Part 4 out of 9
The loose drift of character, the inkling through random types, the
The butcher in the slaughter-house, the hands aboard schooners and
sloops, the raftsman, the pioneer,
Lumbermen in their winter camp, daybreak in the woods, stripes of
snow on the limbs of trees, the occasional snapping,
The glad clear sound of one's own voice, the merry song, the natural
life of the woods, the strong day's work,
The blazing fire at night, the sweet taste of supper, the talk, the
bed of hemlock-boughs and the bear-skin;
The house-builder at work in cities or anywhere,
The preparatory jointing, squaring, sawing, mortising,
The hoist-up of beams, the push of them in their places, laying them
Setting the studs by their tenons in the mortises according as they
The blows of mallets and hammers, the attitudes of the men, their
Bending, standing, astride the beams, driving in pins, holding on by
posts and braces,
The hook'd arm over the plate, the other arm wielding the axe,
The floor-men forcing the planks close to be nail'd,
Their postures bringing their weapons downward on the bearers,
The echoes resounding through the vacant building:
The huge storehouse carried up in the city well under way,
The six framing-men, two in the middle and two at each end, carefully
bearing on their shoulders a heavy stick for a cross-beam,
The crowded line of masons with trowels in their right hands rapidly
laying the long side-wall, two hundred feet from front to rear,
The flexible rise and fall of backs, the continual click of the
trowels striking the bricks,
The bricks one after another each laid so workmanlike in its place,
and set with a knock of the trowel-handle,
The piles of materials, the mortar on the mortar-boards, and the
steady replenishing by the hod-men;
Spar-makers in the spar-yard, the swarming row of well-grown apprentices,
The swing of their axes on the square-hew'd log shaping it toward
the shape of a mast,
The brisk short crackle of the steel driven slantingly into the pine,
The butter-color'd chips flying off in great flakes and slivers,
The limber motion of brawny young arms and hips in easy costumes,
The constructor of wharves, bridges, piers, bulk-heads, floats,
stays against the sea;
The city fireman, the fire that suddenly bursts forth in the
The arriving engines, the hoarse shouts, the nimble stepping and daring,
The strong command through the fire-trumpets, the falling in line,
the rise and fall of the arms forcing the water,
The slender, spasmic, blue-white jets, the bringing to bear of the
hooks and ladders and their execution,
The crash and cut away of connecting wood-work, or through floors
if the fire smoulders under them,
The crowd with their lit faces watching, the glare and dense shadows;
The forger at his forge-furnace and the user of iron after him,
The maker of the axe large and small, and the welder and temperer,
The chooser breathing his breath on the cold steel and trying the
edge with his thumb,
The one who clean-shapes the handle and sets it firmly in the socket;
The shadowy processions of the portraits of the past users also,
The primal patient mechanics, the architects and engineers,
The far-off Assyrian edifice and Mizra edifice,
The Roman lictors preceding the consuls,
The antique European warrior with his axe in combat,
The uplifted arm, the clatter of blows on the helmeted head,
The death-howl, the limpsy tumbling body, the rush of friend and foe
The siege of revolted lieges determin'd for liberty,
The summons to surrender, the battering at castle gates, the truce
The sack of an old city in its time,
The bursting in of mercenaries and bigots tumultuously and disorderly,
Roar, flames, blood, drunkenness, madness,
Goods freely rifled from houses and temples, screams of women in the
gripe of brigands,
Craft and thievery of camp-followers, men running, old persons despairing,
The hell of war, the cruelties of creeds,
The list of all executive deeds and words just or unjust,
The power of personality just or unjust.
Muscle and pluck forever!
What invigorates life invigorates death,
And the dead advance as much as the living advance,
And the future is no more uncertain than the present,
For the roughness of the earth and of man encloses as much as the
delicatesse of the earth and of man,
And nothing endures but personal qualities.
What do you think endures?
Do you think a great city endures?
Or a teeming manufacturing state? or a prepared constitution? or the
best built steamships?
Or hotels of granite and iron? or any chef-d'oeuvres of engineering,
Away! these are not to be cherish'd for themselves,
They fill their hour, the dancers dance, the musicians play for them,
The show passes, all does well enough of course,
All does very well till one flash of defiance.
A great city is that which has the greatest men and women,
If it be a few ragged huts it is still the greatest city in the
The place where a great city stands is not the place of stretch'd
wharves, docks, manufactures, deposits of produce merely,
Nor the place of ceaseless salutes of new-comers or the
anchor-lifters of the departing,
Nor the place of the tallest and costliest buildings or shops
selling goods from the rest of the earth,
Nor the place of the best libraries and schools, nor the place where
money is plentiest,
Nor the place of the most numerous population.
Where the city stands with the brawniest breed of orators and bards,
Where the city stands that is belov'd by these, and loves them in
return and understands them,
Where no monuments exist to heroes but in the common words and deeds,
Where thrift is in its place, and prudence is in its place,
Where the men and women think lightly of the laws,
Where the slave ceases, and the master of slaves ceases,
Where the populace rise at once against the never-ending audacity of
Where fierce men and women pour forth as the sea to the whistle of
death pours its sweeping and unript waves,
Where outside authority enters always after the precedence of inside
Where the citizen is always the head and ideal, and President,
Mayor, Governor and what not, are agents for pay,
Where children are taught to be laws to themselves, and to depend on
Where equanimity is illustrated in affairs,
Where speculations on the soul are encouraged,
Where women walk in public processions in the streets the same as the men,
Where they enter the public assembly and take places the same as the men;
Where the city of the faithfulest friends stands,
Where the city of the cleanliness of the sexes stands,
Where the city of the healthiest fathers stands,
Where the city of the best-bodied mothers stands,
There the great city stands.
How beggarly appear arguments before a defiant deed!
How the floridness of the materials of cities shrivels before a
man's or woman's look!
All waits or goes by default till a strong being appears;
A strong being is the proof of the race and of the ability of the universe,
When he or she appears materials are overaw'd,
The dispute on the soul stops,
The old customs and phrases are confronted, turn'd back, or laid away.
What is your money-making now? what can it do now?
What is your respectability now?
What are your theology, tuition, society, traditions, statute-books, now?
Where are your jibes of being now?
Where are your cavils about the soul now?
A sterile landscape covers the ore, there is as good as the best for
all the forbidding appearance,
There is the mine, there are the miners,
The forge-furnace is there, the melt is accomplish'd, the hammersmen
are at hand with their tongs and hammers,
What always served and always serves is at hand.
Than this nothing has better served, it has served all,
Served the fluent-tongued and subtle-sensed Greek, and long ere the Greek,
Served in building the buildings that last longer than any,
Served the Hebrew, the Persian, the most ancient Hindustanee,
Served the mound-raiser on the Mississippi, served those whose
relics remain in Central America,
Served Albic temples in woods or on plains, with unhewn pillars and
Served the artificial clefts, vast, high, silent, on the
snow-cover'd hills of Scandinavia,
Served those who time out of mind made on the granite walls rough
sketches of the sun, moon, stars, ships, ocean waves,
Served the paths of the irruptions of the Goths, served the pastoral
tribes and nomads,
Served the long distant Kelt, served the hardy pirates of the Baltic,
Served before any of those the venerable and harmless men of Ethiopia,
Served the making of helms for the galleys of pleasure and the
making of those for war,
Served all great works on land and all great works on the sea,
For the mediaeval ages and before the mediaeval ages,
Served not the living only then as now, but served the dead.
I see the European headsman,
He stands mask'd, clothed in red, with huge legs and strong naked arms,
And leans on a ponderous axe.
(Whom have you slaughter'd lately European headsman?
Whose is that blood upon you so wet and sticky?)
I see the clear sunsets of the martyrs,
I see from the scaffolds the descending ghosts,
Ghosts of dead lords, uncrown'd ladies, impeach'd ministers, rejected kings,
Rivals, traitors, poisoners, disgraced chieftains and the rest.
I see those who in any land have died for the good cause,
The seed is spare, nevertheless the crop shall never run out,
(Mind you O foreign kings, O priests, the crop shall never run out.)
I see the blood wash'd entirely away from the axe,
Both blade and helve are clean,
They spirt no more the blood of European nobles, they clasp no more
the necks of queens.
I see the headsman withdraw and become useless,
I see the scaffold untrodden and mouldy, I see no longer any axe upon it,
I see the mighty and friendly emblem of the power of my own race,
the newest, largest race.
(America! I do not vaunt my love for you,
I have what I have.)
The axe leaps!
The solid forest gives fluid utterances,
They tumble forth, they rise and form,
Hut, tent, landing, survey,
Flail, plough, pick, crowbar, spade,
Shingle, rail, prop, wainscot, lamb, lath, panel, gable,
Citadel, ceiling, saloon, academy, organ, exhibition-house, library,
Cornice, trellis, pilaster, balcony, window, turret, porch,
Hoe, rake, pitchfork, pencil, wagon, staff, saw, jack-plane, mallet,
Chair, tub, hoop, table, wicket, vane, sash, floor,
Work-box, chest, string'd instrument, boat, frame, and what not,
Capitols of States, and capitol of the nation of States,
Long stately rows in avenues, hospitals for orphans or for the poor or sick,
Manhattan steamboats and clippers taking the measure of all seas.
The shapes arise!
Shapes of the using of axes anyhow, and the users and all that
Cutters down of wood and haulers of it to the Penobscot or Kenebec,
Dwellers in cabins among the Californian mountains or by the little
lakes, or on the Columbia,
Dwellers south on the banks of the Gila or Rio Grande, friendly
gatherings, the characters and fun,
Dwellers along the St. Lawrence, or north in Kanada, or down by the
Yellowstone, dwellers on coasts and off coasts,
Seal-fishers, whalers, arctic seamen breaking passages through the ice.
The shapes arise!
Shapes of factories, arsenals, foundries, markets,
Shapes of the two-threaded tracks of railroads,
Shapes of the sleepers of bridges, vast frameworks, girders, arches,
Shapes of the fleets of barges, tows, lake and canal craft, river craft,
Ship-yards and dry-docks along the Eastern and Western seas, and in
many a bay and by-place,
The live-oak kelsons, the pine planks, the spars, the
hackmatack-roots for knees,
The ships themselves on their ways, the tiers of scaffolds, the
workmen busy outside and inside,
The tools lying around, the great auger and little auger, the adze,
bolt, line, square, gouge, and bead-plane.
The shapes arise!
The shape measur'd, saw'd, jack'd, join'd, stain'd,
The coffin-shape for the dead to lie within in his shroud,
The shape got out in posts, in the bedstead posts, in the posts of
the bride's bed,
The shape of the little trough, the shape of the rockers beneath,
the shape of the babe's cradle,
The shape of the floor-planks, the floor-planks for dancers' feet,
The shape of the planks of the family home, the home of the friendly
parents and children,
The shape of the roof of the home of the happy young man and
woman, the roof over the well-married young man and woman,
The roof over the supper joyously cook'd by the chaste wife, and joyously
eaten by the chaste husband, content after his day's work.
The shapes arise!
The shape of the prisoner's place in the court-room, and of him or
her seated in the place,
The shape of the liquor-bar lean'd against by the young rum-drinker
and the old rum-drinker,
The shape of the shamed and angry stairs trod by sneaking foot- steps,
The shape of the sly settee, and the adulterous unwholesome couple,
The shape of the gambling-board with its devilish winnings and losings,
The shape of the step-ladder for the convicted and sentenced
murderer, the murderer with haggard face and pinion'd arms,
The sheriff at hand with his deputies, the silent and white-lipp'd
crowd, the dangling of the rope.
The shapes arise!
Shapes of doors giving many exits and entrances,
The door passing the dissever'd friend flush'd and in haste,
The door that admits good news and bad news,
The door whence the son left home confident and puff'd up,
The door he enter'd again from a long and scandalous absence,
diseas'd, broken down, without innocence, without means.
Her shape arises,
She less guarded than ever, yet more guarded than ever,
The gross and soil'd she moves among do not make her gross and soil'd,
She knows the thoughts as she passes, nothing is conceal'd from her,
She is none the less considerate or friendly therefor,
She is the best belov'd, it is without exception, she has no reason
to fear and she does not fear,
Oaths, quarrels, hiccupp'd songs, smutty expressions, are idle to
her as she passes,
She is silent, she is possess'd of herself, they do not offend her,
She receives them as the laws of Nature receive them, she is strong,
She too is a law of Nature--there is no law stronger than she is.
The main shapes arise!
Shapes of Democracy total, result of centuries,
Shapes ever projecting other shapes,
Shapes of turbulent manly cities,
Shapes of the friends and home-givers of the whole earth,
Shapes bracing the earth and braced with the whole earth.
} Song of the Exposition
(Ah little recks the laborer,
How near his work is holding him to God,
The loving Laborer through space and time.)
After all not to create only, or found only,
But to bring perhaps from afar what is already founded,
To give it our own identity, average, limitless, free,
To fill the gross the torpid bulk with vital religious fire,
Not to repel or destroy so much as accept, fuse, rehabilitate,
To obey as well as command, to follow more than to lead,
These also are the lessons of our New World;
While how little the New after all, how much the Old, Old World!
Long and long has the grass been growing,
Long and long has the rain been falling,
Long has the globe been rolling round.
Come Muse migrate from Greece and Ionia,
Cross out please those immensely overpaid accounts,
That matter of Troy and Achilles' wrath, and AEneas', Odysseus' wanderings,
Placard "Removed" and "To Let" on the rocks of your snowy Parnassus,
Repeat at Jerusalem, place the notice high on jaffa's gate and on
The same on the walls of your German, French and Spanish castles,
and Italian collections,
For know a better, fresher, busier sphere, a wide, untried domain
awaits, demands you.
Responsive to our summons,
Or rather to her long-nurs'd inclination,
Join'd with an irresistible, natural gravitation,
She comes! I hear the rustling of her gown,
I scent the odor of her breath's delicious fragrance,
I mark her step divine, her curious eyes a-turning, rolling,
Upon this very scene.
The dame of dames! can I believe then,
Those ancient temples, sculptures classic, could none of them retain her?
Nor shades of Virgil and Dante, nor myriad memories, poems, old
associations, magnetize and hold on to her?
But that she's left them all--and here?
Yes, if you will allow me to say so,
I, my friends, if you do not, can plainly see her,
The same undying soul of earth's, activity's, beauty's, heroism's
Out from her evolutions hither come, ended the strata of her former themes,
Hidden and cover'd by to-day's, foundation of to-day's,
Ended, deceas'd through time, her voice by Castaly's fountain,
Silent the broken-lipp'd Sphynx in Egypt, silent all those century-
Ended for aye the epics of Asia's, Europe's helmeted warriors, ended
the primitive call of the muses,
Calliope's call forever closed, Clio, Melpomene, Thalia dead,
Ended the stately rhythmus of Una and Oriana, ended the quest of the
Jerusalem a handful of ashes blown by the wind, extinct,
The Crusaders' streams of shadowy midnight troops sped with the sunrise,
Amadis, Tancred, utterly gone, Charlemagne, Roland, Oliver gone,
Palmerin, ogre, departed, vanish'd the turrets that Usk from its
Arthur vanish'd with all his knights, Merlin and Lancelot and
Galahad, all gone, dissolv'd utterly like an exhalation;
Pass'd! pass'd! for us, forever pass'd, that once so mighty world,
now void, inanimate, phantom world,
Embroider'd, dazzling, foreign world, with all its gorgeous legends, myths,
Its kings and castles proud, its priests and warlike lords and
Pass'd to its charnel vault, coffin'd with crown and armor on,
Blazon'd with Shakspere's purple page,
And dirged by Tennyson's sweet sad rhyme.
I say I see, my friends, if you do not, the illustrious emigre, (having it
is true in her day, although the same, changed, journey'd considerable,)
Making directly for this rendezvous, vigorously clearing a path for
herself, striding through the confusion,
By thud of machinery and shrill steam-whistle undismay'd,
Bluff'd not a bit by drain-pipe, gasometers, artificial fertilizers,
Smiling and pleas'd with palpable intent to stay,
She's here, install'd amid the kitchen ware!
But hold--don't I forget my manners?
To introduce the stranger, (what else indeed do I live to chant
for?) to thee Columbia;
In liberty's name welcome immortal! clasp hands,
And ever henceforth sisters dear be both.
Fear not O Muse! truly new ways and days receive, surround you,
I candidly confess a queer, queer race, of novel fashion,
And yet the same old human race, the same within, without,
Faces and hearts the same, feelings the same, yearnings the same,
The same old love, beauty and use the same.
We do not blame thee elder World, nor really separate ourselves from thee,
(Would the son separate himself from the father?)
Looking back on thee, seeing thee to thy duties, grandeurs, through
past ages bending, building,
We build to ours to-day.
Mightier than Egypt's tombs,
Fairer than Grecia's, Roma's temples,
Prouder than Milan's statued, spired cathedral,
More picturesque than Rhenish castle-keeps,
We plan even now to raise, beyond them all,
Thy great cathedral sacred industry, no tomb,
A keep for life for practical invention.
As in a waking vision,
E'en while I chant I see it rise, I scan and prophesy outside and in,
Its manifold ensemble.
Around a palace, loftier, fairer, ampler than any yet,
Earth's modern wonder, history's seven outstripping,
High rising tier on tier with glass and iron facades,
Gladdening the sun and sky, enhued in cheerfulest hues,
Bronze, lilac, robin's-egg, marine and crimson,
Over whose golden roof shall flaunt, beneath thy banner Freedom,
The banners of the States and flags of every land,
A brood of lofty, fair, but lesser palaces shall cluster.
Somewhere within their walls shall all that forwards perfect human
life be started,
Tried, taught, advanced, visibly exhibited.
Not only all the world of works, trade, products,
But all the workmen of the world here to be represented.
Here shall you trace in flowing operation,
In every state of practical, busy movement, the rills of civilization,
Materials here under your eye shall change their shape as if by magic,
The cotton shall be pick'd almost in the very field,
Shall be dried, clean'd, ginn'd, baled, spun into thread and cloth
You shall see hands at work at all the old processes and all the new ones,
You shall see the various grains and how flour is made and then
bread baked by the bakers,
You shall see the crude ores of California and Nevada passing on and
on till they become bullion,
You shall watch how the printer sets type, and learn what a
You shall mark in amazement the Hoe press whirling its cylinders,
shedding the printed leaves steady and fast,
The photograph, model, watch, pin, nail, shall be created before you.
In large calm halls, a stately museum shall teach you the infinite
lessons of minerals,
In another, woods, plants, vegetation shall be illustrated--in
another animals, animal life and development.
One stately house shall be the music house,
Others for other arts--learning, the sciences, shall all be here,
None shall be slighted, none but shall here be honor'd, help'd, exampled.
(This, this and these, America, shall be your pyramids and obelisks,
Your Alexandrian Pharos, gardens of Babylon,
Your temple at Olympia.)
The male and female many laboring not,
Shall ever here confront the laboring many,
With precious benefits to both, glory to all,
To thee America, and thee eternal Muse.
And here shall ye inhabit powerful Matrons!
In your vast state vaster than all the old,
Echoed through long, long centuries to come,
To sound of different, prouder songs, with stronger themes,
Practical, peaceful life, the people's life, the People themselves,
Lifted, illumin'd, bathed in peace--elate, secure in peace.
Away with themes of war! away with war itself!
Hence from my shuddering sight to never more return that show of
blacken'd, mutilated corpses!
That hell unpent and raid of blood, fit for wild tigers or for
lop-tongued wolves, not reasoning men,
And in its stead speed industry's campaigns,
With thy undaunted armies, engineering,
Thy pennants labor, loosen'd to the breeze,
Thy bugles sounding loud and clear.
Away with old romance!
Away with novels, plots and plays of foreign courts,
Away with love-verses sugar'd in rhyme, the intrigues, amours of idlers,
Fitted for only banquets of the night where dancers to late music slide,
The unhealthy pleasures, extravagant dissipations of the few,
With perfumes, heat and wine, beneath the dazzling chandeliers.
To you ye reverent sane sisters,
I raise a voice for far superber themes for poets and for art,
To exalt the present and the real,
To teach the average man the glory of his daily walk and trade,
To sing in songs how exercise and chemical life are never to be baffled,
To manual work for each and all, to plough, hoe, dig,
To plant and tend the tree, the berry, vegetables, flowers,
For every man to see to it that he really do something, for every woman too;
To use the hammer and the saw, (rip, or cross-cut,)
To cultivate a turn for carpentering, plastering, painting,
To work as tailor, tailoress, nurse, hostler, porter,
To invent a little, something ingenious, to aid the washing, cooking,
And hold it no disgrace to take a hand at them themselves.
I say I bring thee Muse to-day and here,
All occupations, duties broad and close,
Toil, healthy toil and sweat, endless, without cessation,
The old, old practical burdens, interests, joys,
The family, parentage, childhood, husband and wife,
The house-comforts, the house itself and all its belongings,
Food and its preservation, chemistry applied to it,
Whatever forms the average, strong, complete, sweet-blooded man or
woman, the perfect longeve personality,
And helps its present life to health and happiness, and shapes its soul,
For the eternal real life to come.
With latest connections, works, the inter-transportation of the world,
Steam-power, the great express lines, gas, petroleum,
These triumphs of our time, the Atlantic's delicate cable,
The Pacific railroad, the Suez canal, the Mont Cenis and Gothard and
Hoosac tunnels, the Brooklyn bridge,
This earth all spann'd with iron rails, with lines of steamships
threading in every sea,
Our own rondure, the current globe I bring.
And thou America,
Thy offspring towering e'er so high, yet higher Thee above all towering,
With Victory on thy left, and at thy right hand Law;
Thou Union holding all, fusing, absorbing, tolerating all,
Thee, ever thee, I sing.
Thou, also thou, a World,
With all thy wide geographies, manifold, different, distant,
Rounded by thee in one--one common orbic language,
One common indivisible destiny for All.
And by the spells which ye vouchsafe to those your ministers in earnest,
I here personify and call my themes, to make them pass before ye.
Behold, America! (and thou, ineffable guest and sister!)
For thee come trooping up thy waters and thy lands;
Behold! thy fields and farms, thy far-off woods and mountains,
As in procession coming.
Behold, the sea itself,
And on its limitless, heaving breast, the ships;
See, where their white sails, bellying in the wind, speckle the
green and blue,
See, the steamers coming and going, steaming in or out of port,
See, dusky and undulating, the long pennants of smoke.
Behold, in Oregon, far in the north and west,
Or in Maine, far in the north and east, thy cheerful axemen,
Wielding all day their axes.
Behold, on the lakes, thy pilots at their wheels, thy oarsmen,
How the ash writhes under those muscular arms!
There by the furnace, and there by the anvil,
Behold thy sturdy blacksmiths swinging their sledges,
Overhand so steady, overhand they turn and fall with joyous clank,
Like a tumult of laughter.
Mark the spirit of invention everywhere, thy rapid patents,
Thy continual workshops, foundries, risen or rising,
See, from their chimneys how the tall flame-fires stream.
Mark, thy interminable farms, North, South,
Thy wealthy daughter-states, Eastern and Western,
The varied products of Ohio, Pennsylvania, Missouri, Georgia, Texas,
and the rest,
Thy limitless crops, grass, wheat, sugar, oil, corn, rice, hemp, hops,
Thy barns all fill'd, the endless freight-train and the bulging store-house,
The grapes that ripen on thy vines, the apples in thy orchards,
Thy incalculable lumber, beef, pork, potatoes, thy coal, thy gold
The inexhaustible iron in thy mines.
All thine O sacred Union!
Ships, farms, shops, barns, factories, mines,
City and State, North, South, item and aggregate,
We dedicate, dread Mother, all to thee!
Protectress absolute, thou! bulwark of all!
For well we know that while thou givest each and all, (generous as God,)
Without thee neither all nor each, nor land, home,
Nor ship, nor mine, nor any here this day secure,
Nor aught, nor any day secure.
And thou, the Emblem waving over all!
Delicate beauty, a word to thee, (it may be salutary,)
Remember thou hast not always been as here to-day so comfortably
In other scenes than these have I observ'd thee flag,
Not quite so trim and whole and freshly blooming in folds of
But I have seen thee bunting, to tatters torn upon thy splinter'd staff,
Or clutch'd to some young color-bearer's breast with desperate hands,
Savagely struggled for, for life or death, fought over long,
'Mid cannons' thunder-crash and many a curse and groan and yell, and
rifle-volleys cracking sharp,
And moving masses as wild demons surging, and lives as nothing risk'd,
For thy mere remnant grimed with dirt and smoke and sopp'd in blood,
For sake of that, my beauty, and that thou might'st dally as now
secure up there,
Many a good man have I seen go under.
Now here and these and hence in peace, all thine O Flag!
And here and hence for thee, O universal Muse! and thou for them!
And here and hence O Union, all the work and workmen thine!
None separate from thee--henceforth One only, we and thou,
(For the blood of the children, what is it, only the blood maternal?
And lives and works, what are they all at last, except the roads to
faith and death?)
While we rehearse our measureless wealth, it is for thee, dear Mother,
We own it all and several to-day indissoluble in thee;
Think not our chant, our show, merely for products gross or lucre--
it is for thee, the soul in thee, electric, spiritual!
Our farms, inventions, crops, we own in thee! cities and States in thee!
Our freedom all in thee! our very lives in thee!
} Song of the Redwood-Tree
A California song,
A prophecy and indirection, a thought impalpable to breathe as air,
A chorus of dryads, fading, departing, or hamadryads departing,
A murmuring, fateful, giant voice, out of the earth and sky,
Voice of a mighty dying tree in the redwood forest dense.
Farewell my brethren,
Farewell O earth and sky, farewell ye neighboring waters,
My time has ended, my term has come.
Along the northern coast,
Just back from the rock-bound shore and the caves,
In the saline air from the sea in the Mendocino country,
With the surge for base and accompaniment low and hoarse,
With crackling blows of axes sounding musically driven by strong arms,
Riven deep by the sharp tongues of the axes, there in the redwood
I heard the might tree its death-chant chanting.
The choppers heard not, the camp shanties echoed not,
The quick-ear'd teamsters and chain and jack-screw men heard not,
As the wood-spirits came from their haunts of a thousand years to
join the refrain,
But in my soul I plainly heard.
Murmuring out of its myriad leaves,
Down from its lofty top rising two hundred feet high,
Out of its stalwart trunk and limbs, out of its foot-thick bark,
That chant of the seasons and time, chant not of the past only but
You untold life of me,
And all you venerable and innocent joys,
Perennial hardy life of me with joys 'mid rain and many a summer sun,
And the white snows and night and the wild winds;
O the great patient rugged joys, my soul's strong joys unreck'd by man,
(For know I bear the soul befitting me, I too have consciousness, identity,
And all the rocks and mountains have, and all the earth,)
Joys of the life befitting me and brothers mine,
Our time, our term has come.
Nor yield we mournfully majestic brothers,
We who have grandly fill'd our time,
With Nature's calm content, with tacit huge delight,
We welcome what we wrought for through the past,
And leave the field for them.
For them predicted long,
For a superber race, they too to grandly fill their time,
For them we abdicate, in them ourselves ye forest kings.'
In them these skies and airs, these mountain peaks, Shasta, Nevadas,
These huge precipitous cliffs, this amplitude, these valleys, far Yosemite,
To be in them absorb'd, assimilated.
Then to a loftier strain,
Still prouder, more ecstatic rose the chant,
As if the heirs, the deities of the West,
Joining with master-tongue bore part.
Not wan from Asia's fetiches,
Nor red from Europe's old dynastic slaughter-house,
(Area of murder-plots of thrones, with scent left yet of wars and
But come from Nature's long and harmless throes, peacefully builded thence,
These virgin lands, lands of the Western shore,
To the new culminating man, to you, the empire new,
You promis'd long, we pledge, we dedicate.
You occult deep volitions,
You average spiritual manhood, purpose of all, pois'd on yourself,
giving not taking law,
You womanhood divine, mistress and source of all, whence life and
love and aught that comes from life and love,
You unseen moral essence of all the vast materials of America, age
upon age working in death the same as life,)
You that, sometimes known, oftener unknown, really shape and mould
the New World, adjusting it to Time and Space,
You hidden national will lying in your abysms, conceal'd but ever alert,
You past and present purposes tenaciously pursued, may-be
unconscious of yourselves,
Unswerv'd by all the passing errors, perturbations of the surface;
You vital, universal, deathless germs, beneath all creeds, arts,
Here build your homes for good, establish here, these areas entire,
lands of the Western shore,
We pledge, we dedicate to you.
For man of you, your characteristic race,
Here may he hardy, sweet, gigantic grow, here tower proportionate to Nature,
Here climb the vast pure spaces unconfined, uncheck'd by wall or roof,
Here laugh with storm or sun, here joy, here patiently inure,
Here heed himself, unfold himself, (not others' formulas heed,)
here fill his time,
To duly fall, to aid, unreck'd at last,
To disappear, to serve.
Thus on the northern coast,
In the echo of teamsters' calls and the clinking chains, and the
music of choppers' axes,
The falling trunk and limbs, the crash, the muffled shriek, the groan,
Such words combined from the redwood-tree, as of voices ecstatic,
ancient and rustling,
The century-lasting, unseen dryads, singing, withdrawing,
All their recesses of forests and mountains leaving,
From the Cascade range to the Wahsatch, or Idaho far, or Utah,
To the deities of the modern henceforth yielding,
The chorus and indications, the vistas of coming humanity, the
settlements, features all,
In the Mendocino woods I caught.
The flashing and golden pageant of California,
The sudden and gorgeous drama, the sunny and ample lands,
The long and varied stretch from Puget sound to Colorado south,
Lands bathed in sweeter, rarer, healthier air, valleys and mountain cliffs,
The fields of Nature long prepared and fallow, the silent, cyclic chemistry,
The slow and steady ages plodding, the unoccupied surface ripening,
the rich ores forming beneath;
At last the New arriving, assuming, taking possession,
A swarming and busy race settling and organizing everywhere,
Ships coming in from the whole round world, and going out to the
To India and China and Australia and the thousand island paradises
of the Pacific,
Populous cities, the latest inventions, the steamers on the rivers,
the railroads, with many a thrifty farm, with machinery,
And wool and wheat and the grape, and diggings of yellow gold.
But more in you than these, lands of the Western shore,
(These but the means, the implements, the standing-ground,)
I see in you, certain to come, the promise of thousands of years,
till now deferr'd,
Promis'd to be fulfill'd, our common kind, the race.
The new society at last, proportionate to Nature,
In man of you, more than your mountain peaks or stalwart trees imperial,
In woman more, far more, than all your gold or vines, or even vital air.
Fresh come, to a new world indeed, yet long prepared,
I see the genius of the modern, child of the real and ideal,
Clearing the ground for broad humanity, the true America, heir of
the past so grand,
To build a grander future.
} A Song for Occupations
A song for occupations!
In the labor of engines and trades and the labor of fields I find
And find the eternal meanings.
Workmen and Workwomen!
Were all educations practical and ornamental well display'd out of
me, what would it amount to?
Were I as the head teacher, charitable proprietor, wise statesman,
what would it amount to?
Were I to you as the boss employing and paying you, would that satisfy you?
The learn'd, virtuous, benevolent, and the usual terms,
A man like me and never the usual terms.
Neither a servant nor a master I,
I take no sooner a large price than a small price, I will have my
own whoever enjoys me,
I will be even with you and you shall be even with me.
If you stand at work in a shop I stand as nigh as the nighest in the
If you bestow gifts on your brother or dearest friend I demand as
good as your brother or dearest friend,
If your lover, husband, wife, is welcome by day or night, I must be
personally as welcome,
If you become degraded, criminal, ill, then I become so for your sake,
If you remember your foolish and outlaw'd deeds, do you think I
cannot remember my own foolish and outlaw'd deeds?
If you carouse at the table I carouse at the opposite side of the table,
If you meet some stranger in the streets and love him or her, why
I often meet strangers in the street and love them.
Why what have you thought of yourself?
Is it you then that thought yourself less?
Is it you that thought the President greater than you?
Or the rich better off than you? or the educated wiser than you?
(Because you are greasy or pimpled, or were once drunk, or a thief,
Or that you are diseas'd, or rheumatic, or a prostitute,
Or from frivolity or impotence, or that you are no scholar and never
saw your name in print,
Do you give in that you are any less immortal?)
Souls of men and women! it is not you I call unseen, unheard,
untouchable and untouching,
It is not you I go argue pro and con about, and to settle whether
you are alive or no,
I own publicly who you are, if nobody else owns.
Grown, half-grown and babe, of this country and every country,
in-doors and out-doors, one just as much as the other, I see,
And all else behind or through them.
The wife, and she is not one jot less than the husband,
The daughter, and she is just as good as the son,
The mother, and she is every bit as much as the father.
Offspring of ignorant and poor, boys apprenticed to trades,
Young fellows working on farms and old fellows working on farms,
Sailor-men, merchant-men, coasters, immigrants,
All these I see, but nigher and farther the same I see,
None shall escape me and none shall wish to escape me.
I bring what you much need yet always have,
Not money, amours, dress, eating, erudition, but as good,
I send no agent or medium, offer no representative of value, but
offer the value itself.
There is something that comes to one now and perpetually,
It is not what is printed, preach'd, discussed, it eludes discussion
It is not to be put in a book, it is not in this book,
It is for you whoever you are, it is no farther from you than your
hearing and sight are from you,
It is hinted by nearest, commonest, readiest, it is ever provoked by them.
You may read in many languages, yet read nothing about it,
You may read the President's message and read nothing about it there,
Nothing in the reports from the State department or Treasury
department, or in the daily papers or weekly papers,
Or in the census or revenue returns, prices current, or any accounts
The sun and stars that float in the open air,
The apple-shaped earth and we upon it, surely the drift of them is
I do not know what it is except that it is grand, and that it is happiness,
And that the enclosing purport of us here is not a speculation or
bon-mot or reconnoissance,
And that it is not something which by luck may turn out well for us,
and without luck must be a failure for us,
And not something which may yet be retracted in a certain contingency.
The light and shade, the curious sense of body and identity, the
greed that with perfect complaisance devours all things,
The endless pride and outstretching of man, unspeakable joys and sorrows,
The wonder every one sees in every one else he sees, and the wonders
that fill each minute of time forever,
What have you reckon'd them for, camerado?
Have you reckon'd them for your trade or farm-work? or for the
profits of your store?
Or to achieve yourself a position? or to fill a gentleman's leisure,
or a lady's leisure?
Have you reckon'd that the landscape took substance and form that it
might be painted in a picture?
Or men and women that they might be written of, and songs sung?
Or the attraction of gravity, and the great laws and harmonious combinations
and the fluids of the air, as subjects for the savans?
Or the brown land and the blue sea for maps and charts?
Or the stars to be put in constellations and named fancy names?
Or that the growth of seeds is for agricultural tables, or
Old institutions, these arts, libraries, legends, collections, and
the practice handed along in manufactures, will we rate them so high?
Will we rate our cash and business high? I have no objection,
I rate them as high as the highest--then a child born of a woman and
man I rate beyond all rate.
We thought our Union grand, and our Constitution grand,
I do not say they are not grand and good, for they are,
I am this day just as much in love with them as you,
Then I am in love with You, and with all my fellows upon the earth.
We consider bibles and religions divine--I do not say they are not divine,
I say they have all grown out of you, and may grow out of you still,
It is not they who give the life, it is you who give the life,
Leaves are not more shed from the trees, or trees from the earth,
than they are shed out of you.
The sum of all known reverence I add up in you whoever you are,
The President is there in the White House for you, it is not you who
are here for him,
The Secretaries act in their bureaus for you, not you here for them,
The Congress convenes every Twelfth-month for you,
Laws, courts, the forming of States, the charters of cities, the
going and coming of commerce and malls, are all for you.
List close my scholars dear,
Doctrines, politics and civilization exurge from you,
Sculpture and monuments and any thing inscribed anywhere are tallied in you,
The gist of histories and statistics as far back as the records
reach is in you this hour, and myths and tales the same,
If you were not breathing and walking here, where would they all be?
The most renown'd poems would be ashes, orations and plays would
All architecture is what you do to it when you look upon it,
(Did you think it was in the white or gray stone? or the lines of
the arches and cornices?)
All music is what awakes from you when you are reminded by the instruments,
It is not the violins and the cornets, it is not the oboe nor the
beating drums, nor the score of the baritone singer singing his
sweet romanza, nor that of the men's chorus, nor that of the
It is nearer and farther than they.
Will the whole come back then?
Can each see signs of the best by a look in the looking-glass? is
there nothing greater or more?
Does all sit there with you, with the mystic unseen soul?
Strange and hard that paradox true I give,
Objects gross and the unseen soul are one.
House-building, measuring, sawing the boards,
Blacksmithing, glass-blowing, nail-making, coopering, tin-roofing,
Ship-joining, dock-building, fish-curing, flagging of sidewalks by flaggers,
The pump, the pile-driver, the great derrick, the coal-kiln and brickkiln,
Coal-mines and all that is down there, the lamps in the darkness,
echoes, songs, what meditations, what vast native thoughts
looking through smutch'd faces,
Iron-works, forge-fires in the mountains or by river-banks, men
around feeling the melt with huge crowbars, lumps of ore, the
due combining of ore, limestone, coal,
The blast-furnace and the puddling-furnace, the loup-lump at the
bottom of the melt at last, the rolling-mill, the stumpy bars
of pig-iron, the strong clean-shaped Trail for railroads,
Oil-works, silk-works, white-lead-works, the sugar-house,
steam-saws, the great mills and factories,
Stone-cutting, shapely trimmings for facades or window or door-lintels,
the mallet, the tooth-chisel, the jib to protect the thumb,
The calking-iron, the kettle of boiling vault-cement, and the fire
under the kettle,
The cotton-bale, the stevedore's hook, the saw and buck of the
sawyer, the mould of the moulder, the working-knife of the
butcher, the ice-saw, and all the work with ice,
The work and tools of the rigger, grappler, sail-maker, block-maker,
Goods of gutta-percha, papier-mache, colors, brushes, brush-making,
The veneer and glue-pot, the confectioner's ornaments, the decanter
and glasses, the shears and flat-iron,
The awl and knee-strap, the pint measure and quart measure, the
counter and stool, the writing-pen of quill or metal, the making
of all sorts of edged tools,
The brewery, brewing, the malt, the vats, every thing that is done
by brewers, wine-makers, vinegar-makers,
Leather-dressing, coach-making, boiler-making, rope-twisting,
distilling, sign-painting, lime-burning, cotton-picking,
electroplating, electrotyping, stereotyping,
Stave-machines, planing-machines, reaping-machines,
ploughing-machines, thrashing-machines, steam wagons,
The cart of the carman, the omnibus, the ponderous dray,
Pyrotechny, letting off color'd fireworks at night, fancy figures and jets;
Beef on the butcher's stall, the slaughter-house of the butcher, the
butcher in his killing-clothes,
The pens of live pork, the killing-hammer, the hog-hook, the
scalder's tub, gutting, the cutter's cleaver, the packer's maul,
and the plenteous winterwork of pork-packing,
Flour-works, grinding of wheat, rye, maize, rice, the barrels and
the half and quarter barrels, the loaded barges, the high piles
on wharves and levees,
The men and the work of the men on ferries, railroads, coasters,
The hourly routine of your own or any man's life, the shop, yard,
store, or factory,
These shows all near you by day and night--workman! whoever you
are, your daily life!
In that and them the heft of the heaviest--in that and them far more
than you estimated, (and far less also,)
In them realities for you and me, in them poems for you and me,
In them, not yourself-you and your soul enclose all things,
regardless of estimation,
In them the development good--in them all themes, hints, possibilities.
I do not affirm that what you see beyond is futile, I do not advise
you to stop,
I do not say leadings you thought great are not great,
But I say that none lead to greater than these lead to.
Will you seek afar off? you surely come back at last,
In things best known to you finding the best, or as good as the best,
In folks nearest to you finding the sweetest, strongest, lovingest,
Happiness, knowledge, not in another place but this place, not for
another hour but this hour,
Man in the first you see or touch, always in friend, brother,
nighest neighbor--woman in mother, sister, wife,
The popular tastes and employments taking precedence in poems or anywhere,
You workwomen and workmen of these States having your own divine
and strong life,
And all else giving place to men and women like you.
When the psalm sings instead of the singer,
When the script preaches instead of the preacher,
When the pulpit descends and goes instead of the carver that carved
the supporting desk,
When I can touch the body of books by night or by day, and when they
touch my body back again,
When a university course convinces like a slumbering woman and child
When the minted gold in the vault smiles like the night-watchman's daughter,
When warrantee deeds loafe in chairs opposite and are my friendly
I intend to reach them my hand, and make as much of them as I do
of men and women like you.
} A Song of the Rolling Earth
A song of the rolling earth, and of words according,
Were you thinking that those were the words, those upright lines?
those curves, angles, dots?
No, those are not the words, the substantial words are in the ground
They are in the air, they are in you.
Were you thinking that those were the words, those delicious sounds
out of your friends' mouths?
No, the real words are more delicious than they.
Human bodies are words, myriads of words,
(In the best poems re-appears the body, man's or woman's,
well-shaped, natural, gay,
Every part able, active, receptive, without shame or the need of shame.)
Air, soil, water, fire--those are words,
I myself am a word with them--my qualities interpenetrate with
theirs--my name is nothing to them,
Though it were told in the three thousand languages, what would
air, soil, water, fire, know of my name?
A healthy presence, a friendly or commanding gesture, are words,
The charms that go with the mere looks of some men and women,
are sayings and meanings also.
The workmanship of souls is by those inaudible words of the earth,
The masters know the earth's words and use them more than audible words.
Amelioration is one of the earth's words,
The earth neither lags nor hastens,
It has all attributes, growths, effects, latent in itself from the jump,
It is not half beautiful only, defects and excrescences show just as
much as perfections show.
The earth does not withhold, it is generous enough,
The truths of the earth continually wait, they are not so conceal'd either,
They are calm, subtle, untransmissible by print,
They are imbued through all things conveying themselves willingly,
Conveying a sentiment and invitation, I utter and utter,
I speak not, yet if you hear me not of what avail am I to you?
To bear, to better, lacking these of what avail am I?
Will you rot your own fruit in yourself there?
Will you squat and stifle there?)
The earth does not argue,
Is not pathetic, has no arrangements,
Does not scream, haste, persuade, threaten, promise,
Makes no discriminations, has no conceivable failures,
Closes nothing, refuses nothing, shuts none out,
Of all the powers, objects, states, it notifies, shuts none out.
The earth does not exhibit itself nor refuse to exhibit itself,
possesses still underneath,
Underneath the ostensible sounds, the august chorus of heroes, the
wail of slaves,
Persuasions of lovers, curses, gasps of the dying, laughter of young
people, accents of bargainers,
Underneath these possessing words that never fall.
To her children the words of the eloquent dumb great mother never fail,
The true words do not fail, for motion does not fail and reflection
does not fall,
Also the day and night do not fall, and the voyage we pursue does not fall.
Of the interminable sisters,
Of the ceaseless cotillons of sisters,
Of the centripetal and centrifugal sisters, the elder and younger sisters,
The beautiful sister we know dances on with the rest.
With her ample back towards every beholder,
With the fascinations of youth and the equal fascinations of age,
Sits she whom I too love like the rest, sits undisturb'd,
Holding up in her hand what has the character of a mirror, while her
eyes glance back from it,
Glance as she sits, inviting none, denying none,
Holding a mirror day and night tirelessly before her own face.
Seen at hand or seen at a distance,
Duly the twenty-four appear in public every day,
Duly approach and pass with their companions or a companion,
Looking from no countenances of their own, but from the countenances
of those who are with them,
From the countenances of children or women or the manly countenance,
From the open countenances of animals or from inanimate things,
From the landscape or waters or from the exquisite apparition of the sky,
From our countenances, mine and yours, faithfully returning them,
Every day in public appearing without fall, but never twice with the
Embracing man, embracing all, proceed the three hundred and
sixty-five resistlessly round the sun;
Embracing all, soothing, supporting, follow close three hundred and
sixty-five offsets of the first, sure and necessary as they.
Tumbling on steadily, nothing dreading,
Sunshine, storm, cold, heat, forever withstanding, passing, carrying,
The soul's realization and determination still inheriting,
The fluid vacuum around and ahead still entering and dividing,
No balk retarding, no anchor anchoring, on no rock striking,
Swift, glad, content, unbereav'd, nothing losing,
Of all able and ready at any time to give strict account,
The divine ship sails the divine sea.
Whoever you are! motion and reflection are especially for you,
The divine ship sails the divine sea for you.
Whoever you are! you are he or she for whom the earth is solid and liquid,
You are he or she for whom the sun and moon hang in the sky,
For none more than you are the present and the past,
For none more than you is immortality.
Each man to himself and each woman to herself, is the word of the
past and present, and the true word of immortality;
No one can acquire for another--not one,
Not one can grow for another--not one.
The song is to the singer, and comes back most to him,
The teaching is to the teacher, and comes back most to him,
The murder is to the murderer, and comes back most to him,
The theft is to the thief, and comes back most to him,
The love is to the lover, and comes back most to him,
The gift is to the giver, and comes back most to him--it cannot fail,
The oration is to the orator, the acting is to the actor and actress
not to the audience,
And no man understands any greatness or goodness but his own, or
the indication of his own.
I swear the earth shall surely be complete to him or her who shall
The earth remains jagged and broken only to him or her who remains
jagged and broken.
I swear there is no greatness or power that does not emulate those
of the earth,
There can be no theory of any account unless it corroborate the
theory of the earth,
No politics, song, religion, behavior, or what not, is of account,
unless it compare with the amplitude of the earth,
Unless it face the exactness, vitality, impartiality, rectitude of
I swear I begin to see love with sweeter spasms than that which
It is that which contains itself, which never invites and never refuses.
I swear I begin to see little or nothing in audible words,
All merges toward the presentation of the unspoken meanings of the earth,
Toward him who sings the songs of the body and of the truths of the earth,
Toward him who makes the dictionaries of words that print cannot touch.
I swear I see what is better than to tell the best,
It is always to leave the best untold.
When I undertake to tell the best I find I cannot,
My tongue is ineffectual on its pivots,
My breath will not be obedient to its organs,
I become a dumb man.
The best of the earth cannot be told anyhow, all or any is best,
It is not what you anticipated, it is cheaper, easier, nearer,
Things are not dismiss'd from the places they held before,
The earth is just as positive and direct as it was before,
Facts, religions, improvements, politics, trades, are as real as before,
But the soul is also real, it too is positive and direct,
No reasoning, no proof has establish'd it,
Undeniable growth has establish'd it.
These to echo the tones of souls and the phrases of souls,
(If they did not echo the phrases of souls what were they then?
If they had not reference to you in especial what were they then?)
I swear I will never henceforth have to do with the faith that tells
I will have to do only with that faith that leaves the best untold.
Say on, sayers! sing on, singers!
Delve! mould! pile the words of the earth!
Work on, age after age, nothing is to be lost,
It may have to wait long, but it will certainly come in use,
When the materials are all prepared and ready, the architects shall appear.
I swear to you the architects shall appear without fall,
I swear to you they will understand you and justify you,
The greatest among them shall be he who best knows you, and encloses
all and is faithful to all,
He and the rest shall not forget you, they shall perceive that you
are not an iota less than they,
You shall be fully glorified in them.
} Youth, Day, Old Age and Night
Youth, large, lusty, loving--youth full of grace, force, fascination,
Do you know that Old Age may come after you with equal grace,
Day full-blown and splendid-day of the immense sun, action,
The Night follows close with millions of suns, and sleep and
[BOOK XVII. BIRDS OF PASSAGE]
} Song of the Universal
Come said the Muse,
Sing me a song no poet yet has chanted,
Sing me the universal.
In this broad earth of ours,
Amid the measureless grossness and the slag,
Enclosed and safe within its central heart,
Nestles the seed perfection.
By every life a share or more or less,
None born but it is born, conceal'd or unconceal'd the seed is waiting.
Lo! keen-eyed towering science,
As from tall peaks the modern overlooking,
Successive absolute fiats issuing.
Yet again, lo! the soul, above all science,
For it has history gather'd like husks around the globe,
For it the entire star-myriads roll through the sky.
In spiral routes by long detours,
(As a much-tacking ship upon the sea,)
For it the partial to the permanent flowing,
For it the real to the ideal tends.
For it the mystic evolution,
Not the right only justified, what we call evil also justified.
Forth from their masks, no matter what,
From the huge festering trunk, from craft and guile and tears,
Health to emerge and joy, joy universal.
Out of the bulk, the morbid and the shallow,
Out of the bad majority, the varied countless frauds of men and states,
Electric, antiseptic yet, cleaving, suffusing all,
Only the good is universal.
Over the mountain-growths disease and sorrow,
An uncaught bird is ever hovering, hovering,
High in the purer, happier air.
From imperfection's murkiest cloud,
Darts always forth one ray of perfect light,
One flash of heaven's glory.
To fashion's, custom's discord,
To the mad Babel-din, the deafening orgies,
Soothing each lull a strain is heard, just heard,
From some far shore the final chorus sounding.
O the blest eyes, the happy hearts,
That see, that know the guiding thread so fine,
Along the mighty labyrinth.
And thou America,
For the scheme's culmination, its thought and its reality,
For these (not for thyself) thou hast arrived.
Thou too surroundest all,
Embracing carrying welcoming all, thou too by pathways broad and new,
To the ideal tendest.
The measure'd faiths of other lands, the grandeurs of the past,
Are not for thee, but grandeurs of thine own,
Deific faiths and amplitudes, absorbing, comprehending all,
All eligible to all.
All, all for immortality,
Love like the light silently wrapping all,
Nature's amelioration blessing all,
The blossoms, fruits of ages, orchards divine and certain,
Forms, objects, growths, humanities, to spiritual images ripening.
Give me O God to sing that thought,
Give me, give him or her I love this quenchless faith,
In Thy ensemble, whatever else withheld withhold not from us,
Belief in plan of Thee enclosed in Time and Space,
Health, peace, salvation universal.
Is it a dream?
Nay but the lack of it the dream,
And failing it life's lore and wealth a dream,
And all the world a dream.
} Pioneers! O Pioneers!
Come my tan-faced children,
Follow well in order, get your weapons ready,
Have you your pistols? have you your sharp-edged axes?
Pioneers! O pioneers!
For we cannot tarry here,
We must march my darlings, we must bear the brunt of danger,
We the youthful sinewy races, all the rest on us depend,
Pioneers! O pioneers!
O you youths, Western youths,
So impatient, full of action, full of manly pride and friendship,
Plain I see you Western youths, see you tramping with the foremost,
Pioneers! O pioneers!
Have the elder races halted?
Do they droop and end their lesson, wearied over there beyond the seas?
We take up the task eternal, and the burden and the lesson,
Pioneers! O pioneers!
All the past we leave behind,
We debouch upon a newer mightier world, varied world,
Fresh and strong the world we seize, world of labor and the march,
Pioneers! O pioneers!
We detachments steady throwing,
Down the edges, through the passes, up the mountains steep,
Conquering, holding, daring, venturing as we go the unknown ways,
Pioneers! O pioneers!
We primeval forests felling,
We the rivers stemming, vexing we and piercing deep the mines within,
We the surface broad surveying, we the virgin soil upheaving,
Pioneers! O pioneers!
Colorado men are we,
From the peaks gigantic, from the great sierras and the high plateaus,
From the mine and from the gully, from the hunting trail we come,
Pioneers! O pioneers!
From Nebraska, from Arkansas,
Central inland race are we, from Missouri, with the continental
All the hands of comrades clasping, all the Southern, all the Northern,
Pioneers! O pioneers!
O resistless restless race!
O beloved race in all! O my breast aches with tender love for all!
O I mourn and yet exult, I am rapt with love for all,
Pioneers! O pioneers!
Raise the mighty mother mistress,
Waving high the delicate mistress, over all the starry mistress,
(bend your heads all,)
Raise the fang'd and warlike mistress, stern, impassive, weapon'd mistress,
Pioneers! O pioneers!
See my children, resolute children,
By those swarms upon our rear we must never yield or falter,
Ages back in ghostly millions frowning there behind us urging,
Pioneers! O pioneers!
On and on the compact ranks,
With accessions ever waiting, with the places of the dead quickly fill'd,
Through the battle, through defeat, moving yet and never stopping,
Pioneers! O pioneers!
O to die advancing on!
Are there some of us to droop and die? has the hour come?
Then upon the march we fittest die, soon and sure the gap is fill'd.
Pioneers! O pioneers!
All the pulses of the world,
Falling in they beat for us, with the Western movement beat,
Holding single or together, steady moving to the front, all for us,
Pioneers! O pioneers!
Life's involv'd and varied pageants,
All the forms and shows, all the workmen at their work,
All the seamen and the landsmen, all the masters with their slaves,
Pioneers! O pioneers!
All the hapless silent lovers,
All the prisoners in the prisons, all the righteous and the wicked,
All the joyous, all the sorrowing, all the living, all the dying,
Pioneers! O pioneers!
I too with my soul and body,
We, a curious trio, picking, wandering on our way,
Through these shores amid the shadows, with the apparitions pressing,
Pioneers! O pioneers!
Lo, the darting bowling orb!
Lo, the brother orbs around, all the clustering suns and planets,
All the dazzling days, all the mystic nights with dreams,
Pioneers! O pioneers!
These are of us, they are with us,
All for primal needed work, while the followers there in embryo wait behind,
We to-day's procession heading, we the route for travel clearing,
Pioneers! O pioneers!
O you daughters of the West!
O you young and elder daughters! O you mothers and you wives!
Never must you be divided, in our ranks you move united,
Pioneers! O pioneers!
Minstrels latent on the prairies!
(Shrouded bards of other lands, you may rest, you have done your work,)
Soon I hear you coming warbling, soon you rise and tramp amid us,
Pioneers! O pioneers!
Not for delectations sweet,
Not the cushion and the slipper, not the peaceful and the studious,
Not the riches safe and palling, not for us the tame enjoyment,
Pioneers! O pioneers!
Do the feasters gluttonous feast?
Do the corpulent sleepers sleep? have they lock'd and bolted doors?
Still be ours the diet hard, and the blanket on the ground,
Pioneers! O pioneers!
Has the night descended?
Was the road of late so toilsome? did we stop discouraged nodding
on our way?
Yet a passing hour I yield you in your tracks to pause oblivious,
Pioneers! O pioneers!
Till with sound of trumpet,
Far, far off the daybreak call--hark! how loud and clear I hear it wind,
Swift! to the head of the army!--swift! spring to your places,
Pioneers! O pioneers!
} To You
Whoever you are, I fear you are walking the walks of dreams,
I fear these supposed realities are to melt from under your feet and hands,
Even now your features, joys, speech, house, trade, manners,
troubles, follies, costume, crimes, dissipate away from you,
Your true soul and body appear before me.
They stand forth out of affairs, out of commerce, shops, work,
farms, clothes, the house, buying, selling, eating, drinking,
Whoever you are, now I place my hand upon you, that you be my poem,
I whisper with my lips close to your ear.
I have loved many women and men, but I love none better than you.
O I have been dilatory and dumb,
I should have made my way straight to you long ago,
I should have blabb'd nothing but you, I should have chanted nothing
I will leave all and come and make the hymns of you,
None has understood you, but I understand you,
None has done justice to you, you have not done justice to yourself,
None but has found you imperfect, I only find no imperfection in you,
None but would subordinate you, I only am he who will never consent
to subordinate you,
I only am he who places over you no master, owner, better, God,
beyond what waits intrinsically in yourself.
Painters have painted their swarming groups and the centre-figure of all,
From the head of the centre-figure spreading a nimbus of gold-color'd light,
But I paint myriads of heads, but paint no head without its nimbus
of gold-color'd light,
From my hand from the brain of every man and woman it streams,
effulgently flowing forever.
O I could sing such grandeurs and glories about you!
You have not known what you are, you have slumber'd upon yourself
all your life,
Your eyelids have been the same as closed most of the time,
What you have done returns already in mockeries,
(Your thrift, knowledge, prayers, if they do not return in
mockeries, what is their return?)
The mockeries are not you,
Underneath them and within them I see you lurk,
I pursue you where none else has pursued you,
Silence, the desk, the flippant expression, the night, the
accustom'd routine, if these conceal you from others or from
yourself, they do not conceal you from me,
The shaved face, the unsteady eye, the impure complexion, if these
balk others they do not balk me,
The pert apparel, the deform'd attitude, drunkenness, greed,
premature death, all these I part aside.
There is no endowment in man or woman that is not tallied in you,
There is no virtue, no beauty in man or woman, but as good is in you,
No pluck, no endurance in others, but as good is in you,
No pleasure waiting for others, but an equal pleasure waits for you.
As for me, I give nothing to any one except I give the like carefully
I sing the songs of the glory of none, not God, sooner than I sing
the songs of the glory of you.
Whoever you are! claim your own at any hazard!
These shows of the East and West are tame compared to you,
These immense meadows, these interminable rivers, you are immense
and interminable as they,
These furies, elements, storms, motions of Nature, throes of apparent
dissolution, you are he or she who is master or mistress over them,
Master or mistress in your own right over Nature, elements, pain,
The hopples fall from your ankles, you find an unfailing sufficiency,
Old or young, male or female, rude, low, rejected by the rest,
whatever you are promulges itself,
Through birth, life, death, burial, the means are provided, nothing
Through angers, losses, ambition, ignorance, ennui, what you are
picks its way.
} France [the 18th Year of these States]
A great year and place
A harsh discordant natal scream out-sounding, to touch the mother's
heart closer than any yet.
I walk'd the shores of my Eastern sea,
Heard over the waves the little voice,
Saw the divine infant where she woke mournfully wailing, amid the
roar of cannon, curses, shouts, crash of falling buildings,
Was not so sick from the blood in the gutters running, nor from the single
corpses, nor those in heaps, nor those borne away in the tumbrils,
Was not so desperate at the battues of death--was not so shock'd at
the repeated fusillades of the guns.
Pale, silent, stern, what could I say to that long-accrued retribution?
Could I wish humanity different?
Could I wish the people made of wood and stone?
Or that there be no justice in destiny or time?
O Liberty! O mate for me!
Here too the blaze, the grape-shot and the axe, in reserve, to fetch
them out in case of need,
Here too, though long represt, can never be destroy'd,
Here too could rise at last murdering and ecstatic,
Here too demanding full arrears of vengeance.
Hence I sign this salute over the sea,
And I do not deny that terrible red birth and baptism,
But remember the little voice that I heard wailing, and wait with
perfect trust, no matter how long,
And from to-day sad and cogent I maintain the bequeath'd cause, as
for all lands,
And I send these words to Paris with my love,
And I guess some chansonniers there will understand them,
For I guess there is latent music yet in France, floods of it,
O I hear already the bustle of instruments, they will soon be
drowning all that would interrupt them,
O I think the east wind brings a triumphal and free march,
It reaches hither, it swells me to Joyful madness,
I will run transpose it in words, to justify
I will yet sing a song for you ma femme.
} Myself and Mine
Myself and mine gymnastic ever,
To stand the cold or heat, to take good aim with a gun, to sail a
boat, to manage horses, to beget superb children,
To speak readily and clearly, to feel at home among common people,
And to hold our own in terrible positions on land and sea.
Not for an embroiderer,
(There will always be plenty of embroiderers, I welcome them also,)
But for the fibre of things and for inherent men and women.
Not to chisel ornaments,
But to chisel with free stroke the heads and limbs of plenteous
supreme Gods, that the States may realize them walking and talking.
Let me have my own way,
Let others promulge the laws, I will make no account of the laws,
Let others praise eminent men and hold up peace, I hold up agitation
I praise no eminent man, I rebuke to his face the one that was
thought most worthy.
(Who are you? and what are you secretly guilty of all your life?
Will you turn aside all your life? will you grub and chatter all
And who are you, blabbing by rote, years, pages, languages, reminiscences,
Unwitting to-day that you do not know how to speak properly a single word?)
Let others finish specimens, I never finish specimens,
I start them by exhaustless laws as Nature does, fresh and modern
I give nothing as duties,
What others give as duties I give as living impulses,
(Shall I give the heart's action as a duty?)
Let others dispose of questions, I dispose of nothing, I arouse
Who are they I see and touch, and what about them?
What about these likes of myself that draw me so close by tender
directions and indirections?
I call to the world to distrust the accounts of my friends, but
listen to my enemies, as I myself do,
I charge you forever reject those who would expound me, for I cannot
I charge that there be no theory or school founded out of me,
I charge you to leave all free, as I have left all free.
After me, vista!
O I see life is not short, but immeasurably long,
I henceforth tread the world chaste, temperate, an early riser, a
Every hour the semen of centuries, and still of centuries.
I must follow up these continual lessons of the air, water, earth,
I perceive I have no time to lose.
} Year of Meteors [1859-60]
Year of meteors! brooding year!
I would bind in words retrospective some of your deeds and signs,
I would sing your contest for the 19th Presidentiad,
I would sing how an old man, tall, with white hair, mounted the
scaffold in Virginia,
(I was at hand, silent I stood with teeth shut close, I watch'd,
I stood very near you old man when cool and indifferent, but trembling
with age and your unheal'd wounds you mounted the scaffold;)
I would sing in my copious song your census returns of the States,
The tables of population and products, I would sing of your ships
and their cargoes,
The proud black ships of Manhattan arriving, some fill'd with
immigrants, some from the isthmus with cargoes of gold,
Songs thereof would I sing, to all that hitherward comes would welcome give,
And you would I sing, fair stripling! welcome to you from me, young
prince of England!
(Remember you surging Manhattan's crowds as you pass'd with your
cortege of nobles?
There in the crowds stood I, and singled you out with attachment;)
Nor forget I to sing of the wonder, the ship as she swam up my bay,
Well-shaped and stately the Great Eastern swam up my bay, she was
600 feet long,
Her moving swiftly surrounded by myriads of small craft I forget not
Nor the comet that came unannounced out of the north flaring in heaven,
Nor the strange huge meteor-procession dazzling and clear shooting
over our heads,
(A moment, a moment long it sail'd its balls of unearthly light over
Then departed, dropt in the night, and was gone;)
Of such, and fitful as they, I sing--with gleams from them would
gleam and patch these chants,
Your chants, O year all mottled with evil and good--year of forebodings!
Year of comets and meteors transient and strange--lo! even here one
equally transient and strange!
As I flit through you hastily, soon to fall and be gone, what is this chant,
What am I myself but one of your meteors?
} With Antecedents
With my fathers and mothers and the accumulations of past ages,
With all which, had it not been, I would not now be here, as I am,
With Egypt, India, Phenicia, Greece and Rome,
With the Kelt, the Scandinavian, the Alb and the Saxon,
With antique maritime ventures, laws, artisanship, wars and journeys,
With the poet, the skald, the saga, the myth, and the oracle,
With the sale of slaves, with enthusiasts, with the troubadour, the
crusader, and the monk,
With those old continents whence we have come to this new continent,
With the fading kingdoms and kings over there,
With the fading religions and priests,
With the small shores we look back to from our own large and present shores,
With countless years drawing themselves onward and arrived at these years,
You and me arrived--America arrived and making this year,
This year! sending itself ahead countless years to come.
O but it is not the years--it is I, it is You,
We touch all laws and tally all antecedents,
We are the skald, the oracle, the monk and the knight, we easily
include them and more,
We stand amid time beginningless and endless, we stand amid evil and good,
All swings around us, there is as much darkness as light,
The very sun swings itself and its system of planets around us,
Its sun, and its again, all swing around us.
As for me, (torn, stormy, amid these vehement days,)
I have the idea of all, and am all and believe in all,
I believe materialism is true and spiritualism is true, I reject no part.
(Have I forgotten any part? any thing in the past?
Come to me whoever and whatever, till I give you recognition.)
I respect Assyria, China, Teutonia, and the Hebrews,
I adopt each theory, myth, god, and demigod,
I see that the old accounts, bibles, genealogies, are true, without
I assert that all past days were what they must have been,
And that they could no-how have been better than they were,
And that to-day is what it must be, and that America is,
And that to-day and America could no-how be better than they are.
In the name of these States and in your and my name, the Past,
And in the name of these States and in your and my name, the Present time.
I know that the past was great and the future will be great,
And I know that both curiously conjoint in the present time,
(For the sake of him I typify, for the common average man's sake,
your sake if you are he,)
And that where I am or you are this present day, there is the centre
of all days, all races,
And there is the meaning to us of all that has ever come of races
and days, or ever will come.
} A Broadway Pageant
Over the Western sea hither from Niphon come,
Courteous, the swart-cheek'd two-sworded envoys,
Leaning back in their open barouches, bare-headed, impassive,
Ride to-day through Manhattan.
Libertad! I do not know whether others behold what I behold,
In the procession along with the nobles of Niphon, the errand-bearers,
Bringing up the rear, hovering above, around, or in the ranks marching,
But I will sing you a song of what I behold Libertad.
When million-footed Manhattan unpent descends to her pavements,
When the thunder-cracking guns arouse me with the proud roar love,
When the round-mouth'd guns out of the smoke and smell I love
spit their salutes,
When the fire-flashing guns have fully alerted me, and
heaven-clouds canopy my city with a delicate thin haze,
When gorgeous the countless straight stems, the forests at the
wharves, thicken with colors,
When every ship richly drest carries her flag at the peak,
When pennants trail and street-festoons hang from the windows,
When Broadway is entirely given up to foot-passengers and
foot-standers, when the mass is densest,
When the facades of the houses are alive with people, when eyes
gaze riveted tens of thousands at a time,
When the guests from the islands advance, when the pageant moves
When the summons is made, when the answer that waited thousands
of years answers,
I too arising, answering, descend to the pavements, merge with the
crowd, and gaze with them.
Comrade Americanos! to us, then at last the Orient comes.
To us, my city,
Where our tall-topt marble and iron beauties range on opposite
sides, to walk in the space between,
To-day our Antipodes comes.
The Originatress comes,
The nest of languages, the bequeather of poems, the race of eld,
Florid with blood, pensive, rapt with musings, hot with passion,
Sultry with perfume, with ample and flowing garments,
With sunburnt visage, with intense soul and glittering eyes,
The race of Brahma comes.
See my cantabile! these and more are flashing to us from the procession,
As it moves changing, a kaleidoscope divine it moves changing before us.
For not the envoys nor the tann'd Japanee from his island only,
Lithe and silent the Hindoo appears, the Asiatic continent itself
appears, the past, the dead,
The murky night-morning of wonder and fable inscrutable,
The envelop'd mysteries, the old and unknown hive-bees,
The north, the sweltering south, eastern Assyria, the Hebrews, the
ancient of ancients,
Vast desolated cities, the gliding present, all of these and more
are in the pageant-procession.
Geography, the world, is in it,
The Great Sea, the brood of islands, Polynesia, the coast beyond,
The coast you henceforth are facing--you Libertad! from your Western
The countries there with their populations, the millions en-masse
are curiously here,
The swarming market-places, the temples with idols ranged along the
sides or at the end, bonze, brahmin, and llama,
Mandarin, farmer, merchant, mechanic, and fisherman,
The singing-girl and the dancing-girl, the ecstatic persons, the
Confucius himself, the great poets and heroes, the warriors, the castes,
Trooping up, crowding from all directions, from the Altay mountains,
From Thibet, from the four winding and far-flowing rivers of China,
From the southern peninsulas and the demi-continental islands, from
These and whatever belongs to them palpable show forth to me, and
are seiz'd by me,
And I am seiz'd by them, and friendlily held by them,
Till as here them all I chant, Libertad! for themselves and for you.
For I too raising my voice join the ranks of this pageant,
I am the chanter, I chant aloud over the pageant,
I chant the world on my Western sea,
I chant copious the islands beyond, thick as stars in the sky,
I chant the new empire grander than any before, as in a vision it
comes to me,
I chant America the mistress, I chant a greater supremacy,
I chant projected a thousand blooming cities yet in time on those
groups of sea-islands,
My sail-ships and steam-ships threading the archipelagoes,
My stars and stripes fluttering in the wind,
Commerce opening, the sleep of ages having done its work, races
Lives, works resumed--the object I know not--but the old, the Asiatic
renew'd as it must be,
Commencing from this day surrounded by the world.
And you Libertad of the world!
You shall sit in the middle well-pois'd thousands and thousands of years,
As to-day from one side the nobles of Asia come to you,
As to-morrow from the other side the queen of England sends her
eldest son to you.
The sign is reversing, the orb is enclosed,
The ring is circled, the journey is done,
The box-lid is but perceptibly open'd, nevertheless the perfume
pours copiously out of the whole box.
Young Libertad! with the venerable Asia, the all-mother,
Be considerate with her now and ever hot Libertad, for you are all,
Bend your proud neck to the long-off mother now sending messages
over the archipelagoes to you,
Bend your proud neck low for once, young Libertad.
Here the children straying westward so long? so wide the tramping?
Were the precedent dim ages debouching westward from Paradise so long?
Were the centuries steadily footing it that way, all the while
unknown, for you, for reasons?
They are justified, they are accomplish'd, they shall now be turn'd
the other way also, to travel toward you thence,
They shall now also march obediently eastward for your sake Libertad.
[BOOK XIX. SEA-DRIFT]
} Out of the Cradle Endlessly Rocking
Out of the cradle endlessly rocking,
Out of the mocking-bird's throat, the musical shuttle,
Out of the Ninth-month midnight,
Over the sterile sands and the fields beyond, where the child
leaving his bed wander'd alone, bareheaded, barefoot,
Down from the shower'd halo,
Up from the mystic play of shadows twining and twisting as if they
Out from the patches of briers and blackberries,
From the memories of the bird that chanted to me,
From your memories sad brother, from the fitful risings and fallings I heard,
From under that yellow half-moon late-risen and swollen as if with tears,
From those beginning notes of yearning and love there in the mist,
From the thousand responses of my heart never to cease,
From the myriad thence-arous'd words,
From the word stronger and more delicious than any,
From such as now they start the scene revisiting,
As a flock, twittering, rising, or overhead passing,
Borne hither, ere all eludes me, hurriedly,
A man, yet by these tears a little boy again,
Throwing myself on the sand, confronting the waves,
I, chanter of pains and joys, uniter of here and hereafter,
Taking all hints to use them, but swiftly leaping beyond them,
A reminiscence sing.
When the lilac-scent was in the air and Fifth-month grass was growing,
Up this seashore in some briers,
Two feather'd guests from Alabama, two together,
And their nest, and four light-green eggs spotted with brown,
And every day the he-bird to and fro near at hand,
And every day the she-bird crouch'd on her nest, silent, with bright eyes,
And every day I, a curious boy, never too close, never disturbing
Cautiously peering, absorbing, translating.
Shine! shine! shine!
Pour down your warmth, great sun.'
While we bask, we two together.