Produced by David Widger
THE DORE GALLERY OF BIBLE ILLUSTRATIONS
Illustrated by Gustave Dore
This volume, as its title indicates, is a collection of engravings
illustrative of the Bible--the designs being all from the pencil of the
greatest of modern delineators, Gustave Dore. The original work, from
which this collection has been made, met with an immediate and warm
recognition and acceptance among those whose means admitted of its
purchase, and its popularity has in no wise diminished since its first
publication, but has even extended to those who could only enjoy it
casually, or in fragmentary parts. That work, however, in its entirety,
was far too costly for the larger and ever-widening circle of M. Dore's
admirers, and to meet the felt and often-expressed want of this class,
and to provide a volume of choice and valuable designs upon sacred
subjects for art-loving Biblical students generally, this work was
projected and has been carried forward. The aim has been to introduce
subjects of general interest--that is, those relating to the most
prominent events and personages of Scripture--those most familiar to all
readers; the plates being chosen with special reference to the known
taste of the American people. To each cut is prefixed a page of
letter-press--in, narrative form, and containing generally a brief
analysis of the design. Aside from the labors of the editor and
publishers, the work, while in progress, was under the pains-taking and
careful scrutiny of artists and scholars not directly interested in the
undertaking, but still having a generous solicitude for its success. It
is hoped, therefore, that its general plan and execution will render it
acceptable both to the appreciative and friendly patrons of the great
artist, and to those who would wish to possess such a work solely as a
choice collection of illustrations upon sacred themes.
The subject of this sketch is, perhaps, the most original and variously
gifted designer the world has ever known. At an age when most men have
scarcely passed their novitiate in art, and are still under the direction
and discipline of their masters and the schools, he had won a brilliant
reputation, and readers and scholars everywhere were gazing on his work
with ever-increasing wonder and delight at his fine fancy and
multifarious gifts. He has raised illustrative art to a dignity and
importance before unknown, and has developed capacities for the pencil
before unsuspected. He has laid all subjects tribute to his genius,
explored and embellished fields hitherto lying waste, and opened new and
shining paths and vistas where none before had trod. To the works of the
great he has added the lustre of his genius, bringing their beauties into
clearer view and warming them to a fuller life.
His delineations of character, in the different phases of life, from the
horrible to the grotesque, the grand to the comic, attest the versatility
of his powers; and, whatever faults may be found by critics, the public
will heartily render their quota of admiration to his magic touch, his
rich and facile rendering of almost every thought that stirs, or lies yet
dormant, in the human heart. It is useless to attempt a sketch of his
various beauties; those who would know them best must seek them in the
treasure--house that his genius is constantly augmenting with fresh gems
and wealth. To one, however, of his most prominent traits we will
refer--his wonderful rendering of the powers of Nature.
His early wanderings in the wild and romantic passes of the Vosges
doubtless developed this inherent tendency of his mind. There he
wandered, and there, mayhap, imbibed that deep delight of wood and
valley, mountain--pass and rich ravine, whose variety of form and detail
seems endless to the enchanted eye. He has caught the very spell of the
wilderness; she has laid her hand upon him, and he has gone forth with
her blessing. So bold and truthful and minute are his countless
representations of forest scenery; so delicate the tracery of branch and
stem; so patriarchal the giant boles of his woodland monarchs, that the'
gazer is at once satisfied and entranced. His vistas lie slumbering with
repose either in shadowy glade or fell ravine, either with glint of lake
or the glad, long course of some rejoicing stream, and above all, supreme
in a beauty all its own, he spreads a canopy of peerless sky, or a
wilderness, perhaps, of angry storm, or peaceful stretches of soft,
fleecy cloud, or heavens serene and fair--another kingdom to his teeming
art, after the earth has rendered all her gifts.
Paul Gustave Dore was born in the city of Strasburg, January 10, 1833. Of
his boyhood we have no very particular account. At eleven years of age,
however, he essayed his first artistic creation--a set' of lithographs,
published in his native city. The following year found him in Paris,
entered as a 7. student at the Charlemagne Lyceum. His first actual work
began in 1848, when his fine series of sketches, the "Labors of
Hercules," was given to the public through the medium of an illustrated,
journal with which he was for a long time connected as designer. In 1856
were published the illustrations for Balzac's "Contes Drolatiques" and
those for "The Wandering Jew "--the first humorous and grotesque in the
highest degree--indeed, showing a perfect abandonment to fancy; the other
weird and supernatural, with fierce battles, shipwrecks, turbulent mobs,
and nature in her most forbidding and terrible aspects. Every incident or
suggestion that could possibly make the story more effective, or add to
the horror of the scenes was seized upon and portrayed with wonderful
power. These at once gave the young designer a great reputation, which
was still more enhanced by his subsequent works.
With all his love for nature and his power of interpreting her in her
varying moods, Dore was a dreamer, and many of his finest achievements
were in the realm of the imagination. But he was at home in the actual
world also, as witness his designs for "Atala," "London--a Pilgrimage,"
and many of the scenes in "Don Quixote."
When account is taken of the variety of his designs, and the fact
considered that in almost every task he attempted none had ventured
before him, the amount of work he accomplished is fairly incredible. To
enumerate the immense tasks he undertook--some single volumes alone
containing hundreds of illustrations--will give some faint idea of his
industry. Besides those already mentioned are Montaigne, Dante, the
Bible, Milton, Rabelais, Tennyson's "Idyls of the King," "The Ancient
Mariner," Shakespeare, "Legende de Croquemitaine," La Fontaine's "Fables,"
and others still.
Take one of these works--the Dante, La Fontaine, or "Don Quixote"--and
glance at the pictures. The mere hand labor involved in their production
is surprising; but when the quality of the work is properly estimated,
what he accomplished seems prodigious. No particular mention need be made
of him as painter or sculptor, for his reputation rests solely upon his
work as an illustrator.
Dore's nature was exuberant and buoyant, and he was youthful in
appearance. He had a passion for music, possessed rare skill as a
violinist, and it is assumed that, had he failed to succeed with his
pencil, he could have won a brilliant reputation as a musician.
He was a bachelor, and lived a quiet, retired life with his
mother--married, as he expressed it, to her and his art. His death
occurred on January 23, 1883.
LIST OF ILLUSTRATIONS
THE CREATION OF EVE
THE EXPULSION FROM THE GARDEN
THE MURDER OF ABEL
NOAH CURSING HAM
THE TOWER OF BABEL
ABRAHAM ENTERTAINS THREE STRANGERS
THE DESTRUCTION OF SODOM
THE EXPULSION OF HAGAR
HAGAR IN THE WILDERESS
THE TRIAL OF THE FAITH OF ABRAHAM
THE BURIAL OF SARAH
ELIEZER AND REBEKAH
ISAAC BLESSING JACOB
JACOB TENDING THE FLOCKS
JOSEPH SOLD INTO EGYPT
JOSEPH INTERPRETING PHARAOH'S DREAM
JOSEPH MAKING HIMSELF KNOWN TO HIS BRETHREN
MOSES IN THE BULRUSHES
THE WAR AGAINST GIBEON
SISERA SLAIN BY JAEL
DEBORAH'S SONG OF TRIUMPH
JEPHTHAH MET BY HIS DAUGHTER
JEPHTHAH'S DAUGHTER AND HER COMPANIONS
SAMSON SLAYING THE LION
SAMSON AND DELILAH
THE DEATH OF SAMSON
NAOMI AND HER DAUGHTERS-IN-LAW
RUTH AND BOAZ
THE RETURN OF THE ARK
SAUL AND DAVID
DAVID SPARING SAUL
DEATH OF SAUL
THE DEATH OF ABSALOM
DAVID MOURNING OVER ABSALOM
THE JUDGMENT OF SOLOMON
THE CEDARS DESTINED FOR THE TEMPLE
THE PROPHET SLAIN BY A LION
ELIJAH DESTROYING THE MESSENGERS OF AHAZIAH
ELIJAH'S ASCENT IN A CHARIOT OF FIRE
DEATH OF JEZEBEL
ESTHER CONFOUNDING HAMAN
DESTRUCTION OF SENNACHERIB'S HOST
THE VISION OF EZEKIEL
THE FIERY FURNACE
DANIEL IN THE LION'S DEN
THE PROPHET AMOS
JONAH CALLING NINEVEH TO REPENTANCE
DANIEL CONFOUNDING THE PRIESTS OF BEL
HELIODORUS PUNISHED IN THE TEMPLE
THE STAR IN THE EAST
THE FLIGHT INTO EGYPT
THE MASSACRE OF THE INNOCENTS
JESUS QUESTIONING THE DOCTORS
JESUS HEALING THE SICK
SERMON ON THE MOUNT
CHRIST STILLING THE TEMPEST
THE DUMB MAN POSSESSED
CHRIST IN THE SYNAGOGUE
THE DISCIPLES PLUCKING CORN ON THE SABBATH
JESUS WALKING ON THE WATER
CHRIST'S ENTRY INTO JERUSALEM
JESUS AND THE TRIBUTE MONEY
THE WIDOW'S MITE
RAISING OF THE DAUGHTER OF JAIRUS
THE GOOD SAMARITAN
ARRIVAL OF THE SAMARITAN AT THE INN
THE PRODIGAL SON
LAZARUS AND THE RICH MAN
THE PHARISEE AND THE PUBLICAN
JESUS AND THE WOMAN OF SAMARIA
JESUS AND THE WOMAN TAKEN IN ADULTERY
THE RESURRECTION OF LAZARUS
THE LAST SUPPER
THE AGONY IN THE GARDEN
PRAYER OF JESUS IN THE GARDEN OF OLIVES
CHRIST FAINTING UNDER THE CROSS
CLOSE OF THE CRUCIFIXION
THE BURIAL OF JESUS
THE ANGEL AT THE SEPULCHER
THE JOURNEY TO EMMAUS
THE MARTYRDOM OF ST. STEPHEN
THE DELIVERANCE OF ST. PETER
PAUL AT EPHESUS
PAUL MENACED BY THE JEWS
DEATH ON THE PALE HORSE
THE CREATION OF EVE.
"And the Lord God said, it is not good that the man should be alone; I
will make him a helpmeet for him. And the Lord God caused a deep sleep to
fall on Adam, and he slept, and he took one of his ribs, and closed up
the flesh instead thereof; and the rib which the Lord God had taken from
man, made he a woman, and brought her unto the man. And Adam said, This
is now bone of my bone and flesh of my flesh: she shall be called Woman,
because she was taken out of man. Therefore shall a man leave his father
and mother, and shall cleave unto his wife, and they shall be one flesh."
Genesis ii, 18, 21-24.
In these few words the Scriptures narrate the creation of the first
mother of our race. In "Paradise Lost," the poetic genius of Milton,
going more into detail, describes how Eve awoke to consciousness, and
found herself reposing under a shade of flowers, much wondering what she
was and whence she came. Wandering by the margin of a small lake, she
sees her own form mirrored in the clear waters, at which she wonders
more. But a voice is heard, leading her to him for whom she was made, who
lies sleeping under a grateful shade. It is at this point the artist
comes to interpret the poet's dream. Amid the varied and luxurious
foliage of Eden, in the vague light of the early dawn, Eve is presented,
coy and graceful, gazing on her sleeping Lord, while in the background is
faintly outlined the mystic form of Him in whose image they were created.
THE EXPULSION FROM THE GARDEN.
And the Lord God said, Behold, the man is become as one of us, to know
good and evil; and now, lest he put forth his hand, and take also of the
tree of life, and eat, and live forever: Therefore, the Lord God sent him
forth from the garden of Eden, to till the ground from whence he was
taken. So he drove out the man; and he placed at the east of the garden
of Eden cherubims, and a flaming sword which turned every way, to keep
the way of the tree of life.--Genesis iii, 22-24
They, looking back, all the eastern side beheld Of Paradise, so late
their happy seat, Waved over by that flaming brand; the gate, With
dreadful forces thronged, and fiery arms Some natural tears they dropped,
but wiped them soon; The world was all before them, where to choose Their
place of rest, and Providence their guide; They, hand in hand, with
wandering steps and slow, Through Eden took their solitary way.
Paradise Lost, Book XII.
THE MURDER OF ABEL.
And Adam knew Eve his wife; and she conceived, and bare Cain, and said, I
have gotten a man from the Lord. And she again bare his brother Abel. And
Abel was a keeper of sheep, but Cain was a tiller of the ground. And in
process of time it came to pass, that Cain brought of the fruit of the
ground an offering unto the Lord. And Abel, he also brought of the
firstlings of his flock and of the fat thereof. And the Lord had respect
unto Abel and to his offering: But unto Cain and to his offering he had
not respect. And Cain was very wroth, and his countenance fell. And the
Lord said unto Cain, Why art thou wroth? and why is thy countenance
fallen? If thou doest well, shalt thou not be accepted? and if thou doest
not well, sin lieth at the door, and unto thee shall be his desire, and
thou shalt rule over him. And Cain talked with Abel his brother: and it
came to pass,--when they were in the field, that Cain rose up against
Abel his brother, and slew him.
And the Lord said unto Cain, Where is Abel thy brother? And he said, I
know not Am I my brother's keeper? And he said, What hast thou done? the
voice of thy brother's blood crieth unto me from the ground. And now art
thou cursed from the earth, which hath opened her mouth to receive thy
brother's blood from thy hand; When thou tillest the ground, it shall not
henceforth yield unto thee her strength; a fugitive and a vagabond shalt
thou be in the earth. And Cain said unto the Lord, My punishment is
greater than I can bear. Behold, thou hast driven me out this day from
the face of the earth and from thy face shall I be hid; and I shall be a
fugitive and a vagabond in the earth; and it shall come to pass, that
every one that findeth me shall slay me. And the Lord said unto him,
Therefore whosoever slayeth Cain, vengeance shall be taken on him
sevenfold. And the Lord set a mark upon Cain, lest any finding him should
And Cain went out from the presence of the Lord, and dwelt in the land of
Nod, on the east of Eden.--Genesis iv, 1-16
In the six hundredth year of Noah's life, in the second month, the
seventeenth day of the month, the same day were all the fountains of the
great deep broken up, and the windows of heaven were opened. And the rain
was upon the earth forty days and forty nights.
In the selfsame day entered Noah, and Shem, and Ham, and Japheth, the
sons of Noah, and Noah's wife, and the three wives of his sons with them,
into the ark; they, and every beast after his kind, and all the cattle
after their kind, and every creeping thing that creepeth upon the earth
after his kind, and every fowl after his kind, every bird of every sort.
And they went in unto Noah into the ark, two and two of all flesh,
wherein is the breath of life. And they that went in, went in male and
female of all flesh, as God had commanded him: and the Lord shut him in.
And the flood was forty days upon the earth; and the waters increased,
and bare up the ark, and it was lift up above the earth. And the waters
prevailed, and were increased, greatly upon the earth; and the ark went
upon the face of the waters. And the waters prevailed exceedingly upon
the earth; and all the high hills, that were under the whole heaven, were
covered. Fifteen cubits upward did the waters prevail; and the mountains
were covered. And all flesh died that moved upon the earth, both of fowl,
and of cattle, and of beast, and of every creeping thing that creepeth
upon the earth, and every man; all in whose nostrils was the breath of
life, of all that was in the dry land, died. And every living substance
was destroyed which was upon the face of the ground, both man and cattle,
and the creeping things, and the fowl of the heaven; and they were
destroyed from the earth; and Noah only remained alive, and they that
were with him in the ark.
And the waters prevailed upon the earth an hundred and fifty
days.--Genesis vii, 11-24.
NOAH CURSING HAM.
And the sons of Noah, that went forth of the ark, were Shem, and Ham, and
Japheth; and Ham is the father of Canaan. These are the three sons of
Noah: and of them was the whole earth overspread.
And Noah began to be an husbandman, and he planted a vineyard: And he
drank of the wine, and was drunken; and he was uncovered within his tent.
And Ham, the father of Canaan, saw the nakedness of his father, and told
his two brethren without. And Shem and Japheth took a garment, and laid
it upon both their shoulders, and went backward, and covered the
nakedness of their father; and their faces were backward, and they saw
not their father's nakedness. And Noah awoke from his wine, and knew what
his younger son had done unto him. And he said, Cursed be Canaan; a
servant of servants shall he be unto his brethren. And he said, Blessed
be the Lord God of Shem; and Canaan shall be his servant. God shall
enlarge Japheth, and he shall dwell in the tents of Shem; and Canaan
shall be his servant.--Genesis ix, 18-27.
THE TOWER OF BABEL.
And the whole earth was of one language, and of one speech.
And it came to pass as they journeyed from the east, that they found a
plain in the land of Shinar; and they dwelt there. And they said one to
another, Go to, let us make brick, and burn them thoroughly. And they had
brick for stone, and slime had they for mortar. And they said, Go to, let
us build us a city and a tower, whose top may reach unto heaven; and let
us make us a name, lest we be scattered abroad upon the face of the whole
And the Lord came down to see the city and the tower which the children
of men builded. And the Lord said, Behold, the people is one, and they
have all one language; and this they begin to do: and now nothing will be
restrained from them, which they have imagined to do. Go to, let us go
down, and there confound their language, that they may not understand one
So the Lord scattered them abroad from thence upon the face of all the
earth: and they left off to build the city.
Therefore is the name of it called Babel; because the Lord did there
confound the language of all the earth: and from thence did the Lord
scatter them abroad upon the face of all the earth.--Genesis xi, 1-9.
ABRAHAM ENTERTAINS THREE STRANGERS.
In the selfsame day was Abraham circumcised, and Ishmael his son. And all
the men of his house, born in the house, and bought with money of the
stranger, were circumcised with him.
And the Lord appeared unto him in the plains of Mamre: and he sat in the
tent door in the heat of the day; and he lift up his eyes and looked,
and, lo, three men stood by him: and when he saw them, he ran to meet
them from the tent door, and bowed himself toward the ground, and said,
My Lord, if now I have found favour in thy sight, pass not away, I pray
thee, from thy servant: let a little water, I pray you, be fetched, and
wash your feet, and rest yourselves under the tree: And I will fetch a
morsel of bread, and comfort ye your hearts; after that ye shall pass on:
for therefore are ye come to your servant. And they said, So do, as thou
And Abraham hastened into the tent unto Sarah, and said, Make ready
quickly three measures of fine meal, knead it, and make cakes upon the
hearth. And Abraham ran unto the herd, and fetched a calf tender and
good, and gave it unto a young man; and he hasted to dress it. And he
took butter, and milk, and the calf which he had dressed, and set it
before them; and he stood by them under the tree, and they did
eat.--Genesis xvii, 26, 27; xviii 1-8.
Be not forgetful to entertain strangers: for thereby some have
entertained angels unawares.--Hebrews xiii, 2.
THE DESTRUCTION OF SODOM.
And when the morning arose, then the angels hastened Lot, saying, Arise,
take thy wife, and thy two daughters, which are here; lest thou be
consumed in the iniquity of the city. And while he lingered, the men laid
hold upon his hand, and upon the hand of his wife, and upon the hand of
his two daughters; the Lord being merciful unto him: and they brought him
forth, and set him without the city.
And it came to pass, when they had brought them forth abroad, that he
said, Escape for thy life; look not behind thee, neither stay thou in all
the plain; escape to the mountain, lest thou be consumed. And Lot said
unto them, Oh, not so, my Lord. Behold now, thy servant hath found grace
in thy sight, and thou hast magnified thy mercy, which thou hast shewed
unto me in saving my life; and I cannot escape to the mountain, lest some
evil take me and I die. Behold now this city is near to flee unto, and it
is a little one: Oh, let me escape thither (is it not a little one?) and
my soul shall live. And he said unto him, See, I have accepted thee
concerning this thing also, that I will not overthrow this city, for the
which thou hast spoken. Haste thee, escape thither; for I cannot do
anything till thou be come thither.
Therefore the name of the city was called Zoar.
The sun was risen upon the earth when Lot entered unto Zoar. Then the
Lord rained upon Sodom and upon Gomorrah brimstone and fire from the Lord
out of heaven; and he overthrew those cities, and all the plain, and all
the inhabitants of the cities, and that which grew upon the ground.
But his wife looked back from behind him, and she became a pillar of
And Abraham gat up early in the morning to the place where he stood
before the Lord and he looked toward Sodom and Gomorrah, and toward all
the land of the plain, and beheld, and lo, the smoke of the country went
up as the smoke of a furnace.--Genesis xix, 15-28.
THE EXPULSION OF HAGAR.
And the Lord visited Sarah as he had said, and the Lord did unto Sarah as
he had spoken. For Sarah conceived, and bare Abraham a son in his old
age, at the set time of which God had spoken to him. And Abraham called
the name of his son that was born unto him, whom Sarah bare to him,
Isaac. And Abraham circumcised his son Isaac, being eight days old, as
God had commanded him. And Abraham was an hundred years old, when his son
Isaac was born unto him.
And Sarah said, God hath made me to laugh, so that all that hear will
laugh with me. And she said, Who would have said unto Abraham, that Sarah
should have given children suck? for I have born him a son in his old
age. And the child grew, and was weaned: and Abraham made a great feast
the same day that Isaac was weaned.
And Sarah, saw the son of Hagar, the Egyptian, which she had born unto
Abraham, mocking. Wherefore she said unto Abraham, Cast out this
bondwoman and her son; for the son of this, bondwoman shall not be heir
with my son, even with Isaac.
And the thing was very grievous in Abraham's sight because of his son.
And God said unto Abraham, Let it not be grievous in thy sight because of
the lad, and because of thy bondwoman; in all that Sarah hath said unto
thee, hearken unto her voice; for in Isaac shall thy seed be called. And
also of the son of the bondwoman will I make a nation, because he is thy
And Abraham rose up early in the morning, and took bread, and a bottle of
water, and gave it unto Hagar, putting it on her shoulder, and the child,
and sent her away: and she departed, and wandered in the wilderness of
Beer-sheba.--Genesis xxi, 1-14.
HAGAR IN THE WILDERNESS.
And Abraham rose up early in the morning, and took bread, and a bottle of
water, and gave it unto Hagar, putting it on her shoulder, and the child,
and sent her away; and she departed, and wandered in the wilderness of
Beer-sheba. And the water was spent in the bottle, and she cast the child
under one of the shrubs. And she went and sat her down over against him a
good way off, as it were a bow-shot: for she said, Let me not see the
death of the child. And she sat over against him, and lifted up her voice
and wept. And God heard the voice of the lad; and the angel of God called
to Hagar out of heaven, and said unto her, What aileth thee, Hagar? fear
not, for God hath heard the voice of the lad where he is. Arise, lift up
the lad, and hold him in thine hand; for I will make him a great nation.
And God opened her eyes, and she saw a well of water; and she went, and
filled the bottle with water, and gave the lad drink. And God was with
the lad; and he grew, and dwelt in the wilderness, and became an archer.
And he dwelt in the wilderness of Paran: and his mother took him a wife
out of the land of Egypt.--Genesis xxi. 14-21.
*** END OF THIS PROJECT GUTENBERG EBOOK DORE BIBLE GALLERY, VOL. 1 ***
***** This file should be named 8701.txt or 8701.zip *****
This and all associated files of various formats will be found in:
Produced by David Widger
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
agree to be bound by the terms of this agreement. There are a few
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
Gutenberg-tm mission of promoting free access to electronic works by
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
1.E.1. The following sentence, with active links to, or other immediate
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
through 1.E.7 or obtain permission for the use of the work and the
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
1.E.7. Do not charge a fee for access to, viewing, displaying,
1.E.8. You may charge a reasonable fee for copies of or providing
- You pay a royalty fee of 20% of the gross profits you derive from
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
forth in this agreement, you must obtain permission in writing from
Foundation as set forth in Section 3 below.
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
that arise directly or indirectly from any of the following which you do
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
firstname.lastname@example.org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
ways including including checks, online payments and credit card
donations. To donate, please visit: http://pglaf.org/donate
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.