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Vittoria, v8 by George Meredith

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This etext was produced by David Widger


By Geoerge Meredith





Weisspriess and Wilfrid made their way toward Milan together, silently
smoking, after one attempt at conversation, which touched on Vittoria's
marriage; but when they reached Monza the officer slapped his degraded
brother in arms upon the shoulder, and asked him whether he had any
inclination to crave permission to serve in Hungary. For his own part,
Weisspriess said that he should quit Italy at once; he had here to skewer
the poor devils, one or two weekly, or to play the mightily generous; in
short, to do things unsoldierly; and he was desirous of getting away from
the country. General Schoneck was at Monza, and might arrange the matter
for them both. Promotion was to be looked for in Hungary; the
application would please the General; one battle would restore the
lieutenant's star to Wilfrid's collar. Wilfrid, who had been offended
by his companion's previous brooding silence, nodded briefly, and they
stopped at Monza, where they saw General Schoneck in the morning, and
Wilfrid being by extraordinary favour in civilian's dress during his
leave of absence, they were jointly invited to the General's table at
noon, though not to meet any other officer. General Schoneck agreed with
Weisspriess that Hungary would be a better field for Wilfrid; said he
would do his utmost to serve them in the manner they wished, and
dismissed them after the second cigar. They strolled about the city,
glad for reasons of their own to be out of Milan as long as the leave
permitted. At night, when they were passing a palace in one of the dark
streets, a feather, accompanied by a sharp sibilation from above, dropped
on Wilfrid's face. Weisspriess held the feather up, and judged by its
length that it was an eagle's, and therefore belonging to the Hungarian
Hussar regiment stationed in Milan. "The bird's aloft," he remarked.
His voice aroused a noise of feet that was instantly still. He sent a
glance at the doorways, where he thought he discerned men. Fetching a
whistle in with his breath, he unsheathed his sword, and seeing that
Wilfrid had no weapon, he pushed him to a gate of the palace-court that
had just cautiously turned a hinge. Wilfrid found his hand taken by a
woman's hand inside. The gate closed behind him. He was led up to an
apartment where, by the light of a darkly-veiled lamp, he beheld a young
Hungarian officer and a lady clinging to his neck, praying him not to go
forth. Her Italian speech revealed how matters stood in this house. The
officer accosted Wilfrid: "But you are not one of us!" He repeated it to
the lady: "You see, the man is not one of us!"

She assured him that she had seen the uniform when she dropped the
feather, and wept protesting it.

"Louis, Louis! why did you come to-night! why did I make you come! You
will be slain. I had my warning, but I was mad."

The officer hushed her with a quick squeeze of her inter-twisted fingers.

"Are you the man to take a sword and be at my back, sir?" he said; and
resumed in a manner less contemptuous toward the civil costume:
"I request it for the sole purpose of quieting this lady's fears."

Wilfrid explained who and what he was. On hearing that he was General
Pierson's nephew the officer laughed cheerfully, and lifted the veil from
the lamp, by which Wilfrid knew him to be Colonel Prince Radocky, a most
gallant and the handsomest cavalier in the Imperial service. Radocky
laughed again when he was told of Weisspriess keeping guard below.

"Aha! we are three, and can fight like a pyramid."

He flourished his hand above the lady's head, and called for a sword.
The lady affected to search for one while he stalked up and down in the
jaunty fashion of a Magyar horseman; but the sword was not to be
discovered without his assistance, and he was led away in search of it.
The moment he was alone Wilfrid burst into tears. He could bear anything
better than the sight of fondling lovers. When they rejoined him,
Radocky had evidently yielded some point; he stammered and worked his
underlip on his moustache. The lady undertook to speak for him. Happily
for her, she said, Wilfrid would not compromise her; and taking her
lover's hand, she added with Italian mixture of wit and grace:
"Happily for me, too, he does. The house is surrounded by enemies; it is
a reign of terror for women. I am dead, if they slay him; but if they
recognize him, I am lost."

Wilfrid readily leaped to her conclusion. He offered his opera-hat and
civil mantle to Radocky, who departed in them, leaving his military cloak
in exchange. During breathless seconds the lady hung kneeling at the
window. When the gate opened there was a noise as of feet preparing to
rush; Weisspriess uttered an astonished cry, but addressed Radocky as "my
Pierson!" lustily and frequently; and was heard putting a number of
meaningless questions, laughing and rallying Pierson till the two passed
out of hearing unmolested. The lady then kissed a Cross passionately,
and shivered Wilfrid's manhood by asking him whether he knew what love
was. She went on:

"Never, never love a married woman! It's a past practice. Never!
Thrust a spike in the palm of your hands drink scalding oil, rather than
do that."

"The Prince Radocky is now safe," Wilfrid said.

"Yes, he is safe; and he is there, and I am here: and I cannot follow
him; and when will he come to me?"

The tones were lamentable. She struck her forehead, after she had mutely
thrust her hand to right and left to show the space separating her from
her lover.

Her voice changed when she accepted Wilfrid's adieux, to whose fate in
the deadly street she appeared quite indifferent, though she gave him one
or two prudent directions, and expressed a hope that she might be of
service to him.

He was set upon as soon as he emerged from the gateway; the cavalry cloak
was torn from his back, and but for the chance circumstance of his
swearing in English, he would have come to harm. A chill went through
his blood on hearing one of his assailants speak the name of Barto Rizzo.
The English oath stopped an arm that flashed a dagger half its length.
Wilfrid obeyed a command to declare his name, his country, and his rank.
It's not the prince! it's not the Hungarian!" went many whispers; and he
was drawn away by a man who requested him to deliver his reasons for
entering the palace, and who appeared satisfied by Wilfrid's ready
mixture of invention and fact. But the cloak! Wilfrid stated boldly
that the cloak was taken by him from the Duchess of Graatli's at Como;
that he had seen a tall Hussar officer slip it off his shoulders; that he
had wanted a cloak, and had appropriated it. He had entered the gate of
the palace because of a woman's hand that plucked at the skirts of this
very cloak.

"I saw you enter," said the man; "do that no more. We will not have the
blood of Italy contaminated--do you hear? While that half-Austrian
Medole is tip-toeing 'twixt Milan and Turin, we watch over his honour,
to set an example to our women and your officers. You have outwitted us
to-night. Off with you!"

Wilfrid was twirled and pushed through the crowd till he got free of
them. He understood very well that they were magnanimous rascals who
could let an accomplice go, though they would have driven steel into the

Nothing came of this adventure for some time. Wilfrid's reflections
(apart from the horrible hard truth of Vittoria's marriage, against which
he dashed his heart perpetually, almost asking for anguish) had leisure
to examine the singularity of his feeling a commencement of pride in the
clasping of his musket;--he who on the first day of his degradation had
planned schemes to stick the bayonet-point between his breast-bones: he
thought as well of the queer woman's way in Countess Medole's adjuration
to him that he should never love a married woman;--in her speaking, as it
seemed, on his behalf, when it was but an outcry of her own acute wound.
Did he love a married woman? He wanted to see one married woman for the
last time; to throw a frightful look on her; to be sublime in scorn of
her; perhaps to love her all the better for the cruel pain, in the
expectation of being consoled. While doing duty as a military machine,
these were the pictures in his mind; and so well did his routine drudgery
enable him to bear them, that when he heard from General Schoneck that
the term of his degradation was to continue in Italy, and from his sister
that General Pierson refused to speak of him or hear of him until he had
regained his gold shoulder-strap, he revolted her with an ejaculation of
gladness, and swore brutally that he desired to have no advancement;
nothing but sleep and drill; and, he added conscientiously, Havannah
cigars. "He has grown to be like a common soldier," Adela said to
herself with an amazed contemplation of the family tie. Still, she
worked on his behalf, having, as every woman has, too strong an instinct
as to what is natural to us to believe completely in any eccentric
assertion. She carried the tale of his grief and trials and his romantic
devotion to the Imperial flag, daily to Countess Lena; persisting, though
she could not win a responsive look from Lena's face.

One day on the review-ground, Wilfrid beheld Prince Radocky bending from
his saddle in conversation with Weisspriess. The prince galloped up to
General Pierson, and stretched his hand to where Wilfrid was posted as
marker to a wheeling column, kept the hand stretched out, and spoke
furiously, and followed the General till he was ordered to head his
regiment. Wilfrid began to hug his musket less desperately. Little
presents--feminine he knew by the perfumes floating round them,--gloves
and cigars, fine handkerchiefs, and silks for wear, came to his barracks.
He pretended to accuse his sister of sending them. She in honest delight
accused Lena. Lena then accused herself of not having done so.

It was winter: Vittoria had been seen in Milan. Both Lena and Wilfrid
spontaneously guessed her to be the guilty one. He made a funeral pyre
of the gifts and gave his sister the ashes, supposing that she had
guessed with the same spirited intuition. It suited Adela to relate this
lover's performance to Lena. "He did well!" Lena said, and kissed Adela
for the first time. Adela was the bearer of friendly messages to the
poor private in the ranks. From her and from little Jenna, Wilfrid heard
that he was unforgotten by Countess Lena, and new hopes mingled with
gratitude caused him to regard his situation seriously. He confessed to
his sister that the filthy fellows, his comrades, were all but too much
for him, and asked her to kiss him, that he might feel he was not one of
them. But he would not send a message in reply to Lena. "That is also
well!" Lena said. Her brother Karl was a favourite with General
Pierson. She proposed that Adela and herself should go to Count Karl,
and urge him to use his influence with the General. This, however, Adela
was disinclined to do; she could not apparently say why. When Lena went
to him, she was astonished to hear that he knew every stage of her
advance up to the point of pardoning her erratic lover; and even knew as
much as that Wilfrid's dejected countenance on the night when Vittoria's
marriage was published in the saloon of the duchess on Lake Como, had
given her fresh offence. He told her that many powerful advocates were
doing their best for the down-fallen officer, who, if he were shot, or
killed, would still be gazetted an officer. "A nice comfort!" said
Lena, and there was a rallying exchange of banter between them, out of
which she drew the curious discovery that Karl had one of his strong
admirations for the English lady. "Surely!" she said to herself;
"I thought they were all so cold." And cold enough the English lady
seemed when Lena led to the theme. "Do I admire your brother, Countess
Lena? Oh! yes;--in his uniform exceedingly."

Milan was now full. Wilfrid had heard from Adela that Count Ammiani and
his bride were in the city and were strictly watched. Why did not
conspirators like these two take advantage of the amnesty? Why were they
not in Rome? Their Chief was in Rome; their friends were in Rome. Why
were they here? A report, coming from Countess d'Isorella, said that
they had quarrelled with their friends, and were living for love alone.
As she visited the Lenkensteins--high Austrians--some believed her; and
as Count Ammiani and his bride had visited the Duchess of Graatli, it was
thought possible. Adela had refused to see Vittoria; she did not even
know the house where Count Ammiani dwelt; so Wilfrid was reduced to find
it for himself. Every hour when off duty the miserable sentimentalist
wandered in that direction, nursing the pangs of a delicious tragedy of
emotions; he was like a drunkard going to his draught. As soon as he had
reached the head of the Corso, he wheeled and marched away from it with a
lofty head, internally grinning at his abject folly, and marvelling at
the stiff figure of an Austrian common soldier which flashed by the
windows as he passed. He who can unite prudence and madness, sagacity
and stupidity, is the true buffoon; nor, vindictive as were his
sensations, was Wilfrid unaware of the contrast of Vittoria's soul to his
own, that was now made up of antics. He could not endure the tones of
cathedral music; but he had at times to kneel and listen to it, and be

On a night in the month of February, a servant out of livery addressed
him at the barrack-gates, requesting him to go at once to a certain
hotel, where his sister was staying. He went, and found there, not his
sister, but Countess Medole. She smiled at his confusion. Both she and
the prince, she said, had spared no effort to get him reinstated in his
rank; but his uncle continually opposed the endeavours of all his friends
to serve him. This interview was dictated by the prince's wish,
so that he might know them to be a not ungrateful couple. Wilfrid's
embarrassment in standing before a lady in private soldier's uniform,
enabled him with very peculiar dignity to declare that his present
degradation, from the General's point of view, was a just punishment, and
he did not crave to have it abated. She remarked that it must end soon.
He made a dim allusion to the littleness of humanity. She laughed.
"It's the language of an unfortunate lover," she said, and straightway,
in some undistinguished sentence, brought the name of Countess Alessandra
Ammiani tingling to his ears. She feared that she could not be of
service to him there; "at least, not just yet," the lady astonished him
by remarking. "I might help you to see her. If you take my advice you
will wait patiently. You know us well enough to understand what patience
will do. She is supposed to have married for love. Whether she did or
not, you must allow a young married woman two years' grace."

The effect of speech like this, and more in a similar strain of frank
corruptness, was to cleanse Wilfrid's mind, and nerve his heart, and he
denied that he had any desire to meet the Countess Ammiani, unless he
could perform a service that would be agreeable to her.

The lady shrugged. "Well, that is one way. She has enemies, of course."

Wilfrid begged for their names.

"Who are they not?" she replied. "Chiefly women, it is true."

He begged most earnestly for their names; he would have pleaded
eloquently, but dreaded that the intonation of one in his low garb might
be taken for a whine; yet he ventured to say that if the countess did
imagine herself indebted to him in a small degree, the mention of two or
three of the names of Countess Alessandra Ammiani's enemies would satisfy

"Countess Lena von Lenkenstein, Countess Violetta d'Isorella, signorina
Irma di Karski."

She spoke the names out like a sum that she was paying down in gold
pieces, and immediately rang the bell for her servant and carriage,
as if she had now acquitted her debt. Wilfrid bowed himself forth.
A resolution of the best kind, quite unconnected with his interests or
his love, urged him on straight to the house of the Lenkensteins, where
he sent up his name to Countess Lena. After a delay of many minutes,
Count Lenkenstein accompanied by General Pierson came down, both
evidently affecting not to see him. The General barely acknowledged his

"Hey! Kinsky!" the count turned in the doorway to address him by the
title of his regiment; "here; show me the house inhabited by the Countess
d'Isorella during the revolt."

Wilfrid followed them to the end of the street, pointing his finger to
the house, and saluted.

"An Englishman did me the favour--from pure eccentricity, of course--to
save my life on that exact spot, General," said the count. "Your
countrymen usually take the other side; therefore I mention it."

As Wilfrid was directing his steps to barracks (the little stir to his
pride superinduced by these remarks having demoralized him), Count
Lenkenstein shouted: "Are you off duty? "Wilfrid had nearly replied that
he was, but just mastered himself in time. "No, indeed!" said the
count, "when you have sent up your name to a lady." This time General
Pierson put two fingers formally to his cap, and smiled grimly at the
private's rigid figure of attention. If Wilfrid's form of pride had
consented to let him take delight in the fact, he would have seen at once
that prosperity was ready to shine on him. He nursed the vexations much
too tenderly to give prosperity a welcome; and even when along with Lena,
and convinced of her attachment, and glad of it, he persisted in driving
at the subject which had brought him to her house; so that the veil of
opening commonplaces, pleasant to a couple in their position, was plucked
aside. His business was to ask her why she was the enemy of Countess
Alessandra Ammiani, and to entreat her that she should not seek to harm
that lady. He put it in a set speech. Lena felt that it ought to have
come last, not in advance of their reconciliation. "I will answer you,"
she said. "I am not the Countess Alessandra Ammiani's enemy."

He asked her: "Could you be her friend?"

"Does a woman who has a husband want a friend?"

"I could reply, countess, in the case of a man who has a bride."

By dint of a sweet suggestion here and there, love-making crossed the
topic. It appeared that General Pierson had finally been attacked, on
the question of his resistance to every endeavour to restore Wilfrid to
his rank, by Count Lenkenstein, and had barely spoken the words--that if
Wilfrid came to Countess Lena of his own free-will, unprompted, to beg
her forgiveness, he would help to reinstate him, when Wilfrid's name was
brought up by the chasseur. All had laughed, "Even I," Lena confessed.
And then the couple had a pleasant petitish wrangle;--he was requested to
avow that he had came solely, or principally, to beg forgiveness of her,
who had such heaps to forgive. No; on his honour, he had come for the
purpose previously stated, and on the spur of his hearing that she was
Countess Alessandra Ammiani's deadly enemy. "Could you believe that I
was?" said Lena; "why should I be?" and he coloured like a lad, which
sign of an ingenuousness supposed to belong to her set, made Lena bold to
take the upper hand. She frankly accused herself of jealousy, though she
did not say of whom. She almost admitted that when the time for
reflection came, she should rejoice at his having sought her to plead for
his friend rather than for her forgiveness. In the end, but with a
drooping pause of her bright swift look at Wilfrid, she promised to
assist him in defeating any machinations against Vittoria's happiness,
and to keep him informed of Countess d'Isorella's movements. Wilfrid
noticed the withdrawing fire of the look. "By heaven! she doubts me
still," he ejaculated inwardly.

These half-comic little people have their place in the history of higher
natures and darker destinies. Wilfrid met Pericles, from whom he heard
that Vittoria, with her husband's consent, had pledged herself to sing
publicly. "It is for ze Lombard widows," Pericles apologized on her
behalf; "but, do you see, I onnly want a beginning. She thaerst for ze
stage; and it is, after marriage, a good sign. Oh! you shall hear, my
friend; marriage have done her no hurt--ze contrary! You shall hear
Hymen--Cupids--not a cold machine; it is an organ alaif! She has privily
sung to her Pericles, and ser, and if I wake not very late on Judgement.
Day, I shall zen hear--but why should I talk poetry to you, to make you
laugh? I have a divin' passion for zat woman. Do I not give her to a
husband, and say, Be happy! onnly sing! Be kissed! be hugged! onnly give
Pericles your voice. By Saint Alexandre! it is to say to ze heavens,
Move on your way, so long as you drop rain on us r--you smile--you look

Pericles accompanied him into a caffe, the picture of an enamoured happy
man. He waived aside contemptuously all mention of Vittoria's having
enemies. She had them when, as a virgin, she had no sense. As a woman,
she had none, for she now had sense. Had she not brought her husband to
be sensible, so that they moved together in Milanese society, instead of
stupidly fighting at Rome? so that what he could not take to himself--the
marvellous voice--he let bless the multitude! "She is the Beethoven of
singers," Pericles concluded. Wilfrid thought so on the night when she
sang to succour the Lombard widows. It was at a concert, richly
thronged; ostentatiously thronged with Austrian uniforms. He fancied
that he could not bear to look on her. He left the house thinking that
to hear her and see her and feel that she was one upon the earth, made
life less of a burden.

This evening was rendered remarkable by a man's calling out, "You are a
traitress!" while Vittoria stood before the seats. She became pale, and
her eyelids closed. No thinness was subsequently heard in her voice.
The man was caught as he strove to burst through the crowd at the
entrance-door, and proved to be a petty bookseller of Milan, by name
Sarpo, known as an orderly citizen. When taken he was inflamed with
liquor. Next day the man was handed from the civil to the military
authorities, he having confessed to the existence of a plot in the city.
Pericles came fuming to Wilfrid's quarters. Wilfrid gathered from him
that Sarpo's general confession had been retracted: it was too foolish to
snare the credulity of Austrian officials. Sarpo stated that he had
fabricated the story of a plot, in order to escape the persecutions of
a terrible man, and find safety in prison lodgings vender Government.
The short confinement for a civic offence was not his idea of safety;
he desired to be sheltered by Austrian soldiers and a fortress, and said
that his torments were insupportable while Barto Rizzo was at large.
This infamous Republican had latterly been living in his house, eating
his bread, and threatening death to him unless he obeyed every command.
Sarpo had undertaken his last mission for the purpose of supplying his
lack of resolution to release himself from his horrible servitude by any
other means; not from personal animosity toward the Countess Alessandra
Ammiani, known as la Vittoria. When seized, fear had urged him to
escape. Such was his second story. The points seemed irreconcilable
to those who were not in the habit of taking human nature into their
calculations of a possible course of conduct; even Wilfrid, though he was
aware that Barto Rizzo hated Vittoria inveterately, imagined Sarpo's
first lie to have necessarily fathered a second. But the second story
was true: and the something like lover's wrath with which the outrage to
Vittoria fired Pericles, prompted him to act on it as truth. He told
Wilfrid that he should summon Barto Rizzo to his presence. As the
Government was unable to exhibit so much power, Wilfrid looked sarcastic;
whereupon Pericles threw up his chin crying: "Oh! you shall know my
resources. Now, my friend, one bit of paper, and a messenger, and zen
home to my house, to Tokay and cigarettes, and wait to see." He remarked
after pencilling a few lines, "Countess d'Isorella is her enemy? hein!"

"Why, you wouldn't listen to me when I told you," said Wilfrid.

"No," Pericles replied while writing and humming over his pencil; "my ear
is a pelican-pouch, my friend; it--and Irma is her enemy also?--it takes
and keeps, but does not swallow till it wants. I shall hear you, and I
shall hear my Sandra Vittoria, and I shall not know you have spoken, when
by-and-by I tinkle, tinkle, a bell of my brain, and your word walks in,--
'quite well?'--'very well! '--sit down'--'if it is ze same to you, I
prefer to stand'--'good; zen I examine you.' My motto:--'Time opens ze
gates: my system: 'it is your doctor of regiment's system when your
twelve, fifteen, forty recruits strip to him:--'Ah! you, my man, have
varicose vein: no soldier in our regiment, you!' So on. Perhaps I am
not intelligible; but, hear zis. I speak not often of my money; but I
say--it is in your ear--a man of millions, he is a king!" The Greek
jumped up and folded a couple of notes. "I will not have her disturbed.
Let her sing now and awhile to Pericles and his public: and to ze
Londoners, wiz your permission, Count Ammiani, one saison. I ask no
more, and I am satisfied, and I endow your oldest child, signor Conte--it
is said! For its mama was a good girl, a brave girl; she troubled
Pericles, because he is an intellect; but he forgives when he sees
sincerity--rare zing! Sincerity and genius: it may be zey are as man and
wife in a bosom. He forgives; it is not onnly voice he craves, but a
soul, and Sandra, your countess, she has a soul--I am not a Turk. I say,
it is a woman in whom a girl I did see a soul! A woman when she is
married, she is part of ze man; but a soul, it is for ever alone, apart,
confounded wiz nobody! For it I followed Sandra, your countess. It was
a sublime devotion of a dog. Her voice tsrilled, her soul possessed me,
Your countess is my Sandra still. I shall be pleased if child-bearing
trouble her not more zan a very little; but, enfin! she is married, and
you and I, my friend Wilfrid, we must accept ze decree, and say, no harm
to her out of ze way of nature, by Saint Nicolas! or any what saint you
choose for your invocation. Come along. And speed my letters by one of
your militaires at once off. Are Pericles' millions gold of bad mint?
If so, he is an incapable. He presumes it is not so. Come along; we
will drink to her in essence of Tokay. You shall witness two scenes.

Wilfrid was barely to be roused from his fit of brooding into which
Pericles had thrown him. He sent the letters, and begged to be left to
sleep. The image of Vittoria seen through this man's mind was new, and
brought a new round of torments. "The devil take you," he cried when
Pericles plucked at his arm, "I've sent the letters; isn't that enough?"
He was bitterly jealous of the Greek's philosophic review of the
conditions of Vittoria's marriage; for when he had come away from the
concert, not a thought of her being a wife had clouded his resignation
to the fact. He went with Pericles, nevertheless, and was compelled to
acknowledge the kindling powers of the essence of Tokay. "Where do you
get this stuff?" he asked several times. Pericles chattered of England,
and Hagar's 'Addio,' and 'Camilla.' What cabinet operas would he not
give! What entertainments! Could an emperor offer such festivities to
his subjects? Was a Field Review equal to Vittoria's voice? He stung
Wilfrid's ears by insisting on the mellowed depth, the soft human warmth,
which marriage had lent to the voice. At a late hour his valet announced
Countess d'Isorella. "Did I not say so?" cried Pericles, and corrected
himself: "No, I did not say so; it was a surprise to you, my friend. You
shall see; you shall hear. Now you shall see what a friend Pericles can
be when a person satisfy him." He pushed Wilfrid into his dressing-room,
and immediately received the countess with an outburst of brutal
invectives--pulling her up and down the ranked regiment of her misdeeds,
as it were. She tried dignity, tried anger, she affected amazement, she
petitioned for the heads of his accusations, and, as nothing stopped him,
she turned to go. Pericles laughed when she had left the room. Irma di
Karski was announced the next minute, and Countess d'Isorella re-appeared
beside her. Irma had a similar greeting. "I am lost," she exclaimed.
"Yes, you are lost," said Pericles; "a word from me, and the back of the
public is humped at you--ha! contessa, you touched Mdlle. Irma's hand?
She is to be on her guard, and never to think she is lost till down she
goes? You are a more experienced woman! I tell you I will have no
nonsense. I am Countess Alessandra Ammiani's friend. You two, you
women, are her enemies. I will ruin you both. You would prevent her
singing in public places--you, Countess d'Isorella, because you do not
forgive her marriage to Count Ammiani; you, Irma, to spite her for her
voice. You would hiss her out of hearing, you two miserable creatures.
Not another soldo for you! Not one! and to-morrow, countess, I will see
my lawyer. Irma, begone, and shriek to your wardrobe!"

"Countess d'Isorella, I have the extreme honour."

Wilfrid marvelled to hear this titled and lovely woman speaking almost
in tones of humility in reply to such outrageous insolence. She craved
a private interview. Irma was temporarily expelled, and then Violetta
stooped to ask what the Greek's reason for his behaviour could be. She
admitted that it was in his power to ruin her, as far as money went.
"Perhaps a little farther," said Pericles; "say two steps. If one is on
a precipice, two steps count for something." But, what had she done?
Pericles refused to declare it. This set her guessing with a charming
naivete. Pericles called Irma back to assist her in the task, and
quitted them that they might consult together and hit upon the right
thing. His object was to send his valet for Luigi Saracco. He had seen
that no truth could be extracted from these women, save forcibly.
Unaware that he had gone out, Wilfrid listened long enough to hear Irma
say, between sobs: "Oh! I shall throw myself upon his mercy. Oh,
Countess d'Isorella, why did you lead me to think of vengeance! I am
lost! He knows everything. Oh, what is it to me whether she lives with
her husband! Let them go on plotting. I am not the Government. I am
sure I don't much dislike her. Yes, I hate her, but why should I hurt
myself? She will wear those jewels on her forehead; she will wear that
necklace with the big amethysts, and pretend she's humble because she
doesn't carry earrings, when her ears have never been pierced! I am
lost! Yes, you may say, lookup! I am only a poor singer, and he can
ruin me. Oh! Countess d'Isorella, oh! what a fearful punishment. If
Countess Anna should betray Count Ammiani to-night, nothing, nothing,
will save me. I will confess. Let us both be beforehand with her--or
you, it does not matter for a noble lady."

"Hush!" said Violetta. "What dreadful fool is this I sit with? You may
have done what you think of doing already."

She walked to the staircase door, and to that of the suite. An
honourable sentiment, conjoined to the knowledge that he had heard
sufficient, induced Wilfrid to pass on into the sleeping apartment a
moment or so before Violetta took this precaution. The potent liquor of
Pericles had deprived him of consecutive ideas; he sat nursing a thunder
in his head, imagining it to be profound thought, till Pericles flung the
door open. Violetta and Irma had departed. "Behold! I have it; ze
address of your rogue Barto Rizzo," said Pericles, in the manner of one
whose triumph is absolutely due to his own shrewdness. "Are two women a
match for me? Now, my friend, you shall see. Barto Rizzo is too clever
for zis government, which cannot catch him. I catch him, and I teach him
he may touch politics--it is not for him to touch Art. What! to hound
men to interrupt her while she sings in public places? What next! But
I knew my Countess d'Isorella could help me, and so I sent for her to
confront Irma, and dare to say she knew not Barto's dwelling--and why?
I will tell you a secret. A long-flattered woman, my friend, she has
had, you will think, enough of it; no! she is like avarice. If it is
worship of swine, she cannot refuse it. Barto Rizzo worships her; so it
is a deduction--she knows his abode--I act upon that, and I arrive at my
end. I now send him to ze devil."

Barto Rizzo, after having evaded the polizia of the city during a three
months' steady chase, was effectually captured on the doorstep of
Vittoria's house in the Corso Francesco, by gendarmes whom Pericles had
set on his track. A day later Vittoria was stabbed at about the same
hour, on the same spot. A woman dealt the blow. Vittoria was returning
from an afternoon drive with Laura Piaveni and the children. She saw a
woman seated on the steps as beggarwomen sit, face in lap. Anxious to
shield her from the lacquey, she sent the two little ones up to her with
small bits of money. But, as the woman would not lift her head, she and
Laura prepared to pass her, Laura coming last. The blow, like all such
unexpected incidents, had the effect of lightning on those present; the
woman might have escaped, but after she had struck she sat down impassive
as a cat by the hearth, with a round-eyed stare.

The news that Vittoria had been assassinated traversed the city. Carlo
was in Turin, Merthyr in Rome. Pericles was one of the first who reached
the house; he was coming out when Wilfrid and the Duchess of Graatli
drove up; and he accused the Countess d'Isorella flatly of having
instigated the murder. He was frantic. They supposed that she must have
succumbed to the wound. The duchess sent for Laura. There was a press
of carriages and soft-humming people in the street; many women and men
sobbing. Wilfrid had to wait an hour for the duchess, who brought
comfort when she came. Her first words were reassuring. "Ah!" she
said, "did I not do well to make you drive here with me instead of with
Lena? Those eyes of yours would be unpardonable to her. Yes, indeed;
though a corpse were lying in this house; but Countess Alessandra is
safe. I have seen her. I have held her hand."

Wilfrid kissed the duchess's hand passionately.

What she had said of Lena was true: Lena could only be generous upon the
after-thought; and when the duchess drove Wilfrid back to her, he had to
submit to hear scorn: and indignation against all Italians, who were
denounced as cut-throats, and worse and worse and worse, males and
females alike. This way grounded on her sympathy for Vittoria. But
Wilfrid now felt toward the Italians through his remembrance of that
devoted soul's love of them, and with one direct look he bade his
betrothed good-bye, and they parted.

It was in the early days of March that Merthyr, then among the
Republicans of Rome, heard from Laura Piaveni. Two letters reached him,
one telling of the attempted assassination, and a second explaining
circumstances connected with it. The first summoned him to Milan; the
other left it to his option to make the journey. He started, carrying
kind messages from the Chief to Vittoria, and from Luciano Ramara the
offer of a renewal of old friendship to Count Ammiani. His political
object was to persuade the Lombard youth to turn their whole strength
upon Rome. The desire of his heart was again to see her, who had been so
nearly lost to all eyes for ever.

Laura's first letter stated brief facts. "She was stabbed this
afternoon, at half-past two, on the steps of her house, by a woman called
the wife of Barto Rizzo. She caught her hands up under her throat when
she saw the dagger. Her right arm was penetrated just above the wrist,
and half-an-inch in the left breast, close to the centre bone. She
behaved firmly. The assassin only struck once. No visible danger; but
you should come, if you have no serious work."

"Happily," ran the subsequent letter, of two days' later date, "the
assassin was a woman, and one effort exhausts a woman; she struck only
once, and became idiotic. Sandra has no fever. She had her wits ready
--where were mine?--when she received the wound. While I had her in my
arms, she gave orders that the woman should be driven out of the city in
her carriage. The Greek, her mad musical adorer, accuses Countess
d'Isorella. Carlo has seen this person--returns convinced of her
innocence. That is not an accepted proof; but we have one. It seems
that Rizzo (Sandra was secret about it and about one or two other things)
sent to her commanding her to appoint an hour detestable style! I can
see it now; I fear these conspiracies no longer:--she did appoint an
hour; and was awaiting him when the gendarmes sprang on the man at her

"He had evaded them several weeks, so we are to fancy that his wife
charged Countess Alessandra with the betrayal. This appears a reasonable
and simple way of accounting for the deed. So I only partly give credit
to it. But it may be true.

"The wound has not produced a shock to her system--very, very
fortunately. On the whole, a better thing could not have happened.
Should I be more explicit? Yes, to you; for you are not of those who see
too much in what is barely said. The wound, then, my dear good friend,
has healed another wound, of which I knew nothing. Bergamasc and
Brescian friends of her husband's, have imagined that she interrupted or
diverted his studies. He also discovered that she had an opinion of her
own, and sometimes he consulted it; but alas! they are lovers, and he
knew not when love listened, or she when love spoke; and there was grave
business to be done meanwhile. Can you kindly allow that the case was
open to a little confusion? I know that you will. He had to hear many
violent reproaches from his fellow-students. These have ceased. I send
this letter on the chance of the first being lost on the road; and it
will supplement the first pleasantly to you in any event. She lies here
in the room where I write, propped on high pillows, the right arm bound
up, and says: 'Tell Merthyr I prayed to be in Rome with my husband, and
him, and the Chief. Tell him I love my friend. Tell him I think he
deserves to be in Rome. Tell him--' Enter Countess Ammiani to reprove
her for endangering the hopes of the house by fatiguing herself. Sandra
sends a blush at me, and I smile, and the countess kisses her. I send
you a literal transcript of one short scene, so that you may feel at home
with us.

"There is a place called Venice, and there is a place called Rome, and
both places are pretty places and famous places; and there is a thing
called the fashion; and these pretty places and famous places set the
fashion: and there is a place called Milan, and a place called Bergamo,
and a place called Brescia, and they all want to follow the fashion, for
they are giddy-pated baggages. What is the fashion, mama? The fashion,
my dear, is &c. &c. &c.:--Extract of lecture to my little daughter,
Amalia, who says she forgets you; but Giacomo sends his manly love. Oh,
good God! should I have blood in my lips when I kissed him, if I knew
that he was old enough to go out with a sword in his hand a week hence?
I seem every day to be growing more and more all mother. This month in
front of us is full of thunder. Addio!"

When Merthyr stood in sight of Milan an army was issuing from the gates.



Merthyr saw Laura first. He thought that Vittoria must be lying on her
couch: but Laura simply figured her arm in a sling, and signified, more
than said, that Vittoria was well and taking the air. She then begged
hungrily for news of Rome, and again of Rome, and sat with her hands
clasped in her lap to listen. She mentioned Venice in a short breath of
praise, as if her spirit could not repose there. Rome, its hospitals,
its municipal arrangements, the names of the triumvirs, the prospects of
the city, the edicts, the aspects of the streets, the popularity of the
Government, the number of volunteers ranked under the magical Republic--
of these things Merthyr talked, at her continual instigation, till,
stopping abruptly, he asked her if she wished to divert him from any
painful subject. "No, no!" she cried, "it's only that I want to feel an
anchor. We are all adrift. Sandra is in perfect health. Our bodies,
dear Merthyr, are enjoying the perfection of comfort. Nothing is done
here except to keep us from boiling over."

"Why does not Count Ammiani come to Rome?" said Merthyr.

"Why are we not all in Rome? Yes, why! why! We should make a carnival
of our own if we were."

"She would have escaped that horrible knife," Merthyr sighed.

"Yes, she would have escaped that horrible knife. But see the difference
between Milan and Rome, my friend! It was a blessed knife here. It has
given her husband back to her; it has destroyed the intrigues against
her. It seems to have been sent--I was kneeling in the cathedral this
morning, and had the very image crossing my eyes--from the saints of
heaven to cut the black knot. Perhaps it may be the means of sending us
to Rome."

Laura paused, and, looking at him, said, "It is so utterly impossible for
us women to comprehend love without folly in a man; the trait by which we
recognize it! Merthyr, you dear Englishman, you shall know everything.
Do we not think a tisane a weak washy drink, when we are strong? But we
learn, when we lie with our chins up, and our ten toes like stopped
organ-pipes--as Sandra says--we learn then that it means fresh health and
activity, and is better than rivers of your fiery wines. You love her,
do you not?"

The question came with great simplicity.

"If I can give a proof of it, I am ready to answer," said Merthyr, in
some surprise.

"Your whole life is the proof of it. The women of your country are
intolerable to me, Merthyr: but I do see the worth of the men. Sandra
has taught me. She can think of you, talk of you, kiss the vision of
you, and still be a faithful woman in our bondage of flesh; and to us you
know what a bondage it is: How can that be? I should have asked, if I
had not seen it. Dearest, she loves her husband, and she loves you. She
has two husbands, and she turns to the husband of her spirit when that,
or any, dagger strikes her bosom. Carlo has an unripe mind. They have
been married but a little more than four months; and he reveres her and
loves her." . . . . Laura's voice dragged. "Multiply the months by
thousands, we shall not make those two lives one. It is the curse of
man's education in Italy? He can see that she has wits and courage. He
will not consent to make use of them. You know her: she is not one to
talk of these things. She, who has both heart and judgement--she is
merely a little boat tied to a big ship. Such is their marriage. She
cannot influence him. She is not allowed to advise him. And she is the
one who should lead the way. And--if she did, we should now be within
sight of the City."

Laura took his hand. She found it moist, though his face was calm and
his chest heaved regularly. An impish form of the pity women feel for us
at times moved her to say, "Your skin is as bronzed as it was last year.
Sandra spoke of it. She compared it to a young vine-leaf. I wonder
whether girls have really an admonition of what is good for them while
they are going their ways like destined machines?"

"Almost all men are of flesh and blood," said Merthyr softly.

"I spoke of girls."

"I speak of men."

"Blunt--witted that I am! Of course you did. But do not imagine that
she is not happy with her husband. They are united firmly."

"The better for her, and him, and me," said Merthyr.

Laura twisted an end of her scarf with fretful fingers. "Carlo Albert
has crossed the Ticino?"

"Is about to do so," Merthyr rejoined.

"Will Rome hold on if he is defeated?"

"Rome has nothing to fear on that side."

"But you do not speak hopefully of Rome."

"I suppose I am thinking of other matters."

"You confess it!"

The random conversation wearied him. His foot tapped the floor.

"Why do you say that?" he asked.

"Verily, for no other reason than that I have a wicked curiosity, and
that you come from Rome," said Laura, now perfectly frank, and believing
that she had explained her enigmatical talk, if she had not furnished
an excuse for it. Merthyr came from the City which was now encircled
by an irradiating halo in her imagination, and a fit of spontaneous
inexplicable feminine tenderness being upon her at the moment of their
meeting, she found herself on a sudden prompted to touch and probe and
brood voluptuously over an unfortunate lover's feelings, supposing that
they existed. For the glory of Rome was on him, and she was at the same
time angry with Carlo Ammiani. It was the form of passion her dedicated
widowhood could still be subject to in its youth; the sole one. By this
chance Merthyr learnt what nothing else would have told him.

Her tale of the attempted assassination was related with palpable
indifference. She stated the facts. "The woman seemed to gasp while she
had her hand up; she struck with no force; and she has since been
inanimate, I hear. The doctor says that a spasm of the heart seized her
when she was about to strike. It has been shaken--I am not sure that he
does not say displaced, or unseated--by some one of her black tempers.
She shot Rinaldo Guidascarpi dead. Perhaps it was that. I am informed
that she worshipped the poor boy, and has been like a trapped she-wolf
since she did it. In some way she associated our darling with Rinaldo's
death, like the brute she is. The ostensible ground for her futile bit
of devilishness was that she fancied Sandra to have betrayed Barto Rizzo,
her husband, into the hands of the polizia. He wrote to the Countess
Alessandra--such a letter!--a curiosity!--he must see her and cross-
examine her to satisfy himself that she was a true patriot, &c. You know
the style: we neither of us like it. Sandra was waiting to receive him
when they pounced on him by the door. Next day the woman struck at her.
Decidedly a handsome woman. She is the exact contrast to the Countess
Violetta in face, in everything. Heart-disease will certainly never
affect that pretty spy! But, mark," pursued Laura, warming, "when Carlo
arrived, tears, penitence, heaps of self-accusations: he had been unkind
to her even on Lake Orta, where they passed their golden month; he had
neglected her at Turin; he had spoken angry words in Milan; in fact, he
had misused his treasure, and begged pardon;--'If you please, my poor
bleeding angel, I am sorry. But do not, I entreat, distract me with
petitions of any sort, though I will perform anything earthly to satisfy
you. Be a good little boat in the wake of the big ship. I will look
over at you, and chirrup now and then to you, my dearest, when I am not
engaged in piloting extraordinary.'--Very well; I do not mean to sneer at
the unhappy boy, Merthyr; I love him; he was my husband's brother in
arms; the sweetest lad ever seen. He is in the season of faults. He
must command; he must be a chief; he fancies he can intrigue poor thing!
It will pass. And so will the hour to be forward to Rome. But I call
your attention to this: when he heard of the dagger--I have it from
Colonel Corte, who was with him at the time in Turin--he cried out
Violetta d'Isorella's name. Why? After he had buried his head an hour
on Sandra's pillow, he went straight to Countess d'Isorella, and was
absent till night. The woman is hideous to me. No; don't conceive that
I think her Sandra's rival. She is too jealous. She has him in some
web. If she has not ruined him, she will. She was under my eyes the
night she heard of his marriage: I saw how she will look at seventy!
Here is Carlo at the head of a plot she has prepared for him; and he has
Angelo Guidascarpi, and Ugo Corte, Marco Sana, Giulio Bandinelli, and
about fifty others. They have all been kept away from Rome by that
detestable ----- you object to hear bad names cast on women, Merthyr.
Hear Agostino! The poor old man comes daily to this house to persuade
Carlo to lead his band to Rome. It is so clearly Rome--Rome, where all
his comrades are; where the chief stand must be made by the side of
Italy's Chief. Worst sign of all, it has been hinted semi-officially to
Carlo that he may upon application be permitted to re-issue his journal.
Does not that show that the Government wishes to blindfold him, and keep
him here, and knows his plans?"

Laura started up as the door opened, and Vittoria appeared leaning upon
Carlo's arm. Countess Ammiani, Countess d'Isorella, and Pericles were
behind them. Laura's children followed.

When Merthyr rose, Vittoria was smiling in Carlo's face at something that
had been spoken. She was pale, and her arm was in a sling, but there was
no appearance of her being unnerved. Merthyr waited for her recognition
of him. She turned her eyes from Carlo slowly. The soft dull smile in
them died out as it were with a throb, and then her head drooped on one
shoulder, and she sank to the floor.



Merthyr left the house at Laura's whispered suggestion. He was agitated
beyond control, for Vittoria had fallen with her eyes fixed on him; and
at times the picture of his beloved, her husband, and Countess Ammiani,
and the children bending over her still body, swam before him like a dark
altar-piece floating in incense, so lost was he to the reality of that
scene. He did not hear Beppo, his old servant, at his heels. After a
while he walked calmly, and Beppo came up beside him. Merthyr shook his

"Ah, signor Mertyrio! ah, padrone!" said Beppo.

Merthyr directed his observation to a regiment of Austrians marching down
the Corso Venezia to the Ticinese gate.

"Yes, they are ready enough for us," Beppo remarked. "Perhaps Carlo
Alberto will beat them this time. If he does, viva to him! If they beat
him, down goes another Venetian pyramid. The Countess Alessandra--"
Beppo's speech failed.

"What of your mistress?" said Merthyr.

"When she dies, my dear master, there's no one for me but the Madonna to

"Why should she die, silly fellow?"

"Because she never cries."

Merthyr was on the point of saying, "Why should she cry?" His heart was
too full, and he shrank from inquisitive shadows of the thing known to

"Sit down at this caffe with me," he said. It's fine weather for March.
The troops will camp comfortably. Those Hungarians never require tents.
Did you see much sacking of villages last year?"

"Padrone, the Imperial command is always to spare the villages."

"That's humane."

"Padrone, yes; if policy is humanity."

"It's humanity not carried quite as far as we should wish it."

Beppo shrugged and said: "It won't leave much upon the conscience if we
kill them."

"Do you expect a rising?" said Merthyr.

"If the Ticino overflows, it will flood Milan," was the answer.

"And your occupation now is to watch the height of the water?"

"My occupation, padrone? I am not on the watch-tower." Beppo winked,
adding: "I have my occupation." He threw off the effort or pretence to
be discreet. "Master of my soul! this is my occupation. I drink coffee,
but I do not smoke, because I have to kiss a pretty girl, who means to
object to the smell of the smoke. Via! I know her! At five she draws me
into the house."

"Are you relating your amours to me, rascal?" Merthyr interposed.

"Padrone, at five precisely she draws me into the house. She is a German
girl. Pardon me if I make no war on women. Her name is Aennchen, which
one is able to say if one grimaces;--why not? It makes her laugh; and
German girls are amiable when one can make them laugh. 'Tis so that they
begin to melt. Behold the difference of races! I must kiss her to melt
her, and then have a quarrel. I could have it after the first, or the
fiftieth with an Italian girl; but my task will be excessively difficult
with a German girl, if I am compelled to allow myself to favour her with
one happy solicitation for a kiss, to commence with. We shall see. It
is, as my abstention from tobacco declares, an anticipated catastrophe."

"Long-worded, long-winded, obscure, affirmatizing by negatives,
confessing by implication!--where's the beginning and end of you, and
what's your meaning?" said Merthyr, who talked to him as one may talk to
an Italian servant.

"The contessa, my mistress, has enemies. Padrone, I devote myself to her

"By making love to a lady's maid?"

"Padrone, a rat is not born to find his way up the grand staircase. She
has enemies. One of them was the sublime Barto Rizzo--admirable--though
I must hate him. He said to his wife: 'If a thing happens to me, stab to
the heart the Countess Alessandra Ammiani.'"

"Inform me how you know that?" said Merthyr.

Beppo pointed to his head, and Merthyr smiled. To imagine, invent, and
believe, were spontaneous with Beppo when has practical sagacity was not
on the stretch. He glanced at the caffe clock.

"Padrone, at eleven to-night shall I see you here? At eleven I shall
come like a charged cannon. I have business. I have seen my mistress's
blood! I will tell you: this German girl lets me know that some one
detests my mistress. Who? I am off to discover. But who is the damned
creature? I must coo and kiss, while my toes are dancing on hot plates,
to find her out. Who is she? If she were half Milan . . ."

His hands waved in outline the remainder of the speech, and he rose, but
sat again. He had caught sight of the spy, Luigi Saracco, addressing the
signor Antonio-Pericles in his carriage. Pericles drove on. The horses
presently turned, and he saluted Merthyr.

"She has but one friend in Milan: it is myself," was his introductory
remark. "My poor child! my dear Powys, she is the best--'I cannot sing
to you to-day, dear Pericles'--she said that after she had opened her
eyes; after the first mist, you know. She is the best child upon earth.
I could wish she were a devil, my Powys. Such a voice should be in an
iron body. But she has immense health. The doctor, who is also mine,
feels her pulse. He assures me it goes as Time himself, and Time, my
friend, you know, has the intention of going a great way. She is good:
she is too good. She makes a baby of Pericles, to whom what is woman?
Have I not the sex in my pocket? Her husband, he is a fool, ser."
Pericles broke thundering into a sentence of English, fell in love with
it, and resumed in the same tongue: "I--it is I zat am her guard, her
safety. Her husband--oh! she must marry a young man, little donkey zat
she is! We accept it as a destiny, my Powys. And he plays false to her.
Good; I do not object. But, imagine in your own mind, my Powys--instead
of passion, of rage, of tempest, she is frozen wiz a repose. Do you,
hein? sink it will come out,"--Pericles eyed Merthyr with a subtle smile
askew,--"I have sot so;--it will come out when she is one day in a
terrible scene . . . Mon Dieu! it was a terrible scene for me when I
looked on ze clout zat washed ze blood of ze terrible assassination. So
goes out a voice, possibly! Divine, you say? We are a machine. Now,
you behold, she has faints. It may happen at my concert where she sings
to-morrow night. You saw me in my carriage speaking to a man. He is my
spy--my dog wiz a nose. I have set him upon a woman. If zat woman has a
plot for to-morrow night to spoil my concert, she shall not know where
she shall wake to-morrow morning after. Ha! here is military music--
twenty sossand doors jam on horrid hinge; and right, left, right, left,
to it, confound! like dolls all wiz one face. Look at your soldiers,
Powys. Put zem on a stage, and you see all background people--a bawling
chorus. It shows to you how superior it is--a stage to life! Hark to
such music! I cannot stand it; I am driven away; I am violent; I rage."

Pericles howled the name of his place of residence, with an offer of
lodgings in it, and was carried off writhing his body as he passed a fine
military marching band.

The figure of old Agostino Balderini stood in front of Merthyr.
They exchanged greetings. At the mention of Rome, Agostino frowned
impatiently. He spoke of Vittoria in two or three short exclamations,
and was about to speak of Carlo, but checked his tongue. "Judge for
yourself. Come, and see, and approve, if you can. Will you come?
There's a meeting; there's to be a resolution. Question--Shall we second
the King of Sardinia, Piedmont, and Savoy? If so, let us set this
pumpkin, called Milan, on its legs. I shall be an attentive listener
like you, my friend. I speak no more."

Merthyr went with him to the house of a carpenter, where in one of the
uppermost chambers communicating with the roof, Ugo Corte, Marco Sana,
Giulio Bandinelli, and others, sat waiting for the arrival of Carlo
Ammiani; when he came Carlo had to bear with the looks of mastiffs for
being late. He shook Merthyr's hand hurriedly, and as soon as the door
was fastened, began to speak. His first sentence brought a grunt of
derision from Ugo Corte. It declared that there was no hope of a rising
in Milan. Carlo swung round upon the Bergamasc. "Observe our leader,"
Agostino whispered to Merthyr; "it would be kindness to give him a duel."
More than one tumult of outcries had to be stilled before Merthyr
gathered any notion of the designs of the persons present. Bergamasc
sneered at Brescian, and both united in contempt of the Milanese, who,
having a burden on their minds, appealed at once to their individual
willingness to use the sword in vindication of Milan against its
traducers. By a great effort, Carlo got some self-mastery. He admitted,
colouring horribly, that Brescia and Bergamo were ready, and Milan was
not; therefore those noble cities (he read excerpts from letters showing
their readiness) were to take the lead, and thither on the morrow-night
he would go, let the tidings from the king's army be what they might.

Merthyr quitted the place rather impressed by his eloquence, but
unfavourably by his feverish look. Countess d'Isorella had been referred
to as one who served the cause ably and faithfully. In alluding to her,
Carlo bit his lip; he did not proceed until surrounding murmurs of
satisfaction encouraged him to continue a sort of formal eulogy of the
lady, which proved to be a defence against foregone charges, for Corte
retracted an accusation, and said that he had no fault to find with the
countess. A proposal to join the enterprise was put to Merthyr, but his
engagement with the Chief in Rome saved him from hearing much of the
marvellous facilities of the plot. "I should have wished to see you to-
night," Carlo said as they were parting. Merthyr named his hotel. Carlo
nodded. "My wife is still slightly feeble," he said.

"I regret it," Merthyr rejoined.

"She is not ill."

"No, it cannot be want of courage," Merthyr spoke at random.

"Yes, that's true," said Carlo, as vacantly. "You will see her while I
am travelling."

"I hope to find the Countess Alessandra well enough to receive me."

"Always; always," said Carlo, wishing apparently to say more. Merthyr
waited an instant, but Carlo broke into a conventional smile of adieu.

"While he is travelling," Merthyr repeated to Agostino, who had stood by
during the brief dialogue, and led the way to the Corso.

"He did not say how far!" was the old man's ejaculation.

"But, good heaven! if you think he's on an unfortunate errand, why don't
you stop him, advise him?" Merthyr broke out.

"Advise him! stop him! my friend. I would advise him, if I had the
patience of angels; stop him, if I had the power of Lucifer. Did you not
see that he shunned speaking to me? I have been such a perpetual dish of
vinegar under his nose for the last month, that the poor fellow sniffs
when I draw near. He must go his way. He leads a torrent that must
sweep him on. Corte, Sana, and the rest would be in Rome now, but for
him. So should I. Your Agostino, however, is not of Bergamo, or of
Brescia; he is not a madman; simply a poor rheumatic Piedmontese, who
discerns the point where a united Italy may fix its standard. I would
start for Rome to-morrow, if I could leave her--my soul's child!"
Agostino raised his hand: "I do love the woman, Countess Alessandra
Ammiani. I say, she is a peerless woman. Is she not?"

"There is none like her," said Merthyr.

"A peerless woman, recognized and sacrificed! I cannot leave her. If
the Government here would lay hands on Carlo and do their worst at once,
I would be off. They are too wary. I believe that they are luring him
to his ruin. I can give no proofs, but I judge by the best evidence.
What avails my telling him? I lose my temper the moment I begin to
speak. A curst witch beguiles the handsome idiot--poor darling lad that
he is! She has him--can I tell you how? She has got him--got him fast!
--The nature of the chains are doubtless innocent, if those which a woman
throws round us be ever distinguishable. He loves his wife--he is not
a monster."

"He appears desperately feverish," said Merthyr.

"Did you not notice it? Yes, like a man pushed by his destiny out of the
path. He is ashamed to hesitate; he cannot turn back. Ahead of him he
sees a gulf. That army of Carlo Alberto may do something under its Pole.
Prophecy is too easy. I say no more. We may have Lombardy open; and if
so, my poor boy's vanity will be crowned: he will only have the king and
his army against him then."

Discoursing in this wise, they reached the caffe where Beppo had
appointed to meet his old master, and sat amid here and there a
whitecoat, and many nods and whispers over such news as the privileged
journals and the official gazette afforded.

Beppo's destination was to the Duchess of Graatli's palace. Nearing it,
he perceived Luigi endeavouring to gain a passage beside the burly form
of Jacob Baumwalder Feckelwitz, who presently seized him and hurled him
into the road. As Beppo was sidling up the courtway, Jacob sprang back;
Luigi made a rush; Jacob caught them both, but they wriggled out of his
clutch, and Luigi, being the fearfuller, ran the farthest. While he was
out of hearing, Beppo told Jacob to keep watch upon Luigi, as the bearer
of an amorous letter from a signor of quality to Aennchen, the which he
himself desired to obtain sight of; "for the wench has caused me three
sleepless nights," he confessed frankly. Jacob affected not to
understand. Luigi and Beppo now leaned against the wall on either side
of him and baited him till he shook with rage.

"He is the lord of the duchess, his mistress--what a lucky fellow!" said
Luigi. "When he's dog at the gates no one can approach her. When he
isn't, you can fancy what!"--"He's only a mechanical contrivance; he's
not a man," said Beppo. "He's the principal flea-catcher of the palace,"
said Luigi--"here he is all day, and at night the devil knows where he
hunts."--Luigi hopped in a half-circle round the exacerbated Jacob, and
finally provoked an assault that gave an opening to Beppo. They all ran
in, Luigi last. Jacob chased Beppo up the stairs, lost him, and
remembered what he had said of the letter borne by Luigi, for whom he
determined to lie in waiting. "Better two in there than one," he
thought. The two courted his Aennchen openly; but Luigi, as the bearer
of an amorous letter from the signor of quality, who could be no other
than signor Antonio-Pericles, was the one to be intercepted. Like other
jealous lovers, Jacob wanted to read Aennchen's answer, to be cured of
his fatal passion for the maiden, and on this he set the entire force of
his mind.

Running up by different staircases, Beppo and Luigi came upon Aennchen
nearly at the same time. She turned a cold face on Beppo, and requested
Luigi to follow her. Astonished to see him in such favour, Beppo was
ready to provoke the quarrel before the kiss when she returned; but she
said that she had obeyed her mistress's orders, and was obeying the
duchess in refusing to speak of them, or of anything relating to them.
She had promised him an interview in that little room leading into the
duchess's boudoir. He pressed her to conduct him. "Ah; then it's not
for me you come," she said. Beppo had calculated that the kiss would
open his way to the room, and the quarrel disembarrass him of his pretty
companion when there. "You have come to listen to conversation again,"
said Aennchen. "Ach! the fool a woman is to think that you Italians have
any idea except self-interest when you, when you . . . talk nonsense
to us. Go away, if you please. Good-evening." She dropped a curtsey
with a surly coquetry, charming of its kind. Beppo protested that the
room was dear to him because there first he had known for one blissful
half-second the sweetness of her mouth.

"Who told you that persons who don't like your mistress are going to talk
in there?" said Aennchen.

"You," said Beppo.

Aennchen drew up in triumph: "And now will you pretend that you didn't
come up here to go in there to listen to what they say?"

Beppo clapped hands at her cleverness in trapping him. "Hush," said all
her limbs and features, belying the previous formal "good-evening." He
refused to be silent, thinking it a way of getting to the little
antechamber. "Then, I tell you, downstairs you go," said Aennchen

"Is it decided?" Beppo asked. "Then, good-evening. You detestable
German girls can't love. One step--a smile: another step--a kiss. You
tit-for-tat minx! Have you no notion of the sacredness of the sentiments
which inspires me to petition that the place for our interview should be
there where I tasted ecstatic joy for the space of a flash of lightning?
I will go; but it is there that I will go, and I will await you there,
signorina Aennchen. Yes, laugh at me! laugh at me!"

"No; really, I don't laugh at you, signor Beppo," said Aennchen,
protesting in denial of what she was doing. "This way."

"No, it's that way," said Beppo.

"It's through here." She opened a door. "The duchess has a reception
to-night, and you can't go round. Ach! you would not betray me?"

"Not if it were the duchess herself," said Beppo; "he would refuse to
satisfy man's natural vanity, in such a case."

Eager to advance to the little antechamber, he allowed Aennchen to wait
behind him. He heard the door shut and a lock turn, and he was in the
dark, and alone, left to take counsel of his fingers' ends.

"She was born to it," Beppo remarked, to extenuate his outwitted cunning,
when he found each door of the room fast against him.

On the following night Vittoria was to sing at a concert in the Duchess
of Graatli's great saloon, and the duchess had humoured Pericles by
consenting to his preposterous request that his spy should have an
opportunity of hearing Countess d'Isorella and Irma di Karski in private
conversation together, to discover whether there was any plot of any sort
to vex the evening's entertainment; as the jealous spite of those two
women, Pericles said, was equal to any devilry on earth. It happened
that Countess d'Isorella did not come. Luigi, in despair,--was the
hearer of a quick question and answer dialogue, in the obscure German
tongue, between Anna von Lenkenstein and Irma di Karski; but a happy peep
between the hanging curtains gave him sight of a letter passing from
Anna's hands to Irma's. Anna quitted her. Irma, was looking at the
superscription of the letter, an the act of passing in her steps, when
Luigi tore the curtains apart, and sprang on her arm like a cat. Before
her shrieks could bring succour, Luigi was bounding across the court with
the letter in his possession. A dreadful hug awaited him; his pockets
were ransacked, and he was pitched aching into the street. Jacob
Baumwalder Feckelwitz went straightway under a gas-lamp, where he read
the address of the letter to Countess d'Isorella. He doubted; he had a
half-desire to tear the letter open. But a rumour of the attack upon
Irma had spread among the domestics and Jacob prudently went up to his
mistress. The duchess was sitting with Laura. She received the letter,
eyed: it all over, and held it to a candle.

Laura's head was bent in dark meditation. The sudden increase of light
aroused her, and she asked, "What is that?"

"A letter from Countess Anna to Countess d'Isorella," said the duchess.

"Burnt!" Laura screamed.

"It's only fair," the duchess remarked.

"From her to that woman! It may be priceless. Stop! Let me see what
remains. Amalia! are you mad? Oh! you false friend. I would have
sacrificed my right hand to see it."

"Try and love me still," said the duchess, letting her take one unburnt
corner, and crumble the black tissuey fragments to smut in her hands.

There was no writing; the unburnt corner of the letter was a blank.

Laura fooled the wretched ashes between her palms. "Good-night," she
said. "Your face will be of this colour to me, my dear, for long."

"I cannot behave disgracefully, even to keep your love, my beloved," said
the duchess.

"You cannot betray a German, you mean," Laura retorted. "You could let a
spy into the house."

"That was a childish matter--merely to satisfy a whim."

"I say you could let a spy into the house. Who is to know where the
scruples of you women begin? I would have given my jewels, my head, my
husband's sword, for a sight of that letter. I swear that it concerns
us. Yes, us. You are a false friend. Fish-blooded creature! may it be
a year before I look on you again. Hide among your miserable set!"

"Judge me when you are cooler, dearest," said the duchess, seeking to
detain the impetuous sister of her affection by the sweeping skirts; but
Laura spurned her touch, and went from her.

Irma drove to Countess d'Isorella's. Violetta was abed, and lay fair
and placid as a Titian Venus, while Irma sputtered out her tale, with
intermittent sobs. She rose upon her elbow, and planting it in her
pillow, took half-a-dozen puffs of a cigarette, and then requested Irma
to ring for her maid. "Do nothing till you see me again," she said;
"and take my advice: always get to bed before midnight, or you'll have
unmanageable wrinkles in a couple of years. If you had been in bed at a
prudent hour to-night, this scandal would not have occurred."

"How can I be in bed? How could I help it?" moaned Irma, replying to
the abstract rule, and the perplexing illustration of its force.

Violetta dismissed her. "After all, my wish is to save my poor
Amaranto," she mused. "I am only doing now what I should have been doing
in the daylight; and if I can't stop him, the Government must; and they
will. Whatever the letter contained, I can anticipate it. He knows my
profession and my necessities. I must have money. Why not from the rich
German woman whom he jilted?"

She attributed Anna's apparent passion of revenge to a secret passion of
unrequited love. What else was implied by her willingness to part with
land and money for the key to his machinations?

Violetta would have understood a revenge directed against Angelo
Guidascarpi, as the slayer of Anna's brother. But of him Anna had only
inquired once, and carelessly, whether he was in Milan. Anna's mystical
semi-patriotism--prompted by her hatred of Vittoria, hatred of Carlo as
Angelo's cousin and protector, hatred of the Italy which held the three,
who never took the name Tedesco on their tongues without loathing--was
perfectly hidden from this shrewd head.

Some extra patrols were in the streets. As she stepped into the
carriage, a man rushed up, speaking hoarsely and inarticulately, and
jumped in beside her. She had discerned Barto Rizzo in time to give
directions to her footman, before she was addressed by a body of
gendarmes in pursuit, whom she mystified by entreating them to enter her
house and search it through, if they supposed that any evil-doer had
taken advantage of the open door. They informed her that a man had
escaped from the civil prison. "Poor creature!" said the countess, with
womanly pity; "but you must see that he is not in my house. How could
three of you let one escape? "She drove off laughing at their vehement
assertion that he would not have escaped from them. Barto Rizzo made her
conduct him to Countess Ammiani's gates.

Violetta was frightened by his eyes when she tried to persuade him in her
best coaxing manner to avoid Count Ammiani. In fact she apprehended that
he would be very much in her way. She had no time for chagrin at her
loss of power over him, though she was sensible of vexation. Barto
folded his arms and sat with his head in his chest, silent, till they
reached the' gates, when he said in French, "Madame, I am a nameless
person in your train. Gabble!" he added, when the countess advised him
not to enter; nor would he allow her to precede him by more than one
step. Violetta sent up her name. The man had shaken her nerves.
"At least, remember that your appearance should be decent," she said,
catching sight of blood on his hands, and torn garments. "I expect,
madame," he replied, "I shall not have time to wash before I am laid out.
My time is short. I want tobacco. The washing can be done by-and-by,
but not the smoking."

They were ushered up to the reception-room, where Countess Ammiani,
Vittoria, and Carlo sat, awaiting the visitor whose unexpected name, cast
in their midst at so troubled a season, had clothed her with some of the
midnight's terrors.



Barto Rizzo had silence about him without having to ask for it, when he
followed Violetta into Countess Ammiani's saloon of reception. Carlo was
leaning over his mother's chair, holding Vittoria's wrist across it, and
so enclosing her, while both young faces were raised to the bowed
forehead of the countess. They stood up. Violetta broke through the
formal superlatives of an Italian greeting. "Speak to me alone," she
murmured for Carlo's ear and glancing at Barto: "Here is a madman; a mild
one, I trust." She contrived to show that she was not responsible for
his intrusion. Countess Ammiani gathered Vittoria in her arms; Carlo
stepped a pace before them. Terror was on the venerable lady's face,
wrath on her son's. As he fronted Barto, he motioned a finger to the
curtain hangings, and Violetta, quick at reading signs, found his bare
sword there. "But you will not want it," she remarked, handing the hilt
to him, and softly eyeing the impression of her warm touch on the steel
as it passed.

"Carlo, thou son of Paolo! Countess Marcellina, wife of a true patriot!
stand aside, both of you. It is between the Countess Alessandra and
myself," so the man commenced, with his usual pomp of interjection.
"Swords and big eyes,--are they things to stop me?" Barto laughed
scornfully. He had spoken in the full roll of his voice, and the sword
was hard back for the thrust.

Vittoria disengaged herself from the countess. "Speak to me," she said,
dismayed by the look of what seemed an exaltation of madness in Barto's
visage, but firm as far as the trembling of her limbs would let her be.

He dropped to her feet and kissed them.

"Emilia Alessandra Belloni! Vittoria! Countess Alessandra Ammiani!
pity me. Hear this:--I hated you as the devil is hated. Yesterday I
woke up in prison to hear that I must adore you. God of all the pits of
punishment! was there ever one like this? I had to change heads."

It was the language of a distorted mind, and lamentable to hear when a
sob shattered his voice.

"Am I mad?" he asked piteously, clasping his temples.

"You are as we are, if you weep," said Vittoria, to sooth him.

"Then I have been mad!" he cried, starting. "I knew you a wicked virgin
--signora contessa, confess to me, marriage has changed you. Has it not
changed you? In the name of the Father of the Saints, help me out of it:
--my brain reels backwards. You were false, but marriage--It acts in
this way with you women; yes, that we know--you were married, and you
said, 'Now let us be faithful.' Did you not say that? I am forgiving,
though none think it. You have only to confess. If you will not,--oh!"
He smote his face, groaning.

Carlo spoke a stern word in an undertone; counselling him to be gone.

"If you will not--what was she to do?" Barto cut the question to
interrogate his strayed wits. "Look at me, Countess Alessandra. I was
in the prison. I heard that my Rosellina had a tight heart. She cried
for her master, poor heathen, and I sprang out of the walls to her.
There--there--she lay like a breathing board; a woman with a body like a
coffin half alive; not an eye to show; nothing but a body and a whisper.
She perished righteously, for she disobeyed. She acted without my
orders: she dared to think! She will be damned, for she would have
vengeance before she went. She glorified you over me--over Barto Rizzo.
Oh! she shocked my soul. But she is dead, and I am her slave. Every
word was of you. Take another head, Barto Rizzo your old one was mad:
she said that to my soul. She died blessing you above me. I saw the
last bit of life go up from her mouth blessing you. It's heard by this
time in heaven, and it's written. Then I have had two years of madness.
If she is right, I was wrong; I was a devil of hell. I know there's an
eye given to dying creatures, and she looked with it, and she said, the
soul of Rinaldo Guidascarpi, her angel, was glorifying you; and she
thanked the sticking of her heart, when she tried to stab you, poor

Carlo interrupted: "Now go; you have said enough."

"No, let him speak," said Vittoria. She supposed that Barto was going to
say that he had not given the order for her assassination. "You do not
wish me dead, signore?"

"Nothing that is not standing in my way, signora contessa," said Barto;
and his features blazed with a smile of happy self-justification.
"I have killed a sentinel this night: Providence placed him there. I
wish for no death, but I punish, and--ah! the cursed sight of the woman
who calls me mad for two years. She thrusts a bar of iron in an engine
at work, and says, Work on! work on! Were you not a traitress? Countess
Alessandra, were you not once a traitress? Oh! confess it; save my head.
Reflect, dear lady! it's cruel to make a man of a saintly sincerity look
back--I count the months--seventeen months! to look back seventeen
months, and see that his tongue was a clapper,--his will, his eyes, his
ears, all about him, everything, stirred like a pot on the fire. I
traced you. I saw your treachery. I said--I, I am her Day of Judgement.
She shall look on me and perish, struck down by her own treachery. Were
my senses false to me? I had lived in virtuous fidelity to my
principles. None can accuse me. Why were my senses false, if my
principles were true? I said you were a traitress. I saw it from the
first. I had the divine contempt for women. My distrust of a woman was
the eye of this brain, and I said--Follow her, dog her, find her out!
I proved her false; but her devilish cunning deceived every other man
in the world. Oh! let me bellow, for it's me she proves the mass of
corruption! Tomorrow I die, and if I am mad now, what sort of a curse is

"Now to-morrow is an hour--a laugh! But if I've not been shot from a true
bow--if I've been a sham for two years--if my name, and nature, bones,
brains, were all false things hunting a shadow, Countess Alessandra, see
the misery of Barto Rizzo! Look at those two years, and say that I had
my head. Answer me, as you love your husband: are you heart and soul
with him in the fresh fight for Lombardy?" He said this with a look
penetrating and malignant, and then by a sudden flash pitifully

Carlo feared to provoke, revolted from the thought of slaying him. "Yes,
yes," he interposed, "my wife is heart and soul in it. Go."

Barto looked from him to her with the eyes of a dog that awaits an order.

Victoria gathered her strength, and said: "I am not."

"It is her answer!" Barto roared, and from deep dejection his whole
countenance radiated. "She says it--she might give the lie to a saint!
I was never mad. I saw the spot, and put my finger on it, and not a
madman can do that. My two years are my own. Mad now, for, see!

"I worship the creature. She is not heart and soul in it. She is not in
it at all. She is a little woman, a lovely thing, a toy, a cantatrice.
Joy to the big heart of Barto Rizzo! I am for Brescia!"

He flung his arm like a banner, and ran out.

Carlo laid his sword on a table. Vittoria's head was on his mother's

The hour was too full of imminent grief for either of the three to regard
this scene as other than a gross intrusion ended.

"Why did you deny my words?" Carlo said coldly.

"I could not lie to make him wretched," she replied in a low murmur.

"Do you know what that 'I am for Brescia' means? He goes to stir the
city before a soul is ready."

"I warned you that I should speak the truth of myself to-night, dearest."

"You should discern between speaking truth to a madman, and to a man."

Vittoria did not lift her eyes, and Carlo beckoned to Violetta, with whom
he left the room.

"He is angry," Countess Ammiani murmured. "My child, you cannot deal
with men in a fever unless you learn to dissemble; and there is exemption
for doing it, both in plain sense, and in our religion. If I could
arrest him, I would speak boldly. It is, alas! vain to dream of that;
and it is therefore an unkindness to cause him irritation. Carlo has
given way to you by allowing you to be here when his friends assemble.
He knows your intention to speak. He has done more than would have been
permitted by my husband to me, though I too was well-beloved."

Vittoria continued silent that her head might be cherished where it lay.
She was roused from a stupor by hearing new voices. Laura's lips came
pressing to her cheek. Colonel Corte, Agostino, Marco Sana, and Angelo
Guidascarpi, saluted her. Angelo she kissed.

"That lady should be abed and asleep," Corte was heard to say.

The remark passed without notice. Angelo talked apart with Vittoria. He
had seen the dying of the woman whose hand had been checked in the act of
striking by the very passion of animal hatred which raised it. He spoke
of her affectionately, attesting to the fact that Barto Rizzo had not
prompted her guilt. Vittoria moaned at a short outline that he gave of
the last minutes between those two, in which her name was dreadfully and
fatally, incomprehensibly prominent.

All were waiting impatiently for Carlo's return.

When he appeared he informed his mother that the Countess d'Isorella
would remain in the house that night, and his mother passed out to her
abhorred guest, who, for the time at least, could not be doing further

It was a meeting for the final disposition of things before the outbreak.
Carlo had begun to speak when Corte drew his attention to the fact that
ladies were present, at which Carlo put out his hand as if introducing
them, and went on speaking.

"Your wife is here," said Corte.

"My wife and signora Piaveni," Carlo rejoined. "I have consented to my
wife's particular wish to be present."

"The signora Piaveni's opinions are known: your wife's are not."

"Countess Alessandra shares mine," said Laura, rather tremulously.

Countess Ammiani at the same time returned and took Vittoria's hand and
pressed it with force. Carlo looked at them both.

"I have to ask your excuses, gentlemen. My wife, my mother, and signora
Piaveni, have served the cause we worship sufficiently to claim a right--
I am sorry to use such phrases; you understand my meaning. Permit them
to remain. I have to tell you that Barto Rizzo has been here: he has
started for Brescia. I should have had to kill him to stop him--a
measure that I did not undertake."

"Being your duty!" remarked Corte.

Agostino corrected him with a sarcasm.

"I cannot allow the presence of ladies to exclude a comment on manifest
indifference," said Corte. "Pass on to the details, if you have any."

"The details are these," Carlo resumed, too proud to show a shade of
self-command; "my cousin Angelo leaves Milan before morning. You,
Colonel Corte, will be in Bergamo at noon to-morrow. Marco and Angelo
will await my coming in Brescia, where we shall find Giulio and the rest.
I join them at five on the following afternoon, and my arrival signals
the revolt. We have decided that the news from the king's army is good."

A perceptible shudder in Vittoria's frame at this concluding sentence
caught Corte's eye.

"Are you dissatisfied with that arrangement?" he addressed her boldly.

"I am, Colonel Corte," she replied. So simple was the answering tone of
her voice that Corte had not a word.

"It is my husband who is going," Vittoria spoke on steadily; "him I am
prepared to sacrifice, as I am myself. If he thinks it right to throw
himself into Brescia, nothing is left for me but to thank him for having
done me the honour to consult me. His will is firm. I trust to God that
he is wise. I look on him now as one of many brave men whose lives
belong to Italy, and if they all are misdirected and perish, we have no
more; we are lost. The king is on the Ticino; the Chief is in Rome. I
desire to entreat you to take counsel before you act in anticipation of
the king's fortune. I see that it is a crushed life in Lombardy. In
Rome there is one who can lead and govern. He has suffered and is calm.
He calls to you to strengthen his hands. My prayer to you is to take
counsel. I know the hour is late; but it is not too late for wisdom.
Forgive me if I am not speaking humbly. Brescia is but Brescia; Rome is
Italy. I have understood little of my country until these last days,
though I have both talked and sung of her glories. I know that a deep
duty binds you to Bergamo and to Brescia--poor Milan we must not think
of. You are not personally pledged to Rome: yet Rome may have the
greatest claims on you. The heart of our country is beginning to beat
there. Colonel Corte! signor Marco! my Agostino! my cousin Angelo! it is
not a woman asking for the safety of her husband, but one of the blood of
Italy who begs to offer you her voice, without seeking to disturb your

She ceased.

"Without seeking to disturb their judgement!" cried Laura. "Why not,
when the judgement is in error?"

To Laura's fiery temperament Vittoria's speech had been feebleness. She
was insensible to that which the men felt conveyed to them by the absence
of emotion in the language of a woman so sorrowfully placed. "Wait," she
said, "wait for the news from Carlo Alberto, if you determine to play at
swords and guns in narrow streets." She spoke long and vehemently, using
irony, coarse and fine, with the eloquence which was her gift. In
conclusion she apostrophized Colonel Corte as one who had loved him might
have done. He was indeed that figure of indomitable strength to which
her spirit, exhausted by intensity of passion, clung more than to any
other on earth, though she did not love him, scarcely liked him.

Corte asked her curiously--for she had surprised and vexed his softer
side--why she distinguished him with such remarkable phrases only to
declare her contempt for him.

"It's the flag whipping the flag-pole," murmured Agostino; and he now
spoke briefly in support of the expedition to Rome; or at least in favour
of delay until the King of Sardinia had gained a battle. While he was
speaking, Merthyr entered the room, and behind him a messenger who
brought word that Bergamo had risen.

The men drew hurriedly together, and Countess Ammiani, Vittoria and Laura
stood ready to leave them.

"You will give me, five minutes?" Vittoria whispered to her husband, and
he nodded.

"Merthyr," she said, passing him, "can I have your word that you will not
go from me?"

Merthyr gave her his word after he had looked on her face.

"Send to me every two hours, that I may know you are near," she added;
"do not fear waking me. Or, no, dear friend; why should I have any
concealment from you? Be not a moment absent, if you would not have me
fall to the ground a second time: follow me."

Even as he hesitated, for he had urgent stuff to communicate to Carlo, he
could see a dreadful whiteness rising on her face, darkening the circles
of her eyes.

"It's life or death, my dearest, and I am bound to live," she said. Her
voice sprang up from tears.

Merthyr turned and tried in vain to get a hearing among the excited,
voluble men. They shook his hand, patted his shoulder, and counselled
him to leave them. He obtained Carlo's promise that he would not quit
the house without granting him an interview; after which he passed out to
Vittoria, where Countess Ammiani and Laura sat weeping by the door.



When they were alone Merthyr said: "I cannot give many minutes, not much
time. I have to speak to your husband."

She answered: "Give me many minutes--much time. All other speaking is
vain here."

"It concerns his safety."

"It will not save him."

"But I have evidence that he is betrayed. His plans are known; a trap is
set for him. If he moves, he walks into a pit."

"You would talk reason, Merthyr," Vittoria sighed. "Talk it to me. I
can listen; I thirst for it. I beat at the bars of a cage all day. When
I saw you this afternoon, I looked on another life. It was too sudden,
and I swooned. That was my only show of weakness. Since then you are
the only strength I feel."

"Have they all become Barto Rizzos?" Merthyr exclaimed.

"Beloved, I will open my mind to you," said Vittoria. "I am cowardly,
and I thought I had such courage! Tonight a poor mad creature has been
here, who has oppressed me, I cannot say how long, with real fear--that I
only understand now that I know the little ground I had for it. I am
even pleased that one like Barto Rizzo should see me in a better light.
I find the thought smiling in my heart when every other thing is utterly
dark there. You have heard that Carlo goes to Brescia. When I was
married, I lost sight of Italy, and everything but happiness. I suffer
as I deserve for it now. I could have turned my husband from this black
path; I preferred to dream and sing. I would not see--it was my pride
that would not let me see his error. My cowardice would not let me wound
him with a single suggestion. You say that he is betrayed. Then he is
betrayed by the woman who has never been unintelligible to me. We were
in Turin surrounded by intrigues, and there I thanked her so much for
leaving me the days with my husband by Lake Orta that I did not seek to
open his eyes to her. We came to Milan, and here I have been thanking
her for the happy days in Turin. Carlo is no longer to blame if he will
not listen to me. I have helped to teach him that I am no better than
any of these Italian women whom he despises. I spoke to him as his wife
should do, at last. He feigned to think me jealous, and I too remember
the words of the reproach, as if they had a meaning. Ah, my friend! I
would say of nothing that it is impossible, except this task of
recovering lost ground with one who is young. Experience of trouble has
made me older than he. When he accused me of jealousy, I could mention
Countess d'Isorella's name no more. I confess to that. Yet I knew my
husband feigned. I knew that he could not conceive the idea of jealousy
existing in me, as little as I could imagine unfaithfulness in him. But
my lips would not take her name! Wretched cowardice cannot go farther.
I spoke of Rome. As often as I spoke, that name was enough to shake me
off: he had but to utter it, and I became dumb. He did it to obtain
peace; for no other cause. So, by degrees, I have learnt the fatal
truth. He has trusted her, for she is very skilful; distrusting her, for
she is treacherous. He has, therefore, believed excessively in his
ability to make use of her, and to counteract her baseness. I saw his
error from the first; and I went on dreaming and singing; and now this
night has come!"

Vittoria shadowed her eyes.

"I will go to him at once," said Merthyr.

"Yes; I am relieved. Go, dear friend," she sobbed; "you have given me
tears, as I hoped. You will not turn him; had it been possible, could I
have kept you from him so long? I know that you will not turn him from
his purpose, for I know what a weight it is that presses him forward in
that path. Do not imagine our love to be broken. He will convince you
that it is not. He has the nature of an angel. He permitted me to speak
before these men to-night--feeble thing that I am! It was a last effort.
I might as well have tried to push a rock."

She rose at a noise of voices in the hall below.

"They are going, Merthyr. See him now. There may be help in heaven; if
one could think it! If help were given to this country--if help were
only visible! The want of it makes us all without faith."

"Hush! you may hear good news from Carlo Alberto in a few hours," said

"Ask Laura; she has witnessed how he can be shattered," Vittoria replied

Merthyr pressed her fingers. He was met by Carlo on the stairs.

"Quick!" Carlo said; "I have scarce a minute to spare. I have my adieux
to make, and the tears have set in already. First, a request: you will
promise to remain beside my wife; she will want more than her own

Such a request, coming from an Italian husband, was so great a proof of
the noble character of his love and his knowledge of the woman he loved,
that Merthyr took him in his arms and kissed him.

"Get it over quickly, dear good fellow," Carlo murmured; "you have
something to tell me. Whatever it is, it's air; but I'll listen."

They passed into a vacant room. "You know you are betrayed," Merthyr

"Not exactly that," said Carlo, humming carelessly.

"Positively and absolutely. The Countess d'Isorella has sold your

"I commend her to the profit she has made by it."

"Do you play with your life?"

Carlo was about to answer in the tone he had assumed for the interview.
He checked the laugh on his lips.

"She must have some regard for my life, such as it's worth, since, to
tell you the truth, she is in the house now, and came here to give me
fair warning."

"Then, you trust her."

"I? Not a single woman in the world!--that is, for a conspiracy."

It was an utterly fatuous piece of speech. Merthyr allowed it to slip,
and studied him to see where he was vulnerable.

"She is in the house, you say. Will you cause her to come before me?"

"Curiously," said Carlo, "I kept her for some purpose of the sort.
Will I? and have a scandal now? Oh! no. Let her sleep."

Whether he spoke from noble-mindedness or indifference, Merthyr could not

"I have a message from your friend Luciano. He sends you his love, in
case he should be shot the first, and says that when Lombardy is free he
hopes you will not forget old comrades who are in Rome."

"Forget him! I would to God I could sit and talk of him for hours.
Luciano! Luciano! He has no wife."

Carlo spoke on hoarsely. "Tell me what authority you have for charging
Countess d'Isorella with . . . with whatever it may be."

"A conversation between Countess Anna of Lenkenstein and a Major Nagen,
in the Duchess of Graatli's house, was overheard by our Beppo. They
spoke German. The rascal had a German sweetheart with him. She
imprisoned him for some trespass, and had come stealing in to rescue him,
when those two entered the room. Countess Anna detailed to Nagen the
course of your recent plotting. She named the hour this morning when you
are to start for Brescia. She stated what force you have, what arms you
expect; she named you all."

"Nagen--Nagen," Carlo repeated; "the man's unknown to me."

"It's sufficient that he is an Austrian officer."

"Quite. She hates me, and she has reason, for she's aware that I mean to
fight her lover, and choose my time. The blood of my friends is on that
man's head."

"I will finish what I have to say," pursued Merthyr. "When Beppo had
related as much as he could make out from his sweetheart's translation,
I went straight to the duchess. She is an Austrian, and a good and
reasonable woman. She informed me that a letter addressed by Countess
Anna to Countess d'Isorella fell into her hands this night. She burnt it
unopened. I leave it to you to consider whether you have been betrayed
and who has betrayed you. The secret was bought. Beppo himself caught
the words, 'from a mercenary Italian.' The duchess tells me that Countess
Anna is in the habit of alluding to Countess d'Isorella in those terms."

Carlo stretched his arms like a man who cannot hide the yawning fit.

"I promised my wife five minutes, though we have had the worst of the
parting over. Perhaps you will wait for me; I may have a word to say."

He was absent for little more than the space named. When he returned,
he was careful to hide his face. He locked the door, and leading Merthyr
to an inner room, laid his watch on the table, and said: "Now, friend,
you will see that I have nothing to shrink from, for I am going to do
execution upon myself, and before him whom I would, above all other men,
have think well of me. My wife supposes that I am pledged to this
Brescian business because I am insanely patriotic. If I might join
Luciano tomorrow I would shout like a boy. I would be content to serve
as the lowest in the ranks, if I might be with you all under the Chief.
Rome crowns him, and Brescia is my bloody ditch, and it is deserved!
When I was a little younger--I am a boy still, no doubt--I had the honour
to be distinguished by a handsome woman; and when I grew a little older,
I discovered by chance that she had wit. The lady is the Countess
Violetta d'Isorella. It is a grief to me to know that she is sordid: it
hurts my vanity the more. Perhaps: you begin to perceive that vanity
governs me. The signora Laura has not expressed her opinion on this
subject with any reserve, but to Violetta belongs the merit of having
seen it without waiting for the signs. First--it is a small matter, but
you are English--let me assure you that my wife has had no rival. I have
taunted her with jealousy when I knew that it was neither in her nature
to feel it, nor in mine to give reason for it. No man who has a spark of
his Maker in him could be unfaithful to such a woman. When Lombardy was
crushed, we were in the dust. I fancy we none of us knew how miserably
we had fallen--we, as men. The purest--I dare say, the bravest--marched
to Rome. God bless my Luciano there! But I, sir, I, my friend, I,
Merthyr, I said proudly that I would not abandon a beaten country: and I
was admired for my devotion. The dear old poet, Agostino, praised me.
It stopped his epigrams--during a certain time, at least. Colonel Corte
admired me. Marco Sana, Giulio Bandinelli admired me. Vast numbers
admired me. I need not add that I admired myself. I plunged into
intrigues with princes, and priests, and republicans. A clever woman was
at my elbow. In the midst of all this, my marriage: I had seven weeks of
peace; and then I saw what I was. You feel that you are tired, when you
want to go another way and you feel that you have been mad when you want
to undo your work. But I could not break the chains I had wrought, for I
was a chief of followers. The men had come from exile, or they had
refused to join the Roman enterprise:--they, in fact, had bound
themselves to me; and that means, I was irrevocably bound to them. I had
an insult to wipe out: I refrained from doing it, sincerely, I may tell
you, on the ground that this admired life of mine was precious. I will
heap no more clumsy irony on it: I can pity it. Do you see now how I
stand? I know that I cannot rely on the king's luck or on the skill of
his generals, or on the power of his army, or on the spirit in Lombardy:
neither on men nor on angels. But I cannot draw back. I have set going
a machine that's merciless. From the day it began working, every moment
has added to its force. Do not judge me by your English eyes: other
lands, other habits; other habits, other thoughts. And besides, if
honour said nothing, simple humanity would preserve me from leaving my
band to perish like a flock of sheep."

He uttered this with a profound conviction of his quality as leader, that
escaped the lurid play of self-inspection which characterized what he had
previously spoken, and served singularly in bearing witness to the truth
of his charge against himself.

"Useless!" he said, waving his hand at anticipated remonstrances.
"Look with the eyes of my country; not with your own, my friend. I am
disgraced if I do not go out. My friends are disgraced if I do not head
them in. Brescia--sacrificed!--murdered!--how can I say what? Can I
live under disgrace or remorse? The king stakes on his army; I on the
king. Whether he fights and wins, or fights and loses, I go out. I have
promised my men--promised them success, I believe!--God forgive me! Did
you ever see a fated man before? None had plotted against me. I have
woven my own web, and that's the fatal thing. I have a wife, the
sweetest woman of her time. Goodnight to her! our parting is over."

He glanced at his watch. "Perhaps she will be at the door below. Her
heart beats like mine just now. You wish to say that you think me
betrayed, and therefore I may draw back? Did you not hear that Bergamo
has risen? The Brescians are up too by this time. Gallant Brescians!
they never belie the proverb in their honour; and to die among them would
be sweet if I had all my manhood about me. You would have me making a
scene with Violetta."

"Set the woman face to face with me!" cried Merthyr, sighting a gleam of

Carlo smiled. "Can she bear my burden though she be ten times guilty?
Let her sleep. I have her here harmless for the night. The Brescians
are up:--that's an hour that has struck, and there's no calling it to
move a step in the rear. Brescia under the big Eastern hill which throws
a cloak on it at sunrise! Brescia is always the eagle that looks over
Lombardy! And Bergamo! you know the terraces of Bergamo. Aren't they
like a morning sky? Dying there is not death; it's flying into the dawn.
You Romans envy us. Come, confess it; you envy us. You have no Alps, no
crimson hills, nothing but old walls to look on while you fight.
Farewell, Merthyr Powys. I hear my servant's foot outside. My horse is
awaiting me saddled, a mile from the city. Perhaps I shall see my wife
again at the door below, or in heaven. Addio! Kiss Luciano for me.
Tell him that I knew myself as well as he did, before the end came.
Enrico, Emilio, and the others--tell them I love them. I doubt if there
will ever be but a ghost of me to fight beside them in Rome. And there's
no honour, Merthyr, in a ghost's fighting, because he's shotproof; so I
won't say what the valiant disembodied 'I' may do by-and-by."

He held his hands out, with the light soft smile of one who asks
forgiveness for flippant speech, and concluded firmly: "I have talked
enough, and you are the man of sense I thought you; for to give me advice
is childish when no power on earth could make me follow it. Addio! Kiss

They embraced. Merthyr said no more than that he would place messengers
on the road to Brescia to carry news of the king's army. His voice was
thick, and when Carlo laughed at him, his sensations strangely reversed
their situations.

There were two cloaked figures at different points in the descent of the
stairs. These rose severally at Carlo's approach, took him to their
bosoms, and kissed him in silence. They were his mother and Laura. A
third crouched by the door of the courtyard, which was his wife.

Merthyr kept aloof until the heavy door rolled a long dull sound.
Vittoria's head was shawled over. She stood where her husband had left
her, groping for him with one hand, that closed tremblingly hard on
Merthyr when he touched it. Not a word was uttered in the house.



Until daylight Merthyr sat by himself, trying to realize the progressive
steps of the destiny which seemed like a visible hand upon Count Ammiani,
that he might know it to be nothing else than Carlo's work.
He sat in darkness in the room where Carlo had spoken, thinking of him
as living and dead. The brilliant life in Carlo protested against a
possible fatal tendency in his acts so irrevocable as to plunge him to
destruction when his head was clear, his blood cool, and a choice lay
open to him. That brilliant young life, that fine face, the tones of
Carlo's voice, swept about Merthyr, accusing him of stupid fatalism.
Grief stopped his answer to the charge; but in his wise mind he knew
Carlo to have surveyed things justly; and that the Fates are within us.
Those which are the forces of the outer world are as shadows to the power
we have created within us. He felt this because it was his gathered
wisdom. Human compassion, and love for the unhappy youth, crushed it in
his heart, and he marvelled how he could have been paralyzed when he had
a chance of interceding. Can a man stay a torrent? But a noble and fair
young life in peril will not allow our philosophy to liken it to things
of nature. The downward course of a fall that takes many waters till it
rushes irresistibly is not the course of any life. Yet it is true that
our destiny is of our own weaving. Carlo's involvements cast him into
extreme peril, almost certain death, unless he abjured his honour, dearer
than a life made precious by love. Merthyr saw that it was not vanity,
but honour; for Carlo stood pledged to lead a forlorn enterprise, the
ripeness of his own scheming. In the imminent hour Carlo had recognized
his position as Merthyr with the wisdom of years looked on it. That was
what had paralyzed the older man, though he could not subsequently trace
the cause. Thinking of the beauty of the youth, husband of the woman who
was to his soul utterly an angel, Merthyr sat in the anguish of self-
accusation, believing that some remonstrance, some inspired word, might
have turned him, and half dreading to sound his own heart, as if an evil
knowledge of his nature haunted it.

He rose up at last with a cry. The door opened, and Giacinta, Vittoria's
maid, appeared, bearing a lamp. She had been sitting outside, waiting to
hear him stir before she intruded. He touched her cheek kindly, and
thought that one could do little better than die, if need were, in the
service of such a people. She said that her mistress was kneeling. She
wished to make coffee for him, and Merthyr let her do it, knowing the
comfort there is to a woman in the ministering occupation of her hands.
It was soon daylight. Beppo had not come back to the house.

"No one has left the house?" Merthyr asked.

"Not since--" she answered convulsively.

"The Countess d'Isorella is here?"

"Yes, signore."

"Asleep?" he put the question mournfully, in remembrance of Carlo's "Let
her sleep!"

"Yes, signore; like the first night after confession."

"She resides, I think, in the Corso Venezia. When she awakens, let her
know that I request to have the honour of conducting her."

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