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War and Peace by Leo Tolstoy

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"But what am I to do?

"Leave it to me," said Princess Mary. "I know..."

Pierre was looking into Princess Mary's eyes.

"Well?... Well?..." he said.

"I know that she loves... will love you," Princess Mary corrected

Before her words were out, Pierre had sprung up and with a
frightened expression seized Princess Mary's hand.

"What makes you think so? You think I may hope? You think...?"

"Yes, I think so," said Princess Mary with a smile. "Write to her
parents, and leave it to me. I will tell her when I can. I wish it
to happen and my heart tells me it will."

"No, it cannot be! How happy I am! But it can't be.... How happy I
am! No, it can't be!" Pierre kept saying as he kissed Princess
Mary's hands.

"Go to Petersburg, that will be best. And I will write to you,"
she said.

"To Petersburg? Go there? Very well, I'll go. But I may come again

Next day Pierre came to say good-by. Natasha was less animated
than she had been the day before; but that day as he looked at her
Pierre sometimes felt as if he was vanishing and that neither he nor
she existed any longer, that nothing existed but happiness. "Is it
possible? No, it can't be," he told himself at every look, gesture,
and word that filled his soul with joy.

When on saying good-by he took her thin, slender hand, he could
not help holding it a little longer in his own.

"Is it possible that this hand, that face, those eyes, all this
treasure of feminine charm so strange to me now, is it possible that
it will one day be mine forever, as familiar to me as I am to
myself?... No, that's impossible!..."

"Good-by, Count," she said aloud. "I shall look forward very much to
your return," she added in a whisper.

And these simple words, her look, and the expression on her face
which accompanied them, formed for two months the subject of
inexhaustible memories, interpretations, and happy meditations for
Pierre. "'I shall look forward very much to your return....' Yes, yes,
how did she say it? Yes, 'I shall look forward very much to your
return.' Oh, how happy I am! What is happening to me? How happy I am!"
said Pierre to himself.


There was nothing in Pierre's soul now at all like what had troubled
it during his courtship of Helene.

He did not repeat to himself with a sickening feeling of shame the
words he had spoken, or say: "Oh, why did I not say that?" and,
"Whatever made me say 'Je vous aime'?" On the contrary, he now
repeated in imagination every word that he or Natasha had spoken and
pictured every detail of her face and smile, and did not wish to
diminish or add anything, but only to repeat it again and again. There
was now not a shadow of doubt in his mind as to whether what he had
undertaken was right or wrong. Only one terrible doubt sometimes
crossed his mind: "Wasn't it all a dream? Isn't Princess Mary
mistaken? Am I not too conceited and self-confident? I believe all
this- and suddenly Princess Mary will tell her, and she will be sure
to smile and say: 'How strange! He must be deluding himself. Doesn't
he know that he is a man, just a man, while I...? I am something
altogether different and higher.'"

That was the only doubt often troubling Pierre. He did not now
make any plans. The happiness before him appeared so inconceivable
that if only he could attain it, it would be the end of all things.
Everything ended with that.

A joyful, unexpected frenzy, of which he had thought himself
incapable, possessed him. The whole meaning of life- not for him alone
but for the whole world- seemed to him centered in his love and the
possibility of being loved by her. At times everybody seemed to him to
be occupied with one thing only- his future happiness. Sometimes it
seemed to him that other people were all as pleased as he was
himself and merely tried to hide that pleasure by pretending to be
busy with other interests. In every word and gesture he saw
allusions to his happiness. He often surprised those he met by his
significantly happy looks and smiles which seemed to express a
secret understanding between him and them. And when he realized that
people might not be aware of his happiness, he pitied them with his
whole heart and felt a desire somehow to explain to them that all that
occupied them was a mere frivolous trifle unworthy of attention.

When it was suggested to him that he should enter the civil service,
or when the war or any general political affairs were discussed on the
assumption that everybody's welfare depended on this or that issue
of events, he would listen with a mild and pitying smile and
surprise people by his strange comments. But at this time he saw
everybody- both those who, as he imagined, understood the real meaning
of life (that is, what he was feeling) and those unfortunates who
evidently did not understand it- in the bright light of the emotion
that shone within himself, and at once without any effort saw in
everyone he met everything that was good and worthy of being loved.

When dealing with the affairs and papers of his dead wife, her
memory aroused in him no feeling but pity that she had not known the
bliss he now knew. Prince Vasili, who having obtained a new post and
some fresh decorations was particularly proud at this time, seemed
to him a pathetic, kindly old man much to be pitied.

Often in afterlife Pierre recalled this period of blissful insanity.
All the views he formed of men and circumstances at this time remained
true for him always. He not only did not renounce them subsequently,
but when he was in doubt or inwardly at variance, he referred to the
views he had held at this time of his madness and they always proved

"I may have appeared strange and queer then," he thought, "but I was
not so mad as I seemed. On the contrary I was then wiser and had
more insight than at any other time, and understood all that is
worth understanding in life, because... because I was happy."

Pierre's insanity consisted in not waiting, as he used to do, to
discover personal attributes which he termed "good qualities" in
people before loving them; his heart was now overflowing with love,
and by loving people without cause he discovered indubitable causes
for loving them.


After Pierre's departure that first evening, when Natasha had said
to Princess Mary with a gaily mocking smile: "He looks just, yes, just
as if he had come out of a Russian bath- in a short coat and with
his hair cropped," something hidden and unknown to herself, but
irrepressible, awoke in Natasha's soul.

Everything: her face, walk, look, and voice, was suddenly altered.
To her own surprise a power of life and hope of happiness rose to
the surface and demanded satisfaction. From that evening she seemed to
have forgotten all that had happened to her. She no longer
complained of her position, did not say a word about the past, and
no longer feared to make happy plans for the future. She spoke
little of Pierre, but when Princess Mary mentioned him a
long-extinguished light once more kindled in her eyes and her lips
curved with a strange smile.

The change that took place in Natasha at first surprised Princess
Mary; but when she understood its meaning it grieved her. "Can she
have loved my brother so little as to be able to forget him so
soon?" she thought when she reflected on the change. But when she
was with Natasha she was not vexed with her and did not reproach
her. The reawakened power of life that had seized Natasha was so
evidently irrepressible and unexpected by her that in her presence
Princess Mary felt that she had no right to reproach her even in her

Natasha gave herself up so fully and frankly to this new feeling
that she did not try to hide the fact that she was no longer sad,
but bright and cheerful.

When Princess Mary returned to her room after her nocturnal talk
with Pierre, Natasha met her on the threshold.

"He has spoken? Yes? He has spoken?" she repeated.

And a joyful yet pathetic expression which seemed to beg forgiveness
for her joy settled on Natasha's face.

"I wanted to listen at the door, but I knew you would tell me."

Understandable and touching as the look with which Natasha gazed
at her seemed to Princess Mary, and sorry as she was to see her
agitation, these words pained her for a moment. She remembered her
brother and his love.

"But what's to be done? She can't help it," thought the princess.

And with a sad and rather stern look she told Natasha all that
Pierre had said. On hearing that he was going to Petersburg Natasha
was astounded.

"To Petersburg!" she repeated as if unable to understand.

But noticing the grieved expression on Princess Mary's face she
guessed the reason of that sadness and suddenly began to cry.

"Mary," said she, "tell me what I should do! I am afraid of being
bad. Whatever you tell me, I will do. Tell me...."

"You love him?"

"Yes," whispered Natasha.

"Then why are you crying? I am happy for your sake," said Princess
Mary, who because of those tears quite forgave Natasha's joy.

"It won't be just yet- someday. Think what fun it will be when I
am his wife and you marry Nicholas!"

"Natasha, I have asked you not to speak of that. Let us talk about

They were silent awhile.

"But why go to Petersburg?" Natasha suddenly asked, and hastily
replied to her own question. "But no, no, he must... Yes, Mary, He



Seven years had passed. The storm-tossed sea of European history had
subsided within its shores and seemed to have become calm. But the
mysterious forces that move humanity (mysterious because the laws of
their motion are unknown to us) continued to operate.

Though the surface of the sea of history seemed motionless, the
movement of humanity went on as unceasingly as the flow of time.
Various groups of people formed and dissolved, the coming formation
and dissolution of kingdoms and displacement of peoples was in
course of preparation.

The sea of history was not driven spasmodically from shore to
shore as previously. It was seething in its depths. Historic figures
were not borne by the waves from one shore to another as before.
They now seemed to rotate on one spot. The historical figures at the
head of armies, who formerly reflected the movement of the masses by
ordering wars, campaigns, and battles, now reflected the restless
movement by political and diplomatic combinations, laws, and treaties.

The historians call this activity of the historical figures "the

In dealing with this period they sternly condemn the historical
personages who, in their opinion, caused what they describe as the
reaction. All the well-known people of that period, from Alexander and
Napoleon to Madame de Stael, Photius, Schelling, Fichte,
Chateaubriand, and the rest, pass before their stern judgment seat and
are acquitted or condemned according to whether they conduced to
progress or to reaction.

According to their accounts a reaction took place at that time in
Russia also, and the chief culprit was Alexander I, the same man who
according to them was the chief cause of the liberal movement at the
commencement of his reign, being the savior of Russia.

There is no one in Russian literature now, from schoolboy essayist
to learned historian, who does not throw his little stone at Alexander
for things he did wrong at this period of his reign.

"He ought to have acted in this way and in that way. In this case he
did well and in that case badly. He behaved admirably at the beginning
of his reign and during 1812, but acted badly by giving a constitution
to Poland, forming the Holy Alliance, entrusting power to Arakcheev,
favoring Golitsyn and mysticism, and afterwards Shishkov and
Photius. He also acted badly by concerning himself with the active
army and disbanding the Semenov regiment."

It would take a dozen pages to enumerate all the reproaches the
historians address to him, based on their knowledge of what is good
for humanity.

What do these reproaches mean?

Do not the very actions for which the historians praise Alexander
I (the liberal attempts at the beginning of his reign, his struggle
with Napoleon, the firmness he displayed in 1812 and the campaign of
1813) flow from the same sources- the circumstances of his birth,
education, and life- that made his personality what it was and from
which the actions for which they blame him (the Holy Alliance, the
restoration of Poland, and the reaction of 1820 and later) also

In what does the substance of those reproaches lie?

It lies in the fact that an historic character like Alexander I,
standing on the highest possible pinnacle of human power with the
blinding light of history focused upon him; a character exposed to
those strongest of all influences: the intrigues, flattery, and
self-deception inseparable from power; a character who at every moment
of his life felt a responsibility for all that was happening in
Europe; and not a fictitious but a live character who like every man
had his personal habits, passions, and impulses toward goodness,
beauty, and truth- that this character- though not lacking in virtue
(the historians do not accuse him of that)- had not the same
conception of the welfare of humanity fifty years ago as a present-day
professor who from his youth upwards has been occupied with
learning: that is, with books and lectures and with taking notes
from them.

But even if we assume that fifty years ago Alexander I was
mistaken in his view of what was good for the people, we must
inevitably assume that the historian who judges Alexander will also
after the lapse of some time turn out to be mistaken in his view of
what is good for humanity. This assumption is all the more natural and
inevitable because, watching the movement of history, we see that
every year and with each new writer, opinion as to what is good for
mankind changes; so that what once seemed good, ten years later
seems bad, and vice versa. And what is more, we find at one and the
same time quite contradictory views as to what is bad and what is good
in history: some people regard giving a constitution to Poland and
forming the Holy Alliance as praiseworthy in Alexander, while others
regard it as blameworthy.

The activity of Alexander or of Napoleon cannot be called useful
or harmful, for it is impossible to say for what it was useful or
harmful. If that activity displeases somebody, this is only because it
does not agree with his limited understanding of what is good. Whether
the preservation of my father's house in Moscow, or the glory of the
Russian arms, or the prosperity of the Petersburg and other
universities, or the freedom of Poland or the greatness of Russia,
or the balance of power in Europe, or a certain kind of European
culture called "progress" appear to me to be good or bad, I must admit
that besides these things the action of every historic character has
other more general purposes inaccessible to me.

But let us assume that what is called science can harmonize all
contradictions and possesses an unchanging standard of good and bad by
which to try historic characters and events; let us say that Alexander
could have done everything differently; let us say that with
guidance from those who blame him and who profess to know the ultimate
aim of the movement of humanity, he might have arranged matters
according to the program his present accusers would have given him- of
nationality, freedom, equality, and progress (these, I think, cover
the ground). Let us assume that this program was possible and had then
been formulated, and that Alexander had acted on it. What would then
have become of the activity of all those who opposed the tendency that
then prevailed in the government- an activity that in the opinion of
the historians was good and beneficent? Their activity would not
have existed: there would have been no life, there would have been

If we admit that human life can be ruled by reason, the
possibility of life is destroyed.


If we assume as the historians do that great men lead humanity to
the attainment of certain ends- the greatness of Russia or of
France, the balance of power in Europe, the diffusion of the ideas
of the Revolution general progress or anything else- then it is
impossible to explain the facts of history without introducing the
conceptions of chance and genius.

If the aim of the European wars at the beginning of the nineteenth
century had been the aggrandizement of Russia, that aim might have
been accomplished without all the preceding wars and without the
invasion. If the aim was the aggrandizement of France, that might have
been attained without the Revolution and without the Empire. If the
aim was the dissemination of ideas, the printing press could have
accomplished that much better than warfare. If the aim was the
progress of civilization, it is easy to see that there are other
ways of diffusing civilization more expedient than by the
destruction of wealth and of human lives.

Why did it happen in this and not in some other way?

Because it happened so! "Chance created the situation; genius
utilized it," says history.

But what is chance? What is genius?

The words chance and genius do not denote any really existing
thing and therefore cannot be defined. Those words only denote a
certain stage of understanding of phenomena. I do not know why a
certain event occurs; I think that I cannot know it; so I do not try
to know it and I talk about chance. I see a force producing effects
beyond the scope of ordinary human agencies; I do not understand why
this occurs and I talk of genius.

To a herd of rams, the ram the herdsman drives each evening into a
special enclosure to feed and that becomes twice as fat as the
others must seem to be a genius. And it must appear an astonishing
conjunction of genius with a whole series of extraordinary chances
that this ram, who instead of getting into the general fold every
evening goes into a special enclosure where there are oats- that
this very ram, swelling with fat, is killed for meat.

But the rams need only cease to suppose that all that happens to
them happens solely for the attainment of their sheepish aims; they
need only admit that what happens to them may also have purposes
beyond their ken, and they will at once perceive a unity and coherence
in what happened to the ram that was fattened. Even if they do not
know for what purpose they are fattened, they will at least know
that all that happened to the ram did not happen accidentally, and
will no longer need the conceptions of chance or genius.

Only by renouncing our claim to discern a purpose immediately
intelligible to us, and admitting the ultimate purpose to be beyond
our ken, may we discern the sequence of experiences in the lives of
historic characters and perceive the cause of the effect they
produce (incommensurable with ordinary human capabilities), and then
the words chance and genius become superfluous.

We need only confess that we do not know the purpose of the European
convulsions and that we know only the facts- that is, the murders,
first in France, then in Italy, in Africa, in Prussia, in Austria,
in Spain, and in Russia- and that the movements from the west to the
east and from the east to the west form the essence and purpose of
these events, and not only shall we have no need to see exceptional
ability and genius in Napoleon and Alexander, but we shall be unable
to consider them to be anything but like other men, and we shall not
be obliged to have recourse to chance for an explanation of those
small events which made these people what they were, but it will be
clear that all those small events were inevitable.

By discarding a claim to knowledge of the ultimate purpose, we shall
clearly perceive that just as one cannot imagine a blossom or seed for
any single plant better suited to it than those it produces, so it
is impossible to imagine any two people more completely adapted down
to the smallest detail for the purpose they had to fulfill, than
Napoleon and Alexander with all their antecedents.


The fundamental and essential significance of the European events of
the beginning of the nineteenth century lies in the movement of the
mass of the European peoples from west to east and afterwards from
east to west. The commencement of that movement was the movement
from west to east. For the peoples of the west to be able to make
their warlike movement to Moscow it was necessary: (1) that they
should form themselves into a military group of a size able to
endure a collision with the warlike military group of the east, (2)
that they should abandon all established traditions and customs, and
(3) that during their military movement they should have at their head
a man who could justify to himself and to them the deceptions,
robberies, and murders which would have to be committed during that

And beginning with the French Revolution the old inadequately
large group was destroyed, as well as the old habits and traditions,
and step by step a group was formed of larger dimensions with new
customs and traditions, and a man was produced who would stand at
the head of the coming movement and bear the responsibility for all
that had to be done.

A man without convictions, without habits, without traditions,
without a name, and not even a Frenchman, emerges- by what seem the
strangest chances- from among all the seething French parties, and
without joining any one of them is borne forward to a prominent

The ignorance of his colleagues, the weakness and insignificance
of his opponents, the frankness of his falsehoods, and the dazzling
and self-confident limitations of this man raise him to the head of
the army. The brilliant qualities of the soldiers of the army sent
to Italy, his opponents' reluctance to fight, and his own childish
audacity and self-confidence secure him military fame. Innumerable
so called chances accompany him everywhere. The disfavor into which he
falls with the rulers of France turns to his advantage. His attempts
to avoid his predestined path are unsuccessful: he is not received
into the Russian service, and the appointment he seeks in Turkey comes
to nothing. During the war in Italy he is several times on the verge
of destruction and each time is saved in an unexpected manner. Owing
to various diplomatic considerations the Russian armies- just those
which might have destroyed his prestige- do not appear upon the
scene till he is no longer there.

On his return from Italy he finds the government in Paris in a
process of dissolution in which all those who are in it are inevitably
wiped out and destroyed. And by chance an escape from this dangerous
position presents itself in the form of an aimless and senseless
expedition to Africa. Again so-called chance accompanies him.
Impregnable Malta surrenders without a shot; his most reckless schemes
are crowned with success. The enemy's fleet, which subsequently did
not let a single boat pass, allows his entire army to elude it. In
Africa a whole series of outrages are committed against the almost
unarmed inhabitants. And the men who commit these crimes, especially
their leader, assure themselves that this is admirable, this is glory-
it resembles Caesar and Alexander the Great and is therefore good.

This ideal of glory and grandeur- which consists not merely in
considering nothing wrong that one does but in priding oneself on
every crime one commits, ascribing to it an incomprehensible
supernatural significance- that ideal, destined to guide this man
and his associates, had scope for its development in Africa.
Whatever he does succeeds. The plague does not touch him. The
cruelty of murdering prisoners is not imputed to him as a fault. His
childishly rash, uncalled-for, and ignoble departure from Africa,
leaving his comrades in distress, is set down to his credit, and again
the enemy's fleet twice lets him slip past. When, intoxicated by the
crimes he has committed so successfully, he reaches Paris, the
dissolution of the republican government, which a year earlier might
have ruined him, has reached its extreme limit, and his presence there
now as a newcomer free from party entanglements can only serve to
exalt him- and though he himself has no plan, he is quite ready for
his new role.

He had no plan, he was afraid of everything, but the parties
snatched at him and demanded his participation.

He alone- with his ideal of glory and grandeur developed in Italy
and Egypt, his insane self-adulation, his boldness in crime and
frankness in lying- he alone could justify what had to be done.

He is needed for the place that awaits him, and so almost apart from
his will and despite his indecision, his lack of a plan, and all his
mistakes, he is drawn into a conspiracy that aims at seizing power and
the conspiracy is crowned with success.

He is pushed into a meeting of the legislature. In alarm he wishes
to flee, considering himself lost. He pretends to fall into a swoon
and says senseless things that should have ruined him. But the once
proud and shrewd rulers of France, feeling that their part is played
out, are even more bewildered than he, and do not say the words they
should have said to destroy him and retain their power.

Chance, millions of chances, give him power, and all men as if by
agreement co-operate to confirm that power. Chance forms the
characters of the rulers of France, who submit to him; chance forms
the character of Paul I of Russia who recognizes his government;
chance contrives a plot against him which not only fails to harm him
but confirms his power. Chance puts the Duc d'Enghien in his hands and
unexpectedly causes him to kill him- thereby convincing the mob more
forcibly than in any other way that he had the right, since he had the
might. Chance contrives that though he directs all his efforts to
prepare an expedition against England (which would inevitably have
ruined him) he never carries out that intention, but unexpectedly
falls upon Mack and the Austrians, who surrender without a battle.
Chance and genius give him the victory at Austerlitz; and by chance
all men, not only the French but all Europe- except England which does
not take part in the events about to happen- despite their former
horror and detestation of his crimes, now recognize his authority, the
title he has given himself, and his ideal of grandeur and glory, which
seems excellent and reasonable to them all.

As if measuring themselves and preparing for the coming movement,
the western forces push toward the east several times in 1805, 1806,
1807, and 1809, gaining strength and growing. In 1811 the group of
people that had formed in France unites into one group with the
peoples of Central Europe. The strength of the justification of the
man who stands at the head of the movement grows with the increased
size of the group. During the ten-year preparatory period this man had
formed relations with all the crowned heads of Europe. The discredited
rulers of the world can oppose no reasonable ideal to the insensate
Napoleonic ideal of glory and grandeur. One after another they
hasten to display their insignificance before him. The King of Prussia
sends his wife to seek the great man's mercy; the Emperor of Austria
considers it a favor that this man receives a daughter the Caesars
into his bed; the Pope, the guardian of all that the nations hold
sacred, utilizes religion for the aggrandizement of the great man.
It is not Napoleon who prepares himself for the accomplishment of
his role, so much as all those round him who prepare him to take on
himself the whole responsibility for what is happening and has to
happen. There is no step, no crime or petty fraud he commits, which in
the mouths of those around him is not at once represented as a great
deed. The most suitable fete the Germans can devise for him is a
celebration of Jena and Auerstadt. Not only is he great, but so are
his ancestors, his brothers, his stepsons, and his brothers-in-law.
Everything is done to deprive him of the remains of his reason and
to prepare him for his terrible part. And when he is ready so too
are the forces.

The invasion pushes eastward and reaches its final goal- Moscow.
That city is taken; the Russian army suffers heavier losses than the
opposing armies had suffered in the former war from Austerlitz to
Wagram. But suddenly instead of those chances and that genius which
hitherto had so consistently led him by an uninterrupted series of
successes to the predestined goal, an innumerable sequence of
inverse chances occur- from the cold in his head at Borodino to the
sparks which set Moscow on fire, and the frosts- and instead of
genius, stupidity and immeasurable baseness become evident.

The invaders flee, turn back, flee again, and all the chances are
now not for Napoleon but always against him.

A countermovement is then accomplished from east to west with a
remarkable resemblance to the preceding movement from west to east.
Attempted drives from east to west- similar to the contrary
movements of 1805, 1807, and 1809- precede the great westward
movement; there is the same coalescence into a group of enormous
dimensions; the same adhesion of the people of Central Europe to the
movement; the same hesitation midway, and the same increasing rapidity
as the goal is approached.

Paris, the ultimate goal, is reached. The Napoleonic government
and army are destroyed. Napoleon himself is no longer of any
account; all his actions are evidently pitiful and mean, but again
an inexplicable chance occurs. The allies detest Napoleon whom they
regard as the cause of their sufferings. Deprived of power and
authority, his crimes and his craft exposed, he should have appeared
to them what he appeared ten years previously and one year later- an
outlawed brigand. But by some strange chance no one perceives this.
His part is not yet ended. The man who ten years before and a year
later was considered an outlawed brigand is sent to an island two
days' sail from France, which for some reason is presented to him as
his dominion, and guards are given to him and millions of money are
paid him.


The flood of nations begins to subside into its normal channels. The
waves of the great movement abate, and on the calm surface eddies
are formed in which float the diplomatists, who imagine that they have
caused the floods to abate.

But the smooth sea again suddenly becomes disturbed. The
diplomatists think that their disagreements are the cause of this
fresh pressure of natural forces; they anticipate war between their
sovereigns; the position seems to them insoluble. But the wave they
feel to be rising does not come from the quarter they expect. It rises
again from the same point as before- Paris. The last backwash of the
movement from the west occurs: a backwash which serves to solve the
apparently insuperable diplomatic difficulties and ends the military
movement of that period of history.

The man who had devastated France returns to France alone, without
any conspiracy and without soldiers. Any guard might arrest him, but
by strange chance no one does so and all rapturously greet the man
they cursed the day before and will curse again a month later.

This man is still needed to justify the final collective act.

That act is performed.

The last role is played. The actor is bidden to disrobe and wash off
his powder and paint: he will not be wanted any more.

And some years pass during which he plays a pitiful comedy to
himself in solitude on his island, justifying his actions by intrigues
and lies when the justification is no longer needed, and displaying to
the whole world what it was that people had mistaken for strength as
long as an unseen hand directed his actions.

The manager having brought the drama to a close and stripped the
actor shows him to us.

"See what you believed in! This is he! Do you now see that it was
not he but I who moved you?"

But dazed by the force of the movement, it was long before people
understood this.

Still greater coherence and inevitability is seen in the life of
Alexander I, the man who stood at the head of the countermovement from
east to west.

What was needed for him who, overshadowing others, stood at the head
of that movement from east to west?

What was needed was a sense of justice and a sympathy with
European affairs, but a remote sympathy not dulled by petty interests;
a moral superiority over those sovereigns of the day who co-operated
with him; a mild and attractive personality; and a personal
grievance against Napoleon. And all this was found in Alexander I; all
this had been prepared by innumerable so-called chances in his life:
his education, his early liberalism, the advisers who surrounded
him, and by Austerlitz, and Tilsit, and Erfurt.

During the national war he was inactive because he was not needed.
But as soon as the necessity for a general European war presented
itself he appeared in his place at the given moment and, uniting the
nations of Europe, led them to the goal.

The goal is reached. After the final war of 1815 Alexander possesses
all possible power. How does he use it?

Alexander I- the pacifier of Europe, the man who from his early
years had striven only for his people's welfare, the originator of the
liberal innovations in his fatherland- now that he seemed to possess
the utmost power and therefore to have the possibility of bringing
about the welfare of his peoples- at the time when Napoleon in exile
was drawing up childish and mendacious plans of how he would have made
mankind happy had he retained power- Alexander I, having fulfilled his
mission and feeling the hand of God upon him, suddenly recognizes
the insignificance of that supposed power, turns away from it, and
gives it into the hands of contemptible men whom he despises, saying

"Not unto us, not unto us, but unto Thy Name!... I too am a man like
the rest of you. Let me live like a man and think of my soul and of

As the sun and each atom of ether is a sphere complete in itself,
and yet at the same time only a part of a whole too immense for man to
comprehend, so each individual has within himself his own aims and yet
has them to serve a general purpose incomprehensible to man.

A bee settling on a flower has stung a child. And the child is
afraid of bees and declares that bees exist to sting people. A poet
admires the bee sucking from the chalice of a flower and says it
exists to suck the fragrance of flowers. A beekeeper, seeing the bee
collect pollen from flowers and carry it to the hive, says that it
exists to gather honey. Another beekeeper who has studied the life
of the hive more closely says that the bee gathers pollen dust to feed
the young bees and rear a queen, and that it exists to perpetuate
its race. A botanist notices that the bee flying with the pollen of
a male flower to a pistil fertilizes the latter, and sees in this
the purpose of the bee's existence. Another, observing the migration
of plants, notices that the bee helps in this work, and may say that
in this lies the purpose of the bee. But the ultimate purpose of the
bee is not exhausted by the first, the second, or any of the processes
the human mind can discern. The higher the human intellect rises in
the discovery of these purposes, the more obvious it becomes, that the
ultimate purpose is beyond our comprehension.

All that is accessible to man is the relation of the life of the bee
to other manifestations of life. And so it is with the purpose of
historic characters and nations.


Natasha's wedding to Bezukhov, which took place in 1813, was the
last happy event in the family of the old Rostovs. Count Ilya Rostov
died that same year and, as always happens, after the father's death
the family group broke up.

The events of the previous year: the burning of Moscow and the
flight from it, the death of Prince Andrew, Natasha's despair, Petya's
death, and the old countess' grief fell blow after blow on the old
count's head. He seemed to be unable to understand the meaning of
all these events, and bowed his old head in a spiritual sense as if
expecting and inviting further blows which would finish him. He seemed
now frightened and distraught and now unnaturally animated and

The arrangements for Natasha's marriage occupied him for a while. He
ordered dinners and suppers and obviously tried to appear cheerful,
but his cheerfulness was not infectious as it used to be: on the
contrary it evoked the compassion of those who knew and liked him.

When Pierre and his wife had left, he grew very quiet and began to
complain of depression. A few days later he fell ill and took to his
bed. He realized from the first that he would not get up again,
despite the doctor's encouragement. The countess passed a fortnight in
an armchair by his pillow without undressing. Every time she gave
him his medicine he sobbed and silently kissed her hand. On his last
day, sobbing, he asked her and his absent son to forgive him for
having dissipated their property- that being the chief fault of
which he was conscious. After receiving communion and unction he
quietly died; and next day a throng of acquaintances who came to pay
their last respects to the deceased filled the house rented by the
Rostovs. All these acquaintances, who had so often dined and danced at
his house and had so often laughed at him, now said, with a common
feeling of self-reproach and emotion, as if justifying themselves:
"Well, whatever he may have been he was a most worthy man. You don't
meet such men nowadays.... And which of us has not weaknesses of his

It was just when the count's affairs had become so involved that
it was impossible to say what would happen if he lived another year
that he unexpectedly died.

Nicholas was with the Russian army in Paris when the news of his
father's death reached him. He at once resigned his commission, and
without waiting for it to be accepted took leave of absence and went
to Moscow. The state of the count's affairs became quite obvious a
month after his death, surprising everyone by the immense total of
small debts the existence of which no one had suspected. The debts
amounted to double the value of the property.

Friends and relations advised Nicholas to decline the inheritance.
But he regarded such a refusal as a slur on his father's memory, which
he held sacred, and therefore would not hear of refusing and
accepted the inheritance together with the obligation to pay the

The creditors who had so long been silent, restrained by a vague but
powerful influence exerted on them while he lived by the count's
careless good nature, all proceeded to enforce their claims at once.
As always happens in such cases rivalry sprang up as to which should
get paid first, and those who like Mitenka held promissory notes given
them as presents now became the most exacting of the creditors.
Nicholas was allowed no respite and no peace, and those who had seemed
to pity the old man- the cause of their losses (if they were
losses)- now remorselessly pursued the young heir who had
voluntarily undertaken the debts and was obviously not guilty of
contracting them.

Not one of the plans Nicholas tried succeeded; the estate was sold
by auction for half its value, and half the debts still remained
unpaid. Nicholas accepted thirty thousand rubles offered him by his
brother-in-law Bezukhov to pay off debts he regarded as genuinely
due for value received. And to avoid being imprisoned for the
remainder, as the creditors threatened, he re-entered the government

He could not rejoin the army where he would have been made colonel
at the next vacancy, for his mother now clung to him as her one hold
on life; and so despite his reluctant to remain in Moscow among people
who had known him before, and despite his abhorrence of the civil
service, he accepted a post in Moscow in that service, doffed the
uniform of which he was so fond, and moved with his mother and Sonya
to a small house on the Sivtsev Vrazhek.

Natasha and Pierre were living in Petersburg at the time and had
no clear idea of Nicholas' circumstances. Having borrowed money from
his brother-in-law, Nicholas tried to hide his wretched condition from
him. His position was the more difficult because with his salary of
twelve hundred rubles he had not only to keep himself, his mother, and
Sonya, but had to shield his mother from knowledge of their poverty.
The countess could not conceive of life without the luxurious
conditions she had been used to from childhood and, unable to
realize how hard it was for her son, kept demanding now a carriage
(which they did not keep) to send for a friend, now some expensive
article of food for herself, or wine for her son, or money to buy a
present as a surprise for Natasha or Sonya, or for Nicholas himself.

Sonya kept house, attended on her aunt, read to her, put up with her
whims and secret ill-will, and helped Nicholas to conceal their
poverty from the old countess. Nicholas felt himself irredeemably
indebted to Sonya for all she was doing for his mother and greatly
admired her patience and devotion, but tried to keep aloof from her.

He seemed in his heart to reproach her for being too perfect, and
because there was nothing to reproach her with. She had all that
people are valued for, but little that could have made him love her.
He felt that the more he valued her the less he loved her. He had
taken her at her word when she wrote giving him his freedom and now
behaved as if all that had passed between them had been long forgotten
and could never in any case be renewed.

Nicholas' position became worse and worse. The idea of putting
something aside out of his salary proved a dream. Not only did he
not save anything, but to comply with his mother's demands he even
incurred some small debts. He could see no way out of this
situation. The idea of marrying some rich woman, which was suggested
to him by his female relations, was repugnant to him. The other way
out- his mother's death- never entered his head. He wished for nothing
and hoped for nothing, and deep in his heart experienced a gloomy
and stern satisfaction in an uncomplaining endurance of his
position. He tried to avoid his old acquaintances with their
commiseration and offensive offers of assistance; he avoided all
distraction and recreation, and even at home did nothing but play
cards with his mother, pace silently up and down the room, and smoke
one pipe after another. He seemed carefully to cherish within
himself the gloomy mood which alone enabled him to endure his


At the beginning of winter Princess Mary came to Moscow. From
reports current in town she learned how the Rostovs were situated, and
how "the son has sacrificed himself for his mother," as people were

"I never expected anything else of him," said Princess Mary to
herself, feeling a joyous sense of her love for him. Remembering her
friendly relations with all the Rostovs which had made her almost a
member of the family, she thought it her duty to go to see them. But
remembering her relations with Nicholas in Voronezh she was shy
about doing so. Making a great effort she did however go to call on
them a few weeks after her arrival in Moscow.

Nicholas was the first to meet her, as the countess' room could only
be reached through his. But instead of being greeted with pleasure
as she had expected, at his first glance at her his face assumed a
cold, stiff, proud expression she had not seen on it before. He
inquired about her health, led the way to his mother, and having sat
there for five minutes left the room.

When the princess came out of the countess' room Nicholas met her
again, and with marked solemnity and stiffness accompanied her to
the anteroom. To her remarks about his mother's health he made no
reply. "What's that to you? Leave me in peace," his looks seemed to

"Why does she come prowling here? What does she want? I can't bear
these ladies and all these civilities!" said he aloud in Sonya's
presence, evidently unable to repress his vexation, after the
princess' carriage had disappeared.

"Oh, Nicholas, how can you talk like that?" cried Sonya, hardly able
to conceal her delight. "She is so kind and Mamma is so fond of her!"

Nicholas did not reply and tried to avoid speaking of the princess
any more. But after her visit the old countess spoke of her several
times a day.

She sang her praises, insisted that her son must call on her,
expressed a wish to see her often, but yet always became ill-humored
when she began to talk about her.

Nicholas tried to keep silence when his mother spoke of the
princess, but his silence irritated her.

"She is a very admirable and excellent young woman," said she,
"and you must go and call on her. You would at least be seeing
somebody, and I think it must be dull for you only seeing us."

"But I don't in the least want to, Mamma."

"You used to want to, and now you don't. Really I don't understand
you, my dear. One day you are dull, and the next you refuse to see

"But I never said I was dull."

"Why, you said yourself you don't want even to see her. She is a
very admirable young woman and you always liked her, but now
suddenly you have got some notion or other in your head. You hide
everything from me."

"Not at all, Mamma."

"If I were asking you to do something disagreeable now- but I only
ask you to return a call. One would think mere politeness required
it.... Well, I have asked you, and now I won't interfere any more
since you have secrets from your mother."

"Well, then, I'll go if you wish it."

"It doesn't matter to me. I only wish it for your sake."

Nicholas sighed, bit his mustache, and laid out the cards for a
patience, trying to divert his mother's attention to another topic.

The same conversation was repeated next day and the day after, and
the day after that.

After her visit to the Rostovs and her unexpectedly chilly reception
by Nicholas, Princess Mary confessed to herself that she had been
right in not wishing to be the first to call.

"I expected nothing else," she told herself, calling her pride to
her aid. "I have nothing to do with him and I only wanted to see the
old lady, who was always kind to me and to whom I am under many

But she could not pacify herself with these reflections; a feeling
akin to remorse troubled her when she thought of her visit. Though she
had firmly resolved not to call on the Rostovs again and to forget the
whole matter, she felt herself all the time in an awkward position.
And when she asked herself what distressed her, she had to admit
that it was her relation to Rostov. His cold, polite manner did not
express his feeling for her (she knew that) but it concealed
something, and until she could discover what that something was, she
felt that she could not be at ease.

One day in midwinter when sitting in the schoolroom attending to her
nephew's lessons, she was informed that Rostov had called. With a firm
resolution not to betray herself and not show her agitation, she
sent for Mademoiselle Bourienne and went with her to the drawing room.

Her first glance at Nicholas' face told her that he had only come to
fulfill the demands of politeness, and she firmly resolved to maintain
the tone in which he addressed her.

They spoke of the countess' health, of their mutual friends, of
the latest war news, and when the ten minutes required by propriety
had elapsed after which a visitor may rise, Nicholas got up to say

With Mademoiselle Bourienne's help the princess had maintained the
conversation very well, but at the very last moment, just when he
rose, she was so tired of talking of what did not interest her, and
her mind was so full of the question why she alone was granted so
little happiness in life, that in a fit of absent-mindedness she sat
still, her luminous eyes gazing fixedly before her, not noticing
that he had risen.

Nicholas glanced at her and, wishing to appear not to notice her
abstraction, made some remark to Mademoiselle Bourienne and then again
looked at the princess. She still sat motionless with a look of
suffering on her gentle face. He suddenly felt sorry for her and was
vaguely conscious that he might be the cause of the sadness her face
expressed. He wished to help her and say something pleasant, but could
think of nothing to say.

"Good-by, Princess!" said he.

She started, flushed, and sighed deeply.

"Oh, I beg your pardon," she said as if waking up. "Are you going
already, Count? Well then, good-by! Oh, but the cushion for the

"Wait a moment, I'll fetch it," said Mademoiselle Bourienne, and she
left the room.

They both sat silent, with an occasional glance at one another.

"Yes, Princess," said Nicholas at last with a sad smile, "it doesn't
seem long ago since we first met at Bogucharovo, but how much water
has flowed since then! In what distress we all seemed to be then,
yet I would give much to bring back that time... but there's no
bringing it back."

Princess Mary gazed intently into his eyes with her own luminous
ones as he said this. She seemed to be trying to fathom the hidden
meaning of his words which would explain his feeling for her.

"Yes, yes," said she, "but you have no reason to regret the past,
Count. As I understand your present life, I think you will always
recall it with satisfaction, because the self-sacrifice that fills
it now..."

"I cannot accept your praise," he interrupted her hurriedly. "On the
contrary I continually reproach myself.... But this is not at all an
interesting or cheerful subject."

His face again resumed its former stiff and cold expression. But the
princess had caught a glimpse of the man she had known and loved,
and it was to him that she now spoke.

"I thought you would allow me to tell you this," she said. "I had
come so near to you... and to all your family that I thought you would
not consider my sympathy misplaced, but I was mistaken," and
suddenly her voice trembled. "I don't know why," she continued,
recovering herself, "but you used to be different, and..."

"There are a thousand reasons why," laying special emphasis on the
why. "Thank you, Princess," he added softly. "Sometimes it is hard."

"So that's why! That's why!" a voice whispered in Princess Mary's
soul. "No, it was not only that gay, kind, and frank look, not only
that handsome exterior, that I loved in him. I divined his noble,
resolute, self-sacrificing spirit too," she said to herself. "Yes,
he is poor now and I am rich.... Yes, that's the only reason....
Yes, were it not for that..." And remembering his former tenderness,
and looking now at his kind, sorrowful face, she suddenly understood
the cause of his coldness.

"But why, Count, why?" she almost cried, unconsciously moving closer
to him. "Why? Tell me. You must tell me!"

He was silent.

"I don't understand your why, Count," she continued, "but it's
hard for me... I confess it. For some reason you wish to deprive me of
our former friendship. And that hurts me." There were tears in her
eyes and in her voice. "I have had so little happiness in life that
every loss is hard for me to bear.... Excuse me, good-by!" and
suddenly she began to cry and was hurrying from the room.

"Princess, for God's sake!" he exclaimed, trying to stop her.

She turned round. For a few seconds they gazed silently into one
another's eyes- and what had seemed impossible and remote suddenly
became possible, inevitable, and very near.


In the winter of 1813 Nicholas married Princess Mary and moved to
Bald Hills with his wife, his mother, and Sonya.

Within four years he had paid off all his remaining debts without
selling any of his wife's property, and having received a small
inheritance on the death of a cousin he paid his debt to Pierre as

In another three years, by 1820, he had so managed his affairs
that he was able to buy a small estate adjoining Bald Hills and was
negotiating to buy back Otradnoe- that being his pet dream.

Having started farming from necessity, he soon grew so devoted to it
that it became his favorite and almost his sole occupation. Nicholas
was a plain farmer: he did not like innovations, especially the
English ones then coming into vogue. He laughed at theoretical
treatises on estate management, disliked factories, the raising of
expensive products, and the buying of expensive seed corn, and did not
make a hobby of any particular part of the work on his estate. He
always had before his mind's eye the estate as a whole and not any
particular part of it. The chief thing in his eyes was not the
nitrogen in the soil, nor the oxygen in the air, nor manures, nor
special plows, but that most important agent by which nitrogen,
oxygen, manure, and plow were made effective- the peasant laborer.
When Nicholas first began farming and began to understand its
different branches, it was the serf who especially attracted his
attention. The peasant seemed to him not merely a tool, but also a
judge of farming and an end in himself. At first he watched the serfs,
trying to understand their aims and what they considered good and bad,
and only pretended to direct them and give orders while in reality
learning from them their methods, their manner of speech, and their
judgment of what was good and bad. Only when he had understood the
peasants' tastes and aspirations, had learned to talk their
language, to grasp the hidden meaning of their words, and felt akin to
them did he begin boldly to manage his serfs, that is, to perform
toward them the duties demanded of him. And Nicholas' management
produced very brilliant results.

Guided by some gift of insight, on taking up the management of the
estates he at once unerringly appointed as bailiff, village elder, and
delegate, the very men the serfs would themselves have chosen had they
had the right to choose, and these posts never changed hands. Before
analyzing the properties of manure, before entering into the debit and
credit (as he ironically called it), he found out how many cattle
the peasants had and increased the number by all possible means. He
kept the peasant families together in the largest groups possible, not
allowing the family groups to divide into separate households. He
was hard alike on the lazy, the depraved, and the weak, and tried to
get them expelled from the commune.

He was as careful of the sowing and reaping of the peasants' hay and
corn as of his own, and few landowners had their crops sown and
harvested so early and so well, or got so good a return, as did

He disliked having anything to do with the domestic serfs- the
"drones" as he called them- and everyone said he spoiled them by his
laxity. When a decision had to be taken regarding a domestic serf,
especially if one had to be punished, he always felt undecided and
consulted everybody in the house; but when it was possible to have a
domestic serf conscripted instead of a land worker he did so without
the least hesitation. He never felt any hesitation in dealing with the
peasants. He knew that his every decision would be approved by them
all with very few exceptions.

He did not allow himself either to be hard on or punish a man, or to
make things easy for or reward anyone, merely because he felt inclined
to do so. He could not have said by what standard he judged what he
should or should not do, but the standard was quite firm and
definite in his own mind.

Often, speaking with vexation of some failure or irregularity, he
would say: "What can one do with our Russian peasants?" and imagined
that he could not bear them.

Yet he loved "our Russian peasants" and their way of life with his
whole soul, and for that very reason had understood and assimilated
the one way and manner of farming which produced good results.

Countess Mary was jealous of this passion of her husband's and
regretted that she could not share it; but she could not understand
the joys and vexations he derived from that world, to her so remote
and alien. She could not understand why he was so particularly
animated and happy when, after getting up at daybreak and spending the
whole morning in the fields or on the threshing floor, he returned
from the sowing or mowing or reaping to have tea with her. She did not
understand why he spoke with such admiration and delight of the
farming of the thrifty and well-to-do peasant Matthew Ermishin, who
with his family had carted corn all night; or of the fact that his
(Nicholas') sheaves were already stacked before anyone else had his
harvest in. She did not understand why he stepped out from the
window to the veranda and smiled under his mustache and winked so
joyfully, when warm steady rain began to fall on the dry and thirsty
shoots of the young oats, or why when the wind carried away a
threatening cloud during the hay harvest he would return from the
barn, flushed, sunburned, and perspiring, with a smell of wormwood and
gentian in his hair and, gleefully rubbing his hands, would say:
"Well, one more day and my grain and the peasants' will all be under

Still less did she understand why he, kindhearted and always ready
to anticipate her wishes, should become almost desperate when she
brought him a petition from some peasant men or women who had appealed
to her to be excused some work; why he, that kind Nicholas, should
obstinately refuse her, angrily asking her not to interfere in what
was not her business. She felt he had a world apart, which he loved
passionately and which had laws she had not fathomed.

Sometimes when, trying to understand him, she spoke of the good work
he was doing for his serfs, he would be vexed and reply: "Not in the
least; it never entered my head and I wouldn't do that for their good!
That's all poetry and old wives' talk- all that doing good to one's
neighbor! What I want is that our children should not have to go
begging. I must put our affairs in order while I am alive, that's all.
And to do that, order and strictness are essential.... That's all
about it!" said he, clenching his vigorous fist. "And fairness, of
course," he added, "for if the peasant is naked and hungry and has
only one miserable horse, he can do no good either for himself or
for me."

And all Nicholas did was fruitful- probably just because he
refused to allow himself to think that he was doing good to others for
virtue's sake. His means increased rapidly; serfs from neighboring
estates came to beg him to buy them, and long after his death the
memory of his administration was devoutly preserved among the serfs.
"He was a master... the peasants' affairs first and then his own. Of
course he was not to be trifled with either- in a word, he was a
real master!"


One matter connected with his management sometimes worried Nicholas,
and that was his quick temper together with his old hussar habit of
making free use of his fists. At first he saw nothing reprehensible in
this, but in the second year of his marriage his view of that form
of punishment suddenly changed.

Once in summer he had sent for the village elder from Bogucharovo, a
man who had succeeded to the post when Dron died and who was accused
of dishonesty and various irregularities. Nicholas went out into the
porch to question him, and immediately after the elder had given a few
replies the sound of cries and blows were heard. On returning to lunch
Nicholas went up to his wife, who sat with her head bent low over
her embroidery frame, and as usual began to tell her what he had
been doing that morning. Among other things he spoke of the
Bogucharovo elder. Countess Mary turned red and then pale, but
continued to sit with head bowed and lips compressed and gave her
husband no reply.

"Such an insolent scoundrel!" he cried, growing hot again at the
mere recollection of him. "If he had told me he was drunk and did
not see... But what is the matter with you, Mary?" he suddenly asked.

Countess Mary raised her head and tried to speak, but hastily looked
down again and her lips puckered.

"Why, whatever is the matter, my dearest?"

The looks of the plain Countess Mary always improved when she was in
tears. She never cried from pain or vexation, but always from sorrow
or pity, and when she wept her radiant eyes acquired an irresistible

The moment Nicholas took her hand she could no longer restrain
herself and began to cry.

"Nicholas, I saw it... he was to blame, but why do you... Nicholas!"
and she covered her face with her hands.

Nicholas said nothing. He flushed crimson, left her side, and
paced up and down the room. He understood what she was weeping
about, but could not in his heart at once agree with her that what
he had regarded from childhood as quite an everyday event was wrong.
"Is it just sentimentality, old wives' tales, or is she right?" he
asked himself. Before he had solved that point he glanced again at her
face filled with love and pain, and he suddenly realized that she
was right and that he had long been sinning against himself.

"Mary," he said softly, going up to her, "it will never happen
again; I give you my word. Never," he repeated in a trembling voice
like a boy asking for forgiveness.

The tears flowed faster still from the countess' eyes. She took
his hand and kissed it.

"Nicholas, when when did you break your cameo?" she asked to
change the subject, looking at his finger on which he wore a ring with
a cameo of Laocoon's head.

"Today- it was the same affair. Oh, Mary, don't remind me of it!"
and again he flushed. "I give you my word of honor it shan't occur
again, and let this always be a reminder to me," and he pointed to the
broken ring.

After that, when in discussions with his village elders or
stewards the blood rushed to his face and his fists began to clench,
Nicholas would turn the broken ring on his finger and would drop his
eyes before the man who was making him angry. But he did forget
himself once or twice within a twelvemonth, and then he would go and
confess to his wife, and would again promise that this should really
be the very last time.

"Mary, you must despise me!" he would say. "I deserve it."

"You should go, go away at once, if you don't feel strong enough
to control yourself," she would reply sadly, trying to comfort her

Among the gentry of the province Nicholas was respected but not
liked. He did not concern himself with the interests of his own class,
and consequently some thought him proud and others thought him stupid.
The whole summer, from spring sowing to harvest, he was busy with
the work on his farm. In autumn he gave himself up to hunting with the
same business like seriousness- leaving home for a month, or even two,
with his hunt. In winter he visited his other villages or spent his
time reading. The books he read were chiefly historical, and on
these he spent a certain sum every year. He was collecting, as he
said, a serious library, and he made it a rule to read through all the
books he bought. He would sit in his study with a grave air,
reading- a task he first imposed upon himself as a duty, but which
afterwards became a habit affording him a special kind of pleasure and
a consciousness of being occupied with serious matters. In winter,
except for business excursions, he spent most of his time at home
making himself one with his family and entering into all the details
of his children's relations with their mother. The harmony between him
and his wife grew closer and closer and he daily discovered fresh
spiritual treasures in her.

From the time of his marriage Sonya had lived in his house. Before
that, Nicholas had told his wife all that had passed between himself
and Sonya, blaming himself and commending her. He had asked Princess
Mary to be gentle and kind to his cousin. She thoroughly realized
the wrong he had done Sonya, felt herself to blame toward her, and
imagined that her wealth had influenced Nicholas' choice. She could
not find fault with Sonya in any way and tried to be fond of her,
but often felt ill-will toward her which she could not overcome.

Once she had a talk with her friend Natasha about Sonya and about
her own injustice toward her.

"You know," said Natasha, "you have read the Gospels a great deal-
there is a passage in them that just fits Sonya."

"What?" asked Countess Mary, surprised.

"'To him that hath shall be given, and from him that hath not
shall be taken away.' You remember? She is one that hath not; why, I
don't know. Perhaps she lacks egotism, I don't know, but from her is
taken away, and everything has been taken away. Sometimes I am
dreadfully sorry for her. Formerly I very much wanted Nicholas to
marry her, but I always had a sort of presentiment that it would not
come off. She is a sterile flower, you know- like some strawberry
blossoms. Sometimes I am sorry for her, and sometimes I think she
doesn't feel it as you or I would."

Though Countess Mary told Natasha that those words in the Gospel
must be understood differently, yet looking at Sonya she agreed with
Natasha's explanation. It really seemed that Sonya did not feel her
position trying, and had grown quite reconciled to her lot as a
sterile flower. She seemed to be fond not so much of individuals as of
the family as a whole. Like a cat, she had attached herself not to the
people but to the home. She waited on the old countess, petted and
spoiled the children, was always ready to render the small services
for which she had a gift, and all this was unconsciously accepted from
her with insufficient gratitude.

The country seat at Bald Hills had been rebuilt, though not on the
same scale as under the old prince.

The buildings, begun under straitened circumstances, were more
than simple. The immense house on the old stone foundations was of
wood, plastered only inside. It had bare deal floors and was furnished
with very simple hard sofas, armchairs, tables, and chairs made by
their own serf carpenters out of their own birchwood. The house was
spacious and had rooms for the house serfs and apartments for
visitors. Whole families of the Rostovs' and Bolkonskis' relations
sometimes came to Bald Hills with sixteen horses and dozens of
servants and stayed for months. Besides that, four times a year, on
the name days and birthdays of the hosts, as many as a hundred
visitors would gather there for a day or two. The rest of the year
life pursued its unbroken routine with its ordinary occupations, and
its breakfasts, lunches, dinners, and suppers, provided out of the
produce of the estate.


It was the eve of St. Nicholas, the fifth of December, 1820. Natasha
had been staying at her brother's with her husband and children
since early autumn. Pierre had gone to Petersburg on business of his
own for three weeks as he said, but had remained there nearly seven
weeks and was expected back every minute.

Besides the Bezukhov family, Nicholas' old friend the retired
General Vasili Dmitrich Denisov was staying with the Rostovs this
fifth of December.

On the sixth, which was his name day when the house would be full of
visitors, Nicholas knew he would have to exchange his Tartar tunic for
a tail coat, and put on narrow boots with pointed toes, and drive to
the new church he had built, and then receive visitors who would
come to congratulate him, offer them refreshments, and talk about
the elections of the nobility; but he considered himself entitled to
spend the eve of that day in his usual way. He examined the
bailiff's accounts of the village in Ryazan which belonged to his
wife's nephew, wrote two business letters, and walked over to the
granaries, cattle yards and stables before dinner. Having taken
precautions against the general drunkenness to be expected on the
morrow because it was a great saint's day, he returned to dinner,
and without having time for a private talk with his wife sat down at
the long table laid for twenty persons, at which the whole household
had assembled. At that table were his mother, his mother's old lady
companion Belova, his wife, their three children with their
governess and tutor, his wife's nephew with his tutor, Sonya, Denisov,
Natasha, her three children, their governess, and old Michael
Ivanovich, the late prince's architect, who was living on in
retirement at Bald Hills.

Countess Mary sat at the other end of the table. When her husband
took his place she concluded, from the rapid manner in which after
taking up his table napkin he pushed back the tumbler and wineglass
standing before him, that he was out of humor, as was sometimes the
case when he came in to dinner straight from the farm- especially
before the soup. Countess Mary well knew that mood of his, and when
she herself was in a good frame of mind quietly waited till he had had
his soup and then began to talk to him and make him admit that there
was no cause for his ill-humor. But today she quite forgot that and
was hurt that he should be angry with her without any reason, and
she felt unhappy. She asked him where he had been. He replied. She
again inquired whether everything was going well on the farm. Her
unnatural tone made him wince unpleasantly and he replied hastily.

"Then I'm not mistaken," thought Countess Mary. "Why is he cross
with me?" She concluded from his tone that he was vexed with her and
wished to end the conversation. She knew her remarks sounded
unnatural, but could not refrain from asking some more questions.

Thanks to Denisov the conversation at table soon became general
and lively, and she did not talk to her husband. When they left the
table and went as usual to thank the old countess, Countess Mary
held out her hand and kissed her husband, and asked him why he was
angry with her.

"You always have such strange fancies! I didn't even think of
being angry," he replied.

But the word always seemed to her to imply: "Yes, I am angry but I
won't tell you why."

Nicholas and his wife lived together so happily that even Sonya
and the old countess, who felt jealous and would have liked them to
disagree, could find nothing to reproach them with; but even they
had their moments of antagonism. Occasionally, and it was always
just after they had been happiest together, they suddenly had a
feeling of estrangement and hostility, which occurred most
frequently during Countess Mary's pregnancies, and this was such a

"Well, messieurs et mesdames," said Nicholas loudly and with
apparent cheerfulness (it seemed to Countess Mary that he did it on
purpose to vex her), "I have been on my feet since six this morning.
Tomorrow I shall have to suffer, so today I'll go and rest."

And without a word to his wife he went to the little sitting room
and lay down on the sofa.

"That's always the way," thought Countess Mary. "He talks to
everyone except me. I see... I see that I am repulsive to him,
especially when I am in this condition." She looked down at her
expanded figure and in the glass at her pale, sallow, emaciated face
in which her eyes now looked larger than ever.

And everything annoyed her- Denisov's shouting and laughter,
Natasha's talk, and especially a quick glance Sonya gave her.

Sonya was always the first excuse Countess Mary found for feeling

Having sat awhile with her visitors without understanding anything
of what they were saying, she softly left the room and went to the

The children were playing at "going to Moscow" in a carriage made of
chairs and invited her to go with them. She sat down and played with
them a little, but the thought of her husband and his unreasonable
crossness worried her. She got up and, walking on tiptoe with
difficulty, went to the small sitting room.

"Perhaps he is not asleep; I'll have an explanation with him," she
said to herself. Little Andrew, her eldest boy, imitating his
mother, followed her on tiptoe. She not notice him.

"Mary, dear, I think he is asleep- he was so tired," said Sonya,
meeting her in the large sitting room (it seemed to Countess Mary that
she crossed her path everywhere). "Andrew may wake him."

Countess Mary looked round, saw little Andrew following her, felt
that Sonya was right, and for that very reason flushed and with
evident difficulty refrained from saying something harsh. She made
no reply, but to avoid obeying Sonya beckoned to Andrew to follow
her quietly and went to the door. Sonya went away by another door.
From the room in which Nicholas was sleeping came the sound of his
even breathing, every slightest tone of which was familiar to his
wife. As she listened to it she saw before her his smooth handsome
forehead, his mustache, and his whole face, as she had so often seen
it in the stillness of the night when he slept. Nicholas suddenly
moved and cleared his throat. And at that moment little Andrew shouted
from outside the door: "Papa! Mamma's standing here!" Countess Mary
turned pale with fright and made signs to the boy. He grew silent, and
quiet ensued for a moment, terrible to Countess Mary. She knew how
Nicholas disliked being waked. Then through the door she heard
Nicholas clearing his throat again and stirring, and his voice said

"I can't get a moment's peace.... Mary, is that you? Why did you
bring him here?"

"I only came in to look and did not notice... forgive me..."

Nicholas coughed and said no more. Countess Mary moved away from the
door and took the boy back to the nursery. Five minutes later little
black-eyed three-year-old Natasha, her father's pet, having learned
from her brother that Papa was asleep and Mamma was in the sitting
room, ran to her father unobserved by her mother. The dark-eyed little
girl boldly opened the creaking door, went up to the sofa with
energetic steps of her sturdy little legs, and having examined the
position of her father, who was asleep with his back to her, rose on
tiptoe and kissed the hand which lay under his head. Nicholas turned
with a tender smile on his face.

"Natasha, Natasha!" came Countess Mary's frightened whisper from the
door. "Papa wants to sleep."

"No, Mamma, he doesn't want to sleep," said little Natasha with
conviction. "He's laughing."

Nicholas lowered his legs, rose, and took his daughter in his arms.

"Come in, Mary," he said to his wife.

She went in and sat down by her husband.

"I did not notice him following me," she said timidly. "I just
looked in."

Holding his little girl with one arm, Nicholas glanced at his wife
and, seeing her guilty expression, put his other arm around her and
kissed her hair.

"May I kiss Mamma?" he asked Natasha.

Natasha smiled bashfully.

"Again!" she commanded, pointing with a peremptory gesture to the
spot where Nicholas had placed the kiss.

"I don't know why you think I am cross," said Nicholas, replying
to the question he knew was in his wife's mind.

"You have no idea how unhappy, how lonely, I feel when you are
like that. It always seems to me... "

"Mary, don't talk nonsense. You ought to be ashamed of yourself!" he
said gaily.

"It seems to be that you can't love me, that I am so plain...
always... and now... in this cond..."

"Oh, how absurd you are! It is not beauty that endears, it's love
that makes us see beauty. It is only Malvinas and women of that kind
who are loved for their beauty. But do I love my wife? I don't love
her, but... I don't know how to put it. Without you, or when something
comes between us like this, I seem lost and can't do anything. Now
do I love my finger? I don't love it, but just try to cut it off!

"I'm not like that myself, but I understand. So you're not angry
with me?"

"Awfully angry!" he said, smiling and getting up. And smoothing
his hair he began to pace the room.

"Do you know, Mary, what I've been thinking?" he began,
immediately thinking aloud in his wife's presence now that they had
made it up.

He did not ask if she was ready to listen to him. He did not care. A
thought had occurred to him and so it belonged to her also. And he
told her of his intention to persuade Pierre to stay with them till

Countess Mary listened till he had finished, made some remark, and
in her turn began thinking aloud. Her thoughts were about the

"You can see the woman in her already," she said in French, pointing
to little Natasha. "You reproach us women with being illogical. Here
is our logic. I say: 'Papa wants to sleep!' but she says, 'No, he's
laughing.' And she was right," said Countess Mary with a happy smile.

"Yes, yes." And Nicholas, taking his little daughter in his strong
hand, lifted her high, placed her on his shoulder, held her by the
legs, and paced the room with her. There was an expression of carefree
happiness on the faces of both father and daughter.

"But you know you may be unfair. You are too fond of this one,"
his wife whispered in French.

"Yes, but what am I to do?... I try not to show..."

At that moment they heard the sound of the door pulley and footsteps
in the hall and anteroom, as if someone had arrived.

"Somebody has come."

"I am sure it is Pierre. I will go and see," said Countess Mary
and left the room.

In her absence Nicholas allowed himself to give his little
daughter a gallop round the room. Out of breath, he took the
laughing child quickly from his shoulder and pressed her to his heart.
His capers reminded him of dancing, and looking at the child's round
happy little face he thought of what she would be like when he was
an old man, taking her into society and dancing the mazurka with her
as his old father had danced Daniel Cooper with his daughter.

"It is he, it is he, Nicholas!" said Countess Mary, re-entering
the room a few minutes later. "Now our Natasha has come to life. You
should have seen her ecstasy, and how he caught it for having stayed
away so long. Well, come along now, quick, quick! It's time you two
were parted," she added, looking smilingly at the little girl who
clung to her father.

Nicholas went out holding the child by the hand.

Countess Mary remained in the sitting room.

"I should never, never have believed that one could be so happy,"
she whispered to herself. A smile lit up her face but at the same time
she sighed, and her deep eyes expressed a quiet sadness as though
she felt, through her happiness, that there is another sort of
happiness unattainable in this life and of which she involuntarily
thought at that instant.


Natasha had married in the early spring of 1813, and in 1820 already
had three daughters besides a son for whom she had longed and whom she
was now nursing. She had grown stouter and broader, so that it was
difficult to recognize in this robust, motherly woman the slim, lively
Natasha of former days. Her features were more defined and had a calm,
soft, and serene expression. In her face there was none of the
ever-glowing animation that had formerly burned there and
constituted its charm. Now her face and body were of all that one saw,
and her soul was not visible at all. All that struck the eye was a
strong, handsome, and fertile woman. The old fire very rarely
kindled in her face now. That happened only when, as was the case that
day, her husband returned home, or a sick child was convalescent, or
when she and Countess Mary spoke of Prince Andrew (she never mentioned
him to her husband, who she imagined was jealous of Prince Andrew's
memory), or on the rare occasions when something happened to induce
her to sing, a practice she had quite abandoned since her marriage. At
the rare moments when the old fire did kindle in her handsome, fully
developed body she was even more attractive than in former days.

Since their marriage Natasha and her husband had lived in Moscow, in
Petersburg, on their estate near Moscow, or with her mother, that is
to say, in Nicholas' house. The young Countess Bezukhova was not often
seen in society, and those who met her there were not pleased with her
and found her neither attractive nor amiable. Not that Natasha liked
solitude- she did not know whether she liked it or not, she even
thought that she did not- but with her pregnancies, her
confinements, the nursing of her children, and sharing every moment of
her husband's life, she had demands on her time which could be
satisfied only by renouncing society. All who had known Natasha before
her marriage wondered at the change in her as at something
extraordinary. Only the old countess with her maternal instinct had
realized that all Natasha's outbursts had been due to her need of
children and a husband- as she herself had once exclaimed at
Otradnoe not so much in fun as in earnest- and her mother was now
surprised at the surprise expressed by those who had never
understood Natasha, and she kept saying that she had always known that
Natasha would make an exemplary wife and mother.

"Only she lets her love of her husband and children overflow all
bounds," said the countess, "so that it even becomes absurd."

Natasha did not follow the golden rule advocated by clever folk,
especially by the French, which says that a girl should not let
herself go when she marries, should not neglect her accomplishments,
should be even more careful of her appearance than when she was
unmarried, and should fascinate her husband as much as she did
before he became her husband. Natasha on the contrary had at once
abandoned all her witchery, of which her singing had been an unusually
powerful part. She gave it up just because it was so powerfully
seductive. She took no pains with her manners or with of speech, or
with her toilet, or to show herself to her husband in her most
becoming attitudes, or to avoid inconveniencing him by being too
exacting. She acted in contradiction to all those rules. She felt that
the allurements instinct had formerly taught her to use would now be
merely ridiculous in the eyes of her husband, to whom she had from the
first moment given herself up entirely- that is, with her whole
soul, leaving no corner of it hidden from him. She felt that her unity
with her husband was not maintained by the poetic feelings that had
attracted him to her, but by something else- indefinite but firm as
the bond between her own body and soul.

To fluff out her curls, put on fashionable dresses, and sing
romantic songs to fascinate her husband would have seemed as strange
as to adorn herself to attract herself. To adorn herself for others
might perhaps have been agreeable- she did not know- but she had no
time at all for it. The chief reason for devoting no time either to
singing, to dress, or to choosing her words was that she really had no
time to spare for these things.

We know that man has the faculty of becoming completely absorbed
in a subject however trivial it may be, and that there is no subject
so trivial that it will not grow to infinite proportions if one's
entire attention is devoted to it.

The subject which wholly engrossed Natasha's attention was her
family: that is, her husband whom she had to keep so that he should
belong entirely to her and to the home, and the children whom she
had to bear, bring into the world, nurse, and bring up.

And the deeper she penetrated, not with her mind only but with her
whole soul, her whole being, into the subject that absorbed her, the
larger did that subject grow and the weaker and more inadequate did
her powers appear, so that she concentrated them wholly on that one
thing and yet was unable to accomplish all that she considered

There were then as now conversations and discussions about women's
rights, the relations of husband and wife and their freedom and
rights, though these themes were not yet termed questions as they
are now; but these topics were not merely uninteresting to Natasha,
she positively did not understand them.

These questions, then as now, existed only for those who see nothing
in marriage but the pleasure married people get from one another, that
is, only the beginnings of marriage and not its whole significance,
which lies in the family.

Discussions and questions of that kind, which are like the
question of how to get the greatest gratification from one's dinner,
did not then and do not now exist for those for whom the purpose of
a dinner is the nourishment it affords; and the purpose of marriage is
the family.

If the purpose of dinner is to nourish the body, a man who eats
two dinners at once may perhaps get more enjoyment but will not attain
his purpose, for his stomach will not digest the two dinners.

If the purpose of marriage is the family, the person who wishes to
have many wives or husbands may perhaps obtain much pleasure, but in
that case will not have a family.

If the purpose of food is nourishment and the purpose of marriage is
the family, the whole question resolves itself into not eating more
than one can digest, and not having more wives or husbands than are
needed for the family- that is, one wife or one husband. Natasha
needed a husband. A husband was given her and he gave her a family.
And she not only saw no need of any other or better husband, but as
all the powers of her soul were intent on serving that husband and
family, she could not imagine and saw no interest in imagining how
it would be if things were different.

Natasha did not care for society in general, but prized the more the
society of her relatives- Countess Mary, and her brother, her
mother, and Sonya. She valued the company of those to whom she could
come striding disheveled from the nursery in her dressing gown, and
with joyful face show a yellow instead of a green stain on baby's
napkin, and from whom she could hear reassuring words to the effect
that baby was much better.

To such an extent had Natasha let herself go that the way she
dressed and did her hair, her ill-chosen words, and her jealousy-
she was jealous of Sonya, of the governess, and of every woman, pretty
or plain- were habitual subjects of jest to those about her. The
general opinion was that Pierre was under his wife's thumb, which
was really true. From the very first days of their married life
Natasha had announced her demands. Pierre was greatly surprised by his
wife's view, to him a perfectly novel one, that every moment of his
life belonged to her and to the family. His wife's demands
astonished him, but they also flattered him, and he submitted to them.

Pierre's subjection consisted in the fact that he not only dared not
flirt with, but dared not even speak smilingly to, any other woman;
did not dare dine at the Club as a pastime, did not dare spend money a
whim, and did not dare absent himself for any length of time, except
on business- in which his wife included his intellectual pursuits,
which she did not in the least understand but to which she
attributed great importance. To make up for this, at home Pierre had
the right to regulate his life and that of the whole family exactly as
he chose. At home Natasha placed herself in the position of a slave to
her husband, and the whole household went on tiptoe when he was
occupied- that is, was reading or writing in his study. Pierre had but
to show a partiality for anything to get just what he liked done
always. He had only to express a wish and Natasha would jump up and
run to fulfill it.

The entire household was governed according to Pierre's supposed
orders, that is, by his wishes which Natasha tried to guess. Their way
of life and place of residence, their acquaintances and ties,
Natasha's occupations, the children's upbringing, were all selected
not merely with regard to Pierre's expressed wishes, but to what
Natasha from the thoughts he expressed in conversation supposed his
wishes to be. And she deduced the essentials of his wishes quite
correctly, and having once arrived at them clung to them
tenaciously. When Pierre himself wanted to change his mind she would
fight him with his own weapons.

Thus in a time of trouble ever memorable to him after the birth of
their first child who was delicate, when they had to change the wet
nurse three times and Natasha fell ill from despair, Pierre one day
told her of Rousseau's view, with which he quite agreed, that to
have a wet nurse is unnatural and harmful. When her next baby was
born, despite the opposition of her mother, the doctors, and even of
her husband himself- who were all vigorously opposed to her nursing
her baby herself, a thing then unheard of and considered injurious-
she insisted on having her own way, and after that nursed all her
babies herself.

It very often happened that in a moment of irritation husband and
wife would have a dispute, but long afterwards Pierre to his
surprise and delight would find in his wife's ideas and actions the
very thought against which she had argued, but divested of
everything superfluous that in the excitement of the dispute he had
added when expressing his opinion.

After seven years of marriage Pierre had the joyous and firm
consciousness that he was not a bad man, and he felt this because he
saw himself reflected in his wife. He felt the good and bad within
himself inextricably mingled and overlapping. But only what was really
good in him was reflected in his wife, all that was not quite good was
rejected. And this was not the result of logical reasoning but was a
direct and mysterious reflection.


Two months previously when Pierre was already staying with the
Rostovs he had received a letter from Prince Theodore, asking him to
come to Petersburg to confer on some important questions that were
being discussed there by a society of which Pierre was one of the
principal founders.

On reading that letter (she always read her husband's letters)
Natasha herself suggested that he should go to Petersburg, though
she would feel his absence very acutely. She attributed immense
importance to all her husband's intellectual and abstract interests
though she did not understand them, and she always dreaded being a
hindrance to him in such matters. To Pierre's timid look of inquiry
after reading the letter she replied by asking him to go, but to fix a
definite date for his return. He was given four weeks' leave of

Ever since that leave of absence had expired, more than a
fortnight before, Natasha had been in a constant state of alarm,
depression, and irritability.

Denisov, now a general on the retired list and much dissatisfied
with the present state of affairs, had arrived during that
fortnight. He looked at Natasha with sorrow and surprise as at a bad
likeness of a person once dear. A dull, dejected look, random replies,
and talk about the nursery was all he saw and heard from his former

Natasha was sad and irritable all that time, especially when her
mother, her brother, Sonya, or Countess Mary in their efforts to
console her tried to excuse Pierre and suggested reasons for his delay
in returning.

"It's all nonsense, all rubbish- those discussions which lead to
nothing and all those idiotic societies!" Natasha declared of the very
affairs in the immense importance of which she firmly believed.

And she would go to the nursery to nurse Petya, her only boy. No one
else could tell her anything so comforting or so reasonable as this
little three-month-old creature when he lay at her breast and she
was conscious of the movement of his lips and the snuffling of his
little nose. That creature said: "You are angry, you are jealous,
you would like to pay him out, you are afraid- but here am I! And I am
he..." and that was unanswerable. It was more than true.

During that fortnight of anxiety Natasha resorted to the baby for
comfort so often, and fussed over him so much, that she overfed him
and he fell ill. She was terrified by his illness, and yet that was
just what she needed. While attending to him she bore the anxiety
about her husband more easily.

She was nursing her boy when the sound of Pierre's sleigh was
heard at the front door, and the old nurse- knowing how to please
her mistress- entered the room inaudibly but hurriedly and with a
beaming face.

"Has he come?" Natasha asked quickly in a whisper, afraid to move
lest she should rouse the dozing baby.

"He's come, ma'am," whispered the nurse.

The blood rushed to Natasha's face and her feet involuntarily moved,
but she could not jump up and run out. The baby again opened his
eyes and looked at her. "You're here?" he seemed to be saying, and
again lazily smacked his lips.

Cautiously withdrawing her breast, Natasha rocked him a little,
handed him to the nurse, and went with rapid steps toward the door.
But at the door she stopped as if her conscience reproached her for
having in her joy left the child too soon, and she glanced round.
The nurse with raised elbows was lifting the infant over the rail of
his cot.

"Go, ma'am! Don't worry, go!" she whispered, smiling, with the
kind of familiarity that grows up between a nurse and her mistress.

Natasha ran with light footsteps to the anteroom.

Denisov, who had come out of the study into the dancing room with
his pipe, now for the first time recognized the old Natasha. A flood
of brilliant, joyful light poured from her transfigured face.

"He's come!" she exclaimed as she ran past, and Denisov felt that he
too was delighted that Pierre, whom he did not much care for, had

On reaching the vestibule Natasha saw a tall figure in a fur coat
unwinding his scarf. "It's he! It's really he! He has come!" she
said to herself, and rushing at him embraced him, pressed his head
to her breast, and then pushed him back and gazed at his ruddy,
happy face, covered with hoarfrost. "Yes, it is he, happy and

Then all at once she remembered the tortures of suspense she had
experienced for the last fortnight, and the joy that had lit up her
face vanished; she frowned and overwhelmed Pierre with a torrent of
reproaches and angry words.

"Yes, it's all very well for you. You are pleased, you've had a good
time.... But what about me? You might at least have shown
consideration for the children. I am nursing and my milk was
spoiled.... Petya was at death's door. But you were enjoying yourself.
Yes, enjoying..."

Pierre knew he was not to blame, for he could not have come
sooner; he knew this outburst was unseemly and would blow over in a
minute or two; above all he knew that he himself was bright and happy.
He wanted to smile but dared not even think of doing so. He made a
piteous, frightened face and bent down.

"I could not, on my honor. But how is Petya?"

"All right now. Come along! I wonder you're not ashamed! If only you
could see what I was like without you, how I suffered!"

"You are well?"

"Come, come!" she said, not letting go of his arm. And they went
to their rooms.

When Nicholas and his wife came to look for Pierre he was in the
nursery holding his baby son, who was again awake, on his huge right
palm and dandling him. A blissful bright smile was fixed on the baby's
broad face with its toothless open mouth. The storm was long since
over and there was bright, joyous sunshine on Natasha's face as she
gazed tenderly at her husband and child.

"And have you talked everything well over with Prince Theodore?" she

"Yes, capitally."

"You see, he holds it up." (She meant the baby's head.) "But how
he did frighten me... You've seen the princess? Is it true she's in
love with that..."

"Yes, just fancy..."

At that moment Nicholas and Countess Mary came in. Pierre with the
baby on his hand stooped, kissed them, and replied to their inquiries.
But in spite of much that was interesting and had to be discussed, the
baby with the little cap on its unsteady head evidently absorbed all
his attention.

"How sweet!" said Countess Mary, looking at and playing with the
baby. "Now, Nicholas," she added, turning to her husband, "I can't
understand how it is you don't see the charm of these delicious

"I don't and can't," replied Nicholas, looking coldly at the baby.
"A lump of flesh. Come along, Pierre!"

"And yet he's such an affectionate father," said Countess Mary,
vindicating her husband, "but only after they are a year old or so..."

"Now, Pierre nurses them splendidly," said Natasha. "He says his

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