Full Text Archive logoFull Text Archive — Free Classic E-books

The Circus Boys Across The Continent Or Winning New Laurels on the Tanbark

Part 1 out of 4

Adobe PDF icon
Download this document as a .pdf
File size: 0.4 MB
What's this? light bulb idea Many people prefer to read off-line or to print out text and read from the real printed page. Others want to carry documents around with them on their mobile phones and read while they are on the move. We have created .pdf files of all out documents to accommodate all these groups of people. We recommend that you download .pdfs onto your mobile phone when it is connected to a WiFi connection for reading off-line.

The Circus Boys Across The Continent
Winning New Laurels on the Tanbark

by Edgar B. P. Darlington



I The Boys Hear Good News
II On The Road Once More
III Phil to Rescue
IV Renewing Old Acquaintances
V Doing a Man's Work
VI The Showman's Reward
VII Trying The Culprit
VIII Phil Makes a New Friend
IX The Mule Distinguishes Himself
X His First Bareback Lesson
XI Summoned Before The Manager
XII The Human Football
XIII Ducked by an Elephant
XIV In Dire Peril
XV Emperor to The Rescue
XVI An Unexpected Promotion
XVII The Circus Boys Win New Laurels
XVIII Doing a Double Somersault
XIX Marooned in a Freight Car
XX The Barnyard Circus
XXI When The Crash Came
XXII What Happened to a Pacemaker
XXIII Searching The Train
XXIV Conclusion

The Circus Boys Across the Continent



"You never can guess it--you never can guess the news, Teddy,"
cried Phil Forrest, rushing into the gymnasium, his face flushed
with excitement.

Teddy Tucker, clad in a pair of linen working trunks and a
ragged, sleeveless shirt, both garments much the worse for their
winter's wear, was lazily swinging a pair of Indian clubs.

"What is it, some kind of riddle, Phil?" he questioned, bringing
the clubs down to his sides.

"Do be serious for a minute, won't you?"

"Me, serious? Why, I never cracked a smile. Isn't anything to
smile at. Besides, do you know, since I've been in the circus
business, every time I want to laugh I check myself so suddenly
that it hurts?"

"How's that?"

"Because I think I've still got my makeup on and that I'll crack
it if I laugh."

"What, your face?"

"My face? No! My makeup. By the time I remember that I haven't
any makeup on I've usually forgotten what it was I wanted to
laugh about. Then I don't laugh."

Teddy shied an Indian club at a rat that was scurrying across the
far end of their gymnasium, missing him by half the width of
the building.

"If you don't care, of course I shan't tell you. But it's good
news, Teddy. You would say so if you knew it."

"What news? Haven't heard anything that sounds like news,"
his eyes fixed on the hole into which the rat had disappeared.

"You can't guess where we are going this summer?"

"Going? Don't have to guess. I know," answered the lad with an
emphasizing nod.

"Where do you think?"

"We're going out with the Great Sparling Combined Shows,
of course. Didn't we sign out for the season before we closed
with the show last fall?"

"Yes, yes; but where?" urged Phil, showing him the letter he
had just brought from the post office. "You couldn't guess if
you tried."

"No. Never was a good guesser. That letter from Mr. Sparling?"
he questioned, as his eyes caught the familiar red and gold
heading used by the owner of the show.


"What's he want?"

"You know I wrote to him asking that we be allowed to skip the
rehearsals before the show starts out, so that we could stay here
and take our school examinations?"

Teddy nodded.

"I'd rather join the show," he grumbled.

"Never did see anything about school to go crazy over."

"You'll thank me someday for keeping you at it," said Phil.
"See how well you have done this winter with your school work.
I'm proud of you. Why, Teddy, there are lots of the boys a long
way behind you. They can't say circus boys don't know anything
just because they perform in a circus ring."

"H-m-m-m!" mused Teddy. "You haven't told me yet where we are
going this summer. What's the route?"

"Mr. Sparling says that, as we are going to continue our
last year's acts this season, there will be no necessity
for rehearsals."

The announcement did not appear to have filled Teddy Tucker
with joy.

"We do the flying rings again, then?"

"Yes. And we shall be able to give a performance that will
surprise Mr. Sparling. Our winter's practicing has done a lot
for us, as has our winter at school."

"Oh, I don't know."

"You probably will ride the educated mule again, while I expect
to ride the elephant Emperor in the grand entry, as I did before.
I'll be glad to get under the big top again, with the noise and
the people, the music of the band and all that. Won't you,
questioned Phil, his eyes glowing at the picture he had drawn.

Teddy heaved a deep sigh.

"Quit it!"


" 'Cause you make me think I'm there now."

Phil laughed softly.

"I can see myself riding the educated mule this very minute,
kicking up the dust of the ring, making everybody get out of the
way, and--"

"And falling off," laughed Phil. "You certainly are the
most finished artist in the show when it comes to getting
into trouble."

"Yes; I seem to keep things going," grinned the lad.

"But I haven't told you all that Mr. Sparling says in
the letter."

"What else does he say?"

"That the show is to start from its winter quarters, just outside
of Germantown, Pennsylvania, on April twenty-second--"

"Let's see; just two weeks from today," nodded Teddy.


"I wish it was today."

"He says we are to report on the twenty-first, as the show leaves
early in the evening."

"Where do we show first?"

"Atlantic City. Then we take in the Jersey Coast towns--"

"Do we go to New York?"

"New York? Oh, no! The show isn't big enough for New York quite
yet, even if it is a railroad show now. We've got to grow some
before that. Mighty few shows are large enough to warrant taking
them into the big city."

"How do you know?"

"All the show people say that."

"Pshaw! I'd sure make a hit in New York with the mule."

"Time enough for that later. You and I will yet perform in
Madison Square Garden. Just put that down on your route card,
Teddy Tucker."

"Humph! If we don't break our necks before that! Where did you
say we were--"

"After leaving New Jersey, we are to play through New York State,
taking in the big as well as the small towns, and from Buffalo
heading straight west. Mr. Sparling writes that we are going
across the continent."


"Says he's going to make the Sparling Shows known from the
Atlantic to the Pacific--"

"Across the continent!" exclaimed Teddy unbelievingly.
"No; you're fooling."

"Yes; clear to the Pacific Coast. We're going to
San Francisco, too. What do you think of that, Teddy?"

"Great! Wow! Whoop!" howled the boy, hurling his remaining
Indian Club far up among the rafters of the gymnasium, whence it
came clattering down, both lads laughing gleefully.

"We're going to see the country this time, and we shan't have to
sleep out in an open canvas wagon, either."

"Where shall we sleep?"

"Probably in a car."

"It won't be half so much fun," objected Teddy.

"I imagine the life will be different. Perhaps we shall not have
so much fun, but we'll have the satisfaction of knowing that we
are part of a real show. It will mean a lot to us to be with an
organization like that. It will give us a better standing in the
profession, and possibly by another season we may be able to get
with one of the really big ones. Next spring, if we have good
luck, we shall have finished with our school here. If they'll
have us, we'll try to join out with one of them. In the meantime
we must work hard, Teddy, so we shall be in fine shape when we
join out two weeks from today. Come on; I'll wrestle you a
few falls."

"Done," exclaimed Teddy.

Phil promptly threw off his coat and vest. A few minutes later
the lads were struggling on the wrestling mat, their faces
dripping with perspiration, their supple young figures twisting
and turning as each struggled for the mastery of the other.

The readers of the preceding volume in this series, entitled,
THE CIRCUS BOYS ON THE FLYING RINGS, will recognize Phil and
at once as the lads who had so unexpectedly joined the Sparling
Combined Shows the previous summer. It was Phil who, by his
ready resourcefulness, saved the life of the wife of the owner of
the show as well as that of an animal trainer later on. Then,
it will be remembered how the lad became the fast friend of the
great elephant Emperor, which he rescued from "jail," and with
which he performed in the ring to the delight of thousands.
Ere the close of the season both boys had won their way to the
flying rings, thus becoming full-fledged circus performers.
Before leaving the show they had signed out for another season
at a liberal salary.

With their savings, which amounted to a few hundred dollars, the
boys had returned to their home at Edmeston, there to put in the
winter at school.

That they might lose nothing of their fine physical condition,
the Circus Boys had rented an old carpenter shop, which they
rigged up as a gymnasium, fitting it with flying rings, trapeze
bars and such other equipment as would serve to keep them in trim
for the coming season's work.

Here Phil and Teddy had worked long hours after school.
During the winter they had gained marked improvement in
their work, besides developing some entirely new acts on
the flying rings. During this time they had been living with
Mrs. Cahill, who, it will be remembered, had proved herself a
real friend to the motherless boys.

Now, the long-looked-for day was almost at hand when they should
once more join the canvas city for a life in the open.

The next two weeks were busy ones for the lads, with their
practice and the hard study incident to approaching examinations.
Both boys passed with high standing. Books were put away,
gymnasium apparatus stored and one sunlit morning two slender,
manly looking young fellows, their faces reflecting perfect
health and happiness, were at the railroad station waiting for
the train which should bear them to the winter quarters of
the show.

Fully half the town had gathered to see them off, for Edmeston
was justly proud of its Circus Boys. As the train finally drew
up and the lads clambered aboard, their school companions set up
a mighty shout, with three cheers for the Circus Boys.

"Don't stick your head in the lion's mouth, Teddy!" was the
parting salute Phil and Teddy received from the boys as the train
drew out.

"Well, Teddy, we're headed for the Golden Gate at last!"
glowed Phil.

"You bet!" agreed Teddy with more force than elegance.

"I wonder if old Emperor will remember me, Teddy?"

"Sure thing! But, do you think that 'fool mule,' as Mr. Sparling
calls him, will remember me? Or will he want to kick me full of
holes before the season has really opened?"

"I shouldn't place too much dependence on a mule," laughed Phil.
"Come on; let's go inside and sit down."



All was bustle and excitement.

Men were rushing here and there, shouting out hoarse commands.
Elephants were trumpeting shrilly, horses neighing; while, from
many a canvas-wrapped wagon savage beasts of the jungle were
emitting roar upon roar, all voicing their angry protest at being
removed from the winter quarters where they had been at rest for
the past six months.

The Great Sparling Combined Shows were moving out for their long
summer's journey. The long trains were being rapidly loaded when
Phil Forrest and Teddy Tucker arrived on the scene late in
the afternoon.

It was all new and strange to them, unused as they were to the
ways of a railroad show. Their baggage had been sent on ahead of
them, so they did not have that to bother with. Each carried a
suitcase, however, and the boys were now trying to find someone
in authority to ask where they should go and what they should do.

"Hello, Phil, old boy!" howled a familiar voice.

"Who's that?" demanded Teddy.

"Why, it's Rod Palmer, our working mate on the rings!" cried
Phil, dropping his bag and darting across the tracks, where he
had espied a shock of very red hair that he knew could belong
only to Rodney Palmer.

Teddy strolled over with rather more dignity.

"Howdy?" he greeted just as Phil and the red-haired boy were
wringing each other's hands. "Anybody'd think you two were long
lost brothers."

"We are, aren't we, Rod?" glowed Phil.

"And we have been, ever since you boys showed me the brook where
I could wash my face back in that tank town where you two lived.
That was last summer. Seems like it was yesterday."

"Yes, and we work together again, I hear? I'm glad of that.
I guess you've been doing something this winter," decided Rodney,
after a critical survey of the lads. "You sure are both in
fine condition. Quite a little lighter than you were last
season, aren't you, Phil?"

"No; I weigh ten pounds more."

"Then you must be mighty hard."

"Hard as a keg of nails, but I hope not quite so stiff,"
laughed Phil.

"What you been working at?"

"Rings, mostly. We've done some practicing on the trapeze.
What did you do all winter?"

"Me? Oh, I joined a team that was playing vaudeville houses.
I was the second man in a ring act. Made good money and saved
most of it. Why didn't you join out for the vaudeville?"

"We spent our winter at school," answered Phil.

"That's a good stunt at that. In the tank town, I suppose?"
grinned the red-haired boy.

"You might call it that, but it's a pretty good town, just the
same," replied Phil. "I saw many worse ones while we were out
last season."

"And you'll see a lot more this season. Wait till we get to
playing some of those way-back western towns. I was out there
with a show once, and I know what I'm talking about. Where are
you berthed?"

"I don't know," answered Phil. "Where are you?"

"Car number fourteen. Haven't seen the old man, then?"

"Mr. Sparling? No. And I want to see him at once. Where shall
I find him?"

"He was here half an hour ago. Maybe he's in his office."

"Where is that?"

"Private car number one. Yes; the old man has his own elegant
car this season. He's living high, I tell you. No more sleeping
out in an old wagon that has no springs. It will be great to get
into a real bed every night, won't it?"

Teddy shook his head doubtfully.

"I don't know 'bout that."

"I should think it would be pretty warm on a hot night,"
nodded Phil.

"And what about the rainy nights?" laughed Rodney. "Taking it
altogether, I guess I'll take the Pullman for mine--"

"There goes Mr. Sparling now," interjected Teddy.


"Just climbing aboard a car. See him?"

"That's number one," advised Rodney. "Better skip, if you want
to catch him. He's hard to land today. There's a lot for him to
look after."

"Yes; come on, Teddy. Get your grip," said Phil, hurrying over
to where he had dropped his suitcase.

"But it's going to be a great show," called Rodney.

"Especially the flying-ring act," laughed Phil.

A few minutes later both boys climbed aboard the private car,
and, leaving their bags on the platform, pushed open the door
and entered.

Mr. Sparling was seated at a roll-top desk in an office-like
compartment, frowning over some document that he held in
his hand.

The boys waited until he should look up. He did so suddenly,
peering at them from beneath his heavy eyebrows. Phil was not
sure, from the showman's expression, whether he had recognized
them or not. Mr. Sparling answered this question almost at once.

"How are you, Forrest? Well, Tucker, I suppose you've come back
primed to put my whole show to the bad, eh?"

"Maybe," answered Teddy carelessly.

"Oh, maybe, eh? So that's the way the flag's blowing, is it?
Well, you let me catch you doing it and--stand up here, you two,
and let me look at you."

He gazed long and searchingly at the Circus Boys, noting every
line of their slender, shapely figures.

"You'll do," he growled.

"Yes, sir," answered Phil, smiling.

"Shake hands."

Mr. Sparling thrust out both hands toward them with almost
disconcerting suddenness.

"Ouch!" howled Teddy, writhing under the grip the showman gave
him, but if Phil got a pressure of equal force he made no sign.

"Where's your baggage?"

"We sent our trunks on yesterday. I presume they are here
somewhere, sir."

"If they're not in your car, let me know."

"If you will be good enough to tell me where our car is I will
find out at once."

The showman consulted a typewritten list.

"You are both in car number eleven. The porter will show you the
berths that have been assigned to you, and I hope you will both
obey the rules of the cars."

"Oh, yes, sir," answered Phil.

"I know you will, but I'm not so sure of your fat friend here.
I think it might be a good plan to tie him in his berth, or he'll
be falling off the platform some night, get under the wheels and
wreck the train."

"I don't walk in my sleep," answered Teddy.

"Oh, you don't?"

"I don't."

Mr. Sparling frowned; then his face broke out into a broad smile.

"I always said you were hopeless. Run along, and get
settled now. You understand that you will keep your berth
all season, don't you?"

"Yes, sir. What time do we go out?"

"One section has already gone. The next and last will leave
tonight about ten o'clock. We want to make an early start, for
the labor is all green. It'll take three times as long to put up
the rag as usual."

"The rag? What's the rag?" questioned Teddy.

"Beg pardon," mocked Mr. Sparling. "I had forgotten that you are
still a Reuben. A rag is a tent, in show parlance."


"Any orders after we get settled?" asked Phil.

"Nothing for you to do till parade time tomorrow. You will look
to the same executives that you did last year. There has been no
change in them."

The lads hurried from the private car, and after searching about
the railroad yard for fully half an hour they came upon car
number eleven. This was a bright, orange-colored car with the
name of the Sparling Shows painted in gilt letters near the roof,
just under the eaves. The smell of fresh paint was everywhere,
but the wagons being covered with canvas made it impossible for
them to see how the new wagons looked. There were many of these
loaded on flat cars, with which the railroad yard seemed to
be filled.

"Looks bigger than Barnum & Bailey's," nodded Teddy,
feeling a growing pride that he was connected with so great
an organization.

"Not quite, I guess," replied Phil, mounting the platform of
number eleven.

The boys introduced themselves to the porter, who showed them
to their berths. These were much like those in the ordinary
sleeper, except that the upper berths had narrow windows looking
out from them. Across each berth was stretched a strong piece
of twine.

Phil asked the porter what the string was for.

"To hang your trousers on, sah," was the enlightening answer.
"There's hooks for the rest of your clothes just outside
the berths."

"This looks pretty good to me," said Phil, peering out through
the screened window of his berth.

"Reminds me of when I used to go to sleep in the woodbox behind
the stove where I lived last year in Edmeston," grumbled Teddy
in a muffled voice, as he rummaged about his berth trying to
accustom himself to it. Teddy never had ridden in a sleeping
car, so it was all new and strange to him.

"Say, who sleeps upstairs?" he called to the porter.

"The performers, sah--some of them. This heah is the performers'
car, sah."

"How do they get up there? On a rope ladder?"

Phil shouted.

"You ninny, this isn't a circus performance. No; of course they
don't climb up on a rope ladder as if they were starting a
trapeze act."

"How, then?"

"The porter brings out a little step ladder, and it's just like
walking upstairs, only it isn't."

"Huh!" grunted Teddy. "Do they have a net under them all night?"

"A net? What for?"

"Case they fall out of bed."

"Put him out!" shouted several performers who were engaged in
settling themselves in their own quarters. "He's too new for
this outfit."

Phil drew his companion aside and read him a lecture on not
asking so many questions, advising Teddy to keep his ears and
eyes open instead.

Teddy grumbled and returned to the work of unpacking his bag.

Inquiry for their trunks developed the fact that they would have
to look for these in the baggage car; that no trunks were allowed
in the sleepers.

Everything about the car was new and fresh, the linen white and
clean, while the wash room, with its mahogany trimmings, plate
glass mirrors and upholstered seats, was quite the most elaborate
thing that Teddy had ever seen.

He called to Phil to come and look at it.

"Yes, it is very handsome. I am sure we shall get to be very
fond of our home on wheels before the season is ended. I'm going
out now to see if our trunks have arrived."

Phil, after some hunting about, succeeded in finding the baggage
man of the train, from whom he learned that the trunks had
arrived and were packed away in the baggage car.

By this time night had fallen. With it came even greater
confusion, while torches flared up here and there to light the
scene of bustle and excitement.

It was all very confusing to Phil, and he was in constant fear of
being run down by switching engines that were shunting cars back
and forth as fast as they were loaded, rapidly making up the
circus train. The Circus Boy wondered if he ever could get used
to being with a railroad show.

"I must be getting back or I shall not be able to find number
eleven," decided Phil finally. "I really haven't the least idea
where it is now."

The huge canvas-covered wagons stood up in the air like a
procession of wraiths of the night, muttered growls and guttural
coughs issuing from their interiors. All this was disturbing to
one not used to it.

Phil started on a run across the tracks in search of his car.

In the meantime Teddy Tucker, finding himself alone, had
sauntered forth to watch the loading, and when he ventured abroad
trouble usually followed.

The lad soon became so interested in the progress of the work
that he was excitedly shouting out orders to the men, offering
suggestions and criticisms of the way they were doing that work.

Now, most of the men in the labor gang were new--that is, they
had not been with the Sparling show the previous season, and
hence did not know Teddy by sight. After a time they tired of
his running fire of comment. They had several times roughly
warned him to go on about his business. But Teddy did not heed
their advice, and likewise forgot all about that which Phil had
given him earlier in the evening.

He kept right on telling the men how to load the circus, for,
if there was one thing in the world that Teddy Tucker loved more
than another it was to "boss" somebody.

All at once the lad felt himself suddenly seized from behind and
lifted off his feet. At the same time a rough hand was clapped
over his mouth.

The Circus Boy tried to utter a yell, but he found it impossible
for him to do so. Teddy kicked and fought so vigorously that it
was all his captor could do to hold him.

"Come and help me. We'll fix the fresh kid this time," called
the fellow in whose grip the lad was struggling.

"What's the matter, Larry? Is he too much for you?" laughed the
other man.

"He's the biggest little man I ever got my fists on. Gimme a
hand here."

"What are you going to do with him?"

"I'll show you in a minute."

"Maybe he's with the show. He's slippery enough to be
a performer."

"No such thing. And I don't care if he is. I'll teach him not
to interfere with the men. Grab hold and help me carry him."

Together they lifted the kicking, squirming, fighting boy,
carrying him on down the tracks, not putting him down until they
had reached the standpipe of a nearby water tank, where the
locomotives took on their supply of fresh water.

"Jerk that spout around!" commanded Larry, sitting down on Tucker
with a force that made the lad gasp.

"Can't reach the chain."

"Then get a pike pole, and be quick about it. The foreman will
be looking for us first thing we know. If he finds us here he'll
fire us before we get started."

"See here, Larry, what are you going to do?" demanded the
other suspiciously.

"My eyes, but you're inquisitive! Going to wash the kid down.
Next time mebby he won't be so fresh."

And "wash" they did.

Suddenly the full stream from the standpipe spurted down.
Larry promptly let go of his captive. Teddy was right in the
path of the downpour, and the next instant he was struggling in
the flood.

The showman dropped him and started to run.

Teddy let out a choking howl, grasping frantically for his
A moment later the lad's hands closed over Larry's ankles, and
the man was able to free himself from the boy's grip Teddy had
him down and dragged him under the stream that was pouring down
in a
perfect deluge. The Circus Boy, being strong and muscular, was
to accomplish this with slight exertion.

Larry's companion was making no effort to assist his fallen
Instead, the fellow was howling with delight.

No sooner, however, had Teddy raised the man and slammed him down
on his back under the spout, than the lad let go of his victim
and darted off into the shadows. Teddy realized that it was high
time he was leaving.

The man, fuming with rage, uttering loud-voiced threats of
vengeance, scrambled out of the flood and began rushing up and
down the tracks in search of Teddy.

But the boy was nowhere to be found. He had hastily climbed over
a fence, where he crouched, dripping wet, watching the antics of
the enraged Larry.

"Guess he won't bother another boy right away," grinned Teddy,
not heeding his own wet and bedraggled condition.

The two showmen finally gave up their quest, and all at once
started on a run in the opposite direction.

"Now, I wonder what's made them run away like that? Surely they
aren't scared of me. I wonder? Guess I'll go over and
find out."

Leaving his hiding place, the lad retraced his steps across the
tracks until finally, coming up with a man, who proved to be the
superintendent of the yard, Teddy asked him where sleeping car
number eleven was located.

"Eleven? The sleepers have all gone, young man."



"But I thought--"

"Went out regular on the 9:30 express."

Teddy groaned. Here he was, left behind before the show
had all gotten away from its winter quarters. But he noted
that the train bearing the cages and other equipment was still
in the yard. There was yet a chance for him.

"Wha--what time does that train go?" he asked pointing to the
last section.

"Going now. Why, what's the matter with you youngster?
The train is moving now."

"Going? The matter is that I've got to go with them," cried the
lad, suddenly darting toward the moving train.

"Come back here! Come back! Do you want to be killed?"

"I've got to get on that train!" Teddy shouted back at
the superintendent.

The great stock cars were rumbling by as the boy drew near the
track, going faster every moment. By the light of a switch lamp
Teddy could make out a ladder running up to the roof of one of
the box cars.

He could hear the yard superintendent running toward
him shouting.

"He'll have me, if I don't do something. Then I will be wholly
left," decided Teddy. "I'm going to try it."

As the big stock car slipped past him the lad sprang up into the
air, his eyes fixed on the ladder. His circus training came in
handy here, for Teddy hit the mark unerringly, though it had been
considerably above his head. The next second his fingers closed
over a rung of the ladder, and there he hung, dangling in the
air, with the train now rushing over switches, rapidly gaining
momentum as it stretched out headed for the open country.



Phil Forrest was in a panic of uneasiness.

No sooner had his own section started than he made the discovery
that Teddy Tucker was not on board. Then the lad went through
the train in the hope that his companion had gotten on the
wrong car. There was no trace of Teddy.

In the meantime Teddy had slowly clambered to the roof of the
stock car, where he stretched himself out, clinging to the
running board, with the big car swaying beneath him. The wind
seemed, up there, to be blowing a perfect gale, and it was all
the boy could do to hold on. After a while he saw a light
approaching him. The light was in the hands of a brakeman who
was working his way over the train toward the caboose.

He soon came up to where Teddy was lying. There he stopped.

"Well, youngster, what are you doing here?" he demanded, flashing
his light into the face of the uncomfortable Teddy.

"Trying to ride."

"I suppose you know you are breaking the law and that I'll have
to turn you over to a policeman or a constable the next town we
stop at?"

"Nothing of the sort! What do you take me for? Think I'm some
kind of tramp?" objected the lad. "Go on and let me alone."

The brakeman looked closer. He observed that the boy was soaking
wet, but that, despite this, he was well dressed.

"What are you, if not a tramp?"

"I'm with the show."

The brakeman laughed long and loud, but Teddy was more interested
in the man's easy poise on the swaying car than in what he said.

"Wish I could do that," muttered the lad admiringly.

"What's that?"

"Nothing, only I was thinking out loud."

"Well, you'll get off at the next stop unless you can prove that
you belong here."

"I won't," protested Teddy stubbornly.

"We'll see about that. Come down here on the flat car behind
this one, and we'll find out. I see some of the show people
Besides, you're liable to fall off here and get killed. Come

"I can't."

"Why not?"

"I'll fall off if I try to get up."

"And you a showman?" laughed the brakeman satirically, at the
same time grabbing Teddy by the coat collar and jerking him to
his feet.

The trainman did not appear to mind the giddy swaying of the
stock car. He permitted Teddy to walk on the running board while
he himself stepped carelessly along on the sloping roof of the
car, though not relaxing his grip on the collar of Teddy Tucker.

Bidding the boy to hang to the brake wheel, the brakeman began
climbing down the end ladder, so as to catch Teddy in case he
were to fall. After him came the Circus Boy, cautiously picking
his way down the ladder.

"Any of you fellows know this kid?" demanded the trainman,
flashing his lantern into Teddy's face. "He says he's with
the show."

"Put him off!" howled one of the roustabouts who had been
sleeping on the flat car under a cage. "Never saw him before."

"You sit down there, young man. Next stop, off you go,"
announced the brakeman sternly.

"I'll bet you I don't," retorted Teddy Tucker aggressively.

"We'll see about that."

"Quit your music; we want to go to sleep," growled a showman

The brakeman put down his lantern and seated himself on the side
of the flat car. He did not propose to leave the boy until he
had seen him safely off the train.

"How'd you get wet?" questioned Tucker's captor.

"Some fellows ducked me."

The trainman roared, which once more aroused the ire of the
roustabouts who were trying to sleep.

They had gone on for an hour, when finally the train slowed down.

"Here's where you hit the ties," advised the brakeman,
peering ahead.

"Where are we?"

"McQueen's siding. We stop here to let an express by. And I
want to tell you that it won't be healthy for you if I catch you
on this train again. Now, get off!"

Teddy making no move to obey, the railroad man gently but firmly
assisted him over the side of the car, dropping him down the
embankment by the side of the track.

"I'll make you pay for this if I ever catch you again,"
threatened Teddy from the bottom of the bank, as he scrambled to
his feet.

Observing that the trainman was holding his light over the side
of the car and peering down at him, Teddy ran along on all fours
until he was out of sight of the brakeman, then he straightened
up and ran toward the rear of the train as fast as his feet would
carry him, while the railroad man began climbing over the cars
again, headed for the caboose at the rear.

Teddy had gained the rear of the train by this time, but he did
not show himself just yet. He waited until the flagman had come
in, and until the fellow who had put him off had disappeared in
the caboose.

At that, Teddy sprang up, and, swinging to the platform of the
caboose, quickly climbed the iron ladder that led to the roof of
the little boxlike car. He had no sooner flattened himself on
the roof than the train began to move again.

Only one more stop was made during the night and that for water.
Just before daylight they rumbled into the yards at Atlantic
City, and Teddy scrambled from his unsteady perch, quickly
clambering down so as to be out of the way before the trainmen
should discover his presence.

But quickly as he had acted, he had not been quick enough.
The trainman who had put him off down the line collared the lad
the minute his feet touched the platform of the caboose.

"You here again?" he demanded sternly.

Teddy grinned sheepishly.

"I told you you couldn't put me off."

"We'll see about that. Here, officer." He beckoned to a
"This kid has been stealing a ride. I put him off once. I turn
over to you now."

"All right. Young man, you come with me!"

Teddy protested indignantly, but the officer, with a firm grip on
his arm, dragged the lad along with him. They proceeded on up
the tracks toward the station, the lad insisting that he was with
the show and that he had a right to ride wherever he pleased.

"Teddy!" shouted a voice, just as they stepped on the long
platform that led down to the street.

"Phil!" howled the lad. "Come and save me! A policeman's got me
and he's taking me to jail."

Phil Forrest ran to them.

"Here, here! What's this boy done?" he demanded.



"Well, Teddy, I must say you have made a good start," grinned
Phil, after necessary explanations had been made and the young
Circus Boy had been released by the policeman who had him
in tow." A few minutes more and you would have been in a
police station. I can imagine how pleased Mr. Sparling would
have been to hear that."

Teddy hung his head.

"Your clothes are a sight, too. How did--what happened?
Did you fall in a creek, or something of that sort?"

The lad explained briefly how he had been captured by the two men
and ducked under the standpipe of the water tank.

"But I soaked him, too," Tucker added triumphantly." And I'm
going to soak him again. The first man I come across whose name
is Larry is going to get it from me," threatened the lad, shaking
his fist angrily.

"You come over to the sleeper with me and get into some decent
looking clothes. I'm ashamed of you, Teddy Tucker."

"So am I," grinned the boy as they turned to go, Phil leading
the way to the car number eleven, from which the performers
were beginning to straggle, rubbing their eyes and
stretching themselves.

The change of clothing having been made, the lads started for the
lot, hoping that they might find the old coffee stand and have a
cup before breakfast. To their surprise, upon arriving at the
lot, they found the cook tent up and the breakfast cooking.

"Why, how did you ever get this tent here and up so quickly?"
asked Phil after they had greeted their old friend of the
cook tent.

"Came in on the flying squadron. This is a railroad show now,
you know," answered the head steward, after greeting the boys.

"Flying squadron? What's that?" demanded Teddy, interested
at once.

"The flying squadron is the train that goes out first.
It carries the cook tent and other things that will be
needed first. We didn't have that last year. You'll find a lot
of new things, and some that you won't like as well as you did
when we had the old road show. What's your act this year?"

"Same as last."


"Yes, and the rings. My friend Teddy I expect will ride the
educated mule again."

While they were talking the steward was preparing a pot of
steaming coffee for them, which he soon handed over to the lads
with a plate of wafers, of which they disposed in short order.

It was broad daylight by this time, and the boys decided to go
out and watch the erection of the tents. It was all new and full
of interest to them. As they caught the odor of trampled grass
and the smell of the canvas their old enthusiasm came back to
them with added force.

"It's great to be a circus man, isn't it, Phil?" breathed Teddy.

"It is unless one is getting into trouble all the time, the way
you do. I expect that, some of these days, you'll get something
you don't want."


"Oh, I don't know. But I am sure it will be something
quite serious."

"You better look out for yourself," growled Teddy. "I'll take
care of myself."

"Yes; the way you did last night," retorted Phil, with a
hearty laugh. "Come on, now; let's not quarrel. I want to find
some of our old friends. Isn't that Mr. Miaco over there by the
dressing tent?"


Both lads ran toward their old friend, the head clown, with
outstretched hands, and Mr. Miaco, seeing them coming, hastened
forward to greet them.

"Well, well, boys! How are you?"

"Oh, we're fine," glowed Phil. "And we are glad to be back
again, let me tell you."

"No more so than your old friends are to have you back.
Same old act?"


"What have you boys been doing this winter?"

"Studying and exercising."

"Yes; I knew, from your condition, that you have been keeping up
your work. Got anything new?"

"Not much. Trapeze."

"Good! I'll bet you will be in some of the flying-bar acts
before the season is over. We have a lot of swell performers
this season."

"So I have heard. Who are some of them?"

"Well, there's the Flying Four."

"Who are they?" questioned Teddy.

"Trapeze performers. They're great--the best in the business.
And then there's The Limit."

"Talk United States," demanded Teddy. "The Limit? Whoever heard
of that?"

"In other words, the Dip of Death."

Teddy shook his head helplessly.

"That is the somersaulting automobile. A pretty young woman
rides in it, and some fine day she won't. I never did like those
freak acts. But the public does," sighed the old circus man.
"The really difficult feats, that require years of practice,
patrons don't seem to give a rap for. But let somebody do a
stunt in which he is in danger of suddenly ending his life, then
you'll see the people howl with delight. I sometimes think they
would be half tickled to death to see some of us break our necks.
There's a friend of yours, Phil."


"Emperor, the old elephant that you rode last year. They are
taking him to the menagerie tent."

"Whistle to him, Phil," suggested Teddy.

Phil uttered a low, peculiar whistle.

The big elephant's ears flapped. The procession that he was
leading came to a sudden stop and Emperor trumpeted shrilly.

"He hasn't forgotten me," breathed Phil happily. "Dear old

"Pipe him up again," urged Teddy.

"No; I wouldn't dare. He would be likely to break away from
Mr. Kennedy and might trample some of the people about here.
See, Mr. Kennedy is having his troubles as it is."

"Done any tumbling since you closed last fall?" questioned
Mr. Miaco.

"We have practiced a little. I want to learn, if you will
teach me--"

"Why, you can tumble already, Phil."

"Yes; but I want to do something better--the springboard."

"They've got a leaping act this year."


"Performers and clowns leap over a herd of elephants.
You've seen the act, haven't you?"

"Oh, yes; I know what it is. I wish I were able to do it."

"You will be. It is not difficult, only one has to have a
natural bent for it. Now, your friend Teddy ought to make a
fine leaper."

"I am," interposed Teddy pompously. "I always was."

"Yes; you're the whole show from your way of thinking," laughed
Mr. Miaco. "I must go see if my trunk is placed. See you
later, boys."

After leaving the clown, the lads strolled about the lot. They
discovered that the Sparling Shows was a big organization. The
had been very much enlarged and the canvas looked new and white.

In the menagerie tent the boys found many new cages, gorgeous in
red and gold, with a great variety of animals that had not been
in the show the previous summer.

Emperor's delight at seeing his little friend again was expressed
in loud trumpetings, and his sinuous trunk quickly found its way
into Phil Forrest's pocket in search of sweets. And Emperor was
not disappointed. In one coat pocket he found a liberal supply
of candy, while the other held a bag of peanuts, to all of which
the big elephant helped himself freely until no more was left.

"Have you got my trappings ready, Mr. Kennedy?" asked Phil
of the keeper.

"You'll find the stuff in fine shape. The old man has had a new
bonnet made for Emperor and a new blanket. He'll be right smart
when he enters the ring today. Been over to the cook tent yet?"

"Yes; but not for breakfast. We are going soon now. We want to
see them raise the big top first."

When the boys had passed out into the open they observed the
big circus tent rising slowly from the ground where it had been
laid out, the various pieces laced together by nimble fingers.
Mr. Sparling was on the lot watching everything at the same time.
This was the first time the tent had been pitched, and, as has
been said before, most of the men were green at their work.
Yet, under the boisterous prodding of the boss canvasman,
the white city was going up rapidly and with some semblance
of system.

As soon as the dome of the big top left the ground the boys
crawled under and went inside. Here all was excitement
and confusion. Men were shouting their commands, above which
the voice of the boss canvasman rose distinctly.

The dome of the tent by this time was halfway up the long, green
center pole, while men were hurrying in with quarter poles on
their shoulders, and which they quickly stood on end and guided
into place in the bellying canvas.

The eyes of the Circus Boys sparkled with enthusiasm.

"I wish we were up there on the rings," breathed Teddy.

"We shall be soon, old fellow," answered Phil, patting him on
the shoulder. "And for many days after this, I hope. Hello, I
wonder what's wrong up there?"

Phil's quick glance had caught something up near the half-raised
dome that impressed him as not being right.

"Look out aloft!" he sang out warningly.

"The key rope's going. Grab the other line!" bellowed the
boss canvasman.

"You fools!" roared Mr. Sparling from the opposite side
of the tent, as he quickly noted what was happening. "Run for
your lives! You'll have the whole outfit down on your heads!"

The men fled, letting go of ropes and poles, diving for places of
safety, many of them knowing what it meant to have that big tent
collapse and descend upon them.

The man who had held the key rope was the one who had been
at fault. Some of the new men had called to him to give them
a hand on another line, and he, a new man himself, all forgetful
of the important task that had been assigned to him, dropped the
key rope, as it is called, turning to assist his associate.

Instantly the dome of the big top began to settle with a grating
noise as the huge iron ring in the peak began slipping down the
center pole.

The key rope coiled on the ground was running out and squirming
up into the air. Only a single coil of it remained when Phil
suddenly darted forward. With a bound, he threw himself upon the
rope, giving it a quick twist about his arm.

The instant Phil had fastened his grip upon the rope he shot up
into the air so quickly that the onlookers failed to catch the
meaning of his sudden flight.

One pair of eyes, however, saw and understood. They belonged to
Mr. Sparling, the owner of the show.

"The boy will he killed!" he groaned. "Let go!"



For one brief instant Phil Forrest's head was giddy and his
breath fairly left his body from the speed with which he was
propelled upward on the key rope.

But the lad had not for a second lost his presence of mind.
Below him was some eight feet of the rope dangling in the air.

With a sudden movement that could only have been executed by one
with unusual strength and agility, Phil let the rope slip through
his hands just enough to slacken his speed. Instantly he threw
himself around the center pole, twisting the rope around and
around it, each twist slackening his upward flight a little.
He knew that, were his head to strike the iron ring in the dome
at the speed he was traveling, he would undoubtedly be killed.
It was as much to prevent this as to save the tent that Phil took
the action he did, though his one real thought was to save his
employer's property.

Now the rapid upward shoot had dwindled to a slow, gradual
slipping of the rope as it moved up the center pole inch by inch.
But Phil's peril was even greater than before. The moment that
heavy iron ring began pressing down on his head and shoulders
with the weight of the canvas behind it, there would be nothing
for him to do but to let go.

A forty-foot fall to the hard ground below seemed inevitable.
Yet he did not lose his presence of mind for an instant.

"Give him a hand!" yelled the boss canvasman.

"How? How?" shouted the canvasmen. "We can't reach him."

"Get a net under that boy, you blockheads!" thundered Mr.
rushing over from his station. "Don't you see he's bound to
and if he does he'll break his neck?"

The boss canvasman ordered three of his men to get the trapeze
performers' big net that lay in a heap near the ring nearest the
dressing tent, for there were two rings now in the Great Sparling
Combined Shows.

They dragged it over as quickly as possible; then willing hands
grabbed it and stretched the heavy net out. At Mr. Sparling's
direction the four corners of the net were manned and the
safety device raised from the ground, ready to catch the lad
should he fall.

"Now let go and drop!" roared Mr. Sparling.

They heard Phil laugh from his lofty perch.

"Jump, I say!"

"What, and let the tent down on you all?"

By this time the lad had curled his feet up over his head, and
they saw that he was bracing his feet against the iron ring,
literally holding the tent up with his own powerful muscles.
Of course, as a matter of fact, Phil was holding a very small
part of the weight of the tent, but as it was, the strain
was terrific.

Hanging head down, his face flushed until it seemed as if the
blood must burst through the skin, he hung there as calmly as if
he were not in imminent peril of his life. Then, too, there was
the danger to those below him. If the tent should collapse some
of them would be killed, for there were now few quarter poles in
place to break the fall of the heavy canvas.

"I say, down there!" he cried, finally managing to make himself
heard above the uproar.

"Are you going to drop?" shouted Mr. Sparling.

"No; do you want me to let the tent drop on you? If you'll all
get out there'll be fewer hurt in case I have to let go."

"That boy!" groaned the showman.

"Toss me a line and be quick about it," called Phil shrilly.

"What can you do with a line?" demanded the showman, now more
excited than he had ever been in his life.

"Toss it!"

"Give him a line!"

"A strong one," warned Phil, his voice not nearly as far reaching
as it had been.

"A line!" bellowed Mr. Sparling. "He knows what he wants it for,
and he's got more sense than the whole bunch of us."

A coil of rope shot up. But it missed Phil by about six feet.

Another one was forthcoming almost instantly. This time,
however, Mr. Sparling snatched it from the hands of the showman
who had made the wild cast.

"Idiot!" he roared, pushing the man aside.

Once more the coil sailed up, unrolling as it went. This time
Phil grasped it with his free hand, which he had liberated for
the purpose.

"Now, be careful," warned Mr. Sparling. "I don't know what you
think you're going to do; but whatever you start you're sure
to finish."

To this Phil made no reply. He was getting too weak to talk, and
his tired body trembled.

In the end of the key rope a big loop had been formed, this
after the tent was up, was slipped over a cleat to prevent a
possibility of the rope slipping its fastenings and letting the
tent down.

Phil had discovered the loop when it finally slipped up so his
one hand was pressed against the knot.

Every second the weight on his feet--on his whole body, in fact,
was getting heavier.

"If I can hold on a minute longer, I'll make it!" he muttered,
his breath coming in short, quick gasps.

What he was seeking to do was to get the rope they had tossed to
him, through the big loop. In his effort to do so, the coil
slipped from his hands, knocking a canvasman down as it fell,
but the lad had held to the other end with a desperate grip.

Now he began working it through the loop inch by inch. It was
a slow process, but he was succeeding even better than he
had hoped.

Mr. Sparling now saw what Phil's purpose was. About the same
time the others down there made the same discovery.

They set up a cheer of approval.

"Wait!" commanded the owner of the show. "The lad isn't out of
the woods yet. You men on the net look lively there. If you
don't catch him should he fall, you take my word for it, it'll go
mighty hard with you."

"We'll catch him."

"You'd better, if you know what's good for you. Goodness, but
he's got the strength and the grit! I never saw anything like it
in all my circus experience."

They could not help him. There was no way by which any of them
could reach Phil, and all they could do was to stand by and do
the best they could at breaking his fall should he be forced to
let go, as it seemed that he must do soon.

Nearer and nearer crept the line toward the ground, but it was
yet far above their heads. It was moving faster, however, as
Phil got more weight of rope through the loop, thus requiring
less effort on his part to send it along on its journey.

"Side pole! Side pole!" shouted the boy, barely making himself
heard above the shouts below.

At first they did not catch the meaning of his words.
Mr. Sparling, of course, was the first to do so.

"That's it! Oh, you idiots! You wooden Indians! You thick
Get a side pole, don't you understand?" and the owner made a dive
at the nearest man to him, whereat the fellow quickly
and started off on a run for the pole for which Phil had asked.
But, even then, some of the hands did not understand what he
could want of a side pole.

The instant it was brought Mr. Sparling snatched it from the
hands of the tentman. Raising the pole, assisted by the boss
canvasman, he was able to reach the loop. The iron spike in the
end of the pole was thrust through the loop, and by exerting
considerable pressure they were able to force the loop slowly
toward the ground.

"You'll have to hurry! I can't hang on much longer," cried
Phil weakly.

"We'll hurry, my lad. It won't be half a minute now," encouraged
Mr. Sparling. "Stand by here you blockheads, ready to fall on
that rope the minute it gets within reach. Three of you grab
hold of the coil end and pay it out gradually. Be careful.
Watch your business."

Three men sprang to do his bidding.

"Here comes the loop!"

Ready hands grasped the dangling rope.

The two strands were quickly carried together and the weight of a
dozen men thrown on them, instantly relieving the strain on Phil
Forrest's body.

Phil had saved the big top, and perhaps a few lives at the
same time. Now a sudden dizziness seemed to have overtaken him.
Everything appeared to be whirling about him, the big top
spinning like a giant top before his eyes.

"Slide down the rope!" commanded Mr. Sparling.

The lad slowly unwound the rope from his arm and feebly motioned
to them that they were to walk around the pole with their end so
they might hoist the iron ring to the splice of the center pole.

"Never mind anything but yourself!" ordered Mr. Sparling.
"We'll attend to this mix-up ourselves."

Very cautiously and deliberately, more from force of habit
than otherwise, the lad had let his feet down, and with them
was groping for the rope.

"Swing the line between his legs!" roared the owner. "Going to
let him stay up there all day?"

"That's what we're trying to do," answered a tentman.

"Yes, I see you trying. That's the trouble with you fellows.
You always think you're trying, and if you are, you never
accomplish anything. Got, it, Phil?"


Twisting his legs about the rope the boy next took a weak grip on
it with both hands, then started slowly to descend. This he knew
how to do, so the feat was attended with no difficulty other than
the strength required, and of which he had none to spare just at
the present moment.

"Look out!" he called. He thought he had shouted it in a
loud tone. As a matter of fact no sound issued from his lips.

But Mr. Sparling whose eyes had been fixed upon the boy,
saw and understood.

"He's falling. Catch him!"

Phil shot downward head first. Yet with the instinct of the
showman he curled his head up ever so little as he half
consciously felt himself going.



Phil struck the net with a violent slap that was heard outside
the big top, though those without did not understand the meaning
of it, nor did they give it heed.

Mr. Sparling was the first to reach him. The lad had landed on
his shoulders and then struck flat on his back, the proper way
to fall into a net. Perhaps it was instinct that told him what
to do.

The lad was unconscious when the showman lifted him tenderly from
the net and laid him out on the ground.

"Up with that peak!" commanded Mr. Sparling. "Get some water
and don't crowd around him! Give the boy air! Tucker, you hike
for the surgeon."

A shove started Teddy for the surgeon. In the meantime
Mr. Sparling was working over Phil, seeking to bring him back
to consciousness, which he finally succeeded in doing before
the surgeon arrived.

"Did I fall?" asked Phil, suddenly opening his eyes.

"A high dive," nodded Mr. Sparling.

Phil cast his eyes up to the dome where he saw the canvas
drawing taut. He knew that he had succeeded and he
smiled contentedly.

By the time the surgeon arrived the boy was on his feet.

"How do you feel?"

"I'm a little sore, Mr. Sparling. But I guess I'll be fit in a
few minutes."

"Able to walk over to my tent? If not, I'll have some of the
fellows carry you."

"Oh, no; I can walk if I can get my legs started moving.
They don't seem to be working the way they should this morning,"
laughed the lad. "My, that tent weighs something doesn't it?"

"It does," agreed the showman.

Just then the surgeon arrived. After a brief examination he
announced that Phil was not injured, unless, perhaps, he might
have injured himself internally by subjecting himself to the
great strain of holding up the tent.

"I think some breakfast will put me right again," decided
the lad.

"Haven't you had your breakfast yet?" demanded Mr. Sparling.

"No; I guess I've been too busy."

"Come with me, then. I haven't had mine either," said
the showman.

Linking his arm within that of the Circus Boy, Mr. Sparling
walked from the tent, not speaking again until they had reached
the manager's private tent. This was a larger and much more
commodious affair than it had been last year.

He placed Phil in a folding easy chair, and sat down to his desk
where he began writing.

After finishing, Mr. Sparling looked up.

"Phil," he said in a more kindly tone than the lad had ever
before heard him use, "I was under a deep obligation to you
last season. I'm under a greater one now."

"I wish you wouldn't speak of it, sir. What I have done is
purely in the line of duty. It's a fellow's business to be
looking out for his employer's interests. That's what I have
always tried to do."

"Not only tried, but have," corrected Mr. Sparling. "That's an
old-fashioned idea of yours. It's a pity young men don't feel
more that way, these days. But that wasn't what I wanted to say.
As a little expression of how much I appreciate your interest,
as well as the actual money loss you have saved me, I want to
make you a little present."

"Oh, no no," protested Phil.

"Here is a check which I have made out for a hundred dollars.
That will give you a little start on the season. But it isn't
all that I am going to do for you--"

"Please, Mr. Sparling. Believe me I do appreciate your kindness,
but I mustn't take the check. I couldn't take the check."

"Why not?"

"Because I haven't earned it."

"Haven't earned it? He hasn't earned it!"

"No, sir."

The showman threw his hands above his head in a hopeless sort of
a way.

"I should not feel that I was doing right. I want to be
independent, Mr. Sparling. I have plenty of money. I have
not spent more than half of what I earned last summer.
This season I hope to lay by a whole lot, so that I shall be
quite independent."

"And so you shall, so you shall, my boy," Sparling exclaimed,
rising and smiting Phil good naturedly with the flat of his hand.

Instead of tearing up the check, however, Mr. Sparling put it in
an envelope which he directed and stamped, then thrust in his
coat pocket.

"I--I hope you understand--hope you do not feel offended,"
said Phil hesitatingly. "I should not like to have you
misunderstand me."

"Not a bit of it, my lad. I can't say that I have any higher
opinion of you because of your decision, but--"

Phil glanced up quickly.

"I already have as high an opinion of you as it is possible for
me to have for any human being, and--"

"Thank you. You'll make me have a swelled head if you keep on
that way," laughed Phil.

"No danger. You would have had one long ago, if that was
your makeup. Have you seen Mrs. Sparling yet?"

"No, and I should like to. May I call on her in your car?"

"Not only may, but she has commissioned me to ask you to.
I think we had better be moving over to the cook tent, now,
if we wish any breakfast. I expect the hungry roustabouts
have about cleaned the place out by this time."

They soon arrived at the cook tent. Here Phil left Mr. Sparling
while he passed about among the tables, greeting such of his old
acquaintances as he had not yet seen that morning. He was
introduced to many of the new ones, all of whom had heard pretty
much everything about Phil's past achievements before he reached
their tables. The people of a circus are much like a big family,
and everyone knows, or thinks he knows, the whole family history
of his associates.

Even Phil's plucky work in the big top, less than an hour before,
had already traveled to the cook tent, and many curious glances
were directed to the slim, modest, boy as he passed among his
friends quietly, giving them his greetings.

Teddy, on the other hand, was not saying a word. He was
busy eating.

"How's your appetite this morning, Teddy?" questioned Phil,
sinking down on the bench beside his companion.

"Pretty fair," answered Teddy in a muffled voice. "I began at
the top--"

"Top of what?"

"Top of the bill of fare. I've cleaned up everything halfway
down the list, and I'm going through the whole bill, even if I
have to get up and shake myself down like the miller does a bag
of meal."

"Be careful, old chap. Remember you and I have to begin our real
work today. We shall want to be in the best of shape for our
ring act. You won't, if you fill up as you are doing now,"
warned Phil.

"Not going to work today."

"What's that?"

"No flying rings today."

"I don't understand."

"No flying rings, I said. Mr. Sparling isn't going to put on our
act today."

"How do you know?" asked Phil in some surprise.

"Heard him say so."


"Just now."

"Why, I came in with him myself less than ten minutes ago--"

"I know. He stopped right in front of my table here to speak to
the ringmaster. Heard him say you were not to be allowed to go
on till tomorrow. We don't have to go in the parade today if we
don't want to, either. But you are to ride Emperor in the
Grand Entry, and I'm to do my stunt on the educated mule."

"Pshaw, I can work today as well as I ever could," said Phil in a
disappointed tone. "And I'm going on, too, unless Mr. Sparling
gives me distinct orders to the contrary."

Phil got the orders before he had finished his breakfast.

"Believe me, Phil, I know best," said Mr. Sparling, noting the
lad's disappointment. "You have had a pretty severe strain this
morning, and to go on now with the excitement of the first day
added to that, I fear might be too much for you. It might lay
you up for some weeks, and we cannot afford to have that happen,
you know. I need you altogether too much for that."

"Very well, sir; it shall be as you wish. I suppose I may go on
in the Grand Entry as usual?"

"Oh, yes, if you wish."

"I do."

"Very well; then I'll let Mr. Kennedy know. You had better lie
down and rest while the parade is out."

"Thank you; I hardly think that will be necessary. I feel fit
enough for work right now."

"Such is youth and enthusiasm," mused the showman, passing on out
of the cook tent, once more to go over his arrangements, for
there were many details to be looked after on this the first day
of the show's season on the road.

Phil called on Mrs. Sparling after breakfast, receiving from the
showman's wife a most hospitable welcome. She asked him all
about how he had spent the winter, and seemed particularly
interested in Mrs. Cahill, who was now the legal guardian of
both the boys. Mrs. Sparling already had a letter in her pocket,
with the check for one hundred dollars which the showman had
drawn for Phil. It was going to Mrs. Cahill to be deposited to
the lad's credit, but he would know nothing of this until the
close of the season. After he had gone home he would find
himself a hundred dollars richer than he thought.

His call finished, Phil went out and rejoined Teddy. Together
started back toward the dressing tent to set their trunks in
and get out such of their costumes as they would need that
afternoon and evening. Then again, the dressing tent was really
the most attractive part of the show to all the performers. It
here that they talked of their work and life, occasionally
new acts of a minor character, and indulged in pranks like a lot
schoolboys at recess time.

As they were passing down along the outside of the big top,
Phil noticed several laborers belonging to the show sitting
against the side wall sunning themselves. He observed that one
of the men was eyeing Teddy and himself with rather more than
ordinary interest.

Phil did not give it a second thought, however, until suddenly
Teddy gave his arm a violent pinch.

"What is it?"

"See those fellows sitting there?"

"Yes. What of it?"

"One of them is the fellow who ducked me under the water tank
back at Germantown."

"You don't say? Which one?"

"Fellow with the red hair. I heard them call him Larry as I
passed, or I might not have noticed him particularly. His hair
is redder than Rod Palmer's. I should think it would set him
on fire."

"It certainly would seem so."

"Mister Larry has got something coming to him good and proper,
and he's going to get it, you take my word for that."

Phil laughed good naturedly.

"Please, now, Teddy, forget it. Don't go and get into any
more mix-ups. You'll be sending yourself back home first thing
you know. Then it will be a difficult matter to get into any
other show if you are sent away from this one in disgrace."

"Don't you worry about me. I'll take care of myself. I always
do, don't I?"

"I'm afraid I can't agree to that," laughed Phil. "I should say
that quite the contrary is the case."

Teddy fell suddenly silent as they walked on in the bright
morning light, drinking in the balmy air in long-drawn breaths.
Entering the paddock they turned sharply to the left and pushed
their way through the canvas curtains into the dressing tent.

"Hurrah for the Circus Boys," shouted someone. "Hello Samson,
are you the strong-armed man that held the tent up by your feet?"

"Strong-footed man, you mean," suggested another. "A
man uses his arms not his feet."

"Come over here and show yourself," shouted another voice.

Phil walked over and stood smilingly before them. Nothing seemed
to disturb his persistent good nature.

"Huh, not so much! I guess they stretched that yarn," grunted
a new performer.

"I guess not," interposed Mr. Miaco. "I happened to see that
stunt pulled off myself. It was the biggest thing I ever saw
a man--let alone a boy--get away with." Then Mr. Miaco went over
the scene with great detail, while Phil stole away to his own
corner, where he busied himself bending over his trunk to hide
his blushes.

But Teddy felt no such emotion. Almost as soon as he entered the
dressing tent he began searching about for something. This he
soon found. It was a pail, but he appeared to be in a hurry.
Picking up the pail he ran with it to the water barrel, that
always stands in the dressing tent, filled the pail and skulked
out as if he did not desire to attract attention.

Once outside the dressing tent Teddy ran at full speed across the
paddock and out into the big top. A few men were working here
putting up apparatus for the performers. They gave no heed to
the boy with the pail of water.

Teddy ran his eye along the inside of the tent, nodded and went
on to the middle section where he turned, climbing the steps to
the upper row.

Arriving there he cautiously peered out over the top of the
side wall. What he saw evidently was not to his liking, for once
more he picked up the pail of water and ran lightly along the top
seat toward the menagerie tent.

All at once he paused, put down his pail and peered out over the
side wall again. Nodding with satisfaction he picked up the
pail, lifted it to the top of the side wall, once more looked out
measuring the distance well, then suddenly turned the pail bottom
side up.

In his course through the big top Teddy had gathered up several
handfuls of sawdust and dirt which he had stirred well into the
water as he ran, making a pasty mess of it.

It was this mixture that he had now poured out over the
side wall. Teddy waited only an instant to observe the effect
of the deluge that he had turned on. Then he fled down the
rattling board seats.

Outside a sudden roar broke the stillness. No sooner had he
reached the bottom of the seats than several men raised up the
side wall and came tumbling in, yelling like Comanche Indians.
Teddy cast one frightened look at them, then ran like
all possessed. What he had seen was a red-haired man in the
lead, dripping wet with hair and clothes plastered with mud
and sawdust. Larry was after the lad in full cry.



"Stop him!" howled Larry, as he, followed by half a dozen
blue-shirted fellows, bolted into the arena in pursuit of the lad
who had emptied the pail of muddy water over him.

Teddy, still clinging to the pail, was sprinting down the
concourse as if his very life depended upon it. A canvasman,
hearing Larry's call, and suspecting the boy was wanted for
something quite serious, rushed out, heading Teddy off.
It looked as if the lad were to be captured right here.

But Teddy Tucker was not yet at the end of his resources. He ran
straight on as if he had not observed the canvasman. Just as he
reached the man, and the latter's hands were stretched out to
intercept him, Teddy hurled the pail full in the fellow's face.
Then the lad darted to one side and fled toward the paddock.

The canvasman had joined the procession by this time. Into the
dressing tent burst the boy, followed by Larry, the others having
brought up sharply just before reaching the dressing room,
knowing full well that they had no business there and that
their presence would be quickly and effectively resented.
Larry, consumed with rage, did not stop to think about this,
so he dashed on blindly to his fate.

At first the circus performers in the dressing tent could not
imagine what was going on. Clotheslines came down, properties
were upset and in a moment the tent was in confusion.

"Stop that!" bellowed an irate performer.

Larry gave no heed to the command, and Teddy was in too big a
hurry to stop to explain.

Suddenly Phil Forrest, realizing that his little companion was in
danger, gave a leap. He landed on Larry's back, pinioning the
fellow's arms to his sides.

"You stop that now! You let him alone!" commanded Phil.

Before the canvasman could make an effort to free himself,
Mr. Miaco, the head clown, took a hand in the proceedings.

Book of the day: