Produced by David Widger
THE LADY OF THE BARGE
AND OTHER STORIES
By W. W. Jacobs
A TIGER'S SKIN
The travelling sign-painter who was repainting the sign of the
"Cauliflower" was enjoying a well-earned respite from his labours. On
the old table under the shade of the elms mammoth sandwiches and a large
slice of cheese waited in an untied handkerchief until such time as his
thirst should be satisfied. At the other side of the table the oldest
man in Claybury, drawing gently at a long clay pipe, turned a dim and
regretful eye up at the old signboard.
"I've drunk my beer under it for pretty near seventy years," he said,
with a sigh. "It's a pity it couldn't ha' lasted my time."
The painter, slowly pushing a wedge of sandwich into his mouth, regarded
"It's all through two young gentlemen as was passing through 'ere a month
or two ago," continued the old man; "they told Smith, the landlord,
they'd been looking all over the place for the 'Cauliflower,' and when
Smith showed 'em the sign they said they thought it was the 'George the
Fourth,' and a very good likeness, too."
The painter laughed and took another look at the old sign; then, with the
nervousness of the true artist, he took a look at his own. One or two
He flung his legs over the bench and took up his brushes. In ten minutes
the most fervent loyalist would have looked in vain for any resemblance,
and with a sigh at the pitfalls which beset the artist he returned to his
interrupted meal and hailed the house for more beer.
"There's nobody could mistake your sign for anything but a cauliflower,"
said the old man; "it looks good enough to eat."
The painter smiled and pushed his mug across the table. He was a tender-
hearted man, and once--when painting the sign of the "Sir Wilfrid
Lawson"--knew himself what it was to lack beer. He began to discourse on
art, and spoke somewhat disparagingly of the cauliflower as a subject.
With a shake of his head he spoke of the possibilities of a spotted cow
or a blue lion.
"Talking of lions," said the ancient, musingly, "I s'pose as you never
'eard tell of the Claybury tiger? It was afore your time in these parts,
The painter admitted his ignorance, and, finding that the allusion had no
reference to an inn, pulled out his pipe and prepared to listen.
"It's a while ago now," said the old man, slowly, "and the circus the
tiger belonged to was going through Claybury to get to Wickham, when,
just as they was passing Gill's farm, a steam-ingine they 'ad to draw
some o' the vans broke down, and they 'ad to stop while the blacksmith
mended it. That being so, they put up a big tent and 'ad the circus
"I was one o' them as went, and I must say it was worth the money, though
Henry Walker was disappointed at the man who put 'is 'ead in the lion's
mouth. He said that the man frightened the lion first, before 'e did it.
"It was a great night for Claybury, and for about a week nothing else was
talked of. All the children was playing at being lions and tigers and
such-like, and young Roberts pretty near broke 'is back trying to see if
he could ride horseback standing up.
"It was about two weeks after the circus 'ad gone when a strange thing
'appened: the big tiger broke loose. Bill Chambers brought the news
first, 'aving read it in the newspaper while 'e was 'aving his tea. He
brought out the paper and showed us, and soon after we 'eard all sorts o'
tales of its doings.
"At first we thought the tiger was a long way off, and we was rather
amused at it. Frederick Scott laughed 'imself silly a'most up 'ere one
night thinking 'ow surprised a man would be if 'e come 'ome one night and
found the tiger sitting in his armchair eating the baby. It didn't seem
much of a laughing matter to me, and I said so; none of us liked it, and
even Sam Jones, as 'ad got twins for the second time, said 'Shame!'
But Frederick Scott was a man as would laugh at anything.
"When we 'eard that the tiger 'ad been seen within three miles of
Claybury things began to look serious, and Peter Gubbins said that
something ought to be done, but before we could think of anything to do
"We was sitting up 'ere one evening 'aving a mug o' beer and a pipe--same
as I might be now if I'd got any baccy left--and talking about it, when
we 'eard a shout and saw a ragged-looking tramp running toward us as 'ard
as he could run. Every now and then he'd look over 'is shoulder and give
a shout, and then run 'arder than afore.
"'It's the tiger!' ses Bill Chambers, and afore you could wink a'most he
was inside the house, 'aving first upset Smith and a pot o' beer in the
"Before he could get up, Smith 'ad to wait till we was all in. His
langwidge was awful for a man as 'ad a license to lose, and everybody
shouting 'Tiger!' as they trod on 'im didn't ease 'is mind. He was
inside a'most as soon as the last man, though, and in a flash he 'ad the
door bolted just as the tramp flung 'imself agin it, all out of breath
and sobbing 'is hardest to be let in.
"'Open the door,' he ses, banging on it.
"'Go away,' ses Smith.
"'It's the tiger,' screams the tramp; 'open the door.'
"'You go away,' ses Smith, 'you're attracting it to my place; run up the
road and draw it off.'"
"Just at that moment John Biggs, the blacksmith, come in from the
taproom, and as soon as he 'eard wot was the matter 'e took down Smith's
gun from behind the bar and said he was going out to look after the
wimmen and children.
"'Open the door,' he ses.
"He was trying to get out and the tramp outside was trying to get in,
but Smith held on to that door like a Briton. Then John Biggs lost 'is
temper, and he ups with the gun--Smith's own gun, mind you--and fetches
'im a bang over the 'ead with it. Smith fell down at once, and afore we
could 'elp ourselves the door was open, the tramp was inside, and John
Biggs was running up the road, shouting 'is hardest.
"We 'ad the door closed afore you could wink a'most, and then, while the
tramp lay in a corner 'aving brandy, Mrs. Smith got a bowl of water and a
sponge and knelt down bathing 'er husband's 'ead with it.
"'Did you see the tiger?' ses Bill Chambers.
"'See it?' ses the tramp, with a shiver. 'Oh, Lord!'
"He made signs for more brandy, and Henery Walker, wot was acting as
landlord, without being asked, gave it to 'im.
"'It chased me for over a mile,' ses the tramp; 'my 'eart's breaking.'
"He gave a groan and fainted right off. A terrible faint it was, too,
and for some time we thought 'ed never come round agin. First they
poured brandy down 'is throat, then gin, and then beer, and still 'e
didn't come round, but lay quiet with 'is eyes closed and a horrible
smile on 'is face.
"He come round at last, and with nothing stronger than water, which Mrs.
Smith kept pouring into 'is mouth. First thing we noticed was that the
smile went, then 'is eyes opened, and suddenly 'e sat up with a shiver
and gave such a dreadful scream that we thought at first the tiger was on
top of us.
"Then 'e told us 'ow he was sitting washing 'is shirt in a ditch, when he
'eard a snuffling noise and saw the 'ead of a big tiger sticking through
the hedge the other side. He left 'is shirt and ran, and 'e said that,
fortunately, the tiger stopped to tear the shirt to pieces, else 'is last
hour would 'ave arrived.
"When 'e 'ad finished Smith went upstairs and looked out of the bedroom
winders, but 'e couldn't see any signs of the tiger, and 'e said no doubt
it 'ad gone down to the village to see wot it could pick up, or p'raps it
'ad eaten John Biggs.
"However that might be, nobody cared to go outside to see, and after it
got dark we liked going 'ome less than ever.
"Up to ten o'clock we did very well, and then Smith began to talk about
'is license. He said it was all rubbish being afraid to go 'ome, and
that, at any rate, the tiger couldn't eat more than one of us, and while
'e was doing that there was the chance for the others to get 'ome safe.
Two or three of 'em took a dislike to Smith that night and told 'im so.
"The end of it was we all slept in the tap-room that night. It seemed
strange at first, but anything was better than going 'ome in the dark,
and we all slept till about four next morning, when we woke up and found
the tramp 'ad gone and left the front door standing wide open.
"We took a careful look-out, and by-and-by first one started off and then
another to see whether their wives and children 'ad been eaten or not.
Not a soul 'ad been touched, but the wimmen and children was that scared
there was no doing anything with 'em. None o' the children would go to
school, and they sat at 'ome all day with the front winder blocked up
with a mattress to keep the tiger out.
"Nobody liked going to work, but it 'ad to be done and as Farmer Gill
said that tigers went to sleep all day and only came out toward evening
we was a bit comforted. Not a soul went up to the 'Cauliflower' that
evening for fear of coming 'ome in the dark, but as nothing 'appened that
night we began to 'ope as the tiger 'ad travelled further on.
"Bob Pretty laughed at the whole thing and said 'e didn't believe there
was a tiger; but nobody minded wot 'e said, Bob Pretty being, as I've
often told people, the black sheep o' Claybury, wot with poaching and,
wot was worse, 'is artfulness.
"But the very next morning something 'appened that made Bob Pretty look
silly and wish 'e 'adn't talked quite so fast; for at five o'clock
Frederick Scott, going down to feed 'is hins, found as the tiger 'ad been
there afore 'im and 'ad eaten no less than seven of 'em. The side of the
hin-'ouse was all broke in, there was a few feathers lying on the ground,
and two little chicks smashed and dead beside 'em.
"The way Frederick Scott went on about it you'd 'ardly believe. He said
that Govinment 'ud 'ave to make it up to 'im, and instead o' going to
work 'e put the two little chicks and the feathers into a pudding basin
and walked to Cudford, four miles off, where they 'ad a policeman.
"He saw the policeman, William White by name, standing at the back door
of the 'Fox and Hounds' public house, throwing a 'andful o' corn to the
landlord's fowls, and the first thing Mr. White ses was, 'it's off my
beat,' he ses.
"'But you might do it in your spare time, Mr. White,' ses Frederick
Scott. It's very likely that the tiger'll come back to my hin 'ouse for
the rest of 'em, and he'd be very surprised if 'e popped 'is 'ead in and
see you there waiting for 'im.'
"He'd 'ave reason to be,' ses Policeman White, staring at 'im.
"'Think of the praise you'd get,' said Frederick Scott, coaxing like.
"'Look 'ere,' ses Policeman White, 'if you don't take yourself and that
pudding basin off pretty quick, you'll come along o' me, d'ye see?
You've been drinking and you're in a excited state.'
"He gave Frederick Scott a push and follered 'im along the road, and
every time Frederick stopped to ask 'im wot 'e was doing of 'e gave 'im
another push to show 'im.
"Frederick Scott told us all about it that evening, and some of the
bravest of us went up to the 'Cauliflower' to talk over wot was to be
done, though we took care to get 'ome while it was quite light. That
night Peter Gubbins's two pigs went. They were two o' the likeliest pigs
I ever seed, and all Peter Gubbins could do was to sit up in bed
shivering and listening to their squeals as the tiger dragged 'em off.
Pretty near all Claybury was round that sty next morning looking at the
broken fence. Some of them looked for the tiger's footmarks, but it was
dry weather and they couldn't see any. Nobody knew whose turn it would
be next, and the most sensible man there, Sam Jones, went straight off
'ome and killed his pig afore 'e went to work.
"Nobody knew what to do; Farmer Hall said as it was a soldier's job, and
'e drove over to Wickham to tell the police so, but nothing came of it,
and that night at ten minutes to twelve Bill Chambers's pig went. It was
one o' the biggest pigs ever raised in Claybury, but the tiger got it off
as easy as possible. Bill 'ad the bravery to look out of the winder when
'e 'eard the pig squeal, but there was such a awful snarling noise that
'e daresn't move 'and or foot.
"Dicky Weed's idea was for people with pigs and such-like to keep 'em in
the house of a night, but Peter Gubbins and Bill Chambers both pointed
out that the tiger could break a back door with one blow of 'is paw, and
that if 'e got inside he might take something else instead o' pig. And
they said that it was no worse for other people to lose pigs than wot it
was for them.
"The odd thing about it was that all this time nobody 'ad ever seen the
tiger except the tramp and people sent their children back to school agin
and felt safe going about in the daytime till little Charlie Gubbins came
running 'ome crying and saying that 'e'd seen it. Next morning a lot
more children see it and was afraid to go to school, and people began to
wonder wot 'ud happen when all the pigs and poultry was eaten.
"Then Henery Walker see it. We was sitting inside 'ere with scythes, and
pitchforks, and such-like things handy, when we see 'im come in without
'is hat. His eyes were staring and 'is hair was all rumpled. He called
for a pot o' ale and drank it nearly off, and then 'e sat gasping and
'olding the mug between 'is legs and shaking 'is 'ead at the floor till
everybody 'ad left off talking to look at 'im.
"'Wot's the matter, Henery?' ses one of 'em.
"'Don't ask me,' ses Henery Walker, with a shiver.
"'You don't mean to say as 'ow you've seen the tiger?" ses Bill
"Henery Walker didn't answer 'im. He got up and walked back'ards and
for'ards, still with that frightened look in 'is eyes, and once or twice
'e give such a terrible start that 'e frightened us 'arf out of our wits.
Then Bill Chambers took and forced 'im into a chair and give 'im two o'
gin and patted 'im on the back, and at last Henery Walker got 'is senses
back agin and told us 'ow the tiger 'ad chased 'im all round and round
the trees in Plashett's Wood until 'e managed to climb up a tree and
escape it. He said the tiger 'ad kept 'im there for over an hour, and
then suddenly turned round and bolted off up the road to Wickham.
"It was a merciful escape, and everybody said so except Sam Jones, and 'e
asked so many questions that at last Henery Walker asked 'im outright if
'e disbelieved 'is word.
"'It's all right, Sam,' ses Bob Pretty, as 'ad come in just after Henery
Walker. 'I see 'im with the tiger after 'im.'
"'Wot?' ses Henery, staring at him.
"'I see it all, Henery,' ses Bob Pretty, 'and I see your pluck. It was
all you could do to make up your mind to run from it. I believe if you'd
'ad a fork in your 'and you'd 'ave made a fight for it."
"Everybody said 'Bravo!'; but Henery Walker didn't seem to like it at
all. He sat still, looking at Bob Pretty, and at last 'e ses, 'Where was
you?' 'e s,es.
"'Up another tree, Henery, where you couldn't see me,' ses Bob Pretty,
smiling at 'im.
"Henery Walker, wot was drinking some beer, choked a bit, and then 'e put
the mug down and went straight off 'ome without saying a word to anybody.
I knew 'e didn't like Bob Pretty, but I couldn't see why 'e should be
cross about 'is speaking up for 'im as 'e had done, but Bob said as it
was 'is modesty, and 'e thought more of 'im for it.
"After that things got worse than ever; the wimmen and children stayed
indoors and kept the doors shut, and the men never knew when they went
out to work whether they'd come 'ome agin. They used to kiss their
children afore they went out of a morning, and their wives too, some of
'em; even men who'd been married for years did. And several more of 'em
see the tiger while they was at work, and came running 'ome to tell about
"The tiger 'ad been making free with Claybury pigs and such-like for
pretty near a week, and nothing 'ad been done to try and catch it, and
wot made Claybury men madder than anything else was folks at Wickham
saying it was all a mistake, and the tiger 'adn't escaped at all. Even
parson, who'd been away for a holiday, said so, and Henery Walker told
'is wife that if she ever set foot inside the church agin 'ed ask 'is old
mother to come and live with 'em.
"It was all very well for parson to talk, but the very night he come back
Henery Walker's pig went, and at the same time George Kettle lost five or
"He was a quiet man, was George, but when 'is temper was up 'e didn't
care for anything. Afore he came to Claybury 'e 'ad been in the Militia,
and that evening at the 'Cauliflower' 'e turned up with a gun over 'is
shoulder and made a speech, and asked who was game to go with 'im and
hunt the tiger. Bill Chambers, who was still grieving after 'is pig,
said 'e would, then another man offered, until at last there was
seventeen of 'em. Some of 'em 'ad scythes and some pitchforks, and one
or two of 'em guns, and it was one o' the finest sights I ever seed when
George Kettle stood 'em in rows of four and marched 'em off.
"They went straight up the road, then across Farmer Gill's fields to get
to Plashett's wood, where they thought the tiger 'ud most likely be, and
the nearer they got to the wood the slower they walked. The sun 'ad just
gone down and the wood looked very quiet and dark, but John Biggs, the
blacksmith, and George Kettle walked in first and the others follered,
keeping so close together that Sam Jones 'ad a few words over his
shoulder with Bill Chambers about the way 'e was carrying 'is pitchfork.
"Every now and then somebody 'ud say, _'Wot's that!'_ and they'd all stop
and crowd together and think the time 'ad come, but it 'adn't, and then
they'd go on agin, trembling, until they'd walked all round the wood
without seeing anything but one or two rabbits. John Biggs and George
Kettle wanted for to stay there till it was dark, but the others wouldn't
'ear of it for fear of frightening their wives, and just as it was
getting dark they all come tramp, tramp, back to the 'Cauliflower' agin.
"Smith stood 'em 'arf a pint apiece, and they was all outside 'ere
fancying theirselves a bit for wot they'd done when we see old man
Parsley coming along on two sticks as fast as 'e could come.
"'Are you brave lads a-looking for the tiger?' he asks.
"'Yes,' ses John Biggs.
"'Then 'urry up, for the sake of mercy,' ses old Mr. Parsley, putting 'is
'and on the table and going off into a fit of coughing; 'it's just gone
into Bob Pretty's cottage. I was passing and saw it.'
"George Kettle snatches up 'is gun and shouts out to 'is men to come
along. Some of 'em was for 'anging back at first, some because they
didn't like the tiger and some because they didn't like Bob Pretty, but
John Biggs drove 'em in front of 'im like a flock o' sheep and then they
gave a cheer and ran after George Kettle, full pelt up the road.
"A few wimmen and children was at their doors as they passed, but they
took fright and went indoors screaming. There was a lamp in Bob Pretty's
front room, but the door was closed and the 'ouse was silent as the
"George Kettle and the men with the guns went first, then came the
pitchforks, and last of all the scythes. Just as George Kettle put 'is
'and on the door he 'eard something moving inside, and the next moment
the door opened and there stood Bob Pretty.
"'What the dickens!' 'e ses, starting back as 'e see the guns and
pitchforks pointing at 'im.
"''Ave you killed it, Bob?' ses George Kettle.
"'Killed _wot?'_ ses Bob Pretty. 'Be careful o' them guns. Take your
fingers off the triggers.'
"'The tiger's in your 'ouse, Bob,' ses George Kettle, in a whisper.
''Ave you on'y just come in?'
"'Look 'ere,' ses Bob Pretty. 'I don't want any o' your games. You go
and play 'em somewhere else.'
"'It ain't a game,' ses John Biggs; 'the tiger's in your 'ouse and we're
going to kill it. Now, then, lads.'
"They all went in in a 'eap, pushing Bob Pretty in front of 'em, till the
room was full. Only one man with a scythe got in, and they wouldn't 'ave
let 'im in if they'd known. It a'most made 'em forget the tiger for the
"George Kettle opened the door wot led into the kitchen, and then 'e
sprang back with such a shout that the man with the scythe tried to
escape, taking Henery Walker along with 'im. George Kettle tried to
speak, but couldn't. All 'e could do was to point with 'is finger at Bob
Pretty's kitchen--_and Bob Pretty's kitchen was for all the world like a
pork-butcher's shop_. There was joints o' pork 'anging from the ceiling,
two brine tubs as full as they could be, and quite a string of fowls and
ducks all ready for market.
"'Wot d'ye mean by coming into my 'ouse?' ses Bob Pretty, blustering.
'If you don't clear out pretty quick, I'll make you.'
"Nobody answered 'im; they was all examining 'ands o' pork and fowls and
"'There's the tiger,' ses Henery Walker, pointing at Bob Pretty; 'that's
wot old man Parsley meant.'
"'Somebody go and fetch Policeman White,' ses a voice.
"'I wish they would,' ses Bob Pretty. "I'll 'ave the law on you all for
breaking into my 'ouse like this, see if I don't.'
"'Where'd you get all this pork from?' ses the blacksmith.
"'And them ducks and hins?' ses George Kettle.
"'That's my bisness,' ses Bob Pretty, staring 'em full in the face. 'I
just 'ad a excellent oppertunity offered me of going into the pork and
poultry line and I took it. Now, all them as doesn't want to buy any
pork or fowls go out o' my house.'
"'You're a thief, Bob Pretty!' says Henery Walker. 'You stole it all.'
"'Take care wot you're saying, Henery,' ses Bob Pretty, 'else I'll make
you prove your words.'
"'You stole my pig,' ses Herbert Smith.
"'Oh, 'ave I?' ses Bob, reaching down a 'and o' pork. 'Is that your
pig?' he ses.
"'It's just about the size o' my pore pig,' ses Herbert Smith.
"'Very usual size, I call it,' ses Bob Pretty; 'and them ducks and hins
very usual-looking hins and ducks, I call 'em, except that they don't
grow 'em so fat in these parts. It's a fine thing when a man's doing a
honest bisness to 'ave these charges brought agin 'im. Dis'eartening, I
call it. I don't mind telling you that the tiger got in at my back
winder the other night and took arf a pound o' sausage, but you don't
'ear me complaining and going about calling other people thieves.'
"'Tiger be hanged,' ses Henery Walker, who was almost certain that a loin
o' pork on the table was off 'is pig; 'you're the only tiger in these
"Why, Henery,' ses Bob Pretty, 'wot are you a-thinkin' of? Where's your
memory? Why, it's on'y two or three days ago you see it and 'ad to get
up a tree out of its way.'
"He smiled and shook 'is 'ead at 'im, but Henery Walker on'y kept opening
and shutting 'is mouth, and at last 'e went outside without saying a
"'And Sam Jones see it, too,' ses Bob Pretty; 'didn't you, Sam?'
"Sam didn't answer 'im.
"'And Charlie Hall and Jack Minns and a lot more,' ses Bob; 'besides, I
see it myself. I can believe my own eyes, I s'pose?'
"'We'll have the law on you,' ses Sam Jones.
"'As you like,' ses Bob Pretty; 'but I tell you plain, I've got all the
bills for this properly made out, upstairs. And there's pretty near a
dozen of you as'll 'ave to go in the box and swear as you saw the tiger.
Now, can I sell any of you a bit o' pork afore you go? It's delicious
eating, and as soon as you taste it you'll know it wasn't grown in
Claybury. Or a pair o' ducks wot 'ave come from two 'undered miles off,
and yet look as fresh as if they was on'y killed last night.'
"George Kettle, whose ducks 'ad gone the night afore, went into the front
room and walked up and down fighting for 'is breath, but it was all no
good; nobody ever got the better o' Bob Pretty. None of 'em could swear
to their property, and even when it became known a month later that Bob
Pretty and the tramp knew each other, nothing was done. But nobody ever
'eard any more of the tiger from that day to this."
*** END OF THIS PROJECT GUTENBERG EBOOK A TIGER'S SKIN ***
***** This file should be named 12128.txt or 12128.zip *****
This and all associated files of various formats will be found in:
Produced by David Widger
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
agree to be bound by the terms of this agreement. There are a few
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
Gutenberg-tm mission of promoting free access to electronic works by
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
1.E.1. The following sentence, with active links to, or other immediate
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
through 1.E.7 or obtain permission for the use of the work and the
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
1.E.7. Do not charge a fee for access to, viewing, displaying,
1.E.8. You may charge a reasonable fee for copies of or providing
- You pay a royalty fee of 20% of the gross profits you derive from
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
forth in this agreement, you must obtain permission in writing from
Foundation as set forth in Section 3 below.
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
that arise directly or indirectly from any of the following which you do
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
firstname.lastname@example.org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
ways including including checks, online payments and credit card
donations. To donate, please visit: http://pglaf.org/donate
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Each eBook is in a subdirectory of the same number as the eBook's
eBook number, often in several formats including plain vanilla ASCII,
compressed (zipped), HTML and others.
Corrected EDITIONS of our eBooks replace the old file and take over
the old filename and etext number. The replaced older file is renamed.
VERSIONS based on separate sources are treated as new eBooks receiving
new filenames and etext numbers.
Most people start at our Web site which has the main PG search facility:
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
are filed in directories based on their release date. If you want to
download any of these eBooks directly, rather than using the regular
search system you may utilize the following addresses and just
download by the etext year.
(Or /etext 05, 04, 03, 02, 01, 00, 99,
98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
EBooks posted since November 2003, with etext numbers OVER #10000, are
filed in a different way. The year of a release date is no longer part
of the directory path. The path is based on the etext number (which is
identical to the filename). The path to the file is made up of single
digits corresponding to all but the last digit in the filename. For
example an eBook of filename 10234 would be found at:
or filename 24689 would be found at:
An alternative method of locating eBooks: