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The Complete Essays of C. D. Warner by Charles Dudley Warner

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This etext was produced by David Widger





By Charles Dudley Warner

Copyright 1904


CONTENTS: (25 Short Studies)



The Drawer will still bet on the rose. This is not a wager, but only a
strong expression of opinion. The rose will win. It does not look so
now. To all appearances, this is the age of the chrysanthemum. What
this gaudy flower will be, daily expanding and varying to suit the whim
of fashion, no one can tell. It may be made to bloom like the cabbage;
it may spread out like an umbrella--it can never be large enough nor
showy enough to suit us. Undeniably it is very effective, especially in
masses of gorgeous color. In its innumerable shades and enlarging
proportions, it is a triumph of the gardener. It is a rival to the
analine dyes and to the marabout feathers. It goes along with all the
conceits and fantastic unrest of the decorative art. Indeed, but for the
discovery of the capacities of the chrysanthemum, modern life would have
experienced a fatal hitch in its development. It helps out our age of
plush with a flame of color. There is nothing shamefaced or retiring
about it, and it already takes all provinces for its own. One would be
only half-married--civilly, and not fashionably--without a chrysanthemum
wedding; and it lights the way to the tomb. The maiden wears a bunch of
it in her corsage in token of her blooming expectations, and the young
man flaunts it on his coat lapel in an effort to be at once effective and
in the mode. Young love that used to express its timid desire with the
violet, or, in its ardor, with the carnation, now seeks to bring its
emotions to light by the help of the chrysanthemum. And it can express
every shade of feeling, from the rich yellow of prosperous wooing to the
brick-colored weariness of life that is hardly distinguishable from the
liver complaint. It is a little stringy for a boutonniere, but it fills
the modern-trained eye as no other flower can fill it. We used to say
that a girl was as sweet as a rose; we have forgotten that language. We
used to call those tender additions to society, on the eve of their event
into that world which is always so eager to receive fresh young life,
"rose-buds"; we say now simply "buds," but we mean chrysanthemum buds.
They are as beautiful as ever; they excite the same exquisite interest;
perhaps in their maiden hearts they are one or another variety of that
flower which bears such a sweet perfume in all literature; but can it
make no difference in character whether a young girl comes out into the
garish world as a rose or as a chrysanthemum? Is her life set to the
note of display, of color and show, with little sweetness, or to that
retiring modesty which needs a little encouragement before it fully
reveals its beauty and its perfume? If one were to pass his life in
moving in a palace car from one plush hotel to another, a bunch of
chrysanthemums in his hand would seem to be a good symbol of his life.
There are aged people who can remember that they used to choose various
roses, as to their color, odor, and degree of unfolding, to express the
delicate shades of advancing passion and of devotion. What can one do
with this new favorite? Is not a bunch of chrysanthemums a sort of
take-it-or-leave-it declaration, boldly and showily made, an offer
without discrimination, a tender without romance? A young man will catch
the whole family with this flaming message, but where is that sentiment
that once set the maiden heart in a flutter? Will she press a
chrysanthemum, and keep it till the faint perfume reminds her of the
sweetest moment of her life?

Are we exaggerating this astonishing rise, development, and spread of the
chrysanthemum? As a fashion it is not so extraordinary as the hoop-
skirt, or as the neck ruff, which is again rising as a background to the
lovely head. But the remarkable thing about it is that heretofore in all
nations and times, and in all changes of fashion in dress, the rose has
held its own as the queen of flowers and as the finest expression of
sentiment. But here comes a flaunting thing with no desirable perfume,
looking as if it were cut with scissors out of tissue-paper, but capable
of taking infinite varieties of color, and growing as big as a curtain
tassel, that literally captures the world, and spreads all over the
globe, like the Canada thistle. The florists have no eye for anything
else, and the biggest floral prizes are awarded for the production of its
eccentricities. Is the rage for this flower typical of this fast and
flaring age?

The Drawer is not an enemy to the chrysanthemum, nor to the sunflower,
nor to any other gorgeous production of nature. But it has an old-
fashioned love for the modest and unobtrusive virtues, and an abiding
faith that they will win over the strained and strident displays of life.
There is the violet: all efforts of cultivation fail to make it as big as
the peony, and it would be no more dear to the heart if it were
quadrupled in size. We do, indeed, know that satisfying beauty and
refinement are apt to escape us when we strive too much and force nature
into extraordinary display, and we know how difficult it is to get mere
bigness and show without vulgarity. Cultivation has its limits. After
we have produced it, we find that the biggest rose even is not the most
precious; and lovely as woman is, we instinctively in our admiration put
a limit to her size. There being, then, certain laws that ultimately
fetch us all up standing, so to speak, it does seem probable that the
chrysanthemum rage will end in a gorgeous sunset of its splendor; that
fashion will tire of it, and that the rose, with its secret heart of
love; the rose, with its exquisite form; the rose, with its capacity of
shyly and reluctantly unfolding its beauty; the rose, with that odor--of
the first garden exhaled and yet kept down through all the ages of sin
--will become again the fashion, and be more passionately admired for its
temporary banishment. Perhaps the poet will then come back again and
sing. What poet could now sing of the "awful chrysanthemum of dawn"?


The Drawer has no wish to make Lent easier for anybody, or rather to
diminish the benefit of the penitential season. But in this period of
human anxiety and repentance it must be said that not enough account is
made of the moral responsibility of Things. The doctrine is sound; the
only difficulty is in applying it. It can, however, be illustrated by a
little story, which is here confided to the reader in the same trust in
which it was received. There was once a lady, sober in mind and sedate
in manner, whose plain dress exactly represented her desire to be
inconspicuous, to do good, to improve every day of her life in actions
that should benefit her kind. She was a serious person, inclined to
improving conversation, to the reading of bound books that cost at least
a dollar and a half (fifteen cents of which she gladly contributed to the
author), and she had a distaste for the gay society which was mainly a
flutter of ribbons and talk and pretty faces; and when she meditated, as
she did in her spare moments, her heart was sore over the frivolity of
life and the emptiness of fashion. She longed to make the world better,
and without any priggishness she set it an example of simplicity and
sobriety, of cheerful acquiescence in plainness and inconspicuousness.

One day--it was in the autumn--this lady had occasion to buy a new hat.
From a great number offered to her she selected a red one with a dull red
plume. It did not agree with the rest of her apparel; it did not fit her
apparent character. What impulse led to this selection she could not
explain. She was not tired of being good, but something in the
jauntiness of the hat and the color pleased her. If it were a
temptation, she did not intend to yield to it, but she thought she would
take the hat home and try it. Perhaps her nature felt the need of a
little warmth. The hat pleased her still more when she got it home and
put it on and surveyed herself in the mirror. Indeed, there was a new
expression in her face that corresponded to the hat. She put it off and
looked at it. There was something almost humanly winning and temptatious
in it. In short, she kept it, and when she wore it abroad she was not
conscious of its incongruity to herself or to her dress, but of the
incongruity of the rest of her apparel to the hat, which seemed to have a
sort of intelligence of its own, at least a power of changing and
conforming things to itself. By degrees one article after another in the
lady's wardrobe was laid aside, and another substituted for it that
answered to the demanding spirit of the hat. In a little while this
plain lady was not plain any more, but most gorgeously dressed, and
possessed with the desire to be in the height of the fashion. It came to
this, that she had a tea-gown made out of a window-curtain with a
flamboyant pattern. Solomon in all his glory would have been ashamed of
himself in her presence.

But this was not all. Her disposition, her ideas, her whole life, was
changed. She did not any more think of going about doing good, but of
amusing herself. She read nothing but stories in paper covers. In place
of being sedate and sober-minded, she was frivolous to excess; she spent
most of her time with women who liked to "frivol." She kept Lent in the
most expensive way, so as to make the impression upon everybody that she
was better than the extremest kind of Lent. From liking the sedatest
company she passed to liking the gayest society and the most fashionable
method of getting rid of her time. Nothing whatever had happened to her,
and she is now an ornament to society.

This story is not an invention; it is a leaf out of life. If this lady
that autumn day had bought a plain bonnet she would have continued on in
her humble, sensible way of living. Clearly it was the hat that made the
woman, and not the woman the hat. She had no preconception of it; it
simply happened to her, like any accident--as if she had fallen and
sprained her ankle. Some people may say that she had in her a concealed
propensity for frivolity; but the hat cannot escape the moral
responsibility of calling it out if it really existed. The power of
things to change and create character is well attested. Men live up to
or live down to their clothes, which have a great moral influence on
manner, and even on conduct. There was a man run down almost to
vagabondage, owing to his increasingly shabby clothing, and he was only
saved from becoming a moral and physical wreck by a remnant of good-
breeding in him that kept his worn boots well polished. In time his
boots brought up the rest of his apparel and set him on his feet again.
Then there is the well-known example of the honest clerk on a small
salary who was ruined by the gift of a repeating watch--an expensive
timepiece that required at least ten thousand a year to sustain it: he is
now in Canada.

Sometimes the influence of Things is good and sometimes it is bad. We
need a philosophy that shall tell us why it is one or the other, and fix
the responsibility where it belongs. It does no good, as people always
find out by reflex action, to kick an inanimate thing that has offended,
to smash a perverse watch with a hammer, to break a rocking-chair that
has a habit of tipping over backward. If Things are not actually
malicious, they seem to have a power of revenging themselves. We ought
to try to understand them better, and to be more aware of what they can
do to us. If the lady who bought the red hat could have known the hidden
nature of it, could have had a vision of herself as she was transformed
by it, she would as soon have taken a viper into her bosom as have placed
the red tempter on her head. Her whole previous life, her feeling of the
moment, show that it was not vanity that changed her, but the
inconsiderate association with a Thing that happened to strike her fancy,
and which seemed innocent. But no Thing is really powerless for good or


Have we yet hit upon the right idea of civilization? The process which
has been going on ever since the world began seems to have a defect in
it; strength, vital power, somehow escapes. When you've got a man
thoroughly civilized you cannot do anything more with him. And it is
worth reflection what we should do, what could we spend our energies on,
and what would evoke them, we who are both civilized and enlightened, if
all nations were civilized and the earth were entirely subdued. That is
to say, are not barbarism and vast regions of uncultivated land a
necessity of healthful life on this globe? We do not like to admit that
this process has its cycles, that nations and men, like trees and fruit,
grow, ripen, and then decay. The world has always had a conceit that the
globe could be made entirely habitable, and all over the home of a
society constantly growing better. In order to accomplish this we have
striven to eliminate barbarism in man and in nature:

Is there anything more unsatisfactory than a perfect house, perfect
grounds, perfect gardens, art and nature brought into the most absolute
harmony of taste and culture? What more can a man do with it? What
satisfaction has a man in it if he really gets to the end of his power to
improve it? There have been such nearly ideal places, and how strong
nature, always working against man and in the interest of untamed
wildness, likes to riot in them and reduce them to picturesque
destruction! And what sweet sadness, pathos, romantic suggestion, the
human mind finds in such a ruin! And a society that has attained its end
in all possible culture, entire refinement in manners, in tastes, in the
art of elegant intellectual and luxurious living--is there nothing
pathetic in that? Where is the primeval, heroic force that made the joy
of living in the rough old uncivilized days? Even throw in goodness, a
certain amount of altruism, gentleness, warm interest in unfortunate
humanity--is the situation much improved? London is probably the most
civilized centre the world has ever seen; there are gathered more of the
elements of that which we reckon the best. Where in history, unless some
one puts in a claim for the Frenchman, shall we find a Man so nearly
approaching the standard we have set up of civilization as the
Englishman, refined by inheritance and tradition, educated almost beyond
the disturbance of enthusiasm, and cultivated beyond the chance of
surprise? We are speaking of the highest type in manner, information,
training, in the acquisition of what the world has to give. Could these
men have conquered the world? Is it possible that our highest
civilization has lost something of the rough and admirable element that
we admire in the heroes of Homer and of Elizabeth? What is this London,
the most civilized city ever known? Why, a considerable part of its
population is more barbarous, more hopelessly barbarous, than any wild
race we know, because they are the barbarians of civilization, the refuse
and slag of it, if we dare say that of any humanity. More hopeless,
because the virility of savagery has measurably gone out of it. We can
do something with a degraded race of savages, if it has any stamina in
it. What can be done with those who are described as "East-Londoners"?

Every great city has enough of the same element. Is this an accident, or
is it a necessity of the refinement that we insist on calling
civilization? We are always sending out missionaries to savage or
perverted nations, we are always sending out emigrants to occupy and
reduce to order neglected territory. This is our main business. How
would it be if this business were really accomplished, and there were no
more peoples to teach our way of life to, and no more territory to bring
under productive cultivation? Without the necessity of putting forth
this energy, a survival of the original force in man, how long would our
civilization last? In a word, if the world were actually all civilized,
wouldn't it be too weak even to ripen? And now, in the great centres,
where is accumulated most of that we value as the product of man's best
efforts, is there strength enough to elevate the degraded humanity that
attends our highest cultivation? We have a gay confidence that we can do
something for Africa. Can we reform London and Paris and New York, which
our own hands have made?

If we cannot, where is the difficulty? Is this a hopeless world? Must
it always go on by spurts and relapses, alternate civilization and
barbarism, and the barbarism being necessary to keep us employed and
growing? Or is there some mistake about our ideal of civilization? Does
our process too much eliminate the rough vigor, courage, stamina of the
race? After a time do we just live, or try to live, on literature warmed
over, on pretty coloring and drawing instead of painting that stirs the
soul to the heroic facts and tragedies of life? Where did this virile,
blood-full, throbbing Russian literature come from; this Russian painting
of Verestchagin, that smites us like a sword with the consciousness of
the tremendous meaning of existence? Is there a barbaric force left in
the world that we have been daintily trying to cover and apologize for
and refine into gentle agreeableness?

These questions are too deep for these pages. Let us make the world
pleasant, and throw a cover over the refuse. We are doing very well, on
the whole, considering what we are and the materials we have to work on.
And we must not leave the world so perfectly civilized that the
inhabitants, two or three centuries ahead, will have nothing to do.


Of all the contrivances for amusement in this agreeable world the
"Reception" is the most ingenious, and would probably most excite the
wonder of an angel sent down to inspect our social life. If he should
pause at the entrance of the house where one is in progress, he would be
puzzled. The noise that would greet his ears is different from the deep
continuous roar in the streets, it is unlike the hum of millions of
seventeen-year locusts, it wants the musical quality of the spring
conventions of the blackbirds in the chestnuts, and he could not compare
it to the vociferation in a lunatic asylum, for that is really subdued
and infrequent. He might be incapable of analyzing this, but when he
caught sight of the company he would be compelled to recognize it as the
noise of our highest civilization. It may not be perfect, for there are
limits to human powers of endurance, but it is the best we can do. It is
not a chance affair. Here are selected, picked out by special
invitation, the best that society can show, the most intelligent, the
most accomplished, the most beautiful, the best dressed persons in the
community--all receptions have this character. The angel would notice
this at once, and he would be astonished at the number of such persons,
for the rooms would be so crowded that he would see the hopelessness of
attempting to edge or wedge his way through the throng without tearing
off his wings. An angel, in short, would stand no chance in one of these
brilliant assemblies on account of his wings, and he probably could not
be heard, on account of the low, heavenly pitch of his voice. His
inference would be that these people had been selected to come together
by reason of their superior power of screaming. He would be wrong.

--They are selected on account of their intelligence, agreeableness, and
power of entertaining each other. They come together, not for exercise,
but pleasure, and the more they crowd and jam and struggle, and the
louder they scream, the greater the pleasure. It is a kind of contest,
full of good-humor and excitement. The one that has the shrillest voice
and can scream the loudest is most successful. It would seem at first
that they are under a singular hallucination, imagining that the more
noise there is in the room the better each one can be heard, and so each
one continues to raise his or her voice in order to drown the other
voices. The secret of the game is to pitch the voice one or two octaves
above the ordinary tone. Some throats cannot stand this strain long;
they become rasped and sore, and the voices break; but this adds to the
excitement and enjoyment of those who can scream with less inconvenience.
The angel would notice that if at any time silence was called, in order
that an announcement of music could be made, in the awful hush that
followed people spoke to each other in their natural voices, and
everybody could be heard without effort. But this was not the object of
the Reception, and in a moment more the screaming would begin again, the
voices growing higher and higher, until, if the roof were taken off, one
vast shriek would go up to heaven.

This is not only a fashion, it is an art. People have to train for it,
and as it is a unique amusement, it is worth some trouble to be able to
succeed in it. Men, by reason of their stolidity and deeper voices, can
never be proficients in it; and they do not have so much practice--unless
they are stock-brokers. Ladies keep themselves in training in their
ordinary calls. If three or four meet in a drawing-room they all begin
to scream, not that they may be heard--for the higher they go the less
they understand each other--but simply to acquire the art of screaming at
receptions. If half a dozen ladies meeting by chance in a parlor should
converse quietly in their sweet, ordinary home tones, it might be in a
certain sense agreeable, but it would not be fashionable, and it would
not strike the prevailing note of our civilization. If it were true that
a group of women all like to talk at the same time when they meet (which
is a slander invented by men, who may be just as loquacious, but not so
limber-tongued and quick-witted), and raise their voices to a shriek in
order to dominate each other, it could be demonstrated that they would be
more readily heard if they all spoke in low tones. But the object is not
conversation; it is the social exhilaration that comes from the wild
exercise of the voice in working off a nervous energy; it is so seldom
that in her own house a lady gets a chance to scream.

The dinner-party, where there are ten or twelve at table, is a favorite
chance for this exercise. At a recent dinner, where there were a dozen
uncommonly intelligent people, all capable of the most entertaining
conversation, by some chance, or owing to some nervous condition, they
all began to speak in a high voice as soon as they were seated, and the
effect was that of a dynamite explosion. It was a cheerful babel of
indistinguishable noise, so loud and shrill and continuous that it was
absolutely impossible for two people seated on the opposite sides of the
table, and both shouting at each other, to catch an intelligible
sentence. This made a lively dinner. Everybody was animated, and if
there was no conversation, even between persons seated side by side,
there was a glorious clatter and roar; and when it was over, everybody
was hoarse and exhausted, and conscious that he had done his best in a
high social function.

This topic is not the selection of the Drawer, the province of which is
to note, but not to criticise, the higher civilization. But the inquiry
has come from many cities, from many women, "Cannot something be done to
stop social screaming?" The question is referred to the scientific
branch of the Social Science Association. If it is a mere fashion, the
association can do nothing. But it might institute some practical
experiments. It might get together in a small room fifty people all let
loose in the ordinary screaming contest, measure the total volume of
noise and divide it by fifty, and ascertain how much throat power was
needed in one person to be audible to another three feet from the
latter's ear. This would sift out the persons fit for such a contest.
The investigator might then call a dead silence in the assembly, and
request each person to talk in a natural voice, then divide the total
noise as before, and see what chance of being heard an ordinary
individual had in it. If it turned out in these circumstances that every
person present could speak with ease and hear perfectly what was said,
then the order might be given for the talk to go on in that tone, and
that every person who raised the voice and began to scream should be
gagged and removed to another room. In this room could be collected all
the screamers to enjoy their own powers. The same experiment might be
tried at a dinner-party, namely, to ascertain if the total hum of low
voices in the natural key would not be less for the individual voice to
overcome than the total scream of all the voices raised to a shriek. If
scientific research demonstrated the feasibility of speaking in an
ordinary voice at receptions, dinner-parties, and in "calls," then the
Drawer is of opinion that intelligible and enjoyable conversation would
be possible on these occasions, if it becomes fashionable not to scream.


Is it true that cultivation, what we call refinement, kills
individuality? Or, worse than that even, that one loses his taste by
over-cultivation? Those persons are uninteresting, certainly, who have
gone so far in culture that they accept conventional standards supposed
to be correct, to which they refer everything, and by which they measure
everybody. Taste usually implies a sort of selection; the cultivated
taste of which we speak is merely a comparison, no longer an individual
preference or appreciation, but only a reference to the conventional and
accepted standard. When a man or woman has reached this stage of
propriety we are never curious any more concerning their opinions on any
subject. We know that the opinions expressed will not be theirs, evolved
out of their own feeling, but that they will be the cut-and-dried results
of conventionality.

It is doubtless a great comfort to a person to know exactly how to feel
and what to say in every new contingency, but whether the zest of life is
not dulled by this ability is a grave question, for it leaves no room for
surprise and little for emotion. O ye belles of Newport and of Bar
Harbor, in your correct and conventional agreement of what is proper and
agreeable, are you wasting your sweet lives by rule? Is your compact,
graceful, orderly society liable to be monotonous in its gay repetition
of the same thing week after week? Is there nothing outside of that
envied circle which you make so brilliant? Is the Atlantic shore the
only coast where beauty may lounge and spread its net of enchantment?
The Atlantic shore and Europe? Perhaps on the Pacific you might come
back to your original selves, and find again that freedom and that charm
of individuality that are so attractive. Some sparkling summer morning,
if you chanced to drive four-in-hand along the broad beach at Santa
Barbara, inhaling, the spicy breeze from the Sandwich Islands, along the
curved shore where the blue of the sea and the purple of the mountains
remind you of the Sorrentine promontory, and then dashed away into the
canon of Montecito, among the vineyards and orange orchards and live-oaks
and palms, in vales and hills all ablaze with roses and flowers of the
garden and the hothouse, which bloom the year round in the gracious sea-
air, would you not, we wonder, come to yourselves in the sense of a new
life where it is good form to be enthusiastic and not disgraceful to be
surprised? It is a far cry from Newport to Santa Barbara, and a whole
world of new sensations lies on the way, experiences for which you will
have no formula of experience. To take the journey is perhaps too heroic
treatment for the disease of conformity--the sort of malaria of our
exclusive civilization.

The Drawer is not urging this journey, nor any break-up of the social
order, for it knows how painful a return to individuality may be. It is
easier to go on in the subordination of one's personality to the strictly
conventional life. It expects rather to record a continually perfected
machinery, a life in which not only speech but ideas are brought into
rule. We have had something to say occasionally of the art of
conversation, which is in danger of being lost in the confused babel of
the reception and the chatter of the dinner-party--the art of listening
and the art of talking both being lost. Society is taking alarm at this,
and the women as usual are leaders in a reform. Already, by reason of
clubs-literary, scientific, economic--woman is the well-informed part of
our society. In the "Conversation Lunch" this information is now brought
into use. The lunch, and perhaps the dinner, will no longer be the
occasion of satisfying the appetite or of gossip, but of improving talk.
The giver of the lunch will furnish the topic of conversation. Two
persons may not speak at once; two persons may not talk with each other;
all talk is to be general and on the topic assigned, and while one is
speaking, the others must listen. Perhaps each lady on taking her seat
may find in her napkin a written slip of paper which shall be the guide
to her remarks. Thus no time is to be wasted on frivolous topics. The
ordinary natural flow of rejoinder and repartee, the swirling of talk
around one obstacle and another, its winding and rippling here and there
as individual whim suggests, will not be allowed, but all will be
improving, and tend to that general culture of which we have been
speaking. The ladies' lunch is not to be exactly a debating society, but
an open occasion for the delivery of matured thought and the acquisition
of information.

The object is not to talk each other down, but to improve the mind,
which, unguided, is apt to get frivolous at the convivial board. It is
notorious that men by themselves at lunch or dinner usually shun grave
topics and indulge in persiflage, and even descend to talk about wine and
the made dishes. The women's lunch of this summer takes higher ground.
It will give Mr. Browning his final estimate; it will settle Mr. Ibsen;
it will determine the suffrage question; it will adjudicate between the
total abstainers and the halfway covenant of high license; it will not
hesitate to cut down the tariff.

The Drawer anticipates a period of repose in all our feverish social
life. We shall live more by rule and less by impulse. When we meet we
shall talk on set topics, determined beforehand. By this concentration
we shall be able as one man or one woman to reach the human limit of
cultivation, and get rid of all the aberrations of individual assertion
and feeling. By studying together in clubs, by conversing in monotone
and by rule, by thinking the same things and exchanging ideas until we
have none left, we shall come into that social placidity which is one
dream of the nationalists--one long step towards what may be called a
prairie mental condition--the slope of Kansas, where those who are five
thousand feet above the sea-level seem to be no higher than those who
dwell in the Missouri Valley.


We are all more or less devoted to 'liberte', 'egalite', and considerable
'fraternite', and we have various ways of showing it. It is the opinion
of many that women do not care much about politics, and that if they are
interested at all in them, they are by nature aristocrats. It is said,
indeed, that they care much more about their dress than they do about the
laws or the form of government. This notion arises from a
misapprehension both of the nature of woman and of the significance of

Men have an idea that fashions are haphazard, and are dictated and guided
by no fixed principles of action, and represent no great currents in
politics or movements of the human mind. Women, who are exceedingly
subtle in all their operations, feel that it is otherwise. They have a
prescience of changes in the drift of public affairs, and a delicate
sensitiveness that causes them to adjust their raiment to express these
changes. Men have written a great deal in their bungling way about the
philosophy of clothes. Women exhibit it, and if we should study them
more and try to understand them instead of ridiculing their fashions as
whims bred of an inconstant mind and mere desire for change, we would
have a better apprehension of the great currents of modern political life
and society.

Many observers are puzzled by the gradual and insidious return recently
to the mode of the Directoire, and can see in it no significance other
than weariness of some other mode. We need to recall the fact of the
influence of the centenary period upon the human mind. It is nearly a
century since the fashion of the Directoire. What more natural,
considering the evidence that we move in spirals, if not in circles, that
the signs of the anniversary of one of the most marked periods in history
should be shown in feminine apparel? It is woman's way of hinting what
is in the air, the spirit that is abroad in the world. It will be
remembered that women took a prominent part in the destruction of the
Bastile, helping, indeed, to tear down that odious structure with their
own hands, the fall of which, it is well known, brought in the classic
Greek and republican simplicity, the subtle meaning of the change being
expressed in French gowns. Naturally there was a reaction from all this
towards aristocratic privileges and exclusiveness, which went on for many
years, until in France monarchy and empire followed the significant
leadership of the French modistes. So strong was this that it passed to
other countries, and in England the impulse outlasted even the Reform
Bill, and skirts grew more and more bulbous, until it did not need more
than three or four women to make a good-sized assembly. This was not the
result of, a whim about clothes, but a subtle recognition of a spirit of
exclusiveness and defense abroad in the world. Each woman became her own
Bastile. Men surrounded it and thundered against it without the least
effect. It seemed as permanent as the Pyramids. At every male attack it
expanded, and became more aggressive and took up more room. Women have
such an exquisite sense of things--just as they have now in regard to big
obstructive hats in the theatres. They know that most of the plays are
inferior and some of them are immoral, and they attend the theatres with
head-dresses that will prevent as many people as possible from seeing the
stage and being corrupted by anything that takes place on it. They
object to the men seeing some of the women who are now on the stage. It
happened, as to the private Bastiles, that the women at last recognized a
change in the sociological and political atmosphere of the world, and
without consulting any men of affairs or caring for their opinion, down
went the Bastiles. When women attacked them, in obedience to their
political instincts, they collapsed like punctured balloons. Natural
woman was measurably (that is, a capacity of being measured) restored to
the world. And we all remember the great political revolutionary
movements of 1848.

Now France is still the arbiter of the modes. Say what we may about
Berlin, copy their fashion plates as we will, or about London, or New
York, or Tokio, it is indisputable that the woman in any company who has
on a Paris gown--the expression is odious, but there is no other that in
these days would be comprehended--"takes the cake." It is not that the
women care for this as a mere matter of apparel. But they are sensitive
to the political atmosphere, to the philosophical significance that it
has to great impending changes. We are approaching the centenary of the
fall of the Bastile. The French have no Bastile to lay low, nor, indeed,
any Tuileries to burn up; but perhaps they might get a good way ahead by
demolishing Notre Dame and reducing most of Paris to ashes. Apparently
they are on the eve of doing something. The women of the world may not
know what it is, but they feel the approaching recurrence of a period.
Their movements are not yet decisive. It is as yet only tentatively that
they adopt the mode of the Directoire. It is yet uncertain--a sort of
Boulangerism in dress. But if we watch it carefully we shall be able to
predict with some assurance the drift in Paris. The Directoire dress
points to another period of republican simplicity, anarchy, and the rule
of a popular despot.

It is a great pity, in view of this valuable instinct in women and the
prophetic significance of dress, that women in the United States do not
exercise their gifts with regard to their own country. We should then
know at any given time whether we are drifting into Blaineism, or
Clevelandism, or centralization, or free-trade, or extreme protection, or
rule by corporations. We boast greatly of our smartness. It is time we
were up and dressed to prove it.


There appears to be a great quantity of conceit around, especially
concerning women. The statement was recently set afloat that a well-
known lady had admitted that George Meredith understands women better
than any writer who has preceded him. This may be true, and it may be a
wily statement to again throw men off the track; at any rate it contains
the old assumption of a mystery, practically insoluble, about the gentler
sex. Women generally encourage this notion, and men by their gingerly
treatment of it seemed to accept it. But is it well-founded, is there
any more mystery about women--than about men? Is the feminine nature any
more difficult to understand than the masculine nature? Have women,
conscious of inferior strength, woven this notion of mystery about
themselves as a defense, or have men simply idealized them for fictitious
purposes? To recur to the case cited, is there any evidence that Mr.
Meredith understands human nature--as exhibited in women any better than
human nature--in men, or is more consistent in the production of one than
of the other? Historically it would be interesting to trace the rise of
this notion of woman as an enigma. The savage races do not appear to
have it. A woman to the North American Indian is a simple affair, dealt
with without circumlocution. In the Bible records there is not much
mystery about her; there are many tributes to her noble qualities, and
some pretty severe and uncomplimentary things are said about her, but
there is little affectation of not understanding her. She may be a
prophetess, or a consoler, or a snare, but she is no more "deceitful and
desperately wicked" than anybody else. There is nothing mysterious about
her first recorded performance. Eve trusted the serpent, and Adam
trusted Eve. The mystery was in the serpent. There is no evidence that
the ancient Egyptian woman was more difficult to comprehend than the
Egyptian man. They were both doubtless wily as highly civilized people
are apt to be; the "serpent of old Nile" was in them both. Is it in fact
till we come to mediaeval times, and the chivalric age, that women are
set up as being more incomprehensible than men? That is, less logical,
more whimsical, more uncertain in their mental processes? The play-
writers and essayists of the seventeenth and eighteenth centuries
"worked" this notion continually. They always took an investigating and
speculating attitude towards women, that fostered the conceit of their
separateness and veiled personality. Every woman was supposed to be
playing a part behind a mask. Montaigne is always investigating woman as
a mystery. It is, for instance, a mystery he does not relish that, as he
says, women commonly reserve the publication of their vehement affections
for their husbands till they have lost them; then the woful countenance
"looks not so much back as forward, and is intended rather to get a new
husband than to lament the old." And he tells this story:

"When I was a boy, a very beautiful and virtuous lady who is yet living,
and the widow of a prince, had, I know not what, more ornament in her
dress than our laws of widowhood will well allow, which being reproached
with as a great indecency, she made answer 'that it was because she was
not cultivating more friendships, and would never marry again.'" This
cynical view of woman, as well as the extravagantly complimentary one
sometimes taken by the poets, was based upon the notion that woman was an
unexplainable being. When she herself adopted the idea is uncertain.
Of course all this has a very practical bearing upon modern life, the
position of women in it, and the so-called reforms. If woman is so
different from man, to the extent of being an unexplainable mystery,
science ought to determine the exact state of the case, and ascertain if
there is any remedy for it. If it is only a literary creation, we ought
to know it. Science could tell, for instance, whether there is a
peculiarity in the nervous system, any complications in the nervous
centres, by which the telegraphic action of the will gets crossed, so
that, for example, in reply to a proposal of marriage, the intended "Yes"
gets delivered as "No." Is it true that the mental process in one sex is
intuitive, and in the other logical, with every link necessary and
visible? Is it true, as the romancers teach, that the mind in one sex
acts indirectly and in the other directly, or is this indirect process
only characteristic of exceptions in both sexes? Investigation ought to
find this out, so that we can adjust the fit occupations for both sexes
on a scientific basis. We are floundering about now in a sea of doubt.
As society becomes more complicated, women will become a greater and
greater mystery, or rather will be regarded so by themselves and be
treated so by men.

Who can tell how much this notion of mystery in the sex stands in the way
of its free advancement all along the line? Suppose the proposal were
made to women to exchange being mysterious for the ballot? Would they do
it? Or have they a sense of power in the possession of this conceded
incomprehensibility that they would not lay down for any visible insignia
of that power? And if the novelists and essayists have raised a mist
about the sex, which it willingly masquerades in, is it not time that the
scientists should determine whether the mystery exists in nature or only
in the imagination?


The Drawer has never undervalued clothes. Whatever other heresies it may
have had, however it may have insisted that the more a woman learns, the
more she knows of books, the higher her education is carried in all the
knowledges, the more interesting she will be, not only for an hour, but
as a companion for life, it has never said that she is less attractive
when dressed with taste and according to the season. Love itself could
scarcely be expected to survive a winter hat worn after Easter. And the
philosophy of this is not on the surface, nor applicable to women only.
In this the highest of created things are under a law having a much wider
application. Take as an item novels, the works of fiction, which have
become an absolute necessity in the modern world, as necessary to divert
the mind loaded with care and under actual strain as to fill the vacancy
in otherwise idle brains. They have commonly a summer and a winter
apparel. The publishers understand this. As certainly as the birds
appear, comes the crop of summer novels, fluttering down upon the stalls,
in procession through the railway trains, littering the drawing-room
tables, in light paper, covers, ornamental, attractive in colors and
fanciful designs, as welcome and grateful as the girls in muslin. When
the thermometer is in the eighties, anything heavy and formidable is
distasteful. The housekeeper knows we want few solid dishes, but salads
and cooling drinks. The publisher knows that we want our literature (or
what passes for that) in light array. In the winter we prefer the boards
and the rich heavy binding, however light the tale may be; but in the
summer, though the fiction be as grave and tragic as wandering love and
bankruptcy, we would have it come to us lightly clad--out of stays, as it

It would hardly be worth while to refer to this taste in the apparel of
our fiction did it not have deep and esoteric suggestions, and could not
the novelists themselves get a hint from it. Is it realized how much
depends upon the clothes that are worn by the characters in the novels--
clothes put on not only to exhibit the inner life of the characters, but
to please the readers who are to associate with them? It is true that
there are novels that almost do away with the necessity of fashion
magazines and fashion plates in the family, so faithful are they in the
latest millinery details, and so fully do they satisfy the longing of all
of us to know what is chic for the moment. It is pretty well understood,
also, that women, and even men, are made to exhibit the deepest passions
and the tenderest emotions in the crises of their lives by the clothes
they put on. How the woman in such a crisis hesitates before her
wardrobe, and at last chooses just what will express her innermost
feeling! Does she dress for her lover as she dresses to receive her
lawyer who has come to inform her that she is living beyond her income?
Would not the lover be spared time and pain if he knew, as the novelist
knows, whether the young lady is dressing for a rejection or an
acceptance? Why does the lady intending suicide always throw on a
waterproof when she steals out of the house to drown herself? The
novelist knows the deep significance of every article of toilet, and
nature teaches him to array his characters for the summer novel in the
airy draperies suitable to the season. It is only good art that the
cover of the novel and the covers of the characters shall be in harmony.
He knows, also, that the characters in the winter novel must be
adequately protected. We speak, of course, of the season stories.
Novels that are to run through a year, or maybe many years, and are to
set forth the passions and trials of changing age and varying
circumstance, require different treatment and wider millinery knowledge.
They are naturally more expensive. The wardrobe required in an all-round
novel would bankrupt most of us.

But to confine ourselves to the season novel, it is strange that some one
has not invented the patent adjustable story that with a slight change
would do for summer or winter, following the broad hint of the
publishers, who hasten in May to throw whatever fiction they have on hand
into summer clothes. The winter novel, by this invention, could be
easily fitted for summer wear. All the novelist need do would be to
change the clothes of his characters. And in the autumn, if the novel
proved popular, he could change again, with the advantage of being in the
latest fashion. It would only be necessary to alter a few sentences in a
few of the stereotype pages. Of course this would make necessary other
slight alterations, for no kind-hearted writer would be cruel to his own
creations, and expose them to the vicissitudes of the seasons. He could
insert "rain" for "snow," and "green leaves" for "skeleton branches,"
make a few verbal changes of that sort, and regulate the thermometer. It
would cost very little to adjust the novel in this way to any season. It
is worth thinking of.

And this leads to a remark upon the shocking indifference of some
novelists to the ordinary comfort of their characters. In practical life
we cannot, but in his realm the novelist can, control the weather. He
can make it generally pleasant. We do not object to a terrific thunder-
shower now and then, as the sign of despair and a lost soul, but
perpetual drizzle and grayness and inclemency are tedious to the reader,
who has enough bad weather in his private experience. The English are
greater sinners in this respect than we are. They seem to take a brutal
delight in making it as unpleasant as possible for their fictitious
people. There is R--b--rt 'lsm--r', for example. External trouble is
piled on to the internal. The characters are in a perpetual soak. There
is not a dry rag on any of them, from the beginning of the book to the
end. They are sent out in all weathers, and are drenched every day.
Often their wet clothes are frozen on them; they are exposed to cutting
winds and sleet in their faces, bedrabbled in damp grass, stood against
slippery fences, with hail and frost lowering their vitality, and
expected under these circumstances to make love and be good Christians.
Drenched and wind-blown for years, that is what they are. It may be that
this treatment has excited the sympathy of the world, but is it
legitimate? Has a novelist the right to subject his creations to
tortures that he would not dare to inflict upon his friends? It is no
excuse to say that this is normal English weather; it is not the office
of fiction to intensify and rub in the unavoidable evils of life. The
modern spirit of consideration for fictitious characters that prevails
with regard to dress ought to extend in a reasonable degree to their
weather. This is not a strained corollary to the demand for an
appropriately costumed novel.


It cannot for a moment be supposed that the Drawer would discourage self-
culture and refinement of manner and of speech. But it would not
hesitate to give a note of warning if it believed that the present
devotion to literature and the pursuits of the mind were likely, by the
highest authorities, to be considered bad form. In an intellectually
inclined city (not in the northeast) a club of ladies has been formed for
the cultivation of the broad 'a' in speech. Sporadic efforts have
hitherto been made for the proper treatment of this letter of the
alphabet with individual success, especially with those who have been in
England, or have known English men and women of the broad-gauge variety.
Discerning travelers have made the American pronunciation of the letter a
a reproach to the republic, that is to say, a means of distinguishing a
native of this country. The true American aspires to be cosmopolitan,
and does not want to be "spotted"--if that word may be used--in society
by any peculiarity of speech, that is, by any American peculiarity. Why,
at the bottom of the matter, a narrow 'a' should be a disgrace it is not
easy to see, but it needs no reason if fashion or authority condemns it.
This country is so spread out, without any social or literary centre
universally recognized as such, and the narrow 'a' has become so
prevalent, that even fashion finds it difficult to reform it. The best
people, who are determined to broaden all their 'a''s, will forget in
moments of excitement, and fall back into old habits. It requires
constant vigilance to keep the letter 'a' flattened out. It is in vain
that scholars have pointed out that in the use of this letter lies the
main difference between the English and the American speech; either
Americans generally do not care if this is the fact, or fashion can only
work a reform in a limited number of people. It seems, therefore,
necessary that there should be an organized effort to deal with this
pronunciation, and clubs will no doubt be formed all over the country, in
imitation of the one mentioned, until the broad a will become as common
as flies in summer. When this result is attained it will be time to
attack the sound of 'u' with clubs, and make universal the French sound.
In time the American pronunciation will become as superior to all others
as are the American sewing-machines and reapers. In the Broad A Club
every member who misbehaves--that is, mispronounces--is fined a nickel
for each offense. Of course in the beginning there is a good deal of
revenue from this source, but the revenue diminishes as the club
improves, so that we have the anomaly of its failure to be self-
supporting in proportion to its excellence. Just now if these clubs
could suddenly become universal, and the penalty be enforced, we could
have the means of paying off the national debt in a year.

We do not wish to attach too much importance to this movement, but rather
to suggest to a continent yearning for culture in letters and in speech
whether it may not be carried too far. The reader will remember that
there came a time in Athens when culture could mock at itself, and the
rest of the country may be warned in time of a possible departure from
good form in devotion to language and literature by the present attitude
of modern Athens. Probably there is no esoteric depth in literature or
religion, no refinement in intellectual luxury, that this favored city
has not sounded. It is certainly significant, therefore, when the
priestesses and devotees of mental superiority there turn upon it and
rend it, when they are heartily tired of the whole literary business.
There is always this danger when anything is passionately pursued as a
fashion, that it will one day cease to be the fashion. Plato and Buddha
and even Emerson become in time like a last season's fashion plate. Even
a "friend of the spirit" will have to go. Culture is certain to mock
itself in time.

The clubs for the improvement of the mind--the female mind--and of
speech, which no doubt had their origin in modern Athens, should know,
then, that it is the highest mark of female culture now in that beautiful
town to despise culture, to affect the gayest and most joyous ignorance--
ignorance of books, of all forms of so-called intellectual development,
and all literary men, women, and productions whatsoever! This genuine
movement of freedom may be a real emancipation. If it should reach the
metropolis, what a relief it might bring to thousands who are, under a
high sense of duty, struggling to advance the intellectual life. There
is this to be said, however, that it is only the very brightest people,
those who have no need of culture, who have in fact passed beyond all
culture, who can take this position in regard to it, and actually revel
in the delights of ignorance. One must pass into a calm place when he is
beyond the desire to know anything or to do anything.

It is a chilling thought, unless one can rise to the highest philosophy
of life, that even the broad 'a', when it is attained, may not be a
permanence. Let it be common, and what distinction will there be in it?
When devotion to study, to the reading of books, to conversation on
improving topics, becomes a universal fashion, is it not evident that one
can only keep a leadership in fashion by throwing the whole thing
overboard, and going forward into the natural gayety of life, which cares
for none of these things? We suppose the Constitution of the United
States will stand if the day comes--nay, now is--when the women of
Chicago call the women of Boston frivolous, and the women of Boston know
their immense superiority and advancement in being so, but it would be a
blank surprise to the country generally to know that it was on the wrong
track. The fact is that culture in this country is full of surprises,
and so doubles and feints and comes back upon itself that the most
diligent recorder can scarcely note its changes. The Drawer can only
warn; it cannot advise.


No language that is unfortunately understood by the greater portion of
the people who speak English, thousands are saying on the first of
January--in 1890, a far-off date that it is wonderful any one has lived
to see--"Let us have a new deal!" It is a natural exclamation, and does
not necessarily mean any change of purpose. It always seems to a man
that if he could shuffle the cards he could increase his advantages in
the game of life, and, to continue the figure which needs so little
explanation, it usually appears to him that he could play anybody else's
hand better than his own. In all the good resolutions of the new year,
then, it happens that perhaps the most sincere is the determination to
get a better hand. Many mistake this for repentance and an intention to
reform, when generally it is only the desire for a new shuffle of the
cards. Let us have a fresh pack and a new deal, and start fair. It
seems idle, therefore, for the moralist to indulge in a homily about
annual good intentions, and habits that ought to be dropped or acquired,
on the first of January. He can do little more than comment on the
passing show.

It will be admitted that if the world at this date is not socially
reformed it is not the fault of the Drawer, and for the reason that it
has been not so much a critic as an explainer and encourager. It is in
the latter character that it undertakes to defend and justify a national
industry that has become very important within the past ten years. A
great deal of capital is invested in it, and millions of people are
actively employed in it. The varieties of chewing gum that are
manufactured would be a matter of surprise to those who have paid no
attention to the subject, and who may suppose that the millions of mouths
they see engaged in its mastication have a common and vulgar taste. From
the fact that it can be obtained at the apothecary's, an impression has
got abroad that it is medicinal. This is not true. The medical
profession do not use it, and what distinguishes it from drugs-that they
also do not use--is the fact that they do not prescribe it. It is
neither a narcotic nor a stimulant. It cannot strictly be said to soothe
or to excite. The habit of using it differs totally from that of the
chewing of tobacco or the dipping of snuff. It might, by a purely
mechanical operation, keep a person awake, but no one could go to sleep
chewing gum. It is in itself neither tonic nor sedative. It is to be
noticed also that the gum habit differs from the tobacco habit in that
the aromatic and elastic substance is masticated, while the tobacco never
is, and that the mastication leads to nothing except more mastication.
The task is one that can never be finished. The amount of energy
expended in this process if capitalized or conserved would produce great
results. Of course the individual does little, but if the power evolved
by the practice in a district school could be utilized, it would suffice
to run the kindergarten department. The writer has seen a railway car--
say in the West--filled with young women, nearly every one of whose jaws
and pretty mouths was engaged in this pleasing occupation; and so much
power was generated that it would, if applied, have kept the car in
motion if the steam had been shut off--at least it would have furnished
the motive for illuminating the car by electricity.

This national industry is the subject of constant detraction, satire, and
ridicule by the newspaper press. This is because it is not understood,
and it may be because it is mainly a female accomplishment: the few men
who chew gum may be supposed to do so by reason of gallantry. There
might be no more sympathy with it in the press if the real reason for the
practice were understood, but it would be treated more respectfully.
Some have said that the practice arises from nervousness--the idle desire
to be busy without doing anything--and because it fills up the pauses of
vacuity in conversation. But this would not fully account for the
practice of it in solitude. Some have regarded it as in obedience to the
feminine instinct for the cultivation of patience and self-denial--
patience in a fruitless activity, and self-denial in the eternal act of
mastication without swallowing. It is no more related to these virtues
than it is to the habit of the reflective cow in chewing her cud. The
cow would never chew gum. The explanation is a more philosophical one,
and relates to a great modern social movement. It is to strengthen and
develop and make more masculine the lower jaw. The critic who says that
this is needless, that the inclination in women to talk would adequately
develop this, misses the point altogether. Even if it could be proved
that women are greater chatterers than men, the critic would gain
nothing. Women have talked freely since creation, but it remains true
that a heavy, strong lower jaw is a distinctively masculine
characteristic. It is remarked that if a woman has a strong lower jaw
she is like a man. Conversation does not create this difference, nor
remove it; for the development of a lower jaw in women constant
mechanical exercise of the muscles is needed. Now, a spirit of
emancipation, of emulation, is abroad, as it ought to be, for the
regeneration of the world. It is sometimes called the coming to the
front of woman in every act and occupation that used to belong almost
exclusively to man. It is not necessary to say a word to justify this.
But it is often accompanied by a misconception, namely, that it is
necessary for woman to be like man, not only in habits, but in certain
physical characteristics. No woman desires a beard, because a beard
means care and trouble, and would detract from feminine beauty, but to
have a strong and, in appearance, a resolute under-jaw may be considered
a desirable note of masculinity, and of masculine power and privilege, in
the good time coming. Hence the cultivation of it by the chewing of gum
is a recognizable and reasonable instinct, and the practice can be
defended as neither a whim nor a vain waste of energy and nervous force.
In a generation or two it may be laid aside as no longer necessary, or
men may be compelled to resort to it to preserve their supremacy.


It does not seem to be decided yet whether women are to take the Senate
or the House at Washington in the new development of what is called the
dual government. There are disadvantages in both. The members of the
Senate are so few that the women of the country would not be adequately
represented in it; and the Chamber in which the House meets is too large
for women to make speeches in with any pleasure to themselves or their
hearers. This last objection is, however, frivolous, for the speeches
will be printed in the Record; and it is as easy to count women on a vote
as men. There is nothing in the objection, either, that the Chamber
would need to be remodeled, and the smoking-rooms be turned into Day
Nurseries. The coming woman will not smoke, to be sure; neither will
she, in coming forward to take charge of the government, plead the Baby
Act. Only those women, we are told, would be elected to Congress whose
age and position enable them to devote themselves exclusively to
politics. The question, therefore, of taking to themselves the Senate or
the House will be decided by the women themselves upon other grounds--as
to whether they wish to take the initiative in legislation and hold the
power of the purse, or whether they prefer to act as a check, to exercise
the high treaty-making power, and to have a voice in selecting the women
who shall be sent to represent us abroad. Other things being equal,
women will naturally select the Upper House, and especially as that will
give them an opportunity to reject any but the most competent women for
the Supreme Bench. The irreverent scoffers at our Supreme Court have in
the past complained (though none do now) that there were "old women" in
gowns on the bench. There would be no complaint of the kind in the
future. The judges would be as pretty as those who assisted in the
judgment of Paris, with changed functions; there would be no monotony in
the dress, and the Supreme Bench would be one of the most attractive
spectacles in Washington. When the judges as well as the advocates are
Portias, the law will be an agreeable occupation.

This is, however, mere speculation. We do not understand that it is the
immediate purpose of women to take the whole government, though some
extravagant expectations are raised by the admission of new States that
are ruled by women. They may wish to divide--and conquer. One plan is,
instead of dual Chambers of opposite sexes, to mingle in both the Senate
and the House. And this is more likely to be the plan adopted, because
the revolution is not to be violent, and, indeed, cannot take place
without some readjustment of the home life. We have at present what
Charles Reade would have called only a right-handed civilization. To
speak metaphorically, men cannot use their left hands, or, to drop the
metaphor, before the government can be fully reorganized men must learn
to do women's work. It may be a fair inference from this movement that
women intend to abandon the sacred principle of Home Rule. This
abandonment is foreshadowed in a recent election in a small Western city,
where the female voters made a clean sweep, elected an entire city
council of women and most of the other officers, including the police
judge and the mayor. The latter lady, by one of those intrusions of
nature which reform is not yet able to control, became a mother and a
mayor the same week. Her husband had been city clerk, and held over; but
fortunately an arrangement was made with him to stay at home and take
care of the baby, unofficially, while the mayor attends to her public
duties. Thus the city clerk will gradually be initiated into the duties
of home rule, and when the mayor is elected to Congress he will be ready
to accompany her to Washington and keep house. The imagination likes to
dwell upon this, for the new order is capable of infinite extension.
When the State takes care of all the children in government nurseries,
and the mayor has taken her place in the United States Senate, her
husband, if he has become sufficiently reformed and feminized, may go to
the House, and the reunited family of two, clubbing their salaries, can
live in great comfort.

All this can be easily arranged, whether we are to have a dual government
of sexes or a mixed House and Senate. The real difficulty is about a
single Executive. Neither sex will be willing to yield to the other this
vast power. We might elect a man and wife President and Vice-President,
but the Vice-President, of whatever sex, could not well preside over the
Senate and in the White House at the same time. It is true that the
Constitution provides that the President and Vice-President shall not be
of the same State, but residence can be acquired to get over this as
easily as to obtain a divorce; and a Constitution that insists upon
speaking of the President as "he" is too antiquated to be respected.
When the President is a woman, it can matter little whether her husband
or some other woman presides in the Senate. Even the reformers will
hardly insist upon two Presidents in order to carry out the equality
idea, so that we are probably anticipating difficulties that will not
occur in practice.

The Drawer has only one more practical suggestion. As the right of
voting carries with it the right to hold any elective office, a great
change must take place in Washington life. Now for some years the
divergence of society and politics has been increasing at the capital.
With women in both Houses, and on the Supreme Bench, and at the heads of
the departments, social and political life will become one and the same
thing; receptions and afternoon teas will be held in the Senate and
House, and political caucuses in all the drawing-rooms. And then life
will begin to be interesting.


The shyness of man--meaning the "other sex" referred to in the woman's
journals--has often been noticed in novels, and sometimes in real life.
This shyness is, however, so exceptional as to be suspicious. The shy
young man may provoke curiosity, but he does not always inspire respect.
Roughly estimated, shyness is not considered a manly quality, while it is
one of the most pleasing and attractive of the feminine traits, and there
is something pathetic in the expression "He is as shy as a girl;" it may
appeal for sympathy and the exercise of the protective instinct in women.
Unfortunately it is a little discredited, so many of the old plays
turning upon its assumption by young blades who are no better than they
should be.

What would be the effect upon the masculine character and comfort if this
shyness should become general, as it may in a contingency that is already
on the horizon? We refer, of course, to the suggestion, coming from
various quarters, that women should propose. The reasonableness of this
suggestion may not lie on the surface; it may not be deduced from the
uniform practice, beginning with the primitive men and women; it may not
be inferred from the open nature of the two sexes (for the sake of
argument two sexes must still be insisted on); but it is found in the
advanced civilization with which we are struggling. Why should not women
propose? Why should they be at a disadvantage in an affair which
concerns the happiness of the whole life? They have as much right to a
choice as men, and to an opportunity to exercise it. Why should they
occupy a negative position, and be restricted, in making the most
important part of their career, wholly to the choice implied in refusals?
In fact, marriage really concerns them more than it does men; they have
to bear the chief of its burdens. A wide and free choice for them would,
then, seem to be only fair. Undeniably a great many men are inattentive,
unobserving, immersed in some absorbing pursuit, undecided, and at times
bashful, and liable to fall into union with women who happen to be near
them, rather than with those who are conscious that they would make them
the better wives. Men, unaided by the finer feminine instincts of
choice, are so apt to be deceived. In fact, man's inability to "match"
anything is notorious. If he cannot be trusted in the matter of worsted-
work, why should he have such distinctive liberty in the most important
matter of his life? Besides, there are many men--and some of the best
who get into a habit of not marrying at all, simply because the right
woman has not presented herself at the right time. Perhaps, if women had
the open privilege of selection, many a good fellow would be rescued from
miserable isolation, and perhaps also many a noble woman whom chance, or
a stationary position, or the inertia of the other sex, has left to bloom
alone, and waste her sweetness on relations, would be the centre of a
charming home, furnishing the finest spectacle seen in this uphill world
--a woman exercising gracious hospitality, and radiating to a circle far
beyond her home the influence of her civilizing personality. For,
notwithstanding all the centrifugal forces of this age, it is probable
that the home will continue to be the fulcrum on which women will move
the world.

It may be objected that it would be unfair to add this opportunity to the
already, overpowering attractions of woman, and that man would be put at
an immense disadvantage, since he might have too much gallantry, or not
enough presence of mind, to refuse a proposal squarely and fascinatingly
made, although his judgment scarcely consented, and his ability to
support a wife were more than doubtful. Women would need to exercise a
great deal of prudence and discretion, or there would be something like a
panic, and a cry along the male line of 'Sauve qui peut'; for it is
matter of record that the bravest men will sometimes run away from danger
on a sudden impulse.

This prospective social revolution suggests many inquiries. What would
be the effect upon the female character and disposition of a possible,
though not probable, refusal, or of several refusals? Would she become
embittered and desperate, and act as foolishly as men often do? Would
her own sex be considerate, and give her a fair field if they saw she was
paying attention to a young man, or an old one? And what effect would
this change in relations have upon men? Would it not render that
sporadic shyness of which we have spoken epidemic? Would it frighten
men, rendering their position less stable in their own eyes, or would it
feminize them--that is, make them retiring, blushing, self-conscious
beings? And would this change be of any injury to them in their
necessary fight for existence in this pushing world? What would be the
effect upon courtship if both the men and the women approached each other
as wooers? In ordinary transactions one is a buyer and one is a seller--
to put it coarsely. If seller met seller and buyer met buyer, trade
would languish. But this figure cannot be continued, for there is no
romance in a bargain of any sort; and what we should most fear in a
scientific age is the loss of romance.

This is, however, mere speculation. The serious aspect of the proposed
change is the effect it will have upon the character of men, who are not
enough considered in any of these discussions. The revolution will be a
radical one in one respect. We may admit that in the future woman can
take care of herself, but how will it be with man, who has had little
disciplinary experience of adversity, simply because he has been
permitted to have his own way? Heretofore his life has had a stimulus.
When he proposes to a woman, he in fact says: "I am able to support you;
I am able to protect you from the rough usage of the world; I am strong
and ambitious, and eager to take upon myself the lovely bondage of this
responsibility. I offer you this love because I feel the courage and
responsibility of my position." That is the manly part of it. What
effect will it have upon his character to be waiting round, unselected
and undecided, until some woman comes to him, and fixes her fascinating
eyes upon him, and says, in effect: "I can support you; I can defend you.
Have no fear of the future; I will be at once your shield and your
backbone. I take the responsibility of my choice." There are a great
many men now, who have sneaked into their positions by a show of courage,
who are supported one way and another by women. It might be humiliating
to know just how many men live by the labors of their wives. And what
would be the effect upon the character of man if the choice, and the
responsibility of it, and the support implied by it in marriage, were
generally transferred to woman?


The condescension to literature and to the stage is one of the notable
characteristics of this agreeable time. We have to admit that literature
is rather the fashion, without the violent presumption that the author
and the writer have the same social position that is conferred by money,
or by the mysterious virtue there is in pedigree. A person does not lose
caste by using the pen, or even by taking the not-needed pay for using
it. To publish a book or to have an article accepted by a magazine may
give a sort of social distinction, either as an exhibition of a certain
unexpected capacity or a social eccentricity. It is hardly too much to
say that it has become the fashion to write, as it used to be to dance
the minuet well, or to use the broadsword, or to stand a gentlemanly mill
with a renowned bruiser. Of course one ought not to do this
professionally exactly, ought not to prepare for doing it by study and
severe discipline, by training for it as for a trade, but simply to toss
it off easily, as one makes a call, or pays a compliment, or drives four-
in-hand. One does not need to have that interior impulse which drives a
poor devil of an author to express himself, that something to say which
torments the poet into extreme irritability unless he can be rid of it,
that noble hunger for fame which comes from a consciousness of the
possession of vital thought and emotion.

The beauty of this condescension to literature of which we speak is that
it has that quality of spontaneity that does not presuppose either a
capacity or a call. There is no mystery about the craft. One resolves
to write a book, as he might to take a journey or to practice on the
piano, and the thing is done. Everybody can write, at least everybody
does write. It is a wonderful time for literature. The Queen of England
writes for it, the Queen of Roumania writes for it, the Shah of Persia
writes for it, Lady Brassey, the yachtswoman, wrote for it, Congressmen
write for it, peers write for it. The novel is the common recreation of
ladies of rank, and where is the young woman in this country who has not
tried her hand at a romance or made a cast at a popular magazine? The
effect of all this upon literature is expansive and joyous. Superstition
about any mystery in the art has nearly disappeared. It is a common
observation that if persons fail in everything else, if they are fit for
nothing else, they can at least write. It is such an easy occupation,
and the remuneration is in such disproportion to the expenditure! Isn't
it indeed the golden era of letters? If only the letters were gold!

If there is any such thing remaining as a guild of authors, somewhere on
the back seats, witnessing this marvelous Kingdom Come of Literature,
there must also be a little bunch of actors, born for the stage, who see
with mixed feelings their arena taken possession of by fairer if not more
competent players. These players are not to be confounded with the play-
actors whom the Puritans denounced, nor with those trained to the
profession in the French capital.

In the United States and in England we are born to enter upon any
avocation, thank Heaven! without training for it. We have not in this
country any such obstacle to universal success as the Theatre Francais,
but Providence has given us, for wise purposes no doubt, Private
Theatricals (not always so private as they should be), which domesticate
the drama, and supply the stage with some of the most beautiful and best
dressed performers the world has ever seen. Whatever they may say of it,
it is a gallant and a susceptible age, and all men bow to loveliness, and
all women recognize a talent for clothes. We do not say that there is
not such a thing as dramatic art, and that there are not persons who need
as severe training before they attempt to personate nature in art as the
painter must undergo who attempts to transfer its features to his canvas.
But the taste of the age must be taken into account. The public does not
demand that an actor shall come in at a private door and climb a steep
staircase to get to the stage. When a Star from the Private Theatricals
descends upon the boards, with the arms of Venus and the throat of Juno,
and a wardrobe got out of Paris and through our stingy Custom-house in
forty trunks, the plodding actor, who has depended upon art, finds out,
what he has been all the time telling us, that all the world's a stage,
and men and women merely players. Art is good in its way; but what about
a perfect figure? and is not dressing an art? Can training give one an
elegant form, and study command the services of a man milliner? The
stage is broadened out and re-enforced by a new element. What went ye
out for to see?

A person clad in fine raiment, to be sure. Some of the critics may growl
a little, and hint at the invasion of art by fashionable life, but the
editor, whose motto is that the newspaper is made for man, not man for
the newspaper, understands what is required in this inspiring histrionic
movement, and when a lovely woman condescends to step from the drawing-
room to the stage he confines his descriptions to her person, and does
not bother about her capacity; and instead of wearying us with a list of
her plays and performances, he gives us a column about her dresses in
beautiful language that shows us how closely allied poetry is to
tailoring. Can the lady act? Why, simpleminded, she has nearly a
hundred frocks, each one a dream, a conception of genius, a vaporous
idea, one might say, which will reveal more beauty than it hides, and
teach the spectator that art is simply nature adorned. Rachel in all her
glory was not adorned like one of these. We have changed all that. The
actress used to have a rehearsal. She now has an "opening."
Does it require nowadays, then, no special talent or gift to go on the
stage? No more, we can assure our readers, than it does to write a book.
But homely people and poor people can write books. As yet they cannot


Christmas is supposed to be an altruistic festival. Then, if ever, we
allow ourselves to go out to others in sympathy expressed by gifts and
good wishes. Then self-forgetfulness in the happiness of others becomes
a temporary fashion. And we find--do we not?--the indulgence of the
feeling so remunerative that we wish there were other days set apart to
it. We can even understand those people who get a private satisfaction
in being good on other days besides Sunday. There is a common notion
that this Christmas altruistic sentiment is particularly shown towards
the unfortunate and the dependent by those more prosperous, and in what
is called a better social position. We are exhorted on this day to
remember the poor. We need to be reminded rather to remember the rich,
the lonely, not-easy-to-be-satisfied rich, whom we do not always have
with us. The Drawer never sees a very rich person that it does not long
to give him something, some token, the value of which is not estimated by
its cost, that should be a consoling evidence to him that he has not lost
sympathetic touch with ordinary humanity. There is a great deal of
sympathy afloat in the world, but it is especially shown downward in the
social scale. We treat our servants--supposing that we are society--
better than we treat each other. If we did not, they would leave us. We
are kinder to the unfortunate or the dependent than to each other, and we
have more charity for them.

The Drawer is not indulging in any indiscriminate railing at society.
There is society and society. There is that undefined something, more
like a machine than an aggregate of human sensibilities, which is set
going in a "season," or at a watering-place, or permanently selects
itself for certain social manifestations. It is this that needs a
missionary to infuse into it sympathy and charity. If it were indeed a
machine and not made up of sensitive personalities, it would not be to
its members so selfish and cruel. It would be less an ambitious scramble
for place and favor, less remorseless towards the unsuccessful, not so
harsh and hard and supercilious. In short, it would be much more
agreeable if it extended to its own members something of the
consideration and sympathy that it gives to those it regards as its
inferiors. It seems to think that good-breeding and good form are
separable from kindliness and sympathy and helpfulness. Tender-hearted
and charitable enough all the individuals of this "society" are to
persons below them in fortune or position, let us allow, but how are they
to each other? Nothing can be ruder or less considerate of the feelings
of others than much of that which is called good society, and this is why
the Drawer desires to turn the altruistic sentiment of the world upon it
in this season, set apart by common consent for usefulness. Unfortunate
are the fortunate if they are lifted into a sphere which is sapless of
delicacy of feeling for its own. Is this an intangible matter? Take
hospitality, for instance. Does it consist in astonishing the invited,
in overwhelming him with a sense of your own wealth, or felicity, or
family, or cleverness even; in trying to absorb him in your concerns,
your successes, your possessions, in simply what interests you? However
delightful all these may be, it is an offense to his individuality to
insist that he shall admire at the point of the social bayonet. How do
you treat the stranger? Do you adapt yourself and your surroundings to
him, or insist that he shall adapt himself to you? How often does the
stranger, the guest, sit in helpless agony in your circle (all of whom
know each other) at table or in the drawing-room, isolated and separate,
because all the talk is local and personal, about your little world, and
the affairs of your clique, and your petty interests, in which he or she
cannot possibly join? Ah! the Sioux Indian would not be so cruel as that
to a guest. There is no more refined torture to a sensitive person than
that. Is it only thoughtlessness? It is more than that. It is a want
of sympathy of the heart, or it is a lack of intelligence and broad-
minded interest in affairs of the world and in other people. It is this
trait--absorption in self--pervading society more or less, that makes it
so unsatisfactory to most people in it. Just a want of human interest;
people do not come in contact.

Avid pursuit of wealth, or what is called pleasure, perhaps makes people
hard to each other, and infuses into the higher social life, which should
be the most unselfish and enjoyable life, a certain vulgarity, similar to
that noticed in well-bred tourists scrambling for the seats on top of a
mountain coach. A person of refinement and sensibility and intelligence,
cast into the company of the select, the country-house, the radiant,
twelve-button society, has been struck with infinite pity for it, and
asks the Drawer to do something about it. The Drawer cannot do anything
about it. It can only ask the prayers of all good people on Christmas
Day for the rich. As we said, we do not have them with us always--they
are here today, they are gone to Canada tomorrow. But this is, of
course, current facetiousness. The rich are as good as anybody else,
according to their lights, and if what is called society were as good and
as kind to itself as it is to the poor, it would be altogether enviable.
We are not of those who say that in this case, charity would cover a
multitude of sins, but a diffusion in society of the Christmas sentiment
of goodwill and kindliness to itself would tend to make universal the joy
on the return of this season.


The Drawer would like to emphasize the noble, self-sacrificing spirit of
American women. There are none like them in the world. They take up all
the burdens of artificial foreign usage, where social caste prevails, and
bear them with a heroism worthy of a worse cause. They indeed represent
these usages to be a burden almost intolerable, and yet they submit to
them with a grace and endurance all their own. Probably there is no
harder-worked person than a lady in the season, let us say in Washington,
where the etiquette of visiting is carried to a perfection that it does
not reach even in New York, Boston, or Philadelphia, and where woman's
effort to keep the social fabric together requires more expenditure of
intellect and of physical force than was needed to protect the capital in
its peril a quarter of a century ago. When this cruel war is over, the
monument to the women who perished in it will need to be higher than that
to the Father of his Country. Merely in the item of keeping an account
of the visits paid and due, a woman needs a bookkeeper. Only to know
the etiquette of how and when and to whom and in what order the visits
are to be paid is to be well educated in a matter that assumes the first
importance in her life. This is, however, only a detail of bookkeeping
and of memory; to pay and receive, or evade, these visits of ceremony is
a work which men can admire without the power to imitate; even on the
supposition that a woman has nothing else to do, it calls for our humble
gratitude and a recognition of the largeness of nature that can put aside
any duties to husband or children in devotion to the public welfare. The
futile round of society life while it lasts admits of no rival. It seems
as important as the affairs of the government. The Drawer is far from
saying that it is not. Perhaps no one can tell what confusion would fall
into all the political relations if the social relations of the capital
were not kept oiled by the system of exchange of fictitious courtesies
among the women; and it may be true that society at large--men are so
apt, when left alone, to relapse--would fall into barbarism if our
pasteboard conventions were neglected. All honor to the self-sacrifice
of woman!

What a beautiful civilization ours is, supposed to be growing in
intelligence and simplicity, and yet voluntarily taking upon itself this
artificial burden in an already overtaxed life! The angels in heaven
must admire and wonder. The cynic wants to know what is gained for any
rational being when a city-full of women undertake to make and receive
formal visits with persons whom for the most part they do not wish to
see. What is gained, he asks, by leaving cards with all these people and
receiving their cards? When a woman makes her tedious rounds, why is she
always relieved to find people not in? When she can count upon her ten
fingers the people she wants to see, why should she pretend to want to
see the others? Is any one deceived by it? Does anybody regard it as
anything but a sham and a burden? Much the cynic knows about it! Is it
not necessary to keep up what is called society? Is it not necessary to
have an authentic list of pasteboard acquaintances to invite to the
receptions? And what would become of us without Receptions? Everybody
likes to give them. Everybody flocks to them with much alacrity. When
society calls the roll, we all know the penalty of being left out. Is
there any intellectual or physical pleasure equal to that of jamming so
many people into a house that they can hardly move, and treating them to
a Babel of noises in which no one can make herself heard without
screaming? There is nothing like a reception in any uncivilized country.
It is so exhilarating! When a dozen or a hundred people are gathered
together in a room, they all begin to raise their voices and to shout
like pool-sellers in the noble rivalry of "warious langwidges," rasping
their throats into bronchitis in the bidding of the conversational ring.
If they spoke low, or even in the ordinary tone, conversation would be
possible. But then it would not be a reception, as we understand it.
We cannot neglect anywhere any of the pleasures of our social life.
We train for it in lower assemblies. Half a dozen women in a "call" are
obliged to shout, just for practice, so that they can be heard by
everybody in the neighborhood except themselves. Do not men do the same?
If they do, it only shows that men also are capable of the higher

But does society--that is, the intercourse of congenial people--depend
upon the elaborate system of exchanging calls with hundreds of people who
are not congenial? Such thoughts will sometimes come by a winter
fireside of rational-talking friends, or at a dinner-party not too large
for talk without a telephone, or in the summer-time by the sea, or in the
cottage in the hills, when the fever of social life has got down to a
normal temperature. We fancy that sometimes people will give way to a
real enjoyment of life and that human intercourse will throw off this
artificial and wearisome parade, and that if women look back with pride,
as they may, upon their personal achievements and labors, they will also
regard them with astonishment. Women, we read every day, long for the
rights and privileges of men, and the education and serious purpose in
life of men. And yet, such is the sweet self-sacrifice of their nature,
they voluntarily take on burdens which men have never assumed, and which
they would speedily cast off if they had. What should we say of men if
they consumed half their time in paying formal calls upon each other
merely for the sake of paying calls, and were low-spirited if they did
not receive as many cards as they had dealt out to society? Have they
not the time? Have women more time? and if they have, why should they
spend it in this Sisyphus task? Would the social machine go to pieces--
the inquiry is made in good faith, and solely for information--if they
made rational business for themselves to be attended to, or even if they
gave the time now given to calls they hate to reading and study, and to
making their household civilizing centres of intercourse and enjoyment,
and paid visits from some other motive than "clearing off their list"? If
all the artificial round of calls and cards should tumble down, what
valuable thing would be lost out of anybody's life?

The question is too vast for the Drawer, but as an experiment in
sociology it would like to see the system in abeyance for one season.
If at the end of it there had not been just as much social enjoyment as
before, and there were not fewer women than usual down with nervous
prostration, it would agree to start at its own expense a new experiment,
to wit, a kind of Social Clearing-House, in which all cards should be
delivered and exchanged, and all social debts of this kind be balanced by
experienced bookkeepers, so that the reputation of everybody for
propriety and conventionality should be just as good as it is now.


Many people suppose that it is the easiest thing in the world to dine if
you can get plenty to eat. This error is the foundation of much social
misery. The world that never dines, and fancies it has a grievance
justifying anarchy on that account, does not know how much misery it
escapes. A great deal has been written about the art of dining. From
time to time geniuses have appeared who knew how to compose a dinner;
indeed, the art of doing it can be learned, as well as the art of cooking
and serving it. It is often possible, also, under extraordinarily
favorable conditions, to select a company congenial and varied and
harmonious enough to dine together successfully. The tact for getting
the right people together is perhaps rarer than the art of composing the
dinner. But it exists. And an elegant table with a handsome and
brilliant company about it is a common conjunction in this country.
Instructions are not wanting as to the shape of the table and the size of
the party; it is universally admitted that the number must be small.
The big dinner-parties which are commonly made to pay off social debts
are generally of the sort that one would rather contribute to in money
than in personal attendance. When the dinner is treated as a means of
discharging obligations, it loses all character, and becomes one of the
social inflictions. While there is nothing in social intercourse so
agreeable and inspiring as a dinner of the right sort, society has
invented no infliction equal to a large dinner that does not "go," as the
phrase is. Why it does not go when the viands are good and the company
is bright is one of the acknowledged mysteries.

There need be no mystery about it. The social instinct and the social
habit are wanting to a great many people of uncommon intelligence and
cultivation--that sort of flexibility or adaptability that makes
agreeable society. But this even does not account for the failure of so
many promising dinners. The secret of this failure always is that the
conversation is not general. The sole object of the dinner is talk--at
least in the United States, where "good eating" is pretty common, however
it may be in England, whence come rumors occasionally of accomplished men
who decline to be interrupted by the frivolity of talk upon the
appearance of favorite dishes. And private talk at a table is not the
sort that saves a dinner; however good it is, it always kills it. The
chance of arrangement is that the people who would like to talk together
are not neighbors; and if they are, they exhaust each other to weariness
in an hour, at least of topics which can be talked about with the risk of
being overheard. A duet to be agreeable must be to a certain extent
confidential, and the dinner-table duet admits of little except
generalities, and generalities between two have their limits of
entertainment. Then there is the awful possibility that the neighbors at
table may have nothing to say to each other; and in the best-selected
company one may sit beside a stupid man--that is, stupid for the purpose
of a 'tete-a-tete'. But this is not the worst of it. No one can talk
well without an audience; no one is stimulated to say bright things
except by the attention and questioning and interest of other minds.
There is little inspiration in side talk to one or two. Nobody ought to
go to a dinner who is not a good listener, and, if possible, an
intelligent one. To listen with a show of intelligence is a great
accomplishment. It is not absolutely essential that there should be a
great talker or a number of good talkers at a dinner if all are good
listeners, and able to "chip in" a little to the general talk that
springs up. For the success of the dinner does not necessarily depend
upon the talk being brilliant, but it does depend upon its being general,
upon keeping the ball rolling round the table; the old-fashioned game
becomes flat when the balls all disappear into private pockets. There
are dinners where the object seems to be to pocket all the balls as
speedily as possible. We have learned that that is not the best game;
the best game is when you not only depend on the carom, but in going to
the cushion before you carom; that is to say, including the whole table,
and making things lively. The hostess succeeds who is able to excite
this general play of all the forces at the table, even using the silent
but not non-elastic material as cushions, if one may continue the figure.
Is not this, O brothers and sisters, an evil under the sun, this dinner
as it is apt to be conducted? Think of the weary hours you have given to
a rite that should be the highest social pleasure! How often when a
topic is started that promises well, and might come to something in a
general exchange of wit and fancy, and some one begins to speak on it,
and speak very well, too, have you not had a lady at your side cut in and
give you her views on it--views that might be amusing if thrown out into
the discussion, but which are simply impertinent as an interruption! How
often when you have tried to get a "rise" out of somebody opposite have
you not had your neighbor cut in across you with some private depressing
observation to your next neighbor! Private talk at a dinner-table is
like private chat at a parlor musicale, only it is more fatal to the
general enjoyment. There is a notion that the art of conversation, the
ability to talk well, has gone out. That is a great mistake.
Opportunity is all that is needed. There must be the inspiration of the
clash of minds and the encouragement of good listening. In an evening
round the fire, when couples begin, to whisper or talk low to each other,
it is time to put out the lights. Inspiring interest is gone. The most
brilliant talker in the world is dumb. People whose idea of a dinner is
private talk between seat-neighbors should limit the company to two.
They have no right to spoil what can be the most agreeable social
institution that civilization has evolved.


Is it possible for a person to be entirely naturalized?--that is, to be
denationalized, to cast off the prejudice and traditions of one country
and take up those of another; to give up what may be called the
instinctive tendencies of one race and take up those of another. It is
easy enough to swear off allegiance to a sovereign or a government, and
to take on in intention new political obligations, but to separate one's
self from the sympathies into which he was born is quite another affair.
One is likely to remain in the inmost recesses of his heart an alien, and
as a final expression of his feeling to hoist the green flag, or the
dragon, or the cross of St. George. Probably no other sentiment is, so
strong in a man as that of attachment to his own soil and people, a sub-
sentiment always remaining, whatever new and unbreakable attachments he
may form. One can be very proud of his adopted country, and brag for it,
and fight for it; but lying deep in a man's nature is something, no
doubt, that no oath nor material interest can change, and that is never
naturalized. We see this experiment in America more than anywhere else,
because here meet more different races than anywhere else with the
serious intention of changing their nationality. And we have a notion
that there is something in our atmosphere, or opportunities, or our
government, that makes this change more natural and reasonable than it
has been anywhere else in history. It is always a surprise to us when a
born citizen of the United States changes his allegiance, but it seems a
thing of course that a person of any other country should, by an oath,
become a good American, and we expect that the act will work a sudden
change in him equal to that wrought in a man by what used to be called a
conviction of sin. We expect that he will not only come into our family,
but that he will at once assume all its traditions and dislikes, that
whatever may have been his institutions or his race quarrels, the moving
influence of his life hereafter will be the "Spirit of '76."

What is this naturalization, however, but a sort of parable of human
life? Are we not always trying to adjust ourselves to new relations, to
get naturalized into a new family? Does one ever do it entirely? And
how much of the lonesomeness of life comes from the failure to do it! It
is a tremendous experiment, we all admit, to separate a person from his
race, from his country, from his climate, and the habits of his part of
the country, by marriage; it is only an experiment differing in degree to
introduce him by marriage into a new circle of kinsfolk. Is he ever
anything but a sort of tolerated, criticised, or admired alien? Does the
time ever come when the distinction ceases between his family and hers?
They say love is stronger than death. It may also be stronger than
family--while it lasts; but was there ever a woman yet whose most
ineradicable feeling was not the sentiment of family and blood, a sort of
base-line in life upon which trouble and disaster always throw her back?
Does she ever lose the instinct of it? We used to say in jest that a
patriotic man was always willing to sacrifice his wife's relations in
war; but his wife took a different view of it; and when it becomes a
question of office, is it not the wife's relations who get them? To be
sure, Ruth said, thy people shall be my people, and where thou goest I
will go, and all that, and this beautiful sentiment has touched all time,
and man has got the historic notion that he is the head of things. But
is it true that a woman is ever really naturalized? Is it in her nature
to be? Love will carry her a great way, and to far countries, and to
many endurances, and her capacity of self-sacrifice is greater than
man's; but would she ever be entirely happy torn from her kindred,
transplanted from the associations and interlacings of her family life?
Does anything really take the place of that entire ease and confidence
that one has in kin, or the inborn longing for their sympathy and
society? There are two theories about life, as about naturalization: one
is that love is enough, that intention is enough; the other is that the
whole circle of human relations and attachments is to be considered in a
marriage, and that in the long-run the question of family is a
preponderating one. Does the gate of divorce open more frequently from
following the one theory than the other? If we were to adopt the notion
that marriage is really a tremendous act of naturalization, of absolute
surrender on one side or the other of the deepest sentiments and
hereditary tendencies, would there be so many hasty marriages--slip-knots
tied by one justice to be undone by another? The Drawer did not intend
to start such a deep question as this. Hosts of people are yearly
naturalized in this country, not from any love of its institutions, but
because they can more easily get a living here, and they really surrender
none of their hereditary ideas, and it is only human nature that
marriages should be made with like purpose and like reservations. These
reservations do not, however, make the best citizens or the most happy
marriages. Would it be any better if country lines were obliterated, and
the great brotherhood of peoples were established, and there was no such
thing as patriotism or family, and marriage were as free to make and
unmake as some people think it should be? Very likely, if we could
radically change human nature. But human nature is the most obstinate
thing that the International Conventions have to deal with.


He was saying, when he awoke one morning, "I wish I were governor of a
small island, and had nothing to do but to get up and govern." It was an
observation quite worthy of him, and one of general application, for
there are many men who find it very difficult to get a living on their
own resources, to whom it would be comparatively easy to be a very fair
sort of governor. Everybody who has no official position or routine duty
on a salary knows that the most trying moment in the twenty-four hours is
that in which he emerges from the oblivion of sleep and faces life.
Everything perplexing tumbles in upon him, all the possible vexations of
the day rise up before him, and he is little less than a hero if he gets
up cheerful.

It is not to be wondered at that people crave office, some salaried
position, in order to escape the anxieties, the personal
responsibilities, of a single-handed struggle with the world. It must be
much easier to govern an island than to carry on almost any retail
business. When the governor wakes in the morning he thinks first of his
salary; he has not the least anxiety about his daily bread or the support
of his family. His business is all laid out for him; he has not to
create it. Business comes to him; he does not have to drum for it. His
day is agreeably, even if sympathetically, occupied with the troubles of
other people, and nothing is so easy to bear as the troubles of other
people. After he has had his breakfast, and read over the
"Constitution," he has nothing to do but to "govern" for a few hours,
that is, to decide about things on general principles, and with little
personal application, and perhaps about large concerns which nobody knows
anything about, and which are much easier to dispose of than the
perplexing details of private life. He has to vote several times a day;
for giving a decision is really casting a vote; but that is much easier
than to scratch around in all the anxieties of a retail business. Many
men who would make very respectable Presidents of the United States could
not successfully run a retail grocery store. The anxieties of the
grocery would wear them out. For consider the varied ability that the
grocery requires-the foresight about the markets, to take advantage of an
eighth per cent. off or on here and there; the vigilance required to keep
a "full line" and not overstock, to dispose of goods before they spoil or
the popular taste changes; the suavity and integrity and duplicity and
fairness and adaptability needed to get customers and keep them; the
power to bear the daily and hourly worry; the courage to face the ever-
present spectre of "failure," which is said to come upon ninety merchants
in a hundred; the tact needed to meet the whims and the complaints of
patrons, and the difficulty of getting the patrons who grumble most to
pay in order to satisfy the creditors. When the retail grocer wakens in
the morning he feels that his business is not going to come to him
spontaneously; he thinks of his rivals, of his perilous stock, of his
debts and delinquent customers. He has no "Constitution" to go by,
nothing but his wits and energy to set against the world that day, and
every day the struggle and the anxiety are the same. What a number of
details he has to carry in his head (consider, for instance, how many
different kinds of cheese there are, and how different people hate and
love the same kind), and how keen must be his appreciation of the popular
taste. The complexities and annoyances of his business are excessive,
and he cannot afford to make many mistakes; if he does he will lose his
business, and when a man fails in business (honestly), he loses his
nerve, and his career is ended. It is simply amazing, when you consider
it, the amount of talent shown in what are called the ordinary businesses
of life.

It has been often remarked with how little wisdom the world is governed.
That is the reason it is so easy to govern. "Uneasy lies the head that
wears a crown" does not refer to the discomfort of wearing it, but to the
danger of losing it, and of being put back upon one's native resources,
having to run a grocery or to keep school. Nobody is in such a pitiable
plight as a monarch or politician out of business. It is very difficult
for either to get a living. A man who has once enjoyed the blessed
feeling of awaking every morning with the thought that he has a certain
salary despises the idea of having to drum up a business by his own
talents. It does not disturb the waking hour at all to think that a
deputation is waiting in the next room about a post-office in Indiana or
about the codfish in Newfoundland waters--the man can take a second nap
on any such affair; but if he knows that the living of himself and family
that day depends upon his activity and intelligence, uneasy lies his
head. There is something so restful and easy about public business!
It is so simple! Take the average Congressman. The Secretary of the
Treasury sends in an elaborate report--a budget, in fact--involving a
complete and harmonious scheme of revenue and expenditure. Must the
Congressman read it? No; it is not necessary to do that; he only cares
for practical measures. Or a financial bill is brought in. Does he
study that bill? He hears it read, at least by title. Does he take
pains to inform himself by reading and conversation with experts upon its
probable effect? Or an international copyright law is proposed, a
measure that will relieve the people of the United States from the world-
wide reputation of sneaking meanness towards foreign authors. Does he
examine the subject, and try to understand it? That is not necessary.
Or it is a question of tariff. He is to vote "yes" or "no" on these
proposals. It is not necessary for him to master these subjects, but it
is necessary for him to know how to vote. And how does he find out that?
In the first place, by inquiring what effect the measure will have upon
the chance of election of the man he thinks will be nominated for
President, and in the second place, what effect his vote will have on his
own reelection. Thus the principles of legislation become very much
simplified, and thus it happens that it is comparatively so much easier
to govern than it is to run a grocery store.


It is fortunate that a passion for display is implanted in human nature;
and if we owe a debt of gratitude to anybody, it is to those who make the
display for us. It would be such a dull, colorless world without it!
We try in vain to imagine a city without brass bands, and military
marchings, and processions of societies in regalia and banners and
resplendent uniforms, and gayly caparisoned horses, and men clad in red
and yellow and blue and gray and gold and silver and feathers, moving in
beautiful lines, proudly wheeling with step elate upon some responsive
human being as axis, deploying, opening, and closing ranks in exquisite
precision to the strains of martial music, to the thump of the drum and
the scream of the fife, going away down the street with nodding plumes,
heads erect, the very port of heroism. There is scarcely anything in the
world so inspiring as that. And the self-sacrifice of it! What will not
men do and endure to gratify their fellows! And in the heat of summer,
too, when most we need something to cheer us! The Drawer saw, with
feelings that cannot be explained, a noble company of men, the pride of
their city, all large men, all fat men, all dressed alike, but each one
as beautiful as anything that can be seen on the stage, perspiring
through the gala streets of another distant city, the admiration of
crowds of huzzaing men and women and boys, following another company as
resplendent as itself, every man bearing himself like a hero, despising
the heat and the dust, conscious only of doing his duty. We make a great
mistake if we suppose it is a feeling of ferocity that sets these men
tramping about in gorgeous uniform, in mud or dust, in rain or under a
broiling sun. They have no desire to kill anybody. Out of these
resplendent clothes they are much like other people; only they have a
nobler spirit, that which leads them to endure hardships for the sake of
pleasing others. They differ in degree, though not in kind, from those
orders, for keeping secrets, or for encouraging a distaste for strong
drink, which also wear bright and attractive regalia, and go about in
processions, with banners and music, and a pomp that cannot be
distinguished at a distance from real war. It is very fortunate that men
do like to march about in ranks and lines, even without any
distinguishing apparel. The Drawer has seen hundreds of citizens in a
body, going about the country on an excursion, parading through town
after town, with no other distinction of dress than a uniform high white
hat, who carried joy and delight wherever they went. The good of this
display cannot be reckoned in figures. Even a funeral is comparatively
dull without the military band and the four-and-four processions, and the
cities where these resplendent corteges of woes are of daily occurrence
are cheerful cities. The brass band itself, when we consider it
philosophically, is one of the most striking things in our civilization.
We admire its commonly splendid clothes, its drums and cymbals and
braying brass, but it is the impartial spirit with which it lends itself
to our varying wants that distinguishes it. It will not do to say that
it has no principles, for nobody has so many, or is so impartial in
exercising them. It is equally ready to play at a festival or a funeral,
a picnic or an encampment, for the sons of war or the sons of temperance,
and it is equally willing to express the feeling of a Democratic meeting
or a Republican gathering, and impartially blows out "Dixie" or "Marching
through Georgia," "The Girl I Left Behind Me" or "My Country, 'tis of
Thee." It is equally piercing and exciting for St. Patrick or the Fourth

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