Full Text Archive logoFull Text Archive — Books, poems, drama…

Quotes and Images From The Works of John Galsworthy by John Galsworthy

Adobe PDF icon
Quotes and Images From The Works of John Galsworthy by John Galsworthy - Full Text Free Book
File size: 0.0 MB
What's this? light bulb idea Many people prefer to read off-line or to print out text and read from the real printed page. Others want to carry documents around with them on their mobile phones and read while they are on the move. We have created .pdf files of all out documents to accommodate all these groups of people. We recommend that you download .pdfs onto your mobile phone when it is connected to a WiFi connection for reading off-line.

Produced by David Widger




Attack his fleas--though he was supposed
to have none

Dogs: with rudiments of altruism and a sense
of God

Don't hurt others more than is absolutely

Early morning does not mince words

Era which had canonised hypocrisy

Forgiven me; but she could never forget

Health--He did not want it at such cost

Is anything more pathetic than the faith
of the young?

Law takes a low view of human nature

Let her come to me as she will, when she will,
not at all if she will not

Love has no age, no limit; and no death

Never to see yourself as others see you

Old men learn to forego their whims

People who don't live are wonderfully

Perching-place; never--never her cage!

Putting up a brave show of being natural

Socialists: they want our goods

Thank you for that good lie

To seem to be respectable was to be

You have to buy experience


COURAGE Is but a word, and yet, of words,
The only sentinel of permanence;
The ruddy watch-fire of cold winter days,
We steal its comfort, lift our weary swords,
And on. For faith--without it--has no sense;
And love to wind of doubt and tremor sways;
And life for ever quaking marsh must tread.

Laws give it not; before it prayer will blush;
Hope has it not; nor pride of being true;
'Tis the mysterious soul which never yields,
But hales us on and on to breast the rush
Of all the fortunes we shall happen through.
And when Death calls across his shadowy fields--
Dying, it answers: "Here! I am not dead!"


The simple truth, which underlies the whole story, that where sex
attraction is utterly and definitely lacking in one partner to a union,
no amount of pity, or reason, or duty, or what not, can overcome a
repulsion implicit in Nature.

The tragedy of whose life is the very simple, uncontrollable tragedy of
being unlovable, without quite a thick enough skin to be thoroughly
unconscious of the fact. Not even Fleur loves Soames as he feels he
ought to be loved. But in pitying Soames, readers incline, perhaps, to
animus against Irene: After all, they think, he wasn't a bad fellow, it
wasn't his fault; she ought to have forgiven him, and so on!

"Let the dead Past bury its dead" would be a better saying if the Past
ever died. The persistence of the Past is one of those tragi-comic
blessings which each new age denies, coming cocksure on to the stage to
mouth its claim to a perfect novelty.

The figure of Irene, never, as the reader may possibly have observed,
present, except through the senses of other characters, is a concretion
of disturbing Beauty impinging on a possessive world.

She turned back into the drawing-room; but in a minute came out, and
stood as if listening. Then she came stealing up the stairs, with a
kitten in her arms. He could see her face bent over the little beast,
which was purring against her neck. Why couldn't she look at him like

But though the impingement of Beauty and the claims of Freedom on a
possessive world are the main prepossessions of the Forsyte Saga, it
cannot be absolved from the charge of embalming the upper-middle class.

When a Forsyte was engaged, married, or born, the Forsytes were present;
when a Forsyte died--but no Forsyte had as yet died; they did not die;
death being contrary to their principles, they took precautions against
it, the instinctive precautions of highly vitalized persons who resent
encroachments on their property.

"It's my opinion," he said unexpectedly, "that it's just as well as it

The eldest by some years of all the Forsytes, she held a peculiar
position amongst them. Opportunists and egotists one and all--though
not, indeed, more so than their neighbours--they quailed before her
incorruptible figure, and, when opportunities were too strong, what could
they do but avoid her!

"I'm bad," he said, pouting--"been bad all the week; don't sleep at
night. The doctor can't tell why. He's a clever fellow, or I shouldn't
have him, but I get nothing out of him but bills."

There was little sentimentality about the Forsytes. In that great
London, which they had conquered and become merged in, what time had they
to be sentimental?

A moment passed, and young Jolyon, turning on his heel, marched out at
the door. He could hardly see; his smile quavered. Never in all the
fifteen years since he had first found out that life was no simple
business, had he found it so singularly complicated.

As in all self-respecting families, an emporium had been established
where family secrets were bartered, and family stock priced. It was
known on Forsyte 'Change that Irene regretted her marriage. Her regret
was disapproved of. She ought to have known her own mind; no dependable
woman made these mistakes.

Out of his other property, out of all the things he had collected, his
silver, his pictures, his houses, his investments, he got a secret and
intimate feeling; out of her he got none.

Of all those whom this strange rumour about Bosinney and Mrs. Soames
reached, James was the most affected. He had long forgotten how he had
hovered, lanky and pale, in side whiskers of chestnut hue, round Emily,
in the days of his own courtship. He had long forgotten the small house
in the purlieus of Mayfair, where he had spent the early days of his
married life, or rather, he had long forgotten the early days, not the
small house,--a Forsyte never forgot a house--he had afterwards sold it
at a clear profit of four hundred pounds.

And those countless Forsytes, who, in the course of innumerable
transactions concerned with property of all sorts (from wives to
water rights)....

"I now move, 'That the report and accounts for the year 1886 be received
and adopted.' You second that? Those in favour signify the same in the
usual way. Contrary--no. Carried. The next business, gentlemen...."
Soames smiled. Certainly Uncle Jolyon had a way with him!

Forces regardless of family or class or custom were beating down his
guard; impending events over which he had no control threw their shadows
on his head. The irritation of one accustomed to have his way was,
roused against he knew not what.

We are, of course, all of us the slaves of property, and I admit that
it's a question of degree, but what I call a 'Forsyte' is a man who is
decidedly more than less a slave of property. He knows a good thing, he
knows a safe thing, and his grip on property--it doesn't matter whether
it be wives, houses, money, or reputation--is his hall-mark."--"Ah!"
murmured Bosinney. "You should patent the word."--"I should like," said
young Jolyon, "to lecture on it: 'Properties and quality of a Forsyte':
This little animal, disturbed by the ridicule of his own sort, is
unaffected in his motions by the laughter of strange creatures (you or
I). Hereditarily disposed to myopia, he recognises only the persons of
his own species, amongst which he passes an existence of competitive

"My people," replied young Jolyon, "are not very extreme, and they have
their own private peculiarities, like every other family, but they
possess in a remarkable degree those two qualities which are the real
tests of a Forsyte--the power of never being able to give yourself up to
anything soul and body, and the 'sense of property'."

An unhappy marriage! No ill-treatment--only that indefinable malaise,
that terrible blight which killed all sweetness under Heaven; and so from
day to day, from night to night, from week to week, from year to year,
till death should end it.

The more I see of people the more I am convinced that they are never good
or bad--merely comic, or pathetic. You probably don't agree with me!'

"Don't touch me!" she cried. He caught her wrist; she wrenched it away.
"And where may you have been?" he asked. "In heaven--out of this house!"
With those words she fled upstairs.

It seemed to young Jolyon that he could hear her saying: "But, darling,
it would ruin you!" For he himself had experienced to the full the
gnawing fear at the bottom of each woman's heart that she is a drag on
the man she loves.

She had come back like an animal wounded to death, not knowing
where to turn, not knowing what she was doing.

"What do you mean by God?" he said; "there are two irreconcilable ideas
of God. There's the Unknowable Creative Principle--one believes in That.
And there's the Sum of altruism in man naturally one believes in That."

She was such a decided mortal; knew her own mind so terribly well; wanted
things so inexorably until she got them--and then, indeed, often dropped
them like a hot potato. Her mother had been like that, whence had come
all those tears. Not that his incompatibility with his daughter was
anything like what it had been with the first Mrs. Young Jolyon.
One could be amused where a daughter was concerned; in a wife's case
one could not be amused.

"Thank you for that good lie."

Love has no age, no limit; and no death.

Did Nature permit a Forsyte not to make a slave of what he adored? Could
beauty be confided to him? Or should she not be just a visitor, coming
when she would, possessed for moments which passed, to return only at her
own choosing? 'We are a breed of spoilers!' thought Jolyon, 'close and
greedy; the bloom of life is not safe with us. Let her come to me as she
will, when she will, not at all if she will not. Let me be just her
stand-by, her perching-place; never-never her cage!'

....causing the animal to wake and attack his fleas; for though he was
supposed to have none, nothing could persuade him of the fact.

"It's always worth while before you do anything to consider whether it's
going to hurt another person more than is absolutely necessary."


A thing slipped between him and all previous knowledge
Afraid of being afraid
Afraid to show emotion before his son
Always wanted more than he could have
Aromatic spirituality
As she will, when she will, not at all if she will not
Attack his fleas; for though he was supposed to have none
Avoided expression of all unfashionable emotion
Back of beauty was harmony
Back of harmony was--union
Beauty is the devil, when you're sensitive to it!
Blessed capacity of living again in the young
But it tired him and he was glad to sit down
But the thistledown was still as death
By the cigars they smoke, and the composers they love
Change--for there never was any--always upset her very much
Charm; and the quieter it was, the more he liked it
Compassion was checked by the tone of that close voice
Conceived for that law a bitter distaste
Conscious beauty
Detached and brotherly attitude towards his own son
Did not mean to try and get out of it by vulgar explanation
Did not want to be told of an infirmity
Dislike of humbug
Dogs: with rudiments of altruism and a sense of God
Don't care whether we're right or wrong
Don't hurt others more than is absolutely necessary
Early morning does not mince words
Era which had canonised hypocrisy
Evening not conspicuous for open-heartedness
Everything in life he wanted--except a little more breath
Fatigued by the insensitive, he avoided fatiguing others
Felt nearly young
Forgiven me; but she could never forget
Forsytes always bat
Free will was the strength of any tie, and not its weakness
Get something out of everything you do
Greater expense can be incurred for less result than anywhere
Hard-mouthed women who laid down the law
He could not plead with her; even an old man has his dignity
He saw himself reflected: An old-looking chap
Health--He did not want it at such cost
Horses were very uncertain
I have come to an end; if you want me, here I am
I never stop anyone from doing anything
I shan't marry a good man, Auntie, they're so dull!
If not her lover in deed he was in desire
Importance of mundane matters became increasingly grave
Intolerable to be squeezed out slowly, without a say yourself
Ironical, which is fatal to expansiveness
Ironically mistrustful
Is anything more pathetic than the faith of the young?
It was their great distraction: To wait!
Know how not to grasp and destroy!
Law takes a low view of human nature
Let her come to me as she will, when she will
Little notion of how to butter her bread
Living on his capital
Longing to escape in generalities beset him
Love has no age, no limit; and no death
Man had money, he was free in law and fact
Ministered to his daughter's love of domination
More spiritual enjoyment of his coffee and cigar
Never give himself away
Never seemed to have occasion for verbal confidences
Never since had any real regard for conventional morality
Never to see yourself as others see you
No money! What fate could compare with that?
None of them quite knew what she meant
None of us--none of us can hold on for ever!
Not going to run with the hare and hunt with the hounds
Nothing left to do but enjoy beauty from afar off
Nothing overmastering in his feeling
Old men learn to forego their whims
One cannot see the havoc oneself is working
One could break away into irony--as indeed he often had to
One who has never known a struggle with desperation
One's never had enough
Only aversion lasts
Only Time was good for sorrow
Own feelings were not always what mattered most
People who don't live are wonderfully preserved
Perching-place; never-never her cage!
Philosophy of one on whom the world had turned its back
Pity, they said, was akin to love!
Preferred to concentrate on the ownership of themselves
Putting up a brave show of being natural
Quiet possession of his own property
Quivering which comes when a man has received a deadly insult
Self-consciousness is a handicap
Selfishness of age had not set its proper grip on him
Sense of justice stifled condemnation
Servants knew everything, and suspected the rest
Shall not expect this time more than I can get, or she can give
She used to expect me to say it more often than I felt it
Sideways look which had reduced many to silence in its time
Smiled because he could have cried
So difficult to be sorry for him
'So we go out!' he thought 'No more beauty! Nothing?'
Socialists: they want our goods
Sorrowful pleasure
Spirit of the future, with the charm of the unknown
Striking horror of the moral attitude
Sum of altruism in man
Surprised that he could have had so paltry an idea
Tenderness to the young
Thank you for that good lie
Thanks awfully
That dog was a good dog
The Queen--God bless her!
The soundless footsteps on the grass!
There was no one in any sort of authority to notice him
There went the past!
To seem to be respectable was to be
Too afraid of committing himself in any direction
Trees take little account of time
Unfeeling process of legal regulation
Unknowable Creative Principle
Unlikely to benefit its beneficiaries
Wanted things so inexorably until she got them
Waves of sweetness and regret flooded his soul
Weighing you to the ground with care and love
Went out as if afraid of being answered
What do you mean by God?
When you fleece you're sorry
When you're fleeced you're sick
Where Beauty was, nothing ever ran quite straight
Whole world was in conspiracy to limit freedom
With the wisdom of a long life old Jolyon did not speak
Witticism of which he was not the author was hardly to his taste
Wonderful finality about a meal
You have to buy experience

If you wish to read the entire context of any of these quotations,
select a short segment and copy it into your clipboard memory--then
click on the url for the plain text eBook just below and paste the
phrase into your computer's find or search operation.

Entire Gutenberg Galsworthy Edition (8.69 mb)


***** This file should be named 7544.txt or 7544.zip *****
This and all associated files of various formats will be found in:

Produced by David Widger

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial



(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at

and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

agree to be bound by the terms of this agreement. There are a few
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement

Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
Gutenberg-tm mission of promoting free access to electronic works by
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United

1.E.1. The following sentence, with active links to, or other immediate
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or

posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
through 1.E.7 or obtain permission for the use of the work and the

must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other

1.E.7. Do not charge a fee for access to, viewing, displaying,

1.E.8. You may charge a reasonable fee for copies of or providing

- You pay a royalty fee of 20% of the gross profits you derive from
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.

- You comply with all other terms of this agreement for free
forth in this agreement, you must obtain permission in writing from
Foundation as set forth in Section 3 below.


works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal

defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
that arise directly or indirectly from any of the following which you do

including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.

state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director

increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

ways including including checks, online payments and credit card
donations. To donate, please visit: http://pglaf.org/donate

with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:


Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.

Book of the day: