Produced by David Widger
By W.W. Jacobs
THE CHANGING NUMBERS
The tall clock in the corner of the small living-room had just struck
eight as Mr. Samuel Gunnill came stealthily down the winding staircase
and, opening the door at the foot, stepped with an appearance of great
care and humility into the room. He noticed with some anxiety that his
daughter Selina was apparently engrossed in her task of attending to the
plants in the window, and that no preparations whatever had been made for
[Illustration: "Mr. Samuel Gunnill came stealthily down the winding
Miss Gunnill's horticultural duties seemed interminable. She snipped off
dead leaves with painstaking precision, and administered water with the
jealous care of a druggist compounding a prescription; then, with her
back still toward him, she gave vent to a sigh far too intense in its
nature to have reference to such trivialities as plants. She repeated it
twice, and at the second time Mr. Gunnill, almost without his knowledge,
uttered a deprecatory cough.
His daughter turned with alarming swiftness and, holding herself very
upright, favoured him with a glance in which indignation and surprise
were very fairly mingled.
"That white one--that one at the end," said Mr. Gunnill, with an
appearance of concentrated interest, "that's my fav'rite."
Miss Gunnill put her hands together, and a look of infinite
long-suffering came upon her face, but she made no reply.
"Always has been," continued Mr. Gunnill, feverishly, "from a--from a
"Bailed out," said Miss Gunnill, in a deep and thrilling voice; "bailed
out at one o'clock in the morning, brought home singing loud enough for
half-a-dozen, and then talking about flowers!"
Mr. Gunnill coughed again.
"I was dreaming," pursued Miss Gunnill, plaintively, "sleeping
peacefully, when I was awoke by a horrible noise."
"That couldn't ha' been me," protested her father. "I was only a bit
cheerful. It was Benjamin Ely's birthday yesterday, and after we left
the Lion they started singing, and I just hummed to keep 'em company. I
wasn't singing, mind you, only humming--when up comes that interfering
Cooper and takes me off."
Miss Gunnill shivered, and with her pretty cheek in her hand sat by the
window the very picture of despondency. "Why didn't he take the others?"
"Ah!" said Mr. Gunnill, with great emphasis, "that's what a lot more of
us would like to know. P'r'aps if you'd been more polite to Mrs. Cooper,
instead o' putting it about that she looked young enough to be his
mother, it wouldn't have happened."
His daughter shook her head impatiently and, on Mr. Gunnill making an
allusion to breakfast, expressed surprise that he had got the heart to
eat any-thing. Mr. Gunnill pressing the point, however, she arose and
began to set the table, the undue care with which she smoothed out the
creases of the table-cloth, and the mathematical exactness with which she
placed the various articles, all being so many extra smarts in his wound.
When she finally placed on the table enough food for a dozen people he
began to show signs of a little spirit.
"Ain't you going to have any?" he demanded, as Miss Gunnill resumed her
seat by the window.
"Me?" said the girl, with a shudder. "Breakfast? The disgrace is
breakfast enough for me. I couldn't eat a morsel; it would choke me."
Mr. Gunnill eyed her over the rim of his teacup. "I come down an hour
ago," he said, casually, as he helped himself to some bacon.
Miss Gunnill started despite herself. "Oh!" she said, listlessly.
"And I see you making a very good breakfast all by yourself in the
kitchen," continued her father, in a voice not free from the taint of
The discomfited Selina rose and stood regarding him; Mr. Gunnill, after a
vain attempt to meet her gaze, busied himself with his meal.
"The idea of watching every mouthful I eat!" said Miss Gunnill,
tragically; "the idea of complaining because I have some breakfast! I'd
never have believed it of you, never! It's shameful! Fancy grudging
your own daughter the food she eats!"
Mr. Gunnill eyed her in dismay. In his confusion he had overestimated
the capacity of his mouth, and he now strove in vain to reply to this
shameful perversion of his meaning. His daughter stood watching him with
grief in one eye and calculation in the other, and, just as he had put
himself into a position to exercise his rights of free speech, gave a
pathetic sniff and walked out of the room.
She stayed indoors all day, but the necessity of establishing his
innocence took Mr. Gunnill out a great deal. His neighbours, in the hope
of further excitement, warmly pressed him to go to prison rather than pay
a fine, and instanced the example of an officer in the Salvation Army,
who, in very different circumstances, had elected to take that course.
Mr. Gunnill assured them that only his known antipathy to the army, and
the fear of being regarded as one of its followers, prevented him from
doing so. He paid instead a fine of ten shillings, and after listening
to a sermon, in which his silver hairs served as the text, was permitted
to depart. His feeling against Police-constable Cooper increased with
the passing of the days. The constable watched him with the air of a
proprietor, and Mrs. Cooper's remark that "her husband had had his eye
upon him for a long time, and that he had better be careful for the
future," was faithfully retailed to him within half an hour of its
utterance. Convivial friends counted his cups for him; teetotal friends
more than hinted that Cooper was in the employ of his good angel.
[Illustration: "The constable watched him with the air of a proprietor."]
Miss Gunnill's two principal admirers had an arduous task to perform.
They had to attribute Mr. Gunnill's disaster to the vindictiveness of
Cooper, and at the same time to agree with his daughter that it served
him right. Between father and daughter they had a difficult time, Mr.
Gunnill's sensitiveness having been much heightened by his troubles.
"Cooper ought not to have taken you," said Herbert Sims for the fiftieth
"He must ha' seen you like it dozens o' times before," said Ted Drill,
who, in his determination not to be outdone by Mr. Sims, was not
displaying his usual judgment. "Why didn't he take you then? That's
what you ought to have asked the magistrate."
"I don't understand you," said Mr. Gunnill, with an air of cold dignity.
"Why," said Mr. Drill, "what I mean is--look at that night, for instance,
He broke off suddenly, even his enthusiasm not being proof against the
extraordinary contortions of visage in which Mr. Gunnill was indulging.
"When?" prompted Selina and Mr. Sims together. Mr. Gunnill, after first
daring him with his eye, followed suit.
"That night at the Crown," said Mr. Drill, awkwardly. "You know; when
you thought that Joe Baggs was the landlord. You tell 'em; you tell it
best. I've roared over it."
"I don't know what you're driving at," said the harassed Mr. Gunnill,
"H'm!" said Mr. Drill, with a weak laugh. "I've been mixing you up with
Mr. Gunnill, obviously relieved, said that he ought to be more careful,
and pointed out, with some feeling, that a lot of mischief was caused
"Cooper wants a lesson, that's what he wants," said Mr. Sims, valiantly.
"He'll get his head broke one of these days."
Mr. Gunnill acquiesced. "I remember when I was on the _Peewit,_" he
said, musingly, "one time when we were lying at Cardiff, there was a
policeman there run one of our chaps in, and two nights afterward another
of our chaps pushed the policeman down in the mud and ran off with his
staff and his helmet."
Miss Gunnill's eyes glistened. "What happened?" she inquired.
"He had to leave the force," replied her father; "he couldn't stand the
disgrace of it. The chap that pushed him over was quite a little chap,
too. About the size of Herbert here."
Mr. Sims started.
"Very much like him in face, too," pursued Mr. Gunnill; "daring chap he
Miss Gunnill sighed. "I wish he lived in Little-stow," she said, slowly.
"I'd give anything to take that horrid Mrs. Cooper down a bit. Cooper
would be the laughing-stock of the town."
Messrs. Sims and Drill looked unhappy. It was hard to have to affect an
attitude of indifference in the face of Miss Gunnill's lawless yearnings;
to stand before her as respectable and law-abiding cravens. Her eyes,
large and sorrowful; dwelt on them both.
"If I--I only get a chance at Cooper!" murmured Mr. Sims, vaguely.
To his surprise, Mr. Gunnill started up from his chair and, gripping his
hand, shook it fervently. He looked round, and Selina was regarding him
with a glance so tender that he lost his head completely. Before he had
recovered he had pledged himself to lay the helmet and truncheon of the
redoubtable Mr. Cooper at the feet of Miss Gunnill; exact date not
"Of course, I shall have to wait my opportunity," he said, at last.
"You wait as long as you like, my boy," said the thoughtless Mr. Gunnill.
Mr. Sims thanked him.
"Wait till Cooper's an old man," urged Mr. Drill.
Miss Gunnill, secretly disappointed at the lack of boldness and devotion
on the part of the latter gentleman, eyed his stalwart frame indignantly
and accused him of trying to make Mr. Sims as timid as himself. She
turned to the valiant Sims and made herself so agreeable to that daring
blade that Mr. Drill, a prey to violent jealousy, bade the company a curt
good-night and withdrew.
He stayed away for nearly a week, and then one evening as he approached
the house, carrying a carpet-bag, he saw the door just opening to admit
the fortunate Herbert. He quickened his pace and arrived just in time to
follow him in. Mr. Sims, who bore under his arm a brown-paper parcel,
seemed somewhat embarrassed at seeing him, and after a brief greeting
walked into the room, and with a triumphant glance at Mr. Gunnill and
Selina placed his burden on the table.
[Illustration: "He saw the door just opening to admit the fortunate
"You--you ain't got it?" said Mr. Gunnill, leaning forward.
"How foolish of you to run such a risk!" said Selina.
"I brought it for Miss Gunnill," said the young man, simply. He
unfastened the parcel, and to the astonishment of all present revealed a
policeman's helmet and a short boxwood truncheon.
"You--you're a wonder," said the gloating Mr. Gunnill. "Look at it,
Mr. Drill was looking at it; it may be doubted whether the head of Mr.
Cooper itself could have caused him more astonishment. Then his eyes
sought those of Mr. Sims, but that gentleman was gazing tenderly at the
gratified but shocked Selina.
"How ever did you do it?" inquired Mr. Gunnill.
"Came behind him and threw him down," said Mr. Sims, nonchalantly. "He
was that scared I believe I could have taken his boots as well if I'd
Mr. Gunnill patted him on the back. "I fancy I can see him running
bare-headed through the town calling for help," he said, smiling.
Mr. Sims shook his head. "Like as not it'll be kept quiet for the credit
of the force," he said, slowly, "unless, of course, they discover who did
A slight shade fell on the good-humoured countenance of Mr. Gunnill, but
it was chased away almost immediately by Sims reminding him of the chaff
of Cooper's brother-constables.
"And you might take the others away," said Mr. Gunnill, brightening; "you
might keep on doing it."
Mr. Sims said doubtfully that he might, but pointed out that Cooper would
probably be on his guard for the future.
"Yes, you've done your share," said Miss Gunnill, with a half-glance at
Mr. Drill, who was still gazing in a bewildered fashion at the trophies.
"You can come into the kitchen and help me draw some beer if you like."
Mr. Sims followed her joyfully, and reaching down a jug for her watched
her tenderly as she drew the beer. All women love valour, but Miss
Gunnill, gazing sadly at the slight figure of Mr. Sims, could not help
wishing that Mr. Drill possessed a little of his spirit.
[Illustration: "Mr. Sims watched her tenderly as she drew the beer."]
She had just finished her task when a tremendous bumping noise was heard
in the living-room, and the plates on the dresser were nearly shaken off
"What's that?" she cried.
They ran to the room and stood aghast in the doorway at the spectacle of
Mr. Gunnill, with his clenched fists held tightly by his side, bounding
into the air with all the grace of a trained acrobat, while Mr. Drill
encouraged him from an easy-chair. Mr. Gunnill smiled broadly as he met
their astonished gaze, and with a final bound kicked something along the
floor and subsided into his seat panting.
Mr. Sims, suddenly enlightened, uttered a cry of dismay and, darting
under the table, picked up what had once been a policeman's helmet. Then
he snatched a partially consumed truncheon from the fire, and stood white
and trembling before the astonished Mr. Gunnill.
"What's the matter?" inquired the latter. "You--you've spoilt 'em,"
gasped Mr. Sims. "What of it?" said Mr. Gunnill, staring.
"I was--going to take 'em away," stammered Mr. Sims.
"Well, they'll be easier to carry now," said Mr. Drill, simply.
Mr. Sims glanced at him sharply, and then, to the extreme astonishment of
Mr. Gunnill, snatched up the relics and, wrapping them up in the paper,
dashed out of the house. Mr. Gunnill turned a look of blank inquiry upon
"It wasn't Cooper's number on the helmet," said that gentleman.
"Eh?" shouted Mr. Gunnill.
"How do you know?" inquired Selina.
"I just happened to notice," replied Mr. Drill. He reached down as
though to take up the carpet-bag which he had placed by the side of his
chair, and then, apparently thinking better of it, leaned back in his
seat and eyed Mr. Gunnill.
"Do you mean to tell me," said the latter, "that he's been and upset the
Mr. Drill shook his head. "That's the puzzle," he said, softly.
He smiled over at Miss Gunnill, but that young lady, who found him
somewhat mysterious, looked away and frowned. Her father sat and
exhausted conjecture, his final conclusion being that Mr. Sims had
attacked the first policeman that had come in his way and was now
suffering the agonies of remorse.
He raised his head sharply at the sound of hurried footsteps outside.
There was a smart rap at the street door, then the handle was turned, and
the next moment, to the dismay of all present, the red and angry face of
one of Mr. Cooper's brother-constables was thrust into the room.
Mr. Gunnill gazed at it in helpless fascination. The body of the
constable garbed in plain clothes followed the face and, standing before
him in a menacing fashion, held out a broken helmet and staff.
"Have you seen these afore?" he inquired, in a terrible voice.
"No," said Mr. Gunnill, with an attempt at surprise. "What are they?"
"I'll tell you what they are," said Police-constable Jenkins,
ferociously; "they're my helmet and truncheon. You've been spoiling His
Majesty's property, and you'll be locked up."
"Yours?" said the astonished Mr. Gunnill.
"I lent 'em to young Sims, just for a joke," said the constable. "I felt
all along I was doing a silly thing."
"It's no joke," said Mr. Gunnill, severely. "I'll tell young Herbert
what I think of him trying to deceive me like that."
"Never mind about deceiving," interrupted the constable. "What are you
going to do about it?"
"What are you?" inquired Mr. Gunnill, hardily. "It seems to me it's
between you and him; you'll very likely be dismissed from the force, and
all through trying to deceive. I wash my hands of it."
"You'd no business to lend it," said Drill, interrupting the constable's
indignant retort; "especially for Sims to pretend that he had stolen it
from Cooper. It's a roundabout sort of thing, but you can't tell of Mr.
Gunnill without getting into trouble yourself."
"I shall have to put up with that," said the constable, desperately;
"it's got to be explained. It's my day-helmet, too, and the night one's
as shabby as can be. Twenty years in the force and never a mark against
my name till now."
"If you'd only keep quiet a bit instead of talking so much," said Mr.
Drill, who had been doing some hard thinking, "I might be able to help
"How?" inquired the constable.
"Help him if you can, Ted," said Mr. Gunnill, eagerly; "we ought all to
help others when we get a chance."
Mr. Drill sat bolt upright and looked very wise.
He took the smashed helmet from the table and examined it carefully. It
was broken in at least half-a-dozen places, and he laboured in vain to
push it into shape. He might as well have tried to make a silk hat out
of a concertina. The only thing that had escaped injury was the metal
plate with the number.
"Why don't you mend it?" he inquired, at last.
"Mend it?" shouted the incensed Mr. Jenkins. "Why don't you?"
"I think I could," said Mr. Drill, slowly; "give me half an hour in the
kitchen and I'll try."
"Have as long as you like," said Mr. Gunnill.
"And I shall want some glue, and Miss Gunnill, and some tin-tacks," said
"What do you want me for?" inquired Selina.
"To hold the things for me," replied Mr. Drill.
Miss Gunnill tossed her head, but after a little demur consented; and
Drill, ignoring the impatience of the constable, picked up his bag and
led the way into the kitchen. Messrs. Gunnill and Jenkins, left behind
in the living-room, sought for some neutral topic of discourse, but in
vain; conversation would revolve round hard labour and lost pensions.
From the kitchen came sounds of hammering, then a loud "Ooh!" from Miss
Gunnill, followed by a burst of laughter and a clapping of hands. Mr.
Jenkins shifted in his seat and exchanged glances with Mr. Gunnill.
[Illustration: "From the kitchen came sounds of hammering."]
"He's a clever fellow," said that gentleman, hopefully. "You should hear
him imitate a canary; life-like it is."
Mr. Jenkins was about to make a hasty and obvious rejoinder, when the
kitchen door opened and Selina emerged, followed by Drill. The snarl
which the constable had prepared died away in a murmur of astonishment as
he took the helmet. It looked as good as ever.
He turned it over and over in amaze, and looked in vain for any signs of
the disastrous cracks. It was stiff and upright. He looked at the
number: it was his own. His eyes round with astonishment he tried it on,
and then his face relaxed.
"It don't fit as well as it did," he said.
"Well, upon my word, some people are never satisfied," said the indignant
Drill. "There isn't another man in England could have done it better."
"I'm not grumbling," said the constable, hastily; "it's a wonderful piece
o' work. Wonderful! I can't even see where it was broke. How on earth
did you do it?"
Drill shook his head. "It's a secret process," he said, slowly. "I
might want to go into the hat trade some day, and I'm not going to give
"Quite right," said Mr. Jenkins. "Still--well, it's a marvel, that's
what it is; a fair marvel. If you take my advice you'll go in the hat
trade to-morrow, my lad."
"I'm not surprised," said Mr. Gunnill, whose face as he spoke was a map
of astonishment. "Not a bit. I've seen him do more surprising things
than that. Have a go at the staff now, Teddy."
"I'll see about it," said Mr. Drill, modestly. "I can't do
impossibilities. You leave it here, Mr. Jenkins, and we'll talk about it
Mr. Jenkins, still marvelling over his helmet, assented, and, after
another reference to the possibilities in the hat trade to a man with a
born gift for repairs, wrapped his property in a piece of newspaper and
"Ted," said Mr. Gunnill, impressively, as he sank into his chair with a
sigh of relief. "How you done it I don't know. It's a surprise even to
"He is very clever," said Selina, with a kind smile
Mr. Drill turned pale, and then, somewhat emboldened by praise from such
a quarter, dropped into a chair by her side and began to talk in low
tones. The grateful Mr. Gunnill, more relieved than he cared to confess,
thoughtfully closed his eyes.
"I didn't think all along that you'd let Herbert outdo you," said Selina.
"I want to outdo him," said Mr. Drill, in a voice of much meaning.
Miss Gunnill cast down her eyes and Mr. Drill had just plucked up
sufficient courage to take her hand when footsteps stopped at the house,
the handle of the door was turned, and, for the second time that evening,
the inflamed visage of Mr. Jenkins confronted the company.
"Don't tell me it's a failure," said Mr. Gunnill, starting from his
chair. "You must have been handling it roughly. It was as good as new
when you took it away."
Mr. Jenkins waved him away and fixed his eyes upon Drill.
"You think you're mighty clever, I dare say," he said, grimly; "but I can
put two and two together. I've just heard of it."
"Heard of two and two?" said Drill, looking puzzled.
"I don't want any of your nonsense," said Mr. Jenkins. "I'm not on duty
now, but I warn you not to say anything that may be used against you."
"I never do," said Mr. Drill, piously.
"Somebody threw a handful o' flour in poor Cooper's face a couple of
hours ago," said Mr. Jenkins, watching him closely, "and while he was
getting it out of his eyes they upset him and made off with his helmet
and truncheon. I just met Brown and he says Cooper's been going on like
"By Jove! it's a good job I mended your helmet for you," said Mr. Drill,
"or else they might have suspected you."
Mr. Jenkins stared at him. "I know who did do it," he said,
"Herbert Sims?" guessed Mr. Drill, in a stage whisper.
"You'll be one o' the first to know," said Mr. Jenkins, darkly; "he'll be
arrested to-morrow. Fancy the impudence of it! It's shocking."
Mr. Drill whistled. "Nell, don't let that little affair o' yours with
Sims be known," he said, quietly. "Have that kept quiet--if you can."
Mr. Jenkins started as though he had been stung. In the joy of a case he
had overlooked one or two things. He turned and regarded the young man
"Don't call on me as a witness, that's all," continued Mr. Drill. "I
never was a mischief-maker, and I shouldn't like to have to tell how you
lent your helmet to Sims so that he could pretend he had knocked Cooper
down and taken it from him."
[Illustration: "Don't call on me as a witness, that's all," continued Mr.
"Wouldn't look at all well," said Mr. Gunnill, nodding his head sagely.
Mr. Jenkins breathed hard and looked from one to the other. It was plain
that it was no good reminding them that he had not had a case for five
"When I say that I know who did it," he said, slowly, "I mean that I have
"Don't call on me as a witness, that's all,' continued Mr. Drill."
"Ah," said Mr. Drill, "that's a very different thing."
"Nothing like the same," said Mr. Gunnill, pouring the constable a glass
Mr. Jenkins drank it and smacked his lips feebly.
"Sims needn't know anything about that helmet being repaired," he said at
"Certainly not," said everybody.
Mr. Jenkins sighed and turned to Drill.
"It's no good spoiling the ship for a ha'porth o' tar," he said, with a
faint suspicion of a wink. "No," said Drill, looking puzzled.
"Anything that's worth doing at all is worth doing well," continued the
constable, "and while I'm drinking another glass with Mr. Gunnill here,
suppose you go into the kitchen with that useful bag o' yours and finish
repairing my truncheon?"
*** END OF THIS PROJECT GUTENBERG EBOOK THE CHANGING NUMBERS ***
***** This file should be named 12208.txt or 12208.zip *****
This and all associated files of various formats will be found in:
Produced by David Widger
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
agree to be bound by the terms of this agreement. There are a few
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
Gutenberg-tm mission of promoting free access to electronic works by
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
1.E.1. The following sentence, with active links to, or other immediate
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
through 1.E.7 or obtain permission for the use of the work and the
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
1.E.7. Do not charge a fee for access to, viewing, displaying,
1.E.8. You may charge a reasonable fee for copies of or providing
- You pay a royalty fee of 20% of the gross profits you derive from
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
forth in this agreement, you must obtain permission in writing from
Foundation as set forth in Section 3 below.
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
that arise directly or indirectly from any of the following which you do
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
firstname.lastname@example.org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
ways including including checks, online payments and credit card
donations. To donate, please visit: http://pglaf.org/donate
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Each eBook is in a subdirectory of the same number as the eBook's
eBook number, often in several formats including plain vanilla ASCII,
compressed (zipped), HTML and others.
Corrected EDITIONS of our eBooks replace the old file and take over
the old filename and etext number. The replaced older file is renamed.
VERSIONS based on separate sources are treated as new eBooks receiving
new filenames and etext numbers.
Most people start at our Web site which has the main PG search facility:
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
are filed in directories based on their release date. If you want to
download any of these eBooks directly, rather than using the regular
search system you may utilize the following addresses and just
download by the etext year.
(Or /etext 05, 04, 03, 02, 01, 00, 99,
98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
EBooks posted since November 2003, with etext numbers OVER #10000, are
filed in a different way. The year of a release date is no longer part
of the directory path. The path is based on the etext number (which is
identical to the filename). The path to the file is made up of single
digits corresponding to all but the last digit in the filename. For
example an eBook of filename 10234 would be found at:
or filename 24689 would be found at:
An alternative method of locating eBooks: