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  • 1907
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While the transported Dunwoody, with his Aladdin’s apple, was receiving the fickle attentions of all, the resourceful jurist formed a plan to recover his own laurels.

With his courtliest smile upon his heavy but classic features, Judge Menefee advanced, and took the apple, as if to examine it, from the hand of Dunwoody. In his hand it became Exhibit A.

“A fine apple,” he said, approvingly. “Really, my dear Mr. Dudwindy, you have eclipsed all of us as a forager. But I have an idea. This apple shall become an emblem, a token, a symbol, a prize bestowed by the mind and heart of beauty upon the most deserving.”

The audience, except one, applauded. “Good on the stump, ain’t he?” commented the passenger who was nobody in particular to the young man who had an Agency.

The unresponsive one was the windmill man. He saw himself reduced to the ranks. Never would the thought have occurred to him to declare his apple an emblem. He had intended, after it had been divided and eaten, to create diversion by sticking the seeds against his forehead and naming them for young ladies of his acquaintance. One he was going to name Mrs. McFarland. The seed that fell off first would be–but ’twas too late now.

“The apple,” continued Judge Menefee, charging his jury, “in modern days occupies, though undeservedly, a lowly place in our esteem. Indeed, it is so constantly associated with the culinary and the commercial that it is hardly to be classed among the polite fruits. But in ancient times this was not so. Biblical, historical, and mythological lore abounds with evidences that the apple was the aristocrat of fruits. We still say ‘the apple of the eye’ when we wish to describe something superlatively precious. We find in Proverbs the comparison to ‘apples of silver.’ No other product of tree or vine has been so utilised in figurative speech. Who has not heard of and longed for the ‘apples of the Hesperides’? I need not call your attention to the most tremendous and significant instance of the apple’s ancient prestige when its consumption by our first parents occasioned the fall of man from his state of goodness and perfection.”

“Apples like them,” said the windmill man, lingering with the objective article, “are worth $3.50 a barrel in the Chicago market.”

“Now, what I have to propose,” said Judge Menefee, conceding an indulgent smile to his interrupter, “is this: We must remain here, perforce, until morning. We have wood in plenty to keep us warm. Our next need is to entertain ourselves as best we can, in order that the time shall not pass too slowly. I propose that we place this apple in the hands of Miss Garland. It is no longer a fruit, but, as I said, a prize, in award, representing a great human idea. Miss Garland, herself, shall cease to be an individual–but only temporarily, I am happy to add”–(a low bow, full of the old-time grace). “She shall represent her sex; she shall be the embodiment, the epitome of womankind–the heart and brain, I may say, of God’s masterpiece of creation. In this guise she shall judge and decide the question which follows:

“But a few minutes ago our friend, Mr. Rose, favoured us with an entertaining but fragmentary sketch of the romance in the life of the former professor of this habitation. The few facts that we have learned seem to me to open up a fascinating field for conjecture, for the study of human hearts, for the exercise of the imagination–in short, for story-telling. Let us make use of the opportunity. Let each one of us relate his own version of the story of Redruth, the hermit, and his lady-love, beginning where Mr. Rose’s narrative ends–at the parting of the lovers at the gate. This much should be assumed and conceded–that the young lady was not necessarily to blame for Redruth’s becoming a crazed and world-hating hermit. When we have done, Miss Garland shall render the JUDGEMENT OF WOMAN. As the Spirit of her Sex she shall decide which version of the story best and most truly depicts human and love interest, and most faithfully estimates the character and acts of Redruth’s betrothed according to the feminine view. The apple shall be bestowed upon him who is awarded the decision. If you are all agreed, we shall be pleased to hear the first story from Mr. Dinwiddie.”

The last sentence captured the windmill man. He was not one to linger in the dumps.

“That’s a first-rate scheme, Judge,” he said, heartily. “Be a regular short-story vaudeville, won’t it? I used to be correspondent for a paper in Springfield, and when there wasn’t any news I faked it. Guess I can do my turn all right.”

“I think the idea is charming,” said the lady passenger, brightly. “It will be almost like a game.”

Judge Menefee stepped forward and placed the apple in her hand impressively.

“In olden days,” he said, orotundly, “Paris awarded the golden apple to the most beautiful.”

“I was at the Exposition,” remarked the windmill man, now cheerful again, “but I never heard of it. And I was on the Midway, too, all the time I wasn’t at the machinery exhibit.”

“But now,” continued the Judge, “the fruit shall translate to us the mystery and wisdom of the feminine heart. Take the apple, Miss Garland. Hear our modest tales of romance, and then award the prize as you may deem it just.”

The lady passenger smiled sweetly. The apple lay in her lap beneath her robes and wraps. She reclined against her protecting bulwark, brightly and cosily at ease. But for the voices and the wind one might have listened hopefully to hear her purr. Someone cast fresh logs upon the fire. Judge Menefee nodded suavely. “Will you oblige us with the initial story?” he asked.

The windmill man sat as sits a Turk, with his hat well back on his head on account of the draughts.

“Well,” he began, without any embarrassment, “this is about the way I size up the difficulty: Of course Redruth was jostled a good deal by this duck who had money to play ball with who tried to cut him out of his girl. So he goes around, naturally, and asks her if the game is still square. Well, nobody wants a guy cutting in with buggies and gold bonds when he’s got an option on a girl. Well, he goes around to see her. Well, maybe he’s hot, and talks like the proprietor, and forgets that an engagement ain’t always a lead-pipe cinch. Well, I guess that makes Alice warm under the lacy yoke. Well, she answers back sharp. Well, he–”

“Say!” interrupted the passenger who was nobody in particular, “if you could put up a windmill on every one of them ‘wells’ you’re using, you’d be able to retire from business, wouldn’t you?”

The windmill man grinned good-naturedly.

“Oh, I ain’t no /Guy de Mopassong/,” he said, cheerfully. “I’m giving it to you in straight American. Well, she says something like this: ‘Mr. Gold Bonds is only a friend,’ says she; ‘but he takes me riding and buys me theatre tickets, and that’s what you never do. Ain’t I to never have any pleasure in life while I can?’ ‘Pass this chatfield- chatfield thing along,’ says Redruth;–‘hand out the mitt to the Willie with creases in it or you don’t put your slippers under my wardrobe.’

“Now that kind of train orders don’t go with a girl that’s got any spirit. I bet that girl loved her honey all the time. Maybe she only wanted, as girls do, to work the good thing for a little fun and caramels before she settled down to patch George’s other pair, and be a good wife. But he is glued to the high horse, and won’t come down. Well, she hands him back the ring, proper enough; and George goes away and hits the booze. Yep. That’s what done it. I bet that girl fired the cornucopia with the fancy vest two days after her steady left. George boards a freight and checks his bag of crackers for parts unknown. He sticks to Old Booze for a number of years; and then the aniline and aquafortis gets the decision. ‘Me for the hermit’s hut,’ says George, ‘and the long whiskers, and the buried can of money that isn’t there.’

“But that Alice, in my mind, was on the level. She never married, but took up typewriting as soon as the wrinkles began to show, and kept a cat that came when you said ‘weeny–weeny–weeny!’ I got too much faith in good women to believe they throw down the fellow they’re stuck on every time for the dough.” The windmill man ceased.

“I think,” said the lady passenger, slightly moving upon her lowly throne, “that that is a char–”

“Oh, Miss Garland!” interposed Judge Menefee, with uplifted hand, “I beg of you, no comments! It would not be fair to the other contestants. Mr.–er–will you take the next turn?” The Judge addressed the young man who had the Agency.

“My version of the romance,” began the young man, diffidently clasping his hands, “would be this: They did not quarrel when they parted. Mr. Redruth bade her good-by and went out into the world to seek his fortune. He knew his love would remain true to him. He scorned the thought that his rival could make an impression upon a heart so fond and faithful. I would say that Mr. Redruth went out to the Rocky Mountains in Wyoming to seek for gold. One day a crew of pirates landed and captured him while at work, and–”

“Hey! what’s that?” sharply called the passenger who was nobody in particular–“a crew of pirates landed in the Rocky Mountains! Will you tell us how they sailed–”

“Landed from a train,” said the narrator, quietly and not without some readiness. “They kept him prisoner in a cave for months, and then they took him hundreds of miles away to the forests of Alaska. There a beautiful Indian girl fell in love with him, but he remained true to Alice. After another year of wandering in the woods, he set out with the diamonds–”

“What diamonds?” asked the unimportant passenger, almost with acerbity.

“The ones the saddlemaker showed him in the Peruvian temple,” said the other, somewhat obscurely. “When he reached home, Alice’s mother led him, weeping, to a green mound under a willow tree. ‘Her heart was broken when you left,’ said her mother. ‘And what of my rival–of Chester McIntosh?’ asked Mr. Redruth, as he knelt sadly by Alice’s grave. ‘When he found out,’ she answered, ‘that her heart was yours, he pined away day by day until, at length, he started a furniture store in Grand Rapids. We heard lately that he was bitten to death by an infuriated moose near South Bend, Ind., where he had gone to try to forget scenes of civilisation.’ With which, Mr. Redruth forsook the face of mankind and became a hermit, as we have seen.

“My story,” concluded the young man with an Agency, “may lack the literary quality; but what I wanted it to show is that the young lady remained true. She cared nothing for wealth in comparison with true affection. I admire and believe in the fair sex too much to think otherwise.”

The narrator ceased, with a sidelong glance at the corner where reclined the lady passenger.

Bildad Rose was next invited by Judge Menefee to contribute his story in the contest for the apple of judgment. The stage-driver’s essay was brief.

“I’m not one of them lobo wolves,” he said, “who are always blaming on women the calamities of life. My testimony in regards to the fiction story you ask for, Judge, will be about as follows: What ailed Redruth was pure laziness. If he had up and slugged this Percival De Lacey that tried to give him the outside of the road, and had kept Alice in the grape-vine swing with the blind-bridle on, all would have been well. The woman you want is sure worth taking pains for.

“‘Send for me if you want me again,’ says Redruth, and hoists his Stetson, and walks off. He’d have called it pride, but the nixycomlogical name for it is laziness. No woman don’t like to run after a man. ‘Let him come back, hisself,’ says the girl; and I’ll be bound she tells the boy with the pay ore to trot; and then spends her time watching out the window for the man with the empty pocket-book and the tickly moustache.

“I reckon Redruth waits about nine year expecting her to send him a note by a nigger asking him to forgive her. But she don’t. ‘This game won’t work,’ says Redruth; ‘then so won’t I.’ And he goes in the hermit business and raises whiskers. Yes; laziness and whiskers was what done the trick. They travel together. You ever hear of a man with long whiskers and hair striking a bonanza? No. Look at the Duke of Marlborough and this Standard Oil snoozer. Have they got ’em?

“Now, this Alice didn’t never marry, I’ll bet a hoss. If Redruth had married somebody else she might have done so, too. But he never turns up. She has these here things they call fond memories, and maybe a lock of hair and a corset steel that he broke, treasured up. Them sort of articles is as good as a husband to some women. I’d say she played out a lone hand. I don’t blame no woman for old man Redruth’s abandonment of barber shops and clean shirts.”

Next in order came the passenger who was nobody in particular. Nameless to us, he travels the road from Paradise to Sunrise City.

But him you shall see, if the firelight be not too dim, as he responds to the Judge’s call.

A lean form, in rusty-brown clothing, sitting like a frog, his arms wrapped about his legs, his chin resting upon his knees. Smooth, oakum-coloured hair; long nose; mouth like a satyr’s, with upturned, tobacco-stained corners. An eye like a fish’s; a red necktie with a horseshoe pin. He began with a rasping chuckle that gradually formed itself into words.

“Everybody wrong so far. What! a romance without any orange blossoms! Ho, ho! My money on the lad with the butterfly tie and the certified checks in his trouserings.

“Take ’em as they parted at the gate? All right. ‘You never loved me,’ says Redruth, wildly, ‘or you wouldn’t speak to a man who can buy you the ice-cream.’ ‘I hate him,’ says she. ‘I loathe his side-bar buggy; I despise the elegant cream bonbons he sends me in gilt boxes covered with real lace; I feel that I could stab him to the heart when he presents me with a solid medallion locket with turquoises and pearls running in a vine around the border. Away with him! ‘Tis only you I love.’ ‘Back to the cosey corner!’ says Redruth. ‘Was I bound and lettered in East Aurora? Get platonic, if you please. No jack-pots for mine. Go and hate your friend some more. For me the Nickerson girl on Avenue B, and gum, and a trolley ride.’

“Around that night comes John W. Croesus. ‘What! tears?’ says he, arranging his pearl pin. ‘You have driven my lover away,’ says little Alice, sobbing: ‘I hate the sight of you.’ ‘Marry me, then,’ says John W., lighting a Henry Clay. ‘What!’ she cries indignantly, ‘marry you! Never,’ she says, ‘until this blows over, and I can do some shopping, and you see about the licence. There’s a telephone next door if you want to call up the county clerk.'”

The narrator paused to give vent to his cynical chuckle.

“Did they marry?” he continued. “Did the duck swallow the June-bug? And then I take up the case of Old Boy Redruth. There’s where you are all wrong again, according to my theory. What turned him into a hermit? One says laziness; one says remorse; one says booze. I say women did it. How old is the old man now?” asked the speaker, turning to Bildad Rose.

“I should say about sixty-five.”

“All right. He conducted his hermit shop here for twenty years. Say he was twenty-five when he took off his hat at the gate. That leaves twenty years for him to account for, or else be docked. Where did he spend that ten and two fives? I’ll give you my idea. Up for bigamy. Say there was the fat blonde in Saint Jo, and the panatela brunette at Skillet Ridge, and the gold tooth down in the Kaw valley. Redruth gets his cases mixed, and they send him up the road. He gets out after they are through with him, and says: ‘Any line for me except the crinoline. The hermit trade is not overdone, and the stenographers never apply to ’em for work. The jolly hermit’s life for me. No more long hairs in the comb or dill pickles lying around in the cigar tray.’ You tell me they pinched old Redruth for the noodle villa just because he said he was King Solomon? Figs! He /was/ Solomon. That’s all of mine. I guess it don’t call for any apples. Enclosed find stamps. It don’t sound much like a prize winner.”

Respecting the stricture laid by Judge Menefee against comments upon the stories, all were silent when the passenger who was nobody in particular had concluded. And then the ingenious originator of the contest cleared his throat to begin the ultimate entry for the prize. Though seated with small comfort upon the floor, you might search in vain for any abatement of dignity in Judge Menefee. The now diminishing firelight played softly upon his face, as clearly chiselled as a Roman emperor’s on some old coin, and upon the thick waves of his honourable grey hair.

“A woman’s heart!” he began, in even but thrilling tones–“who can hope to fathom it? The ways and desires of men are various. I think that the hearts of all women beat with the same rhythm, and to the same old tune of love. Love, to a woman, means sacrifice. If she be worthy of the name, no gold or rank will outweigh with her a genuine devotion.

“Gentlemen of the–er–I should say, my friends, the case of Redruth /versus/ love and affection has been called. Yet, who is on trial? Not Redruth, for he has been punished. Not those immortal passions that clothe our lives with the joy of the angels. Then who? Each man of us here to-night stands at the bar to answer if chivalry or darkness inhabits his bosom. To judge us sits womankind in the form of one of its fairest flowers. In her hand she holds the prize, intrinsically insignificant, but worthy of our noblest efforts to win as a guerdon of approval from so worthy a representative of feminine judgment and taste.

“In taking up the imaginary history of Redruth and the fair being to whom he gave his heart, I must, in the beginning, raise my voice against the unworthy insinuation that the selfishness or perfidy or love of luxury of any woman drove him to renounce the world. I have not found woman to be so unspiritual or venal. We must seek elsewhere, among man’s baser nature and lower motives for the cause.

“There was, in all probability, a lover’s quarrel as they stood at the gate on that memorable day. Tormented by jealousy, young Redruth vanished from his native haunts. But had he just cause to do so? There is no evidence for or against. But there is something higher than evidence; there is the grand, eternal belief in woman’s goodness, in her steadfastness against temptation, in her loyalty even in the face of proffered riches.

“I picture to myself the rash lover, wandering, self-tortured, about the world. I picture his gradual descent, and, finally, his complete despair when he realises that he has lost the most precious gift life had to offer him. Then his withdrawal from the world of sorrow and the subsequent derangement of his faculties becomes intelligible.

“But what do I see on the other hand? A lonely woman fading away as the years roll by; still faithful, still waiting, still watching for a form and listening for a step that will come no more. She is old now. Her hair is white and smoothly banded. Each day she sits at the door and gazes longingly down the dusty road. In spirit she is waiting there at the gate, just as he left her–his forever, but not here below. Yes; my belief in woman paints that picture in my mind. Parted forever on earth, but waiting! She in anticipation of a meeting in Elysium; he in the Slough of Despond.”

“I thought he was in the bughouse,” said the passenger who was nobody in particular.

Judge Menefee stirred, a little impatiently. The men sat, drooping, in grotesque attitudes. The wind had abated its violence; coming now in fitful, virulent puffs. The fire had burned to a mass of red coals which shed but a dim light within the room. The lady passenger in her cosey nook looked to be but a formless dark bulk, crowned by a mass of coiled, sleek hair and showing but a small space of snowy forehead above her clinging boa.

Judge Menefee got stiffly to his feet.

“And now, Miss Garland,” he announced, “we have concluded. It is for you to award the prize to the one of us whose argument–especially, I may say, in regard to his estimate of true womanhood–approaches nearest to your own conception.”

No answer came from the lady passenger. Judge Menefee bent over solicitously. The passenger who was nobody in particular laughed low and harshly. The lady was sleeping sweetly. The Judge essayed to take her hand to awaken her. In doing so he touched a small, cold, round, irregular something in her lap.

“She has eaten the apple,” announced Judge Menefee, in awed tones, as he held up the core for them to see.

XIII

THE MISSING CHORD

I stopped overnight at the sheep-ranch of Rush Kinney, on the Sandy Fork of the Nueces. Mr. Kinney and I had been strangers up to the time when I called “Hallo!” at his hitching-rack; but from that moment until my departure on the next morning we were, according to the Texas code, undeniable friends.

After supper the ranchman and I lugged our chairs outside the two-room house, to its floorless gallery roofed with chaparral and sacuista grass. With the rear legs of our chairs sinking deep into the hardpacked loam, each of us reposed against an elm pillar of the structure and smoked El Toro tobacco, while we wrangled amicably concerning the affairs of the rest of the world.

As for conveying adequate conception of the engaging charm of that prairie evening, despair waits upon it. It is a bold chronicler who will undertake the description of a Texas night in the early spring. An inventory must suffice.

The ranch rested upon the summit of a lenient slope. The ambient prairie, diversified by arroyos and murky patches of brush and pear, lay around us like a darkened bowl at the bottom of which we reposed as dregs. Like a turquoise cover the sky pinned us there. The miraculous air, heady with ozone and made memorably sweet by leagues of wild flowerets, gave tang and savour to the breath. In the sky was a great, round, mellow searchlight which we knew to be no moon, but the dark lantern of summer, who came to hunt northward the cowering spring. In the nearest corral a flock of sheep lay silent until a groundless panic would send a squad of them huddling together with a drumming rush. For other sounds a shrill family of coyotes yapped beyond the shearing-pen, and whippoorwills twittered in the long grass. But even these dissonances hardly rippled the clear torrent of the mocking-birds’ notes that fell from a dozen neighbouring shrubs and trees. It would not have been preposterous for one to tiptoe and essay to touch the stars, they hung so bright and imminent.

Mr. Kinney’s wife, a young and capable woman, we had left in the house. She remained to busy herself with the domestic round of duties, in which I had observed that she seemed to take a buoyant and contented pride. In one room we had supped. Presently, from the other, as Kinney and I sat without, there burst a volume of sudden and brilliant music. If I could justly estimate the art of piano-playing, the construer of that rollicking fantasia had creditably mastered the secrets of the keyboard. A piano, and one so well played, seemed to me to be an unusual thing to find in that small and unpromising ranch- house. I must have looked my surprise at Rush Kinney, for he laughed in his soft, Southern way, and nodded at me through the moonlit haze of our cigarettes.

“You don’t often hear as agreeable a noise as that on a sheep-ranch,” he remarked; “but I never see any reason for not playing up to the arts and graces just because we happen to live out in the brush. It’s a lonesome life for a woman; and if a little music can make it any better, why not have it? That’s the way I look at it.”

“A wise and generous theory,” I assented. “And Mrs. Kinney plays well. I am not learned in the science of music, but I should call her an uncommonly good performer. She has technic and more than ordinary power.”

The moon was very bright, you will understand, and I saw upon Kinney’s face a sort of amused and pregnant expression, as though there were things behind it that might be expounded.

“You came up the trail from the Double-Elm Fork,” he said promisingly. “As you crossed it you must have seen an old deserted /jacal/ to your left under a comma mott.”

“I did,” said I. “There was a drove of /javalis/ rooting around it. I could see by the broken corrals that no one lived there.”

“That’s where this music proposition started,” said Kinney. “I don’t mind telling you about it while we smoke. That’s where old Cal Adams lived. He had about eight hundred graded merinos and a daughter that was solid silk and as handsome as a new stake-rope on a thirty-dollar pony. And I don’t mind telling you that I was guilty in the second degree of hanging around old Cal’s ranch all the time I could spare away from lambing and shearing. Miss Marilla was her name; and I had figured it out by the rule of two that she was destined to become the chatelaine and lady superior of Rancho Lomito, belonging to R. Kinney, Esq., where you are now a welcome and honoured guest.

“I will say that old Cal wasn’t distinguished as a sheepman. He was a little, old stoop-shouldered /hombre/ about as big as a gun scabbard, with scraggy white whiskers, and condemned to the continuous use of language. Old Cal was so obscure in his chosen profession that he wasn’t even hated by the cowmen. And when a sheepman don’t get eminent enough to acquire the hostility of the cattlemen, he is mighty apt to die unwept and considerably unsung.

“But that Marilla girl was a benefit to the eye. And she was the most elegant kind of a housekeeper. I was the nearest neighbour, and I used to ride over to the Double-Elm anywhere from nine to sixteen times a week with fresh butter or a quarter of venison or a sample of new sheep-dip just as a frivolous excuse to see Marilla. Marilla and me got to be extensively inveigled with each other, and I was pretty sure I was going to get my rope around her neck and lead her over to the Lomito. Only she was so everlastingly permeated with filial sentiments toward old Cal that I never could get her to talk about serious matters.

“You never saw anybody in your life that was as full of knowledge and had less sense than old Cal. He was advised about all the branches of information contained in learning, and he was up to all the rudiments of doctrines and enlightenment. You couldn’t advance him any ideas on any of the parts of speech or lines of thought. You would have thought he was a professor of the weather and politics and chemistry and natural history and the origin of derivations. Any subject you brought up old Cal could give you an abundant synopsis of it from the Greek root up to the time it was sacked and on the market.

“One day just after the fall shearing I rides over to the Double-Elm with a lady’s magazine about fashions for Marilla and a scientific paper for old Cal.

“While I was tying my pony to a mesquite, out runs Marilla, ‘tickled to death’ with some news that couldn’t wait.

“‘Oh, Rush,’ she says, all flushed up with esteem and gratification, ‘what do you think! Dad’s going to buy me a piano. Ain’t it grand? I never dreamed I’d ever have one.”

“‘It’s sure joyful,’ says I. ‘I always admired the agreeable uproar of a piano. It’ll be lots of company for you. That’s mighty good of Uncle Cal to do that.’

“‘I’m all undecided,’ says Marilla, ‘between a piano and an organ. A parlour organ is nice.’

“‘Either of ’em,’ says I, ‘is first-class for mitigating the lack of noise around a sheep-ranch. For my part,’ I says, ‘I shouldn’t like anything better than to ride home of an evening and listen to a few waltzes and jigs, with somebody about your size sitting on the piano- stool and rounding up the notes.’

“‘Oh, hush about that,’ says Marilla, ‘and go on in the house. Dad hasn’t rode out to-day. He’s not feeling well.’

“Old Cal was inside, lying on a cot. He had a pretty bad cold and cough. I stayed to supper.

“‘Going to get Marilla a piano, I hear,’ says I to him.

“‘Why, yes, something of the kind, Rush,’ says he. ‘She’s been hankering for music for a long spell; and I allow to fix her up with something in that line right away. The sheep sheared six pounds all round this fall; and I’m going to get Marilla an instrument if it takes the price of the whole clip to do it.’

“‘/Star wayno/,’ says I. ‘The little girl deserves it.’

“‘I’m going to San Antone on the last load of wool,’ says Uncle Cal, ‘and select an instrument for her myself.’

“‘Wouldn’t it be better,’ I suggests, ‘to take Marilla along and let her pick out one that she likes?’

“I might have known that would set Uncle Cal going. Of course, a man like him, that knew everything about everything, would look at that as a reflection on his attainments.

“‘No, sir, it wouldn’t,’ says he, pulling at his white whiskers. ‘There ain’t a better judge of musical instruments in the whole world than what I am. I had an uncle,’ says he, ‘that was a partner in a piano-factory, and I’ve seen thousands of ’em put together. I know all about musical instruments from a pipe-organ to a corn-stalk fiddle. There ain’t a man lives, sir, that can tell me any news about any instrument that has to be pounded, blowed, scraped, grinded, picked, or wound with a key.’

“‘You get me what you like, dad,’ says Marilla, who couldn’t keep her feet on the floor from joy. ‘Of course you know what to select. I’d just as lief it was a piano or a organ or what.’

“‘I see in St. Louis once what they call a orchestrion,’ says Uncle Cal, ‘that I judged was about the finest thing in the way of music ever invented. But there ain’t room in this house for one. Anyway, I imagine they’d cost a thousand dollars. I reckon something in the piano line would suit Marilla the best. She took lessons in that respect for two years over at Birdstail. I wouldn’t trust the buying of an instrument to anybody else but myself. I reckon if I hadn’t took up sheep-raising I’d have been one of the finest composers or piano- and-organ manufacturers in the world.’

“That was Uncle Cal’s style. But I never lost any patience with him, on account of his thinking so much of Marilla. And she thought just as much of him. He sent her to the academy over at Birdstail for two years when it took nearly every pound of wool to pay the expenses.

“Along about Tuesday Uncle Cal put out for San Antone on the last wagonload of wool. Marilla’s uncle Ben, who lived in Birdstail, come over and stayed at the ranch while Uncle Cal was gone.

“It was ninety miles to San Antone, and forty to the nearest railroad- station, so Uncle Cal was gone about four days. I was over at the Double-Elm when he came rolling back one evening about sundown. And up there in the wagon, sure enough, was a piano or a organ–we couldn’t tell which–all wrapped up in woolsacks, with a wagon-sheet tied over it in case of rain. And out skips Marilla, hollering, ‘Oh, oh!’ with her eyes shining and her hair a-flying. ‘Dad–dad,’ she sings out, ‘have you brought it–have you brought it?’–and it right there before her eyes, as women will do.

“‘Finest piano in San Antone,’ says Uncle Cal, waving his hand, proud. ‘Genuine rosewood, and the finest, loudest tone you ever listened to. I heard the storekeeper play it, and I took it on the spot and paid cash down.’

“Me and Ben and Uncle Cal and a Mexican lifted it out of the wagon and carried it in the house and set it in a corner. It was one of them upright instruments, and not very heavy or very big.

“And then all of a sudden Uncle Cal flops over and says he’s mighty sick. He’s got a high fever, and he complains of his lungs. He gets into bed, while me and Ben goes out to unhitch and put the horses in the pasture, and Marilla flies around to get Uncle Cal something hot to drink. But first she puts both arms on that piano and hugs it with a soft kind of a smile, like you see kids doing with their Christmas toys.

“When I came in from the pasture, Marilla was in the room where the piano was. I could see by the strings and woolsacks on the floor that she had had it unwrapped. But now she was tying the wagon-sheet over it again, and there was a kind of solemn, whitish look on her face.

“‘Ain’t wrapping up the music again, are you, Marilla?’ I asks. ‘What’s the matter with just a couple of tunes for to see how she goes under the saddle?’

“‘Not to-night, Rush,’ says she. ‘I don’t want to play any to-night. Dad’s too sick. Just think, Rush, he paid three hundred dollars for it –nearly a third of what the wool-clip brought!’

“‘Well, it ain’t anyways in the neighbourhood of a third of what you are worth,’ I told her. ‘And I don’t think Uncle Cal is too sick to hear a little agitation of the piano-keys just to christen the machine.

“‘Not to-night, Rush,’ says Marilla, in a way that she had when she wanted to settle things.

“But it seems that Uncle Cal was plenty sick, after all. He got so bad that Ben saddled up and rode over to Birdstail for Doc Simpson. I stayed around to see if I’d be needed for anything.

“When Uncle Cal’s pain let up on him a little he called Marilla and says to her: ‘Did you look at your instrument, honey? And do you like it?’

“‘It’s lovely, dad,’ says she, leaning down by his pillow; ‘I never saw one so pretty. How dear and good it was of you to buy it for me!’

“‘I haven’t heard you play on it any yet,’ says Uncle Cal; ‘and I’ve been listening. My side don’t hurt quite so bad now–won’t you play a piece, Marilla?’

“But no; she puts Uncle Cal off and soothes him down like you’ve seen women do with a kid. It seems she’s made up her mind not to touch that piano at present.

“When Doc Simpson comes over he tells us that Uncle Cal has pneumonia the worst kind; and as the old man was past sixty and nearly on the lift anyhow, the odds was against his walking on grass any more.

“On the fourth day of his sickness he calls for Marilla again and wants to talk piano. Doc Simpson was there, and so was Ben and Mrs. Ben, trying to do all they could.

“‘I’d have made a wonderful success in anything connected with music,’ says Uncle Cal. ‘I got the finest instrument for the money in San Antone. Ain’t that piano all right in every respect, Marilla?’

“‘It’s just perfect, dad,’ says she. ‘It’s got the finest tone I ever heard. But don’t you think you could sleep a little while now, dad?’

“‘No, I don’t,’ says Uncle Cal. ‘I want to hear that piano. I don’t believe you’ve even tried it yet. I went all the way to San Antone and picked it out for you myself. It took a third of the fall clip to buy it; but I don’t mind that if it makes my good girl happier. Won’t you play a little bit for dad, Marilla?’

“Doc Simpson beckoned Marilla to one side and recommended her to do what Uncle Cal wanted, so it would get him quieted. And her uncle Ben and his wife asked her, too.

“‘Why not hit out a tune or two with the soft pedal on?’ I asks Marilla. ‘Uncle Cal has begged you so often. It would please him a good deal to hear you touch up the piano he’s bought for you. Don’t you think you might?’

“But Marilla stands there with big tears rolling down from her eyes and says nothing. And then she runs over and slips her arm under Uncle Cal’s neck and hugs him tight.

“‘Why, last night, dad,’ we heard her say, ‘I played it ever so much. Honest–I have been playing it. And it’s such a splendid instrument, you don’t know how I love it. Last night I played “Bonnie Dundee” and the “Anvil Polka” and the “Blue Danube”–and lots of pieces. You must surely have heard me playing a little, didn’t you, dad? I didn’t like to play loud when you was so sick.’

“‘Well, well,’ says Uncle Cal, ‘maybe I did. Maybe I did and forgot about it. My head is a little cranky at times. I heard the man in the store play it fine. I’m mighty glad you like it, Marilla. Yes, I believe I could go to sleep a while if you’ll stay right beside me till I do.’

“There was where Marilla had me guessing. Much as she thought of that old man, she wouldn’t strike a note on that piano that he’d bought her. I couldn’t imagine why she told him she’d been playing it, for the wagon-sheet hadn’t ever been off of it since she put it back on the same day it come. I knew she could play a little anyhow, for I’d once heard her snatch some pretty fair dance-music out of an old piano at the Charco Largo Ranch.

“Well, in about a week the pneumonia got the best of Uncle Cal. They had the funeral over at Birdstail, and all of us went over. I brought Marilla back home in my buckboard. Her uncle Ben and his wife were going to stay there a few days with her.

“That night Marilla takes me in the room where the piano was, while the others were out on the gallery.

“‘Come here, Rush,’ says she; ‘I want you to see this now.’

“She unties the rope, and drags off the wagon-sheet.

“If you ever rode a saddle without a horse, or fired off a gun that wasn’t loaded, or took a drink out of an empty bottle, why, then you might have been able to scare an opera or two out of the instrument Uncle Cal had bought.

“Instead of a piano, it was one of the machines they’ve invented to play the piano with. By itself it was about as musical as the holes of a flute without the flute.

“And that was the piano that Uncle Cal had selected; and standing by it was the good, fine, all-wool girl that never let him know it.

“And what you heard playing a while ago,” concluded Mr. Kinney, “was that same deputy-piano machine; only just at present it’s shoved up against a six-hundred-dollar piano that I bought for Marilla as soon as we was married.”

XIV

A CALL LOAN

In those days the cattlemen were the anointed. They were the grandees of the grass, kings of the kine, lords of the lea, barons of beef and bone. They might have ridden in golden chariots had their tastes so inclined. The cattleman was caught in a stampede of dollars. It seemed to him that he had more money than was decent. But when he had bought a watch with precious stones set in the case so large that they hurt his ribs, and a California saddle with silver nails and Angora skin /suaderos/, and ordered everybody up to the bar for whisky–what else was there for him to spend money for?

Not so circumscribed in expedient for the reduction of surplus wealth were those lairds of the lariat who had womenfolk to their name. In the breast of the rib-sprung sex the genius of purse lightening may slumber through years of inopportunity, but never, my brothers, does it become extinct.

So, out of the chaparral came Long Bill Longley from the Bar Circle Branch on the Frio–a wife-driven man–to taste the urban joys of success. Something like half a million dollars he had, with an income steadily increasing.

Long Bill was a graduate of the camp and trail. Luck and thrift, a cool head, and a telescopic eye for mavericks had raised him from cowboy to be a cowman. Then came the boom in cattle, and Fortune, stepping gingerly among the cactus thorns, came and emptied her cornucopia at the doorstep of the ranch.

In the little frontier city of Chaparosa, Longley built a costly residence. Here he became a captive, bound to the chariot of social existence. He was doomed to become a leading citizen. He struggled for a time like a mustang in his first corral, and then he hung up his quirt and spurs. Time hung heavily on his hands. He organised the First National Bank of Chaparosa, and was elected its president.

One day a dyspeptic man, wearing double-magnifying glasses, inserted an official-looking card between the bars of the cashier’s window of the First National Bank. Five minutes later the bank force was dancing at the beck and call of a national bank examiner.

This examiner, Mr. J. Edgar Todd, proved to be a thorough one.

At the end of it all the examiner put on his hat, and called the president, Mr. William R. Longley, into the private office.

“Well, how do you find things?” asked Longley, in his slow, deep tones. “Any brands in the round-up you didn’t like the looks of?”

“The bank checks up all right, Mr. Longley,” said Todd; “and I find your loans in very good shape–with one exception. You are carrying one very bad bit of paper–one that is so bad that I have been thinking that you surely do not realise the serious position it places you in. I refer to a call loan of $10,000 made to Thomas Merwin. Not only is the amount in excess of the maximum sum the bank can loan any individual legally, but it is absolutely without endorsement or security. Thus you have doubly violated the national banking laws, and have laid yourself open to criminal prosecution by the Government. A report of the matter to the Comptroller of the Currency–which I am bound to make–would, I am sure, result in the matter being turned over to the Department of Justice for action. You see what a serious thing it is.”

Bill Longley was leaning his lengthy, slowly moving frame back in his swivel chair. His hands were clasped behind his head, and he turned a little to look the examiner in the face. The examiner was surprised to see a smile creep about the rugged mouth of the banker, and a kindly twinkle in his light-blue eyes. If he saw the seriousness of the affair, it did not show in his countenance.

“Of course, you don’t know Tom Merwin,” said Longley, almost genially. “Yes, I know about that loan. It hasn’t any security except Tom Merwin’s word. Somehow, I’ve always found that when a man’s word is good it’s the best security there is. Oh, yes, I know the Government doesn’t think so. I guess I’ll see Tom about that note.”

Mr. Todd’s dyspepsia seemed to grow suddenly worse. He looked at the chaparral banker through his double-magnifying glasses in amazement.

“You see,” said Longley, easily explaining the thing away, “Tom heard of 2000 head of two-year-olds down near Rocky Ford on the Rio Grande that could be had for $8 a head. I reckon ’twas one of old Leandro Garcia’s outfits that he had smuggled over, and he wanted to make a quick turn on ’em. Those cattle are worth $15 on the hoof in Kansas City. Tom knew it and I knew it. He had $6,000, and I let him have the $10,000 to make the deal with. His brother Ed took ’em on to market three weeks ago. He ought to be back ‘most any day now with the money. When he comes Tom’ll pay that note.”

The bank examiner was shocked. It was, perhaps, his duty to step out to the telegraph office and wire the situation to the Comptroller. But he did not. He talked pointedly and effectively to Longley for three minutes. He succeeded in making the banker understand that he stood upon the border of a catastrophe. And then he offered a tiny loophole of escape.

“I am going to Hilldale’s to-night,” he told Longley, “to examine a bank there. I will pass through Chaparosa on my way back. At twelve o’clock to-morrow I shall call at this bank. If this loan has been cleared out of the way by that time it will not be mentioned in my report. If not–I will have to do my duty.”

With that the examiner bowed and departed.

The President of the First National lounged in his chair half an hour longer, and then he lit a mild cigar, and went over to Tom Merwin’s house. Merwin, a ranchman in brown duck, with a contemplative eye, sat with his feet upon a table, plaiting a rawhide quirt.

“Tom,” said Longley, leaning against the table, “you heard anything from Ed yet?”

“Not yet,” said Merwin, continuing his plaiting. “I guess Ed’ll be along back now in a few days.”

“There was a bank examiner,” said Longley, “nosing around our place to-day, and he bucked a sight about that note of yours. You know I know it’s all right, but the thing /is/ against the banking laws. I was pretty sure you’d have paid it off before the bank was examined again, but the son-of-a-gun slipped in on us, Tom. Now, I’m short of cash myself just now, or I’d let you have the money to take it up with. I’ve got till twelve o’clock to-morrow, and then I’ve got to show the cash in place of that note or–”

“Or what, Bill?” asked Merwin, as Longley hesitated.

“Well, I suppose it means be jumped on with both of Uncle Sam’s feet.”

“I’ll try to raise the money for you on time,” said Merwin, interested in his plaiting.

“All right, Tom,” concluded Longley, as he turned toward the door; “I knew you would if you could.”

Merwin threw down his whip and went to the only other bank in town, a private one, run by Cooper & Craig.

“Cooper,” he said, to the partner by that name, “I’ve got to have $10,000 to-day or to-morrow. I’ve got a house and lot there that’s worth about $6,000 and that’s all the actual collateral. But I’ve got a cattle deal on that’s sure to bring me in more than that much profit within a few days.”

Cooper began to cough.

“Now, for God’s sake don’t say no,” said Merwin. “I owe that much money on a call loan. It’s been called, and the man that called it is a man I’ve laid on the same blanket with in cow-camps and ranger-camps for ten years. He can call anything I’ve got. He can call the blood out of my veins and it’ll come. He’s got to have the money. He’s in a devil of a–Well, he needs the money, and I’ve got to get it for him. You know my word’s good, Cooper.”

“No doubt of it,” assented Cooper, urbanely, “but I’ve a partner, you know. I’m not free in making loans. And even if you had the best security in your hands, Merwin, we couldn’t accommodate you in less than a week. We’re just making a shipment of $15,000 to Myer Brothers in Rockdell, to buy cotton with. It goes down on the narrow-gauge to-night. That leaves our cash quite short at present. Sorry we can’t arrange it for you.”

Merwin went back to his little bare office and plaited at his quirt again. About four o’clock in the afternoon he went to the First National Bank and leaned over the railing of Longley’s desk.

“I’ll try to get that money for you to-night–I mean to-morrow, Bill.”

“All right, Tom,” said Longley quietly.

At nine o’clock that night Tom Merwin stepped cautiously out of the small frame house in which he lived. It was near the edge of the little town, and few citizens were in the neighbourhood at that hour. Merwin wore two six-shooters in a belt, and a slouch hat. He moved swiftly down a lonely street, and then followed the sandy road that ran parallel to the narrow-gauge track until he reached the water- tank, two miles below the town. There Tom Merwin stopped, tied a black silk handkerchief about the lower part of his face, and pulled his hat down low.

In ten minutes the night train for Rockdell pulled up at the tank, having come from Chaparosa.

With a gun in each hand Merwin raised himself from behind a clump of chaparral and started for the engine. But before he had taken three steps, two long, strong arms clasped him from behind, and he was lifted from his feet and thrown, face downward upon the grass. There was a heavy knee pressing against his back, and an iron hand grasping each of his wrists. He was held thus, like a child, until the engine had taken water, and until the train had moved, with accelerating speed, out of sight. Then he was released, and rose to his feet to face Bill Longley.

“The case never needed to be fixed up this way, Tom,” said Longley. “I saw Cooper this evening, and he told me what you and him talked about. Then I went down to your house to-night and saw you come out with your guns on, and I followed you. Let’s go back, Tom.”

They walked away together, side by side.

“‘Twas the only chance I saw,” said Merwin presently. “You called your loan, and I tried to answer you. Now, what’ll you do, Bill, if they sock it to you?”

“What would you have done if they’d socked it to you?” was the answer Longley made.

“I never thought I’d lay in a bush to stick up a train,” remarked Merwin; “but a call loan’s different. A call’s a call with me. We’ve got twelve hours yet, Bill, before this spy jumps onto you. We’ve got to raise them spondulicks somehow. Maybe we can–Great Sam Houston! do you hear that?”

Merwin broke into a run, and Longley kept with him, hearing only a rather pleasing whistle somewhere in the night rendering the lugubrious air of “The Cowboy’s Lament.”

“It’s the only tune he knows,” shouted Merwin, as he ran. “I’ll bet–”

They were at the door of Merwin’s house. He kicked it open and fell over an old valise lying in the middle of the floor. A sunburned, firm-jawed youth, stained by travel, lay upon the bed puffing at a brown cigarette.

“What’s the word, Ed?” gasped Merwin.

“So, so,” drawled that capable youngster. “Just got in on the 9:30. Sold the bunch for fifteen, straight. Now, buddy, you want to quit kickin’ a valise around that’s got $29,000 in greenbacks in its in’ards.”

XV

THE PRINCESS AND THE PUMA

There had to be a king and queen, of course. The king was a terrible old man who wore six-shooters and spurs, and shouted in such a tremendous voice that the rattlers on the prairie would run into their holes under the prickly pear. Before there was a royal family they called the man “Whispering Ben.” When he came to own 50,000 acres of land and more cattle than he could count, they called him O’Donnell “the Cattle King.”

The queen had been a Mexican girl from Laredo. She made a good, mild, Colorado-claro wife, and even succeeded in teaching Ben to modify his voice sufficiently while in the house to keep the dishes from being broken. When Ben got to be king she would sit on the gallery of Espinosa Ranch and weave rush mats. When wealth became so irresistible and oppressive that upholstered chairs and a centre table were brought down from San Antone in the wagons, she bowed her smooth, dark head, and shared the fate of the Danae.

To avoid /lese-majeste/ you have been presented first to the king and queen. They do not enter the story, which might be called “The Chronicle of the Princess, the Happy Thought, and the Lion that Bungled his Job.”

Josefa O’Donnell was the surviving daughter, the princess. From her mother she inherited warmth of nature and a dusky, semi-tropic beauty. From Ben O’Donnell the royal she acquired a store of intrepidity, common sense, and the faculty of ruling. The combination was one worth going miles to see. Josefa while riding her pony at a gallop could put five out of six bullets through a tomato-can swinging at the end of a string. She could play for hours with a white kitten she owned, dressing it in all manner of absurd clothes. Scorning a pencil, she could tell you out of her head what 1545 two-year-olds would bring on the hoof, at $8.50 per head. Roughly speaking, the Espinosa Ranch is forty miles long and thirty broad–but mostly leased land. Josefa, on her pony, had prospected over every mile of it. Every cow-puncher on the range knew her by sight and was a loyal vassal. Ripley Givens, foreman of one of the Espinosa outfits, saw her one day, and made up his mind to form a royal matrimonial alliance. Presumptuous? No. In those days in the Nueces country a man was a man. And, after all, the title of cattle king does not presuppose blood royalty. Often it only signifies that its owner wears the crown in token of his magnificent qualities in the art of cattle stealing.

One day Ripley Givens rode over to the Double Elm Ranch to inquire about a bunch of strayed yearlings. He was late in setting out on his return trip, and it was sundown when he struck the White Horse Crossing of the Nueces. From there to his own camp it was sixteen miles. To the Espinosa ranch it was twelve. Givens was tired. He decided to pass the night at the Crossing.

There was a fine water hole in the river-bed. The banks were thickly covered with great trees, undergrown with brush. Back from the water hole fifty yards was a stretch of curly mesquite grass–supper for his horse and bed for himself. Givens staked his horse, and spread out his saddle blankets to dry. He sat down with his back against a tree and rolled a cigarette. From somewhere in the dense timber along the river came a sudden, rageful, shivering wail. The pony danced at the end of his rope and blew a whistling snort of comprehending fear. Givens puffed at his cigarette, but he reached leisurely for his pistol-belt, which lay on the grass, and twirled the cylinder of his weapon tentatively. A great gar plunged with a loud splash into the water hole. A little brown rabbit skipped around a bunch of catclaw and sat twitching his whiskers and looking humorously at Givens. The pony went on eating grass.

It is well to be reasonably watchful when a Mexican lion sings soprano along the arroyos at sundown. The burden of his song may be that young calves and fat lambs are scarce, and that he has a carnivorous desire for your acquaintance.

In the grass lay an empty fruit can, cast there by some former sojourner. Givens caught sight of it with a grunt of satisfaction. In his coat pocket tied behind his saddle was a handful or two of ground coffee. Black coffee and cigarettes! What ranchero could desire more?

In two minutes he had a little fire going clearly. He started, with his can, for the water hole. When within fifteen yards of its edge he saw, between the bushes, a side-saddled pony with down-dropped reins cropping grass a little distance to his left. Just rising from her hands and knees on the brink of the water hole was Josefa O’Donnell. She had been drinking water, and she brushed the sand from the palms of her hands. Ten yards away, to her right, half concealed by a clump of sacuista, Givens saw the crouching form of the Mexican lion. His amber eyeballs glared hungrily; six feet from them was the tip of the tail stretched straight, like a pointer’s. His hind-quarters rocked with the motion of the cat tribe preliminary to leaping.

Givens did what he could. His six-shooter was thirty-five yards away lying on the grass. He gave a loud yell, and dashed between the lion and the princess.

The “rucus,” as Givens called it afterward, was brief and somewhat confused. When he arrived on the line of attack he saw a dim streak in the air, and heard a couple of faint cracks. Then a hundred pounds of Mexican lion plumped down upon his head and flattened him, with a heavy jar, to the ground. He remembered calling out: “Let up, now–no fair gouging!” and then he crawled from under the lion like a worm, with his mouth full of grass and dirt, and a big lump on the back of his head where it had struck the root of a water-elm. The lion lay motionless. Givens, feeling aggrieved, and suspicious of fouls, shook his fist at the lion, and shouted: “I’ll rastle you again for twenty–” and then he got back to himself.

Josefa was standing in her tracks, quietly reloading her silver- mounted .38. It had not been a difficult shot. The lion’s head made an easier mark than a tomato-can swinging at the end of a string. There was a provoking, teasing, maddening smile upon her mouth and in her dark eyes. The would-be-rescuing knight felt the fire of his fiasco burn down to his soul. Here had been his chance, the chance that he had dreamed of; and Momus, and not Cupid, had presided over it. The satyrs in the wood were, no doubt, holding their sides in hilarious, silent laughter. There had been something like vaudeville–say Signor Givens and his funny knockabout act with the stuffed lion.

“Is that you, Mr. Givens?” said Josefa, in her deliberate, saccharine contralto. “You nearly spoilt my shot when you yelled. Did you hurt your head when you fell?”

“Oh, no,” said Givens, quietly; “that didn’t hurt.” He stooped ignominiously and dragged his best Stetson hat from under the beast. It was crushed and wrinkled to a fine comedy effect. Then he knelt down and softly stroked the fierce, open-jawed head of the dead lion.

“Poor old Bill!” he exclaimed mournfully.

“What’s that?” asked Josefa, sharply.

“Of course you didn’t know, Miss Josefa,” said Givens, with an air of one allowing magnanimity to triumph over grief. “Nobody can blame you. I tried to save him, but I couldn’t let you know in time.”

“Save who?”

“Why, Bill. I’ve been looking for him all day. You see, he’s been our camp pet for two years. Poor old fellow, he wouldn’t have hurt a cottontail rabbit. It’ll break the boys all up when they hear about it. But you couldn’t tell, of course, that Bill was just trying to play with you.”

Josefa’s black eyes burned steadily upon him. Ripley Givens met the test successfully. He stood rumpling the yellow-brown curls on his head pensively. In his eye was regret, not unmingled with a gentle reproach. His smooth features were set to a pattern of indisputable sorrow. Josefa wavered.

“What was your pet doing here?” she asked, making a last stand. “There’s no camp near the White Horse Crossing.”

“The old rascal ran away from camp yesterday,” answered Givens readily. “It’s a wonder the coyotes didn’t scare him to death. You see, Jim Webster, our horse wrangler, brought a little terrier pup into camp last week. The pup made life miserable for Bill–he used to chase him around and chew his hind legs for hours at a time. Every night when bedtime came Bill would sneak under one of the boy’s blankets and sleep to keep the pup from finding him. I reckon he must have been worried pretty desperate or he wouldn’t have run away. He was always afraid to get out of sight of camp.”

Josefa looked at the body of the fierce animal. Givens gently patted one of the formidable paws that could have killed a yearling calf with one blow. Slowly a red flush widened upon the dark olive face of the girl. Was it the signal of shame of the true sportsman who has brought down ignoble quarry? Her eyes grew softer, and the lowered lids drove away all their bright mockery.

“I’m very sorry,” she said humbly; “but he looked so big, and jumped so high that–”

“Poor old Bill was hungry,” interrupted Givens, in quick defence of the deceased. “We always made him jump for his supper in camp. He would lie down and roll over for a piece of meat. When he saw you he thought he was going to get something to eat from you.”

Suddenly Josefa’s eyes opened wide.

“I might have shot you!” she exclaimed. “You ran right in between. You risked your life to save your pet! That was fine, Mr. Givens. I like a man who is kind to animals.”

Yes; there was even admiration in her gaze now. After all, there was a hero rising out of the ruins of the anti-climax. The look on Givens’s face would have secured him a high position in the S.P.C.A.

“I always loved ’em,” said he; “horses, dogs, Mexican lions, cows, alligators–”

“I hate alligators,” instantly demurred Josefa; “crawly, muddy things!”

“Did I say alligators?” said Givens. “I meant antelopes, of course.”

Josefa’s conscience drove her to make further amends. She held out her hand penitently. There was a bright, unshed drop in each of her eyes.

“Please forgive me, Mr. Givens, won’t you? I’m only a girl, you know, and I was frightened at first. I’m very, very sorry I shot Bill. You don’t know how ashamed I feel. I wouldn’t have done it for anything.”

Givens took the proffered hand. He held it for a time while he allowed the generosity of his nature to overcome his grief at the loss of Bill. At last it was clear that he had forgiven her.

“Please don’t speak of it any more, Miss Josefa. ‘Twas enough to frighten any young lady the way Bill looked. I’ll explain it all right to the boys.”

“Are you really sure you don’t hate me?” Josefa came closer to him impulsively. Her eyes were sweet–oh, sweet and pleading with gracious penitence. “I would hate anyone who would kill my kitten. And how daring and kind of you to risk being shot when you tried to save him! How very few men would have done that!” Victory wrested from defeat! Vaudeville turned into drama! Bravo, Ripley Givens!

It was now twilight. Of course Miss Josefa could not be allowed to ride on to the ranch-house alone. Givens resaddled his pony in spite of that animal’s reproachful glances, and rode with her. Side by side they galloped across the smooth grass, the princess and the man who was kind to animals. The prairie odours of fruitful earth and delicate bloom were thick and sweet around them. Coyotes yelping over there on the hill! No fear. And yet–

Josefa rode closer. A little hand seemed to grope. Givens found it with his own. The ponies kept an even gait. The hands lingered together, and the owner of one explained:

“I never was frightened before, but just think! How terrible it would be to meet a really wild lion! Poor Bill! I’m so glad you came with me!”

O’Donnell was sitting on the ranch gallery.

“Hello, Rip!” he shouted–“that you?”

“He rode in with me,” said Josefa. “I lost my way and was late.”

“Much obliged,” called the cattle king. “Stop over, Rip, and ride to camp in the morning.”

But Givens would not. He would push on to camp. There was a bunch of steers to start off on the trail at daybreak. He said good-night, and trotted away.

An hour later, when the lights were out, Josefa, in her night-robe, came to her door and called to the king in his own room across the brick-paved hallway:

“Say, pop, you know that old Mexican lion they call the ‘Gotch-eared Devil’–the one that killed Gonzales, Mr. Martin’s sheep herder, and about fifty calves on the Salado range? Well, I settled his hash this afternoon over at the White Horse Crossing. Put two balls in his head with my .38 while he was on the jump. I knew him by the slice gone from his left ear that old Gonzales cut off with his machete. You couldn’t have made a better shot yourself, daddy.”

“Bully for you!” thundered Whispering Ben from the darkness of the royal chamber.

XVI

THE INDIAN SUMMER OF DRY VALLEY JOHNSON

Dry Valley Johnson shook the bottle. You have to shake the bottle before using; for sulphur will not dissolve. Then Dry Valley saturated a small sponge with the liquid and rubbed it carefully into the roots of his hair. Besides sulphur there was sugar of lead in it and tincture of nux vomica and bay rum. Dry Valley found the recipe in a Sunday newspaper. You must next be told why a strong man came to fall a victim to a Beauty Hint.

Dry Valley had been a sheepman. His real name was Hector, but he had been rechristened after his range to distinguish him from “Elm Creek” Johnson, who ran sheep further down the Frio.

Many years of living face to face with sheep on their own terms wearied Dry Valley Johnson. So, he sold his ranch for eighteen thousand dollars and moved to Santa Rosa to live a life of gentlemanly ease. Being a silent and melancholy person of thirty-five–or perhaps thirty-eight–he soon became that cursed and earth-cumbering thing–an elderlyish bachelor with a hobby. Some one gave him his first strawberry to eat, and he was done for.

Dry Valley bought a four-room cottage in the village, and a library on strawberry culture. Behind the cottage was a garden of which he made a strawberry patch. In his old grey woolen shirt, his brown duck trousers, and high-heeled boots he sprawled all day on a canvas cot under a live-oak tree at his back door studying the history of the seductive, scarlet berry.

The school teacher, Miss De Witt, spoke of him as “a fine, presentable man, for all his middle age.” But, the focus of Dry Valley’s eyes embraced no women. They were merely beings who flew skirts as a signal for him to lift awkwardly his heavy, round-crowned, broad-brimmed felt Stetson whenever he met them, and then hurry past to get back to his beloved berries.

And all this recitative by the chorus is only to bring us to the point where you may be told why Dry Valley shook up the insoluble sulphur in the bottle. So long-drawn and inconsequential a thing is history–the anamorphous shadow of a milestone reaching down the road between us and the setting sun.

When his strawberries were beginning to ripen Dry Valley bought the heaviest buggy whip in the Santa Rosa store. He sat for many hours under the live oak tree plaiting and weaving in an extension to its lash. When it was done he could snip a leaf from a bush twenty feet away with the cracker. For the bright, predatory eyes of Santa Rosa youth were watching the ripening berries, and Dry Valley was arming himself against their expected raids. No greater care had he taken of his tender lambs during his ranching days than he did of his cherished fruit, warding it from the hungry wolves that whistled and howled and shot their marbles and peered through the fence that surrounded his property.

In the house next to Dry Valley’s lived a widow with a pack of children that gave the husbandman frequent anxious misgivings. In the woman there was a strain of the Spanish. She had wedded one of the name of O’Brien. Dry Valley was a connoisseur in cross strains; and he foresaw trouble in the offspring of this union.

Between the two homesteads ran a crazy picket fence overgrown with morning glory and wild gourd vines. Often he could see little heads with mops of black hair and flashing dark eyes dodging in and out between the pickets, keeping tabs on the reddening berries.

Late one afternoon Dry Valley went to the post office. When he came back, like Mother Hubbard he found the deuce to pay. The descendants of Iberian bandits and Hibernian cattle raiders had swooped down upon his strawberry patch. To the outraged vision of Dry Valley there seemed to be a sheep corral full of them; perhaps they numbered five or six. Between the rows of green plants they were stooped, hopping about like toads, gobbling silently and voraciously his finest fruit.

Dry Valley slipped into the house, got his whip, and charged the marauders. The lash curled about the legs of the nearest–a greedy ten-year-old–before they knew they were discovered. His screech gave warning; and the flock scampered for the fence like a drove of /javelis/ flushed in the chaparral. Dry Valley’s whip drew a toll of two more elfin shrieks before they dived through the vine-clad fence and disappeared.

Dry Valley, less fleet, followed them nearly to the pickets. Checking his useless pursuit, he rounded a bush, dropped his whip and stood, voiceless, motionless, the capacity of his powers consumed by the act of breathing and preserving the perpendicular.

Behind the bush stood Panchita O’Brien, scorning to fly. She was nineteen, the oldest of the raiders. Her night-black hair was gathered back in a wild mass and tied with a scarlet ribbon. She stood, with reluctant feet, yet nearer the brook than to the river; for childhood had environed and detained her.

She looked at Dry Valley Johnson for a moment with magnificent insolence, and before his eyes slowly crunched a luscious berry between her white teeth. Then she turned and walked slowly to the fence with a swaying, conscious motion, such as a duchess might make use of in leading a promenade. There she turned again and grilled Dry Valley Johnson once more in the dark flame of her audacious eyes, laughed a trifle school-girlishly, and twisted herself with pantherish quickness between the pickets to the O’Brien side of the wild gourd vine.

Dry Valley picked up his whip and went into his house. He stumbled as he went up the two wooden steps. The old Mexican woman who cooked his meals and swept his house called him to supper as he went through the rooms. Dry Valley went on, stumbled down the front steps, out the gate and down the road into a mesquite thicket at the edge of town. He sat down in the grass and laboriously plucked the spines from a prickly pear, one by one. This was his attitude of thought, acquired in the days when his problems were only those of wind and wool and water.

A thing had happened to the man–a thing that, if you are eligible, you must pray may pass you by. He had become enveloped in the Indian Summer of the Soul.

Dry Valley had had no youth. Even his childhood had been one of dignity and seriousness. At six he had viewed the frivolous gambols of the lambs on his father’s ranch with silent disapproval. His life as a young man had been wasted. The divine fires and impulses, the glorious exaltations and despairs, the glow and enchantment of youth had passed above his head. Never a thrill of Romeo had he known; he was but a melancholy Jaques of the forest with a ruder philosophy, lacking the bitter-sweet flavour of experience that tempered the veteran years of the rugged ranger of Arden. And now in his sere and yellow leaf one scornful look from the eyes of Panchita O’Brien had flooded the autumnal landscape with a tardy and delusive summer heat.

But a sheepman is a hardy animal. Dry Valley Johnson had weathered too many northers to turn his back on a late summer, spiritual or real. Old? He would show them.

By the next mail went an order to San Antonio for an outfit of the latest clothes, colours and styles and prices no object. The next day went the recipe for the hair restorer clipped from a newspaper; for Dry Valley’s sunburned auburn hair was beginning to turn silvery above his ears.

Dry Valley kept indoors closely for a week except for frequent sallies after youthful strawberry snatchers. Then, a few days later, he suddenly emerged brilliantly radiant in the hectic glow of his belated midsummer madness.

A jay-bird-blue tennis suit covered him outwardly, almost as far as his wrists and ankles. His shirt was ox-blood; his collar winged and tall; his necktie a floating oriflamme; his shoes a venomous bright tan, pointed and shaped on penitential lasts. A little flat straw hat with a striped band desecrated his weather-beaten head. Lemon-coloured kid gloves protected his oak-tough hands from the benignant May sunshine. This sad and optic-smiting creature teetered out of its den, smiling foolishly and smoothing its gloves for men and angels to see. To such a pass had Dry Valley Johnson been brought by Cupid, who always shoots game that is out of season with an arrow from the quiver of Momus. Reconstructing mythology, he had risen, a prismatic macaw, from the ashes of the grey-brown phoenix that had folded its tired wings to roost under the trees of Santa Rosa.

Dry Valley paused in the street to allow Santa Rosans within sight of him to be stunned; and then deliberately and slowly, as his shoes required, entered Mrs. O’Brien’s gate.

Not until the eleven months’ drought did Santa Rosa cease talking about Dry Valley Johnson’s courtship of Panchita O’Brien. It was an unclassifiable procedure; something like a combination of cake- walking, deaf-and-dumb oratory, postage stamp flirtation and parlour charades. It lasted two weeks and then came to a sudden end.

Of course Mrs. O’Brien favoured the match as soon as Dry Valley’s intentions were disclosed. Being the mother of a woman child, and therefore a charter member of the Ancient Order of the Rat-trap, she joyfully decked out Panchita for the sacrifice. The girl was temporarily dazzled by having her dresses lengthened and her hair piled up on her head, and came near forgetting that she was only a slice of cheese. It was nice, too, to have as good a match as Mr. Johnson paying you attentions and to see the other girls fluttering the curtains at their windows to see you go by with him.

Dry Valley bought a buggy with yellow wheels and a fine trotter in San Antonio. Every day he drove out with Panchita. He was never seen to speak to her when they were walking or driving. The consciousness of his clothes kept his mind busy; the knowledge that he could say nothing of interest kept him dumb; the feeling that Panchita was there kept him happy.

He took her to parties and dances, and to church. He tried–oh, no man ever tried so hard to be young as Dry Valley did. He could not dance; but he invented a smile which he wore on these joyous occasions, a smile that, in him, was as great a concession to mirth and gaiety as turning hand-springs would be in another. He began to seek the company of the young men in the town–even of the boys. They accepted him as a decided damper, for his attempts at sportiveness were so forced that they might as well have essayed their games in a cathedral. Neither he nor any other could estimate what progress he had made with Panchita.

The end came suddenly in one day, as often disappears the false afterglow before a November sky and wind.

Dry Valley was to call for the girl one afternoon at six for a walk. An afternoon walk in Santa Rosa was a feature of social life that called for the pink of one’s wardrobe. So Dry Valley began gorgeously to array himself; and so early that he finished early, and went over to the O’Brien cottage. As he neared the porch on the crooked walk from the gate he heard sounds of revelry within. He stopped and looked through the honeysuckle vines in the open door.

Panchita was amusing her younger brothers and sisters. She wore a man’s clothes–no doubt those of the late Mr. O’Brien. On her head was the smallest brother’s straw hat decorated with an ink-striped paper band. On her hands were flapping yellow cloth gloves, roughly cut out and sewn for the masquerade. The same material covered her shoes, giving them the semblance of tan leather. High collar and flowing necktie were not omitted.

Panchita was an actress. Dry Valley saw his affectedly youthful gait, his limp where the right shoe hurt him, his forced smile, his awkward simulation of a gallant air, all reproduced with startling fidelity. For the first time a mirror had been held up to him. The corroboration of one of the youngsters calling, “Mamma, come and see Pancha do like Mr. Johnson,” was not needed.

As softly as the caricatured tans would permit, Dry Valley tiptoed back to the gate and home again.

Twenty minutes after the time appointed for the walk Panchita tripped demurely out of her gate in a thin, trim white lawn and sailor hat. She strolled up the sidewalk and slowed her steps at Dry Valley’s gate, her manner expressing wonder at his unusual delinquency.

Then out of his door and down the walk strode–not the polychromatic victim of a lost summertime, but the sheepman, rehabilitated. He wore his old grey woolen shirt, open at the throat, his brown duck trousers stuffed into his run-over boots, and his white felt sombrero on the back of his head. Twenty years or fifty he might look; Dry Valley cared not. His light blue eyes met Panchita’s dark ones with a cold flash in them. He came as far as the gate. He pointed with his long arm to her house.

“Go home,” said Dry Valley. “Go home to your mother. I wonder lightnin’ don’t strike a fool like me. Go home and play in the sand. What business have you got cavortin’ around with grown men? I reckon I was locoed to be makin’ a he poll-parrot out of myself for a kid like you. Go home and don’t let me see you no more. Why I done it, will somebody tell me? Go home, and let me try and forget it.”

Panchita obeyed and walked slowly toward her home, saying nothing. For some distance she kept her head turned and her large eyes fixed intrepidly upon Dry Valley’s. At her gate she stood for a moment looking back at him, then ran suddenly and swiftly into the house.

Old Antonia was building a fire in the kitchen stove. Dry Valley stopped at the door and laughed harshly.

“I’m a pretty looking old rhinoceros to be gettin’ stuck on a kid, ain’t I, ‘Tonia?” said he.

“Not verree good thing,” agreed Antonia, sagely, “for too much old man to likee /muchacha/.”

“You bet it ain’t,” said Dry Valley, grimly. “It’s dum foolishness; and, besides, it hurts.”

He brought at one armful the regalia of his aberration–the blue tennis suit, shoes, hat, gloves and all, and threw them in a pile at Antonia’s feet.

“Give them to your old man,” said he, “to hunt antelope in.”

Just as the first star presided palely over the twilight Dry Valley got his biggest strawberry book and sat on the back steps to catch the last of the reading light. He thought he saw the figure of someone in his strawberry patch. He laid aside the book, got his whip and hurried forth to see.

It was Panchita. She had slipped through the picket fence and was half-way across the patch. She stopped when she saw him and looked at him without wavering.

A sudden rage–a humiliating flush of unreasoning wrath–came over Dry Valley. For this child he had made himself a motley to the view. He had tried to bribe Time to turn backward for himself; he had–been made a fool of. At last he had seen his folly. There was a gulf between him and youth over which he could not build a bridge even with yellow gloves to protect his hands. And the sight of his torment coming to pester him with her elfin pranks–coming to plunder his strawberry vines like a mischievous schoolboy–roused all his anger.

“I told you to keep away from here,” said Dry Valley. “Go back to your home.”

Panchita moved slowly toward him.

Dry Valley cracked his whip.

“Go back home,” said Dry Valley, savagely, “and play theatricals some more. You’d make a fine man. You’ve made a fine one of me.”

She came a step nearer, silent, and with that strange, defiant, steady shine in her eyes that had always puzzled him. Now it stirred his wrath.

His whiplash whistled through the air. He saw a red streak suddenly come out through her white dress above her knee where it had struck.

Without flinching and with the same unchanging dark glow in her eyes, Panchita came steadily toward him through the strawberry vines. Dry Valley’s trembling hand released his whip handle. When within a yard of him Panchita stretched out her arms.

“God, kid!” stammered Dry Valley, “do you mean–?”

But the seasons are versatile; and it may have been Springtime, after all, instead of Indian Summer, that struck Dry Valley Johnson.

XVII

CHRISTMAS BY INJUNCTION

Cherokee was the civic father of Yellowhammer. Yellowhammer was a new mining town constructed mainly of canvas and undressed pine. Cherokee was a prospector. One day while his burro was eating quartz and pine burrs Cherokee turned up with his pick a nugget, weighing thirty ounces. He staked his claim and then, being a man of breadth and hospitality, sent out invitations to his friends in three States to drop in and share his luck.

Not one of the invited guests sent regrets. They rolled in from the Gila country, from Salt River, from the Pecos, from Albuquerque and Phoenix and Santa Fe, and from the camps intervening.

When a thousand citizens had arrived and taken up claims they named the town Yellowhammer, appointed a vigilance committee, and presented Cherokee with a watch-chain made of nuggets.

Three hours after the presentation ceremonies Cherokee’s claim played out. He had located a pocket instead of a vein. He abandoned it and staked others one by one. Luck had kissed her hand to him. Never afterward did he turn up enough dust in Yellowhammer to pay his bar bill. But his thousand invited guests were mostly prospering, and Cherokee smiled and congratulated them.

Yellowhammer was made up of men who took off their hats to a smiling loser; so they invited Cherokee to say what he wanted.

“Me?” said Cherokee, “oh, grubstakes will be about the thing. I reckon I’ll prospect along up in the Mariposas. If I strike it up there I will most certainly let you all know about the facts. I never was any hand to hold out cards on my friends.”

In May Cherokee packed his burro and turned its thoughtful, mouse- coloured forehead to the north. Many citizens escorted him to the undefined limits of Yellowhammer and bestowed upon him shouts of commendation and farewells. Five pocket flasks without an air bubble between contents and cork were forced upon him; and he was bidden to consider Yellowhammer in perpetual commission for his bed, bacon and eggs, and hot water for shaving in the event that luck did not see fit to warm her hands by his campfire in the Mariposas.

The name of the father of Yellowhammer was given him by the gold hunters in accordance with their popular system of nomenclature. It was not necessary for a citizen to exhibit his baptismal certificate in order to acquire a cognomen. A man’s name was his personal property. For convenience in calling him up to the bar and in designating him among other blue-shirted bipeds, a temporary appellation, title, or epithet was conferred upon him by the public. Personal peculiarities formed the source of the majority of such informal baptisms. Many were easily dubbed geographically from the regions from which they confessed to have hailed. Some announced themselves to be “Thompsons,” and “Adamses,” and the like, with a brazenness and loudness that cast a cloud upon their titles. A few vaingloriously and shamelessly uncovered their proper and indisputable names. This was held to be unduly arrogant, and did not win popularity. One man who said he was Chesterton L. C. Belmont, and proved it by letters, was given till sundown to leave the town. Such names as “Shorty,” “Bow-legs,” “Texas,” “Lazy Bill,” “Thirsty Rogers,” “Limping Riley,” “The Judge,” and “California Ed” were in favour. Cherokee derived his title from the fact that he claimed to have lived for a time with that tribe in the Indian Nation.

On the twentieth day of December Baldy, the mail rider, brought Yellowhammer a piece of news.

“What do I see in Albuquerque,” said Baldy, to the patrons of the bar, “but Cherokee all embellished and festooned up like the Czar of Turkey, and lavishin’ money in bulk. Him and me seen the elephant and the owl, and we had specimens of this seidlitz powder wine; and Cherokee he audits all the bills, C.O.D. His pockets looked like a pool table’s after a fifteen-ball run.

“Cherokee must have struck pay ore,” remarked California Ed. “Well, he’s white. I’m much obliged to him for his success.”

“Seems like Cherokee would ramble down to Yellowhammer and see his friends,” said another, slightly aggrieved. “But that’s the way. Prosperity is the finest cure there is for lost forgetfulness.”

“You wait,” said Baldy; “I’m comin’ to that. Cherokee strikes a three- foot vein up in the Mariposas that assays a trip to Europe to the ton, and he closes it out to a syndicate outfit for a hundred thousand hasty dollars in cash. Then he buys himself a baby sealskin overcoat and a red sleigh, and what do you think he takes it in his head to do next?”

“Chuck-a-luck,” said Texas, whose ideas of recreation were the gamester’s.

“Come and Kiss Me, Ma Honey,” sang Shorty, who carried tintypes in his pocket and wore a red necktie while working on his claim.

“Bought a saloon?” suggested Thirsty Rogers.

“Cherokee took me to a room,” continued Baldy, “and showed me. He’s got that room full of drums and dolls and skates and bags of candy and jumping-jacks and toy lambs and whistles and such infantile truck. And what do you think he’s goin’ to do with them inefficacious knick- knacks? Don’t surmise none–Cherokee told me. He’s goin’ to lead ’em up in his red sleigh and–wait a minute, don’t order no drinks yet– he’s goin’ to drive down here to Yellowhammer and give the kids–the kids of this here town–the biggest Christmas tree and the biggest cryin’ doll and Little Giant Boys’ Tool Chest blowout that was ever seen west of the Cape Hatteras.”

Two minutes of absolute silence ticked away in the wake of Baldy’s words. It was broken by the House, who, happily conceiving the moment to be ripe for extending hospitality, sent a dozen whisky glasses spinning down the bar, with the slower travelling bottle bringing up the rear.

“Didn’t you tell him?” asked the miner called Trinidad.

“Well, no,” answered Baldy, pensively; “I never exactly seen my way to.

“You see, Cherokee had this Christmas mess already bought and paid for; and he was all flattered up with self-esteem over his idea; and we had in a way flew the flume with that fizzy wine I speak of; so I never let on.”

“I cannot refrain from a certain amount of surprise,” said the Judge, as he hung his ivory-handled cane on the bar, “that our friend Cherokee should possess such an erroneous conception of–ah–his, as it were, own town.”

“Oh, it ain’t the eighth wonder of the terrestrial world,” said Baldy. “Cherokee’s been gone from Yellowhammer over seven months. Lots of things could happen in that time. How’s he to know that there ain’t a single kid in this town, and so far as emigration is concerned, none expected?”

“Come to think of it,” remarked California Ed, “it’s funny some ain’t drifted in. Town ain’t settled enough yet for to bring in the rubber- ring brigade, I reckon.”

“To top off this Christmas-tree splurge of Cherokee’s,” went on Baldy, “he’s goin’ to give an imitation of Santa Claus. He’s got a white wig and whiskers that disfigure him up exactly like the pictures of this William Cullen Longfellow in the books, and a red suit of fur-trimmed outside underwear, and eight-ounce gloves, and a stand-up, lay-down croshayed red cap. Ain’t it a shame that a outfit like that can’t get a chance to connect with a Annie and Willie’s prayer layout?”

“When does Cherokee allow to come over with his truck?” inquired Trinidad.

“Mornin’ before Christmas,” said Baldy. “And he wants you folks to have a room fixed up and a tree hauled and ready. And such ladies to assist as can stop breathin’ long enough to let it be a surprise for the kids.”

The unblessed condition of Yellowhammer had been truly described. The voice of childhood had never gladdened its flimsy structures; the patter of restless little feet had never consecrated the one rugged highway between the two rows of tents and rough buildings. Later they would come. But now Yellowhammer was but a mountain camp, and nowhere in it were the roguish, expectant eyes, opening wide at dawn of the enchanting day; the eager, small hands to reach for Santa’s bewildering hoard; the elated, childish voicings of the season’s joy, such as the coming good things of the warm-hearted Cherokee deserved.

Of women there were five in Yellowhammer. The assayer’s wife, the proprietress of the Lucky Strike Hotel, and a laundress whose washtub panned out an ounce of dust a day. These were the permanent feminines; the remaining two were the Spangler Sisters, Misses Fanchon and Erma, of the Transcontinental Comedy Company, then playing in repertoire at the (improvised) Empire Theatre. But of children there were none. Sometimes Miss Fanchon enacted with spirit and address the part of robustious childhood; but between her delineation and the visions of adolescence that the fancy offered as eligible recipients of Cherokee’s holiday stores there seemed to be fixed a gulf.

Christmas would come on Thursday. On Tuesday morning Trinidad, instead of going to work, sought the Judge at the Lucky Strike Hotel.

“It’ll be a disgrace to Yellowhammer,” said Trinidad, “if it throws Cherokee down on his Christmas tree blowout. You might say that that man made this town. For one, I’m goin’ to see what can be done to give Santa Claus a square deal.”

“My co-operation,” said the Judge, “would be gladly forthcoming. I am indebted to Cherokee for past favours. But, I do not see–I have heretofore regarded the absence of children rather as a luxury–but in this instance–still, I do not see–”

“Look at me,” said Trinidad, “and you’ll see old Ways and Means with the fur on. I’m goin’ to hitch up a team and rustle a load of kids for Cherokee’s Santa Claus act, if I have to rob an orphan asylum.”

“Eureka!” cried the Judge, enthusiastically.

“No, you didn’t,” said Trinidad, decidedly. “I found it myself. I learned about that Latin word at school.”

“I will accompany you,” declared the Judge, waving his cane. “Perhaps such eloquence and gift of language as I possess will be of benefit in persuading our young friends to lend themselves to our project.”

Within an hour Yellowhammer was acquainted with the scheme of Trinidad and the Judge, and approved it. Citizens who knew of families with offspring within a forty-mile radius of Yellowhammer came forward and contributed their information. Trinidad made careful notes of all such, and then hastened to secure a vehicle and team.

The first stop scheduled was at a double log-house fifteen miles out from Yellowhammer. A man opened the door at Trinidad’s hail, and then came down and leaned upon the rickety gate. The doorway was filled with a close mass of youngsters, some ragged, all full of curiosity and health.

“It’s this way,” explained Trinidad. “We’re from Yellowhammer, and we come kidnappin’ in a gentle kind of a way. One of our leading citizens is stung with the Santa Claus affliction, and he’s due in town to-morrow with half the folderols that’s painted red and made in Germany. The youngest kid we got in Yellowhammer packs a forty-five and a safety razor. Consequently we’re mighty shy on anybody to say ‘Oh’ and ‘Ah’ when we light the candles on the Christmas tree. Now, partner, if you’ll loan us a few kids we guarantee to return ’em safe and sound on Christmas Day. And they’ll come back loaded down with a good time and Swiss Family Robinsons and cornucopias and red drums and similar testimonials. What do you say?”

“In other words,” said the Judge, “we have discovered for the first time in our embryonic but progressive little city the inconveniences of the absence of adolescence. The season of the year having approximately arrived during which it is a custom to bestow frivolous but often appreciated gifts upon the young and tender–”

“I understand,” said the parent, packing his pipe with a forefinger. “I guess I needn’t detain you gentlemen. Me and the old woman have got seven kids, so to speak; and, runnin’ my mind over the bunch, I don’t appear to hit upon none that we could spare for you to take over to your doin’s. The old woman has got some popcorn candy and rag dolls hid in the clothes chest, and we allow to give Christmas a little whirl of our own in a insignificant sort of style. No, I couldn’t, with any degree of avidity, seem to fall in with the idea of lettin’ none of ’em go. Thank you kindly, gentlemen.”

Down the slope they drove and up another foothill to the ranch-house of Wiley Wilson. Trinidad recited his appeal and the Judge boomed out his ponderous antiphony. Mrs. Wiley gathered her two rosy-cheeked youngsters close to her skirts and did not smile until she had seen Wiley laugh and shake his head. Again a refusal.

Trinidad and the Judge vainly exhausted more than half their list before twilight set in among the hills. They spent the night at a stage road hostelry, and set out again early the next morning. The wagon had not acquired a single passenger.

“It’s creepin’ upon my faculties,” remarked Trinidad, “that borrowin’ kids at Christmas is somethin’ like tryin’ to steal butter from a man that’s got hot pancakes a-comin’.”

“It is undoubtedly an indisputable fact,” said the Judge, “that the– ah–family ties seem to be more coherent and assertive at that period of the year.”

On the day before Christmas they drove thirty miles, making four fruitless halts and appeals. Everywhere they found “kids” at a premium.

The sun was low when the wife of a section boss on a lonely railroad huddled her unavailable progeny behind her and said:

“There’s a woman that’s just took charge of the railroad eatin’ house down at Granite Junction. I hear she’s got a little boy. Maybe she might let him go.”

Trinidad pulled up his mules at Granite Junction at five o’clock in the afternoon. The train had just departed with its load of fed and appeased passengers.

On the steps of the eating house they found a thin and glowering boy of ten smoking a cigarette. The dining-room had been left in chaos by the peripatetic appetites. A youngish woman reclined, exhausted, in a chair. Her face wore sharp lines of worry. She had once possessed a certain style of beauty that would never wholly leave her and would never wholly return. Trinidad set forth his mission.

“I’d count it a mercy if you’d take Bobby for a while,” she said, wearily. “I’m on the go from morning till night, and I don’t have time to ‘tend to him. He’s learning bad habits from the men. It’ll be the only chance he’ll have to get any Christmas.”

The men went outside and conferred with Bobby. Trinidad pictured the glories of the Christmas tree and presents in lively colours.

“And, moreover, my young friend,” added the Judge, “Santa Claus himself will personally distribute the offerings that will typify the gifts conveyed by the shepherds of Bethlehem to–”

“Aw, come off,” said the boy, squinting his small eyes. “I ain’t no kid. There ain’t any Santa Claus. It’s your folks that buys toys and sneaks ’em in when you’re asleep. And they make marks in the soot in the chimney with the tongs to look like Santa’s sleigh tracks.”

“That might be so,” argued Trinidad, “but Christmas trees ain’t no fairy tale. This one’s goin’ to look like the ten-cent store in Albuquerque, all strung up in a redwood. There’s tops and drums and Noah’s arks and–”

“Oh, rats!” said Bobby, wearily. “I cut them out long ago. I’d like to have a rifle–not a target one–a real one, to shoot wildcats with; but I guess you won’t have any of them on your old tree.”

“Well, I can’t say for sure,” said Trinidad diplomatically; “it might be. You go along with us and see.”

The hope thus held out, though faint, won the boy’s hesitating consent to go. With this solitary beneficiary for Cherokee’s holiday bounty, the canvassers spun along the homeward road.

In Yellowhammer the empty storeroom had been transformed into what might have passed as the bower of an Arizona fairy. The ladies had done their work well. A tall Christmas tree, covered to the topmost branch with candles, spangles, and toys sufficient for more than a score of children, stood in the centre of the floor. Near sunset anxious eyes had begun to scan the street for the returning team of the child-providers. At noon that day Cherokee had dashed into town with his new sleigh piled high with bundles and boxes and bales of all sizes and shapes. So intent was he upon the arrangements for his altruistic plans that the dearth of children did not receive his notice. No one gave away the humiliating state of Yellowhammer, for the efforts of Trinidad and the Judge were expected to supply the deficiency.

When the sun went down Cherokee, with many wings and arch grins on his seasoned face, went into retirement with the bundle containing the Santa Claus raiment and a pack containing special and undisclosed gifts.

“When the kids are rounded up,” he instructed the volunteer arrangement committee, “light up the candles on the tree and set ’em to playin’ ‘Pussy Wants a Corner’ and ‘King William.’ When they get good and at it, why–old Santa’ll slide in the door. I reckon there’ll be plenty of gifts to go ’round.”

The ladies were flitting about the tree, giving it final touches that were never final. The Spangled Sisters were there in costume as Lady Violet de Vere and Marie, the maid, in their new drama, “The Miner’s Bride.” The theatre did not open until nine, and they were welcome assistants of the Christmas tree committee. Every minute heads would pop out the door to look and listen for the approach of Trinidad’s team. And now this became an anxious function, for night had fallen and it would soon be necessary to light the candles on the tree, and Cherokee was apt to make an irruption at any time in his Kriss Kringle garb.

At length the wagon of the child “rustlers” rattled down the street to the door. The ladies, with little screams of excitement, flew to the lighting of the candles. The men of Yellowhammer passed in and out restlessly or stood about the room in embarrassed groups.

Trinidad and the Judge, bearing the marks of protracted travel, entered, conducting between them a single impish boy, who stared with sullen, pessimistic eyes at the gaudy tree.

“Where are the other children?” asked the assayer’s wife, the acknowledged leader of all social functions.

“Ma’am,” said Trinidad with a sigh, “prospectin’ for kids at Christmas time is like huntin’ in a limestone for silver. This parental business is one that I haven’t no chance to comprehend. It seems that fathers and mothers are willin’ for their offsprings to be drownded, stole, fed on poison oak, and et by catamounts 364 days in the year; but on Christmas Day they insists on enjoyin’ the exclusive mortification of their company. This here young biped, ma’am, is all that washes out of our two days’ manoeuvres.”

“Oh, the sweet little boy!” cooed Miss Erma, trailing her De Vere robes to centre of stage.

“Aw, shut up,” said Bobby, with a scowl. “Who’s a kid? You ain’t, you bet.”

“Fresh brat!” breathed Miss Erma, beneath her enamelled smile.

“We done the best we could,” said Trinidad. “It’s tough on Cherokee, but it can’t be helped.”

Then the door opened and Cherokee entered in the conventional dress of Saint Nick. A white rippling beard and flowing hair covered his face almost to his dark and shining eyes. Over his shoulder he carried a pack.

No one stirred as he came in. Even the Spangler Sisters ceased their coquettish poses and stared curiously at the tall figure. Bobby stood with his hands in his pockets gazing gloomily at the effeminate and childish tree. Cherokee put down his pack and looked wonderingly about the room. Perhaps he fancied that a bevy of eager children were being herded somewhere, to be loosed upon his entrance. He went up to Bobby and extended his red-mittened hand.

“Merry Christmas, little boy,” said Cherokee. “Anything on the tree you want they’ll get it down for you. Won’t you shake hands with Santa Claus?”

“There ain’t any Santa Claus,” whined the boy. “You’ve got old false billy goat’s whiskers on your face. I ain’t no kid. What do I want with dolls and tin horses? The driver said you’d have a rifle, and you haven’t. I want to go home.”

Trinidad stepped into the breach. He shook Cherokee’s hand in warm greeting.

“I’m sorry, Cherokee,” he explained. “There never was a kid in Yellowhammer. We tried to rustle a bunch of ’em for your swaree, but this sardine was all we could catch. He’s a atheist, and he don’t believe in Santa Claus. It’s a shame for you to be out all this truck. But me and the Judge was sure we could round up a wagonful of candidates for your gimcracks.”

“That’s all right,” said Cherokee gravely. “The expense don’t amount to nothin’ worth mentionin’. We can dump the stuff down a shaft or throw it away. I don’t know what I was thinkin’ about; but it never occurred to my cogitations that there wasn’t any kids in Yellowhammer.”

Meanwhile the company had relaxed into a hollow but praiseworthy imitation of a pleasure gathering.

Bobby had retreated to a distant chair, and was coldly regarding the scene with ennui plastered thick upon him. Cherokee, lingering with his original idea, went over and sat beside him.

“Where do you live, little boy?” he asked respectfully.

“Granite Junction,” said Bobby without emphasis.

The room was warm. Cherokee took off his cap, and then removed his beard and wig.

“Say!” exclaimed Bobby, with a show of interest, “I know your mug, all right.”

“Did you ever see me before?” asked Cherokee.