Part 1 out of 4
I THE LURE OF THE CIRCUS
II PHIL HEARS HIS DISMISSAL
III MAKING HIS START IN THE WORLD
IV THE CIRCUS COMES TO TOWN
V WHEN THE BANDS PLAYED
VI PROVING HIS METTLE
VII MAKING FRIENDS WITH THE ELEPHANTS
VIII IN THE SAWDUST ARENA
IX GETTING HIS FIRST CALL
X PHIL GETS A SURPRISE
XI THE FIRST NIGHT WITH THE SHOW
XII A THRILLING RESCUE
XIII THE DAWNING OF A NEW DAY
XIV AN UNEXPECTED HIT
XV A STROKE OF GOOD FORTUNE
XVI HIS FIRST SETBACK
XVII LEFT BEHIND
XVIII A STARTLING DISCOVERY
XIX TEDDY DISTINGUISHES HIMSELF
XX THE RETURN TO THE SAWDUST LIFE
XXI AN ELEPHANT IN JAIL
XXII EMPEROR ANSWERS THE SIGNAL
XXIII THE MYSTERY SOLVED
The Circus Boys on the Flying Rings
THE LURE OF THE CIRCUS
"I say, Phil, I can do that."
"Do what, Teddy?"
"A cartwheel in the air like that fellow is doing in the picture
on the billboard there."
"Oh, pshaw! You only think you can. Besides, that's not a
cartwheel; that's a double somersault. It's a real stunt, let me
tell you. Why, I can do a cartwheel myself. But up in the air
like that--well, I don't know. I guess not. I'd be willing to
try it, though, if I had something below to catch me," added the
lad, critically surveying the figures on the poster before them.
"How'd you like to be a circus man, Phil?"
Phil's dark eyes glowed with a new light, his slender figure
straightening until the lad appeared fully half a head taller.
"More than anything else in the world," he breathed. "Would
"Going to be," nodded Teddy decisively, as if the matter were
"Oh, you are, eh?"
"I don't know. Someday--someday when I get old enough, maybe."
Phil Forrest surveyed his companion with a half critical smile on
"What are you going to do--be a trapeze performer or what?"
"Well," reflected the lad wisely, "maybe I shall be an 'Or What.'
I'm not sure. Sometimes I think I should like to be the fellow
who cracks the whip with the long lash and makes the clowns hop
around on one foot--"
"You mean the ringmaster?"
"I guess that's the fellow. He makes 'em all get around lively.
Then, sometimes, I think I would rather be a clown. I can skin a
cat on the flying rings to beat the band, now. What would you
rather be, Phil?"
"Me? Oh, something up in the air--high up near the peak of the
tent--something thrilling that would make the people sit up on
the board seats and gasp, when, all dressed in pink and spangles,
I'd go flying through the air--"
"Just like a bird?" questioned Teddy, with a rising inflection in
"Yes. That's what I'd like most to do, Teddy," concluded the
lad, his face flushed with the thought of the triumphs that might
Teddy Tucker uttered a soft, long-drawn whistle.
"My, you've got it bad, haven't you? Never thought you were that
set on the circus. Wouldn't it be fine, now, if we both could
get with a show?"
"Great!" agreed Phil, with an emphatic nod. "Sometimes I think
my uncle would be glad to have me go away--that he wouldn't care
whether I joined a circus, or what became of me."
"Ain't had much fun since your ma died, have you, Phil?"
questioned Teddy sympathetically.
"Not much," answered the lad, a thin, gray mist clouding his
eyes. "No, not much. But, then, I'm not complaining."
"Your uncle's a mean old--"
"There, there, Teddy, please don't say it. He may be all you
think he is, but for all the mean things he's said and done to
me, I've never given him an impudent word, Teddy. Can you guess
"Cause he's your uncle, maybe," grumbled Teddy.
"No, 'cause he's my mother's brother--that's why."
"I don't know. Maybe I'd feel that way if I'd had a mother."
"But you did."
"Nobody ever introduced us, if I did. Guess she didn't know me.
But if your uncle was my uncle do you know what I'd do with him,
"Don't let's talk about him. Let's talk about the circus. It's
more fun," interrupted Phil, turning to the billboard again and
gazing at it with great interest.
They were standing before the glowing posters of the Great
Sparling Combined Shows, that was to visit Edmeston on the
Phillip Forrest and Teddy Tucker were fast friends, though they
were as different in appearance and temperament as two boys well
could be. Phil was just past sixteen, while Teddy was a little
less than a year younger. Phil's figure was slight and graceful,
while that of his companion was short and chubby.
Both lads were orphans. Phil's parents had been dead for
something more than five years. Since their death he had been
living with a penurious old uncle who led a hermit-like existence
in a shack on the outskirts of Edmeston.
But the lad could remember when it had been otherwise--when he
had lived in his own home, surrounded by luxury and refinement,
until evil days came upon them without warning. His father's
property had been swept away, almost in a night. A year later
both of his parents had died, leaving him to face the world
The boy's uncle had taken him in begrudgingly, and Phil's life
from that moment on had been one of self-denial and hard work.
Yet he was thankful for one thing--thankful that his miserly old
uncle had permitted him to continue at school.
Standing high in his class meant something in Phil's case, for
the boy was obliged to work at whatever he could find to do after
school hours, his uncle compelling him to contribute something to
the household expenses every week. His duties done, Phil was
obliged to study far into the night, under the flickering light
of a tallow candle, because oil cost too much. Sometimes his
candle burned far past the midnight hour, while he applied
himself to his books that he might be prepared for the next day's
Hard lines for a boy?
Yes. But Phil Forrest was not the lad to complain. He went
about his studies the same as he approached any other task that
was set for him to do--went about it with a grim, silent
determination to conquer it. And he always did.
As for Teddy--christened Theodore, but so long ago that he had
forgotten that that was his name--he studied, not because he
possessed a burning desire for knowledge, but as a matter of
course, and much in the same spirit he did the chores for the
people with whom he lived.
Teddy was quite young when his parents died leaving him without a
relative in the world. A poor, but kind-hearted family in
Edmeston had taken the lad in rather than see him become a public
charge. With them he had lived and been cared for ever since. Of
late years, however, he had been able to do considerable toward
lightening the burden for them by the money he managed to earn
here and there.
The two boys were on their way home from school. There remained
but one more day before the close of the term, which was a matter
of sincere regret to Phil and of keen satisfaction to his
companion. Just now both were too full of the subject of the
coming show to think of much else.
"Going to the show, Phil?"
"I am afraid not."
"I haven't any money; that's the principal reason," smiled the
boy. "Are you?"
"Sure. Don't need any money to go to a circus."
"How do you manage it?"
"Crawl in under the tent when the man ain't looking," answered
"I wouldn't want to do that," decided the older lad, with a shake
of the head. "It wouldn't be quite honest. Do you think so?"
Teddy Tucker shrugged his shoulders indifferently.
"Never thought about it. Don't let myself think about it. Isn't
safe, for I might not go to the show if I did. What's your other
"For not going to the circus?"
"Well, I don't think Uncle would let me; that's a fact."
"Says circuses and all that sort of thing are evil influences."
"Oh, pshaw! Wish he was my uncle," decided Teddy belligerently.
"How long are you going to stand for being mauled around like a
little yellow dog?"
"I'll stand most anything for the sake of getting an education.
When I get that then I'm going to strike out for myself, and do
something in the world. You'll hear from me yet, Teddy Tucker,
and maybe I'll hear from you, too."
"See me, you mean--see me doing stunts on a high something-or-
other in a circus. Watch me turn a somersault."
The lad stood poised on the edge of the ditch, on the other side
of which the billboard stood. This gave him the advantage of an
elevated position from which to attempt his feat.
"Look out that you don't break your neck," warned Phil. "I'd try
it on a haymow, or something like that, first."
"Don't you worry about me. See how easy that fellow in the
picture is doing it. Here goes!"
Teddy launched himself into the air, with a very good imitation
of a diver making a plunge into the water, hands stretched out
before him, legs straight behind him.
He was headed straight for the ditch.
"Turn, Teddy! Turn! You'll strike on your head."
Teddy was as powerless to turn as if he had been paralyzed from
head to foot. Down he went, straight as an arrow. There
followed a splash as his head struck the water of the ditch, the
lad's feet beating a tattoo in the air while his head was stuck
fast in the mud at the bottom of the ditch.
"He'll drown," gasped Phil, springing down into the little
stream, regardless of the damage liable to be done to his own
Throwing both arms about the body of his companion he gave a
mighty tug. Teddy stuck obstinately, and Phil was obliged to
take a fresh hold before he succeeded in hauling the lad from his
perilous position. Teddy was gasping for breath. His face,
plastered with mud, was unrecognizable, while his clothes were
covered from head to foot.
Phil dumped him on the grass beneath the circus billboard and
began wiping the mud from his companion's face, while Teddy
quickly sat up, blinking the mud out of his eyes and grumbling
"You're a fine circus performer, you are," laughed Phil.
"Suppose you had been performing on a flying trapeze in a circus,
what do you suppose would have happened to you?"
"I'd have had a net under me then, and I wouldn't have fallen in
the ditch," grunted Teddy sullenly.
"What do you suppose the folks will say when you go home in that
"Don't care what they say. Fellow has got to learn sometime, and
if I don't have any worse thing happen to me than falling in a
ditch I ought to be pretty well satisfied. Guess I'll go back
now. Come on, go 'long with me."
Phil turned and strode along by the side of his companion until
they reached the house where Teddy lived.
"Come on in."
"I'm sorry, Teddy, but I can't. My uncle will be expecting me,
and he won't like it if I am late."
"All right; see you tomorrow if you don't come out again tonight.
We'll try some more stunts then."
"I wouldn't till after the circus, were I in your place," laughed
"Cause, if you break your neck, you won't be able to go to the
"Huh!" grunted Teddy, hastily turning his back on his companion
and starting for the house.
Phil took his way home silently and thoughtfully, carrying his
precious bundle of books under an arm, his active mind planning
as to how he might employ his time to the best advantage during
the summer vacation that was now so close at hand.
A rheumatic, bent figure was standing in front of the shack where
the lad lived, glaring up the street from beneath bushy eyebrows,
noting Phil Forrest's leisurely gait disapprovingly.
Phil saw him a moment later.
"I'm in for a scolding," he muttered. "Wonder what it is all
about this time. I don't seem able to do a thing to please Uncle
PHIL HEARS HIS DISMISSAL
"Where you been, young man?" The question was a snarl rather
than a sentence.
"To school, Uncle, of course."
"School's been out more than an hour. I say, where have you
"I stopped on the way for a few minutes."
"You did?" exploded Abner Adams. "Where?"
"Teddy Tucker and I stopped to read a circus bill over there on
Clover Street. We did not stop but a few minutes. Was there any
harm in that?"
"Harm? Circus bill--"
"And I want to go to the circus, too, Uncle, when it comes here.
You know? I have not been to anything of that sort since mother
died--not once. I'll work and earn the money. I can go in the
evening after my work is finished. Please let me go, Uncle."
For a full minute Abner Adams was too overcome with his emotions
to speak. He hobbled about in a circle, smiting the ground with
his cane, alternately brandishing it threateningly in the air
over the head of the unflinching Phil.
"Circus!" he shouted. "I might have known it! I might have
known it! You and that Tucker boy are two of a kind. You'll
both come to some bad ending. Only fools and questionable
characters go to such places--"
"My mother and father went, and they always took me," replied the
boy, drawing himself up with dignity. "You certainly do not
include them in either of the two classes you have named?"
"So much the worse for them! So much the worse for them. They
were a pair of--"
"Uncle, Uncle!" warned Phil. "Please don't say anything against
my parents. I won't stand it. Don't forget that my mother was
your own sister, too."
"I'm not likely to forget it, after she's bundled such a baggage
as you into my care. You're turning out a worthless, good-for-
"You haven't said whether or not I might go to the circus,
Uncle," reminded Phil.
"Circus? No! I'll have none of my money spent on any such
"But I didn't ask you to spend your money, even though you have
plenty of it. I said I would earn the money--"
"You'll have a chance to earn it, and right quick at that. No,
you won't go to any circus so long as you're living under my
"Very well, Uncle, I shall do as you wish, of course," answered
Phil, hiding his disappointment as well as he could. The lad
shifted his bundle of books to the other hand and started slowly
for the house.
Abner Adams hobbled about until he faced the lad again, an angry
gleam lighting up his squinting eyes.
"Come back here!"
Phil halted, turning.
"I said come back here."
The lad did so, his self-possession and quiet dignity never
deserting him for an instant. This angered the crabbed old uncle
more than ever.
"When will you get through school?"
"Tomorrow, I believe."
"Huh! Then, I suppose you intend to loaf for the rest of the
summer and live on my hard earned savings. Is that it?"
"No, sir; I hadn't thought of doing anything of the sort. I
"What did you think?"
"I thought I would find something to do. Of course, I do not
expect to be idle. I shall work at something until school begins
again next fall, then, of course, I shall not be able to do so
"School! You've had enough school! In my days boys didn't spend
the best part of their lives in going to school. They worked."
"Yes, sir; I am willing to work, too. But, Uncle, I must have an
education. I shall be able to earn so much more then, and, if
necessary, I shall be able to pay you for all you have spent on
me, which isn't much, you know."
"What, what? You dare to be impudent to me? You--"
"No, sir, I am not impudent. I have never been that and I never
shall be; but you are accusing me wrongfully."
"Enough. You have done with school--"
"You--you mean that I am not to go to school any more--that I
have got to go through life with the little I have learned? Is
that what you mean, Uncle?" asked the boy, with a sinking heart.
"You heard me."
"What do you want me to do?"
"I am working and I shall be working," Phil replied.
"You're right you will, or you'll starve. I have been thinking
this thing over a lot lately. A boy never amounts to anything if
he's mollycoddled and allowed to spend his days depending on
someone else. Throw him out and let him fight his own way.
That's what my father used to tell me, and that's what I'm going
to say to you."
"What do you mean, Uncle?"
"Mean? Can't you understand the English language? Have I got to
draw a picture to make you understand? Get to work!"
"I am going to as soon as school is out."
"You'll do it now. Get yourself out of my house, bag and
"Uncle, Uncle!" protested the lad in amazement. "Would you turn
"Would I? I have, only you are too stupid to know it. You'll
thank me for it when you get old enough to have some sense."
Phil's heart sank within him, and it required all his
self-control to keep the bitter tears from his eyes.
"When do you wish me to go?" he asked without a quaver in his
"Very well, I'll go. But what do you think my mother would say,
could she know this?"
"That will do, young man. Do your chores, and then--"
"I am not working for you now, Uncle, you know, so I shall have
to refuse to do the chores. There is fifty cents due me from Mr.
Churchill for fixing his chicken coop. You may get that, I don't
Phil turned away once more, and with head erect entered the
house, going straight to his room, leaving Abner Adams fuming and
stamping about in the front yard. The old man's rage knew no
bounds. He was so beside himself with anger over the fancied
impudence of his nephew that, had the boy been present, he might
have so far forgotten himself as to have used his cane on Phil.
But Phil by this time had entered his own room, locking the door
behind him. The lad threw his books down on the bed, dropped
into a chair and sat palefaced, tearless and silent. Slowly his
eyes rose to the old-fashioned bureau, where his comb and brush
lay. The eyes halted when at length they rested on the picture of
The lad rose as if drawn by invisible hands, reached out and
clasped the photograph to him. Then the pent-up tears welled up
in a flood. With the picture pressed to his burning cheek Phil
Forrest threw himself on his bed and sobbed out his bitter grief.
He did not hear the thump of Abner Adams' cane on the bedroom
door, nor the angry demands that he open it.
"Mother, Mother!" breathed the unhappy boy, as his sobs gradually
merged into long-drawn, trembling sighs.
Perhaps his appeal was not unheard. At least Phil Forrest sprang
from his bed, holding the picture away from him with both hands
and gazing into the eyes of his mother.
Slowly his shoulders drew back and his head came up, while an
expression of strong determination flashed into his own eyes.
"I'll do it--I'll be a man, Mother!" he exclaimed in a voice in
which there was not the slightest tremor now. "I'll fight the
battle and I'll win."
Phil Forest had come to the parting of the ways, which he faced
with a courage unusual in one of his years. There was little to
be done. He packed his few belongings in a bag that had been his
mother's. The lad possessed one suit besides the one he wore,
and this he stowed away as best he could, determining to press it
out when he had located himself.
Finally his task was finished. He stood in the middle of the
floor glancing around the little room that had been his home for
so long. But he felt no regrets. He was only making sure that
he had not left anything behind. Having satisfied himself on
this point, Phil gathered up his bundle of books, placed the
picture of his mother in his inside coat pocket, then threw open
The lad's uncle had stamped to the floor below, where he was
awaiting Phil's coming.
"Good-bye, Uncle," he said quietly, extending a hand.
"Let me see that bag," snapped the old man.
"The bag is mine--it belonged to my mother," explained the boy.
"Surely you don't object to my taking it with me?"
"You're welcome to it, and good riddance; but I'm going to find
out what's inside of it."
"You surely don't think I would take anything that doesn't belong
to me--you can't mean that?"
"Ain't saying what I mean. Hand over that bag."
With burning cheeks, Phil did as he was bid, his unwavering eyes
fixed almost sternly on the wrathful face of Abner Adams.
"Huh!" growled the old man, tumbling the contents out on the
floor, shaking Phil's clothes to make sure that nothing was
concealed in them.
Apparently satisfied, the old man threw the bag on the floor with
an exclamation of disgust. Phil once more gathered up his
belongings and stowed them away in the satchel.
"Turn out your pockets!"
"There is nothing in them, Uncle, save some trinkets of my own
and my mother's picture."
"Turn them out!" thundered the old man.
"Uncle, I have always obeyed you. Obedience was one of the
things that my mother taught me, but I'm sure that were she here
she would tell me I was right in refusing to humiliate myself as
you would have me do. There is nothing in my pockets that does
not belong to me. I am not a thief."
"Then I'll turn them out myself!" snarled Abner Adams, starting
Phil stepped back a pace, satchel in hand.
"Uncle, I am a man now," said the boy, straightening to his full
height. "Please don't force me to do something that I should be
sorry for all the rest of my life. Will you shake hands with
"No!" thundered Abner Adams. "Get out of my sight before I lay
the stick over your head!"
Phil stretched out an appealing hand, then hastily withdrew it.
"Good-bye, Uncle Abner," he breathed.
Without giving his uncle a chance to reply, the lad turned,
opened the door and ran down the steps.
MAKING HIS START IN THE WORLD
The sun was just setting as Phil Forrest strode out of the yard.
Once outside of the gate he paused, glancing irresolutely up and
down the street. Which way to turn or where to go he did not
know. He had not thought before of what he should do.
Phil heard the clatter of Abner Adams' stick as the old man
thumped about in the kitchen.
Suddenly the door was jerked open with unusual violence.
"Begone!" bellowed Mr. Adams, brandishing his cane threateningly.
Phil turned down the street, without casting so much as a glance
in the direction of his wrathful uncle, and continued on toward
the open country. To anyone who had observed him there was
nothing of uncertainty in the lad's walk as he swung along. As a
matter of fact, Phil had not the slightest idea where he was
going. He knew only that he wanted to get away by himself.
On the outskirts of the village men had been at work that day,
cutting and piling up hay. The field was dotted with heaps of
the fragrant, freshly garnered stuff.
Phil hesitated, glanced across the field, and, noting that the
men had all gone home for the day, climbed the fence. He walked
on through the field until he had reached the opposite side of
it. Then the lad placed his bag on the ground and sat down on a
pile of hay.
With head in hands, he tried to think, to plan, but somehow his
mind seemed unable to perform its proper functions. It simply
would not work.
"Not much of a start in the world, this," grinned Phil, shifting
his position so as to command a better view of the world, for he
did not want anyone to see him. "I suppose Uncle Abner is
getting supper now. But where am I going to get mine? I hadn't
thought of that before. It looks very much as if I should have
to go without. But I don't care. Perhaps it will do me good to
miss a meal," decided the boy sarcastically. "I've been eating
too much lately, anyhow."
Twilight came; then the shadows of night slowly settled over the
landscape, while the lad lay stretched out on the sweet-smelling
hay, hands supporting his head, gazing up into the starlit sky.
Slowly his heavy eyelids fluttered and closed, and Phil was
asleep. The night was warm and he experienced no discomfort. He
was a strong, healthy boy, so that sleeping out of doors was no
hardship to him. All through the night he slept as soundly as if
he had been in his own bed at home. Nor did he awaken until the
bright sunlight of the morning finally burned his eyelids apart.
Phil started up rubbing his eyes.
At first he wondered where he was. But the sight of his bag
lying a little to one side brought back with a rush the memory of
what had happened to him the evening before.
"Why, it's morning," marveled the lad, blinking in the strong
sunlight. "And I've slept on this pile of hay all night. It's
the first time I ever slept out of doors, and I never slept
better in my life. Guess I'll fix myself up a little."
Phil remembered that a little trout stream cut across the field
off to the right. Taking up his bag, he started for the stream,
where he made his toilet as best he could, finishing up by lying
flat on his stomach, taking a long, satisfying drink of the
"Ah, that feels better," he breathed, rolling over on the bank.
After a little he helped himself to another drink. "But I've got
to do something. I can't stay out here in this field all the
rest of my life. And if I don't find something to eat I'll
starve to death. I'll go downtown and see if I can't earn my
Having formed this resolution, Phil took up his belongings and
started away toward the village. His course led him right past
Abner Adams' house, but, fortunately, Mr. Adams was not in sight.
Phil would have felt a keen humiliation had he been forced to
meet the taunts of his uncle. He hurried on past the house
without glancing toward it.
He had gone on for some little way when he was halted by a
"Hello, Phil! Where are you going in such a hurry and so early
in the morning?"
Phil started guiltily and looked up quickly at the speaker.
"Good morning, Mrs. Cahill. What time is it?"
"It's just past four o'clock in the morning."
"Gracious! I had no idea it was so early as that," exclaimed the
"If you are not in such a great hurry, stop a bit," urged the
woman, her keen eyes noting certain things that she did not give
voice to. She had known Phil Forrest for many years, and his
parents before him. Furthermore, she knew something of the life
he had led since the death of his parents. "Had your breakfast?"
"Of course you haven't. Come right in and eat with me," urged
the good-hearted widow.
"If you will let me do some chores, or something to pay for it, I
will," agreed Phil hesitatingly.
"Nothing of the kind! You'll keep me company at breakfast; then
you'll be telling me all about it."
" 'Bout your going away," pointing significantly to the bag that
Phil was carrying.
He was ravenously hungry, though he did not realize it fully
until the odor of the widow's savory cooking smote his nostrils.
She watched him eat with keen satisfaction.
"Now tell me what's happened," urged Mrs. Cahill, after he had
finished the meal.
Phil did so. He opened his heart to the woman who had known his
mother, while she listened in sympathetic silence, now and then
uttering an exclamation of angry disapproval when his uncle's
words were repeated to her.
"And you're turned out of house and home? Is that it, my boy?"
"Well, yes, that's about it," grinned Phil.
"It's a shame."
"I'm not complaining, you know, Mrs. Cahill. Perhaps it's the
best thing that could have happened to me. I've got to start out
for myself sometime, you know. I'm glad of one thing, and that
is that I didn't have to go until school closed. I get through
the term today, you know?"
"And you're going to school today?"
"Oh, yes. I wouldn't want to miss the last day."
"I don't know. I shall find something else to do, I guess. I
want to earn enough money this summer so that I can go to school
again in the fall."
"And you shall. You shall stay right here with the Widow Cahill
until you've got through with your schooling, my lad."
"I couldn't think of that. No; I am not going to be a burden to
anyone. Don't you see how I feel--that I want to earn my own
She nodded understandingly.
"You can do some chores and--"
"I'll stay here until I find something else to do," agreed Phil
slowly. "I shan't be able to look about much today, because I'll
be too busy at school; but tomorrow I'll begin hunting for a job.
What can I do for you this morning?"
"Well, you might chop some wood if you are aching to exercise
your muscles," answered the widow, with a twinkle in her eyes.
She knew that there was plenty of wood stored in the woodhouse,
but she was too shrewd an observer to tell Phil so, realizing, as
she did, that the obligation he felt for her kindness was too
great to be lightly treated.
Phil got at his task at once, and in a few moments she heard him
whistling an accompaniment to the steady thud, thud of the axe as
he swung it with strong, resolute arms.
"He's a fine boy," was the Widow Cahill's muttered conclusion.
Phil continued at his work without intermission until an hour had
passed. Mrs. Cahill went out, begging that he come in and rest.
"Rest? Why, haven't I been resting all night? I feel as if I
could chop down the house and work it up into kindling wood, all
before school time. What time is it?"
"Nigh on to seven o'clock. I've wanted to ask you something ever
since you told me you had left Abner Adams. It's rather a
The lad nodded.
"Did your uncle send you away without any money?"
"Of course. Why should he have given me anything so long as I
was going to leave him?"
"Did you ever hear him say that your mother had left a little
money with him before she died--money that was to be used for
your education as long as it lasted?"
Phil straightened up slowly, his axe falling to the ground, an
expression of surprise appeared in his eyes.
"My mother left money--for me, you say?" he wondered.
"No, Phil, I haven't said so. I asked you if Abner had ever said
anything of the sort?"
"No. Do you think she did?"
"I'm not saying what I think. I wish I was a man; I'd read old
Abner Adams a lecture that he wouldn't forget as long as he
Phil smiled indulgently.
"He's an old man, Mrs. Cahill. He's all crippled up with
rheumatism, and maybe he's got a right to be cranky--"
"And to turn his own sister's child outdoors, eh? Not by a long
shot. Rheumatics don't give anybody any call to do any such a
thing as that. He ought to have his nose twisted, and it's me, a
good church member, as says so."
The lad picked up his axe and resumed his occupation, while Mrs.
Cahill turned up a chunk of wood and sat down on it, keeping up a
running fire of comment, mostly directed at Abner Adams, and
which must have made his ears burn.
Shortly after eight o'clock Phil gathered his books, strapped
them and announced that he would be off for school.
"I'll finish the woodpile after school," he called back, as he
was leaving the gate.
"You'll do nothing of the sort," retorted the Widow Cahill.
Darting out of the yard, Phil ran plump into someone, and halted
sharply with an earnest apology.
"Seems to me you're in a terrible rush about something. Where you
"Hello, Teddy, that you?"
"It's me," answered Teddy ungrammatically.
"I'm on my way to school."
"Never could understand why anybody should want to run when he's
going to school. Now, I always run when I start off after
school's out. What you doing here?" demanded the boy, drawing
his eyelids down into a squint.
"I've been chopping some wood for Mrs. Cahill."
"Huh! What's the matter with the bear this morning?"
Teddy jerked a significant thumb in the direction of Phil's
"Bear's got a grouch on a rod wide this morning."
"Oh, you mean Uncle Abner," answered Phil, his face clouding.
"I just dropped in to see if you were ready to go to school. He
yelled at me like he'd gone crazy."
"That all?" grinned the other boy.
"No. He chased me down the road till his game knee gave out;
then he fell down."
Phil could not repress a broad grin at this news.
"Good thing for me that I could run. He'd have given me a
walloping for sure if he'd caught me. I'll bet that stick hurts
when it comes down on a fellow. Don't it, Phil?"
"I should think it would. I have never felt it, but I have had
some pretty narrow escapes. What did the folks you are living
with say when you got home all mud last night?"
Teddy grinned a sheepish sort of grin.
"Told me I'd better go out in the horse barn--said my particular
style of beauty was better suited to the stable than to the
"Well, no, not so as you might notice it. I went down to the
creek and went in swimming, clothes and all. That was the
easiest way. You see, I could wash the mud off my clothes and
myself all at the same time."
"It's a wonder they let you in at all, then."
"They didn't; at least not until I had wrung the water out of my
trousers and twisted my hair up into a regular top-knot. Then I
crawled in behind the kitchen stove and got dried out after a
while. But I got my supper. I always do."
"Yes; I never knew you to go without meals."
"Sorry you ain't going to the circus tomorrow, Phil."
"I am. Teddy, I'm free. I can do as I like now. Yes, I'll go
to the circus with you, and maybe if I can earn some money
tonight I'll treat you to red lemonade and peanuts."
"Hooray!" shouted Teddy, tossing his hat high in the air.
THE CIRCUS COMES TO TOWN
The Sparling Combined Shows came rumbling into Edmeston at about
three o'clock the next morning. But, early as was the hour, two
boys sat on the Widow Cahill's door-yard fence watching the
wagons go by.
The circus was one of the few road shows that are now traveling
through the country, as distinguished from the great modern
organizations that travel by rail with from one to half a dozen
massive trains. The Sparling people drove from town to town.
They carried twenty-five wagons, besides a band wagon, a
wild-west coach and a calliope.
"Phil! Phil! Look!" exclaimed Teddy, clutching at his
companion's coat sleeve, as two hulking, swaying figures appeared
out of the shadows of the early morning.
"Elephants! There's two of them."
"Ain't that great? I didn't suppose they'd have any elephants.
Wonder if there's any lions and tigers in those big wagons."
"Of course there are. Didn't you see pictures of them on the
"I don't know. Dan Marts, the postmaster, says you can't set any
store by the pictures. He says maybe they've got the things you
see in the pictures, and maybe they haven't. There's a camel!
Look at it! How'd you like to ride on that hump all day?"
questioned Teddy gleefully.
"Shouldn't like it at all."
"I read in my geography that they ride on them all the time on
the--on--on Sarah's Desert."
"Oh, you mean the Sahara Desert--that's what you mean," laughed
"I should rather ride an elephant. See, it's just like a rocking
chair. I could almost go to sleep watching them move along."
"I couldn't," declared Teddy. "I couldn't any more go to sleep
when a circus is going by than I could fly without wings."
"See, there comes a herd of ponies. Look how small they are. Not
much bigger than St. Bernard dogs. They could walk right under
the elephants and not touch them."
"Where do they all sleep?" wondered Teddy.
"Who, the ponies?"
"No, of course not. The people."
"I don't know unless they sleep in the cages with the animals,"
laughed Phil. "Some of the folks appear to be sleeping on the
"I'd be willing to go without sleep if I could be a showman,"
mused Teddy. "Wouldn't you?"
"Sure," agreed Phil. "Hello! There come some more wagons. Come
on! We'll run down to meet them."
"No; Let's go over to the grounds where the circus is coming off.
They'll be putting up the tents first thing we know."
"That's so, and I want to be around. You going to work any,
"Not I. I'm going to see the show, but you don't catch me
carrying pails of water for the elephants for a ticket of
admission that don't admit you to anything except a stand-up. I
can stand up cheaper than that."
Both boys slipped from the fence, and, setting off at a jog trot,
began rapidly overhauling and passing the slow-moving wagons with
their tired horses and more tired drivers.
By the time Teddy and Phil reached the circus grounds several
wagons were already there. Shouts sprang up from all parts of
the field, while half a dozen men began measuring off the ground
in the dim morning light, locating the best places in which to
pitch the tents. Here and there they would drive in a stake, on
one of which they tied a piece of newspaper.
"Wonder what that's for," thought Phil aloud.
"Hey, what's the paper tied on the peg for?" shouted Teddy to a
"That's the front door, sonny."
"Funniest looking front door I ever saw," grunted Teddy.
"He means that's the place where the people enter and leave their
"Oh, yes. That's what they call the 'Main Entrance,'" nodded
Teddy. "I've seen it, but I don't usually go in that way."
With the early dawn figures began emerging from several of the
wagons. They were a sleepy looking lot, and for a time stood
about in various attitudes, yawning, stretching their arms and
rubbing their eyes.
"Hey, boy, what town is this?" questioned a red-haired youth,
dragging himself toward the two lads.
"Oh, yes. I remember; I was here once before."
"With a show?" asked Teddy.
"Yes, with a Kickapoo Indian medicine man. And he was bad
medicine. Say, where can I wash my countenance?"
"Come on; I'll show you," exclaimed Teddy and Phil in the same
They led the way to the opposite side of the field, where there
was a stream of water. While the circus boy was making his
morning toilet the lads watched him in admiring silence.
"What do you do?" ventured Phil.
"I perform on the rings."
"Up in the air?"
"Ever fall off?"
"I get my bumps," grinned the red-haired boy. "My name is Rodney
Palmer. What's your names?"
They told him.
"We're going to be circus men, too," Teddy informed him, but the
announcement did not seem to stir a deep interest in the circus
boy. He had heard other boys say the same thing. "Is it very
"When do you sleep?"
"When we ain't awake."
"And you perform on the flying rings?"
Rodney nodded his head indifferently.
"I should think you'd burn the tent up with that head of red
hair," grinned Teddy.
Instead of getting angry at the boy's thrust, Rodney glanced at
Teddy with a half questioning look in his eyes, then burst out
"You're a cheerful idiot, aren't you?" he twinkled. "I'll tell
you why I don't. Confidentially, you know?"
"I wear a wig when I'm performing. Mebby if it wasn't for that I
might set something on fire. I must get over on the lot now."
"You're in a lot already," Teddy informed him.
"We call the place where we pitch the tents 'the lot.' The cook
tent must be up by this time, and I'm half starved. The
performance was so late yesterday afternoon that they had the
cook tent down before I got my supper. Will you come along?"
"Do you think there is anything I could do to earn a ticket to
the show today?" asked Phil.
"Yes, there's most always something for a boy to do."
"Whom do I ask about it?"
"Go see the boss canvasman. I'll point him out to you as we go
"Thank you. You want to see him, too, Teddy?"
"No; I don't have to."
"That's him over there. He's a grouch, but just don't let him
bluff you. Yes, the cook tent's about ready. I'll sneak in and
hook something before breakfast; then mebby I'll come back and
talk with you."
"We'll look for you in the show this afternoon," said Phil.
"All right, if I see you I'll swing my hand to you," Rodney
replied, starting for the cook tent, where the meals were served
to the show people.
"Now, I'm going to see that boss canvasman," announced Phil.
"See, they are laying the pieces of the tents flat on the ground.
I suppose they fasten them all together when they get them
placed, then raise them up on the poles."
"I guess so. I don't care much so long as I don't have to do
"Teddy Tucker, actually you are the laziest boy I ever knew. Why
don't you brace up?"
"Don't I have just as good a time and better, than you do?"
"Guess you do."
"Don't I get just as much to eat?"
"I presume so," admitted Phil.
"Don't I see all the shows that come to town, and go to all the
"Then, what's the use of being any more'n lazy?"
Teddy's logic was too much for his companion, and Phil laughed
"Look, the elephant is butting one of the wagons," cried Teddy.
"No, they are using the elephant to push the cage around in
place. I wonder what's in it," said Phil.
A roar that fairly made the ground shake answered Phil's
question. The cage in question held a lion, and a big, ugly one
if his voice was any indication. The great elephant, when the
cage was being placed, would, at a signal from its keeper, place
its ponderous head against one side of the cage and push, while a
driver would steer the wagon by taking hold of the end of the
It was a novel sight for the two boys, and they watched it with
the keenest interest. A man dressed in riding clothes, carrying
a short crop in his hand, was observing the operations with equal
interest. He was James Sparling, the proprietor and manager of
the Great Combined Shows, but the lads were unaware of that fact.
Even had they known, it is doubtful if Mr. Sparling would have
been of sufficient attraction to draw their attention from the
All at once there was a warning shout from Mr. Sparling.
The men set up a yell, followed by a sudden scurrying from the
immediate vicinity of the cage that the elephant had been
"Stop it! Brace it!" bellowed the owner of the show, making
frantic motions with his free hand, cutting circles and dashes in
the air with the short crop held in the other.
"What's the row?" wondered Teddy.
"I--I don't know," stammered Phil.
"The elephant's tipping the lion cage over!" shouted someone.
"Run for your lives!"
For once in his life Teddy Tucker executed a lightning-like
movement. He was one of several dark streaks on the landscape
running as if Wallace, the biggest lion in captivity, were in
reality hard upon his heels. As he ran, Teddy uttered a howl
that could have been heard from one end of the circus lot to the
A few of the more fearless ones, the old hands of the show, did
not attempt to run. Instead they stood still, fairly holding
their breaths, waiting to see what would happen next.
Mr. Sparling was too far away to be able to do anything to
prevent the catastrophe that was hanging over them, but it did
not prevent him from yelling like a madman at the inactive
employees of the show.
At the first cry--the instant he comprehended what was
happening-- Phil Forrest moved every bit as quickly as had his
companion, though he leaped in the opposite direction.
All about on the ground lay tent poles of various length and
thickness, side poles, quarter poles and the short side poles
used to hold the tent walls in place. These were about twenty
feet in length and light enough to be easily handled.
With ready resourcefulness and quick comprehension, Phil pounced
upon one of these and darted toward the cage which was toppling
over in his direction.
The roof of the lion cage that housed Wallace projected over the
edge some six inches, and this had caught the keen eyes of the
lad at the first alarm. His plan had been formed in a flash.
He shot one end of the side pole up under the projecting roof,
jammed the other end into the ground, throwing his whole weight
upon the foot of the pole to hold it in place.
For an instant the tent pole bent like a bow under the pull of
the archer. It seemed as if it must surely snap under the
Phil saw this, too. Now that the foot of the pole was firmly
imbedded in the ground, there was no further need for him to hold
it down. He sprang under the pole with the swaying cage directly
over him, grabbed the pole at the point where it was arching so
dangerously, and pulling himself from the ground, held to the
slippery stick desperately.
Light as he was the boy's weight saved the pole. It bent no
The cage swayed from side to side, threatening to topple over at
one end or the other.
"Get poles under the ends," shouted the boy in a shrill voice. "I
can't hold it here all day."
"Get poles, you lazy good-for-nothings!" bellowed the owner.
"Brace those ends. Look out for the elephant. Don't you see
he's headed for the cage again?"
Orders flew thick and fast, but through it all Phil Forrest hung
grimly to the side pole, taking a fresh overhand hold, now and
then, as his palms slipped down the painted stick.
Now that he had shown the way, others sprang to his assistance.
Half a dozen poles were thrust up under the roof and the cage
began slowly settling back the other way.
"Hadn't you better have some poles braced against the other side,
sir?" suggested Phil, touching his hat to Mr. Sparling, who, he
had discovered, was some person in authority. "The cage may tip
clear over on the other side, or it may drop so heavily on the
wheels as to break the axles."
"Right. Brace the off side. That's right. Now let it down
slowly. Not so hard on the nigh side there. Ease off there,
Bill. Push, Patsy. What do you think this is--a game of croquet?
There you go. Right. Now let's see if you woodenheads know
enough to keep the wagon right side up."
Mr. Sparling took off his hat and wiped the perspiration from his
forehead, while Phil stood off calmly surveying the men who were
straightening the wagon, but with more caution than they had
"Come here, boy."
Someone touched Phil on the arm.
"What is it?"
"Boss wants to speak to you."
"Boss Sparling, the fellow over there with the big voice and the
Phil walked over and touched his hat to Mr. Sparling.
The showman looked the lad over from head to foot.
"What's your name?" He shot the question at the lad as if angry
about something, and he undoubtedly was.
"Do they grow your kind around here?"
"I can't say, sir."
"If they do, I'd like to hire a dozen or more of them. You've
got more sense than any boy of your age I ever saw. How old are
"Huh! I wish I had him!" growled Mr. Sparling. "What do you
"I should like to have a chance to earn a pass to the show this
afternoon. Rodney Palmer said the boss canvasman might give me a
chance to earn one."
"Earn one? Earn one?" Mr. Sparling's voice rose to a roar again.
"What in the name of Old Dan Rice do you think you've been doing?
Here you've kept a cage with a five-thousand-dollar lion from
tipping over, to say nothing of the people who might have been
killed had the brute got out, and you want to know how you can
earn a pass to the show? What d'ye think of that?" and the owner
appealed helplessly to an assistant who had run across the lot,
having been attracted to the scene by the uproar.
The assistant grinned.
"He's too modest to live."
"Pity modesty isn't more prevalent in this show, then. How many
do you want? Have a whole section if you say the word."
"How many are there in a section?" asked Phil.
" 'Bout a hundred seats."
"I--I guess two will be enough," he made answer.
"Here you are," snapped the owner, thrusting a card at the lad,
on which had been scribbled some characters, puzzling to the
uninitiated. "If you want anything else around this show you
just ask for it, young man. Hey, there! Going to be all day
getting that canvas up? Don't you know we've got a parade coming
along in a few hours?"
Phil Forrest, more light of heart than in many days, turned away
to acquaint his companion of his good fortune. Teddy Tucker was
making his way cautiously back to the scene of the excitement of
a few moments before.
"Did he get away?" Teddy questioned, ready to run at the drop of
the hat should the danger prove to be still present.
"Who, the manager?"
"No, the lion."
"He's in the cage where he's been all the time. They haven't
opened it yet, but I guess he's all right. Say, Teddy!"
"I've got a pass to the show for two people for both
performances--this afternoon and tonight."
The interest that the announcement brought to Teddy's eyes died
away almost as soon as it appeared.
"Am I going? I should say so. Want to go in with me on my pass,
The lad hitched his trousers, took a critical squint at the
canvas that was slowly mounting the center pole to the
accompaniment of creaking ropes, groaning tackle and confused
"They're getting the menagerie tent up. I'll bet it's going to
be a dandy show," he vouchsafed. "How'd you get the tickets?"
"Manager gave them to me."
"I did a little work for him. Helped get the lion's cage
straightened up. How about it--are you going in on my pass?"
"N-o-o," drawled Teddy. "Might get me into bad habits to go in
on a pass. I'd rather sneak in under the tent when the boss
WHEN THE BANDS PLAYED
Phil started for the Widow Cahill's on the run after having
procured his tickets. "Here's a ticket for the circus, Mrs.
Cahill," he shouted, bursting into the room, with excited,
"What's this you say--the circus? Land sakes, I haven't seen one
since I was--well, since I was a girl. I don't know."
"You'll go, won't you?" urged Phil.
"Of course, I'll go," she made haste to reply, noting the
disappointment in his face over her hesitation. "And thank you
"Shall I come and get you, Mrs. Cahill, or can you get over to
the circus grounds alone?"
"Don't worry about me, my boy. I'll take care of myself."
"Your seat will be right next to mine, and we can talk while we
are watching the performers."
"Yes; you run along now. Here's a quarter for spending money.
Never mind thanking me. Just take it and have a good time.
Where's your friend?"
"Over on the lot."
"He going in with you, too?"
"Oh, no. Teddy is too proud to go in that way. He crawls in
under the tent," laughed Phil, running down the steps and setting
off for the circus grounds with all speed.
When he arrived there he saw at once that something was going on.
The tents were all in place, the little white city erected with
as much care and attention to detail as if the show expected to
remain in Edmeston all summer. The lad could scarcely make
himself believe that, only a few hours before, this very lot had
been occupied by the birds alone. It was a marvel to him, even
in after years, when he had become as thoroughly conversant with
the details of a great show as any man in America.
Just now there was unusual activity about the grounds. Men in
gaudy uniforms, clowns in full makeup, and women with long
glistening trains, glittering with spangles from head to feet,
were moving about, while men were decorating the horses with
bright blankets and fancy headdress.
"What are they going to do?" asked Phil of a showman.
"Going to parade."
"Oh, yes, that's so; I had forgotten about that."
"Hello, boy--I've forgotten your name--"
"Forrest," explained Phil, turning. The speaker was Mr.
Sparling's assistant, whom the lad had seen just after saving the
lion cage from turning over.
"Can you blow a horn as well as you can stop a wagon?"
"Depends upon what kind of a horn. I think I can make as much
noise on a fish horn as anyone else."
"That'll do as well as anything else. Want to go in the parade?"
"I'd love to!" The color leaped to the cheeks of Phil Forrest
and a sparkle to his eyes. This was going beyond his fondest
The assistant motioned to a clown.
"Fix this boy up in some sort of a rig. I'm going to put him in
the Kazoo Band. Bring him back here when he is ready. Be
A long, yellow robe was thrown about the boy, a peaked cap thrust
on his head, after which a handful of powder was slapped on his
face and rubbed down with the flat of the clown's hand. The fine
dust got into the lad's nostrils and throat, causing him to
sneeze until the tears rolled down his cheeks, streaking his
makeup like a freshet through a plowed field.
"Good," laughed the clown. "That's what your face needs. You'd
make a good understudy for Chief Rain-In-The-Face. Now hustle
Phil picked up the long skirts and ran full speed to the place
where the assistant had been standing. There he waited until the
assistant returned from a journey to some other part of the lot.
"That's right; you know how to obey orders," he nodded. "That's
a good clown makeup. Did Mr. Miaco put those streaks on your
"No, I sneezed them there," answered Phil, with a sheepish grin.
The assistant laughed heartily. Somehow, he had taken a sudden
liking to this boy.
"Do you live at home, Forrest?"
"No; I have no home now."
"Here's a fish horn. Now get up in the band wagon--no, not the
big one, I mean the clowns' band wagon with the hayrack on it.
When the parade starts blow your confounded head off if you want
to. Make all the noise you can. You'll have plenty of company.
When the parade breaks up, just take off your makeup and turn it
over to Mr. Miaco."
"You mean these clothes?"
"Yes. They're a part of the makeup. You'll have to wash the
makeup off your face. I don't expect you to return the powder to
us," grinned the assistant humorously.
The clowns were climbing to the hayrack. A bugle had blown as a
signal that the parade was ready to move. Phil had not seen
Teddy Tucker since returning to the lot. He did not know where
the boy was, but he was quite sure that Teddy was not missing any
of the fun. Tucker had been around circuses before, and knew how
to make the most of his opportunities. And he was doing so now.
"Ta ra, ta ra, ta ra!" sang the bugle.
Crash! answered the cymbals and the bass drums. The snare drums
buzzed a long, thrilling roll; then came the blare of the brass
as the whole band launched into a lively tune such as only circus
bands know how to play.
The parade had begun to move.
It was a thrilling moment--the moment of all moments of Phil
The clowns' wagon had been placed well back in the line, so as
not to interfere with the music of the band itself. But Phil did
not care where he was placed. He only knew that he was in a
circus parade, doing his part with the others, and that, so far
as anyone knew, he was as much a circus man as any of them.
As the cavalcade drew out into the main street and straightened
away, Phil was amazed to see what a long parade it was. It
looked as if it might reach the whole length of the village.
The spring sun was shining brightly, lighting up the line,
transforming it into a moving, flashing, brilliant ribbon of
light and color.
"Splendid!" breathed the boy, removing the fish horn from his
lips for a brief instant, then blowing with all his might again.
As the wagons moved along he saw many people whom he knew. As a
matter of fact, Phil knew everyone in the village, but there were
hundreds of people who had driven in from the farms whom he did
not know. Nor did anyone appear to recognize him.
"If they only knew, wouldn't they be surprised?" chuckled the
lad. "Hello, there's Mrs. Cahill."
The widow was standing on her front door step with a dishtowel in
In the excess of his excitement, Phil stood up, waving his horn
She heard him--as everybody else within a radius of a quarter of
a mile might have--and she recognized the voice. Mrs. Cahill
brandished the dishtowel excitedly.
"He's a fine boy," she glowed. "And he's having the first good
time he's had in five years."
The Widow Cahill was right. For the first time in all these
years, since the death of his parents, Phil Forrest was carefree
and perfectly happy.
The clowns on the wagon with him were uproariously funny. When
the wagon stopped now and then, one whom Phil recognized as the
head clown, Mr. Miaco, would spring to the edge of the rack and
make a stump speech in pantomime, accompanied by all the gestures
included in the pouring and drinking of a glass of water. So
humorous were the clown's antics that the spectators screamed
Suddenly the lad espied that which caused his own laughter to die
away, and for the moment he forgot to toot the fish horn. The
parade was passing his former home, and there, standing hunched
forward, leaning on his stick and glaring at the procession from
beneath bushy eyebrows, stood Phil's uncle, Abner Adams.
Phil's heart leaped into his throat; at least that was the
sensation that he experienced.
"I--I hope he doesn't know me," muttered the lad, shrinking back
a little. "But I'm a man now. I don't care. He's driven me out
and he has no right to say a thing."
The lad lost some of his courage, however, when the procession
halted, and he found that his wagon was directly in front of Mr.
Adams' dooryard, with his decrepit uncle not more than twenty
feet away from him. The surly, angry eyes of Abner Adams seemed
to be burning through Phil's makeup, and the lad instinctively
shrank back ever so little.
However, at that instant the boy's attention was attracted to
another part of the wagon. The head clown stepped from the wagon
and, with dignified tread, approached Abner Adams. He grasped
the old man by the hand, which he shook with great warmth, making
a courtly bow.
At first Abner Adams was too surprised to protest. Then,
uttering an angry snarl, he threw the clown off, making a vicious
pass at him with his heavy stick.
The clown dodged the blow, and made a run for the wagon, which
was now on the move again.
Phil breathed a sigh of relief. The people had roared at the
funny sight of the clown shaking hands with the crabbed old man;
but to Phil Forrest there had been nothing of humor in it. The
sight of his uncle brought back too many unhappy memories.
The lad soon forgot his depression, however, in the rapid changes
that followed each other in quick succession as on a moving-
Reaching the end of the village street the procession was obliged
to turn and retrace its steps over the same ground until it
reached the business part of the town, where it would turn off
and pass through some of the side streets.
Now there were two lines, moving in opposite directions. This
was of interest to Phil, enabling him, as it did, to get a good
look at the other members of the troupe. Mr. Sparling was riding
ahead in a carriage drawn by four splendid white horses, driven
by a coachman resplendent in livery and gold lace, while the
bobbing plumes on the heads of the horses added to the
impressiveness of the picture.
"I'd give anything in the world to be able to ride in a carriage
like that," decided Phil. "Maybe someday I shall. We'll see."
Now came the elephants, lumbering along on velvet feet. On the
second one there crouched a figure that somehow seemed strangely
familiar to Phil Forrest. The figure was made up to represent a
A peculiar gesture of one of the frog's legs revealed the
identity of the figure beneath the mask.
"Teddy!" howled Phil.
"Have a frog's leg," retorted Teddy, shaking one of them
vigorously at the motley collection of clowns.
"Not eating frogs legs today," jeered a clown, as Teddy went
swinging past them, a strange, grotesque figure on the back of
the huge, hulking beast.
The clowns' wagon was just on the point of turning when the men
heard a loud uproar far down the line. At first they thought it
was a part of the show, but it soon became apparent that
something was wrong.
Phil instinctively let the horn fall away from his lips. He
peered curiously over the swaying line to learn what, if
anything, had gone wrong.
He made out the cause of the trouble almost at once. A pony with
a woman on its back had broken from the line, and was plunging
toward them at a terrific pace. She appeared to have lost all
control of the animal, and the pony, which proved to be an ugly
broncho, was bucking and squealing as it plunged madly down the
The others failed to see what Phil had observed almost from the
first. The bit had broken in the mouth of the broncho and the
reins hung loosely in the woman's helpless hands.
They were almost up with the clowns' wagon when the woman was
seen to sway dizzily in her saddle, as the leather slipped
beneath her. Then she plunged headlong to the ground.
Instead of falling in a heap, the circus woman, with head
dragging, bumping along the ground, was still fast to the pony.
"Her foot is caught in the stirrup!" yelled half a dozen men at
once, but not a man of them made an effort to rescue her. Perhaps
this was because none of the real horsemen of the show were near
enough to do so.
Mr. Sparling, however, at the first alarm, had leaped from his
carriage, and, thrusting a rider from his mount, sprang into the
saddle and came tearing down the line in a cloud of dust. He was
bearing down on the scene at express train speed.
"The woman will be killed!"
"Stop him! Stop him!"
"Stop him yourself!"
But not a man made an effort to do anything.
It had all occurred in a few seconds, but rapidly as the events
succeeded each other, Phil Forrest seemed to be the one among
them who retained his presence of mind.
He fairly launched himself into the air as the ugly broncho shot
alongside the clowns' wagon.
PROVING HIS METTLE
Familiar as they were with daring deeds, those of the circus
people who witnessed Phil Forrest's dive gasped.
They expected to see the boy fall beneath the feet of the
plunging pony, where he would be likely to be trampled and kicked
But Phil had looked before he leaped. He had measured his
distance well--had made up his mind exactly what he was going to
do, or rather what he was going to try to do.
The pony, catching a brief glimpse of the dark figure that was
being hurled through the air directly toward him, made a swift
leap to one side. But the animal was not quick enough. The boy
landed against the broncho with a jolt that nearly knocked the
little animal over, while to Phil the impact could not have been
much more severe, it seemed to him, had he collided with a
"Hang on!" howled a voice from the wagon.
That was exactly what he intended to do.
The cloud of dust, with Mr. Sparling in the center of it, had not
reached them, but his keen eyes already had observed what was
"G-g-g-grab the woman!" shouted Phil.
His left arm had been thrown about the broncho's neck, while his
right hand was groping frantically for the animal's nose. But
during all this time the pony was far from idle. He was plunging
like a ship in a gale, cracking the whip with Phil Forrest until
it seemed as if every bone in the lad's body would be broken. He
could hear his own neck snap with every jerk.
With a howl Miaco, the head clown, launched himself from the
wagon, too. Darting in among the flying hoofs--there seemed to
be a score of them--he caught the woman, jerked her foot free of
the stirrup and dragged her quickly from her perilous position.
"She's free. Let go!" he roared to the boy holding the pony.
But by this time Phil had fastened his right hand on the pony's
nostrils, and with a quick pressure shut off the animal's wind.
He had heard the warning cry. The lad's grit had been aroused,
however, and he was determined that he would not let go until he
should have conquered the fighting broncho.
With a squeal of rage, the pony leaped sideways. A deep ditch
led along by the side of the road, but this the enraged animal
had not noticed. Into it he went, kicking and fighting, pieces
of Phil's yellow robe streaming from his hoofs.
The lad's body was half under the neck of the pony, but he was
clinging to the neck and the nose of the beast with desperate
"Get the boy out of there!" thundered Mr. Sparling, dashing up
and leaping from his pony. "Want to let him be killed?"
By this time others had ridden up, and some of the real horsemen
in the outfit sprang off and rushed to Phil Forrest's assistance.
Ropes were cast over the flying hoofs before the men thought it
wise to get near them. Then they hauled Phil out, very much the
worse for wear.
In the meantime Mr. Sparling's carriage had driven up and he was
helping the woman in.
"Is the boy hurt?" he called.
"No, I'm all right, thank you," answered Phil, smiling bravely,
though he was bruised from head to foot and his clothing hung in
tatters. His peaked clown's cap someone picked up in a field
over the fence and returned to him. That was about all that was
left of Phil Forrest's gaudy makeup, save the streaks on his
face, which by now had become blotches of white and red.
The clowns picked him up and boosted him to the wagon, jabbering
like a lot of sparrows perched on a telephone wire.
"See you later!" shouted the voice of Mr. Sparling as he drove
Phil found his horn, and despite his aches and pains he began
blowing it lustily. The story of his brave rescue had gone on
ahead, however, and as the clowns' wagon moved on it was greeted
by tremendous applause.
The onlookers had no difficulty in picking out the boy who had
saved the woman's life, and somehow the word had been passed
around as to his identity.
"Hooray for Phil Forrest!" shouted the multitude.
Phil flushed under the coating of powder and paint, and sought to
crouch down in the wagon out of sight.
"Here, get up there where they can see you!" admonished a clown.
"If you're going to be a showman you mustn't be afraid to get
yourself in the spotlight."
Two of them hoisted the blushing Phil to their shoulders and
broke into a rollicking song, swaying their bodies in imitation
of the movements of an elephant as they sang.
At this the populace fairly howled with delight.
"He's the boy, even if he ain't purty to look at," jeered someone
in the crowd.
"Handsome is as handsome does!" retorted a clown in a loud voice,
and the people cheered.
After this the parade went on without further incident, though
there could be no doubt that the exciting dash and rescue by one
of their own boys had aroused the town to a high pitch of
excitement. And the showmen smiled, for they knew what that
"Bet we'll have a turn-away this afternoon," announced a clown.
"Looks that way," agreed another, "and all on account of the
"What's a turn-away?" asked Phil.
"That's when there are more people want to get in than the tent
will hold. And it means, too, that the boss will be good natured
till it rains again, and the wagons get stuck in the mud so that
we'll make the next town behind time. At such times he can make
more noise than the steam calliope."
"He seems to me to be a pretty fine sort of a man, even if he is
gruff," suggested Phil.
"The best ever," agreed several clowns. "You'll look a long way
before you'll find a better showman, or a better man to his help,
than Jim Sparling. Ever been in the show business, kid?"
Phil shook his head.
"Anybody'd think you always had been, the way you take hold of
things. I'll bet you'll be in it before you are many years
"I'd like to," glowed the lad.
"Ask the boss."
"No, he wouldn't want me. There is nothing I could do now, I
Further conversation was interrupted by the bugle's song
announcing the disbanding of the parade, the right of the line
having already reached the circus lot.
The clowns piled from the hayrack like a cataract, the cataract
having all the colors of the rainbow.
Phil, not to be behind, followed suit, though he did not quite
understand what the rush was about. He ran until he caught up
"What's the hurry about?" he questioned.
"Parade's over. Got to hurry and get dinner, so as to be ready
for the afternoon performance."
All hands were heading for the dressing tent in a mad rush.
Phil was halted by the assistant manager.
The lad glanced down rather sheepishly at his costume, which was
hanging in tatters, then up at the quizzically smiling face of
"I--I'm sorry I've spoiled it, sir, but I couldn't help it."
"Don't worry about that, young man. How did it happen?" he
questioned, pretending not to know anything about the occurrence
in which Phil had played a leading part.
"Well, you see, there was a horse ran away, and I happened to get
in the way of it. I--"
"Yes, Forrest, I understand all about it. Somebody did something
to that animal to make it run away and the boss is red headed
"No, that's right. It was lucky that there was one person in the
parade who had some sense left, or there would have been a dead
woman with this outfit," growled the assistant.
"Was she badly hurt?"
"No. Only bruised up a bit. These show people get used to hard
"I'm glad she is all right. Who is she?"
"Don't you know?"
"That was Mr. Sparling's wife whose life you saved, and I reckon
the boss will have something to say to you when he gets sight of
MAKING FRIENDS WITH THE ELEPHANTS