Part 4 out of 6
CYN. With no less pleasure than we have beheld
This precious crystal work of rarest wit,
Our eye doth read thee, now instiled, our Crites;
Whom learning, virtue, and our favour last,
Exempteth from the gloomy multitude.
With common eye the Supreme should not see:
Henceforth be ours, the more thyself to be.
CRI. Heaven's purest light, whose orb may be eclipsed,
But not thy praise; divinest Cynthia!
How much too narrow for so high a grace,
Thine (save therein) the most unworthy Crites
Doth find himself! for ever shine thy fame;
Thine honours ever, as thy beauties do.
In me they must, my dark world's chiefest lights,
By whose propitious beams my powers are raised
To hope some part of those most lofty points,
Which blessed Arete hath pleased to name,
As marks, to which my endeavour's steps should bend:
Mine, as begun at thee, in thee must end.
THE SECOND MASQUE.
ENTER MERCURY AS A PAGE, INTRODUCING EUCOSMOS, EUPATHES, EUTOLMOS, AND EUCOLOS.
MER. Sister of Phoebus, to whose bright orb we owe, that we not
complain of his absence; these four brethren (for they are
brethren, and sons of Eutaxia, a lady known, and highly beloved of
your resplendent deity) not able to be absent, when Cynthia held a
solemnity, officiously insinuate themselves into thy presence: for,
as there are four cardinal virtues, upon which the whole frame of
the court doth move, so are these the four cardinal properties,
without which the body of compliment moveth not. With these four
silver javelins, (which they bear in their hands) they support in
princes' courts the state of the presence, as by office they are
obliged: which, though here they may seem superfluous, yet, for
honour's sake, they thus presume to visit thee, having also been
employed in the palace of queen Perfection. And though to them
that would make themselves gracious to a goddess, sacrifices were
fitter than presents, or impresses, yet they both hope thy favour,
and (in place of either) use several symbols, containing the
titles of thy imperial dignity.
First, the hithermost, in the changeable blue and green robe, is
the commendably-fashioned gallant Eucosmos; whose courtly habit is
the grace of the presence, and delight of the surveying eye; whom
ladies understand by the names of Neat and Elegant. His symbol
is, "divae virgini," in which he would express thy deity's
principal glory, which hath ever been virginity.
The second, in the rich accoutrement, and robe of purple, empaled
with gold, is Eupathes; who entertains his mind with an harmless,
but not incurious variety; all the objects of his senses are
sumptuous, himself a gallant, that, without excess, can make use
of superfluity, go richly in embroideries, jewels, and what not,
without vanity, and fare delicately without gluttony; and
therefore (not without cause) is universally thought to be of fine
humour. His symbol is, "divae optimae"; an attribute to express
thy goodness, in which thou so resemblest Jove thy father.
The third, in the blush-coloured suit, is Eutolmos, as duly
respecting others, as never neglecting himself; commonly known by
the title of good Audacity; to courts and courtly assemblies a
guest most acceptable. His symbol is, "divae viragini"; to
express thy hardy courage in chase of savage beasts, which harbour
in woods and wildernesses.
The fourth, in watchet tinsel, is the kind and truly benefique
Eucolos, who imparteth not without respect, but yet without
difficulty, and hath the happiness to make every kindness seem
double, by the timely and freely bestowing thereof. He is the
chief of them, who by the vulgar are said to be of good nature.
His symbol is, "divae maximae"; an adjunct to signify thy
greatness, which in heaven, earth, and hell, is formidable.
MUSIC. A DANCE BY THE TWO MASQUES JOINED, DURING WHICH CUPID AND
MERCURY RETIRE TO THE SIDE OF THE STAGE.
CUP. Is not that Amorphus, the traveller?
MER. As though it were not! do you not see how his legs are in
travail with a measure?
CUP. Hedon, thy master is next.
MER. What, will Cupid turn nomenclator, and cry them?
CUP. No, faith, but I have a comedy toward, that would not be lost
for a kingdom.
MER. In good time, for Cupid will prove the comedy.
CUP. Mercury, I am studying how to match them.
MER. How to mismatch them were harder.
CUP. They are the nymphs must do it; I shall sport myself with
their passions above measure.
MER. Those nymphs would be tamed a little indeed, but I fear thou
has not arrows for the purpose.
CUP. O yes, here be of all sorts, flights, rovers, and
butt-shafts. But I can wound with a brandish, and never draw bow
for the matter.
MER. I cannot but believe it, my invisible archer, and yet
methinks you are tedious.
CUP. It behoves me to be somewhat circumspect, Mercury; for if
Cynthia hear the twang of my bow, she'll go near to whip me with
the string; therefore, to prevent that, I thus discharge a brandish
upon -- it makes no matter which of the couples. Phantaste and
Amorphus, at you. [WAVES HIS ARROW AT THEM.]
MER. Will the shaking of a shaft strike them into such a fever of
CUP. As well as the wink of an eye: but, I pray thee, hinder me
not with thy prattle.
MER. Jove forbid I hinder thee; Marry, all that I fear is
Cynthia's presence, which, with the cold of her chastity, casteth
such an antiperistasis about the place, that no heat of thine will
tarry with the patient.
CUP. It will tarry the rather, for the antiperistasis will keep it
MER. I long to see the experiment.
CUP. Why, their marrow boils already, or they are all turn'd
MER. Nay, an't be so, I'll give over speaking, and be a spectator
[THE FIRST DANCE ENDS.]
AMO. Cynthia, by my bright soul, is a right exquisite and
spendidious lady; yet Amorphus, I think, hath seen more fashions, I
am sure more countries; but whether I have or not, what need we
gaze on Cynthia, that have ourself to admire?
PHA. O, excellent Cynthia! yet if Phantaste sat where she does,
and had such attire on her head, (for attire can do much,) I say
no more -- but goddesses are goddesses, and Phantaste is as she is!
I would the revels were done once, I might go to my school of glass
again, and learn to do myself right after all this ruffling.
[MUSIC; THEY BEGIN THE SECOND DANCE.]
MER. How now Cupid? here's a wonderful change with your brandish!
do you not hear how they dote?
CUP. What prodigy is this? no word of love, no mention, no
MER. Not a word my little ignis fatue, not a word.
CUP. Are my darts enchanted? is their vigour gone? is their
MER. What! Cupid turned jealous of himself? ha, ha, ha!
CUP. Laughs Mercury?
MER. Is Cupid angry?
CUP. Hath he not cause, when his purpose is so deluded?
MER. A rare comedy, it shall be entitled Cupid's?
CUP. Do not scorn us Hermes.
MER. Choler and Cupid are two fiery things; I scorn them not.
But I see that come to pass which I presaged in the beginning.
CUP. You cannot tell: perhaps the physic will not work so soon
upon some as upon others. It may be the rest are not so resty.
MER. "Ex ungue"; you know the old adage; as these so are the
CUP. I'll try: this is the same shaft with which I wounded
Argurion. [WAVES HIS ARROW AGAIN.]
MER. Ay, but let me save you a labour, Cupid: there were certain
bottles of water fetch'd, and drunk off since that time, by these
CUP. Jove strike me into the earth! the Fountain of Self-love!
MER. Nay faint not Cupid.
CUP. I remember'd it not.
MER. Faith, it was ominous to take the name of Anteros upon you;
you know not what charm or enchantment lies in the word: you saw,
I durst not venture upon any device in our presentment, but was
content to be no other then a simple page. Your arrows'
properties, (to keep decorum,) Cupid, are suited, it should seem,
to the nature of him you personate.
CUP. Indignity not to be borne!
MER. Nay rather, an attempt to have been forborne.
[THE SECOND DANCE ENDS.]
CUP. How might I revenge myself on this insulting Mercury?
there's Crites, his minion, he has not tasted of this water?
[WAVES HIS ARROW AT CRITES.] It shall be so. Is Crites
turn'd dotard on himself too?
MER. That follows not, because the venom of your shafts cannot
pierce him, Cupid.
CUP. As though there were one antidote for these, and another
MER. As though there were not; or, as if one effect might not
arise of diverse causes? What say you to Cynthia, Arete,
Phronesis, Time, and others there?
CUP. They are divine.
MER. And Crites aspires to be so.
[MUSIC; THEY BEGIN THE THIRD DANCE.]
CUP. But that shall not serve him.
MER. 'Tis like to do it, at this time. But Cupid is grown too
covetous, that will not spare one of a multitude.
CUP. One is more than a multitude.
MER. Arete's favour makes any one shot-proof against thee, Cupid.
I pray thee, light honey-bee, remember thou art not now in Adonis'
garden, but in Cynthia's presence, where thorns lie in garrison
about the roses. Soft, Cynthia speaks.
CYN. Ladies and gallants of our court, to end,
And give a timely period to our sports,
Let us conclude them, with declining night;
Our empire is but of the darker half.
And if you judge it any recompence
For your faire pains, t' have earn'd Diana's thanks,
Diana grants them, and bestows their crown
To gratify your acceptable zeal.
For you are they, that not, as some have done,
Do censure us, as too severe and sour,
But as, more rightly, gracious to the good;
Although we not deny, unto the proud,
Or the profane, perhaps indeed austere:
For so Actaeon, by presuming far,
Did, to our grief, incur a fatal doom;
And so, swoln Niobe, comparing more
Than he presumed, was trophaeed into stone.
But are we therefore judged too extreme?
Seems it no crime to enter sacred bowers,
And hallowed places, with impure aspect,
Most lewdly to pollute? Seems it no crime
To brave a deity? Let mortals learn
To make religion of offending heaven.
And not at all to censure powers divine.
To men this argument should stand for firm,
A goddess did it, therefore it was good:
We are not cruel, nor delight in blood. --
But what have serious repetitions
To do with revels, and the sports of court?
We not intend to sour your late delights
With harsh expostulation. Let it suffice
That we take notice, and can take revenge
Of these calumnious and lewd blasphemies.
For we are no less Cynthia than we were,
Nor is our power, but as ourself, the same:
Though we have now put on no tire of shine,
But mortal eyes undazzled may endure.
Years are beneath the spheres, and time makes weak
Things under heaven, not powers which govern heaven.
And though ourself be in ourself secure,
Yet let not mortals challenge to themselves
Immunity from thence. Lo, this is all:
Honour hath store of spleen, but wanteth gall.
Once more we cast the slumber of our thanks
On your ta'en toil, which here let take an end:
And that we not mistake your several worths,
Nor you our favour, from yourselves remove
What makes you not yourselves, those clouds of masque
Particular pains particular thanks do ask.
[THE DANCERS UNMASK.]
How! let me view you. Ha! are we contemn'd?
Is there so little awe of our disdain,
That any (under trust of their disguise)
Should mix themselves with others of the court,
And, without forehead, boldly press so far,
As farther none? How apt is lenity
To be abused! severity to be loath'd!
And yet, how much more doth the seeming face
Of neighbour virtues, and their borrow'd names,
Add of lewd boldness to loose vanities!
Who would have thought that Philautia durst
Or have usurped noble Storge's name,
Or with that theft have ventured on our eyes?
Who would have thought, that all of them should hope
So much of our connivence, as to come
To grace themselves with titles not their own?
Instead of med'cines, have we maladies?
And such imposthumes as Phantaste is
Grow in our palace? We must lance these sores,
Or all will putrify. Nor are these all,
For we suspect a farther fraud than this:
Take off our veil, that shadows many depart,
And shapes appear, beloved Arete -- So,
Another face of things presents itself,
Than did of late. What! feather'd Cupid masqued,
And masked like Anteros? And stay! more strange!
Dear Mercury, our brother, like a page,
To countenance the ambush of the boy!
Nor endeth our discovery as yet:
Gelaia, like a nymph, that, but erewhile,
In male attire, did serve Anaides? --
Cupid came hither to find sport and game,
Who heretofore hath been too conversant
Among our train, but never felt revenge:
And Mercury bare Cupid company.
Cupid, we must confess, this time of mirth,
Proclaim'd by us, gave opportunity
To thy attempts, although no privilege:
Tempt us no farther; we cannot endure
Thy presence longer; vanish hence, away!
You Mercury, we must entreat to stay,
And hear what we determine of the rest;
For in this plot we well perceive your hand.
But, (for we mean not a censorian task,
And yet to lance these ulcers grown so ripe,)
Dear Arete, and Crites, to you two
We give the charge; impose what pains you please:
Th' incurable cut off, the rest reform,
Remembering ever what we first decreed,
Since revels were proclaim'd, let now none bleed.
ARE. How well Diana can distinguish times,
And sort her censures, keeping to herself
The doom of gods, leaving the rest to us!
Come, cite them, Crites, first, and then proceed.
CRI. First, Philautia, for she was the first,
Then light Gelaia in Aglaia's name,
Thirdly, Phantaste, and Moria next,
Main Follies all, and of the female crew:
Amorphus, or Eucosmos' counterfeit,
Voluptuous Hedon ta'en for Eupathes,
Brazen Anaides, and Asotus last,
With his two pages, Morus, and Prosaites;
And thou, the traveller's evil, Cos, approach,
Impostors all, and male deformities --
ARE. Nay, forward, for I delegate my power.
And will that at thy mercy they do stand,
Whom they so oft, so plainly scorn'd before.
'Tis virtue which they want, and wanting it,
Honour no garment to their backs can fit.
Then, Crites, practise thy discretion.
CRI. Adored Cynthia, and bright Arete,
Another might seem fitter for this task,
Than Crites far, but that you judge not so:
For I (not to appear vindicative,
Or mindful of contempts, which I contemn'd,
As done of impotence) must be remiss:
Who, as I was the author, in some sort,
To work their knowledge into Cynthia's sight,
So should be much severer to revenge
The indignity hence issuing to her name:
But there's not one of these who are unpain'd,
Or by themselves unpunished; for vice
Is like a fury to the vicious mind,
And turns delight itself to punishment.
But we must forward, to define their doom.
You are offenders, that must be confess'd;
Do you confess it?
ALL. We do.
CRI. And that you merit sharp correction?
CRI. Then we (reserving unto Delia's grace
Her farther pleasure, and to Arete
What Delia granteth) thus do sentence you:
That from this place (for penance known of all,
Since you have drunk so deeply of Self-love)
You, two and two, singing a Palinode,
March to your several homes by Niobe's stone,
And offer up two tears a-piece thereon,
That it may change the name, as you must change,
And of a stone be called Weeping-cross:
Because it standeth cross of Cynthia's way,
One of whose names is sacred Trivia.
And after penance thus perform'd you pass
In like set order, not as Midas did,
To wash his gold off into Tagus' stream;
But to the Well of knowledge, Helicon;
Where, purged of your present maladies,
Which are not few, nor slender, you become
Such as you fain would seem, and then return,
Offering your service to great Cynthia.
This is your sentence, if the goddess please
To ratify it with her high consent;
The scope of wise mirth unto fruit is bent.
CYN. We do approve thy censure belov'd Crites;
Which Mercury, thy true propitious friend,
(A deity next Jove beloved of us,)
Will undertake to see exactly done.
And for this service of discovery,
Perform'd by thee, in honour of our name,
We vow to guerdon it with such due grace
As shall become our bounty, and thy place.
Princes that would their people should do well,
Must at themselves begin, as at the head;
For men, by their example, pattern out
Their imitations, and regard of laws:
A virtuous court, a world to virtue draws.
[EXEUNT CYNTHIA AND HER NYMPHS, FOLLOWED BY ARETE AND CRITES: --
AMORPHUS, PHANTASTE, ETC., GO OFF THE STAGE IN PAIRS, SINGING THE
AMO. From Spanish shrugs, French faces, smirks, irpes, and all
CHORUS. Good Mercury defend us.
PHA. From secret friends, sweet servants, loves, doves, and such
CHORUS. Good Mercury defend us.
AMO. From stabbing of arms, flap-dragons, healths, whiffs, and all
such swaggering humours,
CHORUS. Good Mercury defend us.
PHA. From waving fans, coy glances, glicks, cringes, and all such
CHORUS. Good Mercury defend us.
AMO. From making love by attorney, courting of puppets, and paying
for new acquaintance.
CHORUS. Good Mercury defend us.
PHA. From perfumed dogs, monkies, sparrows, dildoes, and
CHORUS. Good Mercury defend us.
AMO. From wearing bracelets of hair, shoe-ties, gloves, garters,
and rings with poesies.
CHORUS. Good Mercury defend us.
PHA. From pargetting, painting, slicking, glazing, and renewing
old rivelled faces.
CHORUS. Good Mercury defend us.
AMO. From 'squiring to tilt yards, play-houses, pageants, and all
such public places.
CHORUS. Good Mercury defend us.
PHA. From entertaining one gallant to gull another, and making
fools of either,
CHORUS. Good Mercury defend us.
AMO. From belying ladies' favours, noblemen's countenance, coining
counterfeit employments, vain-glorious taking to them other men's
services, and all self-loving humours,
CHORUS. Good Mercury defend us.
MERCURY AND CRITES SING.
Now each one dry his weeping eyes,
And to the Well of Knowledge haste;
Where, purged of your maladies,
You may of sweeter waters taste:
And, with refined voice, report
The grace of Cynthia, and her court.
Gentles, be't known to you, since I went in
I am turn'd rhymer, and do thus begin.
The author (jealous how your sense doth take
His travails) hath enjoined me to make
Some short and ceremonious epilogue;
But if I yet know what, I am a rogue:
He ties me to such laws as quite distract
My thoughts, and would a year of time exact.
I neither must be faint, remiss, nor sorry,
Sour, serious, confident, nor peremptory:
But betwixt these. Let's see; to lay the blame
Upon the children's action, that were lame.
To crave your favour, with a begging knee,
Were to distrust the writer's faculty.
To promise better at the next we bring,
Prorogues disgrace, commends not any thing.
Stiffly to stand on this, and proudly approve
The play, might tax the maker of Self-love.
I'll only speak what I have heard him say,
"By -- 'tis good, and if you like't, you may."
"Ecce rubet quidam, pallet, stupet, oscitat, odit
Hoc volo: nunc nobis carmina nostra placent.
ABATE, cast down, subdue.
ABHORRING, repugnant (to), at variance.
ABJECT, base, degraded thing, outcast.
ABRASE, smooth, blank.
ABSTRACTED, abstract, abstruse.
ABUSE, deceive, insult, dishonour, make ill use of.
ACCEPTIVE, willing, ready to accept, receive.
ACCOMMODATE, fit, befitting. (The word was a fashionable
one and used on all occasions. See "Henry IV.," pt. 2,
ACCOST, draw near, approach.
ACKNOWN, confessedly acquainted with.
ACME, full maturity.
ADALANTADO, lord deputy or governor of a Spanish province.
ADMIRE, wonder, wonder at.
ADROP, philosopher's stone, or substance from which obtained.
ADULTERATE, spurious, counterfeit.
ADVERTISE, inform, give intelligence.
ADVERTISED, "be --," be it known to you.
ADVISE, consider, bethink oneself, deliberate.
ADVISED, informed, aware; "are you --?" have you found that out?
AFFECT, love, like; aim at; move.
AFFECTED, disposed; beloved.
AFFECTIONATE, obstinate; prejudiced.
AFFRONT, "give the -- ," face.
AFFY, have confidence in; betroth.
AFTER, after the manner of.
AGAIN, AGAINST, in anticipation of.
AGGRAVATE, increase, magnify, enlarge upon.
AGNOMINATION. See Paranomasie.
AIERY, nest, brood.
ALL HID, children's cry at hide-and-seek.
ALL-TO, completely, entirely ("all-to-be-laden").
ALLOWANCE, approbation, recognition.
ALMA-CANTARAS (astronomy), parallels of altitude.
ALMAIN, name of a dance.
ALMUTEN, planet of chief influence in the horoscope.
ALONE, unequalled, without peer.
ALUDELS, subliming pots.
AMAZED, confused, perplexed.
AMBER, AMBRE, ambergris.
AMBREE, MARY, a woman noted for her valour at the
siege of Ghent, 1458.
AMES-ACE, lowest throw at dice.
AMUSED, bewildered, amazed.
ANATOMY, skeleton, or dissected body.
ANGEL, gold coin worth 10 shillings, stamped with the
figure of the archangel Michael.
ANNESH CLEARE, spring known as Agnes le Clare.
ANSWER, return hit in fencing.
ANTIC, ANTIQUE, clown, buffoon.
ANTIC, like a buffoon.
ANTIPERISTASIS, an opposition which enhances the quality
APPLE-JOHN, APPLE-SQUIRE, pimp, pander.
APPREHEND, take into custody.
APPREHENSIVE, quick of perception; able to perceive and appreciate.
APPROVE, prove, confirm.
APT, suit, adapt; train, prepare; dispose, incline.
APT(LY), suitable(y), opportune(ly).
ARBOR, "make the --," cut up the game (Gifford).
ARCHES, Court of Arches.
ARCHIE, Archibald Armstrong, jester to James I. and Charles I.
ARGAILE, argol, crust or sediment in wine casks.
ARGUMENT, plot of a drama; theme, subject; matter in question;
ARSEDINE, mixture of copper and zinc, used as an imitation of
ARTHUR, PRINCE, reference to an archery show by a society who
assumed arms, etc., of Arthur's knights.
ASCENSION, evaporation, distillation.
ASPIRE, try to reach, obtain, long for.
ASSALTO (Italian), assault.
ASSAY, draw a knife along the belly of the deer, a
ceremony of the hunting-field.
ASSURE, secure possession or reversion of.
ATHANOR, a digesting furnace, calculated to keep up a
ATTACH, attack, seize.
AUDACIOUS, having spirit and confidence.
AUTHENTIC(AL), of authority, authorised, trustworthy, genuine.
AVISEMENT, reflection, consideration.
AVOID, begone! get rid of.
AWAY WITH, endure.
AZOCH, Mercurius Philosophorum.
BACK-SIDE, back premises.
BAFFLE, treat with contempt.
BAGATINE, Italian coin, worth about the third of a farthing.
BAIARD, horse of magic powers known to old romance.
BALDRICK, belt worn across the breast to support bugle, etc.
BALE (of dice), pair.
BALK, overlook, pass by, avoid.
BALLOO, game at ball.
BALNEUM (BAIN MARIE), a vessel for holding hot water
in which other vessels are stood for heating.
BANBURY, "brother of --," Puritan.
BANDOG, dog tied or chained up.
BANE, woe, ruin.
BANQUET, a light repast; dessert.
BARB, to clip gold.
BARBEL, fresh-water fish.
BARE, meer; bareheaded; it was "a particular mark of state
and grandeur for the coachman to be uncovered" (Gifford).
BARLEY-BREAK, game somewhat similar to base.
BASE, game of prisoner's base.
BASES, richly embroidered skirt reaching to the knees, or
BASILISK, fabulous reptile, believed to slay with its eye.
BASKET, used for the broken provision collected for prisoners.
BASON, basons, etc., were beaten by the attendant mob when
bad characters were "carted."
BATE, be reduced; abate, reduce.
BATOON, baton, stick.
BATTEN, feed, grow fat.
BEADSMAN, prayer-man, one engaged to pray for another.
BEAGLE, small hound; fig. spy.
BEAR IN HAND, keep in suspense, deceive with false hopes.
BEARWARD, bear leader.
BEDPHERE. See Phere.
BEDSTAFF, (?) wooden pin in the side of the bedstead for
supporting the bedclothes (Johnson); one of the sticks or
"laths"; a stick used in making a bed.
BEETLE, heavy mallet.
BEG, "I'd -- him," the custody of minors and idiots was
begged for; likewise property fallen forfeit to the Crown
("your house had been begged").
BELL-MAN, night watchman.
BENJAMIN, an aromatic gum.
BETHLEHEM GABOR, Transylvanian hero, proclaimed King of Hungary.
BEVIS, SIR, knight of romance whose horse was equally celebrated.
BEWRAY, reveal, make known.
BEZANT, heraldic term: small gold circle.
BEZOAR'S STONE, a remedy known by this name was a
supposed antidote to poison.
BIGGIN, cap, similar to that worn by the Beguines; nightcap.
BILIVE (belive), with haste.
BILK, nothing, empty talk.
BILL, kind of pike.
BILLET, wood cut for fuel, stick.
BLACK SANCTUS, burlesque hymn, any unholy riot.
BLANK, originally a small French coin.
BLANKET, toss in a blanket.
BLAZE, outburst of violence.
BLAZE, (her.) blazon; publish abroad.
BLAZON, armorial bearings; fig. all that pertains to
good birth and breeding.
BLIN, "withouten --," without ceasing.
BLOW, puff up.
BLUE, colour of servants' livery, hence "-- order,"
BLUSHET, blushing one.
BOB, jest, taunt.
BOB, beat, thump.
BODKIN, dagger, or other short, pointed weapon; long
pin with which the women fastened up their hair.
BOLT, roll (of material).
BOLT, dislodge, rout out; sift (boulting-tub).
BOLT'S-HEAD, long, straight-necked vessel for distillation.
BOMBARD SLOPS, padded, puffed-out breeches.
BONA ROBA, "good, wholesome, plum-cheeked wench" (Johnson)
-- not always used in compliment.
BONNY-CLABBER, sour butter-milk.
BOOT, "to --," into the bargain; "no --," of no avail.
BORACHIO, bottle made of skin.
BORNE IT, conducted, carried it through.
BOTTLE (of hay), bundle, truss.
BOTTOM, skein or ball of thread; vessel.
BOVOLI, snails or cockles dressed in the Italian manner
BOW-POT, flower vase or pot.
BOYS, "terrible --," "angry --," roystering young bucks.
BRABBLES (BRABBLESH), brawls.
BRADAMANTE, a heroine in "Orlando Furioso."
BRADLEY, ARTHUR OF, a lively character commemorated in
BRAKE, frame for confining a horse's feet while being
shod, or strong curb or bridle; trap.
BRANCHED, with "detached sleeve ornaments, projecting
from the shoulders of the gown" (Gifford).
BRANDISH, flourish of weapon.
BRAVE, bravado, braggart speech.
BRAVE (adv.), gaily, finely (apparelled).
BRAVERY, extravagant gaiety of apparel.
BRAVO, bravado, swaggerer.
BRAZEN-HEAD, speaking head made by Roger Bacon.
BREATHE, pause for relaxation; exercise.
BREATH UPON, speak dispraisingly of.
BRIDE-ALE, wedding feast.
BRIEF, abstract; (mus.) breve.
BRISK, smartly dressed.
BRIZE, breese, gadfly.
BROAD-SEAL, state seal.
BROCK, badger (term of contempt).
BROKE, transact business as a broker.
BROOK, endure, put up with.
BROUGHTON, HUGH, an English divine and Hebrew scholar.
BUFF, leather made of buffalo skin, used for military
and serjeants' coats, etc.
BUFO, black tincture.
BUGLE, long-shaped bead.
BULLED, (?) bolled, swelled.
BULLIONS, trunk hose.
BULLY, term of familiar endearment.
BUNGY, Friar Bungay, who had a familiar in the shape of a dog.
BURDEN, refrain, chorus.
BURGONET, closely-fitting helmet with visor.
BURN, mark wooden measures ("--ing of cans").
BURROUGH, pledge, security.
BUSKIN, half-boot, foot gear reaching high up the leg.
BUTT-SHAFT, barbless arrow for shooting at butts.
BUTTER, NATHANIEL ("Staple of News"), a compiler of general
news. (See Cunningham).
BUTTERY-HATCH, half-door shutting off the buttery, where
provisions and liquors were stored.
BUY, "he bought me," formerly the guardianship of wards
could be bought.
BUZ, exclamation to enjoin silence.
BY AND BY, at once.
BY(E), "on the __," incidentally, as of minor or secondary
importance; at the side.
BY-CHOP, by-blow, bastard.
CADUCEUS, Mercury's wand.
CALIVER, light kind of musket.
CALLET, woman of ill repute.
CALLOT, coif worn on the wigs of our judges or
CALVERED, crimped, or sliced and pickled. (See Nares).
CAMOUCCIO, wretch, knave.
CANDLE-RENT, rent from house property.
CANDLE-WASTER, one who studies late.
CANTER, sturdy beggar.
CAP OF MAINTENCE, an insignia of dignity, a cap of state
borne before kings at their coronation; also an heraldic term.
CAPABLE, able to comprehend, fit to receive instruction,
CAPANEUS, one of the "Seven against Thebes."
CARACT, carat, unit of weight for precious stones, etc.;
CARANZA, Spanish author of a book on duelling.
CARCANET, jewelled ornament for the neck.
CARE, take care; object.
CAROSH, coach, carriage.
CARRIAGE, bearing, behaviour.
CARWHITCHET, quip, pun.
CASAMATE, casemate, fortress.
CASE, a pair.
CASE, "in --," in condition.
CASSOCK, soldier's loose overcoat.
CAST, flight of hawks, couple.
CAST, throw dice; vomit; forecast, calculate.
CASTING-GLASS, bottle for sprinkling perfume.
CASTRIL, kestrel, falcon.
CAT, structure used in sieges.
CATAMITE, old form of "ganymede."
CATCHPOLE, sheriff's officer.
CATES, dainties, provisions.
CATSO, rogue, cheat.
CAUTELOUS, crafty, artful.
CENSURE, criticism; sentence.
CENSURE, criticise; pass sentence, doom.
CERUSE, cosmetic containing white lead.
CHANGE, "hunt --," follow a fresh scent.
CHAPMAN, retail dealer.
CHARM, subdue with magic, lay a spell on, silence.
CHARMING, exercising magic power.
CHEAP, bargain, market.
CHEAR, CHEER, comfort, encouragement; food, entertainment.
CHECK AT, aim reproof at.
CHEQUIN, gold Italian coin.
CHEVRIL, from kidskin, which is elastic and pliable.
CHIAUS, Turkish envoy; used for a cheat, swindler.
CHILDERMASS DAY, Innocents' Day.
CHOKE-BAIL, action which does not allow of bail.
CHRYSOSPERM, ways of producing gold.
CIBATION, adding fresh substances to supply the waste
CIOPPINI, chopine, lady's high shoe.
CIRCLING BOY, "a species of roarer; one who in some way
drew a man into a snare, to cheat or rob him" (Nares).
CIRCUMSTANCE, circumlocution, beating about the bush;
ceremony, everything pertaining to a certain condition;
CITRONISE, turn citron colour.
CITTERN, kind of guitar.
CITY-WIRES, woman of fashion, who made use of wires
for hair and dress.
CLAP, clack, chatter.
CLAPPER-DUDGEON, downright beggar.
CLAPS HIS DISH, a clap, or clack, dish (dish with a
movable lid) was carried by beggars and lepers to show
that the vessel was empty, and to give sound of their
CLARIDIANA, heroine of an old romance.
CLARISSIMO, Venetian noble.
CLIM O' THE CLOUGHS, etc., wordy heroes of romance.
CLOSE, secret, private; secretive.
CLOTH, arras, hangings.
CLOUT, mark shot at, bull's eye.
CLOWN, countryman, clodhopper.
COACH-LEAVES, folding blinds.
COALS, "bear no --," submit to no affront.
COAT-ARMOUR, coat of arms.
COB-HERRING, HERRING-COB, a young herring.
COB-SWAN, male swan.
COCK-A-HOOP, denoting unstinted jollity; thought to
be derived from turning on the tap that all might
drink to the full of the flowing liquor.
COCKATRICE, reptile supposed to be produced from a
cock's egg and to kill by its eye -- used as a term
of reproach for a woman.
COCK-BRAINED, giddy, wild.
COCKSCOMB, fool's cap.
COCKSTONE, stone said to be found in a cock's
gizzard, and to possess particular virtues.
CODLING, softening by boiling.
COFFIN, raised crust of a pie.
COG, cheat, wheedle.
COIL, turmoil, confusion, ado.
COKELY, master of a puppet-show (Whalley).
COKES, fool, gull.
COLD-CONCEITED, having cold opinion of, coldly
COLE-HARBOUR, a retreat for people of all sorts.
COLLECTION, composure; deduction.
COLLOP, small slice, piece of flesh.
COLOURS, "fear no --," no enemy (quibble).
COLSTAFF, cowlstaff, pole for carrying a cowl=tub.
COME ABOUT, charge, turn round.
COMFORTABLE BREAD, spiced gingerbread.
COMING, forward, ready to respond, complaisant.
COMMENT, commentary; "sometime it is taken for a lie
or fayned tale" (Bullokar, 1616).
COMMODITY, "current for --," allusion to practice of
money-lenders, who forced the borrower to take part of
the loan in the shape of worthless goods on which the
latter had to make money if he could.
COMPASS, "in --," within the range, sphere.
COMPLEMENT, completion, completement; anything
required for the perfecting or carrying out of
a person or affair; accomplishment.
COMPLEXION, natural disposition, constitution.
COMPLIMENT, See Complement.
COMPLIMENTARIES, masters of accomplishments.
COMPOSITION, constitution; agreement, contract.
COMPTER, COUNTER, debtors' prison.
CONCEALMENT, a certain amount of church property
had been retained at the dissolution of the monasteries;
Elizabeth sent commissioners to search it out, and the
courtiers begged for it.
CONCEIT, idea, fancy, witty invention, conception, opinion.
CONCEITED, fancifully, ingeniously devised or conceived;
possessed of intelligence, witty, ingenious (hence well
conceited, etc.); disposed to joke; of opinion, possessed
of an idea.
CONCENT, harmony, agreement.
CONCLUDE, infer, prove.
CONCOCT, assimilate, digest.
CONDEN'T, probably conducted.
CONDUCT, escort, conductor.
CONNIVE, give a look, wink, of secret intelligence.
CONSORT, company, concert.
CONSTANCY, fidelity, ardour, persistence.
CONSTANT, confirmed, persistent, faithful.
CONSTANTLY, firmly, persistently.
CONTINENT, holding together.
CONTROL (the point), bear or beat down.
CONVENT, assembly, meeting.
CONVERT, turn (oneself).
CONVEY, transmit from one to another.
CONVINCE, evince, prove; overcome, overpower; convict.
COP, head, top; tuft on head of birds; "a cop" may
have reference to one or other meaning; Gifford and
others interpret as "conical, terminating in a point."
COPY (Lat. copia), abundance, copiousness.
CORN ("powder --"), grain.
COROLLARY, finishing part or touch.
CORTINE, curtain, (arch.) wall between two towers, etc.
CORYAT, famous for his travels, published as "Coryat's
COSSET, pet lamb, pet.
COSTARD-MONGER, apple-seller, coster-monger.
COTHURNAL, from "cothurnus," a particular boot worn by
actors in Greek tragedy.
COUNTENANCE, means necessary for support; credit, standing.
COUNTER. See Compter.
COUNTER, pieces of metal or ivory for calculating at play.
COUNTER, "hunt --," follow scent in reverse direction.
COUNTERFEIT, false coin.
COUNTERPANE, one part or counterpart of a deed or indenture.
COUNTERPOINT, opposite, contrary point.
COURT-DISH, a kind of drinking-cup (Halliwell); N.E.D.
quotes from Bp. Goodman's "Court of James I.": "The
king...caused his carver to cut him out a court-dish,
that is, something of every dish, which he sent him as
part of his reversion," but this does not sound like
short allowance or small receptacle.
COURTEAU, curtal, small horse with docked tail.
COWSHARD, cow dung.
COXCOMB, fool's cap, fool.
COY, shrink; disdain.
COYSTREL, low varlet.
CRACK, lively young rogue, wag.
CRACK, crack up, boast; come to grief.
CRAMBE, game of crambo, in which the players find
rhymes for a given word.
CRANION, spider-like; also fairy appellation for a
fly (Gifford, who refers to lines in Drayton's
CRIMP, game at cards.
CRINCLE, draw back, turn aside.
CRISPED, with curled or waved hair.
CROP, gather, reap.
CROPSHIRE, a kind of herring. (See N.E.D.)
CROSS, any piece of money, many coins being stamped
with a cross.
CROSS AND PILE, heads and tails.
CRUDITIES, undigested matter.
CRUMP, curl up.
CRUSADO, Portuguese gold coin, marked with a cross.
CRY ("he that cried Italian"), "speak in a musical
cadence," intone, or declaim (?); cry up.
CUCKING-STOOL, used for the ducking of scolds, etc.
CUCURBITE, a gourd-shaped vessel used for distillation.
CUERPO, "in --," in undress.
CULLION, base fellow, coward.
CULLISEN, badge worn on their arm by servants.
CULVERIN, kind of cannon.
CURE, care for.
CURIOUS(LY), scrupulous, particular; elaborate,
elegant(ly), dainty(ly) (hence "in curious").
CURST, shrewish, mischievous.
CURTAL, dog with docked tail, of inferior sort.
CUSTARD, "quaking --," " -- politic," reference to
a large custard which formed part of a city feast
and afforded huge entertainment, for the fool jumped
into it, and other like tricks were played. (See
"All's Well, etc." ii. 5, 40.)
CUTWORK, embroidery, open-work.
CYPRES (CYPRUS) (quibble), cypress (or cyprus) being
a transparent material, and when black used for mourning.
DAGGER (" -- frumety"), name of tavern.
DARGISON, apparently some person known in ballad or tale.
DAUPHIN MY BOY, refrain of old comic song.
DEAD LIFT, desperate emergency.
DEAR, applied to that which in any way touches us nearly.
DECLINE, turn off from; turn away, aside.
DEFALK, deduct, abate.
DEMI-CULVERIN, cannon carrying a ball of about ten pounds.
DENIER, the smallest possible coin, being the twelfth
part of a sou.
DEPART, part with.
DEPENDANCE, ground of quarrel in duello language.
DESPERATE, rash, reckless.
DETECT, allow to be detected, betray, inform against.
DETRACT, draw back, refuse.
DEVICE, masque, show; a thing moved by wires,
DEVISE, exact in every particular.
DIAPASM, powdered aromatic herbs, made into balls
of perfumed paste. (See Pomander.)
DIBBLE, (?) moustache (N.E.D.); (?) dagger (Cunningham).
DIFFUSED, disordered, scattered, irregular.
DILDO, refrain of popular songs; vague term of low meaning.
DIMBLE, dingle, ravine.
DIMENSUM, stated allowance.
DISCERN, distinguish, show a difference between.
DISCHARGE, settle for.
DISCIPLINE, reformation; ecclesiastical system.
DISCLAIM, renounce all part in.
DISCOURSE, process of reasoning, reasoning faculty.
DISCOVER, betray, reveal; display.
DISPARAGEMENT, legal term applied to the unfitness
in any way of a marriage arranged for in the case
DISPENSE WITH, grant dispensation for.
DIS'PLE, discipline, teach by the whip.
DISPOSED, inclined to merriment.
DISPUNCT, not punctilious.
DISSOLVED, enervated by grief.
DISTANCE, (?) proper measure.
DISTASTE, offence, cause of offence.
DISTASTE, render distasteful.
DISTEMPERED, upset, out of humour.
DIVISION (mus.), variation, modulation.
DOG-BOLT, term of contempt.
DOLE, given in dole, charity.
DOLE OF FACES, distribution of grimaces.
DOOM, verdict, sentence.
DOP, dip, low bow.
DOR, beetle, buzzing insect, drone, idler.
DOR, (?) buzz; "give the --," make a fool of.
DOSSER, pannier, basket.
DOTES, endowments, qualities.
DOTTEREL, plover; gull, fool.
DOUBLE, behave deceitfully.
DOXY, wench, mistress.
DRACHM, Greek silver coin.
DRESS, groom, curry.
DRYFOOT, track by mere scent of foot.
DUCKING, punishment for minor offences.
DUMPS, melancholy, originally a mournful melody.
DURINDANA, Orlando's sword.
DWINDLE, shrink away, be overawed.
EAN, yean, bring forth young.
EGREGIOUS, eminently excellent.
EKE, also, moreover.
E-LA, highest note in the scale.
EGGS ON THE SPIT, important business on hand.
ELF-LOCK, tangled hair, supposed to be the work of elves.
ENGHLE. See Ingle.
ENGHLE, cajole; fondle.
ENGIN(E), device, contrivance; agent; ingenuity, wit.
ENGINER, engineer, deviser, plotter.
ENGINOUS, crafty, full of devices; witty, ingenious.
ENS, an existing thing, a substance.
ENSIGNS, tokens, wounds.
ENTERTAIN, take into service.
ENTRY, place where a deer has lately passed.
ENVOY, denouement, conclusion.
ENVY, spite, calumny, dislike, odium.
EQUAL, just, impartial.
ERECTION, elevation in esteem.
ERINGO, candied root of the sea-holly, formerly
used as a sweetmeat and aphrodisiac.
ESSENTIATE, become assimilated.
EURIPUS, flux and reflux.
EVEN, just equable.
EVENT, fate, issue.
EXAMPLESS, without example or parallel.
EXCALIBUR, King Arthur's sword.
EXEMPLIFY, make an example of.
EXEMPT, separate, exclude.
EXHALE, drag out.
EXHIBITION, allowance for keep, pocket-money.
EXORBITANT, exceeding limits of propriety or law,
EXPLICATE, explain, unfold.
EXTEMPORAL, extempore, unpremeditated.
EXTRAORDINARY, employed for a special or temporary purpose.
EYE, "in --," in view.
EYEBRIGHT, (?) a malt liquor in which the herb of
this name was infused, or a person who sold the same
EYE-TINGE, least shade or gleam.
FACES ABOUT, military word of command.
FACINOROUS, extremely wicked.
FACT, deed, act, crime.
FACTIOUS, seditious, belonging to a party, given to party feeling.
FAGIOLI, French beans.
FAIN, forced, necessitated.
FALL, ruff or band turned back on the shoulders; or, veil.
FALSIFY, feign (fencing term).
FAMILIAR, attendant spirit.
FANTASTICAL, capricious, whimsical.
FAR-FET. See Fet.
FARTHINGAL, hooped petticoat.
FAULT, lack; loss, break in line of scent; "for --," in default of.
FAYLES, old table game similar to backgammon.
FEAT, activity, operation; deed, action.
FEAT, elegant, trim.
FEE, "in --" by feudal obligation.
FEIZE, beat, belabour.
FELLOW, term of contempt.
FENNEL, emblem of flattery.
FERE, companion, fellow.
FERN-SEED, supposed to have power of rendering invisible.
FEUTERER (Fr. vautrier), dog-keeper.
FIGGUM, (?) jugglery.
FIGMENT, fiction, invention.
FIRK, frisk, move suddenly, or in jerks; "-- up,"
stir up, rouse; "firks mad," suddenly behaves like
FIT, pay one out, punish.
FITTON (FITTEN), lie, invention.
FIVE-AND-FIFTY, "highest number to stand on at
FLAG, to fly low and waveringly.
FLAGON CHAIN, for hanging a smelling-bottle (Fr.
flacon) round the neck (?). (See N.E.D.).
FLAP-DRAGON, game similar to snap-dragon.
FLASKET, some kind of basket.
FLAW, sudden gust or squall of wind.
FLEA, catch fleas.
FLEER, sneer, laugh derisively.
FLESH, feed a hawk or dog with flesh to incite
it to the chase; initiate in blood-shed; satiate.
FLIGHT, light arrow.
FLOUT, mock, speak and act contemptuously.
FLOWERS, pulverised substance.
FLY, familiar spirit.
FOIL, weapon used in fencing; that which
sets anything off to advantage.
FOIST, cut-purse, sharper.
FOOT-CLOTH, housings of ornamental cloth which
hung down on either side a horse to the ground.
FOOTING, foothold; footstep; dancing.
FOR, "-- failing," for fear of failing.
FORBEAR, bear with; abstain from.
FORCE, "hunt at --," run the game down with dogs.
FOREHEAD, modesty; face, assurance, effrontery.
FORESPEAK, bewitch; foretell.
FORETOP, front lock of hair which fashion
required to be worn upright.
FORM, state formally.
FORMAL, shapely; normal; conventional.
FORTHCOMING, produced when required.
FOUNDER, disable with over-riding.
FOURM, form, lair.
FRAIL, rush basket in which figs or raisins
FRAMPULL, peevish, sour-tempered.
FRAPLER, blusterer, wrangler.
FRAYING, "a stag is said to fray his head when he
rubs it against a tree to...cause the outward coat
of the new horns to fall off" (Gifford).
FREIGHT (of the gazetti), burden (of the newspapers).