Part 2 out of 3
And how at Roma the gods were broken,
The new was strong, and the old nigh dead,
And love was more than a bare word spoken,
For the sick were healed and the poor were fed;
And we sat mute at his feet, and hearkened:
The grave men came in an hour and went,
But a new light shone on a land long darkened;
The toil was weary, the fruit was spent:
So we came south, till we saw the city,
Speeding three of us, hand in hand,
Seeking peace and the bread of pity,
Journeying out of the Umbrian land;
Till we saw from the hills in a dazzled coma
Over the vines that the wind made shiver,
Tower on tower, the great city Roma,
Palace and temple, and winding river:
And we stood long in a dream and waited,
Watching and praying and purified,
And came at last to the walls belated,
Entering in at the eventide:
And many met us with song and dancing,
Mantled in skins and crowned with flowers,
Waving goblets and torches glancing,
Faces drunken, and grinned in ours:
And one, that ran in the midst, came near us--
"Crown yourselves for the feast," he said,
But we cried out, that the God might hear us,
"Where is Jesus, the living bread?"
And they took us each by the hand with laughter;
Their eyes were haggard and red with wine:
They haled us on, and we followed after,
"We will show you the new God's shrine."
Ah, woe to out tongues, that, forever unsleeping,
Harp and uncover the old hot care,
The soothing ash from the embers sweeping,
Wherever the soles of our sad feet fare.
Ah, we were simple of mind, now knowing,
How dreadful the heart of a man might be;
But the knowledge of evil is mighty of growing;
Only the deaf and the blind are free.
We came to a garden of beauty and pleasure--
It was not the way that our own feet choose--
Where a revel was whirling in many a measure,
And the myriad roar of a great crowd rose;
And the midmost round of the garden was reddened
With pillars of fire in a great high ring--
One look--and our souls forever were deadened,
Though our feet yet move, and our dreams yet sting;
For we saw that each was a live man flaming,
Limbs that a human mother bore,
And a thing of horror was done, past naming,
And the crowd spun round, and we saw no more.
And he that ran in the midst, descrying,
Lifted his hand with a foul red sneer,
And smote us each and the other, crying,
"Thus we worship the new God here.
"The Caesar comes, and the peoples paeans
Hail his name for the new made light,
Pitch and the flesh of the Galileans,
Torches fit for a Roman night;"
And we fell down to the earth, and sickened,
Moaning, three of us, head by head,
"Where is He, whom the good God quickened?
Where is Jesus, the living bread?"
Yet ever we heard, in the foul mirth turning,
Man and woman and child go by,
And ever the yells of the charred men burning,
Piercing heavenward, cry on cry:
And we lay there, till the frightful revel,
Died in the dawn with a few short moans,
Of some that knelt in the wan and level
Shadows, that fell from the blackened bones.
Numb with horror and sick with pity,
The heart of each as an iron weight,
We crept in the dawn from the awful city,
Journeying out of the seaward gate.
The great sun came from the sea before us;
A soft wind blew from the scented south;
But our eyes knew not of the steps that bore us
Down to the ships at the Timber's mouth;
And we prayed then, as we turned our faces
Over the sea to the living God,
That our ways might be in the fierce bare places,
Where never the foot of a live man trod:
And we set sail in the noon, not caring
Whether the prow of the dark ship came,
No more over the old ways faring;
For the sea was cold, but the land was flame:
And the keen ship sped, and a deadly coma
Blotted away from our eyes forever,
Tower on tower, the great city Roma,
Palace and temple and yellow river.
THE COMING OF WINTER
Out of the Northland sombre weirds are calling;
A shadow falleth southward day by day;
Sad summers arms grow cold; his fire is falling;
His feet draw back to give the stern one way.
It is the voice and shadow of the slayer,
Slayer of loves, sweet world, slayer of dreams;
Make sad thy voice with sombre plaint and prayer;
Make gray thy woods, and darken all they streams.
Black grows the river, blacker drifts the eddy:
The sky is grey; the woods are cold below:
Oh make the bosom, and thy sad lips ready,
For the cold kisses of the folding snow.
Hear me, Brother, gently met;
Just a little, turn, not yet,
Thou shalt laugh, and soon forget:
Now the midnight draweth near.
I have little more to tell;
Soon with hallow stroke and knell,
Thou shalt count the palace bell,
Calling that the hour is here.
Burdens black and strange to bear,
I must tell, and thou must share,
Listening with that stony stare,
Even as many a man before.
Years have lightly come and gone
In their jocund unison,
But the tides of life roll on--
They remember now no more.
Once upon a night of glee,
In an hour of revelry,
As I wandered restlessly,
I beheld with burning eye,
How a pale procession rolled
Through a quarter quaint and old,
With its banners and its gold,
And the crucifix went by.
Well I knew that body brave
That was pierced and hung to save,
But my flesh was now a grave
For the soul that gnashed within.
He that they were bearing by,
With their banners white and high,
He was pure, and foul was I,
And his whiteness mocked my sin.
Ah, meseemed that even he,
Would not wait to look on me,
In my years and misery,
Things that he alone could heal.
In mine eyes I felt the flame
Of a rage that naught could tame,
And I cried and cursed his name,
Till my brain began to reel.
In a moment I was 'ware,
How that many watching there,
Fearfully with blanch and stare,
Crossed themselves and shrank away;
Then upon my reeling mind,
Like a sharp blow from behind,
Fell the truth, and left me blind,
Hopeless now and all astray.
O'er the city wandering wide,
Seeking but some place to hide,
Where the sounds of mirth had died,
Through the shaken night I stole;
From the ever-eddying stream
Of the crowds that did but seem
Like the processions in a dream
To my empty echoing soul.
Till I came at last alone
To a hidden street of stone,
Where the city's monotone
On the silence fell no more.
Then I saw how one in white
With a footstep mute and light,
Through the shadow of the night
Like a spirit paced before.
And a sudden stillness came
Through my spirit and my frame,
And a spell without a name
Held me in his mystic track.
Though his presence seemed so mild,
Yet he led me like a child,
With a yearning strange and wild,
That I dared not turn me back.
Oh, I could not see his face,
Nor behold his utmost grace,
Yet I might not change my pace
Fastened by a strange belief;
For his steps were sad and slow,
And his hands hung straight below,
And his head was bowed, as though
Pressed by some immortal grief.
So I followed, yet not I
Held alone that company:
Every silent passer-by
Paled and turned and joined with me;
So we followed still and fleet,
While the city street by street,
Fell behind our rustling feet
Like a deadened memory.
Where the sound of sin and riot
Broke upon the night's dim quiet,
And the solemn bells hung nigh it
Echoed from their looming towers;
Where the mourners wept alway,
Watching for the morning grey;
Where the weary toiler lay,
Husbanding the niggard hours;
By the gates where all night long
Guests in many a joyous throng,
With the sound of dance and song,
Dreamed in golden palaces;
Still he passed, and door by door
Opened with a pale outpour,
And the revel rose no more
Hushed in deeper phantasies.
As we passed, the talk and stir
Of the quiet wayfarer
And the noisy banqueter
Died upon the midnight dim.
They that reeled in drunken glee
Shrank upon the trembling knee,
And their jests died pallidly,
As they rose and followed him.
From the street and from the hall,
From the flare of festival
None that saw him stayed, but all
Followed where his wonder would:
And our feet at first so few
Gathered as those white feet drew
To a pallid multitude;
And the hushed and awful beat
Of our pale unnumbered feet
Made a murmur strange and sweet,
As we followed evermore.
Now the night was almost passed,
And the dawn was overcast,
When the stranger stayed at last
At a great cathedral door.
Never word the stranger said,
But he slowly raised his head,
And the vast door opened
By an unseen hand withdrawn;
And in silence wave on wave,
Like an army from the grave,
Up the aisles and up the nave,
All that spectral crowd rolled on.
As I followed close behind,
Knowledge like an awful wind
Seemed to blow my naked mind
Into darkness black and bare;
Yet with longing wild and dim,
And a terror vast and grim,
Nearer still I pressed to him,
Till I almost touched his hair.
From the gloom so strange and eery,
From the organ low and dreary,
Rose the wailing miserere,
By mysterious voices sung;
And a dim light shone, none knew,
How it came, or whence it grew,
From the dusky roof and through
All the solemn spaces flung.
But the stranger still passed on,
Till he reached the alter stone,
And with body white and prone
Sunk his forehead to the floor;
And I saw in my despair,
Standing like a spirit there,
How his head was bruised and bare,
And his hand were clenched before,
How his hair was fouled and knit
With the blood that clotted it,
Where the prickled thorns had bit
In his crowned agony;
In his hands so wan and blue,
Leaning out, I saw the two
Marks of where the nails pierced through,
Once on gloomy Calvary.
Then with trembling throat I owned
All my dark sin unatoned,
Telling it with lips that moaned,
And methought an echo came
From the bended crowd below,
Each one breathing faint and low,
Sins that none but he might know:
"Master I did curse thy name."
And I saw him slowly rise
With his sad unearthly eyes,
Meeting mine with meek surprise,
And a voice came solemnly:
"Never more on mortal ground
For they soul shall rest be found,
But when bells at midnight sound
Thou must rise and come with me."
Then my forehead smote the floor,
Swooning, and I knew no more,
Till I heard the chancel door
Open for the choristers:
But the stranger's form was gone,
And the church was dim and lone:
Through the silence, one by one
Stole the early worshippers.
I an ageing now I know;
That was many years ago,
Yet or I shall rest below
In the grave where none intrude,
Night by night I roam the street,
And that awful form I meet,
And I follow pale and fleet,
With a ghostly multitude.
Every night I see his face,
With its sad and burdened grace,
And the torn and bloody trace,
That in hands and feet he has.
Once my life was dark and bad;
Now its days are strange and sad,
And the people call me mad:
See, they whisper as they pass.
Even now the echoes roll
From the swinging bells that toll;
It is midnight, now my soul
Hasten, for he glideth by.
Stranger, 'tis no phantasie:
Look! my master waits for me
Mutely, but thou canst not see
With the mortal blinded eye.
In his dim chapel day by day
The organist was wont to play,
And please himself with fluted reveries;
And all the spirit's joy and strife,
The longing of a tender life,
Took sound and form upon the ivory keys;
And though he seldom spoke a word,
The simple hearts that loved him heard
His glowing soul in these.
One day as he wrapped, a sound
Of feet stole near; he turned and found
A little maid that stood beside him there.
She started, and in shrinking-wise
Besought him with her liquid eyes
And little features, very sweet and spare.
"You love the music, child," he said,
And laid his hand upon her head,
And smoothed her matted hair.
She answered, "At the door one day
I sat and heard the organ play;
I did not dare to come inside for fear;
But yesterday, a little while,
I crept half up the empty aisle
And heard the music sounding sweet and clear;
To-day I thought you would not mind,
For, master dear, your face was kind,
And so I came up here."
"You love the music then," he said,
And still he stroked her golden head,
And followed out some winding reverie;
"And you are poor?" said he at last;
The maiden nodded, and he passed
His hand across his forehead dreamingly;
"And will you be my friend?" he spake,
"And on the organ learn to make
Grand music here with me?"
And all the little maiden's face
Was kindled with a grateful grace;
"Oh, master, teach me; I will slave for thee!"
She cried; and so the child grew dear
To him, and slowly year by year
He taught her all the organ's majesty;
And gave her from his slender store
Bread and warm clothing, that no more
Her cheeks were pinched to see.
And year by year the maiden grew
Taller and lovelier, and the hue
Deepened upon her tender cheeks untried.
Rounder, and queenlier, and more fair
Her form grew, and her golden hair
Fell yearly richer at the master's side.
In speech and bearing, form and face,
Sweeter and graver, grace by grace,
Her beauties multiplied.
And sometimes at his work a glow
Would touch him, and he murmured low
"How beautiful she is?" and bent his head;
And sometimes when the day went by
And brought no maiden he would sigh,
And lean and listen to her velvet tread;
And he would drop his hands and say,
"My music cometh not to-day;
Pray God she be not dead!"
So the sweet maiden filled his heart,
And with her growing grew his art,
For day by day more wondrously he played.
Such heavenly things the master wrought,
That in his happy dreams he thought,
The organ's self did love the gold-haired maid:
But she, the maiden, never guessed--
What prayers for her in hours of rest
The sombre organ prayed.
At last, one summer morning fair,
The maiden came with braided hair,
And took his hands, and held them eagerly.
"To-morrow is my wedding day;
Dear master, bless me that the way
Of life be smooth, not bitter unto me."
He stirred not; but the light did go
Out of his shrunken cheeks, and oh!
His head hung heavily.
"You love him, then?" "I love him well,"
She answered, and a numbness fell
Upon his eyes and all his heart that bled.
A glory, half a smile, abode
Within the maiden's eyes and glowed
Upon her parted lips. The master said,
"God bless and bless thee, little maid,
With peace and long delight," and laid
His hands upon her head.
And she was gone; and all that day
The hours crept up and slipped away,
And he sat still, as moveless as a stone.
The night came down, with quiet stars,
And darkened him: in coloured bars
Along the shadowy aisle the moonlight shone.
And then the master woke and passed
His hands across the keys at last,
And made the organ moan.
The organ shook, the music wept;
For sometimes like a wail it crept
In broken moanings down the shadows drear;
And otherwhiles the sound did swell,
And like a sudden tempest fell
Through all the windows wonderful and clear.
The people gathered from the street,
And filled the chapel seat by seat--
They could not choose but hear.
And there they sat till dawning light,
Nor ever stirred to awe. "To-night,
The master hath a noble mood," they said.
But on a sudden ceased the sound:
Like ghosts the people gathered round,
And on the keys they found his fallen head.
The silent organ had received
The master's broken heart relieved,
And he was white and dead.
In Nino's chamber not a sound intrudes
Upon the midnight's tingling silentness,
Where Nino sits before his book and broods,
Thin and brow-burdened with some fine distress,
Some gloom that hangs about his mournful moods
His weary bearing and neglected dress:
So sad he sits, nor ever turns a leaf--
Sorrow's pale miser o'er his hoard of grief.
Young Nino and Leonora, they had met
Once at a revel by some lover's chance,
And they were young with hearts already set
To tender thoughts, attuned to romance;
Wherefore it seemed they never could forget
That winning touch, that one bewildering glance:
But found at last a shelter safe and sweet,
Where trembling hearts and longing hands might meet.
Ah, sweet their dreams, and sweet, the life they led
With that great love that was their bosoms' all,
Yet ever shadowed by some circling dread
It gloomed at moments deep and tragical,
And so for many a month they seemed to tread
With fluttering hearts, whatever might befall,
Half glad, half sad, their sweet and secret way
To the soft tune of some old lover's lay.
But she is gone, alas he knows not where,
Or how his life that tender gift should lose:
Indeed his love was ever full of care,
The hasty joys and griefs of him who woos,
Where sweet success is neighbour to despair,
With stolen looks and dangerous interviews:
But one long week she came not, nor the next,
And so he wandered here and there perplext;
Nor evermore she came. Full many days
He sought her at their trysts, devised deep schemes
To lure her back, and fell on subtle ways
To win some word of her; but all his dreams
Vanished like smoke, and then in sore amaze
From town to town, as one that crazed seems,
He wandered, following in unhappy quest
Uncertain clues that ended like the rest.
And now this midnight, as he sits forlorn,
The printed page for him no meaning bears;
With every word some torturing dream is born;
And every thought is like a step that scares
Old memories up to make him weep and mourn,
He cannot turn but from their latchless lairs,
The weary shadows of his lost delight.
Rise up like dusk birds through the lonely night.
And still with questions vain he probes his grief,
Till thought is wearied out, and dreams grow dim.
What bitter chance, what woe beyond belief
Could keep his lady's heart so hid from him?
Or was her love indeed but light and brief,
A passing thought, a moment's dreamy whim?
Aye there it stings, the woe that never sleeps:
Poor Nino leans upon his book, and weeps.
Until at length the sudden grief that shook
His pierced bosom like a gust is past,
And laid full weary on the wide-spread book,
His eyes grow dim with slumber light and fast;
But scarcely have his dreams had time to look
On lands of kindlier promise, when aghast
He starts up softly, and in wondering wise
Listens atremble with wide open eyes.
What sound was that? Who knocks like one in dread
With such swift hands upon his outer door?
Perhaps some beggar driven from his bed
By gnawing hunger he can bear no more,
Or questing traveller with confused tread,
Straying, bewildered in the midnight hoar.
Nino uprises, scared, he knows not how,
The dreams still pale about his burdened brow.
The heavy bolt he draws, and unawares
A stranger enters with slow steps, unsought,
A long robed monk, and in his hand he bears,
A jewelled goblet curiously wrought;
But of his face beneath the cowl he wears
For all his searching Nino seeth nought;
And slowly past him with long stride he hies,
While Nino follows with bewildered eyes.
Straight on he goes with dusky rustling gown
His steps are soft, his hands are white and fine;
And still he bears the goblet on whose crown
A hundred jewels in the lamplight shine;
And ever from its edges dripping down
Falls with dark stain the rich and lustrous wine,
Wherefrom through all the chamber's shadowy deeps
A deadly perfume like a vapour creeps.
And now he sets it down with careful hands
On the slim table's polished ebony;
And for a space as if in dreams he stands,
Close hidden in his sombre drapery.
"Oh lover, by thy lady's last commands,
I bid thee hearken, for I bear with me
A gift to give thee and a tale to tell
From her who loved thee, while she lived too well."
The stranger's voice falls slow and solemnly.
Tis soft, and rich, and wondrous deep of tone;
And Nino's face grows white as ivory,
Listening fast-rooted like a shape of stone.
Ah, blessed saints, can such a dark thing be?
And was it death, and is Leonora gone?
Oh, love is harsh, and life is frail indeed,
That gives men joy, and then so makes them bleed.
"There is the gift I bring"; the stranger's head
Turns to the cup that glitters at his side;
"And now my tongue draws back for very dread,
Unhappy youth, from what it must not hide.
The saddest tale that ever lips have said;
Yet thou must know how sweet Lenora died,
A broken martyr for love's weary sake,
And left this gift for thee to leave or take."
Poor Nino listens with that marble face,
And eyes that move not, strangely wide and set.
The monk continues with his mournful grace:
"She told me, Nino, how you often met
In secret, and your plighted loves kept pace,
Together, tangled in the self-same net;
Your dream's dark danger and its dread you knew,
And still you met, and still your passion grew.
"And aye with that luxurious fire you fed
Your dangerous longing daily, crumb by crumb;
Nor ever cared that still above your head
The shadow grew; for that your lips were dumb.
You knew full keenly you could never wed:
'Twas all a dream: the end must surely come;
For not on thee her father's eyes were turned
To find a son, when mighty lords were spurned.
"Thou knowest that new-sprung prince, that proud up-start,
Pisa's new tyrant with his armed thralls,
Who bends of late to take the people's part,
Yet plays the king among his marble halls,
Whose gloomy palace in our city's heart,
Frowns like a fortress with its loop-holed walls.
'Twas him he sought for fair Leonora's hand,
That so his own declining house might stand.
"The end came soon; 'twas never known to thee;
But, when your love was scarce a six months old,
She sat one day beside her father's knee,
And in her ears the dreadful thing was told.
Within one month her bridal hour should be
With Messer Gianni for his power and gold;
And as she sat with whitened lips the while,
The old man kissed her, with his crafty smile.
"Poor pallid lady, all the woe she felt
Thou, wretched Nino, thou alone canst know,
Down at his feet with many a moan she knelt,
And prayed that he would never wound her so.
Ah, tender saints! it was a sight to melt
The flintiest heart; but his could never glow.
He sat with clenched hands and straightened head,
And frowned, and glared, and turned from white to red.
"And still with cries about his knees she clung,
Her tender bosom broken with her care.
His words were brief, with bitter fury flung:
'The father's will the child must meekly bear;
I am thy father, thou a girl and young.'
Then to her feet she rose in her despair,
And cried with tightened lips and eyes aglow,
One daring word, a straight and simple, 'No!'
"Her father left her with wild words, and sent
Rough men, who dragged her to a dungeon deep,
Where many a weary soul in darkness pent
For many a year had watched the slow days creep,
And there he left her for his dark intent,
Where madness breeds and sorrows never sleep.
Coarse robes he gave her, and her lips he fed
With bitter water and a crust of bread.
"And day by day still following out his plan,
He came to her, and with determined spite
Strove with soft words and then with curse and ban
To bend her heart so wearied to his might,
And aye she bode his bitter pleasure's span,
As one that hears, but hath not sense or sight.
Ah, Nino, still her breaking heart held true:
Poor lady sad, she had no thought but you.
"The father tired at last and came no more,
But in his settled anger bade prepare
The marriage feast with all luxurious store,
With pomps and shows and splendors rich and rare;
And so in toil another fortnight wore,
Nor knew she aught what things were in the air,
Till came the old lord's message brief and coarse:
Within three days she should be wed by force.
"And all that noon and weary night she lay,
Poor child, like death upon her prison stone,
And none that came to her but crept away,
Sickened at heart to see her lips so moan,
Her eyes so dim within their sockets grey,
Her tender cheeks so thin and ghastly grown;
But when the next morn's light began to stir,
She sent and prayed that I might be with her.
"This boon he gave: perchance he deemed that I,
The chaplain of his house, her childhood's friend,
With patient tones and holy words, might try
To soothe her purpose to his gainful end.
I bowed full low before his crafty eye,
But knew my heart had no base help to lend.
That night with many a silent prayer I came
To poor Leonora in her grief and shame.
"But she was strange to me: I could not speak
For glad amazement, mixed with some dark fear;
I saw her stand no longer pale and weak,
But a proud maiden, queenly and most clear,
With flashing eyes and vermeil in her cheek:
And on the little table, set anear,
I marked two goblets of rare workmanship
With some strange liquor crowned to the lip.
"And then she ran to me and caught my hand,
Tightly imprisoned in her meagre twain,
And like the ghost of sorrow she did stand,
And eyed me softly with a liquid pain:
'Oh father, grant, I pray thee, I command,
One boon to me, I'll never ask again,
One boon to me and to my love, to both;
Dear father, grant, and bind it with an oath.'
"This granted I, and then with many a wail
She told me all the story of your woe,
And when she finished, lightly but most pale,
To those two brimming goblets she did go,
And one she took within her fingers frail,
And looked down smiling in its crimson glow:
'And now thine oath I'll tell; God grant to thee
No rest in grave, if thou be false to me.
"'Alas, poor me! whom cruel hearts would wed
On the sad morrow to that wicked lord;
But I'll not go; nay, rather I'll be dead,
Safe from their frown and from their bitter word.
Without my Nino life indeed were sped;
And sith we two can never more accord
In this drear world, so weary and perplext,
We'll die, and win sweet pleasure in the next.
"'Oh father, God will never give thee rest,
If thou be false to what thy lips have sworn,
And false to love, and false to me distressed,
A helpless maid, so broken and outworn.
This cup--she put it softly to her breast--
I pray thee carry, ere the morrow morn,
To Nino's hand, and tell him all my pain;
This other with mine own lips I will drain.'
"Slowly she raised it to her lips, the while
I darted forward, madly fain to seize
Her dreadful hands, but with a sudden wile
She twisted and sprang from me with bent knees,
And rising turned upon me with a smile,
And drained her goblet to the very lees.
'Oh priest, remember, keep thine oath,' she cried,
And the spent goblet fell against her side.
"And then she moaned and murmured like a bell:
'My Nino, my sweet Nino!' and no more
She said, but fluttered like a bird and fell
Lifeless as marble to the footworn floor;
And there she lies even now in lonely cell,
Poor lady, pale with all the grief she bore,
She could not live, and still be true to thee,
And so she's gone where no rude hands can be."
The monk's voice pauses like some mournful flute,
Whose pondered closes for sheer sorrow fail,
And then with hand that seems as it would suit
A soft girl best, it is so light and frail,
He turns half round, and for a moment mute
Points to the goblet, and so ends his tale:
"Mine oath is kept, thy lady's last command;
'Tis but a short hour since it left her hand."
So ends the stranger: surely no man's tongue
Was e'er so soft, or half so sweet, as his.
Oft as he listened, Nino's heart had sprung
With sudden start as from a spectre's kiss;
For deep in many a word he deemed had rung
The liquid fall of some loved emphasis;
And so it pierced his sorrow to the core,
The ghost of tones that he should hear no more.
But now the tale is ended, and still keeps
The stranger hidden in dusky weed;
And Nino stands, wide-eyed, as one that sleeps,
And dimly wonders how his heart doth bleed.
Anon he bends, yet neither moans nor weeps,
But hangs atremble, like a broken reed;
"Ah! bitter fate, that lured and sold us so,
Poor lady mine; alas for all our woe!"
But even as he moans in such dark mood,
His wandering eyes upon the goblet fall.
Oh, dreaming heart! Oh, strange ingratitude!
So to forget his lady's lingering call,
Her parting gift, so rich, so crimson-hued,
The lover's draught, that shall be cure for all.
He lifts the goblet lightly from its place,
And smiles, and rears it with his courtly grace.
"Oh, lady sweet, I shall not long delay:
This gift of thine shall bring me to thine eyes.
Sure God will send on no unpardoned way
The faithful soul, that at such bidding dies.
When thou art gone, I cannot longer stay
To brave this world with all its wrath and lies,
Where hands of stone and tongues of dragon's breath
Have bruised mine angel to her piteous death."
And now the gleaming goblet hath scarce dyed
His lips' thin pallor with its deathly red,
When Nino starts in wonder, fearful-eyed,
For, lo! the stranger with outstretched head
Springs at his face one soft and sudden stride,
And from his hand the deadly cup hath sped,
Dashed to the ground, and all its seeded store
Runs out like blood upon the marble floor.
"Oh, Nino, my sweet Nino! speak to me,
Nor stand so strange, nor look so deathly pale.
'Twas all to prove thy heart's dear constancy
I brought that cup and told that piteous tale.
Ah! chains and cells and cruel treachery
Are weak indeed when women's hearts assail.
Art angry, Nino?" 'Tis no monk that cries,
But sweet Leonora with her love-lit eyes.
She dashes from her brow the pented hood;
The dusky robe falls rustling to her feet;
And there she stands, as aye in dreams she stood.
Ah, Nino, see! Sure man did never meet
So warm a flower from such a sombre bud,
So trembling fair, so wan, so pallid sweet.
Aye, Nino, down like saint upon thy knee,
And soothe her hands with kisses warm and free.
And now with broken laughter on her lips,
And now with moans remembering of her care,
She weeps, and smiles, and like a child she slips
Her lily fingers through his curly hair,
The while her head with all it's sweet she dips,
Close to his ear, to soothe and murmur there;
"Oh, Nino, I was hid so long from thee,
That much I doubted what thy love might be.
"And though 'twas cruel hard of me to try
Thy faithful heart with such a fearful test,
Yet now thou canst be happy, sweet, as I
Am wondrous happy in thy truth confessed.
To haggard death indeed thou needst not fly
To find the softness of thy lady's breast;
For such a gift was never death's to give,
But thou shalt have me for thy love, and live.
"Dost see these cheeks, my Nino? they're so thin,
Not round and soft, as when thou touched them last:
So long with bitter rage they pent me in,
Like some poor thief in lonely dungeons cast;
Only this night through every bolt and gin
By cunning stealth I wrought my way at last.
Straight to thine heart I fled, unfaltering,
Like homeward pigeon with uncaged wing.
"Nay, Nino, kneel not; let me hear thee speak.
We must not tarry long; the dawn is nigh."
So rises he, for very gladness weak;
But half in fear that yet the dream may fly,
He touches mutely mouth and brow and cheek;
Till in his ear she 'gins to plead and sigh:
"Dear love, forgive me for that cruel tale,
That stung thine heart and made thy lips so pale."
And so he folds her softly with quick sighs,
And both with murmurs warm and musical
Talk and retalk, with dim or smiling eyes,
Of old delights and sweeter days to fall:
And yet not long, for, ere the starlit skies,
Grow pale above the city's eastern wall,
They rise, with lips and happy hands withdrawn,
And pass out softly into the dawn.
For Nino knows the captain of a ship,
The friend of many journeys, who may be
This very morn will let his cables slip
For the warm coast of Sicily.
There in Palermo, at the harbour's lip,
A brother lives, of tried fidelity:
So to the quays by hidden ways they wend
In the pale morn, nor do they miss their friend.
And ere the shadow off another night
Hath darkened Pisa, many a foe shall stray
Through Nino's home, with eyes malignly bright
In wolfish quest, but shall not find his prey:
The while those lovers in their white-winged flight
Shall see far out upon the twilight grey,
Behind, the glimmer of the sea, before,
The dusky outlines of a kindlier shore.
THE CHILD'S MUSIC LESSON
Why weep ye in your innocent toil at all?
Sweet little hands, why halt and tremble so?
Full many a wrong note falls, but let it fall!
Each note to me is like a golden glow;
Each broken cadence like a mourning call;
Nay, clear and smooth I would not have you go,
Soft little hands, upon the curtained threshold set
Of this long life of labour, and unrestful fret.
Soft sunlight flickers on the checkered green:
Warm winds are stirring round my dreaming seat:
Among the yellow pumpkin blooms, that lean
Their crumpled rims beneath the heavy heat,
The striped bees in lazy labour glean
From bell to bell with golden-feathered feet;
Yet even here the voices of hard life go by;
Outside, the city strains with its eternal cry.
Here, as I sit--the sunlight on my face,
And shadows of green leaves upon mine eyes--
My heart, a garden in a hidden place,
Is full of folded buds of memories.
Stray hither then with all your old time grace,
Child-voices, trembling from the uncertain keys;
Play on, ye little fingers, touch the settled gloom,
And quickly, one by one, my waiting buds will bloom.
Ah me, I may not set my feet again
In any part of that old garden dear,
Or pluck one widening blossom, for my pain;
But only at the wicket gaze I hear:
Old scents creep into mine inactive brain,
Smooth scents of things, I may not come anear;
I see, far off, old beaten pathways they adorn;
I cannot feel with hands the blossom of the thorn.
Toil on, sweet hands; once more I see the child;
The little child, that was myself, appears,
And all the old time beauties, undefiled,
Shine back to me across the opening years,
Quick griefs, that made the tender bosom wild,
Short blinding gusts, that died in passionate tears,
Sweet life, with all its change, that now so happy seems,
With all its child-heart glories, and untutored dreams.
Play on into the golden sunshine so,
Sweeter than all great artists' labouring:
I too was like you once, an age ago:
God keep you, dimpled fingers, for you bring
Quiet gliding ghosts to me of joy and woe,
No certain things at all that thrill or sting,
But only sounds and scents and savours of things bright,
No joy or aching pain; but only dim delight.
AN ATHENIAN REVERIE
How the returning days, one after one,
Came ever in their rhythmic round, unchanged,
Yet from each looped robe for every man
Some new thing falls. Happy is he
Who fronts them without fear, and like the gods
Looks out unanxiously on each day's gift
With calmly curious eye. How many things
Even in a little space, both good and ill,
Have fallen on me, and yet in all of them
The keen experience or the smooth remembrance
Hath found some sweet. It scarcely seems a month
Since we saw Crete; so swiftly sped the days,
Borne onward with how many changing scenes,
Filled with how many crowding memories.
Not soon shall I forget them, the stout ship,
All the tense labour with the windy sea,
The cloud-wrapped heights of Crete, beheld far off,
And white Cytaeon with its stormy pier,
The fruitful valleys, the wild mountain road,
And those long days of ever-vigilant toil,
Scarcely with sleepless craft and unmoved front
Escaping robbers, that quiet restful eve
At rich Gortyna, where we lay and watched
The dripping foliage, and the darkening fields,
And over all huge-browed above the night
Ida's great summit with its fiery crown;
And then once more the stormy treacherous sea,
The noisy ship, the seamen's vehement cries,
That battled with the whistling wind, the feet
Reeling upon the swaying deck, and eyes
Strained anxiously toward land; ah, with what joy
At last the busy pier at Nauplia,
Rest and firm shelter for our racking brains:
Most sweet of all, most dear to memory
That journey with Euktemon through the hills
By fair Cleonae and the lofty pass;
Then Corinth with its riotous jollity,
Remembered like a reeling dream; and here
Good Theron's wedding, and this festal day;
And I, chief helper in its various rites,
Not least, commissioned through these wakeful hours
To dream before the quiet thalamos,
Unsleeping, like some full-grown bearded Eros,
The guardian of love's sweetest mysteries.
To-morrow I shall hear again the din
Of the loosed cables, and the rowers' chaunt,
The rattled cordage and the plunging oars.
Once more the bending sail shall bear us on
Across the level of the laughing sea.
Ere mid-day we shall see far off behind us,
Faint as the summit of a sultry cloud,
The white Acropolis. Past Sunium
With rushing keel, the long Euboean strand,
Hymettus and the pine-dark hills shall fade
Into the dusk: at Andros we shall water,
And ere another starlight hush the shores
From seaward valleys catch upon the wind
The fragrance of old Chian vintages.
At Chios many things shall fall but none
Can trace the future; rather let me dream
Of what is now, and what hath been, for both
Are fraught with life.
Here the unbroken silence
Awakens thought and makes remembrance sweet.
How solidly the brilliant moonlight shines
Into the courts; beneath the colonnades
How dense the shadows. I can scarcely see
Yon painted Dian on the darkened wall;
Yet how the gloom hath made her real. What sound,
Piercing the leafy covert of her couch,
Hath startled her. Perchance some prowling wolf,
Or luckless footsteps of the stealthy Pan,
Creeping at night among noiseless steeps
And hollows of the Erymanthian woods,
Roused her from sleep. With listening head,
Snatched bow, and quiver lightly slung, she stands,
And peers across that dim and motionless glade,
Beckoning about her heels the wakeful dogs;
Yet Dian, thus alert, is but a dream,
Making more real this brooding quietness.
How strong and wonderful is night! Mankind
Has yielded all to one sweet helplessness:
Thought, labour, strife and all activities
Have ebbed like fever. The smooth tide of sleep,
Rolling across the fields of Attica,
Hath covered all the labouring villages.
Even great Athens with her busy hands
And busier tongues lies quiet beneath its waves.
Only a steady murmur seems to come
Up from her silentness, as if the land
Were breathing heavily in dreams. Abroad
No creature stirs, not even the reveller,
Staggering, unlanterned, from the cool Piraeus,
With drunken shout. The remnants of the feast,
The crumpled cushions and the broken wreathes,
Lie scattered in yon shadowy court, whose stones
Through the warm hours drink up the staining wine.
The bridal oxen in their well-filled stalls
Sleep, mindless of the happy weight they drew.
The torch is charred; the garlands at the door,
So gay at morning with their bright festoons,
Hang limp and withered; and the joyous flutes
Are empty of all sound. Only my brain
Holds now in its remote unsleeping depths
The echo of the tender hymenaeos
And memory of the modest lips that sang it.
Within the silent thalamos the queen,
The sea-sprung radiant Cytherean reigns,
And with her smiling lips and fathomless eyes
Regards the lovers, knowing that this hour
Is theirs once only. Earth and thought and time
Lie far beyond them, a great gulf of joy,
Absorbing fear, regret and every grief,
A warm eternity: or now perchance
Night and the very weight of happiness,
Unsought, have turned upon their tremulous eyes
The mindless stream of sleep; nor do they care
If dawn should never come.
These hours have gone with all their pictured scenes,
A string of golden beads for memory
To finger over in her moods, or stay
The hunger of some wakeful hour like this,
The flowers, the myrtles, the gay bridal train,
The flutes and pensive voices, the white robes,
The shower of sweet-meats, and the jovial feast,
The bride cakes, and the teeming merriment,
Most beautiful of all, most sweet to name,
The good Lysippe with her down-cast eyes,
Touched with soft fear, half scared at all the noise,
Whose tears were ready as her laughter, fresh,
And modest as some pink anemone.
How young she looked, and how her smiling lips
Betrayed her happiness. Ah, who can tell,
How often, when no watchful eye was near,
Her eager fingers, trembling and ashamed,
Essayed the apple-pips, or strewed the floor
With broken poppy petals. Next to her,
Theron himself the gladest goodliest figure,
His honest face ruddy with health and joy,
And smiling like the AEgean, when the sun
Hangs high in heaven, and the freshening wind
Comes in from Melos, rippling all its floor:
And there was Manto too, the good old crone,
So dear to children with her store of tales,
Warmed with new life: how to her old grey face
And withered limbs the very dance of youth
Seemed to return, and in her aged eyes
The waning fire rekindled: little Maeon,
That mischievous satyr with his tipsy wreath,
Who kept us laughing at his pranks, and made
Old Phyrrho angry. Him too sleep hath bound
Upon his rough-hewn couch with subtle thong,
Crowding his brain with odd fantastic shapes.
Even in sleep his little limbs, I think,
Twitch restlessly, and still his tongue gibes on
With inarticulate murmur. Ah, quaint Maeon!
And Manto, poor old Manto, what dim dreams
Of darkly-moving chaos and slow shapes
Of things that creep encumbered with huge burdens
Gloom and infest her through these dragging hours,
Haunting the wavering soul, so near the grave?
But all things journey to the same quiet end
At last, life, joy and every form of motion.
Nothing stands still. Not least inevitable,
The sad recession of this passionate love,
Whose panting fires, so soon and with such grief,
Burn down to ash.
Ai! Ai! 'tis a strange madness
To give up thought, ambition, liberty,
And all the rooted custom of our days,
Even life itself for one all pampering dream,
That withers like those garlands at the door;
And yet I have seen many excellent men
Besotted thus, and some that bore till death,
In the crook'd vision and embittered tongue,
The effect of this strange poison, like a scar,
An ineradicable hurt; but Fate,
Who deals more wondrously in this disease
Even than in others, yet doth sometimes will
To make the same thing unto different men
Evil or good. Was not Demetrios happy,
Who wore his fetters with such grace, and spent
On Chione, the Naxian, that shrewd girl,
His fortune and his youth, yet, while she lived,
Enjoyed the rich reward? He seemed like one,
That trod on wind, and I remember well,
How when she died in that remorseless plague,
And I alone stood with him at the pyre,
He shook me with his helpless passionate grief.
And honest Agathon, the married man,
Whose boyish fondness for his pretty wife
We smiled at, and yet envied; at the close
Of each day's labour how he posted home,
And thence no bait, however plumed, could draw him.
We laughed, but envied him. How sweet she looked
That morning at the Dyonisia,
With her rare eyes and modest girlish grace,
Leading her two small children by the palm.
I too might marry, if the faithful gods
Would promise me such joy as Agathon's.
Perhaps some day--but no, I am not one
To clip my wings, and wind about my feet
A net, whose self-made meshes are as stern
As they are soft. To me is ever present
The outer world with its untravelled paths,
The wanderer's dream, the itch to see new things.
A single tie could never bind me fast,
For life, this joyous, busy, ever-changing life,
Is only dear to me with liberty,
With space of earth for feet to travel in
And space of mind for thought.
Not so for all;
To most men life is but a common thing,
The hours a sort of coin to barter with,
Whose worth is reckoned by the sum they buy
In gold, or power, or pleasure; each short day
That brings not these deemed fruitless as dry sand.
Their lives are but a blind activity,
And death to them is but the end of motion,
Grey children who have madly eat and drunk,
Won the high seats or filled their chests with gold.
And yet for all their years have never seen
The picture of their lives, or how life looks
To him who hath the deep uneager eye,
How sweet and large and beautiful it was,
How strange the part they played. Like him who sits
Beneath some mighty tree, with half-closed eyes,
At ease rejoicing in its murmurous shade,
Yet never once awakes from his dull dream
To mark with curious joy the kingly trunk,
The sweeping boughs and tower of leaves that gave it,
Even so the most of men; they take the gift,
And care not for the giver. Strange indeed
Are they, and pitiable beyond measure,
Who, thus unmindful of their wretchedness,
Crowd at life's bountiful gates, like fattening beggars;
Greedy and blind. For see how rich a thing
Life is to him who sees, to whom each hour
Brings some fresh wonder to be brooded on,
Adds some new group or studied history
To that wrought sculpture, that our watchful dreams
Cast up upon the broad expanse of time,
As in a never-finished frieze, not less
The little things that most men pass unmarked
Than those that shake mankind. Happy is he,
Who, as a watcher, stands apart from life,
From all life and his own, and thus from all,
Each thought, each deed, and each hour's brief event,
Draws the full beauty, sucks its meaning dry.
For him this life shall be a tranquil joy.
He shall be quiet and free. To him shall come
No gnawing hunger for the coarser touch,
No mad ambition with its fateful grasp;
Sorrow itself shall sway him like a dream.
How full life is; how many memories
Flash, and shine out, when thought is sharply stirred;
How the mind works, when once the wheels are loosed,
How nimbly, with what swift activity.
I think, 'tis strange that men should ever sleep,
There are so many things to think upon,
So many deeds, so many thoughts to weigh,
To pierce and plumb them to the silent depth.
Yet in that thought I do rebuke myself,
Too little given to probe the inner heart,
But rather wont, with the luxurious eye,
To catch from life its outer loveliness,
Such things as do but store the joyous memory
With food for solace rather than for thought,
Like light-lined figures on a painted jar.
I wonder where Euktemon is to-night,
Euktemon with his rough and fitful talk,
His moody gesture and defiant stride;
How strange, how bleak and unapproachable;
And yet I liked him from the first. How soon
We know our friends, through all disguise of mood,
Discerning by a subtle touch of spirit
The honest heart within. Euktemon's glance
Betrayed him with its gusty friendliness,
Flashing at moments from the clouded brow,
Like brave warm sunshine, and his laughter too,
So rare, so sudden, so contagious,
How at some merry scene, some well-told tale,
Or swift invention of the winged wit,
It broke like thunderous water, rolling out
In shaken peals on the delighted ear.
Yet no man would have dreamed, who saw us two
That first grey morning on the pier at Crete,
That friendship could have forged thus easily
A bond so subtle and so sure between us;
He, gloomy and austere; I, full of thought
As he, yet in adverse mood, at ease,
Lifting with lighter hands the lids of life,
Untortured by its riddles; he, whose smiles
Were rare and sudden as the autumn sun;
I, to whom smiles are ever near the lip
And yet I think he loved me too; my mood
Was not unpleasant to him, though I know
At times I teased him with flickering talk.
How self-immured he was; for all our converse
I gathered little, little, of his life,
A bitter trial to me, who love to learn
The changes of men's outer circumstance,
The strokes that fate has shaped them with, and so,
Fitting to these their present speech and favour,
Discern the thought within. From him I gleaned
Nothing. At least the word, however guarded,
That sought to try the fastenings of his life
With prying hands, how mute and dark he grew,
And like the cautious tortoise at a touch
Drew in beneath his shell.
But ah, how sweet
The memory of that long untroubled day,
To me so joyous, and so free from care,
Spent as I love on foot, our first together,
When fate and the reluctant sea at last
Had given us safely to dry land; the tramp
From grey Mycenae by the pass to Corinth,
The smooth white road, the soft caressing air,
Full of the scent of blossoms, the clear sky,
Strewn lightly with the little tardy clouds,
Old Helios' scattered flock, the low-branched oaks
And fountained resting-places, the cool nooks,
Where eyes less darkened with life's use than mine
Perchance had caught the Naiads in their dreams,
Or won white glimpses of their flying heels.
How light our feet were: with what rhythmic strides
We left the long blue gulf behind us, sown
Far out with snowy sails; and how our hearts
Rose with the growth of morning, till we reached
That moss-hung fountain on the hillside near
Cleonae, where the dark anemones
Cover the ground, and make it red like fire.
Could ever grief, I wonder, or fixed care,
Or even the lingering twilight of old age,
Divest for me such memories of their sweet?
Even Euktemon's obdurate mood broke down.
The odorous stillness, the serene bright air,
The leafy shadows, the warm blossoming earth,
Drew near with their voluptuous eloquence,
And melted him. Ah, what a talk we had!
How eagerly our nimble tongues ran on,
With linked wit, in joyous sympathy.
Such hours, I think, are better than long years
Of brooding loneliness, mind touching mind
To leaping life, and thought sustaining thought,
Till even the darkest chambers of grey time,
His ancient seats, and bolted mysteries,
Open their hoary doors, and at a look
Lay all their treasures bare. How, when our thought
Wheeling on ever bolder wings at last
Grew as it seemed too large for utterance,
We both fell silent, striving to recall
And grasp such things as in our daring mood
We had but glimpsed and leaped at; yet how long
We studied thus with absent eyes, I know not;
Our thought died slowly out; the busy road,
The voices of the passers-by, the change
Of garb and feature, and the various tongues
Absorbed us. Ah, how clearly I recall them!
For in these silent wakeful hours the mind
Is strangely swift. With that sharp lines
The shapes of things that even years have buried
Shine out upon the rapid memory,
Moving and warm like life. I can see now
The form of that tall peddler, whose strange wares,
Outlandish dialect and impudent gait
Awoke Euktemon's laughter. In mine ear
Is echoing still the cracking string of gibes,
They flung at one another. I remember too
The grey-haired merchant with his bold black eyes
And brace of slaves, the old ship captain tanned
With sweeping sea-winds and the pitiless sun,
But best of all that dainty amorous pair,
Whose youthful spirit neither heat nor toil
Could conquer. What a charming group they made?
The creaking litter and the long brown poles,
The sinewy bearers with their cat-like stride,
Dripping with sweat, that merry dark-eyed girl,
Whose sudden beauty shook us from our dreams,
And chained our eyes. How beautiful she was?
Half-hid among the gay Miletian cushions,
The lovely laughing face, the gracious form,
The fragrant lightly-knotted hair, and eyes
Full of the dancing fire of wanton Corinth.
That happy stripling, whose delighted feet
Swung at her side, whose tongue ran on so gaily,
Is it for him alone she wreathes those smiles,
And tunes so musically that flexile voice,
Soft as the Lydian flute? Surely his gait
Proclaimed the lover, and his well-filled girdle
Not less the lover's strength. How joyously
He strode, unmindful of his ruffled curls,
Whose perfumes still went wide upon the wind,
His dust-stained robe unheeded, and the stones
Whose ragged edges frayed his delicate shoes.
How radiant, how full of hope he was!
What pleasant memories, how many things
Rose up again before me, as I lay
Half stretched among the crushed anemones,
And watched them, till a far off jutting ledge
Precluded sight, still listening till mine ears
Caught the last vanishing murmur of their talk.
Only a little longer; then we rose
With limbs refreshed, and kept a swinging pace
Toward Corinth; but our talk, I know not why,
Fell for that day. I wonder what there was
About those dainty lovers or their speech,
That changed Euktemon's mood; for all the way
From high Cleonae to the city gates,
Till sunset found us loitering without aim,
Half lost among the dusky-moving crowds,
I could get nothing from him but dark looks,
Short answers and the old defiant stride.
Some memory pricked him. It may be, perchance,
A woman's treachery, some luckless passion,
In former days endured, hath seared his blood,
And dowered him with that cureless bitter humour.
To him solitude and the wanderer's life
Alone are sweet, the tumults of this world
A thing unworthy of the wise man's touch,
Its joys and sorrows to be met alike
With broad-browed scorn. One quality at least
We have in common; we are idlers both,
Shifters and wanderers through this sleepless world,
Albeit in different moods. 'Tis that, I think,
That knit us, and the universal need
For near companionship. Howe'er it be,
There is no hand that I would gladlier grasp,
Either on earth or in the nether gloom,
When the grey keel shall grind the Stygian strand,
Than stern Euktemon's.
Yearning upon the faint rose-curves that flit
About her child-sweet mouth and innocent cheek,
And in her eyes watching with eyes all meek
The light and shadow of laughter, I would sit
Mute, knowing out two souls might never knit;
As if a pale proud lily-flower should seek
The love of some red rose, but could not speak
One word of her blithe tongue to tell of it.
For oh, my Love was sunny-lipped and stirred
With all swift light and sound and gloom not long
Retained; I, with dreams weighed, that ever heard
Sad burdens echoing through the loudest throng
She, the wild song of some May-merry bird;
I, but the listening maker of a song.
Beloved, those who moan of love's brief day
Shall find but little grace with me, I guess,
Who know too well this passion's tenderness
To deem that it shall lightly pass away,
A moment's interlude in life's dull play;
Though many loves have lingered to distress,
So shall not ours, sweet Lady, ne'ertheless,
But deepen with us till both heads be grey.
For perfect love is like a fair green plant,
That fades not with its blossoms, but lives on,
And gentle lovers shall not come to want,
Though fancy with its first mad dream be gone;
Sweet is the flower, whose radiant glory flies,
But sweeter still the green that never dies.
Or whether sad or joyous be her hours,
Yet ever is she good and ever fair.
If she be glad, 'tis like a child's wild air,
Who claps her hands above a heap of flowers;
And if she's sad, it is no cloud that lowers,
Rather a saint's pale grace, whose golden hair
Gleams like a crown, whose eyes are like a prayer
From some quiet window under minister towers.
But ah, Beloved, how shall I be taught
To tell this truth in any rhymed line?
For words and woven phrases fall to naught,
Lost in the silence of one dream divine,
Wrapped in the beating wonder of this thought:
Even thou, who art so precious, thou art mine!
Comfort the sorrowful with watchful eyes
In silence, for the tongue cannot avail.
Vex not his wounds with rhetoric, nor the stale
Worn truths, that are but maddening mockeries
To him whose grief outmasters all replies.
Only watch near him gently; do but bring
The piteous help of silent ministering.
Watchful and tender. This alone is wise.
So shall thy presence and thine every motion,
The grateful knowledge of thy sad devotion
Melt out the passionate hardness of his grief,
And break the flood-gates of thy pent-up soul.
He shall bow down beneath thy mute control,
And take thine hands, and weep, and find relief.
Slow figures in some live remorseless frieze,
The approaching days escapeless and unguessed,
With mask and shroud impenetrably dressed;
Time, whose inexorable destinies
Bear down upon us like impending seas;
And the huge presence of the world, at best
A sightless giant wandering without rest,
Aged and mad with many miseries.
The weight and measure of these things who knows?
Resting at times beside life's thought-swept stream,
Sobered and stunned with unexpected blows,
We scarcely hear the uproar; life doth seem,
Save for the certain nearness of its woes,
Vain and phantasmal as a sick man's dream.
Not to be conquered by these headlong days,
But to stand free: to keep the mind at brood
On life's deep meaning, nature's altitude
On loveliness, and time's mysterious ways;
At every thought and deed to clear the haze
Out of our eyes, considering only this,
What man, what life, what love, what beauty is,
This is to live, and win the final praise.
Though strife, ill fortune and harsh human need
Beat down the soul, at moments blind and dumb
With agony; yet, patience--there shall come
Many great voices from life's outer sea,
Hours of strange triumph, and, when few men heed,
Murmurs and glimpses of eternity.
Blind multitudes that jar confusedly
At strife, earth's children, will ye never rest
From toils made hateful here, and dawns distressed
With ravelling self-engendered misery?
And will ye never know, till sleep shall see.
Your graves, how dreadful and how dark indeed
Are pride, self-will, and blind-voiced anger, greed,
And malice with its subtle cruelty?
How beautiful is gentleness, whose face
Like April sunshine, or the summer rain,
Swells everywhere the buds of generous thought?
So easy, and so sweet it is; its grace
Smoothes out so soon the tangled knots of pain.
Can ye not learn it? will ye not be taught?
Oh earth, oh dewy mother, breathe on us
Something of all thy beauty and thy might,
Us that are part of day, but most of night,
Not strong like thee, but ever burdened thus
With glooms and cares, things pale and dolorous
Whose gladest moments are not wholly bright;
Something of all they freshness and thy light,
Oh earth, oh mighty mother, breathe on us.
Oh mother, who wast long before our day,
And after us full many an age shalt be.
Careworn and blind, we wander from thy way:
Born of thy strength, yet weak and halt are we
Grant us, oh mother, therefore, us who pray,
Some little of thy light and majesty.
Move on, light hands, so strongly tenderly,
Now with dropped calm and yearning undersong,
Now swift and loud, tumultuously strong,
And I in darkness, sitting near to thee,
Shall not only hear, and feel, but shall not see,
One hour made passionately bright with dreams,
Keen glimpses of life's splendour, dashing gleams
Of what we would, and what we cannot be.
Surely not painful ever, yet not glad,
Shall such hours be to me, but blindly sweet,
Sharp with all yearning and all fact at strife,
Dreams that shine by with unremembered feet,
And tones that like far distance make this life
Spectral and wonderful and strangely sad.
What is more large than knowledge and more sweet;
Knowledge of thoughts and deeds, of rights and wrongs,
Of passions and of beauties and of songs;
Knowledge of life; to feel its great heart beat
Through all the soul upon her crystal seat;
To see, to feel, and evermore to know;
To till the old world's wisdom till it grow
A garden for the wandering of our feet.
Oh for a life of leisure and broad hours,
To think and dream, to put away small things,
This world's perpetual leaguer of dull naughts;
To wander like the bee among the flowers
Till old age find us weary, feet and wings
Grown heavy with the gold of many thoughts.
The world is bright with beauty, and its days
Are filled with music; could we only know
True ends from false, and lofty things from low;
Could we but tear away the walls that graze
Our very elbows in life's frosty ways;
Behold the width beyond us with its flow,
Its knowledge and its murmur and its glow,
Where doubt itself is but a golden haze.
Ah brothers, still upon our pathway lies
The shadow of dim weariness and fear,
Yet if we could but lift our earthwood eyes
To see, and open our dull eyes to hear,
Then should the wonder of this world draw near
And life's innumerable harmonies.
AN OLD LESSON FROM THE FIELDS
Even as I watched the daylight how it sped
From noon till eve, and saw the light wind pass
In long pale waves across the flashing grass,
And heard through all my dreams, wherever led,
The thin cicada singing overhead,
I felt what joyance all this nature has,
And saw myself made clear as in a glass,
How that my soul was for the most part dead.
Oh, light, I cried, and, heaven, with all your blue,
Oh, earth, with all your sunny fruitfulness,
And ye, tall lillies, of the wind-vexed field,
What power and beauty life indeed might yield,
Could we but cast away its conscious stress,
Simple of heart, becoming even as you.
The wind-swayed daisies, that on every side
Throng the wide fields in whispering companies,
Serene and gently smiling like the eyes
Of tender children long beatified,
The delicate thought-wrapped buttercups that glide
Like sparks of fire above the wavering grass,
And swing and toss with all the airs that pass,
Yet seem so peaceful, so preoccupied;
These are the emblems of pure pleasures flown,
I scarce can think of pleasure without these.
Even to dream of them is to disown
The cold forlorn midwinter reveries,
Lulled with the perfume of old hopes new-blown,
No longer dreams, but dear realities.
'Tis well with words, oh masters, ye have sought,
To turn men's eyes yearning to the great and true,
Yet first take heed to what your own hands do;
By deeds not words the souls of men are taught;
Good lives alone are fruitful; they are caught
Into the fountain of all life (wherethrough
Men's souls that drink are broken or made new)
Like drops of heavenly elixir, fraught
With the clear essence of eternal youth.
Even one little deed of weak untruth
Is like a drop of quenchless venom cast,
A liquid thread, into life's feeding stream,
Woven forever with its crystal gleam,
Bearing the seed of death and woe at last.
Oh deep-eyed brothers was there ever here,
Or is there now, or shall there sometime be
Harbour or any rest for such as we,
Lone thin-cheeked mariners, that aye must steer
Our whispering barks with such keen hope and fear
Toward misty bournes across the coastless sea,
Whose winds are songs that ever gust and flee,
Whose shores are dreams that tower but come not near.
Yet we perchance, for all that flesh and mind
Of many ills be marked with many a trace,
Shall find this life more sweet more strangely kind,
Than they of that dim-hearted earthly race,
Who creep firm-nailed upon the earth's hard face,
And hear nor see not, being deaf and blind.
Half god, half brute, within the self-same shell,
Changers with every hour from dawn till even,
Who dream with angels in the gate of heaven,
And skirt with curious eyes the brinks of hell,
Children of Pan, whom some, the few, love well,
But most draw back, and know not what to say,
Poor shining angels, whom the hoofs betray,
Whose pinions frighten with their goatish smell.
Half brutish, half divine, but all of earth,
Half-way 'twixt hell and heaven, near to man,
The whole world's tangle gathered in one span,
Full of this human torture and this mirth:
Life with its hope and error, toil and bliss,
Earth-born, earth-reared, ye know it as it is.
Friend, though thy soul shall burn thee, yet be still,
Thoughts were not meant for strife, not tongues for swords.
He that sees clear is gentlest of his words.
And that's not truth that hath the heart to kill.
The whole world's thought shall not one truth fulfill.
Dull in our age, and passionate in youth,
No mind of man hath found the perfect truth,
Nor shalt thou find it; therefore, friend, be still.
Watch and be still, not hearken to the fool,
The babbler of consistency and rule:
Wisest is he, who, never quite secure,
Changes his thoughts for better day by day:
To-morrow some new light will shine, be sure,
And thou shalt see thy thought another way.
Oh ye, who found in men's brief ways no sign
Of strength or help, so cast them forth, and threw
Your whole souls up to one ye deemed most true,
Nor failed nor doubted but held fast your line,
Seeing before you that divine face shine;
Shall we not mourn, when yours are now so few,
Those sterner days, when all men yearned to you,
White souls whose beauty made their world divine:
Yet still across life's tangled storms we see,
Following the cross, your pale procession led,
One hope, one end, all others sacrificed,
Self-abnegation, love, humility,
Your faces shining toward the bended head,
The wounded hands and patient feet of Christ.
A NIGHT OF STORM
Oh city, whom grey stormy hands have sown,
With restless drift, scarce broken now of any,
Out of the dark thy windows dim and many
Gleam red across the storm. Sound is there none,
Save evermore the fierce wind's sweep and moan,
From whose grey hands the keen white snow is shaken
In desperate gusts, that fitfully lull and waken,
Dense as night's darkness round they towers of stone.
Darkling and strange art thou thus vexed and chidden;
More dark and strange thy veiled agony,
City of storm, in whose grey heart are hidden
What stormier woes, what lives that groan and beat,
Stern and thin-cheeked, against time's heavier sleet,
Rude fates, hard hearts, and prisoning poverty.
THE RAILWAY STATION
The darkness brings no quiet here, the light
No waking: ever on my blinded brain
The flare of lights, the rush, and cry, and strain,
The engines' scream, the hiss and thunder smite:
I see the hurrying crowds, the clasp, the flight,
Faces that touch, eyes that are dim with pain:
I see the hoarse wheels turn, and the great train
Move labouring out into the bourneless night.
So many souls within its dim recesses,
So many bright, so many mournful eyes:
Mine eyes that watch grow fixed with dreams and guesses;
What threads of life, what hidden histories,
What sweet or passionate dreams and dark distresses,
What unknown thoughts, what various agonies.