

“The inspector seemed about to say something; but instead, he turned again to the door, and flashed his light down and ’round about the mat. I saw then that the strange, horrible footmarks came straight up to the cellar door; and the last print showed _under_ the door; yet the policeman said the door had not been opened.

“And suddenly, without any intention, or realization of what I was saying, I asked the landlord:–

“‘What were the feet like?’

“I received no answer; for the inspector was ordering the constable to open the cellar door, and the man was not obeying. Johnstone repeated the order, and at last, in a queer automatic way, the man obeyed, and pushed the door open. The loathsome smell beat up at us, in a great wave of horror, and the inspector came backward a step.

“‘My God!’ he said, and went forward again, and shone his light down the steps; but there was nothing visible, only that on each step showed the unnatural footprints.

“The inspector brought the beam of the light vividly on the top step; and there, clear in the light, there was something small, moving. The inspector bent to look, and the policeman and I with him. I don’t want to disgust you; but the thing we looked at was a maggot. The policeman backed suddenly out of the doorway:

“‘The churchyard,’ he said, ‘… at the back of the ‘ouse.’

“‘Silence!’ said Johnstone, with a queer break in the word, and I knew that at last he was frightened. He put his lantern into the doorway, and shone it from step to step, following the footprints down into the darkness; then he stepped back from the open doorway, and we all gave back with him. He looked ’round, and I had a feeling that he was looking for a weapon of some kind.

“‘Your gun,’ I said to the landlord, and he brought it from the front hall, and passed it over to the inspector, who took it and ejected the empty shell from the right barrel. He held out his hand for a live cartridge, which the landlord brought from his pocket. He loaded the gun and snapped the breech. He turned to the constable:–

“‘Come on,’ he said, and moved toward the cellar doorway.

“‘I ain’t comin’, sir,’ said the policeman, very white in the face.

“With a sudden blaze of passion, the inspector took the man by the scruff and hove him bodily down into the darkness, and he went downward, screaming. The inspector followed him instantly, with his lantern and the gun; and I after the inspector, with the bayonet ready. Behind me, I heard the landlord.

“At the bottom of the stairs, the inspector was helping the policeman to his feet, where he stood swaying a moment, in a bewildered fashion; then the inspector went into the front cellar, and his man followed him in stupid fashion; but evidently no longer with any thought of running away from the horror.

“We all crowded into the front cellar, flashing our lights to and fro. Inspector Johnstone was examining the floor, and I saw that the footmarks went all ’round the cellar, into all the corners, and across the floor. I thought suddenly of the Child that was running away from Something. Do you see the thing that I was seeing vaguely?

“We went out of the cellar in a body, for there was nothing to be found. In the next cellar, the footprints went everywhere in that queer erratic fashion, as of someone searching for something, or following some blind scent.

“In the third cellar the prints ended at the shallow well that had been the old water supply of the house. The well was full to the brim, and the water so clear that the pebbly bottom was plainly to be seen, as we shone the lights into the water. The search came to an abrupt end, and we stood about the well, looking at one another, in an absolute, horrible silence.

“Johnstone made another examination of the footprints; then he shone his light again into the clear shallow water, searching each inch of the plainly seen bottom; but there was nothing there. The cellar was full of the dreadful smell; and everyone stood silent, except for the constant turning of the lamps to and fro around the cellar.

“The inspector looked up from his search of the well, and nodded quietly across at me, with his sudden acknowledgment that our belief was now his belief, the smell in the cellar seemed to grow more dreadful, and to be, as it were, a menace–the material expression that some monstrous thing was there with us, invisible.

“‘I think–‘ began the inspector, and shone his light toward the stairway; and at this the constable’s restraint went utterly, and he ran for the stairs, making a queer sound in his throat.

“The landlord followed, at a quick walk, and then the inspector and I. He waited a single instant for me, and we went up together, treading on the same steps, and with our lights held backward. At the top, I slammed and locked the stair door, and wiped my forehead, and my hands were shaking.

“The inspector asked me to give his man a glass of whisky, and then he sent him on his beat. He stayed a short while with the landlord and me, and it was arranged that he would join us again the following night and watch the Well with us from midnight until daylight. Then he left us, just as the dawn was coming in. The landlord and I locked up the house, and went over to his place for a sleep.

“In the afternoon, the landlord and I returned to the house, to make arrangements for the night. He was very quiet, and I felt he was to be relied on, now that he had been ‘salted,’ as it were, with his fright of the previous night.

“We opened all the doors and windows, and blew the house through very thoroughly; and in the meanwhile, we lit the lamps in the house, and took them into the cellars, where we set them all about, so as to have light everywhere. Then we carried down three chairs and a table, and set them in the cellar where the well was sunk. After that, we stretched thin piano wire across the cellar, about nine inches from the floor, at such a height that it should catch anything moving about in the dark.

“When this was done, I went through the house with the landlord, and sealed every window and door in the place, excepting only the front door and the door at the top of the cellar stairs.

“Meanwhile, a local wire-smith was making something to my order; and when the landlord and I had finished tea at his house, we went down to see how the smith was getting on. We found the thing complete. It looked rather like a huge parrot’s cage, without any bottom, of very heavy gage wire, and stood about seven feet high and was four feet in diameter. Fortunately, I remembered to have it made longitudinally in two halves, or else we should never have got it through the doorways and down the cellar stairs.

“I told the wire-smith to bring the cage up to the house so he could fit the two halves rigidly together. As we returned, I called in at an ironmonger’s, where I bought some thin hemp rope and an iron rack pulley, like those used in Lancashire for hauling up the ceiling clothes racks, which you will find in every cottage. I bought also a couple of pitchforks.

“‘We shan’t want to touch it,” I said to the landlord; and he nodded, rather white all at once.

“As soon as the cage arrived and had been fitted together in the cellar, I sent away the smith; and the landlord and I suspended it over the well, into which it fitted easily. After a lot of trouble, we managed to hang it so perfectly central from the rope over the iron pulley, that when hoisted to the ceiling and dropped, it went every time plunk into the well, like a candle-extinguisher. When we had it finally arranged, I hoisted it up once more, to the ready position, and made the rope fast to a heavy wooden pillar, which stood in the middle of the cellar.

“By ten o’clock, I had everything arranged, with the two pitchforks and the two police lanterns; also some whisky and sandwiches. Underneath the table I had several buckets full of disinfectant.

“A little after eleven o’clock, there was a knock at the front door, and when I went, I found Inspector Johnstone had arrived, and brought with him one of his plainclothes men. You will understand how pleased I was to see there would be this addition to our watch; for he looked a tough, nerveless man, brainy and collected; and one I should have picked to help us with the horrible job I felt pretty sure we should have to do that night.

“When the inspector and the detective had entered, I shut and locked the front door; then, while the inspector held the light, I sealed the door carefully, with tape and wax. At the head of the cellar stairs, I shut and locked that door also, and sealed it in the same way.

“As we entered the cellar, I warned Johnstone and his man to be careful not to fall over the wires; and then, as I saw his surprise at my arrangements, I began to explain my ideas and intentions, to all of which he listened with strong approval. I was pleased to see also that the detective was nodding his head, as I talked, in a way that showed he appreciated all my precautions.

“As he put his lantern down, the inspector picked up one of the pitchforks, and balanced it in his hand; he looked at me, and nodded.

“‘The best thing,’ he said. ‘I only wish you’d got two more.’

“Then we all took our seats, the detective getting a washing stool from the corner of the cellar. From then, until a quarter to twelve, we talked quietly, whilst we made a light supper of whisky and sandwiches; after which, we cleared everything off the table, excepting the lanterns and the pitchforks. One of the latter, I handed to the inspector; the other I took myself, and then, having set my chair so as to be handy to the rope which lowered the cage into the well, I went ’round the cellar and put out every lamp.

“I groped my way to my chair, and arranged the pitchfork and the dark lantern ready to my hand; after which I suggested that everyone should keep an absolute silence throughout the watch. I asked, also, that no lantern should be turned on, until I gave the word.

“I put my watch on the table, where a faint glow from my lantern made me able to see the time. For an hour nothing happened, and everyone kept an absolute silence, except for an occasional uneasy movement.

“About half-past one, however, I was conscious again of the same extraordinary and peculiar nervousness, which I had felt on the previous night. I put my hand out quickly, and eased the hitched rope from around the pillar. The inspector seemed aware of the movement; for I saw the faint light from his lantern, move a little, as if he had suddenly taken hold of it, in readiness.

“A minute later, I noticed there was a change in the color of the night in the cellar, and it grew slowly violet tinted upon my eyes. I glanced to and fro, quickly, in the new darkness, and even as I looked, I was conscious that the violet color deepened. In the direction of the well, but seeming to be at a great distance, there was, as it were, a nucleus to the change; and the nucleus came swiftly toward us, appearing to come from a great space, almost in a single moment. It came near, and I saw again that it was a little naked Child, running, and seeming to be of the violet night in which it ran.

“The Child came with a natural running movement, exactly as I described it before; but in a silence so peculiarly intense, that it was as if it brought the silence with it. About half-way between the well and the table, the Child turned swiftly, and looked back at something invisible to me; and suddenly it went down into a crouching attitude, and seemed to be hiding behind something that showed vaguely; but there was nothing there, except the bare floor of the cellar; nothing, I mean, of our world.

“I could hear the breathing of the three other men, with a wonderful distinctness; and also the tick of my watch upon the table seemed to sound as loud and as slow as the tick of an old grandfather’s clock. Someway I knew that none of the others saw what I was seeing.

“Abruptly, the landlord, who was next to me, let out his breath with a little hissing sound; I knew then that something was visible to him. There came a creak from the table, and I had a feeling that the inspector was leaning forward, looking at something that I could not see. The landlord reached out his hand through the darkness, and fumbled a moment to catch my arm:–

“‘The Woman!’ he whispered, close to my ear. ‘Over by the well.’

“I stared hard in that direction; but saw nothing, except that the violet color of the cellar seemed a little duller just there.

“I looked back quickly to the vague place where the Child was hiding. I saw it was peering back from its hiding place. Suddenly it rose and ran straight for the middle of the table, which showed only as vague shadow half-way between my eyes and the unseen floor. As the Child ran under the table, the steel prongs of my pitchfork glimmered with a violet, fluctuating light. A little way off, there showed high up in the gloom, the vaguely shining outline of the other fork, so I knew the inspector had it raised in his hand, ready. There was no doubt but that he saw something. On the table, the metal of the five lanterns shone with the same strange glow; and about each lantern there was a little cloud of absolute blackness, where the phenomenon that is light to our natural eyes, came through the fittings; and in this complete darkness, the metal of each lantern showed plain, as might a cat’s-eye in a nest of black cotton wool.

“Just beyond the table, the Child paused again, and stood, seeming to oscillate a little upon its feet, which gave the impression that it was lighter and vaguer than a thistle-down; and yet, in the same moment, another part of me seemed to know that it was to me, as something that might be beyond thick, invisible glass, and subject to conditions and forces that I was unable to comprehend.

“The Child was looking back again, and my gaze went the same way. I stared across the cellar, and saw the cage hanging clear in the violet light, every wire and tie outlined with its glimmering; above it there was a little space of gloom, and then the dull shining of the iron pulley which I had screwed into the ceiling.

“I stared in a bewildered way ’round the cellar; there were thin lines of vague fire crossing the floor in all directions; and suddenly I remembered the piano wire that the landlord and I had stretched. But there was nothing else to be seen, except that near the table there were indistinct glimmerings of light, and at the far end the outline of a dull glowing revolver, evidently in the detective’s pocket. I remember a sort of subconscious satisfaction, as I settled the point in a queer automatic fashion. On the table, near to me, there was a little shapeless collection of the light; and this I knew, after an instant’s consideration, to be the steel portions of my watch.

“I had looked several times at the Child, and ’round at the cellar, whilst I was decided these trifles; and had found it still in that attitude of hiding from something. But now, suddenly, it ran clear away