Part 1 out of 2
This etext was produced by Pat Castevans
By George Meredith
XI. IN WHICH WE SEE THE MAGNANIMITY THAT IS IN BEER
XII. SHOWING HOW SENTIMENT AND PASSION TAKE
THE DISEASE OF LOVE
XIII. CONTAINS A SHORT DISCOURSE ON PUPPETS
XIV. THE BESWORTH QUESTION
XV. WILFRID'S EXHIBITION OF TREACHERY
XVI. HOW THE LADIES OF BROOKFIELD CAME TO THEIR RESOLVE
XVII. IN THE WOODS
At half-past nine of the clock on the evening of this memorable day, a
body of five-and-twenty stout young fellows, prize-winners, wrestlers,
boxers, and topers, of the Hillford Club, set forth on a march to Ipley
Now, a foreigner, hearing of their destination and the provocation they
had endured, would have supposed that they were bent upon deeds of
vengeance; and it requires knowledge of our countrymen to take it as a
fact that the idea and aim of the expedition were simply to furnish the
offending Ipley boys a little music. Such were the idea and the aim.
Hillford had nothing to do with consequences: no more than our England is
responsible when she sails out among the empires and hemispheres, saying,
'buy' and 'sell,' and they clamour to be eaten up entire. Foreigners
pertinaciously misunderstand us. They have the barbarous habit of
judging by results. Let us know ourselves better. It is melancholy to
contemplate the intrigues, and vile designs, and vengeances of other
nations; and still more so, after we have written so many pages of
intelligible history, to see them attributed to us. Will it never be
perceived that we do not sow the thing that happens? The source of the
flooding stream which drinks up those rich acres of low flat land is not
more innocent than we. If, as does seem possible, we are in a sort of
alliance with Destiny, we have signed no compact, and accomplish our work
as solidly and merrily as a wood-hatchet in the hands of the woodman.
This arrangement to give Ipley a little music, was projected as a return
for the favours of the morning: nor have I in my time heard anything
comparable to it in charity of sentiment, when I consider the detestable
outrage Hillford suffered under.
The parading of the drum, the trombone, a horn, two whistles, and a fife,
in front of Hillford booth, caught the fancy of the Clubmen, who roared
out parting adjurations that the music was not to be spared; and that Tom
Breeks was a musical fellow, with a fine empty pate, if any one of the
instruments should fail perchance. They were to give Ipley plenty of
music: for Ipley wanted to be taught harmony. Harmony was Ipley's weak
point. "Gie 'em," said one jolly ruddy Hillford man, "gie 'em whack fol,
lol!" And he smacked himself, and set toward an invisible partner. Nor,
as recent renowned historians have proved, are observations of this
nature beneath the dignity of chronicle. They vindicate, as they
localize, the sincerity of Hillford.
Really, to be an islander full of ale, is to be the kindest creature on
or off two legs. For that very reason, it may be, his wrath at bad blood
is so easily aroused. In our hot moods we would desire things like unto
ourselves, and object violently to whatsoever is unlike. And also we
desire that the benefits we shed be appreciated. If Ipley understands
neither our music nor our intent, haply we must hold a performance on the
impenetrable sconce of Ipley.
At the hour named, the expedition, with many a promise that the music
should be sweet, departed hilariously: Will Burdock, the left-handed
cricketer and hard-hitter, being leader; with Peter Bartholomew, potboy,
John Girling, miller's man, and Ned Thewk, gardener's assistant, for
lieutenants. On the march, silence was proclaimed, and partially
enforced, after two fights against authority. Near the sign of King
William's Head, General Burdock called a halt, and betrayed irresolution
with reference to the route to be adopted; but as none of his troop could
at all share such a condition of mind in the neighbourhood of an inn, he
was permitted to debate peacefully with his lieutenants, while the rest
burst through the doors and hailed the landlord: a proceeding he was
quickly induced to imitate. Thus, when the tail shows strongest decision
of purpose, the head must follow.
An accurate oinometer, or method of determining what shall be the
condition of the spirit of man according to the degrees of wine or beer
in him, were surely of priceless service to us. For now must we, to be
certain of our sanity and dignity, abstain, which is to clip, impoverish,
imprison the soul: or else, taking wings of wine, we go aloft over capes,
and islands, and seas, but are even as balloons that cannot make for any
line, and are at the mercy of the winds--without a choice, save to come
down by virtue of a collapse. Could we say to ourselves, in the great
style, This is the point where desire to embrace humanity is merged in
vindictiveness toward individuals: where radiant sweet temper culminates
in tremendous wrath: where the treasures of anticipation, waxing riotous,
arouse the memory of wrongs: in plain words, could we know positively,
and from the hand of science, when we have had enough, we should stop.
There is not a doubt that we should stop. It is so true we should stop,
that, I am ready to say, ladies have no right to call us horrid names,
and complain of us, till they have helped us to some such trustworthy
scientific instrument as this which I have called for. In its absence, I
am persuaded that the true natural oinometer is the hat. Were the hat
always worn during potation; were ladies when they retire to place it on
our heads, or, better still, chaplets of flowers; then, like the wise
ancients, we should be able to tell to a nicety how far we had advanced
in our dithyramb to the theme of fuddle and muddle. Unhappily the hat
does not forewarn: it is simply indicative. I believe, nevertheless,
that science might set to work upon it forthwith, and found a system.
When you mark men drinking who wear their hats, and those hats are seen
gradually beginning to hang on the backs of their heads, as from pegs, in
the fashion of a fez, the bald projection of forehead looks jolly and
frank: distrust that sign: the may-fly of the soul is then about to be
gobbled up by the chub of the passions. A hat worn fez-fashion is a
dangerous hat. A hat on the brows shows a man who can take more, but
thinks he will go home instead, and does so, peaceably. That is his
determination. He may look like Macduff, but he is a lamb. The vinous
reverses the non-vinous passionate expression of the hat. If I am
discredited, I appeal to history, which tells us that the hats of the
Hillford five-and-twenty were all exceedingly hind-ward-set when the
march was resumed. It followed that Peter Bartholomew, potboy, made
irritable objections to that old joke which finished his name as though
it were a cat calling, and the offence being repeated, he dealt an
impartial swing of his stick at divers heads, and told them to take that,
which they assured him they had done by sending him flying into a hedge.
Peter, being reprimanded by his commanding officer, acknowledged a hot
desire to try his mettle, and the latter responsible person had to be
restrained from granting the wish he cherished by John Girling, whom he
threw for his trouble and as Burdock was the soundest hitter, numbers
cried out against Girling, revolting him with a sense of overwhelming
injustice that could be appeased only by his prostrating two stout lads
and squaring against a third, who came up from a cross-road. This one
knocked him down with the gentleness of a fist that knows how Beer should
be treated, and then sang out, in the voice of Wilfrid Pole: "Which is
the nearest way to Ipley, you fellows?"
"Come along with us, sir, and we'll show you," said Burdock.
"Are you going there?"
"Well, that's pretty clear."
"Hillford men, are you?"
"We've left the women behind."
"I'm in a hurry, so, good night."
"And so are we in a hurry, sir. But, you're a gentleman, and we want to
give them chaps at Ipley a little surprise, d'ye see, in the way of a
dollop o' music: and if you won't go givin' 'em warning, you may trot;
and that road'll take you."
"All right," said Wilfrid, now fairly divided between his jealousy of
Gambier and anxiety for Emilia.
Could her artist nature, of which he had heard perplexing talk, excuse
her and make her heart absolutely guiltless (what he called 'innocent'),
in trusting herself to any man's honour? I regret to say that the dainty
adorers of the sex are even thus grossly suspicious of all women when
their sentiment is ever so triflingly offended.
Lights on Ipley Common were seen from a rise of the hilly road. The moon
was climbing through drifts of torn black cloud. Hastening his pace, for
a double reason now, Wilfrid had the booth within hearing, listened a
moment; and then stood fast. His unconscious gasp of the words: "Thank
God; there she is!" might have betrayed him to another.
She was sitting near one end of the booth, singing as Wilfrid had never
yet heard her sing: her dark eyes flashing. Behind her stood Captain
Gambier, keeping guard with all the composure of a gentleman-usher at a
royal presentation. Along the tables, men and women were ranged facing
her; open-mouthed, some of them but for the most part wearing a
predetermined expression of applausive judgement, as who should say,
"Queer, but good." They gave Emilia their faces, which was all she
wanted! and silence, save for an intermingling soft snore, here and
there, the elfin trumpet of silence. To tell truth, certain heads had
bowed low to the majesty of beer, and were down on the table between
sprawling doubled arms. No essay on the power of beer could exhibit it
more convincingly than, the happy indifference with which they received
admonishing blows from quart-pots, salutes from hot pipe-bowls, pricks
from pipe-ends, on nose, and cheek, and pate; as if to vindicate for
their beloved beverage a right to rank with that old classic drink
wherewith the fairest of women vanquished human ills. The majority,
however, had been snatched out of this bliss by the intrusion of their
wives, who sat beside them like Consciences in petticoats; and it must be
said that Emilia was in favour with the married men, for one reason,
because she gave these broad-ribboned ladies a good excuse for allowing
their lords to stop where they were so comfortable, a continually-
extending five minutes longer.
Yet, though the words were foreign and the style of the song and the
singer were strange, many of the older fellows' eyes twinkled, and their
mouths pursed with a kind of half-protesting pleasure. All were reverent
to the compliment paid them by Emilia's presence. The general expression
was much like that seen when the popular ear is given to the national
anthem. Wilfrid hung at the opening of the booth, a cynical spectator.
For what on earth made her throw such energy, and glory of music, into a
song before fellows like these? He laughed dolorously. "she hasn't a
particle of any sense of ridicule," he said to himself. Forthwith her
voice took hold of him, and led him as heroes of old were led unwillingly
into enchanted woods. If she had been singing things holy, a hymn, a
hallelujah, in this company, it struck him that somehow it would have
seemed appropriate; not objectionable; at any rate, not ridiculous. Dr.
Watts would have put a girdle about her; but a song of romance sung in
this atmosphere of pipes and beer and boozy heads, chagrined Wilfrid in
proportion as the softer half of him began to succumb to the
deliciousness of her voice.
Emilia may have had some warning sense that admiration is only one
ingredient of homage, that to make it fast and true affection must be
won. Now, poor people, yokels, clods, cannot love what is
incomprehensible to them. An idol must have their attributes: a king
must show his face now and then: a song must appeal to their
intelligence, to subdue them quite. This, as we know, is not the case in
the higher circles. Emilia may have divined it: possibly from the very
great respect with which her finale was greeted. Vigorous as the
"Brayvos" were, they sounded abashed: they lacked abandonment. In fact,
it was gratitude that applauded, and not enthusiasm. "Hillford don't
hear stuff like that, do 'em?" which was the main verbal encomium passed,
may be taken testificatorily as to this point.
"Dame! dame!" cried Emilia, finding her way quickly to one of the more
decently-bonneted women; "am I not glad to see you here! Did I please
you? And you, dear Farmer Wilson? I caught sight of you just as I was
finishing. I remember the song you like, and I want to sing it. I know
the tune, but the words! the words! what are the words? Humming won't
"Ah, now!" quoth Farmer Wilson, pointing out the end of his pipe, "that's
what they'll swallow down; that's the song to make 'em kick. Sing that,
miss. Furrin songs 's all right enough; but 'Ale it is my tipple, and
England is my nation!' Let's have something plain and flat on the
Dame Wilson jogged her husband's arm, to make him remember that talking
was his dangerous pastime, and sent abroad a petition for a song-book;
and after a space a very doggy-eared book, resembling a poodle of that
genus, was handed to her. Then uprose a shout for this song and that;
but Emilia fixed upon the one she had in view, and walked back to her
harp, with her head bent, perusing it attentively all the way. There,
she gave the book to Captain Gambier, and begged him to hold it open
before her, with a passing light of eyes likely to be rather disturbing
to a jealous spectator. The Captain seized the book without wincing, and
displayed a remarkable equanimity of countenance as he held it out,
according to direction. No sooner had Emilia struck a prelude of the
well-known air, than the interior of the booth was transfigured; legs
began to move, elbows jerked upward, fingers fillipped: the whole body of
them were ready to duck and bow, dance, and do her bidding she had fairly
caught their hearts. For, besides the pleasure they had in their own
familiar tune, it was wonderful to them that Emilia should know what they
knew. This was the marvel, this the inspiration. She smiled to see how
true she had struck, and seemed to swim on the pleasure she excited.
Once, as her voice dropped, she looked up at Captain Gambier, so very
archly, with the curving line of her bare throat, that Wilfrid was
dragged down from his cynical observatory, and made to feel as a common
man among them all.
At the "thrum-thrum" on the harp-strings, which wound up the song,
frenzied shouts were raised for a repetition. Emilia was perfectly
willing to gratify them; Captain Gambier appeared to be remonstrating
with her, but she put up her joined hands,
mock-petitioningly, and he with great affability held out the book anew.
Wilfrid was thinking of moving to her to take her forcibly away when she
At the same instant--but who, knowing that a house of glass is about to
be shattered, can refrain from admiring its glitter in the beams?--Ipley
crooned a ready accompaniment: the sleepers had been awakened: the women
and the men were alive, half-dancing, half-chorusing here a baby was
tossed, and there an old fellow's elbow worked mutely, expressive of the
rollicking gaiety within him: the whole length of the booth was in a
pleasing simmer, ready to overboil with shouts humane and cheerful, while
Emilia pitched her note and led; archly, and quite one with them all, and
yet in a way that critical Wilfrid could not object to, so plainly did
she sing to give happiness.
I cannot delay; but I request you, that are here privileged to soar aloft
with the Muse, to fix your minds upon one point in this flight. Let not
the heat and dust of the ensuing fray divert your attention from the
magnanimity of Beer. It will be vindicated in the end but be worthy of
your seat beside the Muse, who alone of us all can take one view of the
inevitable two that perplex mortal judgements.
For, if Ipley had jumped jovially up, and met the Hillford alarum with
laughter,--how then? Why, then I maintain that the magnanimity of Beer
would have blazed effulgent on the spot: there would have been louder
laughter and fraternal greetings. As it was, the fire on the altar of
Wisdom was again kindled by Folly, and the steps to the altar were broken
heads, after the antique fashion.
In dismay, Ipley started. The members of the Club stared. Emilia
faltered in horror.
A moment her voice swam stemming the execrable concert, but it was
overwhelmed. Wilfrid pressed forward to her. They could hear nothing
but the din. The booth raged like an insurgent menagerie. Outside it
sounded of brazen beasts, and beasts that whistled, beasts that boomed.
A whirlwind huddled them, and at last a cry, "We've got a visit from
Hillford," told a tale. At once the stoutest hearts pressed to the
opening. "My harp!" Emilia made her voice reach Wilfrid's ear.
Unprovided with weapons, Ipley parleyed. Hillford howled in reply. The
trombone brayed an interminable note, that would have driven to madness
quiescent cats by steaming kettles, and quick, like the springing pulse
of battle, the drum thumped and thumped. Blood could not hear it and
keep from boiling. The booth shook violently. Wilfrid and Gambier threw
over half-a-dozen chairs, forms, and tables, to make a barrier for the
protection of the women.
"Come," Wilfrid said to Emilia, "leave the harp, I will get you another.
"No, no," she cried in her nervous fright.
"For God's sake, come!" he reiterated, she, stamping her foot, as to
emphasize "No! no! no!"
"But I will buy you another harp;" he made audible to her through the
"This one!" she gasped with her hand on it. "What will he think if he
finds that I forsook it?"
Wilfrid knew her to allude to the unknown person who had given it to her.
"There--there," said he. "I sent it, and I can get you another. So,
come. Be good, and come."
"It was you!"
Emilia looked at him. She seemed to have no senses for the uproar about
But now the outer barricade was broken through, and the rout pressed on
the second line. Tom Breeks, the orator, and Jim, transformed from a
lurching yokel to a lithe dog of battle, kept the retreat of Ipley,
challenging any two of Hillford to settle the dispute. Captain Gambier
attempted an authoritative parley, in the midst of which a Hillford man
made a long arm and struck Emilia's harp, till the strings jarred loose
and horrid. The noise would have been enough to irritate Wilfrid beyond
endurance. When he saw the fellow continuing to strike the harp-frame
while Emilia clutched it, in a feeble defence, against her bosom, he
caught a thick stick from a neighbouring hand and knocked that Hillford
man so clean to earth that Hillford murmured at the blow. Wilfrid then
joined the front array.
"Half-a-dozen hits like that a-piece, sir," nodded Tom Breeks.
"There goes another!" Jim shouted.
"Not quite, my lad," interposed Ned Thewk, though Peter Bartholomew was
reeling in confirmation.
His blow at Jim missed, but came sharply in the swing on Wilfrid's cheek-
Maddened at the immediate vision of that feature swollen, purple, even as
a plum with an assiduous fly on it, certifying to ripeness:--Says the
philosopher, "We are never up to the mark of any position, if we are in a
position beneath our own mark;" and it is true that no hero in conflict
should think of his face, but Wilfrid was all the while protesting
wrathfully against the folly of his having set foot in such a place:--
Maddened, I say, Wilfrid, a keen swordman, cleared a space. John Girling
fell to him: Ned Thewk fell to him, and the sconce of Will Burdock rang.
"A rascally absurd business!" said Gambier, letting his stick do the part
of a damnatory verb on one of the enemy, while he added, "The drunken
All the Hillford party were now in the booth. Ipley, meantime, was not
sleeping. Farmer Wilson and a set of the Ipley men whom age had
sagaciously instructed to prefer stratagem to force, had slipped outside,
and were labouring as busily as their comrades within: stooping to the
tent-pegs, sending emissaries to the tent-poles.
"Drunk!" roared Will Burdock. "Did you happen to say 'drunk?'" And
looking all the while at Gambier, he, with infernal cunning, swung at
Wilfrid's fated cheekbone. The latter rushed furiously into the press of
them, and there was a charge from Ipley, and a lock, from which Wilfrid
extricated himself to hurry off Emilia. He perceived that bad blood was
"Forward!" cried Will Burdock, and Hillford in turn made a tide.
As they came on in numbers too great for Ipley to stand against, an
obscuration fell over all. The fight paused. Then a sensation as of
some fellows smoothing their polls and their cheeks, and leaning on their
shoulders with obtrusive affection, inspirited them to lash about
indiscriminately. Whoops and yells arose; then peals of laughter.
Homage to the cleverness of Ipley was paid in hurrahs, the moment
Hillford understood the stratagem by which its men of valour were lamed
and imprisoned. The truth was, that the booth was down on them, and they
were struggling entangled in an enormous bag of canvas.
Wilfrid drew Emilia from under the drooping folds of the tent. He was
allowed, on inspection of features, to pass. The men of Hillford were
captured one by one like wild geese, as with difficulty they emerged,
roaring, rolling with laughter, all.
Yea; to such an extent did they laugh that they can scarce be said to
have done less than make the joke of the foe their own. And this proves
the great and amazing magnanimity of Beer.
A pillar of dim silver rain fronted the moon on the hills. Emilia walked
hurriedly, with her head bent, like a penitent: now and then peeping up
and breathing to the keen scent of the tender ferns. Wilfrid still
grasped her hand, and led her across the common, away from the rout.
When the uproar behind them had sunk, he said "You'll get your feet wet.
I'm sorry you should have to walk. How did you come here?"
She answered: "I forget."
"You must have come here in some conveyance. Did you walk?"
Again she answered: "I forget;" a little querulously; perhaps wilfully.
"Well!" he persisted: "You must have got your harp to this place by some
means or other?"
"Yes, my harp!" a sob checked her voice.
Wilfrid tried to soothe her. "Never mind the harp. It's easily
"Not that one!" she moaned.
"We will get you another."
"I shall never love any but that."
"Perhaps we may hear good news of it to-morrow."
"No; for I felt it die in my hands. The third blow was the one that
killed it. It's broken."
Wilfrid could not reproach her, and he had not any desire to preach. So,
as no idea of having done amiss in coming to the booth to sing illumined
her, and she yet knew that she was in some way guilty, she accused
herself of disregard for that dear harp while it was brilliant and
serviceable. "Now I remember what poor music I made of it! I touched it
with cold fingers. The sound was thin, as if it had no heart. Tick-
tick!--I fancy I touched it with a dead man's finger-nails."
She crossed her wrists tight at the clasp of her waist, and letting her
chin fall on her throat, shook her body fretfully, much as a pettish
little girl might do. Wilfrid grimaced. "Tick-tick" was not a pathetic
elegy in his ears.
"The only thing is, not to think about it," said he. "It's only an
instrument, after all."
"It's the second one I've seen killed like a living creature," replied
They walked on silently, till Wilfrid remarked, that he wondered where
Gambier was. She gave no heed to the name. The little quiet footing and
the bowed head by his side, moved him to entreat her not to be unhappy.
Her voice had another tone when she answered that she was not unhappy.
"No tears at all?" Wilfrid stooped to get a close view of her face. "I
thought I saw one. If it's about the harp, look!--you shall go into that
cottage where the light is, sit there, and wait for me, and I will bring
you what remains of it. I dare say we can have it mended."
Emilia lifted her eyes. "I am not crying for the harp. If you go back I
must go with you."
"That's out of the question. You must never be found in that sort of
"Let us leave the harp," she murmured. "You cannot go without me. Let
me sit here for a minute. Sit with me."
She pointed to a place beside herself on the fork of a dry log under
flowering hawthorn. A pale shadowy blue centre of light among the clouds
told where the moon was. Rain had ceased, and the refreshed earth smelt
all of flowers, as if each breeze going by held a nosegay to their
Wilfrid was sensible of a sudden marked change in her. His blood was
quicker than his brain in feeling it. Her voice now, even in common
speaking, had that vibrating richness which in her singing swept his
"If you cry, there must be a cause, you know," he said, for the sake of
keeping the conversation in a safe channel.
"How brave you are!" was Emilia's sedate exclamation, in reply.
Her cheeks glowed, as if she had just uttered a great confession, but
while the colour mounted to her eyes, they kept their affectionate
intentness upon him without a quiver of the lids.
"Do you think me a coward?" she relieved him by asking sharply, like one
whom the thought had turned into a darker path. "I am not. I hung my
head while you were fighting, because, what could I do? I would not have
left you. Girls can only say, "I will perish with him."
"But," Wilfrid tried to laugh, "there was no necessity for that sort of
devotion. What are you thinking of? It was half in good-humour, all
through. Part of their fun!"
Clearly Emilia's conception of the recent fray was unchangeable.
"And the place for girls is at home; that's certain," he added.
"I should always like to be where..." Her voice flowed on with singular
gravity to that stop.
Wilfrid's hand travelled mechanically to his pricking cheek-bone.
Was it possible that a love-scene was coming on as a pendant to that
monstrously ridiculous affair of half-an-hour back? To know that she had
sufficient sensibility was gratifying, and flattering that it aimed at
him. She was really a darling little woman: only too absurd! Had she
been on the point of saying that she would always like to be where he,
Wilfrid, was? An odd touch of curiosity, peculiar to the languid
emotions, made him ask her this: and to her soft "Yes," he continued
briskly, and in the style of condescending fellowship: "Of course we're
not going to part!"
"I wonder," said Emilia.
There she sat, evidently sounding right through the future with her young
brain, to hear what Destiny might have to say.
The 'I wonder' rang sweetly in his head. It was as delicate a way of
confessing, "I love you with all my soul," as could be imagined.
Extremely refined young ladies could hardly have improved upon it, saving
with the angelic shades of sentiment familiar to them.
Convinced that he had now heard enough for his vanity, Wilfrid returned
emphatically to the tone of the world's highroad.
"By the way," he said, "you mustn't have any exaggerated idea of this
night's work. Remember, also, I have to share the honours with Captain
"I did not see him," said Emilia.
"Are you not cold?" he asked, for a diversion, though he had one of her
She gave him the other.
He could not quit them abruptly: nor could he hold both without being
drawn to her.
"What is it you say?" Wilfrid whispered: "men kiss us when we are happy.
Is that right? and are you happy?"
She lifted a clear full face, to which he bent his mouth. Over the
flowering hawthorn the moon stood like a windblown white rose of the
heavens. The kiss was given and taken. Strange to tell, it was he who
drew away from it almost bashfully, and with new feelings.
Quite unaware that he played the feminine part, Wilfrid alluded to her
flight from Richford, with the instinct to sting his heart by a revival
of his jealous sensations previously experienced, and so taste the luxury
of present satisfaction.
"Why did you run away from me?" he said, semi-reproachfully.
"Would you not break a promise to stay with me?"
"Now I would!"
"You promised Captain Gambier?"
"No: those poor people."
"You are sorry that you went?"
No: she was happy.
"You have lost your harp by it," said Wilfrid.
"What do you think of me for not guessing--not knowing who sent it?" she
returned. "I feel guilty of something all those days that I touched it,
not thinking of you. Wicked, filthy little creature that I was! I
despise ungrateful girls."
"I detest anything that has to do with gratitude," Wilfrid appended,
"pray give me none. Why did you go away with Captain Gambier?"
"I was very fond of him," she replied unhesitatingly, but speaking as it
were with numbed lips. "I wanted to tell him, to thank him and hold his
hand. I told him of my promise. He spoke to me a moment in the garden,
you know. He said he was leaving to go to London early, and would wait
for me in the carriage: then we might talk. He did not wish to talk to
me in the garden."
"And you went with him in the carriage, and told him you were so
"Yes; but men do not like us to be grateful."
"So, he said he would do all sorts of things on condition that you were
"He said--yes: I forget: I do forget! How can I tell what he said?"
Emilia added piteously. "I feel as if I had been emptied out of a sack!"
Wilfrid was pierced with laughter; and then the plainspoken simile gave
him a chilling sensation while he was rising to the jealous pitch.
"Did he talk about taking you to Italy? Put your head into the sack, and
"Yes," she answered blandly, an affirmative that caused him some
astonishment, for he had struck at once to the farthest end of his
"He feels as I do about the Italian Schools," said Emilia. "He wishes me
to owe my learning to him. He says it will make him happy, and I thought
so too." She threw in a "then."
Wilfrid looked moodily into the opposite hedge.
"Did he name the day for your going?" he asked presently, little
anticipating another "Yes": but it came: and her rather faltering manner
showed her to be conscious too that the word was getting to be a black
one to him.
"Did you say you would go?"
Question and answer crossed like two rapiers.
Wilfrid jumped up.
"The smell of this tree's detestable," he said, glancing at the shadowing
Emilia rose quietly, plucked a flower off the tree, and put it in her
Their way was down a green lane and across long meadow-paths dim in the
moonlight. A nightingale was heard on this side and on that. Overhead
they had a great space of sky with broken cloud full of the glory of the
moon. The meadows dipped to a brook, slenderly spanned by a plank. Then
there was an ascent through a cornfield to a copse. Rounding this they
had sight of Brookfield. But while they were yet at the brook, Wilfrid
said, "When is it you're going to Italy?"
In return he had an eager look, so that he was half-ashamed to add, "With
Captain Gambier, I mean." He was suffering, and by being brutal he
expected to draw balm on himself; nor was he deceived.
Emilia just then gave him her hand to be led over, and answered, as she
neared him, "I am never to leave you."
"You never shall!" Wilfrid caught her in his arms, quite conquered by
her, proud of her. He reflected with a loving rapture that her manner at
that moment was equal to any lady's; and the phantom of her with her hand
out, and her frank look, and trustful footing, while she spoke those
words, kept on advancing to him all the way to Brookfield, at the same
time that the sober reality murmured at his elbow.
Love, with his accustomed cunning, managed thus to lift her out of the
mire and array her in his golden dress to idealize her, as we say.
Reconciled for the hour were the contesting instincts in the nature of
this youth the adoration of feminine refinement and the susceptibility to
sensuous impressions. But Emilia walked with a hero: the dream of all
her days! one, generous and gentle, as well as brave: who had fought for
her, had thought of her tenderly, was with her now, having raised her to
his level with a touch! How much might they not accomplish together: he
with sword, she with harp? Through shadowy alleys in the clouds, Emilia
saw the bright Italian plains opening out to her: the cities of marble,
such as her imagination had fashioned them, porticos of stately palaces,
and towers, and statues white among cypresses; and farther, minutely-
radiant in the vista as a shining star, Venice of the sea. Fancy made
the flying minutes hours. Now they marched with the regiments of Italy,
under the folds of her free banner; now she sang to the victorious army,
waving the banner over them; and now she floated in a gondola, and
turning to him, the dear home of her heart, yet pale with the bleeding of
his wound for Italy, said softly, in the tone that had power with him,
"Only let me please you!"
"When? Where? What with?" came the blunt response from England, with
electric speed, and Emilia fell from the clouds.
"I meant my singing; I thought of how I sang to you. Oh, happy time!"
she exclaimed, to cut through the mist of vision in her mind.
"To me? down at the booth?" muttered Wilfrid, perplexed.
"Oh, no! I mean, just now--" and languid with the burden of so full a
heart, she did not attempt to explain herself further, though he said,
invitingly, "I thought I heard you humming?"
Then he was seized with a desire to have the force of her spirit upon
him, for Brookfield was in view; and with the sight of Brookfield, the
natural fascination waxed a shade fainter, and he feared it might be
going. This (he was happily as ignorant as any other youth of the
working of his machinery) prompted him to bid her sing before they
parted. Emilia checked her steps at once to do as he desired. Her
throat filled, but the voice quavered down again, like a fainting
creature sick unto death. She made another effort and ended with a
sorrowful look at his narrowly-watching eyes.
"I can't," she said; and, in fear of his anger, took his hand to beg
forgiveness, while her eyelids drooped.
Wilfrid locked her fingers in a strong pressure, and walked on, silent as
a man who has faced one of the veiled mysteries of life. It struck a
full human blow on his heart, dragging him out of his sentimental
pastures precipitately. He felt her fainting voice to be the intensest
love-cry that could be uttered. The sound of it coursed through his
blood, striking a rare illumination of sparks in his not commonly
brilliant brain. In truth, that little episode showed an image of nature
weak with the burden of new love. I do not charge the young cavalry
officer with the power of perceiving images. He saw no more than that
she could not sing because of what was in her heart toward him; but such
a physical revelation was a divine love-confession, coming involuntarily
from one whose lips had not formed the name of love; and Wilfrid felt it
so deeply, that the exquisite flattery was almost lost, in a certain awed
sense of his being in the presence of an absolute fact: a thing real,
though it was much talked about, and visible, though it did not wear a
hat or a petticoat.
It searched him thoroughly enough to keep him from any further pledges in
that direction, propitious as the moment was, while the moon slipped over
banks of marble into fields of blue, and all the midnight promised
silence. They passed quickly through the laurel shrubs, and round the
lawn. Lights were in the sleepless ladies' bed-room windows.
"Do I love her?" thought Wilfrid, as he was about to pull at the bell,
and the thought that he should feel pain at being separated from her for
half-a-dozen hours, persuaded him that he did. The self-restraint which
withheld him from protesting that he did, confirmed it.
"To-morrow morning," he whispered.
"I shall be down by daylight," answered Emilia.
"You are in the shade--I cannot see you," said he.
The door opened as Emilia was moving out of the line of shadow.
On the morrow Wilfrid was gone. No one had seen him go. Emilia, while
she touched the keys of a muted piano softly in the morning quiet of the
house, had heard the front-door close. At that hour one attributes every
noise to the servants. She played on and waited patiently, till the
housemaid expelled her into the dewy air.
The report from his bedchamber, telling the ladies of his absence, added
that he had taken linen for a lengthened journey.
This curious retreat of my hero belongs to the order of things that are
done 'None know why;' a curtain which drops conveniently upon either the
bewilderment of the showman or the infirmities of the puppet.
I must own (though I need not be told what odium frowns on such a
pretension to excess of cleverness) that I do know why. I know why, and,
unfortunately for me, I have to tell what I know. If I do not tell, this
narrative is so constituted that there will be no moral to it.
One who studies man in puppets (in which purpose lies the chief value of
this amusing species), must think that we are degenerating rapidly. The
puppet hero, for instance, is a changed being. We know what he was; but
now he takes shelter in his wits. His organs affect his destiny.
Careless of the fact that the hero's achievement is to conquer nature, he
seems rather to boast of his subservience to her.
Still, up to this day, the fixture of a nose upon the puppet-hero's
frontispiece has not been attempted. Some one does it at last. When the
alternative came: "No nose to the hero, no moral to the tale;" could
there be hesitation?
And I would warn our sentimentalists to admit the nose among the features
proper to heroes, otherwise the race will become extinct. There is
already an amount of dropping of the curtain that is positively
wearisome, even to extremely refined persons, in order to save him from
apparent misconduct. He will have to go altogether, unless we boldly
figure him as other men. Manifestly the moment his career as a fairy
prince was at end, he was on the high road to a nose. The beneficent
Power that discriminated for him having vanished utterly, he was, like a
bankrupt gentleman, obliged to do all the work for himself. This is
nothing more than the tendency of the generations downward from the
The springs that moved Wilfrid upon the present occasion were simple. We
will strip him of his heroic trappings for one fleeting instant, and show
Jumping briskly from a restless bed, his first act was to address his
features to the looking-glass: and he saw surely the most glorious sight
for a hero of the knightly age that could possibly have been offered.
The battle of the previous night was written there in one eloquent big
lump, which would have passed him current as hero from end to end of the
land in the great days of old. These are the tea-table days. His
preference was for the visage of Wilfrid Pole, which he saw not. At the
aspect of the fearful mask, this young man stared, and then cursed; and
then, by an odd transition, he was reminded, as by the force of a sudden
gust, that Emilia's hair was redolent of pipe-smoke.
His remark was, "I can't be seen in this state." His thought (a dim
reminiscence of poetical readings): "Ambrosial locks indeed!" A sad
irony, which told that much gold-leaf had peeled away from her image in
Wilfrid was a gallant fellow, with good stuff in him. But, he was young.
Ponder on that pregnant word, for you are about to see him grow. He was
less a coxcomb than shamefaced and sentimental; and one may have these
qualities, and be a coxcomb to boot, and yet be a gallant fellow. One
may also be a gallant fellow, and harsh, exacting, double-dealing, and I
know not what besides, in youth. The question asked by nature is, "Has
he the heart to take and keep an impression?" For, if he has,
circumstances will force him on and carve the figure of a brave man out
of that mass of contradictions. In return for such benefits, he pays
forfeit commonly of the dearest of the things prized by him in this
terrestrial life. Whereat, albeit created man by her, he reproaches
nature, and the sculptor, circumstance; forgetting that to make him man
is their sole duty, and that what betrayed him was the difficulty thrown
in their way by his quondam self--the pleasant boonfellow!
He forgets, in fact, that he was formerly led by his nose, and sacrificed
his deeper feeling to a low disgust.
When the youth is called upon to look up, he can adore devoutly and
ardently; but when it is his chance to look down on a fair head, he is,
if not worse, a sentimental despot.
Wilfrid was young, and under the dominion of his senses; which can be, if
the sentimentalists will believe me, as tyrannous and misleading when
super-refined as when ultra-bestial. He made a good stout effort to
resist the pipe-smoke. Emilia's voice, her growing beauty, her
simplicity, her peculiar charms of feature, were all conjured up to
combat the dismal images suggested by that fatal, dragging-down smell.
It was vain. Horrible pipe-smoke pervaded the memory of her. It seemed
to his offended dainty fancy that he could never dissociate her from
smoking-booths and abominably bad tobacco; and, let us add (for this was
part of the secret), that it never could dwell on her without the
companionship of a hideous disfigured countenance, claiming to be Wilfrid
Pole. He shuddered to think that he had virtually almost engaged himself
to this girl. Or, had he? Was his honour bound? Distance appeared to
answer the question favourably. There was safety in being distant from
her. She possessed an incomprehensible attractiveness. She was at once
powerful and pitiable: so that while he feared her, and was running from
her spell, he said, from time to time, "Poor little thing!" and deeply
hoped she would not be unhappy.
A showman once (a novice in his art, or ambitious beyond the mark), after
a successful exhibition of his dolls, handed them to the company, with
the observation, "satisfy yourselves, ladies and gentlemen." The latter,
having satisfied themselves that the capacity of the lower limbs was
extraordinary, returned them, disenchanted. That showman did ill. But I
am not imitating him. I do not wait till after the performance, when it
is too late to revive illusion. To avoid having to drop the curtain, I
choose to explain an act on which the story hinges, while it is
advancing: which is, in truth, an impulse of character. Instead of his
being more of a puppet, this hero is less wooden than he was. Certainly
I am much more in awe of him.
Mr. Pole was one of those men whose characters are read off at a glance.
He was neat, insignificant, and nervously cheerful; with the eyes of a
bird, that let you into no interior. His friends knew him thoroughly.
His daughters were never in doubt about him. At the period of the
purchase of Brookfield he had been excitable and feverish, but that was
ascribed to the projected change in his habits, and the stern necessity
for an occasional family intercommunication on the subject of money. He
had a remarkable shyness of this theme, and reversed its general
treatment; for he would pay, but would not talk of it. If it had to be
discussed with the ladies, he puffed, and blinked, and looked so much
like a culprit that, though they rather admired him for what seemed to
them the germ of a sense delicate above his condition, they would have
said of any man they had not known so perfectly, that he had painful
reasons for wishing to avoid it. Now that they spoke to him of Besworth,
assuring him that they were serious in their desire to change their
residence, the fit of shyness was manifested, first in outrageous praise
of Brookfield, which was speedily and inexplicably followed by a sort of
implied assent to the proposition to depart from it. For Besworth
displayed numerous advantages over Brookfield, and to contest one was to
plunge headlong into the money question. He ventured to ask his
daughters what good they expected from the change. They replied that it
was simply this: that one might live fifty years at Brookfield and not
get such a circle as in two might be established at Besworth. They were
restricted. They had gathering friends, and no means of bringing them
together. And the beauty of the site of Besworth made them enthusiastic.
"Well, but," said Mr. Pole: "what does it lead to? Is there nothing to
He explained: "You're girls, you know. You won't always stop with me.
You may do just as well at Brookfield for yourselves, as over there."
The ladies blushed demurely.
"You forecast very kindly for us, papa," said Cornelia. "Our object is
"I wish I could see it," he returned.
"But, you do see, papa, you do see," interposed Adela, "that a select
life is preferable to that higgledy-piggledy city-square existence so
many poor creatures are condemned to!"
"Select!" said Mr. Pole, thinking that he had hit upon a weakness in
their argument; "how can it be select when you want to go to a place
where you may have a crowd about you?"
"Selection can only be made from a crowd," remarked Arabella, with
terrible placidity. "It is where we see few that we are at the mercy of
kind fortune for our acquaintances."
"Don't you see, papa, that the difference between the aristocracy and the
bourgeoisie is, that the former choose their sets, and the latter are
obliged to take what comes to them?" said Adela.
This was the first domestic discussion upon Besworth. The visit to
Richford had produced the usual effect on the ladies, who were now
looking to other heights from that level. The ladies said: "We have only
to press it with papa, and we shall quit this place." But at the second
discussion they found that they had not advanced. The only change was in
the emphasis that their father added to the interrogations already
uttered. "What does it lead to? What's to come after? I see your
object. But, am I to go into a new house for the sake of getting you out
of it, and then be left there alone? It's against your interests, too.
Never mind how. Leave that to a business man. If your brother had
proposed it...but he's too reasonable."
The ladies, upon this hint, wrote to Wilfrid to obtain his concurrence
and assistance. He laughed when he read the simple sentence: "We hope
you will not fancy that we have any peculiar personal interest in view;"
and replied to them that he was sure they had none: that he looked upon
Besworth with favour, "and I may inform you," he pursued, "that your
taste is heartily applauded by Lady Charlotte Chillingworth, she bids me
tell you." The letter was dated from Stornley, the estate of the marquis,
Lady Charlotte's father. Her ladyship's brother was a member of
Wilfrid's Club. "He calls Besworth the most habitable place in the
county, and promises to be there as many months out of the twelve as you
like to have him. I agree with him that Stornley can't hold a candle to
it. There are three residences in England that might be preferred to it,
and, of those, two are ducal."
The letter was a piece of that easy diplomacy which comes from habit.
The "of those, two are ducal," was masterly. It affected the imagination
of Brookfield. "Which two?" And could Besworth be brought to rival
them? Ultimately, it might be! The neighbourhood to London, too, gave
it noble advantages. Rapid relays of guests, and a metropolitan
reputation for country attractions, would distinguish Besworth above most
English houses. A house where all the chief celebrities might be
encountered: a house under suave feminine rule; a house, a home, to a
chosen set, and a refreshing fountain to a widening circle!
"We have a dispute," they wrote playfully to Wilfrid "a dispute we wish
you or Lady Charlotte to settle. I, Arabella, know nothing of trout. I,
Cornelia, know nothing of river-beds. I, Adela, know nothing of
engineering. But, we are persuaded, the latter, that the river running
for a mile through Besworth grounds may be deepened: we are persuaded,
the intermediate, that the attempt will damage the channel: we are
persuaded, the first, that all the fish will go."
In reply, Wilfrid appeared to have taken them in earnest. "I rode over
yesterday with Lady Charlotte," he said. "We think something might be
done, without at all endangering the fish or spoiling the channel. At
all events, the idea of making the mile of broad water serviceable for
boats is too good to give up in a hurry. How about the dining-hall? I
told Lady Charlotte you were sure to insist upon a balcony for musicians.
She laughed. You will like her when you know her."
Thus the ladies of Brookfield were led on to be more serious concerning
Besworth than they had thought of being, and began to feel that their
honour was pledged to purchase this surpassing family seat. In a
household where every want is supplied, and money as a topic utterly
banished, it is not surprising that they should have had imperial views.
Adela was Wilfrid's favoured correspondent. She described to him gaily
the struggle with their papa. "But, if you care for Besworth, you may
calculate on it.--Or is it only for our sakes, as I sometimes think?--
Besworth is won. Nothing but the cost of the place (to be considered you
know!) could withhold it from us; and of that papa has not uttered a
syllable, though he conjures up every possible objection to a change of
abode, and will not (perhaps, poor dear, cannot) see what we intend doing
in the world. Now, you know that rich men invariably make the question
of the cost their first and loudest outcry. I know that to be the case.
They call it their blood. Papa seems indifferent to this part of the
affair. He does not even allude to it. Still, we do not progress. It
is just possible that the Tinleys have an eye on beautiful Besworth.
Their own place is bad enough, but good enough for them. Give them
Besworth, and they will sit upon the neighbourhood. We shall be invaded
by everything that is mean and low, and a great chance will be gone for
us. I think I may say, for the county. The country? Our advice is,
that you write to papa one of your cleverest letters. We know, darling,
what you can do with the pen as well as the sword. Write word that you
Wilfrid's reply stated that he considered it unadviseable that he should
add his voice to the request, for the present.
The ladies submitted to this quietly until they heard from their father
one evening at dinner that he had seen Wilfrid in the city.
"He doesn't waste his time like some young people I know," said Mr. Pole,
with a wink.
"Papa; is it possible?" cried Adela.
"Everything's possible, my dear."
"There is a Lady Charlotte."
"Who would be Lady Charlotte still, whatever occurred!"
Mr. Pole laughed. "No, no. You get nothing out of me. All I say is, be
practical. The sun isn't always shining."
He appeared to be elated with some secret good news.
"Have you been over to Besworth, the last two or three days?" he asked.
The ladies smiled radiantly, acknowledging Wilfrid's wonderful persuasive
powers, in their hearts.
"No, papa; we have not been," said Adela. "We are always anxious to go,
as I think you know."
The merchant chirped over his glass. "Well, well! There's a way."
"Over a gate; ha, ha!"
His gaiety would have been perplexing, but for the allusion to Lady
The sisters, in their unfailing midnight consultation, persuaded one
another that Wilfrid had become engaged to that lady. They wrote
forthwith Fine Shades to him on the subject. His answer was Boeotian,
and all about Besworth. "Press it now," he said, "if you really want it.
The iron is hot. And above all things, let me beg you not to be
inconsiderate to the squire, when he and I are doing all we can for you.
I mean, we are bound to consider him, if there should happen to be
anything he wishes us to do."
What could the word 'inconsiderate' imply? The ladies were unable to
summon an idea to solve it. They were sure that no daughters could be
more perfectly considerate and ready to sacrifice everything to their
father. In the end, they deputed the volunteering Adela to sit with him
in the library, and put the question of Besworth decisively, in the name
of all. They, meantime, who had a contempt for sleep, waited aloft to
hold debate over the result of the interview.
An hour after midnight, Adela came to them, looking pale and uncertain:
her curls seeming to drip, and her blue eyes wandering about the room, as
if she had seen a thing that kept her in a quiver between belief and
The two ladies drew near to her, expressing no verbal impatience, from
which the habit of government and great views naturally saved them, but
Adela's first exclamation: "I wish I had not gone," alarmed them.
"Has any change come to papa?" breathed Arabella.
Cornelia smiled. "Do you not know him too well?"
An acute glance from Adela made her ask whether Besworth was to be
"Oh, no! my dear. We may have Besworth."
"But, there are conditions?" said Arabella.
"Yes. Wilfrid's enigma is explained. Bella, that woman has seen papa."
"She has our permission to see him in town, if that is any consolation to
"She has told him," continued Adela, "that no explanation, or whatever it
may be, was received by her."
"Certainly not, if it was not sent."
"Papa," and Adela's voice trembled, "papa will not think of Besworth,--
not a word of it!-until--until we consent to welcome that woman here as
Cornelia was the first to break the silence that followed this astounding
intelligence. "Then," she said, "Besworth is not to be thought of. You
told him so?"
Adela's head drooped. "Oh!" she cried, "what shall we do? We shall be a
laughing-stock to the neighbourhood. The house will have to be locked
up. We shall live like hermits worried by a demon. Her brogue! Do you
remember it? It is not simply Irish. It's Irish steeped in brine. It's
She feigned the bursting into tears of real vexation.
"You speak," said Cornelia contemptuously, "as if we had very humbly
bowed our heads to the infection."
"Papa making terms with us!" murmured Arabella.
"Pray, repeat his words."
Adela tossed her curls. "I will, as well as I can. I began by speaking
of Besworth cheerfully; saying, that if he really had no strong
affection for Brookfield, that would make him regret quitting it, we saw
innumerable advantages in the change of residence proposed.
Predilection,--not affection--that was what I said. He replied that
Besworth was a large place, and I pointed out that therein lay one of its
principal merits. I expected what would come. He alluded to the
possibility of our changing our condition. You know that idea haunts
him. I told him our opinion of the folly of the thing. I noticed that
he grew red in the face, and I said that of course marriage was a thing
ordained, but that we objected to being submerged in matrimony until we
knew who and what we were. I confess he did not make a bad reply, of its
kind. 'You're like a youngster playing truant that he may gain
knowledge.' What do you think of it?"
"A smart piece of City-speech," was Arabella's remark: Cornelia placidly
observing, "Vulgarity never contains more than a minimum of the truth."
"I said," Adela went on, "Think as you will, papa, we know we are right."
He looked really angry. He said, that we have the absurdest ideas--you
tell me to repeat his words--of any girls that ever existed; and then he
put a question: listen: I give it without comment: 'I dare say, you all
object to widows marrying again.' I kept myself quiet. 'Marrying again,
papa! If they marry once they might as well marry a dozen times.' It
was the best way to irritate him. I did not intend it; that is all I can
say. He jumped from his chair, rubbed his hair, and almost ran up and
down the library floor, telling me that I prevaricated. 'You object to a
widow marrying at all--that's my question!' he cried out loud. Of course
I contained my voice all the more. 'Distinctly, papa.' When I had
spoken, I could scarcely help laughing. He went like a pony that is
being broken in, crying, I don't know how many times, 'Why? What's your
reason?' You may suppose, darlings, that I decline to enter upon
explanation. If a person is dense upon a matter of pure sentiment, there
is no ground between us: he has simply a sense wanting. 'What has all
this to do with Besworth?' I asked. 'A great deal more than you fancy,'
was his answer. He seemed to speak every word at me in capital letters.
Then, as if a little ashamed, he sat down, and reached out his hand to
mine, and I saw his eyes were moist. I drew my chair nearer to him.
Now, whether I did right or wrong in this, I do not know I leave it
entirely to your judgement. If you consider how I was placed, you will
at all events excuse me. What I did was--you know, the very farthest
suspicion one has of an extreme possibility one does not mind mentioning:
I said 'Papa, if it should so happen that money is the objection to
Besworth, we will not trouble you.' At this, I can only say that he
behaved like an insane person. He denounced me as wilfully insulting him
that I might avoid one subject."
"And what on earth can that be?" interposed Arabella.
"You may well ask. Could a genie have guessed that Mrs. Chump was at the
bottom of it all? The conclusion of the dreadful discussion is this,
that papa offers to take the purchase of Besworth into his consideration,
if we, as I said before, will receive Mrs. Chump as our honoured guest.
I am bound to say, poor dear old man, he spoke kindly, as he always does,
and kissed me, and offered to give me anything I might want. I came from
him stupefied. I have hardly got my senses about me yet."
The ladies caressed her, with grave looks; but neither of them showed a
perturbation of spirit like that which distressed Adela.
"Wilfrid's meaning is now explained," said Cornelia. "He is in league
with papa; or has given in his adhesion to papa's demands, at least. He
is another example of the constant tendency in men to be what they call
'practical' at the expense of honour and sincerity."
"I hope not," said Arabella. "In any case, that need not depress you so
She addressed Adela.
"Do you not see?" Adela cried, in response. "What! are you both blind to
the real significance of papa's words? I could not have believed it! Or
am I this time too acute? I pray to heaven it may be so!"
Both ladies desired her to be explicit; Arabella, eagerly; Cornelia with
"The question of a widow marrying! What is this woman, whom papa wishes
to force on us as our guest? Why should he do that? Why should he
evince anxiety with regard to our opinion of the decency of widows
contemplating re-union? Remember previous words and hints when we lived
in the city!"
"This at least you may spare us," said Cornelia, ruffling offended.
Adela smiled in tenderness for her beauty.
"But, it is important, if we are following a track, dear. Think over
"No!" cried Arabella. "It cannot be true. We might easily have guessed
this, if we ever dreamed of impossibilities."
"In such cases, when appearances lean in one direction, set principles in
the opposite balance," added Cornelia. "What Adela apprehends may seem
to impend, but we know that papa is incapable of doing it. To know that,
shuts the gates of suspicion. She has allowed herself to be troubled by
a ghastly nightmare."
Adela believed in her own judgement too completely not to be sure that
her sisters were, perhaps unknowingly, disguising a slowness of
perception they were ashamed of, by thus partially accusing her of
giddiness. She bit her lip.
"Very well; if you have no fears whatever, you need not abandon the idea
"I abandon nothing," said Arabella. "If I have to make a choice, I take
that which is least objectionable. I am chagrined, most, at the idea
that Wilfrid has been treacherous."
"Practical," Cornelia suggested. "You are not speaking of one of our
Questions were then put to Adela, whether Mr. Pole had spoken in the
manner of one who was prompted: whether he hesitated as he spoke:
whether, in short, Wilfrid was seen behind his tongue. Adela resolved
that Wilfrid should have one protectress.
"You are entirely mistaken in ascribing treachery to him," she said. "It
is papa that is changed. You may suppose it to be without any reason, if
you please. I would tell you to study him for yourselves, only I am
convinced that these special private interviews are anything but good
policy, and are strictly to be avoided, unless of course, as in the
present instance, we have something directly to do."
Toward dawn the ladies had decreed that it was policy to be quite
passive, and provoke no word of Mrs. Chump by making any allusion to
Besworth, and by fencing with the mention of the place.
As they rarely failed to carry out any plan deliberately conceived by
them, Mr. Pole was astonished to find that Besworth was altogether
dropped. After certain scattered attempts to bring them upon Besworth,
he shrugged, and resigned himself, but without looking happy.
Indeed he looked so dismal that the ladies began to think he had a great
longing for Besworth. And yet he did not go there, or even praise it to
the discredit of Brookfield! They were perplexed.
"Let me ask you how it is," said Cornelia to Mr. Barrett, "that a person
whom we know--whose actions and motives are as plain to us as though
discerned through a glass, should at times produce a completer
mystification than any other creature? Or have you not observed it?"
"I have had better opportunities of observing it than most people," Mr.
Barren replied, with one of his saddest amused smiles. "I have come to
the conclusion that the person we know best is the one whom we never
"You answer me with a paradox."
"Is it not the natural attendant on an assumption?"
"That you know a person thoroughly."
"May we not?"
"Do you, when you acknowledge this 'complete mystification'?"
"Yes." Cornelia smiled when she had said it. "And no."
Mr. Barrett, with his eyes on her, laughed softly. "Which is paradox at
the fountain-head! But, when we say we know any one, we mean commonly
that we are accustomed to his ways and habits of mind; or, that we can
reckon on the predominant influence of his appetites. Sometimes we can
tell which impulse is likely to be the most active, and which principle
the least restraining. The only knowledge to be trusted is a grounded or
scientific study of the springs that move him, side by side with his
method of moving the springs. If you fail to do this, you have two
classes under your eyes: you have sane and madman: and it will seem to
you that the ranks of the latter are constantly being swollen in an
extraordinary manner. The customary impression, as we get older, is that
our friends are the maddest people in the world. You see, we have grown
accustomed to them; and now, if they bewilder us, our judgement, in self-
defence, is compelled to set them down lunatic."
Cornelia bowed her stately head with gentle approving laughter.
"They must go, or they despatch us thither," she said, while her fair
face dimpled into serenity. The remark was of a lower nature than an
intellectual discussion ordinarily drew from her: but could Mr. Barrett
have read in her heart, he might have seen that his words were beginning
to rob that organ of its native sobriety. So that when he spoke a cogent
phrase, she was silenced, and became aware of a strange exultation in her
blood that obscured grave thought. Cornelia attributed this display of
mental weakness altogether to Mr. Barrett's mental force. The
interposition of a fresh agency was undreamt of by the lady.
Meanwhile, it was evident that Mr. Pole was a victim to one of his fevers
of shyness. He would thrum on the table, frowning; and then, as he met
the look of one of the ladies, try to disguise the thought in his head
with a forced laugh. Occasionally, he would turn toward them, as if he
had just caught a lost idea that was peculiarly precious. The ladies
drawing up to attend to the communication, had a most trivial matter
imparted to them, and away he went. Several times he said to them "You
don't make friends, as you ought;" and their repudiation of the charge
made him repeat: "You don't make friends--home friends."
"The house can be as full as we care to have it, papa."
"Yes, acquaintances! All very well, but I mean friends--rich friends."
"We will think of it, papa," said Adela, "when we want money."
"It isn't that," he murmured.
Adela had written to Wilfrid a full account of her interview with her
father. Wilfrid's reply was laconic. "If you cannot stand a week of the
brogue, give up Besworth, by all means." He made no further allusion to
the place. They engaged an opera-box, for the purpose of holding a
consultation with him in town. He wrote evasively, but did not appear,
and the ladies, with Emilia between them, listened to every foot-fall by
the box-door, and were too much preoccupied to marvel that Emilia was
just as inattentive to the music as they were. When the curtain dropped
they noticed her dejection.
"What ails you?" they asked.
"Let us go out of London to-night," she whispered, and it was difficult
to persuade her that she would see Brookfield again.
"Remember," said Adela, "it is you that run away from us, not we from
Soft chidings of this description were the only reproaches for her
naughty conduct. She seemed contrite very still and timid, since that
night of adventure. The ladies were glad to observe it, seeing that it
lent her an air of refinement, and proved her sensible to correction.
At last Mr. Pole broke the silence. He had returned from business,
humming and rubbing his hands, like one newly primed with a suggestion
that was the key of a knotty problem. Observant Adela said: "Have you
seen Wilfrid, papa?"
"Saw him in the morning," Mr. Pole replied carelessly.
Mr. Barrett was at the table.
"By the way, what do you think of our law of primogeniture?" Mr. Pole
He replied with the usual allusion to a basis of aristocracy.
"Well, it's the English system," said Mr. Pole. "That's always in its
favour at starting. I'm Englishman enough to think that. There ought to
be an entail of every decent bit of property, eh?"
It was observed that Mr. Barrett reddened as he said, "I certainly think
that a young man should not be subject to his father's caprice."
"Father's caprice! That isn't common. But, if you're founding a family,
you must entail."
"We agree, sir, from my point of view, and from yours."
"Knits the family bond, don't you think? I mean, makes the trunk of the
tree firm. It makes the girls poor, though!"
Mr. Barrett saw that he had some confused legal ideas in his head, and
that possibly there were personal considerations in the background; so he
let the subject pass.
When the guest had departed, Mr. Pole grew demonstrative in his paternal
caresses. He folded Adela in one arm, and framed her chin in his
fingers: marks of affection dear to her before she had outgrown them.
"So!" he said, "you've given up Besworth, have you?"
At the name, Arabella and Cornelia drew nearer to his chair.
"Given up Besworth, papa? It is not we who have given it up," said
"Yes, you have; and quite right too. You say, 'What's the use of it, for
that's a sort of thing that always goes to the son.'"
"You suppose, papa, that we indulge in ulterior calculations?" came from
"Well, you see, my love!--no, I don't suppose it at all. But to buy a
place and split it up after two or three years--I dare say they wouldn't
insure me for more, that's nonsense. And it seems unfair to you, as you
"Darling papa! we are not selfish!" it rejoiced Adela to exclaim.
His face expressed a transparent simple-mindedness that won the
confidence of the ladies and awakened their ideal of generosity.
"I know what you mean, papa," said Arabella. "But, we love Besworth; and
if we may enjoy the place for the time that we are all together, I shall
think it sufficient. I do not look beyond."
Her sisters echoed the sentiment, and sincerely. They were as little
sordid as creatures could be. If deeply questioned, it would have been
found that their notion of the position Providence had placed them in (in
other words, their father's unmentioned wealth), permitted them to be as
lavish as they pleased. Mr. Pole had endowed them with a temperament
similar to his own; and he had educated it. In feminine earth it
flourished wonderfully. Shy as himself, their shyness took other forms,
and developed with warm youth. Not only did it shut them up from others
(which is the first effect of this disease), but it tyrannized over them
internally: so that there were subjects they had no power to bring their
minds to consider. Money was in the list. The Besworth question, as at
present considered, involved the money question. All of them felt that;
father and children. It is not surprising, therefore, that they hurried
over it as speedily as they could, and by a most comical exhibition of
implied comprehension of meanings and motives.
"Of course, we're only in the opening stage of the business," said Mr.
Pole. "There's nothing decided, you know. Lots of things got to be
considered. You mean what you say, do you? Very well. And you want me
to think of it? So I will. And look, my dears, you know that--" (here
his voice grew husky, as was the case with it when touching a shy topic
even beneath the veil; but they were above suspicion) "you know that--a--
that we must all give way a little to the other, now and then. Nothing
like being kind."
"Pray, have no fear, papa dear!" rang the clear voice of Arabella.
"Well, then, you're all for Besworth, even though it isn't exactly for
your own interest? All right."
The ladies kissed him.
"We'll each stretch a point," he continued. "We shall get on better if
we do. Much! You're a little hard on people who're not up to the mark.
There's an end to that. Even your old father will like you better."
These last remarks were unintelligible to the withdrawing ladies.
On the morning that followed, Mr. Pole expressed a hope that his
daughters intended to give him a good dinner that day; and he winked
humorously and kindly by which they understood him to be addressing a
sort of propitiation to them for the respect he paid to his appetite.
"Papa," said Adela, "I myself will speak to Cook."
She added, with a smile thrown to her sisters, without looking at them,
"I dare say, she will know who I am."
Mr. Pole went down to his wine-cellar, and was there busy with bottles
till the carriage came for him. A bason was fetched that he might wash
off the dust and cobwebs in the passage. Having rubbed his hands briskly
with soap, he dipped his head likewise, in an oblivious fit, and then
turning round to the ladies, said, "What have I forgotten?" looking
woebegone with his dripping vacant face. "Oh, ah! I remember now;" and
he chuckled gladly.
He had just for one moment forgotten that he was acting, and a pang of
apprehension had caught him when the water covered his face, to the
effect that he must forfeit the natural artistic sequence of speech and
conduct which disguised him so perfectly. Away he drove, nodding and
waving his hand.
"Dear, simple, innocent old man!" was the pitiful thought in the bosoms
of the ladies; and if it was accompanied by the mute exclamation, "How
singular that we should descend from him!" it would not have been for the
They passed one of their delightful quiet days, in which they paved the
future with gold, and, if I may use so bold a figure, lifted parasols
against the great sun that was to shine on them. Now they listened to
Emilia, and now strolled in the garden; conversed on the social skill of
Lady Gosstre, who was nevertheless narrow in her range; and on the
capacities of mansions, on the secret of mixing people in society, and
what to do with the women! A terrible problem, this latter one. Not
terrible (to hostesses) at a mere rout or drum, or at a dance pure and
simple, but terrible when you want good talk to circulate for then they
are not, as a body, amused; and when they are not amused, you know, they
are not inclined to be harmless; and in this state they are vipers; and
where is society then? And yet you cannot do without them!--which is the
revolting mystery. I need not say that I am not responsible for these
critical remarks. Such tenderness to the sex comes only from its
So went a day rich in fair dreams to the ladies; and at the hour of their
father's return they walked across the parvenu park, in a state of
enthusiasm for Besworth, that threw some portion of its decorative light
on the, donor of Besworth. When his carriage was heard on the road, they
stood fast, and greeted his appearance with a display of pocket-
handkerchiefs in the breeze, a proceeding that should have astonished
him, being novel; but seemed not to do so, for it was immediately
responded to by the vigorous waving of a pair of pocket-handkerchiefs
from the carriage-window! The ladies smiled at this piece of simplicity
which prompted him to use both his hands, as if one would not have been
enough. Complacently they continued waving. Then Adela looked at her
sisters; Cornelia's hand dropped and Arabella, the last to wave, was the
first to exclaim: "That must be a woman's arm!"
The carriage stopped at the gate, and it was one in the dress of a woman
at least, and of the compass of a big woman, who descended by the aid of
Mr. Pole. Safely alighted, she waved her pocket-handkerchief afresh.
The ladies of Brookfield did not speak to one another; nor did they move
their eyes from the object approaching. A simultaneous furtive
extinction of three pocket-handkerchiefs might have been noticed. There
was no further sign given.
A letter from Brookfield apprised Wilfrid that Mr. Pole had brought Mrs.
Chump to the place as a visitor, and that she was now in the house.
Formal as a circular, the idea of it appeared to be that the bare fact
would tell him enough and inspire him with proper designs. No reply
being sent, a second letter arrived, formal too, but pointing out his
duty to succour his afflicted family, and furnishing a few tragic
particulars. Thus he learnt, that while Mr. Pole was advancing toward
the three grouped ladies, on the day of Mrs. Chump's arrival, he called
Arabella by name, and Arabella went forward alone, and was engaged in
conversation by Mrs. Chump. Mr. Pole left them to make his way to Adela
and Cornelia. "Now, mind, I expect you to keep to your agreement," he
said. Gradually they were led on to perceive that this simple-minded man
had understood their recent talk of Besworth to signify a consent to the
stipulation he had previously mentioned to Adela. "Perfect simplicity is
as deceiving as the depth of cunning," Adela despairingly wrote, much to
A third letter followed. It was of another tenor, and ran thus, in
"My Darling Wilfrid,
"We have always known that some peculiar assistance would never be wanting
in our extremity--aid, or comfort, or whatever you please to call it. At
all events, something to show we are not neglected. That old notion of
ours must be true. I shall say nothing of our sufferings in the house.
They continue. Yesterday, papa came from town, looking important. He
had up some of his best wine for dinner. All through the service his
eyes were sparkling on Cornelia. I spare you a family picture, while
there is this huge blot on it. Naughty brother! But, listen! your place
is here, for many reasons, as you will be quick enough to see. After
dinner, papa took Cornelia into the library alone, and they were together
for ten minutes. She came out very pale. She had been proposed for by
Sir Twickenham Pryme, our Member for the borough. I have always been
sure that Cornelia was born for Parliament, and he will be lucky if he
wins her. We know not yet, of course, what her decision will be. The
incident is chiefly remarkable to us as a relief to what I need not
recount to you. But I wish to say one thing, dear Wilfrid. You are
gazetted to a lieutenancy, and we congratulate you: but what I have to
say is apparently much more trifling, and it is, that--will you take it
to heart?--it would do Arabella and myself infinite good if we saw a
little more of our brother, and just a little less of a very gentlemanly
organ-player phenomenon, who talks so exceedingly well. He is a very
pleasant man, and appreciates our ideas, and so forth; but it is our duty
to love our brother best, and think of him foremost, and we wish him to
come and remind us of our duty.
"At our Cornelia's request, with our concurrence, papa is silent in the
house as to the purport of the communication made by Sir T.P.
"By the way, are you at all conscious of a sound-like absurdity in a
Christian name of three syllables preceding a surname of one? Sir
Twickenham Pryme! Cornelia's pronunciation of the name first gave me the
feeling. The 'Twickenham' seems to perform a sort of educated monkey
kind of ridiculously decorous pirouette and entrechat before the 'Pryme.'
I think that Cornelia feels it also. You seem to fancy elastic limbs
bending to the measure of a solemn church-organ. Sir Timothy? But Sir
Timothy does not jump with the same grave agility as Sir Twickenham! If
she rejects him, it will be half attributable to this.
"My own brother! I expect no confidences, but a whisper warns me that
you have not been to Stornley twice without experiencing the truth of our
old discovery, that the Poles are magnetic? Why should we conceal it
from ourselves, if it be so? I think it a folly, and fraught with
danger, for people not to know their characteristics. If they attract,
they should keep in a circle where they will have no reason to revolt at,
or say, repent of what they attract. My argumentative sister does not
coincide. If she did, she would lose her argument.
"Adieu! Such is my dulness, I doubt whether I have made my meaning
"Your thrice affectionate
"P.S.--Lady Gosstre has just taken Emilia to Richford for a week. Papa
starts for Bidport to-morrow."
This short and rather blunt exercise in Fine Shades was read impatiently
by Wilfrid. "Why doesn't she write plain to the sense?" he asked, with
the usual injustice of men, who demand a statement of facts, forgetting
how few there are to feed the post; and that indication and suggestion
are the only language for the multitude of facts unborn and possible.
Twilight best shows to the eye what may be.
"I suppose I must go down there," he said to himself, keeping a
meditative watch on the postscript, as if it possessed the capability of
slipping away and deceiving him. "Does she mean that Cornelia sees too
much of this man Barrett? or, what does she mean?" And now he saw
meanings in the simple passages, and none at all in the intricate ones;
and the double-meanings were monsters that ate one another up till
nothing remained of them. In the end, however, he made a wrathful guess
and came to a resolution, which brought him to the door of the house next
day at noon. He took some pains in noting the exact spot where he had
last seen Emilia half in moonlight, and then dismissed her image
peremptorily. The house was apparently empty. Gainsford, the footman,
gave information that he thought the ladies were upstairs, but did not
volunteer to send a maid to them. He stood in deferential footman's
attitude, with the aspect of a dog who would laugh if he could, but being
a footman out of his natural element, cannot.
"Here's a specimen of the new plan of treating servants!" thought
Wilfrid, turning away. "To act a farce for their benefit! That fellow
will explode when he gets downstairs. I see how it is. This woman,
Chump, is making them behave like schoolgirls."
He conceived the idea sharply, and forthwith, without any preparation, he
was ready to treat these high-aspiring ladies like schoolgirls. Nor was
there a lack of justification; for when they came down to his shouts in
the passage, they hushed, and held a finger aloft, and looked altogether
so unlike what they aimed at being, that Wilfrid's sense of mastery
became almost contempt.
"I know perfectly what you have to tell me," he said. "Mrs. Chump is
here, you have quarrelled with her, and she has shut her door, and you
have shut yours. It's quite intelligible and full of dignity. I really
can't smother my voice in consequence."
He laughed with unnecessary abandonment. The sensitive young women
wanted no other schooling to recover themselves. In a moment they were
seen leaning back and contemplating him amusedly, as if he had been the
comic spectacle, and were laughing for a wager. There are few things so
sour as the swallowing of one's own forced laugh. Wilfrid got it down,
and commenced a lecture to fill the awkward pause. His sisters
maintained the opera-stall posture of languid attention, contesting his
phrases simply with their eyebrows, and smiling. He was no match for
them while they chose to be silent: and indeed if the business of life
were conducted in dumb show, women would beat men hollow. They posture
admirably. In dumb show they are equally good for attack and defence.
But this is not the case in speech. So, when Arabella explained that
their hope was to see Mrs. Chump go that day, owing to the rigorous
exclusion of all amusement and the outer world from the house, Wilfrid
regained his superior footing and made his lecture tell. In the middle
of it, there rang a cry from the doorway that astonished even him, it was
so powerfully Irish.
"The lady you have called down is here," said Arabella's cold glance, in
answer to his.
They sat with folded hands while Wilfrid turned to Mrs. Chump, who
advanced, a shock of blue satin to the eye, crying, on a jump: "Is ut Mr.
"It's I, ma'am." Wilfrid bowed, and the censorious ladies could not deny
that, his style was good, if his object was to be familiar. And if that
was his object, he was paid for it. A great thick kiss was planted on
his cheek, with the motto: "Harm to them that thinks ut."
Wilfrid bore the salute like a man who presumes that he is flattered.
"And it's you!" said Mrs. Chump. "I was just off. I'm packed, and
bonnutted, and ready for a start; becas, my dear, where there's none but
women, I don't think it natural to stop. You're splendud! How a little
fella like Pole could go and be father to such a mighty big son, with
your bit of moustache and your blue eyes! Are they blue or a bit of grey
in 'em?" Mrs. Chump peered closely. "They're kill'n', let their colour
be annyhow. And I that knew ye when ye were no bigger than my garter!
Oh, sir! don't talk of ut; I'll be thinkin', of my coffin. Ye're glad
to see me? Say, yes. Do!"
"Very glad," quoth Wilfrid.
"Upon your honour, now?"
"Upon my honour!"
"My dears" (Mrs. Chump turned to the ladies), "I'll stop; and just thank
your brother for't, though you can't help being garls."
Reduced once more to demonstrate like schoolgirls by this woman, the
ladies rose together, and were retiring, when Mrs. Chump swung round and
caught Arabella's hand. "See heer," she motioned to Wilfrid. Arabella
made a bitter effort to disengage herself. "See, now! It's jeal'sy of
me, Mr. Wilfrud, becas I'm a widde and just an abom'nation to garls, poor
darlin's! And twenty shindies per dime we've been havin', and me such a
placable body, if ye'll onnly let m' explode. I'm all powder, avery bit!
and might ha' been christened Saltpetre, if born a boy. She hasn't so
much as a shot to kill a goose, says Chump, poor fella! But he went,
annyway. I must kiss somebody when I talk of 'm. Mr. Wilfrud, I'll take
the girls, and entitle myself to you."
Arabella was the first victim. Her remonstrance was inarticulate.
Cornelia's "Madam!" was smothered. Adela behaved better, being more
consciously under Wilfrid's eye; she prepared her pocket-handkerchief,
received the salute, and deliberately effaced it.
"There!" said Mrs. Chump; "duty to begin with. And now for you, Mr.
The ladies escaped. Their misery could not be conveyed to the mind. The
woman was like a demon come among them. They felt chiefly degraded, not
by her vulgarity, but by their inability to cope with it, and by the
consequent sickening sense of animal inefficiency--the block that was put
to all imaginative delight in the golden hazy future they figured for
themselves, and which was their wine of life. An intellectual adversary
they could have combated; this huge brogue-burring engine quite
overwhelmed them. Wilfrid's worse than shameful behaviour was a common
rallying-point; and yet, so absolutely critical were they by nature,
their blame of him was held mentally in restraint by the superior ease of
his manner as contrasted with their own lamentably silly awkwardness.
Highly civilized natures do sometimes, and keen wits must always, feel
dissatisfied when they are not on the laughing side: their dread of
laughter is an instinctive respect for it.
Dinner brought them all together again. Wilfrid took his father's seat,
facing his Aunt Lupin, and increased the distress of his sisters by his
observance of every duty of a host to the dreadful intruder, whom he thus
established among them. He was incomprehensible. His visit to Stornley
had wrought in him a total change. He used to like being petted, and
would regard everything as right that his sisters did, before he went
there; and was a languid, long-legged, indifferent cavalier, representing
men to them: things made to be managed, snubbed, admired, but always
virtually subservient and in the background. Now, without perceptible
gradation, his superiority was suddenly manifest; so that, irritated and
apprehensive as they were, they could not, by the aid of any of their
intricate mental machinery, look down on him. They tried to; they tried
hard to think him despicable as well as treacherous. His style was too
good. When he informed Mrs. Chump that he had hired a yacht for the
season, and added, after enlarging on the merits of the vessel, "I am
under your orders," his sisters were as creatures cut in twain--one half
abominating his conduct, the other approving his style. The bow, the
smile, were perfect. The ladies had to make an effort to recover their
"Oh!" cried Mrs. Chump; "and if you've got a yacht, Mr. Wilfrud, won't ye
have a great parcel o' the arr'stocracy on board?"
"You may spy a title by the aid of a telescope," said Wilfrid.
"And I'm to come, I am?"
"Are you not elected captain?"
"Oh, if ye've got lords and real ladies on board, I'll come, be sure of
ut! I'll be as sick as a cat, I will. But, I'll come, if it's the rroon
of my stomach. I'd say to Chump, "Oh, if ye'd only been born a lord, or
would just get yourself struck a knight on one o' your shoulders,--oh,
Chump!" I'd say, 'it wouldn't be necessary to be rememberin' always the
words of the cerr'mony about lovin' and honourin' and obeyin' of a little
whistle of a fella like you." Poor lad! he couldn't stop for his luck!
Did ye ask me to take wine, Mr. Wilfrud? I'll be cryin', else, as a
widde should, ye know!"
Frequent administrations of wine arrested the tears of Mrs. Chump, until
it is possible that the fulness of many a checked flow caused her to
redden and talk slightly at random. At the first mention of their
father's name, the ladies went out from the room. It was foolish, for
they might have watched the effect of certain vinous innuendoes addressed
to Wilfrid's apprehensiveness; but they were weakened and humbled, and
everything they did was foolish. From the fact that they offended their
keen critical taste, moreover, they were targets to the shaft that wounds
more fatally than all. No ridicule knocks the strength out of us so
thoroughly as our own.
Whether or not he guessed their condition favourable for his plans,
Wilfrid did not give them time to call back their scattered powers. At
the hour of eleven he sent for Arabella to come to him in the library.
The council upstairs permitted Arabella to go, on the understanding that
she was prepared for hostilities, and ready to tear the mask from
He commenced, without a shadow of circumlocution, and in a matter-of-fact
way, as if all respect for the peculiar genius of the house of Pole had
vanished: "I sent for you to talk a word or two about this woman, who, I
see, troubles you a little. I'm sorry she's in the house."
"Indeed!" said Arabella.
"I'm sorry she's in the house, not for my sake, but for yours, since the
proximity does not seem to... I needn't explain. It comes of your
eternal consultations. You are the eldest. Why not act according to
your judgement, which is generally sound? You listen to Adela, young as
she is; or a look of Cornelia's leads you. The result is the sort of
scene I saw this afternoon. I confess it has changed my opinion of you;
it has, I grieve to say it. This woman is your father's guest; you can't
hurt her so much as you hurt him, if you misbehave to her. You can't
openly object to her and not cast a slur upon him. There is the whole
case. He has insisted, and you must submit. You should have fought the
battle before she came."
"She is here, owing to a miserable misconception," said Arabella.
"Ah! she is here, however. That is the essential, as your old governess
Madame Timpan would have said."
"Nor can a protest against coarseness be sweepingly interpreted as a
piece of unfilial behaviour," said Arabella.
"She is coarse," Wilfrid nodded his head. "There are some forms of
coarseness which dowagers would call it coarseness to notice.
"Not if you find it locked up in the house with you--not if you suffer
under a constant repulsion. Pray, do not use these phrases to me,
Wilfrid. An accusation of coarseness cannot touch us."
"No, certainly," assented Wilfrid. "And you have a right to protest. I
disapprove the form of your protest nothing more. A schoolgirl's...but
you complain of the use of comparisons."
"I complain, Wilfrid, of your want of sympathy."
"That for two or three weeks you must hear a brogue at your elbow? The
poor creature is not so bad; she is good-hearted. It's hard that you
should have to bear with her for that time and receive nothing better
than Besworth as your reward."
"Very; seeing that we endure the evil and decline the sop with it."
"We have renounced Besworth."
"Have you! And did this renunciation make you all sit on the edge of
your chairs, this afternoon, as if Edward Buxley had arranged you? You
give up Besworth? I'm afraid it's too late."
"Oh, Wilfrid! can you be ignorant that something more is involved in the
purchase of Besworth?"
Arabella gazed at him with distressful eagerness, as one who believes in
the lingering of a vestige of candour.
"Do you mean that my father may wish to give this woman his name?" said
Wilfrid coolly. "You have sense enough to know that if you make his home
disagreeable, you are taking the right method to drive him into such a
course. Ha! I don't think it's to be feared, unless you pursue these
consultations. And let me say, for my part, we have gone too far about
Besworth, and can't recede."
"I have given out everywhere that the place is ours. I did so almost at
your instigation. Besworth was nothing to me till you cried it up. And
now I won't detain you. I know I can rely on your sense, if you will
rely on it. Good night, Bella."
As she was going a faint spark of courage revived Arabella's wits.
Seeing that she was now ready to speak, he opened the door wide, and she
kissed him and went forth, feeling driven.
But while Arabella was attempting to give a definite version of the
interview to her sisters, a message came requesting Adela to descend.
The ladies did not allow her to depart until two or three ingenuous
exclamations from her made them share her curiosity.
"Ah?" Wilfrid caught her hand as she came in. "No, I don't intend to let
it go. You may be a fine lady, but you're a rogue, you know, and a
charming one, as I hear a friend of mine has been saying. Shall I call
him out? Shall I fight him with pistols, or swords, and leave him
bleeding on the ground, because he thinks you a pretty rogue?"
Adela struggled against the blandishment of this old familiar style of
converse--part fun, part flattery--dismissed since the great idea had
"Please tell me what you called me down for, dear?"
"To give you a lesson in sitting on chairs. 'Adela, or the Puritan
sister,' thus: you sit on the extremest edge, and your eyes peruse the
"Oh! will you ever forget that perfectly ridiculous scene?" Adela cried
She was led by easy stages to talk of Besworth.
"Understand," said Wilfrid, "that I am indifferent about it. The idea
sprang from you--I mean from my pretty sister Adela, who is President of
the Council of Three. I hold that young woman responsible for all that
they do. Am I wrong? Oh, very well. You suggested Besworth, at all
events. And--if we quarrel, I shall cut off one of your curls."
"We never will quarrel, my darling," quoth Adela softly. "Unless--" she
Wilfrid kissed her forehead.
"Well, then, you must tell me who it is that talks of me in that
objectionable manner; I do not like it."
"Shall I convey that intimation?"
"I choose to ask, simply that I may defend myself."
"I choose to keep him buried, then, simply to save his life."
Adela made a mouth, and Wilfrid went on: "By the way, I want you to know
Lady Charlotte; you will take to one another. She likes you, already--
says you want dash; but on that point there may be two opinions."
"If dash," said Adela, quite beguiled, "--that is, dash!--what does it
mean? But, if Lady Charlotte means by dash--am I really wanting in it?
I should define it, the quality of being openly natural without
vulgarity; and surely...!"
"Then you two differ a little, and must meet and settle your dispute.
You don't differ about Besworth: or, didn't. I never saw a woman so much
in love with a place as she is."
"A place?" emphasized Adela.
"Don't be too arch. I comprehend. She won't take me minus Besworth, you
may be sure."
"Did you, Wilfrid!--but you did not--offer yourself as owner of
Wilfrid kept his eyes slanting on the floor.
"Now I see why you should still wish it," continued Adela. "Perhaps you
don't know the reason which makes it impossible, or I would say--Bacchus!
it must be compassed. You remember your old schoolboy oath which you
taught me? We used to swear always, by Bacchus!"
Adela laughed and blushed, like one who petitions pardon for this her
utmost sin, that is not regretted as it should be.
"Mrs. Chump again, isn't it?" said Wilfrid. "Pole would be a preferable
name. If she has the ambition, it elevates her. And it would be rather
amusing to see the dear old boy in love."
Adela gave her under-lip a distressful bite.
"Why do you, Wilfrid--why treat such matters with levity?"
"Levity? I am the last to treat ninety thousand pounds with levity."
"Has she so much?" Adela glanced at him.
"She will be snapped up by some poor nobleman. If I take her down to the
yacht, one of Lady Charlotte's brothers or uncles will bite; to a
"It would be an excellent idea to take her!" cried Adela.
"Excellent! and I'll do it, if you like."
"Could you bear the reflex of the woman?"
"Don't you know that I am not in the habit of sitting on the extreme
Adela started, breathing piteously: "Wilfrid, dear! you want something of
me--what is it?"
"Simply that you should behave civilly to your father's guest."
"I had a fear, dear; but I think too well of you to entertain it for a
moment. If civility is to win Besworth for you, there is my hand."
"Be civil--that's all," said Wilfrid, pressing the hand given. "These
consultations of yours and acting in concert--one tongue for three women-
-are a sort of missish, unripe nonsense, that one sees only in bourgeoise
girls--eh? Give it up. Lady Charlotte hit on it at a glance."
"And I, my chameleon brother, will return her the compliment, some day,"
Adela said to herself, as she hurried back to her sisters, bearing a
message for Cornelia. This lady required strong persuasion. A word from